Albert Lortzing: Der Wildschütz

Albert Lortzing: Der Wildschütz

On this CD:

  1. Der Wildschütz, opera
    Composed by Albert Lortzing
    Performed by Berlin State Choir
    with Peter Schreier, Gertrud von Ottenthal, Gottfried Hornik, Georgine Resick, Reiner Suss, Edith Mathis, Doris Soffel, Hans Sotin, Bernd Riedel
    Conducted by Bernhard Klee

Albert Lortzing: Der Wildschütz,Doris Soffel,Bernd Riedel,Gottfried Hornik,Hans Sotin,Reiner Suß,Reiner Süss,Albert Lortzing,Bernhard Klee,Gertrud von Ottenthal,Staatskapelle Berlin,Edith Mathis,Georgine Resick,Peter Schreier,Berlin Classics,Classical,German/Austrian Romantic Opera,Opera,Opera / Operetta / Oratorio


Lortzing: Der Wildschütz
Average customer rating: Not rated
    Lortzing: Der Wildschütz

    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

    All Works by LortzingAll Works by Lortzing | Lortzing, Albert | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
    GermanGerman | Languages | Opera & Vocal | Styles | Music
    ASIN: B000PKG5CW
    Release Date: 2007-06-19

    Tracks:

    1. Overture
    2. Introduction - Es Lebe Das Brautpaar...So Munter Und So Frohlich
    3. A, B, C, D, Der Junggesellenstand Tut Weh
    4. Ein Schreiben Vom Herrn Grafen
    5. Dialogue
    6. Duet - Lass Er Doch Horen
    7. Aria - Auf Des Lebens Raschen Wogen
    8. Dialogue
    9. Quartet - Was Meint Ihr, Lieber Freund
    10. Dialogue
    11. Hunting Song - Seht Dort Den Muntern Jager
    12. Dialogue
    13. Lasset Uns Nach Hause Gehen
    14. Bin Ein Schlichtes Kind Vom Lande
    15. Introduction - Strahl Der Sonne, Schonstes Licht
    16. Dialogue
    17. Duet & Cavatina - Bleiben Soll Ich Und Stets Sie Sehen
    18. Dialogue

    Tracks:

    1. Quintet - Was Seh' Ich? Mir Aus Den Augen!
    2. Dialogue
    3. Duet - Ihr Weib?...Mein Teures Weib!
    4. Dialogue
    5. Quintet: Ich Habe Num'ro Eins
    6. Dialogue
    7. Aria: Funftausend Thaler!
    8. Recitative & Aria - Wie Freundlich Strahlt Die Helle Morgensonne...Heiterkeit Und Frohlichkeit
    9. Dialogue
    10. Ensemble - Um Die Laube Zu Schmucken
    11. Dialogue
    12. Trio - Komm, Liebes Gretchen
    13. Dialogue
    14. Was Seh' Ich?...Alle Teufel!
    15. Kann Es Im Erdenleben Wohl Schon'res Noch Geben
    16. Unser Herr Lebe Hoch!
    17. O Du, Der Du Die Tugend Selber Bist
    The Golden Age of Singing: Vol. 3 1920-1930
    Average customer rating: 5 out of 5 stars
    • Great Voices of the 1920s in Opera and Operetta.
    The Golden Age of Singing: Vol. 3 1920-1930

    Manufacturer: Nimbus Records
    ProductGroup: Music
    Binding: Audio CD

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    1. The Golden Age of Singing, Vol. 4; 1930-1950
    2. Golden Age of Singing Vol.2 (1910-20)
    3. The Golden Age of Singing, Volume One 1900 - 1910
    4. The Prima Voce Treasury of Opera, Vol. 2
    5. Prima Voce Treasury of Opera, Vol. 1

    ASIN: B000058TFX
    Release Date: 2001-03-06

    Tracks:

    1. Romeo Et Juliette: Je Veux Vivre Dans Ce Reve (Waltz Song) - Lucrezia Bori
    2. Andrea Chenier: Un Di, All'azzuro Spazio - Beniamino Gigli
    3. Die Tote Stadt: Gluck, Das Mir Verblieb - Maria Jeritza
    4. Don Giovanni: Or Sai Chi L'onore - Frida Leider
    5. I Puritani: Son Vergin Vezzosa - Amelita Galli-Curci
    6. Carmen: La Fleur Que Tu M'avais Jetee - Richard Tauber
    7. Die Entfuhrung Aus Dem Serail: Martern Aller Arten - Maria Ivogun
    8. Cavalleria Rusticana: O Lola (Siciliana) - Aureliano Pertile
    9. Don Sebastiano: Deserto In Terra Solo - Alfred Piccaver
    10. Il Barbiere Di Siviglia: Una Voce Poco Fa - Toti Dal Monte
    11. Benvenuto Cellini: De L'art Splendeur Immortelle - Giuseppe De Luca
    12. La Boheme: Mimi E Una Civetta - Antonio Cortis
    13. Die Schone Galathea: Trinklied - Lotte Schone
    14. Rigoletto: Pari Siamo - Carlo Galeffi
    15. Resurrection: Dieu De Grace - Mary Garden
    16. Le Nozze Di Figaro: Voi Che Sapete? - Elisabeth Schumann
    17. Don Quichotte: Death Scene - Feodor Chaliapin/Olive Kline
    18. Marina: Brindis: 'A Beber' - Miguel Fleta/Emilio Sagi-Barba
    19. Le Nozze Di Figaro: Porgi Amor - Lotte Lehmann

