Richard Wagner: Die Walküre

Richard Wagner: Die Walküre

On this CD:

  1. Die Walküre (The Valkyrie), opera, WWV 86b
    Composed by Richard Wagner
    Performed by Bayreuth Festival Orchestra
    with Hans Hotter, Gunther Treptow, Inge Borkh, Astrid Varnay, Ruth Siewert, Josef Greindl, Hanna Ludwig, Ira Malaniuk, Melanie Bugarinovic
    Conducted by Joseph Keilberth

Richard Wagner: Die Walküre,Ira Malaniuk,Melanie Bugarinovic,Ruth Siewert,Josef Greindl,Richard Wagner,Joseph Keilberth,Bayreuther Festspiele Orchester,Astrid Varnay,Inge Borkh,Gunther Treptow,Hanna Ludwig,Hans Hotter,Arlecchino,German/Austrian Romantic Opera,Opera


The #1 Opera Album
Average customer rating: 4.5 out of 5 stars
  • The beautiful gift of opera...
  • Pretty darn good
  • The Opera #1 Opera Album
  • Excellent assortment
  • Great Selections
The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  1. The Most Famous Opera Duets
  2. The Most Famous Opera Arias
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  4. Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
  5. The Best Opera Album in the World...Ever!

ASIN: B000059RXO
Release Date: 2001-02-27

Tracks:

  1. Carmen: Act 1: Prld - LPO/Sir Georg Solti
  2. La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
  3. La Boheme: Che Gelida Manina - Luciano Pavarotti
  4. Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
  5. Fedora: Amor Ti Vieta - Jussi Bjorling
  6. Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
  7. Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
  8. Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
  9. Rigoletto: La Donna E Mobile - Luciano Pavarotti
  10. Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
  11. Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
  12. Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
  13. La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
  14. Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
  15. Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
  16. Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
  17. Tosca: E Lucevan Le Stelle - Placido Domingo
  18. Madama Butterfly: Un Bel Di - Mirella Freni
  19. Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico

Tracks:

  1. Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
  2. Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
  3. Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
  4. La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
  5. Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
  6. Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
  7. Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
  8. Mattinata - Andrea Bocelli
  9. Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
  10. L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
  11. Turandot: Signore, Ascolta! - Montserrat Caballe
  12. Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
  13. Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
  14. Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
  15. Tosca: Vissi D'arte - Kiri Te Kanawa
  16. Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
  17. Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
  18. Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
  19. Rusalka: O Silver Moon - Renee Fleming
  20. La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
  21. Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis

Amazon.com

The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin

Customer Reviews:

5 out of 5 stars The beautiful gift of opera..........2007-07-17

This 2-CD set is absolutely wonderful! You can close your eyes and feel like you're actually at the opera, listening to those beautiful voices bringing tears to your eyes. Nessun Dorma still stirs up emotions in me, no matter how many times I hear it. Great examples of opera to give someone wanting to get interested in this style of music.

4 out of 5 stars Pretty darn good.......2007-07-04

This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.

2 out of 5 stars The Opera #1 Opera Album.......2007-06-07

The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.

4 out of 5 stars Excellent assortment.......2007-05-12

I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.

5 out of 5 stars Great Selections.......2007-03-31

This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...
World's Very Best Opera for Kids... in English!
Average customer rating: 5 out of 5 stars
  • Outstanding Resource - We LOVE This CD!
  • Great Intro to Operas
  • A Sampler of Greatest Hits and Karaoke, Too
  • World's Very Best Opera for Kids... in English
  • Great for adults too!
World's Very Best Opera for Kids... in English!

Manufacturer: Children's Group
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000C5ROP
Release Date: 2003-09-23

Tracks:

  1. The Barber Of Seville: Largo Al Factotum - Gregory Dahl
  2. Carmen: Habanera - Jean Stilwell
  3. The Marriage Of Figaro: Non Piu Andrai - Allan Monk
  4. The Magic Flute: Papageno's Song - Daniel Lichti
  5. Carmen: The Toreadors Song - Brian Banion
  6. La Boheme: Donde Lieta Usci - Addio Di Mimi - Laura Whalen
  7. The Magic Flute: Der Hoole Rache (The Queen Of The Night's Aria) - Aline Kutan
  8. Rigoletto: La Donna E Mobile - Michael Schade
  9. Tales Of Hoffman: The Doll Song - Tracy Dahl
  10. Die Walkure: Ride Of the Valkyries - Laura Whalen
  11. The Marriage Of Figaro: Voi, Che Sapete - Erin Thrall
  12. Madame Butterfly: Un Bel Di Verdremo - Natalie Choquette
  13. Xerxes: Ombra Mai Fu - Daniel Taylor
  14. Rigoletto: Caro Nome - Lambroula Maria Pappas
  15. Habanera - The Budapest Concert Orchestra MAV
  16. Non Piu Andrai - The Budapest Concert Orchestra MAV
  17. Papageno's Song - The Budapest Concert Orchestra MAV
  18. La Donna E Mobile - The Budapest Concert Orchestra MAV
  19. Voi, Che Sapete - The Budapest Concert Orchestra MAV

Customer Reviews:

5 out of 5 stars Outstanding Resource - We LOVE This CD!.......2007-07-16

This is a GREAT CD! Both the children and my husband and I love it. We bought it as an introduction to opera for our homeschooled children, and never guessed we'd all enjoy it so much.

All the tunes are ones you will probably recognize - but hearing the words that go with the music and hearing them in *English* is so helpful! It has been really fun to find out what these songs are really about.

My kids and I often catch ourselves singing opera through the day now, which is really neat. It has helped build their understanding of music in many different ways, and has improved my oldest daughter's voice ability as she strives to keep up with the professional singers on the CD.

The music is beautiful, the words are lovely and give meaning, and this whole CD is just exceptionally good entertainment!

5 out of 5 stars Great Intro to Operas.......2006-10-16

THE WORLD"S VERY BEST OPERA FOR KIDS is a collection of fourteen of the best loved arias in the world. The whole family will enjoy this CD, which is a unique version of these famous arias in that these are all sung in English so your child (and you) can appreciate and imagine the story that it illustrates. It is a wonderful introduction to opera and will have the whole family humming the memorable melodies, which are sung by some of the best of famous voices. You will be inspired to read the storylines of the operas to your children for a wonderful educational and delightful family hour. The CD includes an insert with the words so you can sing along

5 out of 5 stars A Sampler of Greatest Hits and Karaoke, Too.......2006-04-05

It really doesn't get much better than this CD. The primary benefit of the music is that it is a terrific selection of funny and touching arias from the classical genre. I am an opera lover and bought this for myself to memorize the words in English, as prompts when I listen to the pieces untranslated. I started listening to the CD while I was driving, and within a week had bought about a dozen CDs to distribute to family members and friends, with kids (and without). Everyone loves it. And at the end of the CD are several tracks of just the music, so you can sing along, which is a hoot. Your friends and colleagues, who hear you barking along to beats, will think you have taken leave of your senses. The lyrics (in English) are in the liner notes. I would suggest not reading the liner notes while driving.

Second CD benefit. The time you spend listening to this will be the equivalent of an afternoon at the beach or a walk in the mountains. The calming factor is amazing.

4 out of 5 stars World's Very Best Opera for Kids... in English.......2006-01-30

I listen to this with my 3 year old and we both enjoy it. I am not an operatic expert and to my lay ears the performances here sound great, and my daughter likes hearing the words to some of her favorite music ("Play the Torreadores again Mommy!") Its a nice break from some more traditional kids songs that we listen to.

