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L' amico Fritz, opera (commedia lyrica) in 3 acts
Composed by Pietro Mascagni
Performed by Turin Radio Symphony Orchestra
with Armando Giannotti, Giulia Abba Bersone, Ferruccio Tagliavini, Amalia Pini, Pia Tassinari, Pierluigi Latinucci, Saturno Meletti
Conducted by Pietro Mascagni
Pietro Mascagni: L'Amico Fritz,Pietro Mascagni,Pietro Mascagni,Turin Radio Symphony Orchestra,Amalia Pini,Armando Giannotti,Ferruccio Tagliavini,Giulia Abba Bersone,Pia Tassinari,Pierluigi Latinucci,Saturno Meletti,Mondo Musica,Classical,Classical Music,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio,Opera/Operetta
Average customer rating:
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Pavarotti: Greatest Hits
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000042HZ Release Date: 1997-09-30 |
Tracks:
- Turandot: Nessun dorma
- La Boheme: Che gelida manina
- La Traviata: Brindisi
- Aida: Se quel guerrier io foss ... Celeste Aida
- L'Elisir d'Amore: Una furtiva lagrima
- Rigoletto: Questa o quella
- Martha: M'appari
- TOSCA: E lucevan le stelle
- Fedora: Amor ti vieta
- Pagliaccci: Recitar!... Vesti la guibba
- Manon Lescaut: Donna non vidi mai
- Rigoletto: La donna e mobile
- L'africana: Mi batte il cuor ... O paradiso
- Werther: Pourquoi me reveiller
- Carmen: La fleur que tu m'avais jetee
- Manon Lescaut: Ma se vi talenta ... Tra voi, belle
- La Gioconda: Cielo e mar!
- TOSCA: Recondita armonia
- La Favorita: Spirito gentil
- II torvatore: Di quella pira
- L'amico Fritz: Suzel, buon di
Tracks:
- O sole mio
- Torna a Surriento
- Orchestra del Teatro Comunale di Bologna: Core 'ngrato
- Orchestra del Teatro Comunale di Bologna: Funiculi Funicul
- Notte 'e piscatore
- O Holy Night (Cantique de Noel)
- Panis angelicus
- Ave Marie: Ave Maria
- Mattinata
- La danza
- Caro mio ben
- Caruso
- My Way
- Santa Lucia
- Tu che m'hai preso il cuor
- Mamma
- La mai canzone al vento: La mia canzone al vento
- Volare
- Passione
- Granda: Granada
Customer Reviews:
Cornucopia of Pavarotti's works.......2007-03-01
Disc 1 features estimable works such as "Nessun dorma" (well done, with his voice showing to good effect), "Che gelida manina" (excellently done, with good characterization), ""Celeste Aida" (elegantly sung), "Di quella pira" (a much better than average version), "E lucevan le stelle" (Pavarotti does a nice job in the Puccini-Verdi repertoire), "La donna e mobile" (sung with aplomb), "Recondita armonia" (the other aria from Tosca, which also shows Pavarotti's voice off to good effect), and so on.
Disc 2 is especially interesting, because it features a more popular set of works, from the redoubtable "O sole mio" (richly orchestrated and nicely sung, not overpowered by Pavarotti's operatic voice), "Core n'grato" (compare with Caruso's version), "Oh, holy night," "La danza" (spritely sung with excellent breath control in a treacherous song), "Santa Lucia" (again, smoothly sung), "Ave Maria" (seemingly sung with respect and affection).
A cornucopia of Pavarottiana. For those fans of Pavarotti, this "greatest hits" collection will be welcome. For those who may not be aware of this tenor when his voice was still fresh, this is a fine entrée to his work.
Don't...!!!.......2005-01-24
R. J. Rogers
Great Tenor - Poor CD Quality.......2004-10-11
I particularily enjoy the first disc which contains just about all the major tenor arias. The singing is superb and listening to this CD it becomes obvious what the fuss over the pre-3 Tenors Pavarotti was all about - the man really did have one of the greatest tenor voices of all time.
His diction was flawless, his line perfect and his interpretation in keeping with the greatest of the Italian tenors of days gone by.
The second disc is interesting in that it is a bit uneven. It contains a few neapolitan standards, a x-mas song, a duet with Frank Sinatra and some other random selections.
Overall this is a 5 star CD but due to the extremely low volume, particularily on the first and most important disc I can only give it a 4 star rating.
On a final note, anyone puzzeled by the current hype over the now againg and commercially over-blown Pavarotti should purchase this CD. This is the great tenor in his prime and as such a CD well worth having...even if you're not a Pavarotti fan.
I'm still not, but I recognize greatness when I hear it.
Great Music......Horrible Mastering.......2004-07-24
The song choices are good with the exception of "My Way" with Frank Sinatra. Both singers sound ....ummm...let's just say less than their best on the recording. It sits out like a boil on a pretty girl's face.