    Tracks:

    1. Pagliacci: No, Pagliaccio Non Son - Giovanni Martinelli/Grace Anthony
    2. I Vespri Siciliani: O Patria...O Tu Palermo - Ezio Pinza
    3. Aida: Nile Scene: O Patria Mia - Elisabeth Rethberg
    4. Der Fliegende Hollander: Wie Aus Der Ferne - Friedrich Schorr
    5. Les Pelerins De La Mecque: C'est Un Torrent Impetuex - Lucien Fugere
    6. Il Trovatore: Il Balen Del Suo Sorriso - Apollo Granforte/Guglielmo Masini
    7. Der Wildschutz: Wie Freundlich Strahlt - Gerhard Husch
    8. Prince Igor: Jaroslavana's Aria - Nina Koshetz
    9. Norma: Meco All'altar Di Venere - Giacomo Lauri-Volpi
    10. Turandot: In Questa Reggia - EVA TURNER
    11. Lohengrin: Einsan In Truben Tagen (Elsa's Dream) - Hina Spani
    12. Werther: Va Laisse Couler - Ninon Vallin
    13. Les Huguenots: Nobles Seigneurs - Sigrid Onegin
    14. Bernice: Si Tra I Ceppi - Alexander Kipnis
    15. Tannhauser: Inbrunst Im Herzen...Da Sah Ich Ihn - Lauritz Melchior
    16. Otello: Ora E Per Sempre Addio - Renato Zanelli
    17. Un Ballo In Maschera: Eri Tu - Lawrence Tibbett

    Customer Reviews:

    5 out of 5 stars Great Voices of the 1920s in Opera and Operetta........2001-12-30

    The Nimbus method of reprocessing historical recordings is particularly kind to singers who recorded by the acoustic process, before the advent of electric recording in 1925. In this third issue of their "Golden Age of Singing" series, Nimbus Records cover the years 1920-1930. About a dozen recordings from the pre-electric era are found here, including items by Galli-Curci and de Luca who featured in the second issue in this series. Other singers featuring again in this third series include Lotte Lehmann and Giovanni Martinelli, heard here in 1927 recordings.

    Whatever criteria you use to assess anthologies of great singers, you will probably be well satisfied with this splendid issue. If you collect the works of particular singers, you will find not only representative but also rare items. I count the Pinza item as both. It shows him at his best, and has hitherto not found its ways into my CD collection. Occasionally items are not sung in their original language. Frida Leider's "Don Giovanni" aria sung in German in 1922 is preferred to her 1927 remake sung in Italian. Hina Spani sings Elsa's Dream in Italian. Some singers are recorded at the very end of their careers. Scottish soprano Mary Garden, Debussy's first Melisande, is heard in 1927 at her last recording session. Representing a miracle of good singing and longevity is Lucien Fugère recording a Gluck aria in 1928 at the age of 80. Tauber is heard near the beginning of his career in 1923. Youngest of all is the German baritone Gerhard Hüsch, aged 27.

    I doubt that many who are considering purchase, every heard any of these singers. I happen to have heard two of them, when a very young man - Ninon Vallin and Elisabeth Schumann. To those who collect great voices on record, whether ever heard in performance or not, I restate that these Nimbus anthologies offer recreations of acoustic recordings that are well worth considering.
    German Opera Arias
    Average customer rating: Not rated
      German Opera Arias

      Manufacturer: Capitol
      ProductGroup: Music
      Binding: Audio CD

      Humperdinck, EngelbertHumperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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      ASIN: B000002RUN
      Release Date: 1995-06-13

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      2. Zar und Zimmermann: Verraten!...
      3. Der Wildschultz: Wie freundlich strahlt...
      4. Hans Heiling: An jenem Tag
      5. Der Vampyr: Ha! Noch einen ganzen Tag
      6. Euryanthe: Wo berg' ich mich?...
      7. Faust: Der Holle selbst will ich...
      8. Das Nachtlager in Granada: Die Nacht ist schon
      9. Der ferne Klang: In einem Lande ein bleicher Konig
      10. Konigskinder: Verdorben! Gestorben! - Thomas Hampson/Kinderchor des Pestalozzi-Gymnasiums
      11. Tannhauser: Wie Todesahnung...
      12. Die Walkure: Wintersturme wichen dem Wonnemond
      The Viennese Nightingale
      Average customer rating: 5 out of 5 stars
      • The Essential Coloratura Album
      The Viennese Nightingale

