Verdi: IL Trovatore

Verdi: IL Trovatore

On this CD:

  1. Il Trovatore, opera
    Composed by Giuseppe Verdi
    Performed by Milan Radio Symphony Orchestra
    with Bianca Scacciati, Corrado Zambelli, Enrico Molinari, Enzo Arnaldi, Francesco Merli, Emilio Venturini, Ida Mannarini, Giuseppina Zinetti
    Conducted by Lorenzo Molajoli

Verdi: IL Trovatore,Giuseppe Verdi,Lorenzo Malojoli,Lorenzo Molajoli,Milan Radio Symphony Orchestra,Bianca Scacciati,Corrado Zambelli,Emilio Venturini,Enrico Molinari,Enzo Arnaldi,Francesco Merli,Giuseppina Zinetti,Ida Mannarini,Melodram,Classical,Italian Romantic Opera,Opera


Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Average customer rating: 4.5 out of 5 stars
  • The End of the Big Voice?
  • Fla Gator Lady
  • 20 Great Tenor Arias
  • Plesantly surprised...
  • Absolutely Agree About Corelli
Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  2. The Most Famous Opera Duets
  3. The Most Famous Opera Arias
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  5. The Best of Italian Opera

ASIN: B000007OTX
Release Date: 1998-06-09

Tracks:

  1. La Boheme: Che gelida manina
  2. Manon Lescaut: Donna non vidi mai
  3. Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
  4. Luisa Miller: O! fede negar potessi .. Quando le sere al placido
  5. La Traviata: Lunge da lei ... De' miei bollenti spiriti
  6. Martha: M'appari
  7. Giordano: Amor ti vieta
  8. L'Africaine: Mi batte il cuor .. O paradiso
  9. La Favorita: Favorita del re . . . Spirto gentil
  10. Werther: 'Pourquoi me reveiller'
  11. Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
  12. Les Contes d'Hoffmann: O Dieu! De quelle ivresse
  13. TOSCA: E lucevan le stelle
  14. Pagliacci: Recitar! ... Vesti la giubba
  15. Il Trovatore: Di quella pira
  16. Aida: Se quel guerrier .. Celeste Aida
  17. TOSCA: Recondita armonia
  18. L'Elisir d'Amore: Una furtiva lagrima
  19. La Gioconda: Cielo e mar!
  20. Turandot: Nessun dorma

Customer Reviews:

5 out of 5 stars The End of the Big Voice?.......2007-04-16

This CD, which is truly fine overall, reminds me of Marilyn Horne's lament that we have probably seen the end of the big voice and it makes me sad. I agree with the reviewer who refers to "microphonies". And more justice could be done to Bjorling's voice with a better transfer. But at some point, music becomes a matter of taste and I prefers singers who have the instrument and the support and the training, whether formal or not, to just let fly and take a chance on making a mistake. Domingo can be wonderful and so can his musicianship but he tends to be so stiff. I have to wonder at the virulence and asperity with which some people go after Pavarotti. It's true that late in his career he made some questionable recordings but the answer to that is simple: don't buy them. At his best, he belongs for all time in the top echelon of tenors. I love this CD and would recommend it to anyone who enjoys great (big) voices.

5 out of 5 stars Fla Gator Lady.......2007-01-12

Highly recommend this CD with these beloved arias of the greatest tenors in opera. I have owned this CD for a couple of years and purchased another for a friend who always requests that I play it ... perfect for listening in the car, dinner, bridge games, relaxation ... just so perfect. You won't be disappointed in this one.

5 out of 5 stars 20 Great Tenor Arias.......2007-01-09

A great disc,combination of the greatest tenors of the 20th century and some of the most beautiful music ever written in any century,a must addition to any opera lovers collection.

5 out of 5 stars Plesantly surprised..........2006-01-14

I don't remember how I found this CD the other day surfing through the "Amazon" such as it is, but I did. I listened to a few clips provided & on the strength of that, I purchased this CD.

First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).

Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.

Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.

Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.

This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.

A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!

