What's the Now That's What I Call Music series got to do with a year like 2002? Sure, the biggies--from Nelly to No Doubt--rode new hit material that's featured here. But during the same year, piano-playing wunderkind Norah Jones wowed listeners with a mellow new marriage of pop and jazz. And the Dixie Chicks closed out a long legal battle and presented a down-home traditional country record that topped the charts. Now 11 is the CD equivalent of a mix tape that bounces from big, urban beats and rhymes to laid-back electro-pop chill to coolly groundbreaking piano-driven melodies. Norah, the Chicks, and Coldplay all push Now in a more adult-oriented direction, one where beats take a backseat to acoustic instrumentation and sincere lyrics. Then there's the notably sultry, full-blossomed "I Care 4 U" from Aaliyah, which stands as a fine tribute to the late singer. --Andrew Bartlett
Now That's What I Call Music! 11,Various Artists,Utv Records,Adult Alternative Pop/Rock,Adult Contemporary,Alternative Pop/Rock,Club/Dance,Contemporary Country,Dance-Pop,Hard Rock,Hip-Hop,Pop,Popular Music,Rock/Pop Collections,Teen Pop,Urban,V/a Compilations
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Mendelssohn: Elijah
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002XV31A Release Date: 2005-02-15 |
Tracks:
- Introduction: As God The Lord Of Israel Liveth
- Overture
- No.1 Help, Lord! Wilt Thou Quite Destroy Us?
- No.2: Lord! Bow Thine Ear To Our Prayer!
- No.3: Ye People, Rend Your Hearts
- No.4: If With All Your Hearts
- No.5: Yet Doth The Lord See It Not
- No.6: Elijah! Get Thee Hence
- No.7: For He Shall Give His Angels Charge Over Thee
- Recitative: Now Cherith's Brook Is Dried Up
- No.8: What Have I Do To Do With Thee?
- No.9: Blessed Are The Men Who Fear Him
- No.10: As God The Lord Of Sabaoth Liveth
- No.11: Baal, We Cry To Thee: Hear And Answer Us!
- No.12: Call Him Louder, For He Is A God!
- No.13: Call Him Louder! He Heareth Not!
- No.14: Lord God Of Abraham, Isaac And Israel!
- No.15: Cast Thy Burden Upon The Lord
- No.16: O Thou, Who Makest Thine Angels Spirits
- No.17: Is Not His Word Like A Fire?
- No.18: Woe Unto Them Who Forsake Him!
- No.19: O Man Of God, Help Thy People!
- No.20: Thanks Be To God!
Tracks:
- No.21: Hear Ye, Israel; Hear What The Lord Speaketh
- No.22: Be Not Afraid, Saith God The Lord
- No.23: The Lord Hath Exalted Thee
- No.24: Woe To Him, He Shall Perish
- No.25: Man Of God, Now Let My Words Be Precious
- No.26: It Is Enough; O Lord Now Take My Life
- No.27: See, Now He Sleepeth
- No.28: Lift Thine Eyes To The Mountains
- No.29: He, Watching Over Israel, Slumbers Not
- No.30: Arise, Elijah, For Thou Hast A Long Journey
- No.31: O Rest In The Lord
- No.32: He That Shall Endure To The End, Shall Be Saved
- No.33: Night Falleth Round Me, O Lord!
- No.34: Behold! God The Lord Passed By!
- No.35: Above Him Stood The Seraphim
- No.36: Go, Return Upon Thy Way
- No.37: For The Mountains Shall Depart
- No.38: Then Did Elijah The Prophet Break Forth
- No.39: Then Shall The Righteous Shine Forth
- No.40: Behold, God Hath Sent Elijah
- No.41: But The Lord, From The North Hath Raised One
- No.41a: O Come Everyone That Thirsteth
- No.42: And Then Shall Your Light Break Forth
Customer Reviews:
my opinion.......2007-08-01
Wonderful, but not my first choice.......2007-04-07
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.
THE BEST recording of the BEST oratorio ever..........2006-08-15
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.
That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.
All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.
