Favourite Opera

Favourite Opera

On this CD:

  1. Carmen, opéra-comique in 4 acts Act 2: Votre Toast Je Peu Vous le Rendre (Toreador's Song)
    Composed by Georges Bizet
    with Robert Massard, Nadine Sautereau, Jane Berbie, Maria Callas

  2. Les Pêcheurs de perles, opera in 3 acts Au Fond Du Temple Saint
    Composed by Georges Bizet
    with Ernest Blanc, Nicolai Gedda

  3. Don Giovanni, opera, K. 527 Act 2: Crudele? Non Mi Dir
    Composed by Wolfgang Amadeus Mozart
    with Joan Sutherland

  4. Manon Lescaut, opera Act 1: Donna non vidi mai
    Composed by Giacomo Puccini
    with Placido Domingo

  5. Tosca, opera Act 2: Vissi d'arte, vissi d'amore
    Composed by Giacomo Puccini
    with Maria Callas

  6. Nabucco, opera (Nabucodonosor) Va Pensiero (Chrous of the Hebrew Slaves)
    Composed by Giuseppe Verdi

  7. La bohème, opera Act 1: O Soave Fanciulla
    Composed by Giacomo Puccini
    with Mario Sereni, Nicolai Gedda, Mirella Freni

  8. Rigoletto, opera La Donna É Mobile
    Composed by Giuseppe Verdi
    with Charles Craig

  9. La Traviata, opera "Libiamo Libiamo"
    Composed by Giuseppe Verdi
    with Victoria de Los Angeles, Carlo del Monte

  10. Il Trovatore, opera Vedi! Le Fosche Notturne Spoglie (Anvil Chorus
    Composed by Giuseppe Verdi

  11. Carmen, opéra-comique in 4 acts La Voilá...L'Amour Est Un Oiseau Rebell (Habanera)
    Composed by Georges Bizet
    with Yelena Obraztsova

  12. L' amico Fritz, opera (commedia lyrica) in 3 acts Ed Anche...Oh Amore
    Composed by Pietro Mascagni
    with Luciano Pavarotti

  13. Don Giovanni, opera, K. 527 Act 1: Là Ci Darem La Mano
    Composed by Wolfgang Amadeus Mozart
    with Helen Donath, Roger Soyer

  14. Turandot, opera Act 3: Nessun dorma!
    Composed by Giacomo Puccini
    with Nicolai Gedda

  15. Les contes d'Hoffmann, opera in 4 acts Act 4: Belle Nuit, O Nuit D'Amour (Barcarolle)
    Composed by Jacques Offenbach
    with Elisabeth Schwarzkopf, Jeannine Collard

  16. Die Zauberflöte (The Magic Flute), opera, K. 620 Der Vogelfänger bin ich Ja
    Composed by Wolfgang Amadeus Mozart
    with Walter Berry

  17. Il barbière di Siviglia (The Barber of Seville), opera Dunque Io Son
    Composed by Gioachino Rossini
    with Tito Gobbi, Maria Callas

  18. Faust, opera Act 4: Gloire immortelle de nos aïeux (Soldiers' Chorus)
    Composed by Charles Gounod

Favourite Opera,Ernest Blanc,Mario Sereni,Robert Massard,Roger Soyer,Tito Gobbi,Georges Bizet,Charles Gounod,Pietro Mascagni,Wolfgang Amadeus Mozart,Jacques Offenbach,Giacomo Puccini,Gioachino Rossini,Giuseppe Verdi,Jeannine Collard,Yelena Obraztsova,Elisabeth Schwarzkopf,Helen Donath,Joan Sutherland,Maria Callas,Mirella Freni,Nadine Sautereau,Victoria de Los Angeles,Carlo DelMonte,Carlo del Monte,Charles Craig,Luciano Pavarotti,Nicolai Gedda,Plácido Domingo,Jane Berbie,Walter Berry,Classics for Pleasur,Classical,French Romantic Opera,German/Austrian Classical Period Opera,Italian Romantic Opera,Opera