4 out of 5 stars Absolutely Agree About Corelli.......2005-05-27

Franco Corelli's "Nessun Dorma" is still the best of them all - clear, passionate, and exciting. (And those final two notes...! Gives me chills just to think of it.) I was fortunate enough to see him live in both "Turandot" and "Romeo and Juliet" a year before his retirement, and he was still a Calaf and a Romeo to die for... as, of course, Liu and Juliet did! As it is, I tend to buy compilations depending on how much Corelli they include - though Bjorling is a strong second, and I have happy memories of Domingo. Long live the Golden Age of Operatic Tenors!
The #1 Opera Album
Average customer rating: 4.5 out of 5 stars
  • The beautiful gift of opera...
  • Pretty darn good
  • The Opera #1 Opera Album
  • Excellent assortment
  • Great Selections
The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  5. The Best Opera Album in the World...Ever!

ASIN: B000059RXO
Release Date: 2001-02-27

Tracks:

  1. Carmen: Act 1: Prld - LPO/Sir Georg Solti
  2. La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
  3. La Boheme: Che Gelida Manina - Luciano Pavarotti
  4. Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
  5. Fedora: Amor Ti Vieta - Jussi Bjorling
  6. Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
  7. Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
  8. Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
  9. Rigoletto: La Donna E Mobile - Luciano Pavarotti
  10. Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
  11. Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
  12. Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
  13. La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
  14. Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
  15. Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
  16. Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
  17. Tosca: E Lucevan Le Stelle - Placido Domingo
  18. Madama Butterfly: Un Bel Di - Mirella Freni
  19. Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico

Tracks:

  1. Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
  2. Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
  3. Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
  4. La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
  5. Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
  6. Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
  7. Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
  8. Mattinata - Andrea Bocelli
  9. Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
  10. L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
  11. Turandot: Signore, Ascolta! - Montserrat Caballe
  12. Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
  13. Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
  14. Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
  15. Tosca: Vissi D'arte - Kiri Te Kanawa
  16. Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
  17. Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
  18. Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
  19. Rusalka: O Silver Moon - Renee Fleming
  20. La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
  21. Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis

Amazon.com

The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin

Customer Reviews:

5 out of 5 stars The beautiful gift of opera..........2007-07-17

This 2-CD set is absolutely wonderful! You can close your eyes and feel like you're actually at the opera, listening to those beautiful voices bringing tears to your eyes. Nessun Dorma still stirs up emotions in me, no matter how many times I hear it. Great examples of opera to give someone wanting to get interested in this style of music.

4 out of 5 stars Pretty darn good.......2007-07-04

This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.

2 out of 5 stars The Opera #1 Opera Album.......2007-06-07

The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.

4 out of 5 stars Excellent assortment.......2007-05-12

I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.

5 out of 5 stars Great Selections.......2007-03-31

This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...
The Best of Italian Opera
Average customer rating: 4.5 out of 5 stars
  • Great Stuff
  • A Great Introduction to Italian Opera
  • Best of the best!
  • Fabulous bargain for anyone
  • Great songs for a low price.
The Best of Italian Opera

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  1. The Most Famous Opera Arias
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  5. The Best Opera Album in the World...Ever!

ASIN: B000000UXN
Release Date: 1997-01-21

Tracks:

  1. La Traviata: 'Libiamo, Libiamo'
  2. Rigoletto: 'La donna e' Mobile'
  3. The Barber Of Seville: 'Una voce poco fa'
  4. La Boheme: 'Che gelida manina'
  5. Rigoletto: 'Gualtier Malde!' Caro nome'
  6. Il Trovatore: 'Vedi! le fosche'
  7. Il Trovatore: 'Il balen del suo sorriso...Per me ora fatale'
  8. TOSCA: 'Vissi d'arte'
  9. La Traviata: 'Di Provenza il mar, il suol'
  10. The Marriage Of Figaro: 'Voi che sapete'
  11. Aida: 'Se quel guerrier io fossi...Celeste Aida'
  12. Madama Butterfly: 'Un bel di vedremo'
  13. La Gioconda: 'Cielo e mar'
  14. Lucia di Lammernoor: 'Ardon gl' incesi'

Customer Reviews:

5 out of 5 stars Great Stuff.......2007-07-22

The sound quality of this disc is surprisingly good, very good for an ADD. All the selections captured each singer in his/her top form. It is a real treat that this disc contains many work that were not normally in certain singer's repertoire. Gedda's Aida, Moffo's Rossini-Rosina and Cherobino, for example, all were superbly sung. Even Moffo's Lucia sounds much better than I have ever heard in other places.