      Manufacturer: Deutsche Grammophon
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B0000U1NGU
      Release Date: 2004-02-10

      Customer Reviews:

      5 out of 5 stars The Essential Coloratura Album.......2007-02-16

      The artistry of Rita Streich presented in this multi-disc set represents an art that in all likelihood would not return: the Viennese school of coloratura and lyrical singing.
      Together with Elisabeth Schwarzkopf, Rita Streich studied voice with Maria Ivogun, a great coloratura soprano of the German-Austro school. Together with her colleague, Streich excelled in the Viennese-style coloratura singing. This album presents her wide range of repertoire from Austro-German to French to Italian opera; from classical opera to romantic Strauss operetta; from lieder to folk songs.
      What this album does NOT include is Streich's Russian repertoire, some thing that, owing to her maternal descent, she was most adept at.
      Unlike Schwarzkopf, Streich owned a voice that is out-right lyrical. It is even lighter, even more agile, even more silvery, though not as forceful as Schwarzkopf's on demand. Listen to her delightful "Bastien und Bastienne", her Mozart concert arias and enjoy her highly articulated, musically refined delivery. It is the exemplary Viennese singing. Her soubrettes as well as lyrical heroines are nothing short of being superb.
      Not being as internationalised a singer as Schwarzkopf, Streich nonetheless was a representative figure of Viennese coloratura singing. Some times I would even feel that her coloratura is even more superior to that of the great dramatic coloratura of the 20th century, Joan Sutherland, again a very much more internationalised singer than Streich.
      If you are undergoing voice training, this box set is essential.
      Opera, Operetta & Song
      Average customer rating: 5 out of 5 stars
      • 79 minutes with a master charmer.
      • Charming and Bewitching!
      Opera, Operetta & Song

      Manufacturer: Testament
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000003XJ1
      Release Date: 1995-08-22

      Tracks:

      1. Le Nozze Di Figaro (Figaro, Act 1): Non piu andrai (Libretto: da Ponte)
      2. Don Giovanni: Madamina, il catalogo e questo (Leoporello, Act 1)
      3. Don Giovanni: La ci darem la mano (Don Giovanni - Zerlina, Act 1)
      4. Die Zauberflote: Der Vogelfanger bin ich ja (Papengo, Act 1)
      5. Die Zauberflote: Ein Madchen oder Weibchen (Papageno, Act 2)
      6. Der Waffenschmied: Auch ich war ein jungling mit lockigem Haar
      7. Zar Und Zimmermann: O Sancta Justitia
      8. Der Wildschutz: Funftausend Taler
      9. Der Vogelhandler: Wie mein Ahn'l zwanzig Jahr'
      10. Der Lustige Krieg: Nur fur Natur
      11. Der Lustige Krieg: Treu sein, das liegt mir nicht
      12. Der Lustige Krieg: Komm' in die Gondel, mein liebchen
      13. Der Lustige Krieg: Ach, wie so herrlich zu schau'n
      14. Der Lustige Krieg: Ja, das Schrieben un das Lesen
      15. Wenn der Herrgot net will
      16. Wiener Fiakerlied
      17. Es steht ein alter Nussbaum
      18. Da draussen in der Wachau
      19. Du guater Himmelvater
      20. Mei Muatterl war a Weanerin
      21. Das Gluck is' a Vogerl
      22. Ewiges Wien

      Customer Reviews:

      5 out of 5 stars 79 minutes with a master charmer........2001-02-08

      It would be hard to imagine a better souvenir of a singer than this! Unfortunately, WW2 kept the fine Viennese singer Erich Kunz (1909-1999) out of recording studios for all but the last 10 years of his career. During those busy ten years, however, he featured in many complete opera and operetta recordings, produced mainly by Walter Legge, while maintaining a busy performing schedule. I recall seeing him night after night in Vienna, and also in Germany in "Die Meistersinger". A slight and trim figure, he exuded so much charm and comic talent across the footlights that the beauty of his velvety baritone voice and his innate musicality tended to pass me by.

      Thanks to recordings however, and especially in the case of this Testament CD, his singing can be treasured forever. The Mozart opera excerpts suited his voice like a glove. Notice too, that there is a hitherto unpublished duet here with the adorable Irmgard Seefried. There's plenty of operetta items, some borrowed from the tenor parts but none the worse for that. And there's a selection of the schmalzty Viennese songs he recorded with a small Viennese instrumental ensemble accompanying.

      79 minutes with a master charmer.