Too bad there are so few recordings of Elijah.......2006-07-03
Average customer rating:
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Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000004CYV Release Date: 2007-03-13 |
Tracks:
- First Booke Of Songes: I. Unquiet Thoughts
- First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
- First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
- First Booke Of Songes: IV. If My Complaints Could Passions Move
- First Booke Of Songes: V. Can She Excuse My Wrongs
- First Booke Of Songes: VI. Now, O Now, I Needs Must Part
- First Booke Of Songes: VII. Dear, If You Change
- First Booke Of Songes: VIII. Burst Fourth My Tears
- First Booke Of Songes: IX. Go Crystal Tears
- First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
- First Booke Of Songes: XI. Come Away, Come Sweet Love
- First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
- First Booke Of Songes: XIII. Sleep, Wayward Thoughts
- First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
- First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
- First Booke Of Songes: XVI. Would My Conceit
- First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
- First Booke Of Songes: XVIII. His Golden Locks
- First Booke Of Songes: XIX. Awake, Sweet Love
- First Booke Of Songes: XX. Come, Heavy Sleep
- First Booke Of Songes: XXI. Away With These Self-Loving Lads
Tracks:
- Second Booke Of Songs: I. I Saw My Lady Weep
- Second Booke Of Songs: II. Flow My Tears
- Second Booke Of Songs: III. Sorrow, Stay
- Second Booke Of Songs: IV. Die Not Before Thy Day
- Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
- Second Booke Of Songs: VI. Time's Eldest Son
- Second Booke Of Songs: VII. Then Sit Thee Down
- Second Booke Of Songs: VIII. When Others Sing Venite
- Second Booke Of Songs: IX. Praise Blindness Eyes
- Second Booke Of Songs: X. O Sweet Woods
- Second Booke Of Songs: XI. If Floods Of Tears
- Second Booke Of Songs: XII. Fine Knacks For Ladies
- Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
- Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
- Second Booke Of Songs: XV. White As Lilies Was Her Face
- Second Booke Of Songs: XVI. Woeful Heart
- Second Booke Of Songs: XVII. A Shepherd In A Shade
- Second Booke Of Songs: XVIII. Faction That Ever Dwells
- Second Booke Of Songs: XIX. Shall I Sue
- Second Booke Of Songs: XX. Toss Not My Soul
- Second Booke Of Songs: XXI. Clear Or Cloudy
- Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here
Tracks:
- Third Booke Of Songs 1603: I. Farewell, Too Fair
- Third Booke Of Songs 1603: II. Time Stands Still
- Third Booke Of Songs 1603: III. Behold A Wonder Here
- Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
- Third Booke Of Songs 1603: V. Me, Me, And None But Me
- Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
- Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
- Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
- Third Booke Of Songs 1603: IX. What If I Never Speed?
- Third Booke Of Songs 1603: X. Love Stood Amazed
- Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
- Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
- Third Booke Of Songs 1603: XIII. O What Hath Overwrought
- Third Booke Of Songs 1603: XIV. Farewell, Unkind
- Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
- Third Booke Of Songs 1603: XVI. Fie On This Feigning!
- Third Booke Of Songs 1603: XVII. I Must Complain
- Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
- Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
- Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
- Third Booke Of Songs 1603: XXI. Come When I Call
Tracks:
- A Pilgrimes Solace: I. Disdain Me Still
- A Pilgrimes Solace: II. Sweet Stay Awhile
- A Pilgrimes Solace: III. To Ask For All Thy Love
- A Pilgrimes Solace: IV. Love, Those Beams That Breed
- A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
- A Pilgrimes Solace: VI. Were Every Thought An Eye
- A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
- A Pilgrimes Solace: VIII. Tell Me, True Love
- A Pilgrimes Solace: IX. Go Nightly Cares
- A Pilgrimes Solace: X. From Silent Night
- A Pilgrimes Solace: XI. Lasso vita mia
- A Pilgrimes Solace: XII. In This Trembling Shadow Cast
- A Pilgrimes Solace: XIII. If That A Sinner's Sights
- A Pilgrimes Solace: XIV. Thou Mighty God
- A Pilgrimes Solace: XV. When David's Life
- A Pilgrimes Solace: XVI. When The Poor Cripple
Tracks:
- A Pilgrimes Solace: XVII. Where Sin Sore Wounding
- A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
- A Pilgrimes Solace: XIX. Up Merry Mates
- A Pilgrimes Solace: XX. Welcome Black Night
- A Pilgrimes Solace: XXI. Cease, Cease These False Sports
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae
Tracks:
- Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
- Mr. Henry Noell Lamentations: II. Domine ne in furore
- Mr. Henry Noell Lamentations: III. Miserere mei Deus
- Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
- Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
- Mr. Henry Noell Lamentations: VI. De profundis
- Mr. Henry Noell Lamentations: VII. Domine exaudi
- Lachrimae: Lachrimae Antiquae
- Lachrimae: Lachrimae Antiquae Novae
- Lachrimae: Lachrimae Gementes
- Lachrimae: Lachrimae Tristes
- Lachrimae: Lachrimae Coactae
- Lachrimae: Lachrimae Amantis
- Lachrimae: Lachrimae Verae
- Lachrimae: Mr. John Langton's Pavan
- Lachrimae: Mr. Nicholas Gryffith His Galiard
- Lachrimae: Sir John Souch His Galiard
- Lachrimae: Semper Dowland Semper Dolens
- Lachrimae: Mr. Giles Hobies Galiard
- Lachrimae: The King Of Denmark's Galiard
- Lachrimae: Sir Henry Umpton's Funerall
- Lachrimae: Mr. Henry Noell His Galiard
- Lachrimae: The Earl Of Essex Galiard
- Lachrimae: Mr. Bucton His Galiard
- Lachrimae: Mr. George Whitehead His Almand
- Lachrimae: Captain Digorie Piper His Galiard
- Lachrimae: Mr. Thomas Collier His Galiard
- Lachrimae: Mrs. Nichols Almand
Tracks:
- Sacred Songs: Sorrow, Come!