Instruments of the Orchestra
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Instruments of the Orchestra
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Pavarotti's Opera Made Easy-My Favourite Opera For Children
Average customer rating: 5 out of 5 stars
  • Opera for Children
  • Great Opera for Children
  • My six-year old liked it!
  • Fun, accessible opera for you and your child to enjoy
Pavarotti's Opera Made Easy-My Favourite Opera For Children

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

All Works by GounodAll Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Humperdinck, EngelbertHumperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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Mozart, Wolfgang AmadeusMozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Offenbach, JacquesOffenbach, Jacques | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Puccini, GiacomoPuccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Rossini, GioacchinoRossini, Gioacchino | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music
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FrenchFrench | Languages | Opera & Vocal | Styles | Music
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OperettasOperettas | Opera & Vocal | Styles | Music
Sutherland, JoanSutherland, Joan | Divas | Opera & Vocal | Styles | Music
Troyanos, TatianaTroyanos, Tatiana | Divas | Opera & Vocal | Styles | Music
The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
Similar Items:
  1. World's Very Best Opera for Kids... in English!
  2. Classical Music for Children: A Toddler's Introduction to Classical Music
  3. The Classical Child at the Opera
  4. Children's Favorites
  5. David Bowie Narrates Prokofiev's "Peter and the Wolf"

ASIN: B00000424Y
Release Date: 1994-08-23

Tracks:

  1. Carmen: Children's March
  2. Carmen: Toreador Song
  3. Carmen: Toreador Chorus
  4. The Barber Of Seville: Largo Al Factotum
  5. Faust: Soldiers' Chorus
  6. Il travatore: Anvil Chorus
  7. Madame Butterfly: Humming Chorus
  8. Die Walkure: The Ride Of The Valkyries
  9. The Tales Of Hoffman: The Doll Song
  10. Aida: Triumphal Choruses And March
  11. The Magic Flute: Papageno's Song: A Birdcatcher Am I
  12. The Magic Flute: Papagena! Papagena! Papagena!
  13. The Magic Flute: Pa-Pa-Pa-Pa
  14. Hansel And Gretel: Brother, Come Dance With Me
  15. Hansel And Gretel: I Am The Little Sandman
  16. Hansel And Gretel: Children's Prayer
  17. Hansel And Gretel: Song Of The Gingerbread Children
  18. Hansel And Gretel: Ral-la-la-la, Ral-la-la-la

Customer Reviews:

5 out of 5 stars Opera for Children.......2005-10-14

This is an excellent CD to introduce children to some of the more familiar operas. I would highly recommend this CD for children and also for adults who want to become familiar with opera.

5 out of 5 stars Great Opera for Children.......2005-05-01

This CD is an excellent compilation of opera for children and adults alike. The operas that are represented on this disc are: Carmen, Il Barbiere di Siviglia, Faust, Il Trovatore, Madama Butterfly, Die Walkure, Les Contes d'Hoffmann, Aida, Die Zauberflote, and Hansel und Gretel. People love the Children's March, as well as the Toreador Chorus, from the opera Carmen. The well known Toreador Song is performed on this CD by great bass- baritone Jose van Dam. Children who watch Bugs Bunny will recognize "Largo al factotum" from Il Barbiere di Siviglia. Sherrill Milnes performs the role of Figaro expertly, and his falsetto is evident in Figaro's famous patter aria. Great choruses, like the Soldier's Chorus from Faust, the Anvil Chorus from Il Trovatore, the Triumphal Chorus from Aida, and the Humming Chorus from Madama Butterfly make appearences on this CD. The Doll Song from Les Contes d'Hoffmann is performed by soprano Joan Sutherland. She uses her voice to rise up and down, like a mechanical doll. My favorite German baritone, Hermann prey, performs Papageno's entrance aria from Die Zauberflote, as well was the duet with Papagena. Choruses from Hansel und Gretel round the CD.

4 out of 5 stars My six-year old liked it!.......2001-04-02

My six year-old son enjoyed hearing this CD. We like to sing together, so we found many of the pieces quite alot. But to be honest, when we discovered the more recently released CD, The Classical Child AT the Opera, he went wild because all the pieces have been translateded into English, so it's much more enjoyable for us to sing along. So I would recommend it, but check out the other one as well -- your kids will be glad you did. All the best, Steven

5 out of 5 stars Fun, accessible opera for you and your child to enjoy.......1999-11-05

I bought this CD for my then 3 year old son. He loved it then because it was the "Bugs Bunny" music he was familiar with from the cartoons. He listened to it for awhile then we put it away. After he turned 4, he said to me one day -- let's listen to opera, and now we listen to this CD every day. This music gets his blood going; he struts around his room when he listens to this. And, he is in every respect a typical boy who likes Pokemon and the Back Street Boys. So, I consider this CD successful in introducing opera to a youngster.
Favourite Callas
Average customer rating: Not rated
    Favourite Callas

    Manufacturer: Class. for Pleas. Us
    ProductGroup: Music
    Binding: Audio CD

    All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by DonizettiAll Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by MassenetAll Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
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    GeneralGeneral | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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    All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
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    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
    Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    FrenchFrench | Languages | Opera & Vocal | Styles | Music
    GermanGerman | Languages | Opera & Vocal | Styles | Music
    ItalianItalian | Languages | Opera & Vocal | Styles | Music
    Similar Items:
    1. Puccini: Madama Butterfly (complete opera) with Maria Callas, Lucia Danieli, Nicolai Gedda, Herbert von Karajan, Chorus & Orchestra of La Scala, Milan
    2. Tchaikovsky: Concerto No. 1/Rachmaninoff: Concerto No. 2

    ASIN: B000NJ3G1S
    Release Date: 2007-05-22

    Tracks:

    1. Una Voce Poco Fa
    2. Non Piu Mesta
    3. Porgi, Amor
    4. Prendi, Per Me Sei Libero
    5. Ardon Gli Incensi
    6. Nel Di Della Vittoria...Vieni! T'affretta
    7. Tu Che Le Vanita
    8. Ave Maria
    9. D'amour L'ardente Flamme
    10. Quand Je Vous Aimerai?...L'amour Est Un Oisea Rebelle
    11. Me Voila Seule...Comme Autrefois
    12. Printemps Que Commence
    13. Suis-je Gentille Ainsi?...Je Marche Sur Tous Les Chemins
    Favourite Flavours - Best Of... (Import)
    Average customer rating: 5 out of 5 stars
    • Many favorites
    Favourite Flavours - Best Of... (Import)

    Manufacturer: Linus Entertainment
    ProductGroup: Music
    Binding: Audio CD

    Ibert, JacquesIbert, Jacques | ( I ) | Featured Composers, A-Z | Classical | Styles | Music
    Piazzolla, AstorPiazzolla, Astor | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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    GeneralGeneral | International | Styles | Music
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    GeneralGeneral | Opera & Vocal | Styles | Music
    Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
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    ASIN: B000B8847C
    Release Date: 2005-09-27

    Tracks:

    1. Tango del Mare
    2. O Sole Mio
    3. Hungaria
    4. Words That I Want
    5. Entracte
    6. The Clown of Venice
    7. Rondine al Nido
    8. Al di La
    9. Tombeau de Couperin: Prelude
    10. Konzertstuck Opus 79 Finale
    11. La Vie En Rose
    12. Czardas
    13. Chitarra Romana
    14. Ave Maria (Tanti Anni Prima)
    15. Turandot Prelude and Aria Nessun Dorma
    16. Besame Mucho

    Customer Reviews:

    5 out of 5 stars Many favorites.......2007-03-08

    The quartet does an excellent job of setting the mood for whatever you are doing. It's music you can talk over and yet it is stimulating just to lay back and listen. Can't miss with this CD.
    Candlelight/Favourite Melodies
    Average customer rating: 5 out of 5 stars
    • The Exquisite Sound of Mantovani
    Candlelight/Favourite Melodies

    Manufacturer: Dutton Vocalion UK
    ProductGroup: Music
    Binding: Audio CD

    BalletsBallets | Ballets & Dances | Classical | Styles | Music
    WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
    GeneralGeneral | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
    Gibbs, Cecil ArmstrongGibbs, Cecil Armstrong | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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    Similar Items:
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    ASIN: B000067URW
    Release Date: 2002-09-10

    Tracks:

    1. Candlelight
    2. You Stepped Out of a Dream
    3. Blue Fantasy
    4. Merry-Go-Round
    5. Stradivarius
    6. Gold and Silver Waltz
    7. Brass Buttons
    8. Longing
    9. Heart of Paris (I Left My Heart in the Heart of Montmartre)
    10. Take My Love
    11. Spring in Montmartre
    12. Song of Sorrento
    13. Lonely Ballerina
    14. Dusk
    15. Ma Ch Amie
    16. June Night
    17. Deserted Ballroom
    18. Na [Waltz] - Stanley Black, The Mantovani Orchestra
    19. Lazy Gondolier [Voice Introduction] - Mantovani
    20. Lazy Gondolier
    21. Begin the Beguine
    22. Intermezzo from "Cavalleria Rusticana"
    23. Dream, Dream, Dream
    24. Edelma
    25. Come Back to Me (Reviens)

    Customer Reviews:

    5 out of 5 stars The Exquisite Sound of Mantovani.......2002-09-14

    This is a Vocalian re-release of two of the most elegant and exquisite LPs recorded by the original Mantovani Orchestra in the 1950's. All of the hallmarks of the Mantovani sound were launched in these early recordings of the large orchestra that made Mantovani a household name. Seven of the tracks were written by Mantovani including the title melody Candlelight, a truly remarkable orchestration. The Gold and Silver Waltz became a mainstay of many Mantovani's concert appearances and it, along with Song of Sorrento and Spring in Montmartre are soaring arrangements that will absolutely delight those already enamoured to the lushness of his music. Begin the Beguine will delight old and new listeners as well. Capture the essence of Mantovani's musical genius by acquiring this collection of outstanding music.
    Favourite Harp Concertos
    Average customer rating: 4 out of 5 stars
    • An outstanding survey of recordings for harp and orchestra.
    Favourite Harp Concertos
    Francois-Adrien Boieldieu , Mario Castelnuovo-Tedesco , Ernst Eichner , George Frideric Handel , Wolfgang Amadeus Mozart , Joaquin Rodrigo , Heitor Villa-Lobos , Antonio de Almeida , Colin David , Marcel Couraud , I Musici , André Pépin , Hubert Barwahser , Annie Challan , Catherine Michel , Osian Ellis , Ursula Holliger , London Symphony Orchestra , Monte Carlo National Opera Orchestra , and Musica Alta Ripa
    Manufacturer: Philips
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Harp Concertos
    2. The Harmonious Harp
    3. Gliere: Concerto for Harp and Orchestra/Concerto For Coloratura Soprano And Orchestra/Ginastera: Concerto For Harp
    4. The Magic Of The Harp
    5. Music for Solo Harp

    ASIN: B0000069CW
    Release Date: 1998-03-17

    Tracks:

    1. Harp Concerto In B-flat, HWV 294: 1. Andante allegro - Various Artists
    2. Harp Concerto In B-flat, HWV 294: 2. Larghetto - Various Artists
    3. Harp Concerto In B-flat, HWV 294: 3. Allegro moderato - Various Artists
    4. Concerto For Flute, Harp And Orchestra In C, KV 299: 1. Allegro - Various Artists
    5. Concerto For Flute, Harp And Orchestra In C, KV 299: 2. Andantino - Various Artists
    6. Concerto For Flute, Harp And Orchestra In C, KV 299: 3. Rondo. Allegro - Various Artists
    7. Harp Concerto In C: 1. Allegro - Various Artists
    8. Harp Concerto In C: 2. Andante - Various Artists
    9. Harp Concerto In C: 3. Tempo di minuetto - Various Artists
    10. Harp Concerto In C: 1. Allegro brillante - Various Artists
    11. Harp Concerto In C: 2. Andante lento - Various Artists
    12. Harp Concerto In C: 3. Rondo. Allegro agitato - Various Artists

    Tracks:

    1. Harp Concerto: 1. Allegro - FAVORITE HARP CONCERTOS
    2. Harp Concerto: 2. Andante moderato - FAVORITE HARP CONCERTOS
    3. Harp Concerto: 3. Scherzo - FAVORITE HARP CONCERTOS
    4. Harp Concerto: 4. Allegro - Piso - FAVORITE HARP CONCERTOS
    5. Concertino For Harp And Chamber Orchestra, Op.93: 1. Moderato, Quasi passacaglia - FAVORITE HARP CONCERTOS
    6. Concertino For Harp And Chamber Orchestra, Op.93: 2. Andante, Quasi recitativo - FAVORITE HARP CONCERTOS
    7. Concertino For Harp And Chamber Orchestra, Op.93: 3. Finale spagnolo. Ritmo di jota - FAVORITE HARP CONCERTOS
    8. Sones en La Giralda: Lento - Allegro vivace. Tempo di sevillana - FAVORITE HARP CONCERTOS
    9. Concerto Serenata For Harp And Orchestra: 1. Estudiantina. Allegro ma non troppo - Andante - FAVORITE HARP CONCERTOS
    10. Concerto Serenata For Harp And Orchestra: 2. Intermezzo con aria. Adagio - Allegro moderato - FAVORITE HARP CONCERTOS
    11. Concerto Serenata For Harp And Orchestra: 3. Sarao. Allegro deciso - FAVORITE HARP CONCERTOS

    Customer Reviews:

    4 out of 5 stars An outstanding survey of recordings for harp and orchestra........1998-12-21

    There's nothing quite like classical music to soothe the stress of the afternoon commute (especially on Greater Boston's Rt. 128 or your local equivalent). Harp music, in particular, has an extraordinarily calming effect. I'm not exactly sure why that is (darnit Jim, I'm an engineer not a behavioral psychologist) but I can personally vouch for the results. This two-disc set contains some of the finest music for harp and orchestra ever composed.

    Disc 1 contains familiar harp concerti by Handel and Mozart, followed by a lesser known work by Eichner. The melodies and performances are guaranteed to work their way deep into your soul. Ursula Holliger (oboe virtuoso Heinz Holliger's wife, in case you were wondering) produces a stellar performance in the Handel concerto. Her technique and interpretation are both insightful and strongly delivered. The orchestras in question should by no means be ignored. I Musici, The London Symphony, and Musica Antiqua Koln (for the Handel, Mozart, and Eichner, respectively) are all names to be reckoned with in the field and they do not disappoint.

    Disc 2 consists of more modern works by composers less familiar even to classical music fans except, of course, those who know Villa-Lobos and Rodrigo for their classical guitar music. The works on the second disc are somewhat less accessible to the casual listener, but after repeated listenings, I find them well worth the effort.

    In short, stuffing this CD into your car stereo system (or, as in my case, the passenger-seat boombox) will make that jerk in the Beemer who just cut you off, far less relevant.
    Luba Orgonasova - Favourite Soprano Arias
    Average customer rating: 4.5 out of 5 stars
    • Good singing
    • Don't hesitate
    • Brilliance and conviction
    • Not since Sutherland...
    • very solid collection
    Luba Orgonasova - Favourite Soprano Arias

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

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    1. O mio Babbino caro: Famous Soprano Arias from Italian Opera
    2. Sumi Jo - Bel Canto / Arevalo · ECO · Carella
    3. Donizetti - L'Elisir d'Amore / Eschwe, Netrebko, Villazon, Wiener Staatsoper
    4. HOMAGE: The Age of the Diva
    5. The Most Famous Opera Arias

    ASIN: B0000013UQ
    Release Date: 1994-02-15

    Tracks:

    1. I Puritani: Qui la voce sua soave (Elvira)
    2. Turandot: Signore, ascolta (Liu)
    3. Capuletti e Montecchi: Oh, quante volte, oh quante! (Giulietta)
    4. Linda di Chamonix: O luce di quest' anima (Linda)
    5. Turandot: Tu che di gel cinta (Liu)
    6. Rigoletto: Tutte le feste al tempio (Gilda)
    7. Gianni Schicchi: O mio babino caro (Lauretta)
    8. Come per me sereno (Amina)
    9. La rondine: Chi'll bel sogno di Doretta (Magda)
    10. Luica di Lammermoor: Il dolce suono (Mad Scene) (Lucia)

    Customer Reviews:

    4 out of 5 stars Good singing.......2007-02-23

    Luba Orgonasova's "Favorite Soprano Arias" is an interesting CD. She ranges from familiar coloratura territory (Bellini and Donizetti) to verismo (Puccini). Her voice is heavier and darker than many who essay the coloratura corpus, but this does add a rich texture to her singing. Some of the singing is ravishing; there are other times when things fall a bit short. But, overall, a good CD.

    The CD begins with the great Cantabile-Cabaletta from Bellini's "I Puritani"--"Qui la voce. . . Vien diletto." Immediately, we become aware of her heavier darker voice. The pace begins slowly. Her line is smooth, but there is some harshness in her voice early on. "Vien diletto" demonstrates her agility. There is, in this cut, a certain hard edge to her higher notes. In the repeat, she hits the notes cleanly. There is not much in the way of trills, but the final high note is fine.

    From a very different type of work, Puccini's "Turandot," she sings "Signore, ascolta." Her voice seems to fit this work very well. One might, to compare very different voices, listen to Anna Moffo's version. Orgonasova's characterization appears nicely done. She demonstrates a smooth line. She floats a nice set of notes at the conclusion of the piece.

    From Donizetti's "Linda di Chamonix," Orgonasova sings "O luce di quest' anima." Her voice is smooth in the opening segment. When she ups the volume for some high notes, there appears some harshness of tone. In the cabaletta, she shows an agile voice. She also demonstrates good appoggiaturas. Her trills? They range from indifferent to awfully good! The repeat of the cabaletta demonstrates good coloratura technique. The final runs are fine and the finale is very well done indeed.

    Donizetti's "Lucia di Lammermoor" features one of the gold standards of coloratura singing--"The Mad Scene." She shows off smooth singing in "Il dolce suono." Her heavier voice works pretty well here. The "il fantasma" sequence is dramatically rendered. All in all, nicely done. "Ardon gl'incensi" is smoothly sung. The florid singing is also competently done. Trills are indifferent in this portion of the "Mad Scene"; there is a good high note to finish off this sequence. And, of course, there is "Spargi d'amaro pianto." The first "go through"" is fine and the musicality is good. There are some decent trills. In the repeat, she increases the "floridity" quotient (if there is such a term), but it is not at the same level as a Sutherland or Sills. There is a very well done trill off of a high note late in the repeat. The final note is fine, but she appears to "scoop" a bit.

    All in all, a good performance. While there are some problems (some harsh high notes and a trill that varies from mediocre to very good), her rich, dark voice animates the material on this CD. For those interested in good sopranos of the past quarter century, this is worth adding to one's musical library.

    5 out of 5 stars Don't hesitate.......2006-12-11

    Vulgarities first: this is an absolute BARGAIN! At this price, there's nothing to complain about.

    But the real prize is Ms. Orgonosova's golden, warm and agile soprano! Both in the coloratura and more verissimo roles, she is exemplary. Talk about a lovely tone of voice... Joan Sutherland was mentioned in an earlier review and you'd be well on target, in terms of that calibre.

    An excellent rendition of the arias here and a good selection of arias too. Without reservations, I recommend this CD.

    5 out of 5 stars Brilliance and conviction.......2005-12-19

    Orgonasova has a Slavic voice of astonishing brilliance and also the fullness to do lyric parts like Liu in Turandot. Her diction is much clearer than Renee Fleming's for example and her trill also is way better than anyone's I have heard recently. She is as touching and vulnerable Amina, an intense Lucia di Lammermoor and a breathtaking and tearjerking Liu. This soprano has everything a full lyric with agilita needs except better PR. She is already better than Fleming & Swenson put together.

    5 out of 5 stars Not since Sutherland..........2005-03-05

    The bel canto selections on this recording are absolutely magnificent. She maintains color and consistency throughout her entire range. She has absolutely impeccable intonation. Truly, this music hasn't been sung this well since the days of Joan Sutherland. And truth be told, the legato sections of these famous arias are even better than Sutherland (is that haresy?!) I love Dame Joan, don't get me wrong! And what is even more remarkable is that Ms. Organasova sings just as masterfully in the Puccini arias. Brava, and lets hear more from this magnificent soprano!

    4 out of 5 stars very solid collection.......2003-10-22

    orgonasova has a full voice and she sings with authority. she hits all the notes even in the florid coloratura arias and her interpretations have character, although they lack a bit in subtlety at times (such as in the famous "o mio babbino caro". she does better in the aria from la rondine.) highlights include bellini's "qui la sove" and the aria from turandot. this is probably as satisfying a survey of italian arias as any.
    Wagner: Favourite Overtures / Sir Georg Solti
    Average customer rating: 4 out of 5 stars
    • Very good...
    • Solti Speaks Wagnerian
    • Not really great playing...
    • Excellent
    • What a collection!
    Wagner: Favourite Overtures / Sir Georg Solti

    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

    All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
    Solti, Sir GeorgSolti, Sir Georg | ( S ) | Featured Performers, A-Z | Classical | Styles | Music
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    ASIN: B000006P4V
    Release Date: 1998-05-12

    Tracks:

    1. Die Walkure: The Ride Of The Valkyries
    2. Lohengrin: Prelude Act I
    3. Rienzi: Overture
    4. Der fliegende Hollander: Overture
    5. Tristan und Isolde: Prelude, Act I
    6. Tannhauser: Overture
    7. Die Meistersinger von Nurnberg: Prelude, Act I

    Customer Reviews:

    4 out of 5 stars Very good..........2007-03-29

    This album is a good one, but a very strange one too. Both orchestras under Solti, are simply astounding. All the pieces in this album are well played and are skilfully conducted by Solti.
    Yet, the only reason why I gave it 3 stars, was for the mere reason that Ride of the Valkyries is an excerpt, don't get me wrong, it is extremely well played, yet, that fact that it is a 3+ minute excerpt is rather disappointing. Also, you may hear an awckward timpani entrance in Tannhauser, but that is no reason not to buy this album. Some may complain that Solti liked overblown brass, but in my experience as an orchestral player, for Wagner, you need brass, and no the brass is not overblown.
    My other comment on this album is The Flying Dutchman (Der Fliegende Hollander). Performed by the Vienna Phil. (Wiener Phil.), this performance is simply awesome. I still need to get the one with CSO, but as far as this goes, this track is simply awesome. I sincerely think if you do purchase this CD you will enjoy not only The Flying Dutchman, but the rest of the tracks as well. Enjoy!

    4 out of 5 stars Solti Speaks Wagnerian.......2002-10-25

    I find this particular Solti interpretation of Tannhauser to be one of the best I've heard. The bold and brassy use of horns is both invigorating and unsettling. Thank you Maestro Solti for "painting" with a bold brush when required.

    The reason I did not give this disc 5 stars, is because I also found the abbreviated 3 minute clip of The Ride of the Valkyries to be not only disappointing but also unacceptable.

    Die Meistersinger von Nurnberg is vintage Solti. His interpretation is probably one of the standard measures for others to compare on this one.

    The Rienzi Overture is well done. However, I believe most will find the version conducted by George Szell of the Cleveland Orchestra to be the best. Look for it in Sony's Essential Classics.

    Most should find this CD a valuable addition to a basic collection of Wagner instrumentals and I recommend it highly.

    3 out of 5 stars Not really great playing..........2002-10-11

    This in not a terrible disc but, if I had the chance, I would not buy it again. There is some pretty distasteful playing that goes on, especially in Tannhauser. Orchestral balance is way off in many places. Also, upon listening critically, one will discover some missed notes in Ride of the Valkries, and a very awkward timpani entrance in the first statement of the theme in Tannhauser. For the level that the CSO and VPO regularly perform at, this is really unacceptable. Another complaint with Die Walkure is that, for some odd reason, a three minute version is recorded instead of the five minute version that I am accustomed to. It seems like about a hundred or so bars of music are omitted.

    If you like Solti and his approach to Wagner, you might want to give this a try. If not, there are better to be found.

    5 out of 5 stars Excellent.......2002-01-29

    This CD quickly made it's way into my favourites collection. I'd have to say tracks 5 and 6 alone are worth the cost of the CD. On a scale of 1-5 stars, I'd say this is really a 6!

    5 out of 5 stars What a collection!.......1999-05-13

    This is Wagner as it should be--conducted by one of the best and played by the two best orchestras in the world.
    Antonio Vivaldi: Farnace (Favourite Aires)
    Average customer rating: 5 out of 5 stars
    • Beautiful!
    Antonio Vivaldi: Farnace (Favourite Aires)

    Manufacturer: Alia Vox Spain
    ProductGroup: Music
    Binding: Audio CD

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    1. Vivaldi Edition: Operas
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    5. Grandes Eaux Musicales de Versailles

    ASIN: B00009OKOT
    Release Date: 2003-10-14

    Customer Reviews:

    5 out of 5 stars Beautiful!.......2005-12-25

    I am a big fan of Vivaldi and his operas, but when it comes to purchesing a whole opera on CD it can get get expensive. This has a nice compilation of arias from Farnace. Particularly beautiful is the haunting Gelido in ongi vena and the marvelous Io Crudel?, not to be missed, a great buy for the first time Vivaldi opera listener!
    Nessun Dorma and other favourite Italian Tenor Arias
    Average customer rating: 2 out of 5 stars
    • You get what you pay for.
    Nessun Dorma and other favourite Italian Tenor Arias

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000014GM
    Release Date: 2000-10-06

    Tracks:

    1. Una Furtiva Lagrima - Vincenzo La Scola
    2. Questa O Quella - Yordy Ramiro
    3. La Donna E Mobile - Yordy Ramiro
    4. Di'Tu Se Fedele - Thomas Harper
    5. Ma Se M'E Forza Perderti - Thomas Harper
    6. Lunge De Lei...De' Miei Bollenti Spiriti - Yordy Ramiro
    7. Se Quel Guerrier Io Fossi...Celeste Aida - Kristjan Johansson
    8. Ah! Si Ben Mio - Maurizio Frusoni
    9. Di Quella Pira - Maurizio Frusoni
    10. Recitar...Vesti La Giubba - Nicola Martinucci
    11. Mama, Quel Vino E Generoso - Giacomo Aragall
    12. Donna Non Vidi Mai - Kaludi Kaludov
    13. Firenze E Come Un Albero Fiorito - Janez Lotric
    14. Ch'Ella Mi Creda Libera - Thomas Harper
    15. Cielo E Mar - Thomas Harper
    16. Che Gelida Manina - Jonathan Welch
    17. Dammi I Colori...Recondita Armonia - Giorgio Lamberti
    18. E Lucevan Le Stelle - Giorgio Lamberti
    19. Come Un Bel Di Di Maggio - Thomas Harper
    20. Nessun Dorma - Thomas Harper

    Customer Reviews:

    2 out of 5 stars You get what you pay for........2000-06-07

    This CD Features Many wonderful tenors. Unfortunately, the tenor singing the title aria "Nessun Dorma" is not really fit to sing such a demanding piece. If you are buying this CD for that aria, I recommend you look elsewhere, but if you like the other arias on this CD, it is a great buy!

    Meditation Music:

    1. Gaetano Donizetti: L'Elisir D'Amore
    2. Georg Friedrich Handel: Alessandro
    3. Georges Bizet: Carmen
    4. Giuseppe Verdi: Otello in Barcelona
    5. Giuseppe Verdi: Simon Boccanegra
    6. Gounod: Faust [Box set]
    7. Great Voices: Mirella Freni
    8. Handel - Rinaldo / Horne · Gasdia · Weidinger · John Fischer
    9. Hans Werner Henze: Elegie Für Junge Liebende
    10. Henry Purcell: Dido and Aeneas

    Meditation Music

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