      5 out of 5 stars Charming and Bewitching!.......1999-05-23

      I just love this CD! Erich Kunz was, along with Fritz Kreisler, the personification of the Old Vienna. His Figaro, Leporello, and Papageno arias are incomparable. He also sings one Don Giovanni's aria with Seefried as well (and how warm and seductive he was as Don!). J. Strauss arias are sung with melting Viennese charm, well supported by equally sensitive and charming orchestra. The Viennese songs are sung sweetly and with fatherly warmth. The Schrammel ensemble that accompanies Kunz is also excellent and has full of atmosphere. Transfer is well done overall, except I seem to hear some gradual rising of pitch in some of the Viennese songs. But that is just a small flaw. The singing is exquisite, and that is all it matters.
      Albert Lortzing: Der Wildschütz
      Average customer rating: 4 out of 5 stars
      • Calling All Romantics!
      Albert Lortzing: Der Wildschütz

      Manufacturer: Berlin Classics
      ProductGroup: Music
      Binding: Audio CD

      All Works by LortzingAll Works by Lortzing | Lortzing, Albert | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
      GermanGerman | Languages | Opera & Vocal | Styles | Music
      ASIN: B0000035N7
      Release Date: 1995-05-23

      Tracks:

      1. Ov - Staatskapelle Berlin/Bernard Klee
      2. Erster Aufzug, Erster Auftritt, No.1 Intro: Tanz - Staatskapelle Berlin/Bernard Klee
      3. Erster Aufzug, Erster Auftritt, No.1 Intro: Chor - Rundfunkchor Berlin/Franzpeter Muller-Sybel/Rundfunk-Kinderchor Berlin/Manfred Roost...
      4. Erster Aufzug, Erster Auftritt, No.1 Intro: Lied - Hans Sotin/Georgine Resick/Rundfunkchor Berlin/Franzpeter Muller-Sybel/Rundfunk-Kinderchor Berlin...
      5. Erster Aufzug, Zweiter Auftritt, No.1 Intro: Ein Brief Vom Herrn Grafen - Hans Sotin/Georgine Resick/Rundfunkchor Berlin/Franzpeter Muller-Sybel/Rundfunk-Kinderchor Berlin...
      6. Erster Aufzug, Dritter Auftritt: Grete! Grete! - Hans Sotin/Georgine Resick
      7. Erster Aufzug, Dritter Auftritt, No.2 Duett: Lass Er Doch Horen! - Hans Sotin/Georgine Resick
      8. Erster Aufzug, Dritter Auftritt, No.2 Duett: Wie Kannst Du So Mein Herz Touchieren? - Hans Sotin
      9. Erster Aufzug, Dritter Auftritt, No.2 Duett: Viel Dank Bin Ich Ihm Schuldig - Hans Sotin/Georgine Resick
      10. Erster Aufzug, Vierter Auftritt, No.3 Arie - Edith Mathis
      11. Erster Aufzug, Funfter Und Sechster Auftritt, No.3 Arie: Der Kutscher Hat Ausgespannt-Lass Er... - Edith Mathis/Gertrud Von Ottenthal/Georgine Resick/Hans Stoin
      12. Erster Aufzug, Funfter Und Sechster Auftritt, No.4 Qt: Was Meint Ihr, Lieber Freund - Edith Mathis/Gertrud Von Ottenthal/Georgine Resick/Hans Stoin
      13. Erster Aufzug, Siebenter Und Achter Auftritt, No.4 Qt: Sagt Mir, Schones Kind-He! Fuhrt Er... - Edith Mathis/Georgine Resick/Hans Stoin
      14. Erster Aufzug, Siebenter Und Achter Auftritt, No.4 Qt: Was Ist Denn Das Fur Ein Geblase? - Hans Sotin/Georgine Resick
      15. Erster Aufzug, Neunter Auftritt, No.5 Jagdlied: Seht Dort Den Muntern Jager/Eine Kurze Rast... - Gottfried Hornik/Peter Schreier
      16. Erster Aufzug, Zehnter Auftritt: Lasset Uns Nach Hause Gehen - Rundfunkchor Berlin/Franzpeter Muller-Sybel/Rundfunk-Kinderchor Berlin/Manfred Roost/Gottfried...
      17. Erster Aufzug, Elfter Auftritt: Ist Der Gnad'ge Herr Noch Da? - Georgine Resick/Peter Schreier/Gottfried Hornik/Hans Sotin/Rundfunkchor Berlin/Franzpeter...
      18. Erster Aufzug, Zwolfter Auftritt: Seht, Da Bin Ich - Rundfunkchor Berlin/Franzpeter Muller-Sybel/Rundfunk-Kinderchor Berlin/Manfred Roost/Gottfried...
      19. Erster Aufzug, Zwolfter Auftritt: Bin Ein Schichtes Kind Vom Lande - Edith Mathis/Peter Schreier/Gottfried Hornik/Georgine ResickHans Sotin...
      20. Erster Aufzug, Dreizehnter Auftritt: Es Lasst Am Himmel Sich - Edith Mathis/Peter Schreier/Gottfried Hornik/Georgine ResickHans Sotin...
      21. Zweiter Aufzug, Erster Auftritt, No.7 Intro: Vorspiel - Staatskapelle Berlin/Bernard Klee
      22. Zweiter Aufzug, Erster Auftritt, No.7 Intro: Nicht Geplaudert! Achtegegeben! - Rundfunkchor Berlin/Franzpeter Muller-Sybel/Rundfunk-Kinderchor Berlin/Manfred Roost...
      23. Zweiter Aufzug, Zweiter Und Dritter Auftritt, No.7 Intro: Aber Was Hat Denn Das Zu Bedeuten-Nein... - Hans Sotin/Reiner Suss/Doris Soffel/Peter Schreier
      24. Zweiter Aufzug, Zweiter Und Dritter Auftritt, No.8 Duett Und Kavatine: Bleiben Soll Ich Und Stets... - Doris Soffel/Peter Schreier/Edith Mathis
      25. Zweiter Aufzug, Vierter Auftritt, No.8: Der Junge Mann Macht Mir Angst - Doris Soffel