- Sacred Songs: I Shame At Mine Unworthiness
- Sacred Songs: An Heart That's Broken And Contrite
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 38: Put Me Not To Rebuke O Lord
- Psalms: Psalm 130: Lord To Thee I Make My Moan
- Psalms: Psalm 104: My Soul Praise The Lord
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 134: Behold And Have Regard
- A Prayer For The Queen's Most Excellent Majesty
- Instrumental Music: Solus cum sola pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Galliard
- Instrumental Music: Pipers Pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Lady Rich Galliard
- Instrumental Music: Earl Of Essex Galliard
- Instrumental Music: If My Complaints
- Instrumental Music: Lachrimae Doolande
- Instrumental Music: Lord Willoughbie's Welcome Home
- Instrumental Music: My Lord Chamberlaine His Galliard
- Instrumental Music: Comagain
- Instrumental Music: Pavan Lachrymae
- Instrumental Music: Sorrow Stay
Tracks:
- Lute Music: Preludium
- Lute Music: Lachrimae
- Lute Music: Can She Excuse
- Lute Music: Dr. Case's Pavan
- Lute Music: Melancholy Galliard
- Lute Music: Sir John Smith, His Almain
- Lute Music: Fantasia
- Lute Music: A Dream
- Lute Music: Almain
- Lute Music: The Queen's Galliard
- Lute Music: Coranto
- Lute Music: Resolution
- Lute Music: Mrs. Vaux Galliard
- Lute Music: Almain
- Lute Music: Mr. Dowland's MIdnight
- Lute Music: Fantasia
- Lute Music: Loth To Depart
- Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
- Lute Music: The Earl Of Essex, His Galliard
- Lute Music: Pavan
- Lute Music: John Dowland's Galliard
- Lute Music: Aloe
- Lute Music: The Lady Clifton's Spirit
- Lute Music: What If A Day
- Lute Music: Mr. Giles Hobie's Galliard
- Lute Music: Come Away (Song arrangement)
- Lute Music: Galliard
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Lachrimae (Basic Version)
- Lute Music: Galliard To Lachrimae
- Lute Music: [Jig]
- Lute Music: Galliard On 'Wasingham'
- Lute Music: Complaint (Ballad Setting)
- Lute Music: Mignarda (Galliard)
- Lute Music: Semper Dowland Semper Dolens (Pavan)
- Lute Music: The Frog Galliard
- Lute Music: A Fancy (Fantasia)
- Lute Music: Fancy (Fantasia)
- Lute Music: Piper's Pavan
- Lute Music: Captain Digorie Piper's Galliard
- Lute Music: Lady Laiton's Almain
- Lute Music: Dowland's Galliard
- Lute Music: Dowland's First Galliard
- Lute Music: Tarleton's Jig
- Lute Music: Walsingham (ballad Setting)
- Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
- Lute Music: Sir Henry Guilforde, His Almain
- Lute Music: Pavan (Related To 'Lachrimae')
- Lute Music: Mr. Langton's Galliard
- Lute Music: Mrs. Clifton's Almain
- Lute Music: Galliard
- Lute Music: Lady Hunsdon's Puffe (Almain)
- Lute Music: Galliard
- Lute Music: Go From My Window (Ballad Setting)
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Pavana Johan Douland
- Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
- Lute Music: La mia Barbara
- Lute Music: Sir Henry Umpton's Funeral (Pavan)
- Lute Music: Lachrimae
- Lute Music: Farewell Fancy (Chromatic Fantasia)
- Lute Music: Farewell (On The 'In Nomine' Theme)
- Lute Music: The King of Denmark's Galliard
- Lute Music: Mrs. Vaux's Jig
- Lute Music: Mrs. Nichol's Almain
- Lute Music: Galliard
- Lute Music: Lord Strang's March
- Lute Music: Mrs. Winter's Jump
- Lute Music: Can She Excuse (Galliard)
- Lute Music: The Shoemaker's Wife, A Toy
- Lute Music: Mrs. Norrish's Delight
- Lute Music: Galliard
- Lute Music: Mrs. White's Thing (Almain)
- Lute Music: Mrs. White's Nothing
- Lute Music: The Frog Galliard
- Lute Music: Solus cum sola
- Lute Music: The Lord Viscount Lisle, His Galliard
- Lute Music: Orlando Sleepeth (Ballad Setting)
- Lute Music: Robin (Ballad Setting)
- Lute Music: Galliard (On A Galliard By Daniel Bacheler)
- Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)
Tracks:
- Lute Music: The Lady Russell's Pavan
- Lute Music: Fancy (Fantasia)
- Lute Music: Sir John Langton's Pavan
- Lute Music: Earl Of Derby, His Galliard
- Lute Music: A Coy Toy
- Lute Music: Fortune My Foe
- Lute Music: [Almain]
- Lute Music: Mr. Knight's Galliard
- Lute Music: Sir John Souch His Galliard
- Lute Music: Tarletone's Riserrectione
- Lute Music: The Lady Rich, Her Galliard
- Consort Music: Lachrimae Pavan
- Consort Music: Can She Excuse Galliard
- Consort Music: Captain Piper's Pavan And Galliard
- Consort Music: The Frog Galliard
- Consort Music: Round Battell Galliard
- Consort Music: Fortune My Foe
- Consort Music: Dowland's First Galliard
- Consort Music: Katherine Darcie's Galliard
- Consort Music: Tarleton's Jigge
- Consort Music: Almain a 2
- Consort Music: Mistress Nichols Almain a 2
- Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
- Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
- Opusculum: Mr. John Langton Pavan And Galliard
- Opusculum: La mia Barbara Pavan and Galliard
- Opusculum: Lachrimae Antiquae Novae Pavan and Galliard
Tracks:
- Consort Music: Mistress NIchols Almain
- Consort Music: Volta a 4 ('Ioh. Douland')
- Consort Music: Were Every Thought an Eye
- Consort Music: Lady If You So Spite Me
- Consort Music: Pavan a 4
- A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
- A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
- A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
- A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
- A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
- A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
- A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
- A Musicall Banquet: VIII. Far From Triumphing Court
- A Musicall Banquet: IX. Lady, If You So Spite Me
- A Musicall Banquet: X. In Darkness Let Me Dwell
- A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
- A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
- A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
- A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
- A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
- A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
- A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
- A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
- A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
- A Musicall Banquet: XX. O bella piu (Anon, Italian)
Customer Reviews:
The greatest songs ever?.......2007-07-26
Please buy it.