4 out of 5 stars A Great Introduction to Italian Opera.......2005-05-01

The artists on this CD succeed in their goal to create a CD that displays great Italian opera. Carlo del Monte and Victoria de los Angeles open the disc with the Brindisi from La Traviata. Victoria de los Angeles is not the best Violetta, but she does the job, along with her parner Carlo del Monte, an underappreciated tenor. Victoria de los Angeles also appears on the CD in "Un bel di vedremo" from Madama Butterfly, a role she was well known for. Swedish tenor Nicolai Gedda appears on the disc twice. His first appearence is a superb rendition of "La donna e mobile" from Rigoletto. His final performance on this disc is in the heroric aria "Celeste Aida", a performance in a role that was not in his voice range. Anna Moffo is the star on this CD, appearing three times in three very different roles. First is her beautiful "Una voce poco fa", normally a role that calls for a mezzo-soprano. Her second is "Voi che sapete" from Le Nozze di Figaro, another mezzo-soprano role. Her final appearence is her best, "The Mad Scene" from Lucia di Lammermoor. Underrated tenor Giuseppe Campora performs "Che gelida manina" with a great tenor voice. Soprano Reri Girst is excellent in her performance of "Caro nome" from Rigoletto. One of my favorite baritones appears on this CD. Robert Merrill is a perfect Count di Luna, and it is evident in his rendition of "Il balen del suo sorriso". Another baritone appears on this CD: mario Sereni. He is not a world famous baritone, but he should have been. Overall, this is an excellent introduction to the world of Italian opera.

5 out of 5 stars Best of the best!.......2003-01-11

The performers, the selections, the quality... almost divine!

5 out of 5 stars Fabulous bargain for anyone.......2002-11-24

I would recommend this CD to anyone, from opera novice to experienced listener...

These are older recordings -- I would guess mostly from the 1960's. The recording quality is exceptional for the day and, while not the equivalent of modern engineering, is sufficient to allow sheer physical pleasure from the music and an immediate appreciation of the vocal qualities of the artists. The sound quality is the only mild drawback...

The performances are magnificent! The voices are almost entirely lighter and more agile than the great voices of the 80's and 90's. In fact, the ear of the editor is apparent in his preference for lighter and more agile voices.

For example, there is a beautiful rendition of "Che Gelida Manina" from someone I had never heard before, Guiseppe Campora. He does not have the weight or volume of Pavarotti or Domingo, but has more elegance and a pure, charming tone. A connoisseur performance, but nevertheless a true operatic rendition by a tenor who can hit the high C with authority -- as good for a newcomer to opera who wants to hear the real thing, as for an opera lover who would like to hear something a bit different.

Some of the artists were among the most famous singers of their day: Moffo, de los Angeles, Gedda.

Anna Moffo, one of the greatest sopranos of her day (and all time), is in magnificent voice in famous blockbusters from Rossini's Barber of Seville, Mozart's Marriage of Figaro, and the Mad Scene from Lucia di Lammermoor.

De Los Angeles is at her best in "Libiamo" from La Traviata, but the recording quality (the one inadequately engineered track on the CD) and her lack of oomph make for a second-rate version of "Un bel di".

In keeping with the light and lyrical orientation of the selections, Moffo -- a famous Gilda and hardly a dramatic voice -- is bypassed for the even lighter, sweeter and more agile colatura Reri Grist (while she still had her voice), in a lovely "Caro Nome".

Another nice selection is Mario Sereni performing "Di provenza, il mar". Both this and "Libiamo" are taken from one of my favorite recordings of Traviata -- also a great chance to hear Serafin at the helm of the Rome Opera House orchestra. (The 2-CD version of this is still available from EMI, I think.) Newcomers will love this pretty tune, and Sereni's archtypal Verdi baritone is good, although hardly the best ever.

Franco Corelli has never been a favorite of mine, but he sounds the best I've ever heard him in his rendition of "Cielo et mar".

Anyway, I didn't intend to list every cut. Whether you are an opera lover who would like to hear some of opera's most famous arias performed in a new light, or an opera lover who would like to hear great performances at a cut-rate price, this CD gets my unqualified approval.

