About the Artist
Jude spent many years on the road with Moon Martin, The Records, Dave Edmunds, Billy Thorpe, Del Shannon, and Dwight Twilley. He released three albums with Warner/Reprise-the 1987 self-titled Jude Cole, 1990's A View From Third Street, and 1992's Start the Car. In 1995, Cole released I Don't Know Why I Act This Way on Island. Since that time, Jude has played on cds released by Jewel, Travis Tritt, Billie Myers, and others. He has also been instrumental in the production of country artist Clay Davidson for Virgin/Nashville.
Product Description
Singer/songwriter/producer Cole releases his fifth album. "Falling Home" is a stunning collection of songs from the heart. Jude wrote, sang, produced and practically played the entire album himself. "I have never felt so good about a record after finishing...and I think the reason is because every step has been in my hands," says Cole.
Falling Home
Falling Home,Jude Cole
Average customer rating:
- In this dream, you are Betty Elms
- Badalamenti does it again.
- Take a drive through David Lynch's musical hell and deluding darkness...
- dark and (often) beautiful
- A dark journey through the sphere of horror.
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Mulholland Drive: Original Motion Picture Score
Angelo Badalamenti , and David Lynch
Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Blue Velvet: Original Motion Picture Soundtrack
- Twin Peaks: Fire Walk With Me (Soundtrack)
- Lost Highway (1997 Film)
- Floating into the Night
- Twin Peaks (TV Soundtrack)
ASIN: B00005PJ9K
Release Date: 2001-10-09 |
Tracks:
- Jitterbug
- Mulholland Drive
- Rita Walks/Sunset Boulevard/Aunt Ruth
- Diner
- Mr. Roque/Betty's Theme
- The Beast
- Bring It On Home
- I've Told Every Little Star
- Dwarfland/Love Theme
- Silencio
- Llorando (Crying)
- Pretty 50s
- Go Get Some
- Diane And Camilla
- Dinner Party Pool Music
- Mountains Falling
- Mulholland Drive/Love Theme
Amazon.com
Director David Lynch's affection for kitschy lounge music and emotionally overwrought mid-century pop has long since proven to be more than trend or irony; indeed, it's often the uneasy spiritual axis of his films. The soundtrack of Mulholland Dr. turns on the usual Lynchian motifs (the brooding atmosphere of Angelo Badalamenti's ominous synth-and-orchestra cues tossed with a dash of Lynch's own off-center compositions), yet manages to evoke a sense of foreboding that's distinctly its own. Badalamenti leads off with a curve, the nervous orchestra swing-romp "Jitterbug," before descending into a dark soundscape that becomes murkier and more avant-goth at every turn. Bubbling through that morass are pop nuggets variously cheesy (Dave Cavanaugh's lounge-ready "The Beast"), lugubriously bluesy (Sonny Boy Williamson's take on Willie Dixon's "Bring It On Home"), and alternately innocent ("I've Told Every Little Star") and liturgical ("Llorando"). Three tracks of the director's own (cowritten with John Neff) skulking Lounge Music from Hell ratchet up the tension even further; it's the perfect garnish for this darkly delicious film-music cocktail. --Jerry McCulley
Customer Reviews:
In this dream, you are Betty Elms.......2007-01-13
The reviews here simply don't do justice to the soundtrack. It's very hypnotizing and elevates you to this reality that you indeed have the same mental energy displayed by the first character of Betty Elms, who Diane Selwyn identifies with as herself in a dream she is having. The dark scenery conveyed by this music puts you in her place, where through darkness you hold to your innocence. The movie and music interplay in this way to the effect of putting you in that darkness where you are the same girl that Diane is seeing in her dream, the girl she knows herself to be without the hellish reality she is in as a sort of resolve to the hell she's in. This Naomi Watts specifically conveyed what I thought is a part of me that may also be a part of you, and you will notice it in the way you look at things and how your face expresses your innocence to a dark world. Then there is the music for Rita. I also reviewed the movie, which I also recommend. My favorite track is the 9th one in this respect. Secondly, which you may find suitable for your funeral, is the last song. The rest I almost prefer watching the movie and appreciating it all while viewing, but it's music you must have after you've seen it.
Badalamenti does it again........2006-11-17
If you're a fan of Angelo Badalamenti's scores for David Lynch, you'll want to add this to your collection as well. Haunting synth pieces lull you into the dreamlike world Lynch created with this film, and there are some other types of music to jazz it up a little. Particularly striking is Rebekah Del Rio's cover of Roy Orbison's "Crying."
Take a drive through David Lynch's musical hell and deluding darkness..........2006-06-26
To start of, I regard "Mulholland Dr." as David Lynch magnum opus, his most masterfully created cinema of deceit, lust and darkness. Compelling, totally deranged, original, sometimes hilarious funny, and three minutes later scary as hell.
David Lynch's movies are always heavy set on atmosphere, and this is partly caused by the director's long time musical collaborator Angelo Badalamenti. From the jazzy, loungy tunes for the t.v. series "Twin Peaks" to the dark overtones of "Blue Velvet", Badalamenti knows wich buttons to push to make an eerie composition, a few notes of estrangeness and give the audience an unsetteling feeling.