A musical treasure-box.......2006-09-10
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
a beautiful journey into melancholy.......2001-06-15
Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Average customer rating:
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Now That's What I Call Music! 11
Various Artists Manufacturer: Utv Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006LLQ0 Release Date: 2002-11-19 |
Tracks:
- Hot In Herre - Nelly
- Nothin' - N.O.R.E.
- Gangsta Lovin' - Eve/Alicia Keys
- Feel It Boy - Beenie Men & Janet
- Days Go By - Dirty Vegas
- Love At First Sight - Kylie Minogue
- Objection (Tango) - Shakira
- Underneath It All - No Doubt
- Bare Naked - Jennifer Love Hewitt
- Ordinary Day - Vanessa Carlton
- Landslide - Dixie Chicks
- I Care 4 U - Aaliyah
- Stingy - Ginuwine
- Don't Know Why - Norah Jones
- Hero - Chad Kroeger & Joesy Scott
- Running Away - Hoobastank
- In My Place - Coldplay
- One Last Breath - Creed
- Somewhere Out There - Our Lady Peace
- Everyday - Bon Jovi
Amazon.com
What's the Now That's What I Call Music series got to do with a year like 2002? Sure, the biggies--from Nelly to No Doubt--rode new hit material that's featured here. But during the same year, piano-playing wunderkind Norah Jones wowed listeners with a mellow new marriage of pop and jazz. And the Dixie Chicks closed out a long legal battle and presented a down-home traditional country record that topped the charts. Now 11 is the CD equivalent of a mix tape that bounces from big, urban beats and rhymes to laid-back electro-pop chill to coolly groundbreaking piano-driven melodies. Norah, the Chicks, and Coldplay all push Now in a more adult-oriented direction, one where beats take a backseat to acoustic instrumentation and sincere lyrics. Then there's the notably sultry, full-blossomed "I Care 4 U" from Aaliyah, which stands as a fine tribute to the late singer. --Andrew BartlettCustomer Reviews:
Vol. 11.......2006-07-18
Nelly kicks things off with what may be his biggest it ever. 'Hot in Herre' is a perfect summer anthum and was a club favorite and it serves as a nice way to kick off the album. N.O.R.E., Eve & Beenie Man all deliver in the rap area as well, Beenie Man and Janet taking the crown as the best addition to the rap portion of our comp. disc.
Dirty Vegas makes their first appearance here as does No Doubt, Norah Jones and Jennifer Love Hewitt, Norah Jones taking the crown as greatest new addition, while The Dixie Chicks also make their first appearance, but they serve another purpose. The mark the turning point in pop culture, the acceptance of country music as more than a pass time for hillbillys but as good music that everyone can enjoy. Finally 'Now!' and the rest of the world was ready to see that.
As far as serving it up better the second or third go around, the champs in this catagory are of course Coldplay. They were first heard on 'Now!' delivering their weak debut single 'Yellow' a song I have never been a fan of, but with 'In My Place' Coldplay have regained my favor. Great song. Also, Vanessa Carlton delivers better her second go around as does Creed with my favorite Creed song 'One Last Breath' which is lightyears ahead of 'With Arms Wide Open'.
The highlight of th album though is Our Lady Peace's 'Somewhere Out There' which takes the crown as best song onthe album and it's such a nice change of pace to see someone like OLP on here instead of the same ol' same ol'. Never was a fan of 'Hero' but I understand why it's here. Spiderman was huge and rightfully so, so it only makes sense that the theme song would be on everyones play list...just not mine.
Great.......2006-01-15
Best Now?.......2005-09-12
1. Hot In Herre - Nelly - Yuck, I hate it.
2. Nothin' - Yuck again.
3. Gangsta Lovin' - Pretty good. I love Alicia Keys.
4. Feel It Boy - Decent.
5. Days Go By - Nice dance song, don't understand the music video.
6. Love At First Sight - Good, I love Kylie.
7. Objection (Tango) - I hate Shakira, she is such a wh0re for crying out loud.
8. Underneath It All - I LOVE No Doubt, people hate on them on this album, probably because Rock Steady was so mainstream.
9. Barenaked - NO!!!
10. Ordinary Day - I love this song but it was SO GOD D**N OVERPLAYED!!!!
11. Landslide - Don't like country,
12. I Care 4 U - I LUV AALIYAH!!! R.I.P. Best R&B singer ever.
13. Stingy - Yuck, worst song.
14. Don't Know Why - Boring but the lyrics are nice so it's good.
15. Hero - It's good but I don't like Nickelback much.
16. Running Away - Great song.
17. In My Place - See Don't Know Why.
18. One Last Breath - See Ordinary Day.
19. Somewhere Out There - I LOVE THIS SONG!!! OLP is SUCH a good band.
20. Everyday - Who doesn't like this song???
Good CD overall. Worth buying.