4 out of 5 stars Great songs for a low price........2001-08-16

Ranging from selections of La Traviata, Il Trovatore and other popular Italian operas, this is a great cd for under four bucks. The singers may not be well recognized, but they do possess powerful voices.
The Most Famous Opera Duets
Average customer rating: 4.5 out of 5 stars
  • Can't go wrong
  • Most Famous???
  • Only one song knew well
  • The Most Famous Opera Duets
  • Good selection of opera highlights
The Most Famous Opera Duets

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DonizettiAll Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
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Donizetti, GaetanoDonizetti, Gaetano | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Mozart, Wolfgang AmadeusMozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Puccini, GiacomoPuccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Strauss, RichardStrauss, Richard | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music
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Price, LeontynePrice, Leontyne | Divas | Opera & Vocal | Styles | Music
Scotto, RenataScotto, Renata | Divas | Opera & Vocal | Styles | Music
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  1. The Most Famous Opera Arias
  2. The Best of Italian Opera
  3. The #1 Opera Album
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  5. Rapture: Opera's Most Heavenly Moments

ASIN: B000002SCA
Release Date: 1994-04-12

Tracks:

  1. Les Peurs des perles Act 1 - Au fond du temple saint
  2. Madama Butterfly Act 1- Vogliatemi bene, un bene piccolino
  3. Le Nozze di Figaro Act III - Sull'aria - Le Nozze di Figaro
  4. La Traviata Act I - Un di, felice, eterea
  5. Lucia Di Lammermoor Act I - Ah! Verranna a te sull'aure
  6. Tristan und Isolde Act II - O sink hernieder, Nacht der Liebe
  7. Carmen Act I - Parle-moi de m
  8. Die ZauberflAct I - Bei Mern, welche Liebe F
  9. Lakmct I - Viens, Mallika
  10. Rigoletto Act I - il sol dell'anima
  11. Der Rosenkavalier Act II - Mir ist die Ehre wilderfahren
  12. Don Giovanni Act I - Li darem la mano
  13. La Boh Act IV - O Mimi, tu pi torni
  14. Il Trovatore Act IV - Miserere...Quel suon, quelle preci

Amazon.com

This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore "Miserere" (with Leontyne Price and Franco Bonisolli singing up a storm). There are many others, too--a veritable cornucopia of couplings--and a treat for the opera lover. --Robert Levine

Customer Reviews:

5 out of 5 stars Can't go wrong.......2007-07-14

This is a really great CD for the price. It has many of the famous Arias on it and although the singers may not be the best out there they are certainly very good. This is cheaper than the price of a take away lunch; you can't go wrong with this CD.

3 out of 5 stars Most Famous???.......2007-05-14

The title of this cd is misleading and I found myself wondering whose list did they use. That is not to say that there aren't some real treasures included here. The duet from Lakme is lovely in every way, Mady Mesple in particular, very beautful and very french, and far superior to Sutherlands hooty approach. Scotto and Bergonzi are superb, the Tristan and Isolde of Vickers and Dernesch truly other worldly, and the presentation of the rose duet with the young Ludwig and the astonishing Teresa Stich- Randell had me playing it over and over and I still can't believe it, but the most famous??? This cd is definitly worth buying, and I hated giving it only 3 stars but if you're talking most famous you could fill a couple of cd's with Puccini, not to mention Verdi, Mozart, etc. before Bizet's Les Pecheurs des perles, beautiful as it is, made the most famous list.

3 out of 5 stars Only one song knew well.......2007-05-14

I should have done more research. The last song is the only one I could easily recognize. Live and learn.

5 out of 5 stars The Most Famous Opera Duets.......2007-01-05

This seller truly makes a purchaser confident in the product as well the time in which is promised.

Thanks again!!!!!

5 out of 5 stars Good selection of opera highlights.......2006-11-04

Super performances by famous opera artists of the 20th century, most of them no longer performing and some of them deceased. I enjoy having their voices available at home.
Luciano Pavrotti: The Best (Farewell Tour)
Average customer rating: 5 out of 5 stars
  • Luciano Pavrotti: The Best (Farewell Tour)
  • Luciano Pavorotti
  • Luciano is the best!
Luciano Pavrotti: The Best (Farewell Tour)

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007V5WB4
Release Date: 2005-09-13

Tracks:

  1. La donna obile
  2. Una furtiva lagrima
  3. "Libiamo ne'lieti calici (Brindisi)
  4. Donna non vidi mai
  5. Che gelida manina
  6. O soave fanciulla
  7. Mi batte il cor...O Paradiso!
  8. M'appari
  9. Quando le sere al placido chiaror d'un ciel stellato
  10. Se quel guerrier io fossi!..Celeste Aida
  11. Forse la soglia attinse
  12. Recitar! - "Vesti la giubba"
  13. Come un bel di maggio
  14. Ah mes amis - Pour mon
  15. Di quella pira
  16. Nessun dorma!