Surely I am proud to be an Italian-American!!.......2004-06-26
Oops, I am sorry, Nana.
My Nana has shushed me to "pipe down, little bambino."
I must go down to the dark cellar to count our day's earnings, for it is almost night, and stern Papa will be back soon to close shop and make sure all is well.
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Italian Opera Arias
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00018TIOA Release Date: 2004-02-10 |
Tracks:
- Lamento: E La Solita Storia
- Recitativo E Romanza: Inosservato...Angelo Casto E Bel
- Aria: Quanto E Bella
- Aria: Una Furtiva Lagrima
- Recitativo Ed Aria: Tombe Degli Avi Miei...Fra Poco
- Aria: Il L'ho Perduta...Io La Vidi
- Aria: Io L'ho Perduta...Io La Vidi
- Aria: O Figli...Ah! La Paterna Mano
- Scena Ed Aria: Ella Mi Fu Rapita...Parmi Veder
- Canzone: La Donna E Mobile
- Scena, Aria E Cabaletta: Lunge De Iei...De' Miei Bollenti...O Mio Rimorso
- Aria: Che Gelida Manina
- Aria: E Lucevan Le Stelle
- Aria: Anche Tu Beppe Giungi...O Amore
- Aria: Vergini, Muse...Quando Al Soave Anelito
Amazon.com
This is a glorious debut recital by a tenor, from whom, if he sings the right roles and keeps way from jet-setting and too much singing, might just be the lyrico-spinto tenor we've been waiting for. He has the class of Carlo Bergonzi and a ringing tone which is somewhere between Domingo's big, dark sound and Pavarotti's brightness; he sings with a true mezza voce (not a falsetto); he always obeys the composer's markings and delineates character. He seems incapable of vulgarity, refusing to gulp or sob when a musically expressive gesture will do. The opening aria here--from L'Arlesiana--is so beautifully, touchingly sung that it's a heartbreaker; he doesn't take the usually opted-for high note near the end, but never fear: in the Traviata and Bohème excerpts, Villazon offers big, whopping high Cs. This CD is a knockout; let's hope it's only the beginning of an illustrious career, both recorded and live. --Robert LevineCustomer Reviews:
Another supeb tenor........2007-05-13
The one........2006-06-24
A New Star voice.......2005-09-25
I don't really want to ruin the magic of his singing, with caddy comparisons, but it is sufficient to say that he excellent. Many compare his to Domingo, to that I would say that Villazon has an ease to his top that Domingo never had, but perhaps lacks the focus and thickness of Domingo's lower registers.
Overall what hits you most about Villazons performance, is the induviduality of his interpretations and voice. The top of his voice has a ring and tone that sets his apart from the pack.
To my ear, he sounds at his best in the Mid Period verdi, where the cut of voice come through in the long high-lying passage, (expecially the cut from Traviata,
Enjoy this incredible singer
Quite Good.......2005-05-26
Promising debut by new lyric tenor.......2005-05-05
This recital of Italian opera arias presents Villazon near the alpha of his career (one appearance as the Steersman on the Barenboim Flying Dutchman before, for Teldec) and the conductor at his omega - the just deceased Marcello Viotti, at the age of 52, who suddenly replaced Sinopoli in Berlin for the second of two performances of Verdi's Aida in 2001. Sinopoli had passed away at 54 the night of the first performance that weekend in Berlin.
On first impression, Federico's lament from Cilea's L'Arlesiana is taken too slowly, and yet from repeated listening to this disc, it is one of nearly half a dozen selections that contribute the most to making this an interesting recital. The lachrymose manner and delivery here, though, sets a little too much of an overall tone for the rest of the recital, including its several or so lighter numbers. Said to also be a Caruso favorite, the aria from Donizetti's Duca d'Alba is a real highlight as close to being Schubertian in feeling as some Verdi - as late into Verdi's work as Forza and Don Carlo. Villazon's singing here is as warmly ardent as you'll find anywhere on this disc, and his personal identification with the character of Don Carlo, several tracks later, is as complete as that of its best interpreters of the recent past, Placido Domingo especially.
The two Elisir d'amore selections are pleasant vocally, but too dark, especially the start to so many phrases of "Una furtiva." The remorse felt during the opening aria of the Tomb Scene from Lucia, after a slightly uncertain start, is entirely felt. Oronte's brief aria from Verdi's Lombardi is handled with an easy, pleasant swagger from both Villazon and Viotti, leading one to expect similar lightness in selections that soon follow, and which is not entirely forthcoming; the beginning of the recitative to "Parmi veder" from Rigoletto shows a palpable anxiety in this peculiar moment for the Duke in which he finds himself. Intonation falters momentarily at the end of this aria. "Ah! la paterna mano", after good recitative, gets pushed a little too forward, robbing the crest of several lines in it their full expressive potential. Contrast of expression between Alfredo's aria and cabaletta from Traviata is so minimal, almost to have been erased altogether; Viotti here, so deft and highly musical an accompanist he is for most of the rest of this disc, is similarly disengaged. Connecting music between aria and cabaletta and repeat of the latter both get awkwardly cut.