Poor beyond poor beyond poor beyond poor beyond poor..........2005-09-12
I'm sorry I did. The first three songs are all raps, and you know my feelings toward rap (If you don't, I hate it.) Hot In Herre is on my list of overrated songs, although Weird Al's parody, Trash, is hilarious. A bunch of boring songs, then Landslide, which is okay...more boring songs...No Doubt? Dear God, don't let them hurt me! More boring songs...hey, Hero, that's good, Don't Know Why is too. More boring songs...In My Place, that one's good...more boring songs...ONE LAST BREATH? MAKE IT STOP!!!!!!!!
Don't buy this.
Best Now Collection To Me!.......2005-06-01
1) Hot In Herre- A- Catchy song, very fun kind of song.
2) Nothin'- D- I don't know how this song got on here, it doesn't sound good at all.
3) Gansta Lovin'- A- Another catchy fun song.
4) Feel It Boy- B- All right, but I don't really consider it a hit.
5) Days Go By- A- Good- sounding kind of song, very addictive.
6) Love At First Sight- B+- Love the sound of this song.
7) Objection- A- One of Shakira's best songs.
8) Underneath It All- B+- Catchy song, and I do consider it a hit.
9) Barenaked- B- The only good song by Hewitt in my opinion, but nothing special.
10) Ordinary Day- A- Great song by Vanessa Carlton, I love the lyrics and the sound.
11) Landslide- A- Very good song, I like it.
12) I Care 4 U- C- I never liked Aaliyah's music too much, but this is all right.
13) Stingy- D- Don't like the song.
14) Don't Know Why- C- I do not like Norah's sound. I don't like her voice.
15) Hero- A- One of the best songs on here. I love the song.
16) Running Away- B+- Good- sounding song from Hoobastank.
17) In My Place- A- Very nice song from Coldplay.
18) One Last Breath- A- People may down Creed, but I love this song and many others.
19) Somewhere Out There- A- The best song ever by Our lady Peace in my opinion.
20) Everyday- B+- Catchy and fun song. I like this one as well.
Average customer rating:
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English Song
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002JEG6I Release Date: 2005-03-22 |
Tracks:
- A Soft Day - Bernadette Greevy
- Irish Skies - Bernadette Greevy
- Cherry Ripe - Janice Watson
- Mustard And Cress - Neal Davies
- The Lily Of A Day - Janice Watson
- Henry King - Neal Davies
- Fain Would I Change That Note - Graham Johnson
- In Summer-Time On Bredon - Christopher Maltman
- The Lads In Their Hundreds - Christopher Maltman
- Among The Rocks - Graham Johnson
- It Was A Lover And His Lass - Anthony Rolfe Johnson
- The Water Mill - Anthony Rolfe Johnson
- On Wenlock Edge - Anthony Rolfe Johnson
- The Call - Graham Johnson
- Silent Noon - Graham Johnson
- Now In These Fairylands - Philip Langridge
- The Dream-City - Philip Langridge
- Margrete's Cradle Song - Susan Gritton
- The Heart Worships - Christopher Maltman
- Take, O Those Lips Away - Anthony Rolfe Johnson
- Now Sleeps The Crimson Petal - Graham Johnson
- Love Calls Through The Summer Night - Anthony Rolfe Johnson
- I Will Go With My Father A-Ploughing - Graham Johnson
- The Rio Grande (Capstan Shanty) - Ian Partridge
- Theodore, Or The Pirate King - Ian Partridge
- A Long Time Ago (Hilliard's Shanty) - Ian Partridge
- Oh Dear, What Can The Matter Be? - Bernadette Greevy
Tracks:
- The Grenadier - Richard Edgar-Wilson
- The Young Lover - Richard Edgar-Wilson
- Betty And Johnny - Richard Edgar-Wilson
- Rise Up And Reach The Stars - Richard Edgar-Wilson
- The Bells - Nik Hancock-Child
- Ann's Cradle Song - Nik Hancock-Child
- As I Lay In The Early Sun - Nik Hancock-Child
- The Cherry Tree - Nik Hancock-Child
- Dusk - Nik Hancock-Child
- Peter Warlock's Fancy - John Constable
- The Frostbound Wood - John Constable
- Chopcherry - John Constable
- A Sad Song - John Constable
- Rutterkin - John Constable
- Bethlehem Down - John Constable
- Wapping Old Stairs - Felicity Lott
- Long Steel Grass - Martyn Hill
- Tango-Pasodoble - Martyn Hill
- Popular Song - Martyn Hill
- Beatriz's Song - Felicity Lott
- Lay Your Sleeping Head, My Love - Philip Langridge
- Early One Morning - Felicity Lott
- The Foggy, Foggy View - Philip Langridge
- Now The Leaves Are Falling Fast - Philip Langridge
- Tell Me The Truth About Love - Della Jones
- The Choirmaster's Burial - Philip Langridge
Customer Reviews:
A century of British art songs to delight those who love them.......2006-06-26
I'd challenge all but the most addicted listener to make it through more than ten songs at a sitting, and many of these pieces are tepid, offering comfort rather than inspiration. The singers are among the best, but Graham Johnson and Steuart Beford, who do most of the accompaniments, are lackluster. I know that won't be a popular comment, yet if you compare any of these songs with rendiitons done by Janet Baker, John Shirley-quirk, and most recently Bryn Terfel and Ian Bostridge, you immediately notice how much more intensity and drama is pesent than htis colleciton reveals.
Average customer rating:
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Henry VIII: If Love Now Reigned (His Music - His Love Letters to Ann Boleyn) - Isaak Ensemble Heidelberg / Theo Stemmler
Henry VIII - King of England , Michael Valentin , Theo Stemmler , and Isaak Ensemble Heidelberg Manufacturer: Bayer ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000445F Release Date: 1992-12-15 |
Tracks:
- Pastime With Good Company
- Brief Nr. 8
- Though That Men Do Call
- Consort VIII
- Whoso That Will For Grace Sue
- Brief Nr. 13
- Whoso That Will All Feats
- Consort IV
- Brief Nr. 11
- Though Some Saith
- Consort XIV
- Consort XXII
- Brief Nr. 12
- Consorts III, XII, II
- Departure Is My Chief Pain
- If Love Now Reigned (II)
- If Love Now Reigned (I)
- En vray amoure
- Adieu madame et ma maitresse
- Brief Nr. 1
- Helas madame
- Brief Nr. 2
- Gentil prince de renom
- Brief Nr. 14
- It Is To Me A Right Great Joy
- Consort VIII
- Brief Nr. 15
- Green Groweth The Holly
- Taunder naken
- Whereto Should I Express
- Consort XVI
- Without Discord
- Brief Nr. 17
- Lusty Youth Should Us Ensue
- Alack, Alack, What Shall I Do
Customer Reviews:
Wonderful.......2004-12-21
The Cultured Henry.......2004-12-18
Rather than performing "Chapel Royal" music, this CD focusses on Henry's own works, which show surprising talent. He sang countertenor (odd for such an imposing figure), and played flute, viol, virginal, and lute; no wonder he found Anne Boleyn, herself an accomplished musician and composer, a perfect counterpart. Some selections are Henry's adaptations of contemporary works, but most are original: one can imagine the couple performing and laughing together on intimate evenings.
The love letters are fascinating. As in the vocals, pronunciation approximates sixteenth century English. Notwithstanding the German accent, I still noticed some small flaws: the 'r's are not fully rolled on the tongue, nor are vowels consistently emphasized (early modern English was more phonetic than modern). I also noted unusual French pronunciations, although I suspect the differences were more obvious than is apparent here. Small quibble -- at least it's not modern!
This is a fascinating CD, both in terms of listening pleasure and historical interest.
If love now reigned, as it hath been..........2001-04-17
Average customer rating:
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Julian Bream Edition, Volume 1: The Golden Age of English Lute Music
Manufacturer: RCA ProductGroup: Music Binding: Audio CD ASIN: B000003FFV Release Date: 1993-08-10 |
Tracks:
- Two Almaines
- Fant
- Walsingham
- Mignarda
- Almaine
- Galliard
- Greensleeves
- Galliard Upon A Galliard Of Daniel Bachelar
- Pavan
- Carman's Whistle
- Pavan
- Monsieur's Almaine
- Pavan
- Batell Galliard
- Galliard
- Pavana Bray
- Galliard
- Pavan
- My Lord Willoughby's Welcome Home
- Captain Piper's Galliard
- Queen Elizabeth's Galliard
- Sir John Langton's Pavan
- Tarleton's Ressurection
- Lady Clifton's Spirit
Tracks:
- Landgrave Of Hesse: Pavan
- Saltarello
- Ballo Detto Il Conte Orlando
- Saltarello
- Fant
- Chromatic Pavan And Galliard: Pavan
- Chromatic Pavan And Galliard: Galliard
- Fant
- Queen Elizabeth's Galliard
- Fant
- Fant
- Finale
- Villanella No.1
- Villanella No.2
- Finale 2
- Pavan
- Mein Herz Hat Sich Mit Lieb' Verpflicht
- Hie' Folget Ein Welscher Tanz
- Ich Klag' Den Tag
- Der Juden Tanz
- Fant
- Air De Cour
- Branle
- Guillemette
- Volte
- Forlorn Hope Fancy
- My Lord Willoughby's Welcome Home (For Two Lts)
Tracks:
- The Earl Of Essex Galliard
- Lachrimae Antiquae
- Galliard To Lachrimae
- My Lady Hunsdon's Puffe
- Lord De L'Isle's Galliard
- The Frog Galliard
- Lachrimae Verae
- The Shoemaker's Wife
- Lady Rich, Her Galliard
- Unnamed Piece (Almaine)
- Sir John Smith's Almaine
- Melancholy Galliard
- Sir Henry Gifford's Almaine
- Dowland's First Galliard
- Mrs Vaux's Gigge
- The Earl Of Derby, His Galliard
- Semper Dowland, Semper Dolens
- Captain Digorie Piper's Galliard
- My Lord Chamberlain, His Galliard
- Mr Langton's Galliard
- Sir John Souche's Galliard
- Piper's Pavan
- Resolution
Tracks:
- The Woods So Wild
- Fant I in c
- Packington's Pound
- Fant II in F
- Walsingham
- Fant III in g
- The Fairy Round
- Heigh Ho Holiday
- Fant IV (La Campagna)
- Go From My Window
- Fant V in C
- Greensleeves
- Fant VI in F
- Bonny Sweet Robin
- Fant VII in F
- Heart's Ease
- Fant VIII in G
- Loth To Depart
- A Fancy
- A Fancy
- Farewell
Tracks:
- Con in D, RV 93: Allegro Giusto - Juliam Bream
- Con in D, RV 93: Largo - Juliam Bream
- Con in D, RV 93: Allegro - Juliam Bream
- Con in F: Allegro - Juliam Bream
- Con in F: Adagio - Juliam Bream
- Con in F: Tempo Di Menuetto - Juliam Bream
- Con in B flat, Op.4 No.6: Allegro - Juliam Bream
- Con in B flat, Op.4 No.6: Larghetto - Juliam Bream
- Con in B flat, Op.4 No.6: Allegro Moderato - Juliam Bream
- Con in G, RV 532: Allegro - Juliam Bream
- Con in G, RV 532: Andante - Juliam Bream
- Con in G, RV 532: Allegro - Juliam Bream
- Son in C, RV 82: Allegro Non Molto - Julian Bream/George Malcom
- Son in C, RV 82: Larghetto - Julian Bream/George Malcom
- Son in C, RV 82: Allegro - Julian Bream/George Malcom
- Son in g, RV 85: Andante Molto - Julian Bream/George Malcom
- Son in g, RV 85: Larghetto - Julian Bream/George Malcom
- Son in g, RV 85: Allegro - Julian Bream/George Malcom
Tracks:
- Monsieur's Almaine - The Julian Bream Consort
- Pavin - The Julian Bream Consort
- My Lord Of Oxenford's Maske - The Julian Bream Consort
- The Flatt Pavin - The Julian Bream Consort
- The Bachelar's Delight - The Julian Bream Consort
- Kemp's Jig - The Julian Bream Consort
- Phillips Pavin - The Julian Bream Consort
- O Mistress Mine - The Julian Bream Consort
- Fant: La Rondinella - The Julian Bream Consort
- Joyne Hands - The Julian Bream Consort
- Lachrimae Pavin - The Julian Bream Consort
- Fant - The Julian Bream Consort
- De La Tromba Pavin - The Julian Bream Consort
- It Fell On A Summer's Day - The Julian Bream Consort
- Dowland's Adew - The Julian Bream Consort
- The Frog Galliard - The Julian Bream Consort
- La Rosignol - The Julian Bream Consort
- Tarleton's Resurrection - The Julian Bream Consort
- Galliard-Can She Excuse - The Julian Bream Consort
- Gloriana-Courtly Dances: March - The Julian Bream Consort
- Gloriana-Courtly Dances: Corante - The Julian Bream Consort
- Gloriana-Courtly Dances: Pavan - The Julian Bream Consort
- Gloriana-Courtly Dances: Morris Dance - The Julian Bream Consort
- Gloriana-Courtly Dances: Galliard - The Julian Bream Consort
- Gloriana-Courtly Dances: La Volta - The Julian Bream Consort
- Gloriana-Courtly Dances: March (Finale) - The Julian Bream Consort
- Con in D, RV 93: Allegro - The Julian Bream Consort
- Con in D, RV 93: Largo - The Julian Bream Consort
- Con in D, RV 93: Allegro - The Julian Bream Consort
Tracks:
- Joyne Hands - The Julian Bream Consort
- Phillips Pavin - The Julian Bream Consort
- The Frog Galliard - The Julian Bream Consort
- The Jew's Dance - The Julian Bream Consort
- Fant - The Julian Bream Consort
- The Bachelar's Delight - The Julian Bream Consort
- The Sacred End Pavin And Galliard: Pavin - The Julian Bream Consort
- The Sacred End Pavin And Galliard: Galliard - The Julian Bream Consort
- De La Tromba Pavin - The Julian Bream Consort
- Thirsis And Milla - The Julian Bream Consort
- Alison's Knell - The Julian Bream Consort
- Grimstock - The Julian Bream Consort
- Go From My Window - The Julian Bream Consort
- Go Nightly Cares - The Julian Bream Consort
- Daniel's Almain - The Julian Bream Consort
- In Nomine Pavin - The Julian Bream Consort
- Come Again - The Julian Bream Consort
- Lachrimae Pavin - The Julian Bream Consort
- Can She Excuse - The Julian Bream Consort
Tracks:
- Chor No.1 - Juilian Bream
- Etude in e - Juilian Bream
- Etude in c# - Juilian Bream
- Prld in e - Juilian Bream
- Schottische-Choro (From Ste Popolar Brasileira) - Juilian Bream
- Madronos - Juilian Bream
- Homenaje, Pour Le Tombeau De Debussy - Juilian Bream J
- The Miller's Dance (From The Three-Cornered Hat) - Juilian Bream
- Fandanguillo - Juilian Bream J
- El Testament D'Amelia - Juilian Bream
- Canarios - Juilian Bream
- Son - Juilian Bream
- En Los Trigales - Juilian Bream
- Larghetto - Juilian Bream
- Allegro, K.Anh.229 - Juilian Bream
- Son in C, Op.15, Allegro - Juilian Bream
- Rossiniana No.1, Op.119 - Juilian Bream
Tracks:
- Pavanas
- Galliardas
- Passacalles
- Canarios
- Villano
- Canario
- Prld in d, BWV 999
- Fugue in a, BWV 1000
- Passacaille
- Fant
- Tombeau Sur La Mort De M. Comte De Logy
- Ste in d: Prld
- Ste in d: Allemande
- Ste in d: Courante
- Ste in d: Sarabande
- Ste in d: Gavotte
- Ste in d: Menuets I And II
- Ste in d: Bourree
- Ste in d: Gigue
- Aria Con Var Detta La Frescobalda
- Son in e, K.11
- Son in e, K.87
- Son in c#
- Son in A
Tracks:
- Grand Ov, Op.61
- Grand Solo, Op.14: Intro
- Grand Solo, Op.14: Allegro
- Son in A: Allegro Moderato
- Son in A: Andante Sostenuto
- Son in A: Menuet-Scherzo
- Son in A: Rondo (Allegretto)
- Rossiniana No.3, Op.121
- Son in C, Op.25: Andante Largo; Allegro Non Troppo
- Son in C, Op.25: Andantino Grazioso
- Son in C, Op.25: Minuetto & Trio/Allegro
Tracks:
- Grand Son in A: Allegro Risoluto
- Grand Son in A: Romanze
- Grand Son in A: Andantino Variato
- Son in G, Op.78, D.894, Menuetto
- Song Without Words, Op.19, No.6 ('Venetian Boating Song')
- Str Qt, Op.12: Conzanetta
- Homenaje, Pour Le Tombeau De Debussy
- Pavane Pour Une Infante Defunte
- Ste Espanola, Op.47: Granada
- Ste Espanola, Op.47: Leyenda (Asturias)
- Lagrima (Prld)
- Three Mazurkas: Adelita
- Three Mazurkas: Mazurka in G
- Three Mazurkas: Marieta
Tracks:
- Sonatina, Op. 52, No.1: Allegretto
- Sonatina, Op. 52, No.1: Lento
- Sonatina, Op. 52, No.1: Rondo
- Segovia, Op.29
- El Polifemo De Oro (Four Fragments): Ben Adagio
- El Polifemo De Oro (Four Fragments): Allegretto
- El Polifemo De Oro (Four Fragments): Largo
- El Polifemo De Oro (Four Fragments): Ritmico E Vivo
- Quatre Pieces Breves: Prld
- Quatre Pieces Breves: Air
- Quatre Pieces Breves: Plainte
- Quatre Pieces Breves: Comme Une Gigue
- Drei Tentos (From 'Kammermusik'): 'Du Schones Bachlein' (Tranquilmente)
- Drei Tentos (From 'Kammermusik'): 'Es Findet Das Aug' Oft' (Allegro Rubato)
- Drei Tentos (From 'Kammermusik'): 'Sohn Laios' (Lento)
- Elegy
- Five Bagatelles: Allegro
- Five Bagatelles: Lento/Tempo Di Valse
- Five Bagatelles: Alla Cubana
- Five Bagatelles: Sempre Espressivo
- Five Bagatelles: Con Slancio
- Theme And Vars, Op.77
Tracks:
- Ste Compostellana: Prd
- Ste Compostellana: Coral
- Ste Compostellana: Cuna
- Ste Compostellana: Recitativo
- Ste Compostellana: Cancion
- Ste Compostellana: Muneira
- Tiento
- Son: Allegretto
- Son: Andante
- Son: Allegro
- Fant
- Ste Populaire Bresilienne: Mazurka-Choro
- Ste Populaire Bresilienne: Schottisch-Choro
- Ste Populaire Bresilienne: Valse-Choro
- Ste Populaire Bresilienne: Gavotte-Choro
- Etude No.5 in C
- Etude No.7 in E
Tracks:
- Five Impromptus: Recitative
- Five Impromptus: Agitato
- Five Impromptus: Elegiaco
- Five Impromptus: Con Fuoco
- Five Impromptus: Arioso
- Five Bagetelles: Allegro
- Five Bagetelles: Lento
- Five Bagetelles: Alla Cubana
- Five Bagetelles: Sempre Espressivo
- Five Bagetelles: Con Slancio
- Hill Runes
- Son No.1, Royal Winter Music: Gloucester (Majestically)
- Son No.1, Royal Winter Music: Romeo And Juliet (Singing Slowly, With Tenderness)
- Son No.1, Royal Winter Music: Ariel (Swiftly, Gently, Mysteriously)
- Son No.1, Royal Winter Music: Ophelia (Slowly)
- Son No.1, Royal Winter Music: Touchstone, Audrey And William (With Humor)
- Son No.1, Royal Winter Music: Oberon (Majestically)
Tracks:
- Gtr Con, Op.67: Allegro
- Gtr Con, Op.67: Lento
- Gtr Con, Op.67: Con Brio
- Con: Lento E Rubato/Vivo
- Con: Andante Lento
- Con: Con Brio
- Concierto De Aranjuez: Allegro Con Spirito
- Concierto De Aranjuez: Adagio
- Concierto De Aranjuez: Allegro Gentile
Tracks: