Zemlinsky: Sarema

Zemlinsky: Sarema

On this CD:

  1. Sarema, opera
    Composed by Alexander von Zemlinsky
    Performed by Trier State Orchestra
    with Florian Simson, Nick Herbosch, Lukas Laslo, Juri Zinovenko, Karin Clarke, Andreas Scheel, Norbert Kleinhenn
    Conducted by Istvan Denes

Zemlinsky: Sarema,Alexander von Zemlinsky,Istvan Denes,Trier State Orchestra,Andreas Scheel,Florian Simson,Juri Zinovenko,Karin Clarke,Lukas Laslo,Nick Herbosch,Norbert Kleinhenn,Koch Int'l Classics,Classical,Classical Music,German/Austrian Romantic Opera,Opera,Opera / Operetta / Oratorio


Zemlinsky: Lyrische Symphonie
Average customer rating: 5 out of 5 stars
  • Emotional Atom Bomb
Zemlinsky: Lyrische Symphonie

Manufacturer: EMI Records [All429]
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Zemlinsky - "Cymbeline" Suite · Ein Tanzpoem · Frühlingsbegräbnis / Voight · Albert · Kübler · Conlon

ASIN: B00005Y4E9
Release Date: 2002-09-03

Tracks:

  1. Lyric Symphony In Seven Songs After Poems By Rabindranath Tagore For Orchestra, Soprano And Baritone Op.18: I. Ich Bin Friedlos
  2. Lyric Symphony In Seven Songs After Poems By Rabindranath Tagore For Orchestra, Soprano And Baritone Op.18: II. Mutter, Der Junge Prinz
  3. Lyric Symphony In Seven Songs After Poems By Rabindranath Tagore For Orchestra, Soprano And Baritone Op.18: III. Du Bist Die Abendwolke
  4. Lyric Symphony In Seven Songs After Poems By Rabindranath Tagore For Orchestra, Soprano And Baritone Op.18: IV. Sprich Zu Mir, Geliebter
  5. Lyric Symphony In Seven Songs After Poems By Rabindranath Tagore For Orchestra, Soprano And Baritone Op.18: V. Befrei Mich Von Den Banden
  6. Lyric Symphony In Seven Songs After Poems By Rabindranath Tagore For Orchestra, Soprano And Baritone Op.18: VI. Vollende Denn Das Letzte Lied
  7. Lyric Symphony In Seven Songs After Poems By Rabindranath Tagore For Orchestra, Soprano And Baritone Op.18: VII. Friede, Mein Herz
  8. Sarema (Operatic Preludes And Interludes): Vorspiel
  9. Es War Einmal (Operatic Preludes And Interludes): Vorspiel, 1. Akt
  10. Es War Einmal (Operatic Preludes And Interludes): Zwischenspiel, 1. Akt
  11. Kleider Machen Leute (Operatic Preludes And Interludes): Walzer-Intermezzo, 1. Akt
  12. Kleider Machen Leute (Operatic Preludes And Interludes): Zwischenspiel, 2. Akt
  13. Der Kreidekreis (Operatic Preludes And Interludes): Vorspiel Zum 3. Akt
  14. Der Konig Kandaules (Operatic Preludes And Interludes): Vorspiel Zum 3. Akt

Customer Reviews:

5 out of 5 stars Emotional Atom Bomb.......2002-12-21

I had collected Zemlinsky's operas for some time before I listened to this--his most famous work. It's fame is justified. It's emotional power is astonishing! It's constructed of seven songs, alternating between baritone and soprano soloists. The texts are beautiful poems by the Indian nobel prize winner Rabindranath Tagore on the subject of yearning, love, and the loss of love. For those unused to Zemlinsky's mature style, or the so-called "post romantic" period (it's really the MOST romantic period), the music isn't as neat or complacently pretty as other classical music. It seeths and agonizes--switching back and forth between heartbreaking lyricism and more astringent passages. But for me, that just makes the lyricism more sweet. The first two songs are mostly of the more difficult hue, but the third ("You are the evening cloud"), sends chills down the spine. The fourth ("Speak to me, beloved") is unearthly in it's quiet, unsettled orchestral harmonies, and voluptuous lines for soprano and solo violin. It gives one the feeling of floating high over the earth. But it's the seventh and final song ("Peace, my heart") that makes your heart break. There's a kind of devastating emotional directness and honesty in the music that hits you like a ton of bricks. I couldn't get it out of my mind. Zemlinsky has sometimes been criticized for copying the idea of Mahler's "Das lied von der erda", but the Lyric Symphony really contains some of the composer's most original and creative music. Do we blame Mozart for writing symphonies because Haydn did it first? The performance and recording is superb, and the filler is a good introduction to some of Zemlinsky's lesser known operas. Buy this CD. In Lyric Symphony Zemlinsky does turn "love into memory, and pain into song", just as the seventh song says.
Zemlinsky: Seejungfrau / Sarema / Sinfonietta
Average customer rating: Not rated
    Zemlinsky: Seejungfrau / Sarema / Sinfonietta

    Manufacturer: Chandos
    ProductGroup: Music
    Binding: Audio CD

    All Works by ZemlinskyAll Works by Zemlinsky | Zemlinsky, Alexander von | ( Z ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B000007MY3
    Release Date: 1998-06-16

    Tracks:

    1. Die Seejungfrau (The Mermaid): 1. Sehr mig bewegt
    2. Die Seejungfrau (The Mermaid): 2. Sehr bewegt, rauschend
    3. Die Seejungfrau (The Mermaid): 3. Sehr gedehnt, mit schmerzvollem Ausdruck
    4. Sinfonietta, Op. 23: 1. Sehr lebhaft
    5. Sinfonietta, Op. 23: 2. Ballade: Sehr gemessen (poco adagio), doch nicht schleppend
    6. Sinfonietta, Op. 23: 3. Rondo: Sehr lebhaft
    7. Ouverture: Sarema

    Amazon.com

    Zemlinsky (1871-1942) was a composer/conductor who had a fair amount of fame--until the Germans started taking over that part of the world. Zemlinsky's career as both a composer and a conductor came to an end. He died penniless in exile in the United States. Now his music is enjoying a rediscovery. Zemlinsky, it turns out, created some of the most beautiful orchestra music of this century. Die Seejungfrau (The Mermaid), a 1902-3 work is an extraordinary tone poem--a mix of Debussy and Mahler that sounds like neither. Sinfonietta (1934) matches Bax or Hindemith. Find this guy's music. -- Paul Cook
    Zemlinsky: Sarema
    Average customer rating: Not rated
      Zemlinsky: Sarema

      Manufacturer: Koch Int'l Classics
      ProductGroup: Music
      Binding: Audio CD

      All Works by ZemlinskyAll Works by Zemlinsky | Zemlinsky, Alexander von | ( Z ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
      GermanGerman | Languages | Opera & Vocal | Styles | Music
      ASIN: B000005YOM
      Release Date: 1997-01-21

      Tracks:

      1. Sarema: Vorspiel
      2. Sarema: Erster Akt, Erst Szene - 'Vier!' - 'Sieben' (Gununoff - Dscherikoff)
      3. Sarema: Erster Akt, Zweite Szene - 'Heil meinem Herrn!' (Sarema - Dscherikoff)
      4. Sarema: Erster Akt, Dritte Szene - 'Heir steh'ich, wie die Antilope am Felshang...' (Sarema)
      5. Sarema: Erster Akt, Vierte Szene - 'Sarema!' - 'Allah, welche Stimme...' (Asslan - Sarema)
      6. Sarema: Erster Akt, Funfte Szene - 'Sarema!' - 'Weh uns!' (Dscherikoff - Sarema - Asslan - Chor
      7. Sarema: Erster Akt, Sechste Szene - 'Zum letzen Mal: erhore mein Fleh'n!' (Sarema - Dscherikoff)
      8. Sarema: Erster Akt, Siebte Szene

      Tracks:

      1. Sarema: Zweiter Akt - Erste Szene: Der du hoch in den Wolken thronst... (Der Prophet, Sarema, Chor)
      2. Sarema: Zweiter Akt - Zweite Szene: Sind alle hier versammelt? (Der Prophet, Sarema, Chor)
      3. Sarema: Zweiter Akt - Dritte Szene: Hort nicht auf sie! (Amul Beg, Der Prophet, Sarema, Chor)
      4. Sarema: Zweiter Akt : Vaterfluch hat mich gefestigt... (Sarema, Der Prophet, Amul Beg, Chor)
      5. Sarema: Dritter Akt - Erste Szene: Du kennst dein Los... (Dscherikoff, Asslan, Ein Bote)
      6. Sarema: Dritter Akt - Zweite Szene: Wach' ich? Oder ist's ein Traum? (Asslan, Der Prophet, Chor)
      7. Sarema: Dritter Akt - Dritte Szene: Heil dem Propheten! Heil! (Asslan, Der Prophet, Sarema, Dscherikoff, Chor)

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