"Mulholland Dr." is filled with music. Most of it is purely on the soundrack with Badalamenti's score coming very close to high quality dark ambient acts like Lustmord, Raison d'Etre or Hazard, others are sung "live" in the movie, like Linda Scott's sweet bubblegumish "I've told every little star", two very hip tunes ("The beast" by Milt Buckner and Sonny Boy Williamson's "Bring it on home") and of course Rebekah Del Rio's acapella performance of "llorando", the Spanish version of Roy Orbison's evergreen.
But the greatest surprise to me were three tracks by David Lynch himself in collaboration with one John Neff. And these three pieces are to be find on a solo cd by David Lynch called "Blue Bob".
I never knew before seeing "Mulholland Dr." that David Lynch is also a guiter player and singer. Now I know and I must say that his song "Mountains falling" is the most brooding, creeping, swirling and erotic sounding piece of electric guitar music I have ever heard.
So play this album and hit the road, Jack. And pray that indeed you will come back...
dark and (often) beautiful.......2005-11-25
anyone who has seen mulholland drive knows that the soundtrack lent a very important hand to the overall vibe of the movie. so you would think that it would be hard to enjoy one without the other, but this soundtrack suceeds very well on its own. alot of film scores are fine and enhance the movie while yr watching it, but are trash when taken alone and this sndtrk is kind of above that. i'm not really big on any of the lynch/neff tracks, but they work fine in the movie. the other songs that weren't written by badalamenti are pretty good and are a nice change of pace. my favorite tracks are dwarfland/love theme (especially the latter half), mulholland drive/love theme, llorando, and diane and camilla. i dont believe that diane and camilla was in the movie, but its a very beautiful piece that i think sums up the diane/camilla relationship quite well. anyway, i really like this cd and anyone who enjoyed the film would do well to pick this up
A dark journey through the sphere of horror........2005-10-26
It may not be a horror movie, but the score for Mulholland Drive could be a journey through the ultimate graveyard or haunted house on a stormy Halloween night. I have never even seen the movie, though I love David Lynch's movies for the most part. This score is a dark and haunting musical journey that might work well for a score to a creepy vampire movie or something. Some of it, including the heavy jazzy and dark rock pieces, might be better suited for a suspense thriller, which it is. But the more ambient dark themes could work in any supernatural thriller much as Mark Snow's music could. Enjoy the tour! Ha! Ha! Ha!
Average customer rating:
- La Stupenda at her best
- this is the one to buy
- La Stupenda lives up to her name
- La Stupenda, Amore, amore, amore
- La Stupenda - well deserved title for Joan
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La Stupenda ~ The Supreme Voice of Joan Sutherland
Gaetano Donizetti , Jules Massenet , Giuseppe Verdi , Richard Bonynge , and Joan Sutherland
Manufacturer: Decca
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Similar Items:
- Joan Sutherland - The Greatest Hits
- The Art of the Prima Donna
- The Great Recordings
- Great Duets & Trios / Sutherland, Horne, Pavarotti
- Joan Sutherland: BBC-Recitals 1958, 1960, 1961
ASIN: B00005OC0E
Release Date: 2001-10-09 |
Tracks:
- Attila: Santo Di Patria... Allor Che I Forti Corrono - Joan Sutherland
- Lakme: Viens, Mallika... Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
- Les Contes D'Hoffmann: Les Oiseaux Dans La Charmille - Joan Sutherland
- Die Zauberflote: O Zittre Nicht, Mein Lieber Sohn... Zum Leiden Bin Ich Auserkoren - Joan Sutherland
- Linda Di Chamounix: Ah! Tardai Troppo... O Luce Di Quest'anima - Joan Sutherland
- Semiramide: Serbami Ognor Si Fido - Joan Sutherland/Marilyn Horne
- Beatrice Di Tenda Bellini: Eccomi Pronta... Deh, Se Un'urna - Joan Sutherland/Ambrosian Singers
- La Fille Du Regiment Donizetti: Pour Ce Contrat Fatal... Ah! Salut A La France - Joan Sutherland/Chor Of The ROHCG
- La Traviata: Un Di Felice - Joan Sutherland/Carlo Bergonzi
- The Bohemian Girl: I Dreamt I Dwelt In Marble Halls - Joan Sutherland
- Home Sweet Home - Joan Sutherland
- Casanova: Nuns' Chorus - Joan Sutherland/Ambrosian Light Opr Chor
- Lucia Di Lammermoor: (O Giusto Cielo!)... Il Dolce Suono Mi Colpi Di Sua Voce!... Ardon Gl'incensi.. - Joan Sutherland/Chor De L'Opera De Paris/Rene Duclos
Tracks:
- Norma: Sediziose Voci... Casta Diva - Joan Sutherland/Chor Of The ROHCG/Douglas Robinson
- Alcina: Tornami A Vagheggiar - Joan Sutherland
- Con For Coloratura Soprano, Op.82: Andante - Joan Sutherland
- Con For Coloratura Soprano, Op.82: Allegro - Joan Sutherland
- Lucia Di Lammermoor: Sulla Tomba... Ah! Verranno A Te Sull'aure - Joan Sutherland/Luciano Pavarotti
- Rigoletto: Gualtier Malde... Caro Nome - Joan Sutherland/Riccardo Cassinelli/Christian Du Plessis/John Gibbs/Ambrosian Opr Chor
- Esclarmonde Massenet: Esprits De L'air! Esprits De L'onde! ... Roland! Roland! Roland! - Joan Sutherland/Huguette Tourangeau/John Alldis Chor
- Operette: Where Are The Songs We Sung? - Joan Sutherland