      Tracks:

      1. Zweiter Aufzug, Funfter Und Sechster Auftritt, No.8: Frau Grafin, Ich Habe Untertaingst Zu Melden... - Hans Sotin/Reiner Suss/Doris Soffel
      2. Zweiter Aufzug, Siebenter Auftritt, No.9 Qnt: Was Seh' Ich? Mir Aus Den Augen! - Gottfried Hornik/Hans Sotin/Doris Soffel
      3. Zweiter Aufzug, Achter Auftritt, No.9 Qnt: Ich Hore, Dass Hier Oben - Gottfried Hornik/Hans Sotin/Doris Soffel/Peter Schreier
      4. Zweiter Aufzug, Neunter Auftritt, No.9 Qnt: Wen Seh Ich? - Gottfried Hornik/Hans Sotin/Doris Soffel/Peter Schreier/Edith Mathis
      5. Zweiter Aufzug, Zehnter Bid Zwolfter Auftritt, No.9 Qnt: Die Herren Mochten Zur Abendtafel... - Reiner Suss/Hans Sotin/Peter Schreier/Edith Mathis
      6. Zweiter Aufzug, Zehnter Bid Zwolfter Auftritt, No.10 Duett: Ihr Weib? - Peter Schreier/Edith Mathis
      7. Zweiter Aufzug, Dreizehnter/Vierzehnter Auftritt, No.10 Duett: Was Soll Des Heiben? - Gottfried Hornik/Hans Sotin/Doris Soffel/Peter Schreier/Edith Mathi
      8. Zweiter Aufzug, Dreizehnter/Vierzehnter Auftritt, No.11 Quintett (Billiard-Szene): Ich Habe Num'ro.. - Gottfried Hornik/Hans Sotin/Doris Soffel/Peter Schreier/Edith Mathi
      9. Zweiter Aufzug, Funfzehnter Auftritt, No.11 Qnt (Billiard-Szene): Welch Unruhvolles Treiben! - Gottfried HornikHans Sotin/Doris Soffel/Peter Schreier/Edith Mathi/Gottfried Hornik
      10. Zweiter Aufzug, Funfzehnter Auftritt, No.11 Qnt (Billiard-Szene): Wie Ein Schlag Aus Heitern... - Gottfried HornikHans Sotin/Doris Soffel/Peter Schreier/Edith Mathi/Gottfried Hornik
      11. Zweiter Aufzug, Sechzehnter Auftritt, No.11 Qnt (Billiard-Szene): He! Schulmeister! - Peter Schreier/Hans Sotin
      12. Zweiter Aufzug, Siebzehnter Auftritt, No.12 Arie: Funftausend Taler! - Hans Sotin
      13. Dritter Aufzug, Erster Auftritt, No.13 Rezitativ Und Arie: Wie Freundlich Strahlt Die Hellee... - Gottfried Hornik
      14. Dritter Aufzug, Zweiter Auftritt, No.13 Rezitativ Und Arie: Siehe Da, Der Herr Graf... - Peter Shcreier/Gottfried Hornik
      15. Dritter Aufzug, Dritter Auftritt, No.14 Ensemble: Um Die Laube Zu Schmucken - Peter Shcreier/Gottfried Hornik/Rundfunkchor Berlin/Franzpeter Muller-Sybel/Rundfunk-Kinderchor...
      16. Dritter Aufzug, Vierter Bis Achter Auftritt, No.14 Ens: Nicht Ubel, Meine Herren-Und... - Doris Soffel/Gottfried Hornik/Peter Schreier/Georgine Resick/Hans Sotin
      17. Dritter Aufzug, Neunter Auftritt, No.15 Terzett: Komm, Liebes Gretchen - Peter Schreier/Hans Sotin/Georgine Resick
      18. Dritter Aufzug, Zehnter Bis Dreizehnter Auftritt, No.15 Terzett: Seh Ich Recht?-Herr Stallmeister... - Peter Schreier/Edith Mathis/Doris Soffel/Gottfried Hornik
      19. Dritter Aufzug, Vierzehnter Aufritt, No.16 Finale: Was Seh Ich? - Peter Schreier/Edith Mathis/Doris Soffel/Gottfried Hornik
      20. Dritter Aufzug, Vierzehnter Aufritt, No.16 Finale: Qt - Peter Schreier/Edith Mathis/Doris Soffel/Gottfried Hornik
      21. Unser Herr Lebe Hoch! - Peter Schreier/Edith Mathis/Doris Soffel/Reiner Suss

      Customer Reviews:

      4 out of 5 stars Calling All Romantics!.......2002-08-11

      Lortzing's operas are mystifyingly difficult to find these days, and even when available they seem to be haphazardly constructed. This edition features the libretto only in German (particularly annoying considering the number of comic moments), although notes and synopsis are in English.

      I'm not going to quibble over the individual performances, although it sounded solid enough to me. For the most part, I'm just pleased to have an opera that shares so much with the work of Weber and Marschner. As much as I love Der Freischutz, which is of course widely available, and Der Vampyr & Hans Heiling (also somewhat tricky to find these days), it's good to see that an entirely worthwhile opera by a composer of a similar creative vision is finally appearing on CD in America. If you like the German Romantic composers, this is a splendid example of the genre, in spite of the shortcomings in presentation.
      Prima Voce: Gerhard Hüsch
      Average customer rating: Not rated
        Prima Voce: Gerhard Hüsch

        Manufacturer: Nimbus Records
        ProductGroup: Music
        Binding: Audio CD

        All Works by GounodAll Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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        Humperdinck, EngelbertHumperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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        Vocal & SongVocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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        Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
        Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
        Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
        Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        FrenchFrench | Languages | Opera & Vocal | Styles | Music
        GermanGerman | Languages | Opera & Vocal | Styles | Music
        ItalianItalian | Languages | Opera & Vocal | Styles | Music
        ASIN: B0006FMHJQ
        Release Date: 2005-02-01

        Tracks:

        1. Lortzin - Wie Freundlich Strahlt...
        2. Nun Ist's Vollbracht... O Kehr' Zuruck
        3. Auf, Gesellen
        4. Sonst Spielt' Ich Mit Szepter Und Krone
        5. Besenbinderlied
        6. Verdorben! Gestorben!
        7. Als Du Im Kuhnem Sange
        8. Blick' Ich Umher
        9. Wohl Wusst' Ich Hier
        10. Lied An Der Abendstern
        11. Dank Sei Dir, Herr
        12. Es Blaut Die Nacht (V'Adoro, Pupille)
        13. Will Der Herr Graf (Se Vuol Ballare)
        14. Wirst Dich Mehr Als Ein Lockerer Vogel (Non Piu Andre)
        15. Der Prozess Schon Gewonnen? (Hai Gia Vinta La Causa)
        16. Schone Donna (Madamina)
        17. Reich' Mir Die Hand, Mein Leben (La Ci Darem La Mano)
        18. Feinsliebchen Komm' Ich Hier (Deh Vieni Alla Finestra)
        19. Bei Mannern, Welche Liebe Fuhlen

        Tracks:

        1. Wiegenlied (De Son Coeur)
        2. Da Ich Nun Verlassen Soll (Avant De Quitter)
        3. Gleich Sind Wir Beide (Pari Siamo)
        4. Feile Sklaven (Cortigiani)
        5. Alles Ist Stille... Ihres Auges Himmlisch'... Was Hor' Ich... O Durft' Ich Es Glauben (Tutto E Deserto... Il Balen... Qual Suono!... Per Me Ora Fatale) - Wilhelm Strienz
        6. Hat Dein Heimatlisches Land (Di Provenza)
        7. Fur Dein Gluck (Alla Vita Che T'arride)
        8. Ja, Du Warst's (Eri Tu)
        9. In Heiligster Stunde (Solenne In Quest'ora) - Helge Roswaenge
        10. Zur Nachtzeit War Es (Era La Notte)
        11. Ach, Geliebte, (Ah, Mimi) - Helge Roswaenge
        12. Drei Hascher, Mit Einem Wagen (Tre Sbirri) - Te Deum
        13. Es War Schad' Mal... Auch Mich Beruhrte (La Povera... Gia Mi Struggea)
        14. Als Feind Des Vaterlands (Nemico Della Patria)
        15. So Wie Sie Sind - Tiana Lemnitz
        Golden Operetta, Vol.2
        Average customer rating: 5 out of 5 stars
        • Gleaming Gold.
        Golden Operetta, Vol.2

        Manufacturer: Pearl
        ProductGroup: Music
        Binding: Audio CD

        All Works by HartmannAll Works by Hartmann | Hartmann, Karl Amadeus | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
        GeneralGeneral | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by LortzingAll Works by Lortzing | Lortzing, Albert | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by OffenbachAll Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
        Strauss Jr., JohannStrauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
        Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        FrenchFrench | Languages | Opera & Vocal | Styles | Music
        GermanGerman | Languages | Opera & Vocal | Styles | Music
        OperettasOperettas | Opera & Vocal | Styles | Music
        ASIN: B00004R8MC
        Release Date: 2000-05-23

        Customer Reviews:

        5 out of 5 stars Gleaming Gold........2000-09-14

        Pearl's second "Golden Operetta" CD can be welcomed and enjoyed on all counts. Firstly, the selection included several rarities which collectors are unlikely to own already. I wonder how many listeners have encountered the Hartman items sung by Aksel Schiotz, or would expect to hear Lauri-Volpi singing "The Legend of Kleinsack" (incidentally is "The Tales of Hoffmann" an operetta?). Secondly, the singers to be heard include some who excelled outside the golden operetta repertoire in both opera and lieder. This is a generous selection, too: 18 items totalling 74 minutes in all.
        Evening Star: German Opera Arias
        Average customer rating: 5 out of 5 stars
        • This is an Evening Star to shine on the landscape of the soul
        • Supreme Mastery!
        Evening Star: German Opera Arias
        Albert Lortzing , Richard Strauss , Richard Wagner , Carl Maria von Weber , Christian Thielemann , Christiane Oelze , and Thomas Quasthoff
        Manufacturer: Deutsche Grammophon
        ProductGroup: Music
        Binding: Audio CD

        All Works by LortzingAll Works by Lortzing | Lortzing, Albert | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by WeberAll Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        GeneralGeneral | Arias | Opera & Vocal | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
        GermanGerman | Languages | Opera & Vocal | Styles | Music
        Deutsche Grammophon: MusicDeutsche Grammophon: Music | Specialty Stores | Music
        Similar Items:
        1. A Romantic Songbook
        2. Schubert: Goethe Lieder
        3. Arias
        4. Mahler - Des Knaben Wunderhorn / von Otter, Quasthoff, Berlin Phil., Abbado
        5. Consider, My Soul: Sacred Arias

        ASIN: B00005YS1Q
        Release Date: 2002-03-05

        Tracks:

        1. Zar Und Zimmerman: O Sancta Justitia! Ich Mochte Rasen
        2. Zar Und Zimmerman: Den Hohen Herrscher Wurdig Zu Empfangen
        3. Zar Und Zimmerman: Sonst Spielt Ich Mit Zepter, Mit Krone Und Stern
        4. Der Wildschutz: Funftausend Taler! Traum Oder Wach Ich?
        5. Der Wildschutz: Lass Er Doch Horen!-Bei Diesem Schlimmen Fall
        6. Der Wildschutz: Wie Freundlich Strahlt Die Holde Morgensonne
        7. Euryanthe: Wo Berg Ich Mich?-Schweigt, Gluhnden Sehnens
        8. Tannhauser Und Der Sangerkrieg Auf Wartburg: Gar Viel Und Schon Ward Hier In Dieser Halle
        9. Tannhauser Und Der Sangerkrieg Auf Wartburg: Wie Todesahnung Dammrung Deckt Die Lande-O du, Mein Holder Abendstern
        10. Die Schweigsame Frau: Wie Schon Ist Doch Die Musik

        Customer Reviews:

        5 out of 5 stars This is an Evening Star to shine on the landscape of the soul.......2005-12-31

        There can be no doubt about the beautiful and beautifully sustained quality of Thomas Quasthoff's voice. It strikes one immediately with a cello-like smoothness. I first heard Herr Quasthoff singing Lieder, and knew instantly that he was a master, one of the few who is gifted not only with a voice but also with, thank God, musical intelligence.

        When he applies that intelligence to arias, he gives an intimate and very effective lustre to the vocal line. Even with arias one has heard many times before, an immediacy comes through. I felt as though I were hearing the Weber and the Wagner for the first time - that same joy in the newness and wonder of such superb music alighted on me.

        With the Lortzing, I feel the official review above is unfair. They were delightful to listen to, and Lortzing is sufficiently able as a composer to produce works of worth and originality. One may not - one does not - put him into the same rank as Beethoven, Weber, Wagner, etc. - but then we are speaking of giants of the Romantic period. Between genius and mere competence lies a HUGE field, and Lortzing is well into the plus side of that field. That Thomas Quasthoff sings the Lortzing arias magnificently, one takes for granted.

        I am happy to place Quasthoff into the same category of "must-have" baritone/bass-baritone singers as Fischer-Dieskau, Olaf Bär, Bryn Terfel (although Terfel is not quite the word-painter that the others are), and so on. We are blessed at the moment with several extremely good male Lieder singers, and Quasthoff is most definitely one of them. I am busily searching for all of his recordings.

        I found the album delightful, and thoroughly recommend it.

        5 out of 5 stars Supreme Mastery!.......2003-02-07

        Once in a long while an artist comes along whose natural gift and mastery of the music is so enormous, that each one of their recordings is a revelation. This is the case with Thomas Quasthoff. Ever since I listened to his CD of Mozart arias, I am in complete awe of his talent, his virtuosity, and his absolutely gorgeous voice.
        What we have on this CD is a combination of two talents of cosmic proportions. Quasthoff and conductor Christian Thielemann bring us some of the most fascinating music ever written with ardor and determination of discoverers. Of particular interest are arias by Albert Lortzing. What one might have dismissed as lighter works (Zar und Zimmermann) had anyone else performed it, is transformed into a sparkling and delightful set of arias, emphasizing the artists' keen sense of humor.
        Luckily, most of us are familiar enough with Tannhauser, so we don't have to look at the handy translation booklet to appreciate the beauty of the "Evening Star". If you listen to the same aria sang by Bryn Terfel on his CD with James Levine, you'll have two very different and very beautiful renditions; Terfel's soulful, reflective, yet very much in charge, and Quasthoff's ethereal, mystical one.
        What impressed me about this entire recital, is gentle, unobtrusive, yet very much imaginative support of Thielemann's orchestra here. There's a beautiful dialogue happening, particularly between the low strings and Quasthoff's surprisingly bright bass-baritone in "Gar viel und schon ward hier in dieser Halle".
        It's difficult to convey even 1% of the music's beauty in a couple of paragraphs. Get it immediately and find out for yourself.
        German Romantic Overtures
        Average customer rating: 3 out of 5 stars
        • Needs Audiophile Amplifier
        German Romantic Overtures

        Manufacturer: Naxos
        ProductGroup: Music
        Binding: Audio CD

        Humperdinck, EngelbertHumperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by LortzingAll Works by Lortzing | Lortzing, Albert | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by WeberAll Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
        OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        CompilationsCompilations | Classical | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
        GermanGerman | Languages | Opera & Vocal | Styles | Music
        CDs Under $7CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music
        CDs $7 - $10CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music
        All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
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        4-for-3 All Music4-for-3 All Music | 4-for-3 Music | Stores | Music
        ASIN: B0000013L0
        Release Date: 1994-02-15

        Tracks:

        1. Freischuetz
        2. Euryanthe
        3. Oberon
        4. Hans Heiling
        5. Koenigskinder
        6. Merry Wives of Windsor
        7. Waffenschmied
        8. Wildschuetz

        Customer Reviews:

        3 out of 5 stars Needs Audiophile Amplifier.......2004-10-29

        Seven overtures from the first half of the nineteenth century and one (Humperdinck's 'Königskinder') from half a century later is the programme of this 1988 CD from Bratislava in Slovakia. The first three, all by Carl Maria von Weber, are, for me, by far the most interesting. Their evocative horns and their conjuring up of mystery, hunting scenes and the world of the fairies ('Oberon') is both musically convincing and at the same time a demonstration of how far music had progressed in the quarter of a century since the all too early death of Mozart. The overtures by Marschner, Nicolai and Lortzing are all entertaining in their way and contain more or less obvious reminiscences of Weber's work; the Humperdinck seems a little out of place and has a definitely more 'modern' feeling about it.

        Alfred Walter and the CSR Symphony Orchestra give a fairly spirited performance, in which the strings sometimes sound a little overstretched. I have owned this CD for some years now, but it was only after I obtained my present hifi equipment that I began to hear the quality of this music: the recorded sound is not brilliant (the listener being some way from the 'stage') and benefits no end from a powerful, audiophile amplifier. It would be interesting to hear this music in historical performance practice on period instruments.

        Meditation Music:

        1. Alexander Pirogov: Recital Of Songs And Arias
        2. Ariadne Auf Naxos
        3. Bartók: Bluebeard's Castle
        4. Bellini: Norma
        5. Bellini: Norma
        6. Bizet: Carmen
        7. Bononcini: Griselda (Highlights); Graun: Montezuma (Highlights)
        8. Busoni: Turnadot
        9. Carl Maria von Weber: Abu Hassan
        10. Cavalieri: Rappresentatione di Anima et di Corpo

        Meditation Music

        meditation music

        Meditation Music

        Rock Music rock-music-39

        Complete Fredman Epistles

        Giovanni Pierluigi da Palestrina [Box set]

        Music: Brazilian Beat: Remixes [CD-single] [Import]

        Decadance Pure Global Chillout [Import]

        Healing Spirits: Aerobic [Import]

        Continental Combo [Import]

        Crowded House

        Escape Sequence [CD-single] [Import]

        Center Stage: Live

        Class Trip [Import]

        Como La Gente [Import]

        Dulces Recuerdos

        (Self-Titled)

        The Great Ray Charles