5 out of 5 stars Great for adults too!.......2005-08-15

I never had an interest in opera until I made a trip to Italy and dined in an opera cafe. I appreciate it even more thanks to this CD. Now that I can hear the lyrics in english and read a synopsis of the story, I appreciate and enjoy opera even more.
Pavarotti's Opera Made Easy-My Favourite Opera For Children
Average customer rating: 5 out of 5 stars
  • Opera for Children
  • Great Opera for Children
  • My six-year old liked it!
  • Fun, accessible opera for you and your child to enjoy
Pavarotti's Opera Made Easy-My Favourite Opera For Children

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

All Works by GounodAll Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Humperdinck, EngelbertHumperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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Puccini, GiacomoPuccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
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ASIN: B00000424Y
Release Date: 1994-08-23

Tracks:

  1. Carmen: Children's March
  2. Carmen: Toreador Song
  3. Carmen: Toreador Chorus
  4. The Barber Of Seville: Largo Al Factotum
  5. Faust: Soldiers' Chorus
  6. Il travatore: Anvil Chorus
  7. Madame Butterfly: Humming Chorus
  8. Die Walkure: The Ride Of The Valkyries
  9. The Tales Of Hoffman: The Doll Song
  10. Aida: Triumphal Choruses And March
  11. The Magic Flute: Papageno's Song: A Birdcatcher Am I
  12. The Magic Flute: Papagena! Papagena! Papagena!
  13. The Magic Flute: Pa-Pa-Pa-Pa
  14. Hansel And Gretel: Brother, Come Dance With Me
  15. Hansel And Gretel: I Am The Little Sandman
  16. Hansel And Gretel: Children's Prayer
  17. Hansel And Gretel: Song Of The Gingerbread Children
  18. Hansel And Gretel: Ral-la-la-la, Ral-la-la-la

Customer Reviews:

5 out of 5 stars Opera for Children.......2005-10-14

This is an excellent CD to introduce children to some of the more familiar operas. I would highly recommend this CD for children and also for adults who want to become familiar with opera.

5 out of 5 stars Great Opera for Children.......2005-05-01

This CD is an excellent compilation of opera for children and adults alike. The operas that are represented on this disc are: Carmen, Il Barbiere di Siviglia, Faust, Il Trovatore, Madama Butterfly, Die Walkure, Les Contes d'Hoffmann, Aida, Die Zauberflote, and Hansel und Gretel. People love the Children's March, as well as the Toreador Chorus, from the opera Carmen. The well known Toreador Song is performed on this CD by great bass- baritone Jose van Dam. Children who watch Bugs Bunny will recognize "Largo al factotum" from Il Barbiere di Siviglia. Sherrill Milnes performs the role of Figaro expertly, and his falsetto is evident in Figaro's famous patter aria. Great choruses, like the Soldier's Chorus from Faust, the Anvil Chorus from Il Trovatore, the Triumphal Chorus from Aida, and the Humming Chorus from Madama Butterfly make appearences on this CD. The Doll Song from Les Contes d'Hoffmann is performed by soprano Joan Sutherland. She uses her voice to rise up and down, like a mechanical doll. My favorite German baritone, Hermann prey, performs Papageno's entrance aria from Die Zauberflote, as well was the duet with Papagena. Choruses from Hansel und Gretel round the CD.

4 out of 5 stars My six-year old liked it!.......2001-04-02

My six year-old son enjoyed hearing this CD. We like to sing together, so we found many of the pieces quite alot. But to be honest, when we discovered the more recently released CD, The Classical Child AT the Opera, he went wild because all the pieces have been translateded into English, so it's much more enjoyable for us to sing along. So I would recommend it, but check out the other one as well -- your kids will be glad you did. All the best, Steven

5 out of 5 stars Fun, accessible opera for you and your child to enjoy.......1999-11-05

I bought this CD for my then 3 year old son. He loved it then because it was the "Bugs Bunny" music he was familiar with from the cartoons. He listened to it for awhile then we put it away. After he turned 4, he said to me one day -- let's listen to opera, and now we listen to this CD every day. This music gets his blood going; he struts around his room when he listens to this. And, he is in every respect a typical boy who likes Pokemon and the Back Street Boys. So, I consider this CD successful in introducing opera to a youngster.
Twilight of the Gods: The Essential Wagner Collection
Average customer rating: 4 out of 5 stars
  • Wonderful collection and price!
  • Awesome collection!
  • Helicopters? Marines?
  • A great addition to my music collection
  • Quintessential Wagner
Twilight of the Gods: The Essential Wagner Collection

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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  1. Wagner: Overture & Preludes
  2. The Best Of Wagner
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  4. Wagner without Words
  5. 25 Thunderous Classics

ASIN: B000009ON7
Release Date: 1998-08-11

Tracks:

  1. The Valkyries: Ride Of The Valkyries
  2. Twilight Of The Gods: Siegfried's Funeral March
  3. Lohengrin: Prelude to Act III
  4. The Flying Dutchman: Overture
  5. The Flying Dutchman: Sailors' Chorus
  6. The Rheingold: Journey Down To Nibelheim
  7. The Mastersingers Of Nuremberg: Overture
  8. Tannhauser: Overture
  9. Tannhauser: Entry Of The Guests
  10. Tannhauser: Tannhauser's Pilgrimage
  11. Siegfried: Act III Orchestral Interlude
  12. Twilight Of The Gods: Siegfried's Rhine Journey
  13. Twilight Of The Gods: Finale
  14. The Rheingold: Entry Of The Gods Into Valhalla

Tracks:

  1. Lohengrin: Prelude To Act I
  2. Lohengrin: Bridal Chorus
  3. Parsifal: Prelude to Act I
  4. Parsifal: Good Friday Music
  5. Parsifal: Transformation Scene
  6. Tannhauser: Venusberg Music
  7. Tannhauser: Pilgrims Chorus
  8. The Mastersingers Of Nuremburg: Prelude To Act III
  9. The Rheingold: Vision Of Valhalla (Scene II Introduction)
  10. Siegfried Idyll
  11. Siegfried: Brunnhildes Awakening
  12. Tristan And Isolde: Prelude To Act III
  13. Tristan And Isolde: Death Of Isolde

Amazon.com

If you like your Wagner served up in bleeding chunks or if you're simply in a hurry to hear the tunes, then this compilation is for you. The performances, drawn from the Polygram (mainly Deutsche Grammophon) back catalog, are for the most part authoritative. They feature the likes of Herbert von Karajan, with the Berlin Philharmonic, and Karl Böhm, with the Bayreuth Festival Orchestra (and chorus), in extracts from recordings of complete operas, and conductors Giuseppe Sinopoli, Otto Gerdes, and Antal Doráti in some of the more familiar overtures and preludes. Singing, without which it is impossible to get the full flavor of Wagner's work, is skirted whenever possible: this is an unapologetic tribute to Wagner the orchestral genius. At times the salesmanship is a little overblown--the glitzy packaging includes a cover shot of the helicopters from Apocalypse Now--and the sound, some of it from very good originals, seems to have been juiced with a little added digital reverb, resulting in an overall glassiness. The gaps between tracks are minimized, disco style, so there's no dead air, and the whole thing has an Entertainment Tonight feel to it. Were he around, Wagner would have screamed bloody murder, then happily taken his cut of the action. For today's on-the-go listener, this may well be the most practical way to enjoy Wagner's music, but we won't be happy until it motivates at least one newcomer to seek out a recording of a complete opera. Anyone who does that will find out what "apocalypse" really means. --Ted Libbey

Customer Reviews:

5 out of 5 stars Wonderful collection and price!.......2007-05-11

I found this to be a nice collection of favorites, especially to keep in the car and listen to. It is a variety of well known compilations. Although not encompassing, it is perfect as a review for driving, relaxing, and enjoyment. Plus, the price is right!