- The Boys From Syracuse: Falling In Love With Love - Joan Sutherland/Ambrosian Light Opr Chor
- I Puritani: Son Vergin Vezzosa - Joan Sutherland/Margreta Elkins/Pierre Duval/Ezio Flagello
- Turandot: In Questa Reggia - Joan Sutherland/Luciano Pavarotti/John Alldis Choir/Wandsworth School Boys' Choir/Russell Burgess
- Tristan Und Isolde: Mild Und Leise Wie Er Lachelt - Joan Sutherland
- Adriana Lecouvreur: Poveri Fiori - Joan Sutherland
- La Sonnambula: Ah! Non Giunge Uman Pensiero - Joan Sutherland/London Opr Chor/Terry Edwards
Customer Reviews:
La Stupenda at her best.......2007-05-06
This 2 CD set is entitled "La Stupenda," which creates extremely high expectations. Joan Sutherland meets those expectations on this CD; she is, indeed, "La Stupenda." One of the interesting aspects of this set is Dame Joan's singing some non operatic works (such as "Home Sweet Home" or "Where Are the Songs We Sung?" or "Falling in Love with Love"). In the end, this is a wonderful compilation of the art of Joan Sutherland.
First, let's consider a sampling of the cuts on these CDs.
"O Zittre Nicht" is from Mozart's "Magic Flute" and it is a challenge to sopranos, with its series of staccato high notes. Sutherland essays this well. There are some nice trills; she hits the high notes well. The series of (treacherous) high notes toward the end is handled very nicely by Sutherland. In short, she scintillates, with a closing high note well hit.
From Donizetti's "Linda di Chamounix," she sings "O luce di questi'anima." Her voice and technique are well suited for Donizetti (and Bellini). The cantabile is smoothly sung. The cabaletta is rollicking. Her coloratura technique is on target; the ornamentation is compelling. There are trills, runs, high notes and other ornamentation well done. The close is nice (although there may be a bit of a scoop on the final high note).
From "Beatrice di Tenda" (by Bellini), we hear ""Eccomi pronta. . .Deh, se un'urna." The cantabile is sung well. She hits notes clearly. The spirited cabaletta follows. Sutherland exhibits somewhat less ornamentation than usual, but trills are well done and, overall, the piece is nicely sung. The close features clean high notes.
"Home Sweet Home." This kind of illustrates Joan Sutherland's work nicely. I can hardly make out the words (and it is sung in English). But it is an interesting version. She sings the song straight, without overpowering the song with operatic technique (an occasional trill actually works out well).
Elsewhere, I have commented on her 1959 version of the "Mad Scene" from "Lucia di Lammermoor" (from her album "The Greatest Hits").
"Falling in Love with Love" is an interesting cut. This is a classic Rodgers and Hart song. Sutherland sings it pretty well, and one can pick up the words cleanly. However, one might compare this with Anna Moffo's version, which is more musical. Sutherland's version is a bit too operatic for what the song is about.
Finally, "Ah non giunge" from Bellini's "La Sonnambula," a great coloratura tune! This is taken at a sprightly pace. Sutherland exhibits good coloratura technique. There is nice ornamentation. She precisely nails high notes. In the repeat, the florid singing ramps up. This is a compelling version, with series of staccato high notes to close the work out.
Thus, this 2 CD set is a welcome entrée to the body of work of Dame Joan Sutherland. Sometimes (as with "Home Sweet Home") one has a hard time picking out the words. But with Sutherland, the skills and techniques create a compelling oeuvre that is well worth attending to.
this is the one to buy.......2007-04-18
I'm not an opera expert I just enjoy it. La Stupenda has the best of Joan Sutherland in a two CD set and it's amazing. She looked like a nice, quiet housewife but an indescribalbe voice. Her aria from Norma gave me chills and her version of "I Dreamed I Dwelt in Marble Halls" is flat out one of the prettiest things I've ever heard.
La Stupenda lives up to her name.......2006-11-12
Joan Sutherland was undeniably one of the greatest operatic sopranos of the 20th century. This comprehensive two-CD retrospective of her long career will delight her many fans, and serve as a fitting introduction for those unfamiliar with her artistry. The two CDs span a period of nearly thirty years, from 1959 to 1988, with the majority of the 27 tracks recorded during the 1960s and 1970s, when her voice was at its' astounding best. Sutherland was renowned first and foremost as a dramatic coloratura, and her supple technique is brilliantly illustrated in selections such as the Mad Scene from Lucia di Lammermoor; Doll Song from The Tales of Hoffmann; Queen of the Night aria from The Magic Flute; and the seldom-performed Concerto for Coloratura Soprano by Gliere. As her career progressed, her voice became larger and more powerful, as demonstrated by the Liebestod from Wagner's Tristan and Isolde, and In Questa Reggia from Puccini's Turandot. Lastly, Sutherland was a diva who was not afraid to let her hair down once in a while, and we are treated to lighter selections such as Where are the songs we sung? by Noel Coward, and Falling in love with love, by Rogers and Hart. Highly recommended for all lovers of great singing.
La Stupenda, Amore, amore, amore.......2006-01-28
I adore this woman's voice. And I love this cd. I was really happy to find an aria of "Esclarmonde" which is virtually impossible to find as well as some of the more lesser known works of hers such as Mozart's Queen of Night, although I wish she had done a recording of the revenge aria (Der Holle Roche) The whole cd was wonderful to hear but if I had to make on complaint it's that I didn't buy her Isolde's Liebestod but the woman can sing Lucia better than just about anyone so I'll forgive her for not sticking with the Wagner. In fact I am thrilled that she chose Lucia over Isolde because frankly acting and interperation was never her strong suit, it was the pure beauty of her voice. It's always a grand pleasure to listen to Joan kick butt in any coloratura arias but of course she set the bar so high that there is yet a coloratura since her that can do those arias half as well. She has spoiled me for life and that's why she is La Stupenda.
La Stupenda - well deserved title for Joan.......2006-01-12
I am not an opera expert by any stretch of the imagination - but I love opera. I love the expertise and beautiful voices of these hardworking singers. When I first heard Joan sing, it was from a recording she made late in her career and I honestly thought, what's the big deal about her? So, I decided to get The Art of Prima Donna album, and all I have to say is WOW! In her prime, this woman was a fantastic singer! While she wasn't the dramatist like Callas was (I also love Callas), her range and the way she hit each note so precisely was amazing! So, I bought La Stupenda. I loved the piece she did from Handel's Alcia and the fantastic Rossini duet she did with Marilyn Horn. The entire album is wonderful. I particularly like how Joan's high notes are never screechy - she makes those high notes sound so effortless. I also appreciate how she had such control over her vibrato - not too trilly (I like trilly - especially by Beverly Sills - however, not every song should be all trill). Finally, I think that Joan was one of the few sopranos that didn't try to drown everyone out. When she sang a duet, she blended with the other singer - how rare! Not all singers seem to be able to accomplish that - duets shouldn't be a competition. This album is worth every penny. Joan was one of the great singers of the 20th century and she deserves her title of La Stupenda!
Average customer rating:
- SOOO Smooooth
- Another great album from Jude Cole
- Amazing Talent
- Big Boss Man!
- Welcome back to Indie
|
Falling Home
ProductGroup: Music
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Similar Items:
- A View from 3rd Street
- I Don't Know Why I Act This Way
- Start the Car
- Jude Cole
- I Trust You to Kill Me
ASIN: B00004Z008
Release Date: 2000-09-01 |
Tracks:
- My Friend Stan (intro)
- I Won't Bleed
- Braking Wheels
- Leave Me Alone
- Falling Home
- Any Dark Day
- More Than A Breakup Song
- Somewhere
- Raining On The Moon
- You Make It Easy
- Inhale
- Peaceful In Mine
Album Description
Singer/songwriter/producer Cole releases his fifth album. "Falling Home" is a stunning collection of songs from the heart. Jude wrote, sang, produced and practically played the entire album himself. "I have never felt so good about a record after finishing...and I think the reason is because every step has been in my hands," says Cole.
Customer Reviews:
SOOO Smooooth.......2007-04-05
His words are poetry, the music is awesome - He breaks my heart when he sings!!
Another great album from Jude Cole.......2007-04-04
This is another collection of great songs and great performances from Jude Cole.
Amazing Talent.......2004-05-22
I never write reviews but I thought this album deserved it. I keep hearing people with mixed reviews about this CD, some like it , some don't think it lives up to past material, blah blah blah. I have owned every Jude Cole album except for the first one which I can't seem to get my hands on. This is by FAR my favorite. OK it's not as in your face with flashy production and hits as his previous work but it needs to be listened to a couple times(like "I don't know why I act this way?"). Once you do that you can't help but get sucked in by great songwriting, melodies, and his amazing voice. Raining on the Moon is probably the star track of the album, but then there is so many I liked it's very tough picking a favorite. The crying shame of this whole album is the miserable promotion of it. I realize it was released independantly but how in the world is www.judecole.com out of EXISTENCE???? Come on Jude. You have so many fans out there and there only way to find out about you is through your website- communication is key to getting the music out there. I just happened to stumble on this new album two years after it was released. By doing a search I also realized Jude is managing and writing songs for bands like Lifehouse. Too bad I had to send a search party out there to find out about it. Anyway, enough said about that. If you are a fan of great music this is a MUST have and hopefully someone can track down Jude.
Big Boss Man!.......2004-05-18
Alot of the reviews about this cd are misinformed. Jude's
latest effort is very good. I think we are about the same age
so most of the subject matter is familiar to me these days.
Thoughts about my parents, mortality and defiance
are themes in my life too.
