Rossini: Il Barbiere di Siviglia (Highlights)

Rossini: Il Barbiere di Siviglia (Highlights)

On this CD:

  1. Il barbière di Siviglia (The Barber of Seville), opera Ecco ridente in cielo
    Composed by Gioachino Rossini
    Performed by London Symphony Orchestra
    with Nicolai Gedda
    Conducted by James Levine

  2. Il barbière di Siviglia (The Barber of Seville), opera La ran la le ra... Largo al factotum
    Composed by Gioachino Rossini
    Performed by London Symphony Orchestra
    with Sherrill Milnes
    Conducted by James Levine

  3. Il barbière di Siviglia (The Barber of Seville), opera All'idea di quel metallo
    Composed by Gioachino Rossini
    Performed by London Symphony Orchestra
    with Sherrill Milnes, Nicolai Gedda
    Conducted by James Levine

  4. Il barbière di Siviglia (The Barber of Seville), opera Una voce poco fa
    Composed by Gioachino Rossini
    Performed by London Symphony Orchestra
    with Beverly Sills
    Conducted by James Levine

  5. Il barbière di Siviglia (The Barber of Seville), opera La calunnia è venticello
    Composed by Gioachino Rossini
    Performed by London Symphony Orchestra
    with Ruggero Raimondi
    Conducted by James Levine

  6. Il barbière di Siviglia (The Barber of Seville), opera Dunque io son
    Composed by Gioachino Rossini
    Performed by London Symphony Orchestra
    with Sherrill Milnes, Beverly Sills
    Conducted by James Levine

  7. Il barbière di Siviglia (The Barber of Seville), opera Contro corche accende amore
    Composed by Gioachino Rossini
    Performed by London Symphony Orchestra
    with Beverly Sills, Nicolai Gedda
    Conducted by James Levine

  8. Il barbière di Siviglia (The Barber of Seville), opera Don Basilio! Cosa veggo!
    Composed by Gioachino Rossini
    Performed by London Symphony Orchestra
    with Sherrill Milnes, Beverly Sills, Ruggero Raimondi, Renato Capecchi, Nicolai Gedda
    Conducted by James Levine

  9. Il barbière di Siviglia (The Barber of Seville), opera Ah, qual colpo inapettato!
    Composed by Gioachino Rossini
    Performed by London Symphony Orchestra
    with Sherrill Milnes, Beverly Sills, Nicolai Gedda
    Conducted by James Levine

  10. Il barbière di Siviglia (The Barber of Seville), opera Di si gelice innesto
    Composed by Gioachino Rossini
    Performed by London Symphony Orchestra
    with Sherrill Milnes, Fedora Barbieri, Beverly Sills, Ruggero Raimondi, Renato Capecchi, Nicolai Gedda
    Conducted by James Levine

Rossini: Il Barbiere di Siviglia (Highlights),Gioachino Rossini,James Levine,London Symphony Orchestra,Beverly Sills,Fedora Barbieri,Nicolai Gedda,Renato Capecchi,Ruggero Raimondi,Sherrill Milnes,D Classics,Classical,Classical Music,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio


The Very Best of Beverly Sills
Average customer rating: 5 out of 5 stars
  • Here's what the fuss was all about!
  • Beverly Sills - The Best
  • Beverly Sills' highs are breathtaking!
  • THE 2005 OPERA CD OF THE YEAR
  • EMI Does It Again: Beverly Sills - A Tribute
The Very Best of Beverly Sills

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

All Works by DonizettiAll Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
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Sills, BeverlySills, Beverly | ( S ) | Featured Performers, A-Z | Classical | Styles | Music
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Similar Items:
  1. The Great Recordings
  2. Beverly Sills: Made in America
  3. Art of Beverly
  4. Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
  5. Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato

ASIN: B0006VYELE
Release Date: 2005-04-26

Tracks:

  1. Una Voce Poco Fa - Sherrill Milnes
  2. Dunque Io Son - Sherrill Milnes
  3. Contro Un Cor - Sherrill Milnes
  4. Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
  5. E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
  6. Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
  7. Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
  8. V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
  9. Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
  10. Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
  11. Via, Caro Sposino - Ambrosian Opera Chorus
  12. Tornami A Dir Che M'ami - Ambrosian Opera Chorus
  13. La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

  1. Vilia - Beverly Sills
  2. Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
  3. Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
  4. Libiamo Ne' Lieti Calici - John Alldis Choir
  5. Un Di Felice, Eterea - John Alldis Choir
  6. E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
  7. Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
  8. Che Fai? - John Alldis Choir
  9. Addio Del Passato - John Alldis Choir
  10. Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

5 out of 5 stars Here's what the fuss was all about!.......2007-07-17

It would have been even better if they had included at least one Cleopatra aria and something from Baby Doe, but it doesn't really matter, because this collection will allow younger listeners especially to hear what the fuss was all about! There are moments listening to Sills, especially from Traviata or Manon, that are so beautifully sung and so genuine that they are heartbreaking. I feel so fortunate to have heard her Queen of the Night, Manon, Violetta, and Baby Doe. She was so generous as a performer and as a humanitarian, and she really brought opera into the American mainstream.

5 out of 5 stars Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

5 out of 5 stars Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

5 out of 5 stars THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

5 out of 5 stars EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!
The #1 Opera Album
Average customer rating: 4.5 out of 5 stars
  • The beautiful gift of opera...
  • Pretty darn good
  • The Opera #1 Opera Album
  • Excellent assortment
  • Great Selections
The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Most Famous Opera Duets
  2. The Most Famous Opera Arias
  3. The Best of Italian Opera
  4. Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
  5. The Best Opera Album in the World...Ever!