5 out of 5 stars Awesome collection!.......2007-01-10

This is a great collection of some of Wagner's most memorable songs for those of you who do not want to buy the whole opera's for some of his works.

4 out of 5 stars Helicopters? Marines?.......2006-12-05

Do those infotainment marketing mavens ever get it right? Talk about Hollywood disconnect! Not only are the helicopters irrelevant, but to quote from the gushy drivel on the jacket, "The gripping power of Richard Wagner's music was demonstrated with spectacular effect in...Apocalpse Now, when the "Ride of the Valkyries' became synonymous with the chilling journey of Marine 'Huey' helicopters into battle..."

Marine? Marine? Them Hueys in the movie was ARMY Air Cav, slick! "First of the ninth--air mobile." If you're going to dally down that primrose path, at least get it right.

Better yet, drop the choppers. Most people who listen to Wagner probably realize that quality of an artistic work has a mystically inverse relationship to the number of helicopters contained in it.

As for the music, it is good, but the operatic equivalent of sound bites, which may be just right for people who are new to Wagner or just can't take very much of him. Hmm...perfect for a helicopter ride, perhaps?

5 out of 5 stars A great addition to my music collection.......2006-07-20

This CD takes the place of all my other Wagner music. VERY well done. Somehow I didn't realize that there were two cds in the package--what a pleasant surprise! Of the two cds, I like the first one best, but they are both good. I listen to this cd daily on my way to work. Stirring! I am so glad that I purchased this. Some purists might have a problem with the fact that some of the selections are not there in their entirety. I have no problem with that though. I recommend this to anyone who loves Wagner.

5 out of 5 stars Quintessential Wagner.......2006-05-15

Okay, so I like Wagner. I LOVE "Ride Of The Valkyries". Do I want to go out and buy every single stinkin thing Wagner did? No. If you are a die-hard Wagner fan you probably will not think much of this collection.

But if you like Wagner and appreciate "Ride Of The Valkyries", and maybe require it in just a little more substance than what is included in "Apocolypse Now Redux", then this is what you want. The extra tracks are bonuses and are quite good. Meets my needs, presentation great, performance excellent. I recommend it for anyone that needs a Wagner fix.
Wagner: Die Walküre
Average customer rating: 4.5 out of 5 stars
  • A "Die Walkure" for the AGES from a "RING for the AGES"
  • A Memorable Performance!
  • Nostalgic Pleasure
  • AN EPIC RING - PART II
  • I'm Overwhelmed!
Wagner: Die Walküre

Manufacturer: Testament UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B000FILUMY
Release Date: 2006-06-13

Tracks:

  1. Die Walkure: Prelude (Vorspiel) (Act One)
  2. Wes Herd dies auch sei (Act One, Scene One)
  3. Kuhlende Labung gab mir
  4. Mud am Herd fand ich den Mann (Act One, Scene Two)
  5. Friedmund darf ich nicht heissen
  6. Aus dem Wald trieb es mich fort
  7. Ich weiss ein wildes Geschlect (Hunding)
  8. Ein Schwert werhiess mir der Vater (Siegmund) (Act One, Scene Three)
  9. Schlafst du, Gast? (Sieglinde/Siegmund)
  10. Wintersturme wichen dem wonnermond (Siegmund)
  11. Du bist der Lenz
  12. Wehwalt heisst du furwahr? (Sielinde/Siegmund)

Tracks:

  1. Prelude (Vorspiel) (Act Two)
  2. Nun zaume dein Ross (Wotan/Brunnhilde) (Act Two , Scene One)
  3. Der alte Sturm (Wotan/Frica)
  4. So ist es denn aus mit den weigen Gottern (Frica)
  5. Nichts lerntest du
  6. Was verlangst du? (Wotan/Fricka/Brunnhilde)
  7. Schlimm, furcht' ich, schloss der Streit (Brunnhilde/Wotan) (Act Two, Scene Two)
  8. Was keinem in Worten ich kunde
  9. Ein andres ist's (Wotan/Brunnhilde)
  10. O sag/, kunde (Brunnhilde/Wotan)
  11. Raste nun hier (Act Two, Scene Three)
  12. Hinweg! Hinweg ! (Siegmund/Sieglinde)

Tracks:

  1. Siegmund ! Sieh' auf mich! (Act Two, Scene Four)
  2. Hehr bist du, und heilig gewaht'ich
  3. So wenig achtest du ewige Wonne? (Brunnhilde/Siegmund)
  4. Zauberfest bezahmt ein Schlaf(Siegmund)(Act Two, Scene Five)
  5. Kehrte der Vater nur heim ! (Sieglinde/Hunding/Siegmund/Brunnhilde/Wotan)

Tracks:

  1. Prelude - Hojotoho! Hojotoho! (Die acht Walkuren)
  2. Schuzt mich und helft (Brunnhilde/Die acht Walkuren) (Act Three, Scene One)
  3. Nicht sehre dich Sorge um mich (Sieglinde/Brunnhilde/Waltraute/ortlinde/Die acht Walkuren
  4. Steh, Brunnhild'! (Wotan/Die acht Walkuren/Brunnhilde)
  5. Wo is Brunnhild' (Wotan/Die acht Walkuren) (Act Three, Scene Two)
  6. Hier bin ich, Vater (Brunnhilde/Wotan)
  7. Wehe ! Weh'! Schwester (Die acht Walkuren/Brunnhilde/Wotan)
  8. War es so schmahlich (Act Three, Scene Three)
  9. Nicht weise bin ich
  10. So tatest du
  11. Du zeugtest ein edles Geschlect (Brunnhilde/Wotan)
  12. Leb wohl, du kuhnes, herrliches Kind !
  13. Denn einer nur freie die Braut
  14. Loge, hor! Lausche hieher ! (Wotan)

Amazon.com

"Best" is an overused word, and particularly difficult to apply to performances of operas as huge and multifaceted as Wagner's. There are now dozens of Walküres available on CD, and most have much to recommend them. This one, part of a live Bayreuth Ring recorded in real stereo by the Decca recording crew in 1955 but never before released, is just about ideal: all of the singers, absolute golden-age-of-Wagner-singing performers, are in their prime. Ramon Vinay's baritonal Siegmend is both powerful and sympathetic; Gré Brouwenstijn's Sieglinde is wonderfully womanly, though occasionally troubled by a prominent vibrato; Josef Greindl's Hunding is a character to fear. Hans Hotter's Wotan is flawless---his sadness and tenderness are as vividly expressed as his rage and, thanks to the always- alert and dramatically intelligent leadership of Joseph Keilberth, his confrontation with the imperious Fricka of Georgine von Milinkovic has the ring of absolute honesty. Astrid Varnay's Brünnhilde is here caught at its best--utterly secure at all registers, girlish and impetuous but loving, a true powerhouse. The Valkyries are a noisy but accurate bunch. The Bayreuth Orchestra plays as if possessed---the trilling flutes in the "Ride," wonderfully captured by the engineers, add to the thrill. The "best"? Well, absolutely remarkable. --Robert Levine

Customer Reviews:

5 out of 5 stars A "Die Walkure" for the AGES from a "RING for the AGES".......2007-06-19

This recording of Wagner's "Die Walkure" recorded live at Bayreuth in 1955 is a TRUE masterpiece, a testament to the heights that can be reached when "everyone works together" for the sake of the "art" itself, not self-aggrandisement (which we have today, generally). Every aspect of this recording pales every other! It immediately, and solidly, goes to the top of the list of "Die Walkure" choices on disc (possible exception: Leinsdorf/Nilsson/Vickers). As do the remaining three operas, also recorded at the same time, by the same cast, that make up the "Ring".

