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Tosca, opera
Composed by
Giacomo Puccini
Performed by
Philadelphia Grand Opera Orchestra & Chorus
with
Irwin Densen,
Alexandra Tagan,
Ferruccio Tagliavini,
Birgit Nilsson,
Walter Knetlar,
Lloyd Harris,
Ramon Vinay
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La Traviata, opera Madamigella Valéry?
Composed by
Giuseppe Verdi
Performed by
Philadephia Grand Opera Orchestra
with
Vinay Germont,
Todeschi Violetta
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La Traviata, opera Di Provenza il mare, il sol
Composed by
Giuseppe Verdi
Performed by
Philadephia Grand Opera Orchestra
with
Vinay Germont
Puccini: Tosca/La Traviata,Giacomo Puccini,Giuseppe Verdi,Philadelphia Grand Opera Orchestra & Chorus,Philadephia Grand Opera Orchestra,Alexandra Tagan,Birgit Nilsson,Ferruccio Tagliavini,Irwin Densen,Lloyd Harris,Ramón Vinay,Todeschi Violetta,Vinay Germont,Walter Knetlar,Melodram,Classical,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio
Average customer rating:
- The End of the Big Voice?
- Fla Gator Lady
- 20 Great Tenor Arias
- Plesantly surprised...
- Absolutely Agree About Corelli
|
Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Paul Potts [United Kingdom]: One Chance
- The Most Famous Opera Duets
- The Most Famous Opera Arias
- The #1 Opera Album
- The Best of Italian Opera
ASIN: B000007OTX
Release Date: 1998-06-09 |
Tracks:
- La Boheme: Che gelida manina
- Manon Lescaut: Donna non vidi mai
- Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
- Luisa Miller: O! fede negar potessi .. Quando le sere al placido
- La Traviata: Lunge da lei ... De' miei bollenti spiriti
- Martha: M'appari
- Giordano: Amor ti vieta
- L'Africaine: Mi batte il cuor .. O paradiso
- La Favorita: Favorita del re . . . Spirto gentil
- Werther: 'Pourquoi me reveiller'
- Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
- Les Contes d'Hoffmann: O Dieu! De quelle ivresse
- TOSCA: E lucevan le stelle
- Pagliacci: Recitar! ... Vesti la giubba
- Il Trovatore: Di quella pira
- Aida: Se quel guerrier .. Celeste Aida
- TOSCA: Recondita armonia
- L'Elisir d'Amore: Una furtiva lagrima
- La Gioconda: Cielo e mar!
- Turandot: Nessun dorma
Customer Reviews:
The End of the Big Voice?.......2007-04-16
This CD, which is truly fine overall, reminds me of Marilyn Horne's lament that we have probably seen the end of the big voice and it makes me sad. I agree with the reviewer who refers to "microphonies". And more justice could be done to Bjorling's voice with a better transfer. But at some point, music becomes a matter of taste and I prefers singers who have the instrument and the support and the training, whether formal or not, to just let fly and take a chance on making a mistake. Domingo can be wonderful and so can his musicianship but he tends to be so stiff. I have to wonder at the virulence and asperity with which some people go after Pavarotti. It's true that late in his career he made some questionable recordings but the answer to that is simple: don't buy them. At his best, he belongs for all time in the top echelon of tenors. I love this CD and would recommend it to anyone who enjoys great (big) voices.
Fla Gator Lady.......2007-01-12
Highly recommend this CD with these beloved arias of the greatest tenors in opera. I have owned this CD for a couple of years and purchased another for a friend who always requests that I play it ... perfect for listening in the car, dinner, bridge games, relaxation ... just so perfect. You won't be disappointed in this one.
20 Great Tenor Arias.......2007-01-09
A great disc,combination of the greatest tenors of the 20th century and some of the most beautiful music ever written in any century,a must addition to any opera lovers collection.
Plesantly surprised..........2006-01-14
I don't remember how I found this CD the other day surfing through the "Amazon" such as it is, but I did. I listened to a few clips provided & on the strength of that, I purchased this CD.
First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).
Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.
Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.
Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.
This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.
A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!
Absolutely Agree About Corelli.......2005-05-27
Franco Corelli's "Nessun Dorma" is still the best of them all - clear, passionate, and exciting. (And those final two notes...! Gives me chills just to think of it.) I was fortunate enough to see him live in both "Turandot" and "Romeo and Juliet" a year before his retirement, and he was still a Calaf and a Romeo to die for... as, of course, Liu and Juliet did! As it is, I tend to buy compilations depending on how much Corelli they include - though Bjorling is a strong second, and I have happy memories of Domingo. Long live the Golden Age of Operatic Tenors!
Average customer rating:
- The beautiful gift of opera...
- Pretty darn good
- The Opera #1 Opera Album
- Excellent assortment
- Great Selections
|
The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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- Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
- The Best Opera Album in the World...Ever!
ASIN: B000059RXO
Release Date: 2001-02-27 |
Tracks:
- Carmen: Act 1: Prld - LPO/Sir Georg Solti
- La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
- La Boheme: Che Gelida Manina - Luciano Pavarotti
- Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
- Fedora: Amor Ti Vieta - Jussi Bjorling
- Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
- Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
- Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
- Rigoletto: La Donna E Mobile - Luciano Pavarotti
- Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
- Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
- Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
- La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
- Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
- Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
- Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
- Tosca: E Lucevan Le Stelle - Placido Domingo
- Madama Butterfly: Un Bel Di - Mirella Freni
- Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico
Tracks:
- Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
- Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
- Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
- La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
- Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
- Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
- Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
- Mattinata - Andrea Bocelli
- Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
- L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
- Turandot: Signore, Ascolta! - Montserrat Caballe
- Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
- Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
- Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
- Tosca: Vissi D'arte - Kiri Te Kanawa
- Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
- Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
- Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
- Rusalka: O Silver Moon - Renee Fleming
- La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
- Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis
Amazon.com
The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin
Customer Reviews:
The beautiful gift of opera..........2007-07-17
This 2-CD set is absolutely wonderful! You can close your eyes and feel like you're actually at the opera, listening to those beautiful voices bringing tears to your eyes. Nessun Dorma still stirs up emotions in me, no matter how many times I hear it. Great examples of opera to give someone wanting to get interested in this style of music.
Pretty darn good.......2007-07-04
This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.
The Opera #1 Opera Album.......2007-06-07
The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.
Excellent assortment.......2007-05-12
I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.
Great Selections.......2007-03-31
This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...
Average customer rating:
- Great Stuff
- A Great Introduction to Italian Opera
- Best of the best!
- Fabulous bargain for anyone
- Great songs for a low price.
|
The Best of Italian Opera
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000UXN
Release Date: 1997-01-21 |
Tracks:
- La Traviata: 'Libiamo, Libiamo'
- Rigoletto: 'La donna e' Mobile'
- The Barber Of Seville: 'Una voce poco fa'
- La Boheme: 'Che gelida manina'
- Rigoletto: 'Gualtier Malde!' Caro nome'
- Il Trovatore: 'Vedi! le fosche'
- Il Trovatore: 'Il balen del suo sorriso...Per me ora fatale'
- TOSCA: 'Vissi d'arte'
- La Traviata: 'Di Provenza il mar, il suol'
- The Marriage Of Figaro: 'Voi che sapete'
- Aida: 'Se quel guerrier io fossi...Celeste Aida'
- Madama Butterfly: 'Un bel di vedremo'
- La Gioconda: 'Cielo e mar'
- Lucia di Lammernoor: 'Ardon gl' incesi'
Customer Reviews:
Great Stuff.......2007-07-22
The sound quality of this disc is surprisingly good, very good for an ADD. All the selections captured each singer in his/her top form. It is a real treat that this disc contains many work that were not normally in certain singer's repertoire. Gedda's Aida, Moffo's Rossini-Rosina and Cherobino, for example, all were superbly sung. Even Moffo's Lucia sounds much better than I have ever heard in other places.
A Great Introduction to Italian Opera.......2005-05-01
The artists on this CD succeed in their goal to create a CD that displays great Italian opera. Carlo del Monte and Victoria de los Angeles open the disc with the Brindisi from La Traviata. Victoria de los Angeles is not the best Violetta, but she does the job, along with her parner Carlo del Monte, an underappreciated tenor. Victoria de los Angeles also appears on the CD in "Un bel di vedremo" from Madama Butterfly, a role she was well known for. Swedish tenor Nicolai Gedda appears on the disc twice. His first appearence is a superb rendition of "La donna e mobile" from Rigoletto. His final performance on this disc is in the heroric aria "Celeste Aida", a performance in a role that was not in his voice range. Anna Moffo is the star on this CD, appearing three times in three very different roles. First is her beautiful "Una voce poco fa", normally a role that calls for a mezzo-soprano. Her second is "Voi che sapete" from Le Nozze di Figaro, another mezzo-soprano role. Her final appearence is her best, "The Mad Scene" from Lucia di Lammermoor. Underrated tenor Giuseppe Campora performs "Che gelida manina" with a great tenor voice. Soprano Reri Girst is excellent in her performance of "Caro nome" from Rigoletto. One of my favorite baritones appears on this CD. Robert Merrill is a perfect Count di Luna, and it is evident in his rendition of "Il balen del suo sorriso". Another baritone appears on this CD: mario Sereni. He is not a world famous baritone, but he should have been. Overall, this is an excellent introduction to the world of Italian opera.
Best of the best!.......2003-01-11
The performers, the selections, the quality... almost divine!
Fabulous bargain for anyone.......2002-11-24
I would recommend this CD to anyone, from opera novice to experienced listener...
These are older recordings -- I would guess mostly from the 1960's. The recording quality is exceptional for the day and, while not the equivalent of modern engineering, is sufficient to allow sheer physical pleasure from the music and an immediate appreciation of the vocal qualities of the artists. The sound quality is the only mild drawback...
The performances are magnificent! The voices are almost entirely lighter and more agile than the great voices of the 80's and 90's. In fact, the ear of the editor is apparent in his preference for lighter and more agile voices.
For example, there is a beautiful rendition of "Che Gelida Manina" from someone I had never heard before, Guiseppe Campora. He does not have the weight or volume of Pavarotti or Domingo, but has more elegance and a pure, charming tone. A connoisseur performance, but nevertheless a true operatic rendition by a tenor who can hit the high C with authority -- as good for a newcomer to opera who wants to hear the real thing, as for an opera lover who would like to hear something a bit different.
Some of the artists were among the most famous singers of their day: Moffo, de los Angeles, Gedda.
Anna Moffo, one of the greatest sopranos of her day (and all time), is in magnificent voice in famous blockbusters from Rossini's Barber of Seville, Mozart's Marriage of Figaro, and the Mad Scene from Lucia di Lammermoor.
De Los Angeles is at her best in "Libiamo" from La Traviata, but the recording quality (the one inadequately engineered track on the CD) and her lack of oomph make for a second-rate version of "Un bel di".
In keeping with the light and lyrical orientation of the selections, Moffo -- a famous Gilda and hardly a dramatic voice -- is bypassed for the even lighter, sweeter and more agile colatura Reri Grist (while she still had her voice), in a lovely "Caro Nome".
Another nice selection is Mario Sereni performing "Di provenza, il mar". Both this and "Libiamo" are taken from one of my favorite recordings of Traviata -- also a great chance to hear Serafin at the helm of the Rome Opera House orchestra. (The 2-CD version of this is still available from EMI, I think.) Newcomers will love this pretty tune, and Sereni's archtypal Verdi baritone is good, although hardly the best ever.
Franco Corelli has never been a favorite of mine, but he sounds the best I've ever heard him in his rendition of "Cielo et mar".
Anyway, I didn't intend to list every cut. Whether you are an opera lover who would like to hear some of opera's most famous arias performed in a new light, or an opera lover who would like to hear great performances at a cut-rate price, this CD gets my unqualified approval.
Great songs for a low price........2001-08-16
Ranging from selections of La Traviata, Il Trovatore and other popular Italian operas, this is a great cd for under four bucks. The singers may not be well recognized, but they do possess powerful voices.
Average customer rating:
- Luciano Pavrotti: The Best (Farewell Tour)
- Luciano Pavorotti
- Luciano is the best!
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Luciano Pavrotti: The Best (Farewell Tour)
Manufacturer: Decca
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ASIN: B0007V5WB4
Release Date: 2005-09-13 |
Tracks:
- La donna obile
- Una furtiva lagrima
- "Libiamo ne'lieti calici (Brindisi)
- Donna non vidi mai
- Che gelida manina
- O soave fanciulla
- Mi batte il cor...O Paradiso!
- M'appari
- Quando le sere al placido chiaror d'un ciel stellato
- Se quel guerrier io fossi!..Celeste Aida
- Forse la soglia attinse
- Recitar! - "Vesti la giubba"
- Come un bel di maggio
- Ah mes amis - Pour mon
- Di quella pira
- Nessun dorma!
Tracks:
- Torna a Surriento
- Santa Lucia luntana
- La Danza
- L'ultima canzone
- Non t'amo pi
- Mattinata
- 'O sole mio
- 'A vucchella
- Core 'ngrato
- Nel blu, dipinto di blu
- Vivere
- Il Canto
- Caruso
- Buongiorno a te
- Ti adoro
- E lucevan le stelle
- Questa o quella (Ballata)
- Parmi veder le lagrime
Customer Reviews:
Luciano Pavrotti: The Best (Farewell Tour).......2007-06-27
Wonderful Pavarotti sings the best of the best. His voice never ceases to amaze me. Listening pleasure at it's finest.
Luciano Pavorotti.......2007-02-17
All the songs are wonderful, can never become tired of listening to his songs. Excellent.
Luciano is the best!.......2007-01-20
I can't speak more highly of this collection of Pavrotti's songs. I keep this two CD pack in my car so I can enjoy it on my way to and from work. Even after I have arrived, I find myself sitting in my car waiting for a song to end. Walking out on a song seems sacriligious. While I grew up listening to Caruso and Lanza, there is no question that Pavrotti is the Master! Although, I do have to admit Pavrotti has the greater advantage of modern recording technology to better present his talent than Caruso and Lanza had. However, Lanza definitely didn't have the power that Pavrotti has. With Caruso, we will never know... I highly recommend this collection of Pavrotti's, if you are a Pavrotti fan. If you aren't, buy it anyway and become one:)
Average customer rating:
- Bravo!
- Outstanding compilation of the Italian classics,
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Dinner Classics: The Italian Album
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ASIN: B0000026XP
Release Date: 1990-05-17 |
Tracks:
- Canzon Septimi Toni No.2
- Concerto in E Major, Op. 8, No. 1: I-Allegro From Spring (La primavera)
- Overture (Allegro)
- from Concerto in G Major for 2 Guitars: I-Allegro
- from String Quartet in E Major Op. 13, No. 5: Minuetto
- from Sonata for Violin & Guitar: III-Menuetto: Allgretto
- from Sonata Concertata in A Major: III-Rondeau
- Cantabile for Violin & Guitar
- from Concerto for Guitar and Strings Orchestra, Op. 30: II-Andantino Siciliano
- Nocturne: Moderato from the ballet La Boutique Fantasque (after Rossini)
- from the Sebastian Suite: Barcarolle
- Dance for Six (from William Tell)
- La Donna E Mobile (from Rigoletto)
- Musetta's Waltz (from La Boheme)
- O Soave Fanciulla (Love Duet) from La Boheme
- Vissi D'Arte (from Tosca)
- Intermezzo: Andante Cantabile ( from Fedora)
- Introduction to Act I (from La traviata)
- Intermezzo (from Cavalleria rusticana)
- Celeste Aida (from Aida)
- O Mio Babbino Caro (from Gianni Schicchi)
Customer Reviews:
Bravo!.......2000-07-22
I heard this album for the first time at a restuarant in Florence during my trip to Italy. I was surprised it was from the US beacause it has captured the very soul of Italy. After 7 years it has remained my favorite of all Puccini cds I own. I especially like the fact that it is instumental and can be played for many occassions. It never fails to stir the wanderlust for a trip back to Italy! A must for every romantic!