ASIN: B000059RXO
Release Date: 2001-02-27

Tracks:

  1. Carmen: Act 1: Prld - LPO/Sir Georg Solti
  2. La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
  3. La Boheme: Che Gelida Manina - Luciano Pavarotti
  4. Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
  5. Fedora: Amor Ti Vieta - Jussi Bjorling
  6. Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
  7. Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
  8. Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
  9. Rigoletto: La Donna E Mobile - Luciano Pavarotti
  10. Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
  11. Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
  12. Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
  13. La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
  14. Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
  15. Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
  16. Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
  17. Tosca: E Lucevan Le Stelle - Placido Domingo
  18. Madama Butterfly: Un Bel Di - Mirella Freni
  19. Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico

Tracks:

  1. Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
  2. Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
  3. Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
  4. La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
  5. Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
  6. Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
  7. Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
  8. Mattinata - Andrea Bocelli
  9. Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
  10. L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
  11. Turandot: Signore, Ascolta! - Montserrat Caballe
  12. Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
  13. Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
  14. Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
  15. Tosca: Vissi D'arte - Kiri Te Kanawa
  16. Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
  17. Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
  18. Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
  19. Rusalka: O Silver Moon - Renee Fleming
  20. La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
  21. Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis

Amazon.com

The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin

Customer Reviews:

5 out of 5 stars The beautiful gift of opera..........2007-07-17

This 2-CD set is absolutely wonderful! You can close your eyes and feel like you're actually at the opera, listening to those beautiful voices bringing tears to your eyes. Nessun Dorma still stirs up emotions in me, no matter how many times I hear it. Great examples of opera to give someone wanting to get interested in this style of music.

4 out of 5 stars Pretty darn good.......2007-07-04

This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.

2 out of 5 stars The Opera #1 Opera Album.......2007-06-07

The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.

4 out of 5 stars Excellent assortment.......2007-05-12

I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.

5 out of 5 stars Great Selections.......2007-03-31

This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...
The Most Famous Opera Arias
Average customer rating: 4 out of 5 stars
  • Great for kids!
  • Mediocre Sound Quality
  • I was pleased
  • The Most Famous Opera Arias
  • Okay But.... - a review of "The Most Famous Opera Arias"
The Most Famous Opera Arias

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002SCE
Release Date: 1994-07-19

Tracks:

  1. Rigoletto: Act I - Caro nome
  2. Rigoletto: Act III - La donna e mobile
  3. Gianni Schicchi: O mio babbino caro
  4. Carmen: Act I - Habanera: La voila...L'amour est oiseau rebelle
  5. Orfeo ed Euridice: Act III - Che faro senz Euridice
  6. Madama Butterfly: Act III - Un bel di, vedremo
  7. Romeo et Juliette: Act I - Ah! je veux vivre
  8. Le nozze di Figaro: Act II - Voi che sapete che cosa e amor
  9. Samson et Dalila: Act II - Mon coeur s'ouvre a ta voix
  10. Tosca:: Act II - Vissi d'arte, vissi d'amore
  11. Aida: Act I-Celeste Aida
  12. Il Barbiere Di Siviglia: Act I-Una voce poco fa
  13. Lakme: Act II - Ou va la jeune indoue?
  14. La Wally: Act I - Ebben? Ne andro lontano
  15. La Boheme: Act I - Che gelida manina
  16. Die Zauberflote: Act II-Die Holle Rache kocht in meinem Herzen

Customer Reviews:

5 out of 5 stars Great for kids!.......2007-06-27

I'm generally not a fan of music "samplers," but opera can be tough to introduce to children. And hey--even adults played cards, ate, and talked through the recitative sections of the early operas while they waited for the next aria! So I feel that getting kids hooked on opera through great arias probably can't hurt (the next 10 years or so will determine whether I'm right or not). My 4-year-old loves this CD; it's a delight to watch her imitate Anna Moffo (the sincerest form of flattery, for sure). Highly recommended resource for introducing young kids to opera. More top picks: Siberell's Bravo! Brava! A Night at the Opera, and the Black Dog Opera Library CDs.

2 out of 5 stars Mediocre Sound Quality.......2007-03-31

If you note the album was released in 1994, and includes selections from many years prior, you will understand that the quality of the sound engineering is not going to dazzle your ear.

It's a very nice collection to hum along to, but don't expect shivers down your spine as the sound quality is not sufficient to reproduce the dynamic range of these voices.

5 out of 5 stars I was pleased.......2007-02-18

I am by no means an opera expert, but found this to be a wonderful CD. Along with the songs I already knew I liked (such as a song from Carmen,) I found many others I enjoyed. In fact, Samson et Dahlila turned out to be my favorite. If you are just getting started or at any point in your adventure of opera, I would recommend this one.

5 out of 5 stars The Most Famous Opera Arias.......2007-01-05

I was completely surprised in the product as well as the time in which it was delivered.

I would not only refer this seller but I will come back myself.

3 out of 5 stars Okay But.... - a review of "The Most Famous Opera Arias".......2006-08-18

My daughter (6 y.o.) and I like opera; but sitting for two hours to watch Turandot is just not within the realm of possibilities for my 4 year old son right now... so I was looking for an opera CD for the car. He will sit and listen to short arias.

This was the first we purchased and it is okay but not great.

Problem #1 - where is Wagner. No Wagner?
Problem#2 - Elena Obraztsova - she sounds like Carmen's grandmother. Rather matronly for a vixen (imho--lol)

Three Stars. [C+] Great Price and good sound quality for the car. The operatic styles of some of the performers are antiquated and frilly sounding, but I would probably buy this CD again.

Note: We purchased and really preferred "The # 1 Opera Album". It has more selections and better artists in our opinion. Also it's a two CD set. Just something to consider.
The Best of Italian Opera
Average customer rating: 4.5 out of 5 stars
  • Great Stuff
  • A Great Introduction to Italian Opera
  • Best of the best!
  • Fabulous bargain for anyone
  • Great songs for a low price.
The Best of Italian Opera

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  5. The Best Opera Album in the World...Ever!

ASIN: B000000UXN
Release Date: 1997-01-21

Tracks:

  1. La Traviata: 'Libiamo, Libiamo'
  2. Rigoletto: 'La donna e' Mobile'
  3. The Barber Of Seville: 'Una voce poco fa'
  4. La Boheme: 'Che gelida manina'
  5. Rigoletto: 'Gualtier Malde!' Caro nome'
  6. Il Trovatore: 'Vedi! le fosche'
  7. Il Trovatore: 'Il balen del suo sorriso...Per me ora fatale'
  8. TOSCA: 'Vissi d'arte'
  9. La Traviata: 'Di Provenza il mar, il suol'
  10. The Marriage Of Figaro: 'Voi che sapete'
  11. Aida: 'Se quel guerrier io fossi...Celeste Aida'
  12. Madama Butterfly: 'Un bel di vedremo'
  13. La Gioconda: 'Cielo e mar'
  14. Lucia di Lammernoor: 'Ardon gl' incesi'

Customer Reviews:

5 out of 5 stars Great Stuff.......2007-07-22

The sound quality of this disc is surprisingly good, very good for an ADD. All the selections captured each singer in his/her top form. It is a real treat that this disc contains many work that were not normally in certain singer's repertoire. Gedda's Aida, Moffo's Rossini-Rosina and Cherobino, for example, all were superbly sung. Even Moffo's Lucia sounds much better than I have ever heard in other places.