Going back over the decades of my life, I remember when you only had one choice for a "Ring"...Solti/Decca, and that was it.

Then, there came the von Karajan, and then the Bohm/Bayreuth. Then, there seemed to be a mini-explosion of "Rings" over the following years, so many that it became/becomes staggering to think about!

Two statements:
1) If you are NEW to Wagner's "Ring" do not become confused with all the choices out there. There are really only two live recordings you need consider...the Krauss/Bayreuth, and this one, Keilberth/Bayreuth, and one studio recording to think about, the Solti/Decca set. You may think this excessive, but you NEED all three of these recordings. Period.
2) If you are FAMILIAR with Wagner's "Ring", then, assumably, you want the Best recording of it. I will assume you already have the Solti set, as most people do. The Krauss set you may or may not have. It is a stunner. And, now, the Keilberth....the most awesome recording, in many ways, you will ever experience.

Think: 1955, live, Bayreuth, the Best Wagnerians of their age, assembled together at the behest of Wagner's grandsons, in Wagner's theater, and the best part....recorded in STEREO! By Decca, of all people, before the Solti studio Ring was ever thought about! Why Decca sat on these magnificent recordings just blows my mind.

Luckily for us, Testament acquired the rights to release these timeless recordings, and we now, after 52 years, can marvel at and enjoy these magnificent performances of four of the greatest musical masterpieces ever written, combining to make up the most monumental work ever written for the stage! Enjoy this (set) of Masterpiece Recordings! ~operabruin

5 out of 5 stars A Memorable Performance!.......2007-02-05

Rarely does a release live up to its hype, but the Testament release of the 1955 Ring from Bayreuth is one that does. This CD is jam-packed with incredible performances from one of the best casts assembled in the post-war era. Ramon Vinay gives a magnificent performance as Siegmund--and I really like his rich baritonal timbre. (In fact, he began and ended his career as a baritone.) He sings with intelligence, sensitivity and passion. Gre Brouwenstijn gives an surprisingly (for her) ardent account of Sieglinde and Josef Griendl is a wonderfully malevolent Hunding.
The two stars of the show are clearly Hans Hotter as Wotan and Astrid Varnay as Brunnehilde. Hotter was probably the leading heldenbaritone of the 20th century, and there really is no one better as Wotan. Others may have richer and fuller voices, but few are as good singing actors as was Hotter. Varnay is a revelation. If Birgit Nilsson was said to have a voice like burnished steel, Varnay, (who was one of Nillson's closest friends in the business), has a darker, richer instrument that gives her portrayal more "humanity", if one can use that word about a god's daughter! (She's also incredible on the "Siegfried" CD and don't miss her Tristan und Isolde with Ramon Vinay.) Known to many of my generation only through her later "character" mezzo roles, she is enjoying a renaissance now through these incredible releases from the mid-50s, the height of her career.
Joseph Keilberth conducts with drive and energy, and he gets ample support from the Bayreuth orchestra. The sound quality is remarkable for that time, (and in stereo, no less), and although the price is a bit steep, if one buys it from one of the dealers that sell on Amazon one can save quite a bit.
It may not be the "best" Ring cycle, but it's right up there and a wonderful opportunity to hear some of the last 50 years' top Wagnerian artists in their prime.

5 out of 5 stars Nostalgic Pleasure.......2007-01-21

It is almost a dream come true. Imagine Krauss' or Kna in stereo sound, the celebrated 53 or 56 versions, Imagine Solti but the singers all in their prime, especially Hotter. This is a dream come true. And to make things even better, everyone seems to be singing and playing their heart out. I have to admit, Krauss is a great interpreter orchestrally, as is Solti, but in terms of singing, this goes to the top of my list and I must say overalll is now at the top. Along with Siegfried, which is even better than this, this should be the greatest ring ever released, either in stereo or not. Though only issue is the price, which is absurd, how could they charge 100 dollars for three opera and 46 for a preliminary evening, that is 346 for the entire cycle which is just about out of everyone's price range-especially when you can now get Krauss at 45, Solti at 150, etc, etc, it is a hard sell to convince someone that it is that much better. I cant say it is 200 dollars better than Solti and it is not 300 better than Krauss---but for those, like me, always searching for something new in the ring, this is like discovering the holy grail.

5 out of 5 stars AN EPIC RING - PART II.......2007-01-10

This WALKURE is a must just to hear Hans Hotter and Astrid Varnay in their prime and in very good early stereo. In the Solti WALKURE one must admit Hotter was past his prime. I love his sound as Wotan and especially his attention to musical as well as textual details. HE IS WOTAN and at his peak and prime here. Astrid Varnay is right there with him all the way. They make Acts Two and Three so very special and sublime. Varnay to my ears is an ideal Brunnhilde sound. In my humble opinion she is second to only Helen Traubel as a beautiful sounding and singing Brunnhilde. The rest of the cast is right there with these two TITANS. Only, Gre Brouwenstijn, the Sieglinde with her tight vibrato could be bettered. There are several other stronger Sieglindes then her (i.e. Nilsson, Crespin, Borkh, Rysanek to name a few.) Some others have expressed a little concern over the conducting. After a second and third listening I don't wholeheartedly agree. When he has to Keilberth turns up the tension especially in Acts II and III. I look forward to Gotterdammerung and Varnay's Brunnhilde.

5 out of 5 stars I'm Overwhelmed!.......2006-12-22

A few days after purchasing the great "Rheingold" in this series, I bought this Walkure. I am so glad that I did! I must have been listening to this opera for over 44 years,but I have never heard a better one, perhaps not even one as good as this. Keilberth continues his glorious conducting that began in "Rheingold", sensitive at every point, energetic but always inward-looking,capturing the mystery as well as the high emotion of the score. His First Act Prelude, for example, is paced at exactly the right tempo to suggest a raging thunderstorm. The whole act is shrouded in darkness,only to have light intrude when Nothung becomes visible to Siegmund. The great Wotan monologue in Act 2 is so suspenseful that I doubt that anyone could call this section of the opera dull; on the contrary, as in any good "Walkure", this should emerge as the turning point of the whole drama, which it does here. Wotan's Farewell and the Magic Fire Music never were more deeply moving than here. Vinay's Siegmund is simply glorious, a real Heldentenor voice, sensitively sung. Brouwenstijn's Sieglinde sounds a bit like Lotte Lehmann's in its intensity. Greindl's Hunding is not just menacing,he's outright dangerous! A primitive man who could erupt in physical violence at any moment! I look forward to his Hagen. Milinkovic's Fricka is divinely outraged here, as in "Rheingold", the Valkyries are not only exhuberant,but superbly disciplined. But even above this high level lie the real stars, Varnay's Brunnhilde and Hotter's Wotan. Varnay is at her most brilliant and secure self here, and Hotter ranges from deep despair to uncontrollable wrath, with the most secure singing ever heard from him during this period of his career. The recorded sound is as superb as in the "Rheingold", but there are two instances of pitch fluctuation (end of Act 1 and in Act 3, at Wotan's (In festem Schlaf"). Curiously, Varnay's "Soll fessendem Schlaf" loses the stereo effect and is heard in mono, but quickly reverts to stereo at the beginning of the Farewell. I suppose those were to be expected in an early, live stereo recording. For me,these are minor caveats. No doubt about it, this is THE Walkure and bodes the same for this Ring as a whole. Forget the expense and just get it! I can hardly wait for the rest!
I'd like to add a few words about Astrid Varnay's performance. She delivers the most spellbinding "Todesverkuendigung" Scene ever. She begins absolutely majestically and implacably, stern and impersonal in her delivery of Siegmund's fate, then gradually undergoes the most convincing transformation to a compassionate and ultimately rebellious daughter that I have ever experienced. The same goes for Hotter, turning from optimism over his plan succeeding to utter dismay and finally despair when Fricka pulls out the rug from under him. I cannot fathom the sheer stupidity of John Culshaw in vetoing the issue of this Ring.
Wagner: Overtures & Preludes
Average customer rating: 5 out of 5 stars
  • A well-kept secret
  • Essential Wagner
  • Excellent Wagner from a surprising source ... or maybe not!
  • Go For Boult
  • Memorable and dramatic- A must have for Wagner fans
Wagner: Overtures & Preludes

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  5. Mussorgsky: Pictures at an Exhibition

ASIN: B000002S08
Release Date: 1992-09-29

Tracks:

  1. Tannher: Overture
  2. Tannher: Grand March
  3. Der Fliegende Holler: Overture
  4. Tristan und Isolde: Prelude to Act 1
  5. Tristan und Isolde: Prelude to Act 3
  6. Die Meistersinger von Nurnberg: Overture
  7. Die Meistersinger von Nurnberg: Prelude to Act 3
  8. Lohengrin: Prelude to Act 1

Tracks:

  1. Lohengrin: Prelude to Act 3
  2. Parsifal: Prelude to Act 1
  3. Parsifal: Act 1 Transformation scene
  4. Parsifal: Prelude to Act 3
  5. Parsifal: Good Friday Music
  6. Das Rheingold: Entrance of the Gods
  7. Die Walkure: Ride of the Walkyries
  8. Siegfried: Forest murmurs
  9. Gotterdammerung: Siegfried's Rhine Journey
  10. Gotterdammerung: Siegfried's Funeral March

Customer Reviews:

5 out of 5 stars A well-kept secret.......2007-05-18

Everyone wants to have a crack at the "bleeding chunks" eventually, and while I love the flashier Stoky and Furtwangler approach, I wouldn't want to be without the Boult. He's a great Wagnerian, strange as it may seem. Who could blame him for not wanting to go down in history merely as the finest Holstian? As long as this stays in print, Ormandy will still be considered the least sexy conductor. (I heard CBS researchers found an Ormandy fan once!)

5 out of 5 stars Essential Wagner.......2006-06-17

As a child, this set was my first experience of Wagner's music, and it made quite an impression on me. However, as I grew older and began to collect the full operas I felt I could surely do better than Adrian Boult and the British for a collection of the preludes, overtures, and orchestral music from the operas. I was wrong. I have yet to here any recordings that can match the power and intensity as demonstrated in these discs from Boult and the LSO (and LPO). The Meistersinger prelude alone is worth the price, and the only version of the prelude to Tristan which outdoes the one here is Bohm's live 1966 Tristan. The Solti, Karajan, and Klemperer highlight discs have their moments (and truthfully, I do prefer Solti and Karajan for the "Ring" highlights), but their contributions are greatest in the full operas, and overall, they simply can't muster the power and intensity that Boult brings to these preludes, overtures, etc.

Even if you have other compilations of Wagner's music in "bleeding chunks", I can assure you they don't come close to this one; and with two discs (the second containing mostly music from Parsifal and the "Ring") at 14 bucks, there is absolutely no excuse not to have this essential recording. So go ahead and buy this disc, never buy another Wagner compilation again, and with the money you save get started on the more important task at hand: the full operas.

5 out of 5 stars Excellent Wagner from a surprising source ... or maybe not!.......2004-09-27

Does Sir Adrian Boult conjure up of images of Gustav Holst and Ralph Vaughn Williams, but not Wagner? You're not alone! Nevertheless, this is a double CD set not to be missed! Many years ago, I was listening to a classical radio music station in NYC that was playing the music of Wagner. The performance was so good, that I wouldn't leave the radio until I found out the name of the conductor. When the announcer said the conductor was Sir Adrian Boult, I was quite surprised. I had recordings of English music from Sir Adrian on Angel/EMI, but I never associated that conductor with Wagner. Having been blessed with a friend who had knowledge of classical music way beyond his years, I gave him a call to find out more about the recording. He told me that, Boult had solid expertise in the area of Germanic music, but, in England, had been overshadowed in that repertoire by Otto Klemperer. He told me not to be surprised about Boult's very fine Wagner, it was an excellent recording to purchase and, indeed, search out Sir Adrian's wonderful performance of Beethoven's Fifth Symphony (now available on Vanguard). Fast-forward many years and I find myself browsing through Amazon for a recording of Wagner's Overtures and Preludes. Like everyone else I know, I foolishly jettisoned my LPs in the 1990s and have been "back-filling" ever since. Well, I was able to obtain this splendid set for less than $7 per CD! There are a total of 18 selections covering most of Wagner's operas including five excerpts from the Ring Cycle. The performances are excellent coming from no less than three British orchestras, and the sound is top-shelf EMI. Sir Adrian's pacing is measured and his vision is broad and sensitive, highlighting the beauty and grandeur --rather than just the fire-- of this glorious music. I heartily recommend this two-CD set, and at this price, I think it's a steal.

5 out of 5 stars Go For Boult.......2003-07-08

Sir Adrian Boult is best known for his recordings of the British repertoire, and his performances, particularly of Holst's "The Planets" and Elgar's Symphonies and Orchestral Works, are legendary. But Boult was also an excellent conductor of Beethoven, Brahms and Wagner, and this 2-CD set collects the Overtures and Preludes of the latter German titan. These stereo recordings from the early to mid-1970s with the New Philharmonia Orchestra, and London Philharmonic and Symphony Orchestras are truly first rate. EMI's set compares nicely in terms of price, quality and musical offerings with competing sets by DG (Bohm, Kubelik, et al) and Sony (Ormandy & Szell). You might have reservations about getting German music conducted by a Brit, but you really can't go wrong with Boult.