Outstanding compilation of the Italian classics,.......1999-05-01
I have been a music lover for years. This CD introduced some Italian music to me that I was not familiar with. I listen to this music very often...it is almost theraputic in effect. I have never heard more beautiful music together on one CD. You won't regret getting this one!
Average customer rating:
- Favorites of the past
- Seventh heaven
- Excellent CD
- Monica
- Tuscany: A Romantic Journey is beautiful!!
|
Tuscany: A Romantic Journey
Manufacturer: Somerset Entertainment
ProductGroup: Music
Binding: Audio CD
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ASIN: B0007R8FC6
Release Date: 2005-03-01 |
Tracks:
- O Mio Babbino from Gianni Schicchi - Puccini (4:09)
- Con Te Partiro - Sartori (4:05)
- Intermezzo from Cavalleria Rusticana - Mascagni (4:22)
- La Donna E Mobile from Rigoletto - Verdi (2:24)
- Un Bel Di Vedremo from Madama Butterfly - Puccini (3:54)
- Nessun Dorma from Turandot - Puccini (3:26)
- Intermezzo from La Traviata - Verdi (3:55)
- Musetta's Waltz from La Boheme - Puccini (2:57)
- Caruso - Dalla (3:25)
- Ebben? Ne Andro Lontana from La Wally - Catalani (3:49)
- O Sole Mio - Di Capua (4:19)
- Va'Pensiero from Nabucco - Verdi (4:17)
- Vesti La Giubba from Pagliacci - Leoncavallo (3:38)
- Una Furtiva Lagrima from L'Elisir D'Amore - Donizetti (4:24)
- Vissi D'Arte from Tosca - Puccini (3:21)
- Winter from The Four Seasons (Largo) - Vivaldi (4:22)
Product Description
Take a romantic journey across the fabled landscape of Tuscany with these beautiful, orchestral recordings of Italian classics. Instrumentation includes an orchestra.
Customer Reviews:
Favorites of the past.......2007-07-19
All the famous favorites are here and done exactly as you remember them. I was hoping for something that put a new feel to the oldies and this was not it. If you are looking for great European relaxing music check out Mediterranean Nights by various artist and Azucar by Luciani.
Seventh heaven.......2007-06-15
Lovely collection of music! Many pieces I already knew but would not have been able to play them all together; this CD has done that for me. I would have liked even more of the mandolin pieces playing some Italian favorites. This instrument is particularly beautiful (the mandolin) and is so Italian and mediterranean. Lovely vocalists for the arias of some of the nicest operas, too! It was all very beautiful and relaxing to listen to and I felt my self reminiscing the few times I spent in Tuscany and other parts of Italy. Thank you!
Excellent CD.......2007-05-13
Have heard the songs before , however, this CD presents them in a very beautiful way. Loved it.
Monica.......2007-01-25
We took a chance on this cd while in the Smoky Mountains. The best money ever spent. Each time we return to the Smoky's we make sure this cd travels with us. What beautiful music.
Tuscany: A Romantic Journey is beautiful!!.......2006-02-24
This selection is by far the best in my collection.
Average customer rating:
- heywhattsamattayou
- full of passion and love
- Absolutely Beautiful!
- Where is Amore I?
|
Amore II ~ Great Italian Love Arias
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Similar Items:
- Amor--Opera's Great Love Songs
- The Most Famous Opera Arias
- The Best of Italian Opera
- The Most Famous Opera Duets
- Rapture: Opera's Most Heavenly Moments
ASIN: B00004C4MX
Release Date: 2000-02-01 |
Tracks:
- Gianni Schicchi: O mio babbino caro
- La rondine: Chi il bel sogno di Doretta
- La Boheme: Quando m'en vo
- La Boheme: Mi chiamano Mimi
- La Boheme: Che gelida manina
- TOSCA: Vissi d'arte
- Madama Butterfly: Un bel di
- Madama Butterfly: Bimba dagli occhi pieni di malia
- Turandot: Tu, che di gel sei cinta
- Rigoletto: La donna e mobile
- Rigoletto: Caro nome
- La Traviata: Lunge da lei...De miei bollenti spiriti...oh mio rimorso
- Aida: Celeste Aida
- L'Elisir d'Amore: Prendi, per me sei libero
- L'Elisir d'Amore: Una furtiva lagrima
- Don Pasquale: Quel guardo il cavaliere
- Fedora: Amor ti vieta
- Turandot: Nessun dorma
Customer Reviews:
heywhattsamattayou.......2007-06-12
i'm a tellin you..... if you dont a like a this music....well you musta been born with the stone for a heart...heh
full of passion and love.......2007-03-31
This CD is full of passion and love. Whenever I listen to it, I get the butterfly feeling in my stomach...must have CD!!!! I strongly recommend!