4 out of 5 stars A Great Introduction to Italian Opera.......2005-05-01

The artists on this CD succeed in their goal to create a CD that displays great Italian opera. Carlo del Monte and Victoria de los Angeles open the disc with the Brindisi from La Traviata. Victoria de los Angeles is not the best Violetta, but she does the job, along with her parner Carlo del Monte, an underappreciated tenor. Victoria de los Angeles also appears on the CD in "Un bel di vedremo" from Madama Butterfly, a role she was well known for. Swedish tenor Nicolai Gedda appears on the disc twice. His first appearence is a superb rendition of "La donna e mobile" from Rigoletto. His final performance on this disc is in the heroric aria "Celeste Aida", a performance in a role that was not in his voice range. Anna Moffo is the star on this CD, appearing three times in three very different roles. First is her beautiful "Una voce poco fa", normally a role that calls for a mezzo-soprano. Her second is "Voi che sapete" from Le Nozze di Figaro, another mezzo-soprano role. Her final appearence is her best, "The Mad Scene" from Lucia di Lammermoor. Underrated tenor Giuseppe Campora performs "Che gelida manina" with a great tenor voice. Soprano Reri Girst is excellent in her performance of "Caro nome" from Rigoletto. One of my favorite baritones appears on this CD. Robert Merrill is a perfect Count di Luna, and it is evident in his rendition of "Il balen del suo sorriso". Another baritone appears on this CD: mario Sereni. He is not a world famous baritone, but he should have been. Overall, this is an excellent introduction to the world of Italian opera.

5 out of 5 stars Best of the best!.......2003-01-11

The performers, the selections, the quality... almost divine!

5 out of 5 stars Fabulous bargain for anyone.......2002-11-24

I would recommend this CD to anyone, from opera novice to experienced listener...

These are older recordings -- I would guess mostly from the 1960's. The recording quality is exceptional for the day and, while not the equivalent of modern engineering, is sufficient to allow sheer physical pleasure from the music and an immediate appreciation of the vocal qualities of the artists. The sound quality is the only mild drawback...

The performances are magnificent! The voices are almost entirely lighter and more agile than the great voices of the 80's and 90's. In fact, the ear of the editor is apparent in his preference for lighter and more agile voices.

For example, there is a beautiful rendition of "Che Gelida Manina" from someone I had never heard before, Guiseppe Campora. He does not have the weight or volume of Pavarotti or Domingo, but has more elegance and a pure, charming tone. A connoisseur performance, but nevertheless a true operatic rendition by a tenor who can hit the high C with authority -- as good for a newcomer to opera who wants to hear the real thing, as for an opera lover who would like to hear something a bit different.

Some of the artists were among the most famous singers of their day: Moffo, de los Angeles, Gedda.

Anna Moffo, one of the greatest sopranos of her day (and all time), is in magnificent voice in famous blockbusters from Rossini's Barber of Seville, Mozart's Marriage of Figaro, and the Mad Scene from Lucia di Lammermoor.

De Los Angeles is at her best in "Libiamo" from La Traviata, but the recording quality (the one inadequately engineered track on the CD) and her lack of oomph make for a second-rate version of "Un bel di".

In keeping with the light and lyrical orientation of the selections, Moffo -- a famous Gilda and hardly a dramatic voice -- is bypassed for the even lighter, sweeter and more agile colatura Reri Grist (while she still had her voice), in a lovely "Caro Nome".

Another nice selection is Mario Sereni performing "Di provenza, il mar". Both this and "Libiamo" are taken from one of my favorite recordings of Traviata -- also a great chance to hear Serafin at the helm of the Rome Opera House orchestra. (The 2-CD version of this is still available from EMI, I think.) Newcomers will love this pretty tune, and Sereni's archtypal Verdi baritone is good, although hardly the best ever.

Franco Corelli has never been a favorite of mine, but he sounds the best I've ever heard him in his rendition of "Cielo et mar".

Anyway, I didn't intend to list every cut. Whether you are an opera lover who would like to hear some of opera's most famous arias performed in a new light, or an opera lover who would like to hear great performances at a cut-rate price, this CD gets my unqualified approval.

4 out of 5 stars Great songs for a low price........2001-08-16

Ranging from selections of La Traviata, Il Trovatore and other popular Italian operas, this is a great cd for under four bucks. The singers may not be well recognized, but they do possess powerful voices.
The Great Recordings
Average customer rating: 5 out of 5 stars
  • RIP, BEVERLY SILLS 1929-2007
  • Brava Sills!
  • Sills fits my bill
  • The Great American Soprano
  • My Favorite Woman
The Great Recordings

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001Y4JG6
Release Date: 2004-05-11

Tracks:

  1. Son Vergin Vezzosa - Paul Plishka
  2. Eccomi... Oh! Quante Volte
  3. Mira, O Norma
  4. Santo Di Patria... Allor Che I Forti Corrono... Da Te Questo
  5. Contro Un Cor Che Accende Amore - Nicolai Gedda
  6. Che M'apporti? - Ambrosian Opera Chorus
  7. Quel Sangue Versato Al Cielo S'innalza - Ambrosian Opera Chorus
  8. Vorrei Spiegarvi, Oh Dio, K.418
  9. Amor, Op.68 No.5

Tracks:

  1. Martern Aller Arten
  2. E Strano! E Strano!
  3. Ah, Fors'e Lui
  4. Follie! Follie!
  5. Sempre Libera
  6. Ces Murs Silencieux - Pardonnez-moi, Dieu De Toute Puissance - Ambrosian Opera Chorus
  7. Toi! Vous! - Oui! Je Fus Cruelle Et Coupable! - Ambrosian Opera Chorus
  8. N'est-ce Plus Ma Main? - Ambrosian Opera Chorus
  9. Robert, Toi Que J'aime
  10. Tu Ne Chanteras Plus?
  11. Chere Enfant Que J'appele
  12. Meine, Lippen, Die Kusen So Heiss
  13. Wien, Wien, Nur Du Allein
  14. Always Through The Changing

Customer Reviews:

5 out of 5 stars RIP, BEVERLY SILLS 1929-2007.......2007-07-03

The great American diva's passing was announced today.

This wonderful CD set is a perfect compilation of her art as can be found anywhere. Her finest roles and performances are captured here, most of them derived from the Westminster/Audio Treasury recordings from her prime. Listening to them again demonstrates to me why she was so special, and such an inspiration to music lovers everywhere.

5 out of 5 stars Brava Sills!.......2007-02-02

A very nice compilation of Sillsiana. The different cuts on this CD provide a nice illustration of her work. Let me briefly describe my response to a sampling of the works on this CD:

Bellini, I Puritani, "Son vergin vezzosa." Wonderful. Sutherland owns this--but so does Beverly Sills. Contemporary sopranos such as Netrebko and Gruberova have also sung this on their respective CDs, and while their product is nice, it simply does not compare. Sills is remarkably agile with her voice; the trills are well done; she cleanly hits high notes; the overall effect can only be described as wonderful.

Bellini, Norma, "Mira, o Norma". This is smoothly sung and very melodic. The technique that she exhibits does not overwhelm the music.

Rosini, Il Barbiere di Siviglia, "Contro un cor che accende amore." Again, her agile voice is well deployed. The florid singing is well done.

Donizetti, Roberto Devereaux, "Che m'apporti." Her clean, light voice matches well with this aria. Smoothly sung. Her "Quel sangue versato al cielo s'innalza," which follows, is well done. High notes cleanly hit, a smooth line.

Verdi, La Traviata, "E strano. . . .Sempre libera." Again, what agility! In "Sempre libera," she reveals a rich voice and, again, wonderful agility. This is an animated version of one of Verdi's showcase pieces.

Lehar, Giudetta. "Meine Lippen." A lot of fun! This is smoothly sung.

In the final analysis, this is a nice potpourri of Beverly Sills' repertoire. Those not familiar with her work will find this a nice entree to her oeuvre; those familiar with her will find this a good compilation.

5 out of 5 stars Sills fits my bill.......2006-03-13

This recording is another in an all too small CD collection of Sills recordings. I eagerly await more.

5 out of 5 stars The Great American Soprano.......2005-10-01

This is a great collecition featuring arias from the Classical and Romantic periods. Fabulous!!!!!

5 out of 5 stars My Favorite Woman.......2005-08-05

I would have to say that when I first heard Beverly Sills sing, I was entranced. I couldn't take my eyes off of her and I became angry at any rustling around me, because I was afraid I would miss one note. It was so addictive....that is what she is....addictive! A c.d. will never properly capture her style. She is an amazing leader in opera, taking it into a new frontier and I believe this c.d. showcases that.
Rossini: The Barber of Seville (Complete opera); Beverly Sills; Nicolai Gedda; James Levine; London Symphony Orchestra
Average customer rating: 4 out of 5 stars
  • Good starting place - Not the best though
  • A charming, humane, thoroughly enjoyable Barbiere
  • Recorded too late
  • A real joy
  • Rossini Does it Again
Rossini: The Barber of Seville (Complete opera); Beverly Sills; Nicolai Gedda; James Levine; London Symphony Orchestra
Beverly Sills , Sherrill Milnes , Ruggero Raimondi , Gioacchino Rossini , James Levine , and London Symphony Orchestra
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000CE7FU
Release Date: 2004-06-01

Tracks:

  1. Overture
  2. Piano, Pianissimo, Senza Parlar
  3. Ecco Ridente In Cielo
  4. Ehi, Fiorello
  5. Mille Grazie, Mio Signore
  6. Gente Indiscreta!
  7. La Ran La Le Ra...Largo Al Factotum
  8. Ah, Che Bella Vita!
  9. Non E Venuto Ancora
  10. Le Vostre Assidue Premure
  11. Se Il Mio Nome Saper Voi Bramate
  12. Oh Cielo!
  13. All'Idea Di Quel Metallo
  14. Una Voce Poco Fa
  15. Si, Si, La Vincero
  16. Ah, Disgraziato Figaro!
  17. Ah! Barbiere D'Inferno
  18. La Calunnia E Un Venticello
  19. Ah! Che Ne Dite?
  20. Ma Bravi! Ma Benone!
  21. Dunque Io Son
  22. Ora Mi Sento Meglio
  23. A Un Dottor Della Mia Sorte

Tracks:

  1. Finora In Questa Camera
  2. Ehi, Di Casa, Buona Gente
  3. Che Cosa Accadde, Signori Miei
  4. Fredda Ed Immobile
  5. Ma Signor...Ma Un Dottor
  6. Ma Vedi Il Mio Destino!
  7. Pace E Gioia Sia Con Voi
  8. Insomma, Mio Signore, Chi E Lei?
  9. Venite, Signorina
  10. Contro Un Cor Che Accende Amore
  11. Bella Voce! Bravissima!
  12. Quando Mi Sei Vicina
  13. Bravo, Signor Barbiere, Ma Bravo!
  14. Don Basilio! Cosa Veggo!
  15. Che Vecchio Sospettoso!
  16. Il Vecchiotto Cerca Moglie
  17. Dunque Voi Don Alonso
  18. Thunderstorm
  19. Alfine Eccoci Qua
  20. Ah, Qual Colpo Inaspettato!
  21. Ah, Disgraziati Noi!
  22. Insomma Io Ho Tutti I Torti
  23. Di Si Felice Innesto

Customer Reviews:

3 out of 5 stars Good starting place - Not the best though.......2007-07-31

This is a great bargain deal if you want to hear the music from this opera. Is this a great performance? No, it is not. The strongest part of this recording is the conducting, great pacing all the way through. The worst part is Milnes AWFUL falsetto note in Largo al factorum. How the hell did this make it on the final product? Horrible, sounds like a teenage boy. Other than that, it is decent.

5 out of 5 stars A charming, humane, thoroughly enjoyable Barbiere.......2007-07-11

In much the same manner that Lucia Popp forever standardized Mozart's Königin der Nacht, Beverly Sills redefines the role of Rossini's capricious Rosina. Her crystalline coloratura voice washes over "Una voce poca fa" with brisk, windswept ease. It is a mystery why any listener would prefer a mezzo-soprano, such as Teresa Berganza, despite the fact that the role was fashioned for a denser voice. (Agnes Baltsa is likely the most delightful deep Rosina on record.) Nicolai Gedda's mellifluous voice provides the ideal characterization for Rossini's vigorous youth, the Conte d'Almaviva. "Ecco, ridente in cielo" and "Se il mio nome saper voi bramate," the role's osciallating cavatina and sensual serenade, shine with two characteristics which often clash during tenor performances: stylistic perfection and taste. Sherrill Milnes is, without a doubt, the finest Figaro recorded since Robert Merrill. The Verdian baritone exhibits atypically droll flare during "Largo al factotum," especially during the aria's feverish repetition of "Figaro." He and Gedda harmonize flawlessly during the duet "All'idea di quell metallo"; his voice also complements the radiant Sills during "Dunque io son ... tu non m'inganni?"

Fernando Corena possessed the most pristine and genuinely humorous interpretation of the cranky Dottore Bartolo. Renato Capecchi, a buffo bass whose range is quite impressive though occasionally unstable, provides a performance which can almost parallel Corena's. Where Corena was blusterous, Capecchi is sniveling; where the former was wickedly serpentine, Capecchi is morose and self-pitying. His greatest achievement is that he is never maudlin; his performance is constantly fluid (he is gut-wrenchingly hilarious during the Act II duet "Pace e gioia sia con voi" with Gedda disguised as a garrulous music teacher) and his characterization, though it transcends all realms of reality, is delightful in its over-the-top perfection. Ruggero Raimondi's Don Basilio is quite the opposite; his rendition of the "Slander Song" ("La calunnia è un venticello") is almost doomful. He provides archaic and gloomy weight where the inimitable Nicolai Ghiaurov was effervescent. The illustrious mezzo-soprano Fedora Barbieri supplies a very satisfying performance as Berta, Bartolo's disgruntled old maid, especially during her aria "Il vecchiotto cerca moglie."

With James Levine leading the London Symphony Orchestra with exquisite charm, one can barely begin to praise this brilliant 1975 recording of Rossini's landmark opera. It is not only an essential Il Barbiere di Siviglia for aficionados of the comedy, but a touching and compelling accomplishment no music lover should exist without.

3 out of 5 stars Recorded too late.......2007-07-06

I wish that I could speak more highly of this performance, as it was made by some of my favorite singers (and conductor). Alas, I can not. Milnes is a fine Figaro. Sills (I love her) should have recorded this role about 10 years earlier. Really unfortunately, I found Gedda's work painful. A fine, stylish tenor in his prime, he is well past it here.

Sometimes great talents come together and misfire. But, if you are a Sills fan...

5 out of 5 stars A real joy.......2007-01-24

It is a great pleasure which what I hear this wonderful recording of Rossini's masterpeace, vividly conducted by a young James Levine and sung by a cast of first-class singers including Milnes, Sills, Raimondi and the unsurpassable Gedda as Count Almaviva. This production has not lost anything of it's freshness since over 30 years!

5 out of 5 stars Rossini Does it Again.......2007-01-08

A wonderful opera that even the "opera hater" would love. Great music that can be recognized by all.
World's Very Best Opera for Kids... in English!
Average customer rating: 5 out of 5 stars
  • Outstanding Resource - We LOVE This CD!
  • Great Intro to Operas
  • A Sampler of Greatest Hits and Karaoke, Too
  • World's Very Best Opera for Kids... in English
  • Great for adults too!
World's Very Best Opera for Kids... in English!

Manufacturer: Children's Group
ProductGroup: Music
Binding: Audio CD

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  1. Pavarotti's Opera Made Easy-My Favourite Opera For Children
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ASIN: B0000C5ROP
Release Date: 2003-09-23

Tracks:

  1. The Barber Of Seville: Largo Al Factotum - Gregory Dahl
  2. Carmen: Habanera - Jean Stilwell
  3. The Marriage Of Figaro: Non Piu Andrai - Allan Monk
  4. The Magic Flute: Papageno's Song - Daniel Lichti
  5. Carmen: The Toreadors Song - Brian Banion
  6. La Boheme: Donde Lieta Usci - Addio Di Mimi - Laura Whalen
  7. The Magic Flute: Der Hoole Rache (The Queen Of The Night's Aria) - Aline Kutan
  8. Rigoletto: La Donna E Mobile - Michael Schade
  9. Tales Of Hoffman: The Doll Song - Tracy Dahl
  10. Die Walkure: Ride Of the Valkyries - Laura Whalen
  11. The Marriage Of Figaro: Voi, Che Sapete - Erin Thrall
  12. Madame Butterfly: Un Bel Di Verdremo - Natalie Choquette
  13. Xerxes: Ombra Mai Fu - Daniel Taylor
  14. Rigoletto: Caro Nome - Lambroula Maria Pappas
  15. Habanera - The Budapest Concert Orchestra MAV
  16. Non Piu Andrai - The Budapest Concert Orchestra MAV
  17. Papageno's Song - The Budapest Concert Orchestra MAV
  18. La Donna E Mobile - The Budapest Concert Orchestra MAV
  19. Voi, Che Sapete - The Budapest Concert Orchestra MAV

Customer Reviews:

5 out of 5 stars Outstanding Resource - We LOVE This CD!.......2007-07-16

This is a GREAT CD! Both the children and my husband and I love it. We bought it as an introduction to opera for our homeschooled children, and never guessed we'd all enjoy it so much.

All the tunes are ones you will probably recognize - but hearing the words that go with the music and hearing them in *English* is so helpful! It has been really fun to find out what these songs are really about.

My kids and I often catch ourselves singing opera through the day now, which is really neat. It has helped build their understanding of music in many different ways, and has improved my oldest daughter's voice ability as she strives to keep up with the professional singers on the CD.

The music is beautiful, the words are lovely and give meaning, and this whole CD is just exceptionally good entertainment!

5 out of 5 stars Great Intro to Operas.......2006-10-16

THE WORLD"S VERY BEST OPERA FOR KIDS is a collection of fourteen of the best loved arias in the world. The whole family will enjoy this CD, which is a unique version of these famous arias in that these are all sung in English so your child (and you) can appreciate and imagine the story that it illustrates. It is a wonderful introduction to opera and will have the whole family humming the memorable melodies, which are sung by some of the best of famous voices. You will be inspired to read the storylines of the operas to your children for a wonderful educational and delightful family hour. The CD includes an insert with the words so you can sing along

5 out of 5 stars A Sampler of Greatest Hits and Karaoke, Too.......2006-04-05

It really doesn't get much better than this CD. The primary benefit of the music is that it is a terrific selection of funny and touching arias from the classical genre. I am an opera lover and bought this for myself to memorize the words in English, as prompts when I listen to the pieces untranslated. I started listening to the CD while I was driving, and within a week had bought about a dozen CDs to distribute to family members and friends, with kids (and without). Everyone loves it. And at the end of the CD are several tracks of just the music, so you can sing along, which is a hoot. Your friends and colleagues, who hear you barking along to beats, will think you have taken leave of your senses. The lyrics (in English) are in the liner notes. I would suggest not reading the liner notes while driving.

Second CD benefit. The time you spend listening to this will be the equivalent of an afternoon at the beach or a walk in the mountains. The calming factor is amazing.

4 out of 5 stars World's Very Best Opera for Kids... in English.......2006-01-30

I listen to this with my 3 year old and we both enjoy it. I am not an operatic expert and to my lay ears the performances here sound great, and my daughter likes hearing the words to some of her favorite music ("Play the Torreadores again Mommy!") Its a nice break from some more traditional kids songs that we listen to.

5 out of 5 stars Great for adults too!.......2005-08-15

I never had an interest in opera until I made a trip to Italy and dined in an opera cafe. I appreciate it even more thanks to this CD. Now that I can hear the lyrics in english and read a synopsis of the story, I appreciate and enjoy opera even more.
Pavarotti's Opera Made Easy-My Favourite Opera For Children
Average customer rating: 5 out of 5 stars
  • Opera for Children
  • Great Opera for Children
  • My six-year old liked it!
  • Fun, accessible opera for you and your child to enjoy
Pavarotti's Opera Made Easy-My Favourite Opera For Children

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000424Y
Release Date: 1994-08-23

Tracks:

  1. Carmen: Children's March
  2. Carmen: Toreador Song
  3. Carmen: Toreador Chorus
  4. The Barber Of Seville: Largo Al Factotum
  5. Faust: Soldiers' Chorus
  6. Il travatore: Anvil Chorus
  7. Madame Butterfly: Humming Chorus
  8. Die Walkure: The Ride Of The Valkyries
  9. The Tales Of Hoffman: The Doll Song
  10. Aida: Triumphal Choruses And March
  11. The Magic Flute: Papageno's Song: A Birdcatcher Am I
  12. The Magic Flute: Papagena! Papagena! Papagena!
  13. The Magic Flute: Pa-Pa-Pa-Pa
  14. Hansel And Gretel: Brother, Come Dance With Me
  15. Hansel And Gretel: I Am The Little Sandman
  16. Hansel And Gretel: Children's Prayer
  17. Hansel And Gretel: Song Of The Gingerbread Children
  18. Hansel And Gretel: Ral-la-la-la, Ral-la-la-la

Customer Reviews:

5 out of 5 stars Opera for Children.......2005-10-14

This is an excellent CD to introduce children to some of the more familiar operas. I would highly recommend this CD for children and also for adults who want to become familiar with opera.

5 out of 5 stars Great Opera for Children.......2005-05-01

This CD is an excellent compilation of opera for children and adults alike. The operas that are represented on this disc are: Carmen, Il Barbiere di Siviglia, Faust, Il Trovatore, Madama Butterfly, Die Walkure, Les Contes d'Hoffmann, Aida, Die Zauberflote, and Hansel und Gretel. People love the Children's March, as well as the Toreador Chorus, from the opera Carmen. The well known Toreador Song is performed on this CD by great bass- baritone Jose van Dam. Children who watch Bugs Bunny will recognize "Largo al factotum" from Il Barbiere di Siviglia. Sherrill Milnes performs the role of Figaro expertly, and his falsetto is evident in Figaro's famous patter aria. Great choruses, like the Soldier's Chorus from Faust, the Anvil Chorus from Il Trovatore, the Triumphal Chorus from Aida, and the Humming Chorus from Madama Butterfly make appearences on this CD. The Doll Song from Les Contes d'Hoffmann is performed by soprano Joan Sutherland. She uses her voice to rise up and down, like a mechanical doll. My favorite German baritone, Hermann prey, performs Papageno's entrance aria from Die Zauberflote, as well was the duet with Papagena. Choruses from Hansel und Gretel round the CD.

4 out of 5 stars My six-year old liked it!.......2001-04-02

My six year-old son enjoyed hearing this CD. We like to sing together, so we found many of the pieces quite alot. But to be honest, when we discovered the more recently released CD, The Classical Child AT the Opera, he went wild because all the pieces have been translateded into English, so it's much more enjoyable for us to sing along. So I would recommend it, but check out the other one as well -- your kids will be glad you did. All the best, Steven

5 out of 5 stars Fun, accessible opera for you and your child to enjoy.......1999-11-05

I bought this CD for my then 3 year old son. He loved it then because it was the "Bugs Bunny" music he was familiar with from the cartoons. He listened to it for awhile then we put it away. After he turned 4, he said to me one day -- let's listen to opera, and now we listen to this CD every day. This music gets his blood going; he struts around his room when he listens to this. And, he is in every respect a typical boy who likes Pokemon and the Back Street Boys. So, I consider this CD successful in introducing opera to a youngster.
Rossini: The Barber Of Seville with Maria Callas, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra & Chorus
Average customer rating: 5 out of 5 stars
  • Bravo a tutti!
  • Doing Rossini Right
  • A Magnificent Performance !
  • An iconic version of this opera
  • It's not just the stars, but the drama...
Rossini: The Barber Of Seville with Maria Callas, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra & Chorus
Gioachino Rossini , Alceo Galliera , Maria Callas , Luigi Alva , Philharmonia Orchestra and Chorus , Gabriella Carturan , Tito Gobbi , Fritz Ollendorf , and Mario Carlin
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  3. Puccini: Madama Butterfly (complete opera) with Maria Callas, Lucia Danieli, Nicolai Gedda, Herbert von Karajan, Chorus & Orchestra of La Scala, Milan
  4. Verdi: Rigoletto (Complete Opera); Maria Callas; Tito Gobbi; Giuseppe di Stefano
  5. Puccini: La Boheme (complete opera) with Maria Callas, Giuseppe di Stefano, Anna Moffo, Antonino Votto, Chorus & Orchestra of La Scala, Milan

ASIN: B000002RY1
Release Date: 1997-08-19

Tracks:

  1. Il Barbiere di Siviglia: Overture - G. Rossini
  2. Il Barbiere di Siviglia: Act I, Scene 1 - Piano, pianissimo, senza parlar - G. Rossini
  3. Il Barbiere di Siviglia: Act I, Scene 1 - Ecco ridente in cielo - G. Rossini
  4. Il Barbiere di Siviglia: Act I, Scene 1 - Ehi, Fiorello? - G. Rossini
  5. Il Barbiere di Siviglia: Act I, Scene 1 - Mille grazie, mio signore - G. Rossini
  6. Il Barbiere di Siviglia: Act I, Scene 1 - Gente indiscreta! (Figaro) - G. Rossini
  7. Il Barbiere di Siviglia: Act I, Scene 1 - La ran la le ra, la ran la la. Largo al factotum (Figaro) - G. Rossini
  8. Il Barbiere di Siviglia: Act I, Scene 1 - Ah, che bella vita! (Figaro) - G. Rossini
  9. Il Barbiere di Siviglia: Act I, Scene 1 - Se il mio nome saper voi bramate (Figaro, Rosina) - G. Rossini
  10. Il Barbiere di Siviglia: Act I, Scene 1 - Oh, cielo! - G. Rossini
  11. Il Barbiere di Siviglia: Act I, Scene 1 - All'idea di quel metallo (Figaro) - G. Rossini
  12. Il Barbiere di Siviglia: Act I, Scene 2 - Una voce poco fa (Rosina) - G. Rossini
  13. Il Barbiere di Siviglia: Act I, Scene 2 - Si, si, la vincero (Figaro, Rosina) - G. Rossini
  14. Il Barbiere di Siviglia: Act I, Scene 2 - Ah, disgraziato Figaro! (Rosina, Figaro) - G. Rossini
  15. Il Barbiere di Siviglia: Act I, Scene 2 - Ah! Barbiere d'inferno - G. Rossini
  16. Il Barbiere di Siviglia: Act I, Scene 2 - La calunnia e un venticello - G. Rossini
  17. Il Barbiere di Siviglia: Act I, Scene 2 - Ah! Che ne dite? - G. Rossini
  18. Il Barbiere di Siviglia: Act I, Scene 2 - Ma bravi! Ma benone! - G. Rossini
  19. Il Barbiere di Siviglia: Act I, Scene 2 - Dunque io son (Figaro, Rosina) - G. Rossini
  20. Il Barbiere di Siviglia: Act I, Scene 2 - Ora mi sento meglio (Rosina) - G. Rossini
  21. Il Barbiere di Siviglia: Act I, Scene 2 - A un dottor della mia sorte - G. Rossini

Tracks:

  1. Il Barbiere di Siviglia: Finora in questa camera - Rossini
  2. Il Barbiere di Siviglia: Ehi, di casa, buona gente - Rossini
  3. Il Barbiere di Siviglia: Che cosa accadde, signori miei - Rossini
  4. Il Barbiere di Siviglia: Fredda ed immobile - Rossini
  5. Il Barbiere di Siviglia: Ma signor... ma un dottor - Rossini
  6. Il Barbiere di Siviglia: Act II: Ma vedi il mio destino! - Rossini
  7. Il Barbiere di Siviglia: Pace e giola sia con voi - Rossini
  8. Il Barbiere di Siviglia: Insomma, mio signore, chi e lei? - Rossini
  9. Il Barbiere di Siviglia: Venite, signorina - Rossini
  10. Il Barbiere di Siviglia: Contro un cor che accende amore - Rossini
  11. Il Barbiere di Siviglia: Bella voce! Bravissima! - Rossini
  12. Il Barbiere di Siviglia: Quando mi sei vicina - Rossini
  13. Il Barbiere di Siviglia: Bravo, signor barbiere, ma bravo! - Rossini
  14. Il Barbiere di Siviglia: Don Basilio!... Cosa veggo! - Rossini
  15. Il Barbiere di Siviglia: Che vecchio sospettoso! - Rossini
  16. Il Barbiere di Siviglia: Il vecchiotto cerca moglie - Rossini
  17. Il Barbiere di Siviglia: Temporale - Thunderstorm - Gewittermusik - Musique d'orage - Rossini
  18. Il Barbiere di Siviglia: Alfine eccoci qua - Rossini
  19. Il Barbiere di Siviglia: Ah, qual colpo inaspettato! - Rossini
  20. Il Barbiere di Siviglia: Ah, disgraziati noi! - Rossini
  21. Il Barbiere di Siviglia: Insomma io ho tutti i torti - Rossini
  22. Il Barbiere di Siviglia: Di si felice innesto - Rossini

Amazon.com essential recording

Maria Callas surprised some fans when this recording appeared in 1958 by singing some of Rosina's music in the mezzo-soprano range. Originally used by Rossini, the mezzo range helped Callas in characterizing Rosina not as a bird-brained, twittering, helpless ingenue but as a crafty, intelligent woman, smarter than any of the men around her (even the resourceful Figaro). Callas's Rosina knew exactly what she wanted and how she would get it. It is a brilliant performance, made even more enjoyable by the first-class contributions of Tito Gobbi, Luigi Alva, and Alceo Galliera. --Joe McLellan

Customer Reviews:

5 out of 5 stars Bravo a tutti!.......2007-05-31

This "barbiere" is outstanding. The singing of Maria Callas (although the role of Rosina is intended for a mezzo) is clear and beautiful and transmits joy and determination. Tito Gobbi as Figaro is marvelous: humorous, hillarable and potent, he really makes Dr. Bartolo life a hell. Luigi Alva as the Count is great but sometimes his voice is too thin yet pretty. Fritz Ollendorf's Dottor Bartolo is very good, dark sometimes but very good.

The orchestra and the chorus are very well conducted by Maestro Alceo Galliera: good tempi and pretty good strenght. If you're getting into opera, this is the opera to start with and this is the version to listen.

5 out of 5 stars Doing Rossini Right.......2007-05-22

My desert island list would include a recording of "Il Barbiere di Sevilia" but the choice of either this EMI set or RCA's Living Stereo Edition, would cause me to attempt smuggling in one or the other recordings of this work. My heart belongs to the Callas/Gobbi set because it was one of the first opera recordings I owned. What grabbed me as a pre-teen was that I could visualize the action through nothing more than the voices of the two lead singers and their ability to shade words. I was oblivious to the reservations many had about both singers in 1958. Gobbi's dry baritone and Callas's edgy and unsteady high notes were for me easy to excuse and I still feel the same way. The RCA set has Robert Merrill and Roberta Peters in their prime. Their voices are simply gorgeous and just as theatrically real as Gobbi/Callas. The RCA set is virtually uncut on 3 disks, the EMI set has some traditional cuts on 2 disks.
But the RCA set distances itself with the presence of coloratura lyric tenor, Cesare Valletti as Almaviva, not that Luigi Alva is second best but the RCA set reinstates Rossini's original closing to the final act with a show stopping coloratura tenor aria that would eventually end up as the closing aria for his Cinderella, "La Cenerentola". There is a passage here with music as fleet and difficult that I thought only a coloratura counter-tenor could sing. Valletti's voice is not as handsome as Alva's but the coloratura work is amazing.

I give both recordings four stars and as much as I dislike having more than version of an opera in my collection, these two recordings are recordings I turn to many times when I want to hear some extraordinary singing.

Now to sonics. Both recordings were made in 1958 but the RCA edition, the second CD edition of this recording, will be of interest to audiophile fans. The sound is splendid, open, with full fidelity. Some ensembles at full tilt distort a bit but the digital master was made using the original tapes on the original tape decks. RCA chose to not clean up the sound (tape hiss) for fear that the original fidelity and crispness would diminish the overall effect. They were right. The EMI remastering is good but I'm always cautious with these Callas Editions because EMI ruined several Callas mono recordings, mistaking the work of adventurous producers and engineers and even pitching some of the recordings incorrectly. But the sound is close to what I remembered with the LP editions. There is a hint of tape hiss, but I would rather have the hiss than the flat line noise reduction systems that deaden the brightness.

5 out of 5 stars A Magnificent Performance !.......2007-05-12

I can only say that Tito Gobi has a voice and performance that is, in this opera, the very best that I have ever heard.

5 out of 5 stars An iconic version of this opera.......2007-03-11

This is one of the great recordings of Rossini's "Il Barbiere di Siviglia." The cast is terrific: Maria Callas as Rosina (in her prime when her voice had not become balky), Tito Gobbi (as Figaro), Luigi Alva (as the Count), Fritz Ollendorff (as Bartolo), and Nicola Zaccaria (as Basilio). Alceo Galliera conducts the Philharmonia Orchestra and Chorus. A few comments to give a sense of the performance. However, suffice it to say that this is a version that still thrills.

Galliera conducts the well know overture with zest. This is an engaging version taken at a sprightly pace. It starts the opera off well.

"Ecco ridente" is an aria sung by Count Almaviva (Luigi Alva), as he tries to woo Rosina. This serenade is smoothly sung. Alva shows some vocal agility at the close of this aria.

Then, of course, there is Figaro's showpiece--"Largo al factotum." Gobbi has mastered this piece. Her throws off the phrases with panache and captures well the spirit of Figaro. An iconic version (an overused term, but accurate in this instance). The piece is taken at a quick pace, as it must be. There are nice touches here (note how Gobbi throws off "di qualita"). Gobbi easily handles the presto close to this work. All in all, an excellent version.

Callas is in good voice as she essays "Una voce poco fa." Later in her career, when she amped up her volume, some ugliness could creep in to her voice. Not here. This is a nice version of the piece. She displays some good coloratura technique in this aria. Good characterization, too. The cabaletta is well sung, with Callas showing off an agile voice. She hits the notes cleanly.

Finally, the wonderful sextet (this has to be one of the best ensemble pieces in all of opera!). "Fredda ed immobile" begins the fireworks. Everyone gets into the act here. This starts slowly and begins to accelerate, leading into "Ma signor. . .ma un dottor." This is rollicking and immense fun. The work shows great velocity as it unwinds. Callas' singing is infectious, but everyone is in the proper spirit.

And on it goes. This version features a terrific cast, led by a good conductor. To repeat, this is one of the most satisfying versions of "Il Barbiere di Siviglia" out there.

5 out of 5 stars It's not just the stars, but the drama..........2004-12-22

Others have written of the undoubtedly great individual performances of most of the soloists in this recording. The most important feature of this opera in general, though, is the drama - it just doesn't work as highlights. At conveying the drama, this recording absolutely excels, primarily through the quality of the ensemble singing of the soloists. The finale of Act I is the finest piece of dramatic singing anywhere in my collection outside live recordings, and one I return to much more than the "lollipops". The timing is perfect, and the balance exceptional.

I suppose it is obligatory to mention a couple of negatives: firstly there is what sounds like some odd balance or microphone placement in some scenes (although my recording predates the nineties mastering mentioned by someone else here, so I'd be interested to see whether that has changed there). Secondly Callas' singing style doesn't really fit the Rosina part, for me. However, that is more than made up for the brilliance of her coloratura, evident particularly to my ears in the Finaletto to Act II. Could do with a bit more subtlety from the chorus in places, too, but the Chorus is often a weakness in recordings from this period.

This was the first opera I ever bought on CD, and therefore it must have been one of the first reissued on CD. I don't think it's been off the shelves ever since, so if you haven't got it, buy it.
Passion - Most Famous Orchestral Spectaculars [20 CD Set]
Average customer rating: 4 out of 5 stars
  • A good gift for novice
Passion - Most Famous Orchestral Spectaculars [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00012QLTQ
Release Date: 2003-12-09

Album Description

Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.

Customer Reviews:

4 out of 5 stars A good gift for novice.......2007-05-12

This was a good gift for somebody learning about Classical music in Japan.

Meditation Music:

  1. Rosvaenge Sings La Traviata
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Meditation Music

meditation music

Meditation Music

American Blues Is Here [Import]

Violin Virtuosity

Victoria: Requiem/Lobo: Versa Est In Luctum

Music: The Return of Funk Phenomena

White Bird

Total 3

Viva Lo Nuestro [Import]

Use Your Voice

U.F.O. [Import] [Original recording remastered]

Tosca / Maria Callas, di Stefano, Gobbi; De Sabata

Voyage [Import]

Tesoros de Coleccion

Tonta

Sleepless Nights Live 1990

The Sky Could Send You