4 out of 5 stars Memorable and dramatic- A must have for Wagner fans.......2000-03-20

I bought this cd for the following reasons: 1 I'm a Wagner fan, 2 the cover looks exquisite and 3 I wanted to hear a "prelude" since it sounds fancy and never heard one. The result is great cd. The Tannhauser overture, Tristan and Isolde prelude and Lohengrin Prelude to act 3 are all very excellent. Excerpts from the Ring of the Nibelunge aren't as good as I had anticipated but are still enjoyable. The music speaks the tales of Wagner's operas. Just hear it, as slow and irksome as they maybe, these preludes make you feel the tragic love of Tristan and Isolde, the epic odyssey of Lohengrin and the holy, heavenly spirit in Parsifal as he discovers the Holy Grail. Buy this CD and you won't regret it. Except that one bit from Gotterdammerung, Siegfried's Funeral March. It does'nt quite have the feel of grand disaster as it did in John Boorman's film Excalibur. If you're hoping to find that version(which is better) stick with the Classics Go To The Movies Vol 2 cd. But all the other pieces on this CD are excellent. Go and buy this CD- now !
Wagner: The "Ring" Without Words
Average customer rating: 4 out of 5 stars
  • A disappointment
  • "The Ring without Words" is really "The Ring without Pauses . . . "
  • The best synthesis of orchestral music from the Ring
  • Could have been a fun ride, but...
  • Decent, though not ideal; fulfills the original intent
Wagner: The "Ring" Without Words

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Wagner without Words
  2. Twilight of the Gods: The Essential Wagner Collection
  3. Wagner: Overture & Preludes
  4. Verdi without Words: Grand Opera for Orchestra
  5. The Best Of Wagner

ASIN: B000003CUJ
Release Date: 1990-10-25

Tracks:

  1. Thus, We Begin In The 'Greenish Twilight' Of The Rhine
  2. Float Up To The Home Of The Gods (Entrance Of The Gods Into Valhalla)
  3. Fall Amongst Hammering Dwarfs 'Smithying' Away
  4. Ride Donner's Thunderbolt, Crawl With The Thirst-Crazed Siegmund To The Haven...
  5. In The Sound Code, We 'See' His Loving Gaze
  6. Their Flight
  7. Wotan's Rage
  8. The Cavalcade Of Brde's Sisters, (Ride Of The Valkyries)
  9. Wotan's Farewell To His Favorite Daughter, (Wotan's Farewell And Magic Fire Music)
  10. Mime's Fright
  11. Siegfried's Forging Of The Magic Sword
  12. His Wanderings Through The Forest, (Forest Murmurs)
  13. His Slaying Of The Dragon
  14. The Dragon's Lament
  15. Day Breaking 'Round Sigfried's And Brde's Passion
  16. Siegfried's Rhine Journey, (Dawn And Sigfried's Rhine Journey)
  17. Hagen's Call To His Clan
  18. Siegfried And The Rhinemaidens
  19. His Death And The Funeral Music, (Siegfried's Death And Funeral Music)
  20. Immolation. (Immolation Scene)

Customer Reviews:

2 out of 5 stars A disappointment.......2007-04-20

Being a Wagnerite is sometimes a little difficult. Wagner's music is demanding on practically all levels, and especially demanding to the casual listener. The music can sometimes be too sugary, way overblown, or deceptively muted. This can definitely present problems, and that is why there are those who can detest Wagner's works to the degree that others love it. There is little middle room: Love or hate, Wagner's music is unique...and difficult.

This CD brings out another difficulty: The attempt to tone down Wagner and make his work more generally acceptable. On the good side, this CD is a rather good compilation of some of the Ring's most important melodies. Its symphonic structure allows good flow between the rather disjoint work, and the idea works to a significant degree.

But Maazel's approach is to create a uniformity of interpretation on a work that took more than 20 years to complete. This uniformity saps the Ring of much of its musical strength. The standard pieces are played almost the same as the other selections; little differentiation is evident and as a result only minor aspects of the drama in this incredible music drama are revealed.

While it is possible to play Wagner's music poorly, I always thought it was equally possible to at least grasp its passion. Unfortunately, Maazel's approach proves me to be wrong.

Yes, being a Wagnerite can be very difficult.

4 out of 5 stars "The Ring without Words" is really "The Ring without Pauses . . . ".......2006-07-25

Even Wagner had the good sense to construct his monumental "Ring" Cycle as four distinct operas! So when Loren Maazel got the idea to record a "Ring without Words," what was so important about making it one long movement? No one knew better than Wagner the emotional impact of a well-placed fermata or a crash-bang finale, but this spark of genius seems to have eluded Maazel in his obsession to keep the musical Rhine flowing from beginning to end non-stop for 67 minutes. What seems at first to be a really novel idea starts to break down early on when we begin to anticipate the throbbing final pages of "Das Rheingold," only to discover that for the sake of seamlessness, the whole dramatic passage is skipped over by an awkward leap from Donner's thunder into the depths of "Die Walkure!" Other cuts can be forgiven considering time limitations, although there is still room for ten more minutes of music on the CD. Edo de Vaart gives us something more on his "Ring" recording, since he has no fear of finales. Otherwise, Maazel's handing of the score is quite exciting, and the Vienna Philharmonic is totally responsive to his every gesture. Here's a good idea for some future recording, one I'd certainly buy and which would appeal to thousands of other "Wagnerites" like myself: why not a four-movement "Ring Without Words" across two CDs, with every possible voiceless note from the pen of the Master, one opera after the other?

5 out of 5 stars The best synthesis of orchestral music from the Ring.......2006-07-12

If you're looking for a single CD of orchestral music from Wagner's Ring, I'd like to recommend this one. Here's why.

Wagner's tetralogy Der Ring des Nibelungen contains some of the most magnificent, most stirring, most imaginative music ever written (along with some that's pedestrian and dull; there are glorious moments, splendid peaks, and there are arid stretches, longeurs that make one wish that Wagner the supreme egotist had submitted his work to the judgment of a good editor). The four operas comprising it are Das Rheingold (1869), Die Walkure (1870), Siegfried (1876), and Gotterdammerung (1876). Taken together they form the towering masterwork and crowning achievement of Wagner's maturity. They are also immensely long: about 17 hours.

The problem has always been to extract the best parts of the Ring for satisfactory concert presentation. The Ring does not make this easy: it contains no conventional overtures or preludes, no conveniently extractable bits. Thus various hands ever since Wagner's day have carved out "bleeding chunks," with mixed results, and the practice has always been controversial.

This CD presents a different approach. In order to make this recording---to quote the Wagner expert in Third Ear: Classical Music: The Listener's Companion (ed. Alexander J. Morin, 2002; an excellent book, by the way)---"Maazel decided to create his own vast symphonic suite from the Ring, and he has toured with it around the world. . . . If you want to hear the best parts of the Ring without sitting down to 17 hours or so, this is your best bet." I agree. Maazel's 70-minute symphonic synthesis of the best music from the Ring has a consistency, an integration and seamless flow, an organic rightness lacking in other Ring orchestral-highlights programs, with their "bleeding chunks" approach. Also, Maazel's suite gives a better idea of the scope and variety of the Ring, of its full range of colors and sonorities, than the standard orchestral excerpts.

Let Maazel describe his priorities in putting his suite together: "I was intrigued by the challenge: could a symphonic synthesis of the Ring reveal the essentials? I bolted the following list of criteria to my drawingboard: One: the synthesis must be free-flowing and chronological, beginning with the first note of Rheingold and finishing with the last chord of Gotterdammerung. Two: the transitions must be harmonically and periodically justifiable, the pacing contrasts commensurate with the length of the work. Three: most all of the music originally written for orchestra without voice must be used, adding those sections with a vocal line essential to a synthesis . . . . Four: every note must be Wagner's own. . . . Though no conscious attempt was made to include all the Ring's motifs, most of them do surface in one form or another."

The result as represented on this CD is eminently satisfactory. Maazel is a seasoned Wagner conductor, and has conducted the complete Ring at Bayreuth and elsewhere. The Berlin Philharmonic is one of the world's great orchestras. Both it and Maazel are in top form here: the performance is idiomatic and assured, sweeping and eloquent, played to the hilt, bristling with authority and conviction. I hope I'm not being fanciful in finding that listening to the whole suite straight through yields a kind of catharsis. The sound is robust, full-bodied, with wide dynamic range, with solid weight and impact. Telarc's engineers have done a commendable job of coping with the problematic acoustics of Berlin's Philharmonie; this is probably just about the best sound that can be extracted from that vexed venue.

The recording was made in Dec. 1987. Total playing time is 69:40 (broken out as follows: Das Rheingold 14:47, Die Walkure 12:42, Siegfried 6:15, and Gotterdammerung 36:33; if this seems to give short shrift to Siegfried, it has always been musically the weakest of the four operas).

In short, it's hard to imagine a better orchestral introduction to the glories of the Ring. The virtues of this CD move it to the top of its class: highly recommended.

2 out of 5 stars Could have been a fun ride, but..........2005-10-01

Decades ago, Leopold Stokowski popularized opera for the general public through "symphonic syntheses." These included Wagner's Ring, Triastan, and Boris Godunov, to mention those I've heard and enjoyed. I was prepared to enjoy Maazel's modern update and expected a fun ride through the gorgeous sonorities of Wagner's score.

Not much enjoyment resulted, however. Maazel is superficial, often ponderous, and much too roughshod with this pastische. It can't all be crash and bang. So I threw the CD away and hope a few others won't make the mistake I did.

4 out of 5 stars Decent, though not ideal; fulfills the original intent.......2005-04-27

In having read the other reviews of this CD, I think many individuals failed to take note of the original intent behind this CD coming about in the first place. Lorin Maazel was commissioned by the recording company (Telarc) to come up with an arrangement of the prime orchestral excerpts of the "Ring," and his 4-step approach listed in the booklet, makes it abundantly clear that NOT ALL of the music commonly heard on other recordings of the orchestral music from the "Ring," would be heard in this arrangement. Also, it is to be inferred that Maazel knows, and obviously doesn't expect his arrangement to take the place of ANY complete recording of the "Ring."

I heard Maazel conduct his arrangement live with the National Symphony Orchestra of Washington, DC last year. Before that concert, I had never listened to this recording, but I knew about it. So I had the advantage of going into the concert with a fresh mind.

I came out of the concert with the feeling that others before me expressed -- that some of the transitions between familiar excerpts were smooth, some so-so, and others rather clunky. I think Maazel would be the first to admit that he was more successful in some areas of his arrangement, and not as successful in others. So be it. Wagner is tough for anyone and everyone delving into the complete operas, whatever their command of German and musical/orchestral principles.

So, my rating and review of this recording is confined to Maazel's task at hand. I give his effort four stars. Most of this "grade" is confined to the arrangement itself. I give the orchestral playing five stars.
Simply the Best Movie Themes
Average customer rating: 4.5 out of 5 stars
  • Movie Themes CD
  • "three decades of film composers ~ Simply The Best"
Simply the Best Movie Themes

Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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  5. The Wings of a Film: The Music of Hans Zimmer

ASIN: B0001CNRL6
Release Date: 2004-02-24

Tracks:

  1. Theme From Mission Impossible - Schifrin
  2. Theme From Gladiator - Zimmer
  3. Hedwig's Theme - Williams
  4. Harry's Wondrous World - Williams
  5. Allegro Moderato - Symphony No. 8 'Unfinished' - Schubert
  6. Suite From Shakespeare In Love - Warbeck
  7. Out Of Africa - Barry
  8. Requiem, Rex Tremendae - Mozart
  9. Prelude In E Minor, Op. 28, No. 4 - Chopin
  10. Suite No. 3 In D, Air On The G String - J.S. Bach
  11. I Will Always Love You - Parton
  12. Symphony No. 40, Molto Allegro - Mozart
  13. Finlandia - Sibelius
  14. My Heart Will Go On - Horner

Tracks:

  1. Theme From Lord Of The Rings - Shore
  2. Overture To All That Jazz - Kander & Ebb
  3. 'Trout' Quintet, Theme, Andantino And Variations - Schubert
  4. Prelude No. 15 In D-Flat - Chopin
  5. Windmills Of Your Mind - LeGrand
  6. (Everything I Do) I Do It For You - KAMEN
  7. Theme From Schindler's List - Williams
  8. Also Sprach Zarathustra, Excerpt - Strauss
  9. Symphony No. 3, Lento Cantabile - Semplice - Gorecki
  10. Die Walkure, Ride Of The Valkyries - Wagner
  11. Goldberg Variations, Aria Da Capo - J.S. Bach
  12. Theme From License To Kill - KAMEN
  13. Sonata No. 8, Op. 13, 'Pathetique,' Andante Cantabile - Beethoven
  14. Die Another Day - Arnold
  15. Symphony No. 9, Ode To Joy, Excerpt - Beethoven

Customer Reviews:

5 out of 5 stars Movie Themes CD.......2007-03-10

Very nice CD with beautiful music from past movies. Very relaxing music to listen to.

4 out of 5 stars "three decades of film composers ~ Simply The Best".......2004-03-06

Rhino Movie Music presents "Simply The Best Movie Themes", featuring the Royal Philharmonic Orchestra and other various artists ~ within the realm of the following composers David Arnold, John Barry, Alan Bergman, Marilyn Bergman, Wendy Carlos, Fred Ebb, James Horner, James Newton Howard, Michael Kamen, John Kander, Michel Legrand, Alex North, Basil Poledouris, Howard Shore, Wladyslaw Szpilman, Stephen Warbeck, John Williams and Hans Zimmer ~ each composer has created one or more of the scores in this twenty nine classic line up.

Film scores covering over three decades with "2001:SPACE ODYSSEY", "A CLOCKWORK ORANGE", "APOCALYPSE NOW", "THE BODYGUARD(I Will Always Love You)", "CHICAGO(Overture to All That Jazz), "DIE ANOTHER DAY", "EYES WIDE SHUT", "FEARLESS", "GLADIATOR(Theme)", "HANNIBAL", "HARRY POTTER AND THE SORCERER'S STONE(Hedwig's Theme)", "HARRY POTTER AND THE SORCERER'S STONE(Harry's Wondrous World)", "THE HUNT FOR RED OCTOBER", "JURASSIC PARK:THE LOST WORLD", "LICENSE TO KILL, "LIVING DAYLIGHTS", "THE LORD OF THE RINGS(Theme)", "MINORITY REPORT", "MISSION IMPOSSIBLE (Theme)", "OUT OF AFRICA", "THE PIANIST", "ROBIN HOOD, PRINCE OF THIEVES", "SCHINDLER'S LIST", "SE7EN", "SHADOWLANDS", "SHAKESPEARE IN LOVE", "THE SIXTH SENSE", "THE THOMAS CROWN AFFAIR"and "TITANIC(My Heart Will Go On)" ~ a mixture of original compositions and classics of the old masters. Loaded with not just themes, but full of orchestral arrangements that are fresh and rewarding ~ sure to bring back those special moments from the film.

The presentation is superb with every cue inclusive with spectacular performances from suspense, romance and adventure all rolled into a two disc package. Rhino must be commended on doing such a great job and doing it well. Most serious "film-score-buffs" will welcome this compilation, has many cues available all under one banner ~ Rhino Records...gotta love it!