Absolutely Beautiful!.......2002-03-02
Two words describe the music found on this CD: ABSOLUTELY BEAUTIFUL! The beauty of the vocals and music combine to allow one to transcend from the daily grind to a world of beauty. Bravo!
Where is Amore I?.......2001-02-16
This CD is a selection of arias from Italian operas. Most of the time when you get a compilation like this, you feel lucky if you like 2/3 of the selections. In this case, whoever did the selecting did a great job, there isn't a clinker in the lot. About half of the arias are by Puccini, the rest are by Verdi, Donizetti, and Giordano. Singers include Kiri Te Kanawa, Luciano Pavarotti, Richard Tucker, and Andrea Rost. There is enough variety to keep the whole CD interesting, yet the mood is consistent throughout. The sound is generally quite good, and while I am not generally a fan of live recordings, the audience response in the performance by Pavarotti really does add excitement to the presentation. Given the title of this CD, I assumed this was the second in a series, and I liked it so much I went looking for the original. Unfortunately, I can find no other CD on the Sony label titled Amore - too bad.
Average customer rating:
- Wonderful i recommend it
- Landmark Soprano. An essential work for opera listeners.
- Terrific introduction to the art of Callas
- Callas was the greatest
- Great starter CD
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Maria Callas - La Divina
Giacomo Puccini , Vincenzo Bellini , Georges Bizet , Gioachino Rossini , Alfredo Catalani , Camille Saint-Saëns , Giuseppe Verdi , Charles Gounod , Wolfgang Amadeus Mozart , Pietro Mascagni , Amilcare Ponchielli , Tullio Serafin , Georges Prêtre , Nicola Rescigno , Franco Ghione , Antonino Votto , Maria Callas , Alfredo Kraus , Ebe Ticozzi , Giuseppe di Stefano , London Philharmonia Orchestra , Orchestra e Coro del Teatro alla Scala , Orchestre National de la R.D.F. , Conservatory Concert Society Orchestra , and Lisbon Orquesta Sinfonica del Teatro Nacional de San Carlos
Manufacturer: EMI Classics
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Binding: Audio CD
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Similar Items:
- La Divina 2
- Maria Callas: La Divina 3
- The Very Best Of Maria Callas
- Maria Callas, the Voice of the Century
- Maria Callas: The Legend
ASIN: B000002RT6
Release Date: 1993-09-14 |
Tracks:
- Madama Butterfly: Un bel di, vedremo (Atto ll)
- Carmen: L'amour est un oiseau rebelle (Habanera) (Acte l)
- La Wally: Ebben? ne andro lontana (Atto l)
- Il Barbiere di Siviglia: Una voce poco fa (Atto l)
- Norma: Casta Diva (Atto l)
- Samson et Dalila: Mon coeur s'ouvre a ta voix (Acte ll)
- Rigoletto: Caro nome (Atto l)
- La Traviata: Sempre libera (Atto l)
- Romeo et Juliette: Je veux vivre dans ce reve (Acte l)
- La Boheme: Si, mi chiamano Mimi (Atto l)
- Don Giovanni: Mi tradi quell'alma ingrata (Atto ll)
- Cavalleria Rusticana: Voi lo sapete, o mamma
- La Gioconda: Suicidio! (Atto lV)
- Gianni Schicchi1: O mio babbino caro
- Turandot: In questa reggia (Atto ll)
- TOSCA: Vissi d'arte, vissi d'amore (Atto ll)
Amazon.com
If you want to know the reason behind all the fuss about Maria Callas, buy this CD. Callas's great gift was not purity of tone or emission, reliability, or sheer loveliness; it was, rather, her ability to change her vocal color and style to suit not only particular periods of opera but to get under the skin of the individual characters she portrayed. Here you will hear the 18-year-old Butterfly imagining the return of her beloved; the sultry, adult Carmen seducing all around her; the youthful Wally telling her cruel father that she will go off into the cold wilderness rather than give up her boyfriend; the sly Rosina planning to outfox her guardian; the priestess Norma performing a sacred rite; Dalila wrapping Samson around her little finger and more; Gioconda contemplating suicide when all hope is gone; Gilda recalling the name of the boy she's just fallen for; and the icy princess Turandot reliving the rape of her ancestor and swearing that no man will possess her. And you'll believe them all. At times Callas's vocalism is a bit wiry (Juliette sounds stressed, for instance); but, in all, this is like a visit with 16 women, all of them interesting, and all of them great singers! --Robert Levine
Customer Reviews:
Wonderful i recommend it.......2007-08-01
This cd is in my car changer and i play it daily. A wonderful introduction Madame Callas.
Landmark Soprano. An essential work for opera listeners........2007-05-26
Maria Callas may be the only female 'superstar' working in my lifetime. In the 1950s and early 1960's, she had all the star power and paparrazi draw of Jackie and Marilyn, far outstripping the fame to the world at large of her primary rival, Renita Tibaldi. I am not an expert, or even an experienced amateur at evaluating operatic sopranos; however I've listened to several of the modern crop, and while the newbies probably do a better job of keeping on key, none of them can match the drama emoted by Ms. Callas on any given aria. All three releases are especially good buys, as they all run to over 72 minutes; however the recording quality does show its early (pre-multitrack, pre-digital) recording technology. Each is as good as the next regarding content, but 2 and 3 are a bit better in sound quality.
Terrific introduction to the art of Callas.......2007-04-24
This album is entitled "Divina," not to be confused with "Divina 2," itself a very nice example of Callas at her best. This CD samples a variety of her roles, indicating the range of her art. A few examples. . . .
"Un bel di" from Puccini's "Madama Butterfly" is very well done. She displays a rich voice and a passionate rendering of this aria. At greater volume, her voice remains under control and attractive sounding (something that does not always occur as her career developed further).
The "Habanera" from Bizet's "Carmen" is normally a mezzo soprano work. However, Callas features a good lower tone, and it works pretty well here. She shows nice breath control, too. The orchestral backing is exceptional.
"Sempre libera," from Verdi's "La Traviata," is a soprano's dream. Here, though, Callas' voice is not as attractive as in other cuts. There is some harshness with higher notes. Alfredo Kraus' singing, by the way, is most attractive. There is some unpleasantness with Callas technique in this work, although there is a nice characterization as well (this is the price you pay for Callas). She shows off some nice runs, but zero in the way of trills (some other sopranos display nice trills in this piece).
Finally, a very well done version of "Si, mi chiamano Mimi" from Puccini's "La Boheme." Sweet sounds at the outset. She seems to capture the character well. Smooth singing, done well.
Thus, a good introduction to the art of Maria Callas. There are cuts here that feature some of the wondrous nature of her work. There are other cuts where one hears some unattractive aspects of her singing and one wonders about her technique. But, in the end, this is a good representation of the work of Callas.
Callas was the greatest.......2007-02-06
It's amazing how the anti-Callas claquers continue to thrive. I'll side with Leonard Bernstein, who labeled Callas "The Bible of Opera," and who described her 1952 performance of La Sonnambula under his baton as "pure electricity." Unfortunately, recordings don't do justice to any artist, given the lack of spontaneity and a full audience, as well as a host of other reasons. Even Callas withheld many recordings from release because she was her own worst critic and they did not meet her high standards. I've been listening to opera for over 30 years and although I can appreciate the artistry of Tebaldi, Sutherland, Sills, Freni, Carteri, Moffo, Price, etc., some of whom had better pure voices, there was none that could match Maria's intensity, passion, range, personality, acting ability and pure emotion. Callas could sing bel canto colaratura but drop down to a near-mezzo voice that included many dramatic roles.
The Callas bashers will always be with us, but thankfully they will always be in the tiny minority. True connossiers of opera know there never has been and never will be as great a singer as La Divina.
Great starter CD.......2005-11-24
As simplistic as this sounds, this is a perfect CD if you know you like opera, but don't know exactly what you want to hear. You'll definitely recognize some of the more popular arias, and will grow to love the others.
Average customer rating:
- Beautiful Collection of Songs
- A Legend in all.....La Callas.
- Excellent compilation of La Divina's arias
- Some people have no business reviewing this
- BELLA BELLA BELLA!
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Maria Callas, the Voice of the Century
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Similar Items:
- The Very Best Of Maria Callas
- Maria Callas - La Divina
- Maria Callas: The Legend
- Puccini: Arias
- The Most Famous Opera Duets
ASIN: B00000631B
Release Date: 1998-03-17 |
Tracks:
- Norma: Casta Diva (Atto I): Norma
- La Sonnambula: Compagne, teneri amici...Come per me sereno (Atto I): La Sonnambula
- Il Barbieri Di Siviglia: Una Voce poco fa (Atto I): Il barbiere di Siviglia
- Lucia di Lammermoor: Regnava nel silenzio...Quando, rapito in estasi (Atto I): Lucia di Siviglia
- Rigoletto: Gualtier Mald...Caro Nome (Atto I): Rigoletto
- La Traviata: E Strano!...Ah, Fors'e lui...Sempre libera (Atto I): La traviata
- La Boheme: Si, Mi chiamo Mimi (Atto I): La boheme
- La Boheme: Donde Lieta Usci (Atto III) (Mimi's Farewell): La boheme
- Madama Butterfly: Un Bel di Vedremo (Atto II): Madama Butterfly
- TOSCA: Vissi D'arte (Atto II): tosca
- Turandot: In questa reggia (Atto II): Turandot
- La Wally: Ebben? ne andro lontana (Atto I): La Wally
- Andrea Chenier: La mamma morta (Atto III): Andrea Chenier
Tracks:
- Orphee et Eurydice: J'ai perdu mon Eurydice (Acte V)
- Alceste: Divinites du Styx (Acte I)
- Dinorah: Ombra leggiera (Atto II) (Shadow Song)
- Romeo et Juliette: Ah! Je veux vivre (Acte I) (Waltz Song)
- Faust: Les grand seigneurs...Ah! je ris (Acte III)
- Lakme: Dov'e l'indiana bruna? (Atto II) (Bell Song)
- Samson et Dalila: Printemps qui commence (Acte I)
- Samson et Dalila: Mon coeur s'ouvre a ta voix (Acte II)
- Les Pecheurs De Perles: Me voila seule...Comme autrefois (Acte II)
- Carmen: L'amour est un oiseau rebelle (Habanera)(Acte I)
- Carmen: Les tringles des sistre tintaient (Acte II)
- Le Cid: De cet affreux combat...Pleurez mes yeux! (Acte III)
- Manon: Je ne suis que faiblesse...Adieu, notre petite table (Acte II)
- Louise: Depuis le jour (Acte III)
Customer Reviews:
Beautiful Collection of Songs.......2006-07-15
I have listened samples of 5 Callas CDs before buying this one. This one has a very beautiful collection of songs on just 2 CDs. he sings with so much expression. Most the recordings are from the fifties and early sixties when her voice was very young and lovely. I'll try to get her on DVD so I can see her sing.
A Legend in all.....La Callas........2005-04-24
I would just like to refer to an article that was published by a German Newspaper in 1959, mentioned on the Callas Edition (CED:100342)
'...her voice is of unparalleled beauty, having an inimitable, completely own timbre of sopranos and altos...a performance of superior musical quality..a phenomenon amongst contemporary singers'
' ...One of the most spectacular Verdi arias, of Elizabeth from Don Carlo, and one, In Germany tottaly unknown, terrific scene from Bellini's opera Il Pirata were enough to enchant huge numers of television viewers, who can say at her next performance: 'we have seen La Callas''(Hamburg concert 1959)
'- from the contra-alt-f to the f - thats Callas' voice range, spanning over 37 half-tones. Callas herself has drawn the range of her voice. In her concert repertoire the contra-alt-f can be found in e.g. the aria from I Vespri Siciliani. In an aria from Rossini's opera Armida she reaches the 'F'. five half-tones above the high C. Normal voices couldnt possibly even whistle this high F. Though there are other singers, whose voices contain these three octaves - Erna Sack with her coloratura soprano, the lyrical singer Ema Berger and the dramatical singer Zinka Milanov from the New York Metropolitan Opera - simple fact is that the phenomenon Meneghini-Callas lies in her fabulous vocal versatility. She is a coloratura singer, drama-player and lyrist in one person - and an exceptionally talented ac-tress at that.'
Excuse from a journalist of the German Newspaper for the Diva :
Article Title : 'I am sorry!'
'I owe Maria Callas an apology. She is a unique vocal talent, a great artist. She is a primadonna. And she has her moods. Moods for which i ask her to forgive me. Because i misunderstood them - and many others too. That much i gathered from her latest television concert. Even in the flickering of the screen this woman's nervousness and enormous effort were visible.
La Callas is a fragile, rather shy person. Her moods are fear of failure. The moloch audience expects her to always go to any lenght, show the brilliance others just dont have. She is not allowed to get weak. Decent country singers are not decapitated for a false note. La Callas, on the other hand, is the identifying mark of the extraordinary. Even the slightest hint of a mistake would cost her her uniqueness, her stardom....a perverse triumph for all bathtube singers.
That explains her inhibitation to perform when she isnt well, her cancellations when she is not in the right mood. I understand them now. If she werent moody, she wouldnt be a primadonna, would not be La Callas.
Stars like her do not fit in our world of standards and programmed data. They pay dearly for their moods, have to put up fights and, undoubtedly, shed many a tear. So one more, my apologies, Maria Callas'
(Hans im Bild)
That's all folks!:D
Excellent compilation of La Divina's arias.......2005-03-21
This is one of the best compilations EMI has ever made for Maria Callas' arias. Each and every aria lets us listen to the best of her voice from each period of her career. An excellent collection!
Holly Mathews doesn't know how to appreciate art. Kathleen Battle and Renee Fleming themselves have admitted to the supremacy of Callas' singing over theirs, even if their voices seem more beautiful than La Divina. Why else would Callas be a legend and they wouldn't? They are equally good in their own right, but none of them would surpass the accuracy of La Divina's singing and phrasing. Holly Mathews' left side of the brain must be made of clay or foam, dead material that couldn't absorb any beauty.
Some people have no business reviewing this.......2005-01-25
My goodness, what is a non-musical person like Holly Mathews doing in this board? Do you know what other album she has reviewed? Hayley Westenra! And she's not even an opera singer! She obviously doesn't know her business! Disgraceful review! Ignore it! It obviously was not based on good judgement. I'm sure she is a pop fan who just likes tender music. Oh, her insulting language! What an ignorant Maria basher!
Anyway, this is an excellent compilation of SOME of Maria Callas' greatest arias. Although I do wish some arias like Pace Pace Mio Dio were included here, I do think it is a very good compilation all in all. Although she has many detractors, they still have to admit that Callas is the sheer embodiment of singing and drama. She was an actress...a panther on the stage. Listen to her La Mamma Morta and her Suicidio...those brought chills to my spine when I listened to them. Maria is the only singer in the history of opera besides the great Caruso-tenor Franco Corelli who touched me, moved me even. This is probably the reason why I love Maria Callas' music so much. If you want to hear Medea's anger and Norma's anguish and Butterfly's hopeful blindness, listen to Maria Callas. If you just want a golden voice, then go to Renata Tebaldi or Joan Sutherland. And don't even compare her with Charlotte Church or Hayley Westenra! The distaste of some people!
BELLA BELLA BELLA!.......2004-11-23
THIS WAS THE FIRST ALBUM I EVER BOUGHT FEATURING ANY OPERATIC SOPRANO. I WAS 15 AND WAS GIVEN MY VERY FIRST CLASSICAL PIECE "CARO MIO BEN" WHICH WAS NOT AN OPERA ARIA BUT DUE TOTHIS SONG I WAS SUDDENLY IN LOVE WITH OPERA. I HAD HEAR OF HER A FEW TIMES IN THE PAST BUT MY IDEA OF A GOOD SOPRANO AT THE TIME WAS SARAH BIRGHTMAN (YES I KNOW I KNOW!!!BUT I WAS YOUNG!)BUT IT DIDN'T TAKE LONG TO REALIZE HOW WRONG I WAS!! THIS CALLAS RECORDING HAD THE MOST PROFOUND EFFECT ON ME WHICH LED TO MY OBSESSION WITH MY OWN OPERATIC ASPIRATIONS. IT WAS STRANGE AS SHE DID NOT SOUND LIKE A FAT WOMAN SCREAMING HER HEAD OFF IN FULL BODY ARMOR. YES YES...I AND MANY MANY SAD AMERICANS HAVE THOUGH OF THIS WHEN GIVEN THE WORD OPERA. (NOW NOW, WE ALL FELT LIKE THAT AT SOME POINT) I NEVER REALIZED THAT THERE COULD BE SUCH PASSION. HER NORMA WAS IS SO BEAUTIFUL IN IT'S SIMPLICITY AND UNDERLINING STRENGTH. HER TAKE ON "COME OER ME SERENO" AND "UNA VOCE POCO FA" WERE SWEET AND APPROPRIATELY INNOCENT. HER BEL CANTO ROLES WHICH INCLUDED HER FANTASTIC LUCIA (ALTHOUGH LATER I WOULD PREFER SUTHERLAND) AND GILDA JUST THRILLED ME. I HAD NO IDEA SOMEONE COULD ACTUALLY SING THOSE PIECES! OF COURSE UP UNTIL THIS POINT I DIDN'T EVEN KNOW OPERA COULD SOUND LIKE THAT!! (SILLY ME!) I WAS SURPRISED TO REALIZED I KNEW THE ARIAS SHE SUNG FROM LA BOHEME, LA TRAVIATA, AND MADAME BUTTERFLY. THEY DIDN'T MAKE A HUGE IMPRESSION BECAUSE THEY DID NOT HAVE THE FIREWORKS I WAS LOOKING FOR BUT I STILL FOUND THEM TO BE BEAUTIFUL. AFTER ALL OF THIS I LANDED ON CALLAS' TAKE OF TOSCA'S "VISSI D'ARTE". IT WAS AND HAS BEEN THE ONLY TIME I'VE BEEN SO MOVED BY A PERFORMER THAT I CRIED. IT WAS SO PURE BUT THE PAIN WAS SO EVIDENT THAT IT JUST CHILLED ME. I MUST HAVE LISTENED TO IT THOUSANDS OF TIMES OVER THE YEARS AND STILL HAVE YET TO HEAR A MORE STIRRING RENDITION. DUE TO THE OVERWHELMING FIRST CD I MUST ADMIT I KIND OF IGNORED THE SECOND HALF. EVENTUALLY I DID GET TO IT AND FOUND WHAT I FELT WAS THE GREATEST SONG EVER WRITTEN. MY WHOLE BEING LIVED FOR LAKME'S BELL SONG. AFTER LISTENING TO HER I WAS CONVINCED THIS WOMAN WAS MAGICAL BECAUSE I COULDN'T FIGURE OUT HOW SHE OR ANY HUMAN COULD SING LIKE THAT! HER SECOND DISC WAS INTERESTING BECAUSE IT WENT FROM WHITE HOT COLORATURA TO MEZZO? AAHHH BUT YES SHE WENT THERE. INTO THE INTENSITY OF SAMSON ET DELILA. I THOUGHT THEY WERE BEAUTIFUL!!! OF COURSE I KNOW PREFER MARILYN HORNE TO CALLAS ON THOSE SONGS....BUT IT SHOWED ME THAT NOT EVERY SONG HAS TO BE HIGH TO BE BEAUTIFUL. I LOVED AND STILL DUE LOVE THIS COLLECTION....IN FACT I HAVE BOUGHT IT THREE TIMES AS MINE DETERIORATED QUICKLY 'CAS I PLAYED THEM SO MUCH! AND I'VE GIVEN THIS COLLECTION TO COUNTLESS FRIENDS AND FAMILY. THIS IS THE BEST COLLECTION OF CALLAS' WORK AND I WOULD RECOMMEND IT TO EVERYONE AND ANYONE! VIVA LA DIVA!
Average customer rating:
- Very Good Opera Mix CD
- A real treat
- Wonderful orchestral rendering of opera classics!
- nice music incorrect tempi
- Song list incorrect, though !
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Opera without Words
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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