Tracks:

  1. Torna a Surriento
  2. Santa Lucia luntana
  3. La Danza
  4. L'ultima canzone
  5. Non t'amo pi
  6. Mattinata
  7. 'O sole mio
  8. 'A vucchella
  9. Core 'ngrato
  10. Nel blu, dipinto di blu
  11. Vivere
  12. Il Canto
  13. Caruso
  14. Buongiorno a te
  15. Ti adoro
  16. E lucevan le stelle
  17. Questa o quella (Ballata)
  18. Parmi veder le lagrime

Customer Reviews:

5 out of 5 stars Luciano Pavrotti: The Best (Farewell Tour).......2007-06-27

Wonderful Pavarotti sings the best of the best. His voice never ceases to amaze me. Listening pleasure at it's finest.

5 out of 5 stars Luciano Pavorotti.......2007-02-17

All the songs are wonderful, can never become tired of listening to his songs. Excellent.

5 out of 5 stars Luciano is the best!.......2007-01-20

I can't speak more highly of this collection of Pavrotti's songs. I keep this two CD pack in my car so I can enjoy it on my way to and from work. Even after I have arrived, I find myself sitting in my car waiting for a song to end. Walking out on a song seems sacriligious. While I grew up listening to Caruso and Lanza, there is no question that Pavrotti is the Master! Although, I do have to admit Pavrotti has the greater advantage of modern recording technology to better present his talent than Caruso and Lanza had. However, Lanza definitely didn't have the power that Pavrotti has. With Caruso, we will never know... I highly recommend this collection of Pavrotti's, if you are a Pavrotti fan. If you aren't, buy it anyway and become one:)


















Masters of Classical Music (Box Set)
Average customer rating: 5 out of 5 stars
  • masters of classical music
  • A good basic collection
  • An excellent introduction to classical music
  • Very Beautiful!!!!!1
  • Still Stuck on Beethoven
Masters of Classical Music (Box Set)

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

MazurkasMazurkas | Ballets & Dances | Classical | Styles | Music
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ASIN: B000001VU5
Release Date: 1990-10-25

Tracks:

  1. Eine kleine Nachtmusik: Allegro - Mozart, Wolfgang Amadeus
  2. Piano Concerto In A Major, K 488: Adagio - Mozart, Wolfgang Amadeus
  3. Flute Concerto In D Major, K 314: Allegro - Mozart, Wolfgang Amadeus
  4. Symphony No. 40 in G minor: Molto allegro - Mozart, Wolfgang Amadeus
  5. Clarinet Concerto KV 622: Adagio - Mozart, Wolfgang Amadeus
  6. Serenade, K 375: Menuetto - Mozart, Wolfgang Amadeus
  7. Turkish March - Mozart, Wolfgang Amadeus
  8. Violin Concerto, K 216: Allegro - Mozart, Wolfgang Amadeus
  9. Divertimento, K 334: Menuetto - Mozart, Wolfgang Amadeus
  10. Horn Concerto, K 447: Allegro - Mozart, Wolfgang Amadeus
  11. Cassation, K 99: Allegro - Mozart, Wolfgang Amadeus

Tracks:

  1. Overture No. 4 In Major: Rejouissance - J.S.Bach
  2. Overture No. 3 In D Major: Air - J.S.Bach
  3. Brandenburg Concerto No. 2 In F Major: I. Allegro - J.S.Bach
  4. Jesu, Joy Of Man's Desiring - J.S.Bach
  5. Overture No. 2 In B Minor: Menuet & Badinerie - J.S.Bach
  6. Prelude In C Major - J.S.Bach
  7. Toccata And Fugue In D Minor - J.S.Bach
  8. Prelude In C Minor - J.S.Bach
  9. Overture No. 1 In C Major: Passepied - J.S.Bach
  10. Brandenburg Concerto No. 1 In F Major: II. Adagio - J.S.Bach
  11. Kommst du nun, Jesu vom Himmel herunter, Chorale - J.S.Bach
  12. Brandenburg Concerto No. 3 In G Major: II. Allegro - J.S.Bach
  13. Violin Concerto In E Major: I. Adagio - J.S.Bach
  14. St. Matthew Passion: Finale Chorus: 'Wir setzen uns mit Tranen nieder' - J.S.Bach