Total Time: 2-CD-Set ~ Rhino/Warner Classics 78061 ~ (2/24/2004)
The Best Of Wagner
Average customer rating: 5 out of 5 stars
  • An excellent classical CD
  • A hidden diamond
  • Wagner's Grandeur
  • Ormandy is underrated!
  • Excellent Recordings
The Best Of Wagner

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Twilight of the Gods: The Essential Wagner Collection
  2. Wagner: Overtures & Preludes
  3. Wagner: Overture & Preludes
  4. Wagner without Words
  5. Wagner: Tristan und Isolde/Parsifal/Die Meistersinger Von Nürnberg/Lohengrin/Tannhäuser

ASIN: B000003F4J
Release Date: 1991-06-06

Tracks:

  1. Die Meistersinger: Prelude
  2. Die Walkure: Ride Of The Valkyries
  3. Lohengrin: Bridal Chorus
  4. Siegfried: Forest Murmurs
  5. Gotterdammerung: Dawn & Siegfried's Rhine Journey
  6. Die Walkure: Magic Fire Music
  7. Tristan und Isolde: Liebestod

Customer Reviews:

5 out of 5 stars An excellent classical CD.......2007-01-28

Richard Wagner rightly deserves his high reputation as a classical musician. Like many people, I don't care for Wagner's racial or religious views, but don't let that stop you from enjoying his music. The CD starts off with my favorites the Prelude from Die Meistersinger & Ride of the Valkyries from Die Walkure, followed by a fascinating rendition of the Bridal Chorus (a.k.a. "Here Comes the Bride") from Lohengrin. I won't recite the rest of the list, but there are 4 other compositions, all somewhat varied in style, but very good. Whether you are classical music buff or simply want an introduction to classical music this CD is a good place to start.

5 out of 5 stars A hidden diamond.......2001-10-03

This unassuming budget classic reissue is among the finest of its genre: The Wagner orchestral highlight album, and features the contents of 1973 LP recital the farthest thing from run-of-the-mill, spaciously recorded with the palpable feeling of the presence of the musicians, not merely an amorphously gorgeous orchestral sonority. The music unfolds without self-indulgent pointing, in a free-wheeling manner that is simply right.

The original Ormandy program is supplemented with a track by Robert Shaw doing a luscious rendering of the famous Bridal Chorus from with his divine women's chorus, a version as good or better than any ever anthologized or appearing in complete opera recordings, its 1959 atmospherically recorded sound barely showing its age.

My only caveat is that this stuff really merited more respectful packaging than this ersatz "Best of" series, but at the price, who should complain?

5 out of 5 stars Wagner's Grandeur.......2001-08-24

Wagner was a great composer. His music and use of orchestra are grand and masterful. I am repulsed by his political views, but as an artist he was a genius. This compilation of Wagner is probably the best there is. I listen to it from time to time. The breadth of the orchestral palette, the elevation, and grandeur have been imitated but never duplicated.

5 out of 5 stars Ormandy is underrated!.......2001-02-08

I did a test by listening to Szell, Klemperer, Karajan, Kubelik, Bohm, Jochum, Gerdes, Ozawa, Stokowski, and Ormandy play Wagner overtures and excerpts from "The Ring". My verdict: it's Ormandy. What can I say? I feel as is he's underrated, especially in the annals of Wagner worship. I like Stokowski's energy, but he plays around with scores (horrors!) too much. The Szell was great, but a tad limp. Other conductors have their high points, but Ormandy ranks consistently at the top. His conducting is full and rich and the orchestra always sounds great. I ranked the Szell orchestral music from Wagner at 5 stars, so Ormandy rates 6 stars.

5 out of 5 stars Excellent Recordings.......2000-11-08

The selections performed by the Philadelphia Orchestra under Ormandy are excellent. One of the best. Highly Recommended.
The Movies Go To The Opera: Great Operatic Melodies featured in
Average customer rating: 5 out of 5 stars
  • Unbelievable , this is Opera
  • For those who like the stirring operatic bits
  • EDUCATIONAL
  • Some of Opera's Best Gems
  • Some of Opera's Best Gems
The Movies Go To The Opera: Great Operatic Melodies featured in

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002SQ3
Release Date: 1990-10-25

Tracks:

  1. Fatal Attraction- Madama Butterfly- Un bel di
  2. Death Of Butterfly
  3. Giacomo Puccini / Turandot-Nessun Dorma (Witches Of Eastwick)
  4. Lakme-Viens, Mallika (Someone To Watch Over Me)
  5. La Boheme: Musetta's Waltz (Moonstruck)
  6. La Boheme-Mimi's Farewell (Moonstruck)
  7. Dark Eyes / Una voce poco fa
  8. Apocalypse Now / Ride of the Valkyries
  9. Jean De Florette, Manon Of The Spring / Overture
  10. La Wally-Ebben? Ne Andr Lontano (Diva)
  11. Les Pecheurs De Perles-Au Fond Du Temple Saint (Gallipoli)
  12. Manon Lescaut-Sola, Perduta E Abbandonata (Hannah And Her Sisters)
  13. Gianni Schicchi-Firenze-Come...(Room With A View)
  14. Gianni Schicchi-O Mio Babbino Caro (Room With A View)
  15. Chi Il Bel Sogno Di Doretta
  16. Cavalleria Rusticana-Intermezzo (Raging Bull)

Customer Reviews:

5 out of 5 stars Unbelievable , this is Opera.......2007-06-26

These are opera melodies that have been adapted to some outstanding feature films. Looking at some of the scenes and hearing the music has enforced sight and sound. Even if you are not an opera buff or a movie buff you will be entralled by what you hear. You may even want to buy the film or the music album/

5 out of 5 stars For those who like the stirring operatic bits.......2004-04-29

I'm not a diehard opera fan. That means I can't sit through the no or low musical sections. After all, opera is a visual art as well as an aural one, and there's alot of low energy periods where one would have to be watching it live to avoid slipping into a coma. If that. I tend to like the arias and the duets. These are the bill of fare on this album, with a healthy portion of brain glue added by each piece's tie-in with a major motion picture. For instance, a favorite picture of mine is the Australian production of "Gallipoli", which depicts the carnage inflicted on Aussie and Kiwi troopers doing the Queen's dirty work with wave after wave of direct frontal infantry assaults against Turkish heavily fortified breastworks and murdurous interlocking fields of fire of many heavy machine gun positions and pre-sited mortar batteries. There is a certain eerie and sad scene depicting a couple of young Aussie junior officers, boys really, in the tent of a superior on the night before the early morning attack. The viewer has the superior vision of recorded history, while these apple cheeks have no inkling of the mailed fist that will hammer them down in a few hours. The older officer puts a platter on the crank up Victrola, and for most of us, we get our first introduction to the haunting strains of "Au Fond du Temple Saint" from the French opera "Pêcheurs de Perles". I'm sure a portion of the haunting and eerie qualities stem from my total lack of french language skills. That piece will forever be associated with the bloodbath at Gallipoli Peninsula, at least as far as my brain goes. And so it goes with many of the other pieces of music in this collection. From "Apocolypse Now" is included the best piece of music to attack an enemy by, "Ride of the Valkyries" from the famous AirMobile copter assault, an attack scene that redefined cinematic battle sequencing forever. Everyone should recognise at least one musical movie slice here.
Tie ins include Raging Bull, Fatal Attraction, and Someone to Watch Over Me.

5 out of 5 stars EDUCATIONAL.......2002-04-20

I BOUGHT THIS CD SOMETIME AGO WHEN I WANTED TO LEARN MORE ABOUT OPERA. THIS IS ONE OF THE BEST CD'S OUT WHEN CONSIDERING TRYING TO TURN YOUNG PEOPLE ON TO THE ARTS, ANYONE WHO LISTENS TO THIS WILL DEFINETLY HAVE AT LEAST ONE FAVORITE.

5 out of 5 stars Some of Opera's Best Gems.......2002-04-01

I've long been an opera fan, so you might expect me to sneer at a compilation. Not so! For opera fans, this is a "stroll down memory lane," offering some lovely jewels from well-loved operas. For those new to opera, this is a wonderfu