Cynicism about the news/entertainment media are also
a thread that runs through this music. I think "Leave Me Alone"
is about Monica Lewinsky. This is a stipped down recording
for Jude. It still retains his production gloss but more
like shellac than polyurethane. It's like all his other work but
probably the most personal. Anyone who likes intelligent
guitar driven music will like this offering. Mike Caldwell
Welcome back to Indie.......2003-08-25
Let it be known that "I Don't Know Why I Act This Way" was never Jude Cole's favourite project due to struggles with the label and other legal mumbo jumbo. He was apparently trying to shed himself completely of that sound that is probably a nightmare to him so. He did just that, a great deal though not completely. This record is sort of a cross between "...act this way..." and "Start The Car".
The performances are well-done and features Cole on almost every instrument. The holes however come in the songwriting itself. Jude Cole made a more than average use of the ambiguous "it". Being analytical, it's not quite clear what it is he's singing about on many of the songs. Still they're enjoyable listens and even if the rest of the songs were lemons (which is not the case), this CD is worth owning for 1) "Raining On The Moon" is a masterpiece. 2) Jude Cole is no longer affiliated with a mainstream label. He is now an indie artist and indie artists are worth more support these days than the homogenized "talent" that big record companies are signing.
Average customer rating:
- Norman Luboff Remembered
- Please, more Choir, less Instruments!
- "A" FOR EFFORT
- Norman
- The choir is superb
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Norman Luboff Remembered
Soli Deo Gloria Cantorum , Conductor Almeda Berkey , Composer/Pianist Jackson Berkey , Norman Luboff , Johnny Mercer , American Traditional , Spiritual Traditional , Stephen Foster , John Holt , Leslie Adams , L. Vance P. / Pockriss , Rube Bloom , Barb Thornburg , Camille Metoyer-Moten , Daniel Schultz , Laureen Pickle , Michael Jewell , Paul Rath , Rebecca Noble , and Stephanie Voss
Manufacturer: Soli Deo Gloria
ProductGroup: Music
Binding: Audio CD
Foster, Stephen
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ASIN: B000077DDR
Release Date: 2002-10-15 |
Tracks:
- Canto de Granada
- Tender Love
- Colorado Trail
- Shenandoah - Solo: Dan Schultz
- Catch a Falling Star
- Dream
- Fools Rush In - Solo: Rebecca Noble
- Sence You Went Away
- Show Me the Way - Solo: Laureen Pickle
- Old Time Religion
- Just a Closer Walk - Solo: Camille Metoyer-Moten
- Stranger - Solo: Paul Rath
- Amazing Grace - Solo: Dan Schultz
- Steal Away
- Great Day - Solo: Laureen Pickle
- Joshua - Solos: Catherine Vouk - Michael Jewell
- Bye and Bye - Solo: Barb Thornburg
- When the Saints Go Marching In
Album Description
A beautiful tribute to a great American musician. Folk songs, spirituals, and ballads popularized by Norman Luboff Choir, performed lovingly by some who toured and performed with him for more than a decade.
What a joy this CD is for Jackson and me! It allows us to celebrate Norman's universal influence and to share some of his greatness as musician.
I met Norman at a Choral Associates Workshop, a week-long educational feast introducing the writer behind those fabulous choral arrangements. I auditioned for him, met Jackson, and entered a beautiful world intertwined with impeccable musicianship, personal inspiration, friendship, and deep affection. The circle of musicians with whom I have come into contact since that week in June 1973 continues to nourish my musical soul today. So many of my life's connections were established that week, including meeting Jackson's touring friend, tenor-percussionist and then budding composer Chip Davis. The thread binding us and igniting a strong influence of excellence is Norman Luboff.
Norman's arrangements are exemplary of his genius. His appreciation for folk music is evidenced by his sincere and respectful treatment of each melody. Texts literally come alive with his nuance on important words, sensitive rubato, and expansive harmonizations. He always implored singers to sing folk or popular songs in the vernacular, as they are spoken.
Norman would enjoy the Cantorum's wonderful singing -- their robust voices, their natural sentimentality toward the lyrics, and the depth of their passion. These are the kinds of musicians that Norman engaged: fascinating singers with great voices, differing vocal timbre and energies. The fantastic mix of solo voices comfortable in both the popular and classical worlds contributes to the unique Luboff choral sound.
Almeda Berkey Soli Deo Gloria Cantorum, Conductor
Customer Reviews:
Norman Luboff Remembered.......2007-01-10
A very poor recording,almost amateurish. The voices seem to be adequate but the recording is so poor it is difficult to tell. This recording goes into my "I heard it once and that's enough" pile. The purchase was a mistake.
Please, more Choir, less Instruments!.......2005-06-08
I agree with the first reviewer. At age 56, I heard these guys live, and the arrangements were sublime. The vocals were amazing. Here, the instruments almost drown out the choir! Perhaps the pianist and bass player were relatives of the producer?? I would recommend almost any other Luboff CD over this one, even the ones reproduced with pops and hisses from the LP.
"Colorado Trail" is OK. "Shenandoah", one of the Choir's signature songs, is totally messed up.
Very disappointing, I'm sorry.
"A" FOR EFFORT.......2004-06-28
As a Norman Luboff Choir fan, I was extremely pleased to hear that a modern high fidelity remake was available of some of Mr. Luboff's works. Thank you to Mr. Berkey for resurrecting Mr. Luboff. I hope more discs are in the works or planned without the following shortcoming.