Tracks:

  1. Symphony No. 5: Allegro con brio - Ludwig Van Beethoven
  2. Fur Elise - Ludwig Van Beethoven
  3. Violin Romance No. 2 - Ludwig Van Beethoven
  4. 'Moonlight' Sonata: Adagio sostenuto - Ludwig Van Beethoven
  5. Minuet - Ludwig Van Beethoven
  6. Symphony No. 8 In F Major: Allegretto scherzando - Ludwig Van Beethoven
  7. Coriolan: Overture - Ludwig Van Beethoven
  8. Piano Concerto No. 2: Adagio - Ludwig Van Beethoven
  9. Symphony No. 5 In C Minor: Allegro - Ludwig Van Beethoven
  10. Egmont: Overture - Ludwig Van Beethoven

Tracks:

  1. Die Fledermaus: Die Fledermaus (Excerpts) - Johann Strauss
  2. Wine, Woman And Song - Johann Strauss
  3. Tritsch Tratsch Polka - Johann Strauss
  4. The Blue Danube - Johann Strauss
  5. The Gypsy Baron: Introduction - Johann Strauss
  6. Annen Polka - Johann Strauss
  7. Vienna Blood - Johann Strauss
  8. The Gypsy Baron: Einzugsmarsch - Johann Strauss

Tracks:

  1. Tannhauser: Overture - MASTERS OF CLASSICAL MUSIC
  2. Die Meistersinger von Nurnberg: Dance Of The Prentices - MASTERS OF CLASSICAL MUSIC
  3. Die Meistersinger von Nurnberg: Prelude Act 3 - MASTERS OF CLASSICAL MUSIC
  4. Die Meistersinger von Nurnberg: Aufzug der Meistersinger - MASTERS OF CLASSICAL MUSIC
  5. Der fliegende Hollander: Overture - MASTERS OF CLASSICAL MUSIC
  6. Lohengrin: Prelude - MASTERS OF CLASSICAL MUSIC
  7. Tristan und Isolde: Prelude And Liebestod - MASTERS OF CLASSICAL MUSIC
  8. Tannhauser: Arrival Of The Guests At Wartburg - MASTERS OF CLASSICAL MUSIC

Tracks:

  1. Piano Concerto No. 1: Allegro non troppo - Peter Tchaikovsky
  2. String Serenade: Waltz - Peter Tchaikovsky
  3. Violin Concerto: Andante - Peter Tchaikovsky
  4. The Sleeping Beauty: Introduction - Peter Tchaikovsky
  5. The Sleeping Beauty: Pas d'action - Adagio - Peter Tchaikovsky
  6. The Sleeping Beauty: Waltz - Peter Tchaikovsky
  7. Capriccio italien Op. 45 - Peter Tchaikovsky
  8. Swan Lake: Ballet Suite: Scene No. 10 - Peter Tchaikovsky
  9. Swan Lake: Ballet Suite: Waltz - Peter Tchaikovsky
  10. Eugene Onegin: Polonaise - Peter Tchaikovsky

Tracks:

  1. The 4 Seasons: Concerto No. 1 In E Major: Spring - VIVALDI, Antonio
  2. Siciliano - VIVALDI, Antonio
  3. Concerto In D Minor:: (Allegro Assai) Cologne Concerto - VIVALDI, Antonio
  4. The 4 Seasons: Concerto No. 2 In G Minor: Summer - VIVALDI, Antonio
  5. Oboe Sonata In B Flat Major, RV 34: Adagio - Allegro - Largo - Allegro - VIVALDI, Antonio
  6. The 4 Seasons: Concerto No. 3 In F Major: Autumn - VIVALDI, Antonio
  7. Oboe Concerto: Allegro non tasto - Largo - Allegro non molto - VIVALDI, Antonio
  8. Concerto In D Minor: (Largo e spiccato) Cologne Concerto - VIVALDI, Antonio
  9. The 4 Seasons: Concerto No. 4 In F Minor: Winter - VIVALDI, Antonio

Tracks:

  1. Scherzo No 1 In B Minor, Op. 20 - Frederic Chopin_
  2. Three Nocturnes, Op. 9: No 3 In B Major - Frederic Chopin_
  3. Twelve Etudes, Op. 10: No 5 In G Flat Major - Frederic Chopin_
  4. Twelve Etudes, Op. 25: No 10 In B Minor - Frederic Chopin_
  5. 24 Preludes, Op. 28: No. 13 In F Sharp Major - Frederic Chopin_
  6. 24 Preludes, Op. 28: No. 14 In E Flat Minor - Frederic Chopin_
  7. 24 Preludes, Op. 28: No. 15 In D Flat Major 'Raindrops' - Frederic Chopin_
  8. 24 Preludes, Op. 28: No. 16 In B Flat Minor - Frederic Chopin_
  9. 24 Preludes, Op. 28: No. 17 In A Flat Major - Frederic Chopin_
  10. 24 Preludes, Op. 28: No. 18 In F Minor - Frederic Chopin_
  11. Scherzo No. 2 In B Flat Minor, Op. 31 - Frederic Chopin_
  12. Waltz In E Flat Major, Op. 18 - Frederic Chopin_
  13. Nocturne In C Sharp Minor, Op. Posth. - Frederic Chopin_
  14. Four Mazurkas, Op. 24: No. 3 In A Flat Major - Frederic Chopin_
  15. Four Mazurkas, Op. 24: No. 4 In B Flat Minor - Frederic Chopin_

Tracks:

  1. Ave Maria - Franz Schubert
  2. Impromptu In E Flat Major - Franz Schubert
  3. Standchen - Franz Schubert
  4. Trout Quintet: Tema con variazioni - Franz Schubert
  5. 'Rosamunde': Entr'acte No. 1 - Franz Schubert
  6. Moment Musical In A Flat Major - Franz Schubert
  7. 'Rosamunde': Entr'acte No. 2 - Franz Schubert
  8. Moment Musical No. 3 In F Minor - Franz Schubert
  9. 'Rosamunde': Ballet Music No.2 - Franz Schubert
  10. Symphony No. 8 In B Minor 'Unfinished': Allegro moderato - Franz Schubert

Tracks:

  1. Nabucco: Overture - Verdi, Giuseppe
  2. Nabucco: Va pensiero, sull'ali dorate - Verdi, Giuseppe
  3. Aida: Prelude - Verdi, Giuseppe
  4. II Trovatore: Verdi! le fosche notturne (Gypsies' Chorus) - Verdi, Giuseppe
  5. II Trovatore: Or co' daddi, ma fra poco (Soldiers' Chorus) - Verdi, Giuseppe
  6. Aroldo: Overture - Verdi, Giuseppe
  7. La Traviata: Prelude - Verdi, Giuseppe
  8. La Traviata: Noi siamo zingarelle - Verdi, Giuseppe
  9. La Traviata:: Libiamo ne' lieti calici - Verdi, Giuseppe
  10. La Traviata: Di Madride noi siam mattadori - Verdi, Giuseppe
  11. La forza del destino: Overture - Verdi, Giuseppe

Customer Reviews:

5 out of 5 stars masters of classical music.......2007-03-26

A nice collection for the classical listener. Great variety of composers and the music quality of the cds are very good.

5 out of 5 stars A good basic collection.......2006-11-10

With selections from numerous composers, it is an easy way to familiarize oneself with some of the most popular classical works and excerpts. A pleasant listen for the initiated too.

5 out of 5 stars An excellent introduction to classical music.......2006-10-18

This is an excellent introduction to classical music. Well performed and presented.

5 out of 5 stars Very Beautiful!!!!!1.......2006-10-05

If you are a fan of classical music then you better get this set. Not only is it very cheap, 10 Discs for about 2$ per disk. Now where are you gonna find a deal like this. I actually found mine chaper, $20.00 even and the music is outstanding. If you had a very bad day and very stressed out, just put in one of these cds, lay down, dim down the lights and just relax. It really helped me out.

5 out of 5 stars Still Stuck on Beethoven.......2006-08-22

I just recently started listening to classical music so I'm certainly not one to compare or critique the quality of this set. However, I do have a few comments...

My interest started in this genre of music because I'm researching my ancestry in Prussia and this is the music of those times. Never mind my ancestors were poor peasants who probably never got the chance to hear such wonderful music... when listening to these CDs, I'm taken back in time... to a royal court in Europe... to another place in time. The music is inspiring, relaxing, invigorating.

I have yet to listen to all the CD's in the set. I'm stuck on Beethoven! Wasn't he AWESOME!?!

I think this set is a wonderful introduction to classical music!!!!!




Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar