New Arrival [Import]

New Arrival [Import]

Track Listings

1. Floorfiller
2. Have a Little Faith in Me
3. Shame Shame Shame
4. Let Your Heart Do All the Talking
5. Perfect Match
6. Letter
7. Cross My Heart
8. In the Blink of an Eye
9. School's Out - The A-Teens, Alice Cooper
10. Closer to Perfection
11. Shangri La
12. One Night in Bangkok
13. Can't Help Falling in Love [*]
14. Heartbreak Lullaby [Ballad Version][*]

Editorial Reviews

Product Description
Includes Songs from the Us Album "Pop Til You Drop" and a Few Covers of Well Known Songs.

New Arrival,The A-Teens,Universal Int'l,Pop,Rock,Rock/Pop


Build Your Baby's Brain
Average customer rating: 4.5 out of 5 stars
  • Build Baby's Brain through Classics Vol 1
  • Wonderful stimulating music for baby
  • The greatest CD!!
  • Forget baby, it's mine?
  • Love this CD--why all the complaints?
Build Your Baby's Brain

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Beethoven for Babies
  2. UltraSound - Music for the Unborn Child
  3. Build your baby's brain through the power of Mozart: Brain 2
  4. Mozart for Mothers-To-Be: Tender Lullabies for Mother and Child
  5. The Mozart Effect - Music for Babies - Playtime to Sleepytime

ASIN: B00000AE72
Release Date: 1998-08-25

Tracks:

  1. Eine kleine Nachtmusik: Allegro - Philadelphia Orch; Ormandy, E.
  2. Fse
  3. Arrival of the Queen of Sheba from "Solomon"
  4. Alla Turca
  5. Quintet in a Major for Piano and Strings, Op. 114 "Trout"
  6. Concerto No. 1 in E Major, RV. 269 "Spring" (From the Four Seasons)
  7. "Jesu Joy of Man's Desiring" from Cantata No. 147
  8. Canon in D
  9. Quintet in a Major for Piano and Strings, Op. 114 "Trout"
  10. Air ("On the G String") From Orchestral Suite No. 3, BWV 1068
  11. Sheep May Safely Graze from Cantata No. 208
  12. Water Music, HWV 348-350 (Wassermusik)
  13. Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan"
  14. Serenade No. 13 in G Major, K. 525 "Eine Kleine Nachtmusik"
  15. "Dove Sono" from le Nozze Di Figaro, K. 492
  16. "Li Darem la Mano" from Don Giovanni, K. 527
  17. Bist du Bei Mir, BWV 508

Amazon.com

Hundreds of compilation recordings have been thrust on the market in recent years on the theory that classical music makes a nice, non-threatening accompaniment to everything from working out to making love. And here we have one compilation promising to make your baby smarter. It's offensive enough that the music featured on these compilations is spliced up so that the most you hear of any work is a single movement; what's really annoying is the poor quality of so many of the featured performances. So it is some consolation that the artists here include such 20th-century legends as the Cleveland Orchestra under Szell and the Budapest String Quartet with Mieczyslaw Horszowski. Of course if these folks were alive, one can imagine their violent objection to this presentation of their work. --Gwendolyn Freed

Customer Reviews:

5 out of 5 stars Build Baby's Brain through Classics Vol 1.......2006-07-25

I am a true fan of Classical music and this was purchased as a gift for a co-worker who is adopting a child from China. Therefore I did not open it nor listen to it. The recipient is now overseas picking up their daughter so I know they haven't had the opportunity to listen to it. I think it's a great idea, though, and purchased a used set for my Grandson.

5 out of 5 stars Wonderful stimulating music for baby.......2006-06-23

I am sorry for the previous review who said that intelligence is hereditary. If that is true, all mankind would have been doomed from the start.

Intelligence is not hereditary, but rather a result of stimulation during infancy and birth. Sure, it isn't a guarantee that your child *will* become a genius if you attempt to educate them from birth, but there is no doubt that real educational stimulation of a young mind is a powerful indicator that the child will be more advanced than the average child.

Music is not just notes played. Music--real music--is everything. Though the music of today will fade, classical music will always be around because it is classic. It fits no matter what era you place it in. There is always a home for it. The artists are timeless just as the beautiful melodies are.

I certainly believe that babies who listen to music will become more familiar with and more easily understand music and instruments. Therefore, they will be quicker of mind. It is just a fact that people who play instruments are usually of higher intelligence.

I don't think that people are destined to be stupid or geniuses. I believe it is a question of environment. I feel I'm a great mother but I haven't done everything I could have been doing to help my son's mind expand as an infant. Now that he is a toddler (18 months) I am teaching him to read and exposing him to the magic of classical music in hopes that it will help mold him and set him apart from the rest.

Minds are trainable. You just have to work at it. This CD compiled of beautiful pieces composed by instrumental geniuses will help you do just that.

5 out of 5 stars The greatest CD!!.......2006-01-17

I received this CD free when I had my first baby and it instantly became my fav cd of all time. I have it on my computer and I had another copy made because I just can not imagine not having it.
And as for the comment that the music has nothing to do with intellingence, you stand alone on that front. Besides, what does it hurt? It's great, soothing music and the babies enjoy it.

5 out of 5 stars Forget baby, it's mine?.......2005-09-01

I love my child, but the first time I heard this CD, It immediately went from her recorder to mine. I take it practically everywhere I go. I know it's technically "Her" CD, but the selections are so soothing; and you need that type of comfort when stuck in traffic. Honestly, we both enjoy it - and I'm glad someone thought enough to give it as a gift.

5 out of 5 stars Love this CD--why all the complaints?.......2004-08-30

I'm not sure what people were expecting when they purchased this. For one thing it tells you exactly what is on the CD. Its not a mystery!! If you buy it on amazon it has listed every title on it so I"m not sure about the people who said they were dissapointed because they already own those titles. Obviously you should glance at the list of titles on this CD if you have a large classical collection already. However if you don't already have a classical collection this is by far excellent .I'll be honest and admit I listen to one of the volumes daily regardless of who is in the room. It's marketed for babies but it is really for anyone. There are SO many classical pieces out there. What they have done is to take the best of the best and also the ones that are known to appeal to babies. For some reason many reviewers thing they just took a random sampling of classical music. In reality they have put together those that appeal most to children. I can tell you that my 1 year old daughter actually dances to these. She really likes them a lot. I consider the whole collection a must have for any household.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
The Bells of St. Genevieve and Other Baroque Delights
Average customer rating: 4.5 out of 5 stars
  • One of my all-time classical favorites
  • The Bells! The Bells!
  • GREAT WORK MUSIC
  • Quite a nice little compilation.
  • Rock fan falls in love with Baroque's "greatest hits" album!
The Bells of St. Genevieve and Other Baroque Delights

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

QuartetsQuartets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MaraisAll Works by Marais | Marais, Marin | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PachelbelAll Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
Concerto GrossiConcerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
TrumpetTrumpet | Brass | Instruments | Classical | Styles | Music
FluteFlute | Reeds & Winds | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
GeneralGeneral | New Age | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
OratoriosOratorios | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
Classical Instrumental MusicClassical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:
  1. Marin Marais · Sainte-Colombe ~ The Greatest Masterworks / Spectre de la Rose
  2. Marin Marais: Pièces de Viole du Second Livre, 1701
  3. Tous Les Matins du Monde/Dix Ans Apres
  4. Marais: Viol Music for the Sun King
  5. 25 Vivaldi Favorites

ASIN: B000003F8U
Release Date: 1992-01-28

Tracks:

  1. The Bells Of St. Genevieve
  2. Concerto For Violin, BMV 1042: Allegro
  3. Concerto For Flute No. 3, Op. 10: Allegro
  4. 'The Four Seasons': Summer: Presto
  5. The Arrival Of The Queen Of Sheba
  6. Canon
  7. Brandenburg Concerto No. 2, BWV 1047: Allegro Assai
  8. Orchestral Suite No. 3, BWV 1068: Air On The G String
  9. Concerto For Violin (Transcribed From BWV 1056): Largo
  10. Guitar Concerto, R. 93: Adagio
  11. Orchestral Suite No. 2 BWV 1067: Minuet & Badinerie
  12. Concerto For Violin, BWV 1042: Allegro assai
  13. Trumpet Voluntary
  14. Messiah: Overture
  15. Brandeburg Concerto No. 3, BWV 1048: Allegro
  16. Rondeau

Customer Reviews:

5 out of 5 stars One of my all-time classical favorites.......2005-12-12

I reach for this CD time and again. It is both relaxing and upbeat. I like every recording on this CD...even if they are selections and not the complete works. You cannot go wrong this this purchase!!

3 out of 5 stars The Bells! The Bells!.......2005-10-12

I give this album an average rating as it does what it sets out to do which is give the average listener of classical music various average samples of average performances of great classical compositions. Albums such as these are always a great way to explore various or specific classical music styles with pieces that are usually not too intrusive to the common ear. The only downside of these albums is that they unfortunately, more often than not, introduce a new listner to only the most elementary of performances and leave them believing that all others sound as the ones they just heard when such differences in most cases are huge ones. I chose to review this particular album after hearing the Sonnerie "Bells" de Ste Genevieve on this album (originally composed by the unfortunately obscure Marin Marais) as it is a perfect example of what I am trying to convey.

Although some but few classical chamber pieces can be played well by pretty much any average group, some pieces such as "The Bells" require a certain expertise in instrument and style that very few musicians can properly apply to bring out all of the desired qualities of the piece. The interpretation on this album is a perfect example. Marin Marais was a French Baroque composer who was one of several royal court composers for King Louis XIV in the 17th-18th centuries. He was a soloist prodigy in the viola da gamba which actually sound as if they're being played by cellos here instead. Aside from any change in instruments, they are played with such deficiency in terms of quality, interpretation, and execution,here that it is rather sad that this would be included in an album such as this one. The viola is an instrument with a lot of range as it has more strings and is larger than the cello and the notation is made for the range of such instruments. In particular, there are literally less than five musicians today who are anywhere near proficient with this type of music and those playing here aren't anywhere near the top contenders. All of these things take out an enormous aspect of the full potential of this piece in terms of how it is supposed to sound and performances such as the one here are literally mutilations instead of transcriptions or interpretations. Such performances in many ways cheat the curious listener who is exploring this music as to the music's real potential as intended by its genius source. I recommend to those who may have heard a sample of the 'Bells' here and liked it to then compare it to the performance of this piece by Jordi Savall and Le Concert Des Nations in the soundtrack for 'All The Mornings of the World" available on Amazon. You will hear what I mean and understand how there's simply no comparison. Jordi Savall is the undisputed master in performing on authentic violas that have completely different acoustics than their modern counterparts. Savall is also an established conductor of French Baroque music unlike those here who completely misinterpret the piece as a result. Buying classical music is not as simple as just buying a certain piece by any performer thinking it's great. Unless you really don't care too much and just want to use it as background muscac in your life, classical music requires fine tuning just like playing the instruments themselves as the musicians are in a sense the instruments of the composer and the conductor's interpretatation. Don't settle for second best because the catastrophic results such a choice entails is similar to the range on the Richter scale: the difference between a No. 1 and a No. 4 best performance is exponential as the difference with the 'Bells' version I have mentioned perfectly illustrates. There are differences between symphonic and chamber groups, conductors, soloists, instruments, specialities of technique, production, etc. All of these things fine tune the performance and make the difference between epic and atrocious.

In sum then, although this album is a great source of introductory material as to the range of classical styles and in some cases has reputed perfomers, it is certainly not a sample of the best performances around. These types of albums always require a closer look because you never know what you're gonna get anyway unless you know what you're looking for. Trusting record labels to find stuff for you is not always a good idea. More often than not, this is the place where mediocre professionals can make some form of living without having to wait for a major deal that's never gonna come. If you feel you like the style of music here once you've heard it, expand your horizons in terms of performances as many on this album and similar ones are often simply mediocre in one form or another and there's stuff that's so much better out there for your listening enjoyment of a particular composition and/or style. Hope this helps! Good luck!

5 out of 5 stars GREAT WORK MUSIC.......2004-09-17

Great work music, great travel music. Wonderful upbeat and get-you-going music for all things you do. Even NAXOS brand CDs don't come close to matching the preformances on this disc. Like the Masterpeice Theater theme song? Brandenburg Concerto by Bach is done PEFECTLY on this album. All songs are absolutely brilliant and masterfully done. This is a MUST HAVE CD no matter what kind of music you enjoy. Surely to inspire YOU!

4 out of 5 stars Quite a nice little compilation........2002-03-21

"The Bells of St. Genevieve" is a compilation of Baroque pieces that would serve as an excellent introduction for someone who would like to hear more of the Baroque style beyond "Spring" from "The Four Seasons" or "Canon" by Pachelbel. Granted, this cd does contain "Canon" (what Baroque compilation could resist including it), but it doesn't stop there.

I'm not an expert when it comes to Baroque music, but I am something beyond a beginner; I guess I'd consider myself a moderately knowledgable amateur. However, before purchasing this album, I had never heard the title piece, "The Arrival of the Queen of Sheba," or track # 10 "Guitar Concerto" by Vivaldi. Some of the other tracks were familiar but not well-known to me. I was also pleased to see the inclusion of the turbulent Presto from "Summer" instead of the ubiquitous "Spring."

Compilations are often quite useful in helping neophytes get a better understanding and appreciation for classical music (I know they've helped me over the years). Not all compilations are a good mix or contain decent recordings; many seem like carbon copies of each other. This one, however, has good sound quality and great recordings from the likes of James Galway, Pinchas Zukerman, Canadian Brass, and James Levine.

I recommend this album to anyone wishing to branch out a bit in Baroque music but who is not sure where to start. I've discovered new favorites from listening to this album.

5 out of 5 stars Rock fan falls in love with Baroque's "greatest hits" album!.......2002-03-16

"Bells of St. Genevieve" (BSG) is the cd that got me, a rock fan, into classical music (technically Baroque and Classical are 2 different periods/styles, but we rock fans call it all "classical":-). This is a "best of" album of some of the greatest, and most famous Baroque music. BSG focuses on the last 50 years of Baroque period, which lasted roughly from 1600 to 1750. Most of the pieces come from the "big 3" of the late Baroque period: Vivaldi (3 of the 16 cuts), Bach (7), Handel (2). The tempo is mostly "allegro" (fast and cheerful), although Bach's Concerto for Violin is "largo" or very slow (the only slow piece on the cd). Still, this album has a very uplifting, energetic feel to it. I doubt it will put anyone to sleep, even if they grew up listening to Zeppelin & the Stones! Even the most classical-clueless rock fan will recognize many of these pieces: "Roundeau" by Mouret is the theme from BBC's "Masterpiece Theatre." Clarke's "Trumpet Voluntary" a.k.a. "The Prince of Denmark's March" is another "deja vous" song, often played in wedding processionals and I think was also BBC theme music. Likewise, Pachelbel's "Cannon" is a popular wedding march. In fact, this album contains many songs commonly played in wedding processionals, recessionals, and during dinner, so is good for anyone who needs quality classical recorded music for a wedding. Much of the music is played by chamber orchestras (small ensembles of up to about 9 instruments), so has more of an intimate feel than music played by large symphonies. I highly recommend this cd as an introduction to great Baroque music. However, once initated, I encourage folks to listen to these pieces in their entirety, such as Vivaldi's "Four Seasons" and Bach's "Brandenburg Concertos" to get the full picture of how these great composers intended their music to sound, complete with key and tempo changes.
Baroque Masterpieces
Average customer rating: 5 out of 5 stars
  • Baroque Masterpieces
  • Great short Baroque piece collection
  • Excellent Baroque Collection
Baroque Masterpieces

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005YQL6
Release Date: 2002-01-29

Tracks:

  1. Canon In D Major - Johann Pachelbel
  2. Suites De Symphonies No. 1: I. Rondeau - Jean-Joseph Mouret
  3. Adagio In G Minor - Tomaso Albinoni
  4. Little Suite From The 'Anna Megdalena Notebook': I. Menuett In G Major, BWV Anh. 114 - Johann Sebastian Bach
  5. Little Suite From The 'Anna Megdalena Notebook': II. Musette In D Major, BWV Anh. 126 - Johann Sebastian Bach
  6. Little Suite From The 'Anna Megdalena Notebook': III. 'Bist Du Bei Mir', BWV 508 - Johann Sebastian Bach
  7. Little Suite From The 'Anna Megdalena Notebook': IV. Marche In D Major, BWV Anh. 122 - Johann Sebastian Bach
  8. Orfeo Ed Euridice: Dance Of The Blessed Spirits - Christoph Willibald Gluck
  9. Trumpet Voluntary - Jeremiah Clarke
  10. Solomon: The Arrival Of The Queen Of Sheba - George Frideric Handel
  11. Concerto Grosso In G Minor, Op. 6 No. 8: Pastorale Ad Libitum - Arcangelo Corelli
  12. Berenice: Overture - George Frideric Handel
  13. Abdelazer: Rondeau - Henry Purcell
  14. Xerxes: Largo - George Frideric Handel
  15. Belshazzar: Martial Symphony - George Frideric Handel
  16. Saul: Dead March - George Frideric Handel
  17. Cantana BWV 147 Herz Und Mund Und Tat Und Leben: Jesu, Joy Of Man's Desiring - Johann Sebastian Bach
  18. Judas Maccabaeus: See, The Conquering Hero Comes - George Frideric Handel
  19. Samson: Let The Bright Seraphim - George Frideric Handel
  20. Suite For Strings: I. Sarabanda. Largo - Arcangelo Corelli
  21. Suite For Strings: II. Giga, Allegro - Arcangelo Corelli
  22. Suite For Strings: III. Badinerie. Vivace - Arcangelo Corelli

Customer Reviews:

5 out of 5 stars Baroque Masterpieces.......2007-07-07

The music was very good but wish they had more to listen too. Not enough bang.

5 out of 5 stars Great short Baroque piece collection.......2005-02-05

This CD has 17 pieces on 22 tracks including 7 by Handel, 2 each by Bach & Corelli, and 1 each by Pachelbel, Mouret, Albinoni, Gluck, Clarke, & Purcell. They are frequently the best known piece by the composer--and easily recognizable: Pachelbel's Canon, Mouret's Rondeau (theme from PBS' Masterpiece Theater), Albinoni's Adagio, etc. If you like high quality short pieces/excerpts, this CD is for you. My only qualification is: no Telemann, but it's just too good for a 4-star rating.

5 out of 5 stars Excellent Baroque Collection.......2003-07-22

As I have stated in many of my previous reviews, I am a huge fan of the Sony Essential Classics (SEC) budget series. Most of the recordings feature classic and often definitive performances featuring the likes of George Szell, Leonard Bernstein, Robert Casadesus, Isaac Stern and Rudolf Serkin among others. Here we get a variety of orchestras and conductors including big names like Jean-Claude Malgoire, Raymond Leppard, Pierre Boulez, Sir Charles Groves and the great Eugene Ormandy. This disc features excellent performances of what is arguably the most popular Baroque music ever written. I am not usually one to give five-star ratings to greatest-hits style collections (particularly in classical), but the half-dozen performances by Ormandy make this disc a great purchase for both novices and serious collectors.
The Instruments of Classical Music, Vol. 2: The Oboe
Average customer rating: 4.5 out of 5 stars
  • Interested oboe player
  • Oboe cd
  • What a great CD for a Great Price
  • Good for orchestra studies
  • Excellent
The Instruments of Classical Music, Vol. 2: The Oboe

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001VMJ
Release Date: 1990-06-04

Tracks:

  1. Oboe Concerto In C, K314: Rondo. Allegretto
  2. Oboe Concerto In D Minor: Adagio
  3. Sinfonia Arrival of the Queen of Sheba (from 'Solomon')
  4. Oboe Concerto In B Flat, Wq 164: Allegro moderato
  5. Water Music, Suite No. 1 In F: Adagio e staccato
  6. Swan Lake: Dance of the Swans
  7. Concertino, Op. 110: Vivace
  8. Symphony No. 3, 'Eroica': Marcia funebre
  9. Oboe Concerto In In F, RV 455: Allegro
  10. Oboe Concerto In C, RV 447: Minuet
  11. Oboe Concerto In F: Rondo
  12. Water Music, Suite No. 1 In F: Hornpipe
  13. Swan Lake: Scene (from 'Swan Lake')
  14. Symphony No. 9, 'From The New World': Largo
  15. Concerto 'La Favorita': Allegretto-Allegro velocissimio

Customer Reviews:

3 out of 5 stars Interested oboe player.......2007-05-13

It is a fine collection of oboe pieces, and I really enjoy listening to them. The only complaint I have is that the case was broken when it got here (I'm not sure if it was before it was shipped or not).

5 out of 5 stars Oboe cd.......2007-01-11

This cd took a little while to be delivered (a few weeks) but it was in excellent condition. I bought it along with another oboe cd so it could be that one of them was out of stock and they waited for that so that both could be shipped at the same time (which was fine with me).

5 out of 5 stars What a great CD for a Great Price.......2007-01-09

I really love the music on this CD.
I just cant stop listening to this. If you enjoy classical music. You will like this CD and if you would like a introduction to classical music than this is the CD for you.
(If you find that you dont like it, you have not spent a lot of money on it).
Enjoy :-)

5 out of 5 stars Good for orchestra studies.......2005-07-24

The record presents the oboe very well. Price can't be beat too. Oboe music is always enjoyable (well, that's somewhat subjective, of course, but if you like oboe, you'll like this collection).

Just a small caution: this is a study aid sort of thing. I find listening to fragments of music -- frequently very familiar music -- somewhat distressful because of this coitus interruptus sorta feeling, kind of like when in the middle of Watermusik the Dying Swan piece suddenly heaves into sight.

In other words, this is a perfect CD for teaching kids the orchestra, but if you simply want some oboe music for pleasure, then I'd recommend to pick something else; for example "The Handel Collection" (a pretty old record), by The City of London Sinfonia (cond. John Rutter), 1990 American Gramaphone Records -- it is a collection too, but not excerpts, pieces are played fully, and the performance is sometimes better. It's just one example; I have it handy so I've mentioned it, that's all. I don't like listening to excerpts, that's what I'm trying to say. But I'm not saying this CD's bad, it's very good for orchestra studies.