Unfortunately, the disc was disappointing because of what may appear to some to be a silly reason but not to me. The recording engineer probably did everything right except establish the presence of the choir relative to the instruments. Listen to a Norman Luboff Choir vinyl album or re-release on CD to hear what I mean.
In the original records, the choir is acoustically featured while in this CD, it's just another choir with equal emphasis placed on the orchestra. I hope that in future releases if any, the producer demands the same emphasis be placed on the choir voices as was originally applied in the recordings. After all, it is the Norman Luboff Choir voices I want to hear.
Norman.......2003-05-16
...I want to thank Almeda and Jackson Berkey for helping to keep Norman's legacy alive and Soli Deo Gloria Cantorum is wonderful.
The choir is superb.......2003-03-20
This CD is a Nebraska product, and a fine one it is! The director of the choir, Almeda Berkey, has combined with her husband, composer and professional pianist, Jackson, to produce this nostalgic look at the wonderful arrangements of their former mentor and employer, Norman Luboff. The liner notes in the accompanying booklet tell of the surprising association of Omaha's Chip Davis as a singer in the Luboff choir, along with Almeda. The choir is superb, well balanced, displaying beautiful voices and a thoroughly professional sound equal to that any of the Luboff choirs on the twelve LPs this author owns...Good variety in programming is a plus, as folk songs, pop songs, folk hymns and spirituals are all presented. Congratulations to the Berkeys, Recording Engineer Clete Baker and all involved on a first-rate recording!"
Average customer rating:
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Theatre Organ: Wurlitzer & Compton Organs
Manufacturer: Saydisc
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ASIN: B000004537
Release Date: 1995-04-16 |
Tracks:
- Whispering - Ronald Curtis
- Lullaby of the Leaves - Ronald Curtis
- Alone - Ronald Curtis
- Five Foot Two, Eyes of Blue - Ronald Curtis
- Autumn Concerto - Ronald Curtis
- Lover - Ronald Curtis
- Only Make Believe/Why Do I love You - Ronald Curtis
- Caribbean Honeymoon - Ronald Curtis
- Nightingale Sang in Berkeley Square - Ronald Curtis
- Only a Rose - Ronald Curtis
- Top Hat, White Tie and Tails - Ronald Curtis
- FuniculFunicul Ronald Curtis
- What a Perfect Combination - Ronald Curtis
- Over the Rainbow - Ronald Curtis
- Falling in Love With Love - Laurence James
- Bye Bye Blues - Laurence James
- I Know That You Know - Laurence James
- It's the Talk of the Town - Laurence James
- Goody Goody - Laurence James
- Kiss in the Dark - Laurence James
- Lazy River - Laurence James
- Glen Miller Selection: I Know Why/Tuxedo Junction - Laurence James
- I Won't Dance - Laurence James
- All the Things You Are - Laurence James
- Alley Cat - Laurence James
- Love's Last Word Is Spoken - Laurence James
- Walkin' My Baby Back Home - Laurence James
- After You've Gone - Laurence James
Average customer rating:
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Essential Gold
Manufacturer: Essential Gold
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ASIN: B000274TFS
Release Date: 2004-05-25 |
Tracks:
- Be My Love
- Loveliest Night of the Year
- Che Gelida Manina [From LA Boh]
- Serenade
- You Do Something to Me
- Deep in My Heart, Dear
- Core 'ngrato
- Without a Song
- Vesti la Giubba [From Pagliacci]
- Golden Days
- They Didn't Believe Me
- Danny Boy
- Cielo E Mar (La Gioconda)
- M'Appari [From Martha]
- Kiss
- Parlami d'Amore Mariu
- None But the Lonely Heart
- E Lucevan le Stelle [From Tosca]
- Song of India
- Danza
- Hills of Home
- Trees
Tracks:
- Because You're Mine
- Drink, Drink, Drink
- Questa O Quella [From Rigoletto]
- Toselli's Serenade
- Temptation
- Mattinata
- Softly, As in a Morning Sunrise
- If
- Marechiare
- You Are Love
- Fleur Que Tu M'Avais Jetee [From Carmen]
- Thine Alone
- FuniculFunicul
- Because
- Lolita
- 'A Vucchella
- For You Alone
- Una Furtiva Lagrima [From l'Elisir d'Amore]
- I'll Never Love You
- Drigo Serenade
- You'll Never Walk Alone
- Ave Maria
Tracks:
- O Sole Mio
- Granada
- I'm Falling in Love With Someone
- Mamma Mia, Che Vo' Sap
- Donkey Serenade
- Diane
- Memories
- Donna E Mobile [From Rigoleto]
- Recondita Armonia (Tosca)
- O Holy Night
- More Than You Know
- Valnecia
- Celeste Aida [From Aida]
- Santa Lucia
- O Paradiso (L'Africaine) [From Because You're Mine]
- I Love Thee
- Cosi Cosa
- Torna a Surriento
- Addio Alla Madre (Cavalleria Rusticana)
- My Song, My Love
- Song Angels Sing
- I'll Walk With God
- Lord's Prayer
Average customer rating:
- A delicately imaginative journey
- From The Isles To The Courts
- A Musical Feast
|
From The Isles To The Courts
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
All Works by Marais
| Marais, Marin
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ASIN: B0000584Y8
Release Date: 2001-01-23 |
Tracks:
- Cantigas 7 And 338
- Scollay's Reel/King Of The Fairies/Old Grey Cat/The Dance Goes On
- Winter's Falling Light
- Sinfonie And Musette From L'Isle De Delos
- Callanish/Under The Full Moon
- Anna's Garden
- Home Fires/The Burning Of The Clavie/The Burning Of The Clavie Reel
- Lake Skybelow
- La Folia Variations
- Sgt. Early's Dream/Tune For Kieran
- Fanny Poer/Mary O'Neill's
- Aisling
- The Lady Of The Lake
- Miss Maxwell/Bridget Cruise/O'Carolan's Welcome
- The Fair Maid Of Barra/Dream Angus
Customer Reviews:
A delicately imaginative journey.......2002-11-29
Touching on the Celtic, the Renaissance and the Baroque, these six women interweave them into sumptuous improvisations. Ensemble Galilei consists of Liz Knowles on fiddle, Deborah Nuse on bagpipes and fiddle, Sarah Weiner on oboe, recorders and whistle, Sue Richards on harp, Carolyn Ann Surrick on gamba, and Jan Hagiwara on percussion. Their sound ranges from musing to celebratory and airy to earthy, but is characterized always by the easy elegance of musicians who have mastered their instruments. The musicians have this to say about themselves: "We are committed to making music fiercely. We find music that speaks deeply to us, and we honor the traditions and dialects of each musical language... We find the place where our personal history intersects the melody, bass, harmony or chords. Revealed in these musical conversations are the essential parts of our own humanity." This recording showcases feminine creativity in all its rousing and subtle beauty! Ensemble Galilei has two other recordings that I know of so far: "Come, Gentle Night: Music of Shakespeare's World" on the TELARC label, and "The Mystic and the Muse: Celebrating 600 Years of Women in Music" from Dorian.
From The Isles To The Courts.......2001-05-08
\
It's very exciting to follow a group of musicians on their journey together, especially when that journey is made with heart, with fire, and with honor to tradition. Original tunes make easy friends with the traditional on this must-have CD. Love the Scollay's medley, for example, with The Dance Goes On as the last tune. It all works really well! The high quality of the sound itself, the strength of the original compositions, the sparkling arrangements and attention paid to choice of material all make this in my opinion the best EG so far. As a whole, it's great, but there are individual jewels here-- the mysterious Anna's Garden, the tender Cantigas, Liz Knowle's masterful delivery on anything, for example. Sue Richard's Aisling is just the best Sue Richards composition I've gotten to know yet. This piece provides a sumptuous musical (and magical) adventure, full of ideas to play with. Her work gives an added dimension to the collection. If you don't think Ensemble Galilei's work is groundbreaking, ask for this CD in your favorite music department, and watch the guy run around trying to figure out how it's categorized for display! It's really fun. "Ensemble Galilei...That's baroque, right? No! Should be under Celtic...no... uh, folk? Classical? Ensembles? Well, international? Okay, here it is, 'New!' Try it out, it's on the wall." No wonder he has trouble finding it. Their work is unique. It wouldn't be the same if this group of women didn't span decades in age, and possess wide differences in musical background. The group lives up to its commitment of "making music fiercely." Get it just for the cover photos! They're gorgeous.
A Musical Feast.......2001-03-10
The recordings of this talented group of women musicians just keep getting better and better. This CD is a rich blend of original and traditional Celtic material, from across the globe. The CD is like a multi-course banquet, with delicate harp solos by Sue Richards, spicy fiddling from Liz Knowles, savory and haunting Viola De Gamba licks from Carolyn Anderson Surrick. Whether I'm driving, cooking, or filing bills, I play "From the Isles to the Courts" and my work is easier, my journey more worthwhile. I've been a fan of Ensemble Galilei since I first heard them perform a few years ago, but they've outdone themselves this time. "From the Isles to the Courts" is truly a musical feast.
Average customer rating:
- 3 Stars for City By the Sea
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City by the Sea
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
All Works by Chopin
| Chopin, Frédéric
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ASIN: B00006IK2T
Release Date: 2002-09-10 |
Tracks:
- Main Title
- Getting High
- Raindrop Prelude - Bryan Pezzone
- Shivers - Boardwalk
- Return to Coney
- Home Movies
- Bullet from a Gun
- Joey's Things
- Drug Robbery
- Joey Leaves Gina
- Reg Gets Killed
- Vince on the Roof
- Sand Falling
- Vince on the Boardwalk
- Vince Follows Spyder
- Vince Pleads With Joey
- Shoot-Out
- Joey Is Led Away
- Beach
- City by the Sea - Bryan Pezzone
Amazon.com
It's said that the sins of the father are visited upon the son, a theme that permeates this based-on-a-true-story cop film with a generational twist. Given the film's troubling emotional core and urban landscape, composer John Murphy scores it with remarkably eclectic panache. Starting with a somber, string-driven theme that subtly evokes the story's undercurrents of Greek tragedy, Murphy quickly draws upon everything from ska rhythms, Chopin piano pieces, house music, and even East Asian flourishes to bring its various emotional and cultural conflicts into focus. It's a score whose range and dynamic sense alone are impressive, but also one that never forgets where its heart lies. Murphy occasionally lapses into predictable action cues, but it's his evocative side excursions into the pop vernacular that balance the autumnal orchestral themes and impart the entire score with compelling new dimensions. It's a great example of how music can be more than merely the sum of its parts. --Jerry McCulley
Customer Reviews:
3 Stars for City By the Sea.......2006-01-31
John Murhpy is an unknown composer to me, but City by the Sea is a pretty good album. Nothing groundbreaking, to be sure, but well-made and occasionally moving. The score is short, which is not a surprise considering it comes from Varese Sarabande, but if you can find it for cheap like I did (11 bucks) than it's worth it. In terms of action or suspense, there isn't much here. This is more of an experimental drama score, that sometimes has very tragic string, piano, and orchestral arrangements. It's not bad, and makes Murphy a name to look out for.
cheers
KZ
Average customer rating:
|
Collector's Rodgers and Hart
Various Artists
Manufacturer: Box Office
ProductGroup: Music
Binding: Audio CD
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
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General
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ASIN: B00004SDBZ
Release Date: 2000-01-01 |
Tracks:
- Overture [A Connecticut Yankee]
- My Heart Stood Still [A Connecticut Yankee] - Dick Foran, Julie Warren
- Thou Swell [A Connecticut Yankee] - Dick Foran, Julie Warren
- On a Desert Island With Thee [A Connecticut Yankee] - Chester Stratton,
- To Keep My Love Alive [From A Connecticut Yankee] - Vivienne Segal
- Can't You Do a Friend a Favor? [A Connecticut Yankee] - Dick Foran, Vivienne Segal
- I Feel at Home With You [A Connecticut Yankee] - Chester Stratton,
- You Always Love the Same Girl [A Connecticut Yankee] - Dick Foran
- Finale [A Connecticut Yankee] - Dick Foran, Vivienne Segal
- This Can't Be Love - Milton Berle, Betty Garrett
- Falling in Love With Love - Vic Damone, Marie Greene
- Lady Is a Tramp - Betty Garrett
- There's a Small Hotel - Vic Damone, Marie Greene
- Ev'rything I've Got - Milton Berle, Betty Garrett
- Here in My Arms - Marie Greene
- Mountain Greenery - Milton Berle
- Manhattan - Vic Damone, Betty Garrett
- Who Are You? - Allan Jones
- Bombardier Song - Bing Crosby
- Soon - Al Bowlly
- Down by the River - Al Bowlly
- Blue Moon - Connee Boswell
- On Your Toes - Jack Whiting
Customer Reviews:
Pretty good.......2000-06-14
This is reissue of the first Broadway revival of "A Connecticut Yankee" starring Vivienne Segal and Vera-ellen (is her only major Broadway role). The cd is pretty good. Segal's performance is, as always, charming . I love "To keep My Love Alive" and i think that her performance is the best!. The CD also include addition songs by famous artist such ad Milton Berle and Bing Crosby, and a very rare song "The Bombardier Song " written for the army during the WW2
Average customer rating:
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Puccini: Madam Butterfly (Highlights)
Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Operettas
| Opera & Vocal
| Styles
| Music
4-for-3 Classical
| 4-for-3 Music
| Stores
| Music
4-for-3 All Music
| 4-for-3 Music
| Stores
| Music
4-for-3 Opera & Vocal
| 4-for-3 Music
| Stores
| Music
ASIN: B00009KHY8
Release Date: 2003-09-02 |
Tracks:
- Introduction
- The Whole World Over
- Dearest, My Dearest, Weep No More
- Evening Is Falling
- Child, From Whose Eyes The Witchery Is Shining
- Ah, Love Me A Little
- One Fine Day
- Look, 'Tis A Man-O-War!
- Shake The Cherry Tree
- I Know That For Such Misfortune
- Farewell, O Happy Home
- You? You? Beloved Idol!
- Mario! Mario! Mario! (Love Duet, Act I)
Meditation Music:
- Fan Dance
- First Harvest: The Best of Alphaville 1984-1992 [Import]
- Florida
- Gone Troppo [Extra tracks] [Original recording remastered]
- How Dare You! [Original recording remastered] [Import]
- I Wanna Be With You [Enhanced] [Special Edition]
- Innocent Eyes [Import]
- Just Whitney
- Karaoke Young Teen Top Tunes TTFP-73&74 [Karaoke]
- Learn To Sing Like A Star
Meditation Music
meditation music
Meditation Music
Bette Davis Eyes [Import]
Puccini: Super Hits
Musica Mexicana
Music: Ride [CD-single]
Points in Time: Good Looking Retrospective, Vol. 4
Live at the Future Primitive Soundsession, Vol. 2 [Live]
Mishmash a Brasileira [Import]
Particles & Waves (CD + Bonus DVD)
Music of the Year: 1982 [Import]
Perotin / The Hilliard Ensemble
Plays Duke Ellington
Kindala
La Venganza Reventon De Primavera
Sunday in the Park
Voodoo Dollies: Best of Gene Loves Jezebel