5 out of 5 stars Excellent.......2004-06-15

I really enjoyed this! It was really great for all oboe and classical music lovers! Very Very Nice!
Greatest Hits ~ Baroque
Average customer rating: 5 out of 5 stars
  • The Best Of Baroque Collection
  • Outstanding sampler
Greatest Hits ~ Baroque
George Frideric Handel , Jean-Philippe Rameau , Antonio Vivaldi , Johann Sebastian Bach , Jean-Joseph Mouret , Marc-Antoine Charpentier , Johann Pachelbel , Henry Purcell , Tomaso Albinoni , Alessandro Marcello , Jeremiah Clarke , New York Sinfonietta , Philadelphia Orchestra , Columbia Symphony Orchestra , Hartmut Haenchen , Jean-Claude Malgoire , Raymond Leppard , Richard Kapp , Max Goberman , Eugene Ormandy , Vladimir Goischmann , Glenn Gould , Carolyn Watkinson , Teiko Maehashi , La Grande Ecurie et la Chambre du Roy , and William Bennett
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002AVS
Release Date: 1995-06-13

Tracks:

  1. Water Music Suite No. 2: Alla Hornpipe
  2. Violin Concerto In E Major, RV269 'Spring': I. Allegro
  3. Adagio
  4. Orchestral Suite In B Minor, BWV 1067: Badinerie
  5. Concerto For Guitar, 2 Violins & Basso Continuo In D Major, RV 93: II. Largo
  6. First Symphonic Suite: Rondeau
  7. Orchestral Suite In D Major, BWV 1068: Air (Excerpt)
  8. Mandolin Concerto In C Major, RV 425: I. Allegro
  9. Goldberg Variations, BWV 988: Aria
  10. Te Deum In D Major: Introduction
  11. The Anna Magdelana Notebook: Minuet
  12. Canon For 3 Trumpets And Strings
  13. Xerxes: Largo ('Ombra mai fu')
  14. Abdelazer: Rondeau
  15. Le Tambourin
  16. Oboe Concerto In D Minor: II. Adagio
  17. Solomon: Arrival Of The Queen Of Sheba
  18. Canata No. 147: Jesu, Joy Of Man's Desiring
  19. Piano Concerto In F Minor, BWV 1056: II. Largo
  20. Lute Suite In E Major, BWV 1006a: I. Prelude
  21. Prince Of Denmark's March
  22. Concerto Grosso In G Minor, Op. 6 No. 8 'Christmas Concerto': II. Largo. Pastoral ad libitum
  23. Messiah: Hallelujah Chorus

Customer Reviews:

5 out of 5 stars The Best Of Baroque Collection.......2004-02-22

This compilation album features some well-known Baroque Era musical works and serves as a perfect introduction to classical music. The great Baroque composers are showcased here - Bach, considered the greatest of them all, Handel, Vivaldi, Corelli and others. The Baroque period (from 1600 to 1750) was a time of great development and change in music. Before the Baroque Era, music was single-melody and primitive, in much the same way it had been since the Old World of the Greeks and Romans. Plaintive chorus was the only new invention of the medieval days- the Gregorian monk chant and Hildegard Bingen's nuns' chant. But during the Baroque Era, instruments were created and with them a new sound. Flutes, oboes, clarinets, drums, violins, violas and most significantly the trumpet, was played in a new medium called the orchestra. This music was played before royalty, kings of England, Germany and France, and often elitist aristocratic crowds. The same applied to Baroque Opera, which re-told Greek legends and classical heroes through music and the human singing voice of opera. Finally, music broke out from the old and into the new.

Johann Sebastian Bach is regarded as the best of the Baroque composers. He wrote prolifically for orchestra, for harpsichord (the earliest piano or keyboard instrument), as well as the organ. Among Bach's popular pieces are the Toccata and Fugue in D Minor (which is the theme for "Dracula" and was made into an orchestra version by conductor Leopold Stokowski as seen in the Disney film Fantasia of 1940), his Brandenburg Concertos- a total of six concertos that showcase the tone color of several instruments of the orchestra and are considered the height of the Baroque musical style. The Brandenburg Concerti that are most famous are th 3rd and 5th. Bach's Golberg Variations for keyboard are also very virtuosic as well as his Organ Preludes. Bach's Orchestral Suites are the skeletons of the first symphonies, even if it it's not exactly a symphony form, and Bach's cantatas and Mass In B have long been hailed as the best works of chorus.

George Frederic Handel, a German-born composer, adapted the Italian musical technique, especially the new invention of opera, but performed publically in England, even writing the famous "Messiah" oratorio in English. Handel's skills were most keen in the orchestra. His "Concerti Grossi" which total a number of 12, are virtuoso and expressive of instrumental color. The Water Music and the Royal Fireworks music are also very famous and written in a grandiose style that was quintessentially Baroque. Vivaldi, a former priest, became a composer who specialized in small-scale chamber music. He created the "tone poem" long before it was even called that in the 19th century. His "Four Seasons" are his most acclaimed. The music expresses the four seasons of fall, winter, spring and summer. The violins, the woodwinds, the trumpets, each deliver a picture of pastoral scenes. Vivaldi also wrote numerous other concerti, including some for mandolin, an early guitar.

This collection is a must have for music lovers.

5 out of 5 stars Outstanding sampler.......2001-02-25

It is impossible of course to capture Baroque music on a single CD, but if you want just one it doesn't get any better than this. Outstanding and generous selection of many of the best known excerpts of the period, excellent performances throughout, and superior sound quality. Even the casual listener will recognize many of these great works, such as the theme from Masterpiece Theater, Pachelbel's Canon, Handel's Water Music, and so on.
CBS Dinner Classics: Sunday Brunch, Vol. 2
Average customer rating: 5 out of 5 stars
  • Wow!!! The Good Humored Ladies!
CBS Dinner Classics: Sunday Brunch, Vol. 2

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B00000277P
Release Date: 1991-01-09

Tracks:

  1. Orchestral Suite No. 2, BWV 1067: Badinerie
  2. Abdelazer (The Moor's Revenge) Z. 570: Rondeau
  3. Cantata No. 78: Wir Eilen Mit Schwachen
  4. Oboe Concerto No. 2 In D Minor: II. - Adagio
  5. Solomon: The Arrival Of The Queen Of Sheba
  6. Concerto For 2 Mandolins In G Major, R. 532: II - Andante
  7. Bernice: Minuet
  8. Flute Concerto In D Major, Op.10 , No.3, R. 428 'Il Cardellino': I - Allegro
  9. Cantata No. 147: Jesu, Joy Mans Desiring
  10. Mandolin Concerto In C Major, R.425: I - Allegro
  11. Cantata No. 156: Sinfonia
  12. Water Music: Bourree
  13. Water Music: Hornpipe
  14. Le donne di buon umore: 4. Andante
  15. Le donne di buon umore: 3. Allegro
  16. Water Music: Air
  17. Water Music: [Menuet]
  18. Water Music: [Hornpipe]
  19. The Gordian Knot Unty'd, Z.597: I - Overture
  20. The Gordian Knot Unty'd, Z.597: II - Air
  21. The Gordian Knot Unty'd, Z.597: III - Rondeau Minuet
  22. Abdelazer (The Moor's Revenge) Z. 570: Air
  23. Concerto For Harpsichord In F Minor, BWV 1056: II - Largo
  24. Violin Concerto In F Major, Op. 8, no. 3: 'Autumn' From The Four Seasons: III - Allegro
  25. Fanfares For Trumpets, Timpani, Violins & Oboes; Suites de symphonies, Premiere Suite: I - 'Rondeau' [Allegro]

Customer Reviews:

5 out of 5 stars Wow!!! The Good Humored Ladies!.......2006-08-03

The 'Good Humored Ladies' written by Scarlatti is recorded by the Cleveland Orchestra conducted by Louis Lane. This recording alone is a good reason to add this CD to your collection. It was issued many years ago and finally re-released again.

Other music on the CD is also high quality sound and very relaxing.

An addition to the music includes recipes inside the paper cover.
Top 100 Masterpieces of Classical Music (Collectors Edition) (Box Set)
Average customer rating: Not rated
    Top 100 Masterpieces of Classical Music (Collectors Edition) (Box Set)

    Manufacturer: Delta
    ProductGroup: Music
    Binding: Audio CD

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