That leaves four verismo tracks for the remainder of this disc. Most distinctively sung is "E lucevan le stelle" from Tosca, but frequently quite close to sounding a copy of Domingo's interpretation. The honeyed placement for the top of the staff, once the voice takes on the melodic line, could hardly remind you of anyone else. "Che gelida manina" is also given a fine performance here, but begins to lose all consonants on a couple of words right before the ascent to the high C in the aria. After hearing Dino Borgioli and Cesare Valletti as Fritz, each more of a benchmark than Pavarotti, it is hard to identify the villager Fritz, from how disinteresed Villazon sounds. A slight cut is taken between two portions of recitative before Fritz's Act III aria. "Quando al soave anelito" from Mascagni's Nerone, obviously a rarity, is one for which I can only find a Domingo recital before. Here, the singing is fine, but the youthful sense of wonderment for Nero, in his vision of Venus, as wordly-wise a fellow he is, gets understated. Accompaniments to these four arias are mostly as fine as the others, but all come to abrupt endings, the endings of Boheme and Amico Fritz which lose all their shimmer here.
Much criticism here, but there is also much hope felt from listening to this disc, for a bright future for Mr. Villazon still. He is only seldom a conscientious and musical performer, but as opposed to what the liner notes might say, part of being musical in singing such selections or opera in general, is being specific for each character being portrayed here. Villazon should also take note that his singing is most interesting and also most easy to distinguish from his widely celebrated mentor, when he sings lightly. First impressions are strong - I first anticipated awarding this disc five stars - but unfortunately it just barely deserves four. Sound quality, if a bit heavily miked for climaxes and a bit recessed for the orchestra, especially at closings to arias, is warm and full.
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Roberto Alagna & Angela Gheorghiu - Duets & Arias
Pietro Mascagni , Jules Massenet , Gaetano Donizetti , Jacques Offenbach , Leonard Bernstein , Charles Gounod , Gustave Charpentier , Hector Berlioz , Giacomo Puccini , Richard Armstrong , Roberto Alagna , Angela Gheorghiu , and Covent Garden Orchestra of the Royal Opera House Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002RWA Release Date: 1996-04-23 |
Tracks:
- Suzel, boun di...
- L'amico Fritz, Atto 2: Tutto tace
- Manon, Acte 3: Je suis seul! . . . Ah, fuyez
- Toi! Vous! . . . Oui, c'est moi! . . .
- Manon, Acte 3: N'est-ce plus ma main
- Anna Bolena, Atto 2: Al dolce guidami castel natio
- Don Pasquale, Atto 2: Tornami a dir
- La Belle Helene, Acte 1: Au Mont Ida, trois deesses
- West Side Story, Act 1: Only you . . .Tonight
- Il se fait tard . . .
- Faust, Acte 3: O nuit d'amour
- Louise, Acte 3: Depuis le jour
- Les Troyens, Acte 4: Nuit d'ivresse
- La Boheme, Atto 1: O soave fanciulla
Customer Reviews:
Poor mix .......2006-02-20
a fine example of two shining opera stars.............2005-10-28
Alagna's resonance is clear, but, never piercing. Gheorghiu's clean-sounding soprano is expressive, but never shrill, and exhudes a warmth, as well as a softness, when she attacks the really high notes. What sets Roberto Alagna and Angela Gheorghiu apart from the pack of young opera stars is their own original, highly energetic and sincere interpretations of popular opera duets, featured here. They include "Tonight" from West Side Story (which I really wouldn't consider opera, but, more an example of musical theatre), and "O soave fanciulla" from La Boheme. I guarantee that listening to this album will make you fall in love with these two wonderful singers.
A musical marriage made in heaven!.......2003-12-01
Alagna's sweet, warm, earthy tenor and Gheorghiu's velvety, starlit soprano blend so perfectly that it often seems one voice is coming out of two mouths. Nowhere is this more true than on the triumph of the disc, 'Nuit d'ivresse' from Hector Berlioz's 'Les Troyens'. This is a good candidate for the best joint recording they have ever made and is certainly their best individual duet recording. While it is usually sung by a tenor with a heavier voice and a mezzo-soprano, the sheer lyricism of their voices renders this music utterly ravishing - I have never heard this piece sung more beautifully. And how many typical operatic 'love duet' albums would include something this rare? Their 'one voice' quality is also evident in 'Tornami a dir' from 'Don Pasquale', a triumph of heady sweetness, and again, not exactly standard fare. Throughout these selections, and indeed the entire album, we hear superb dynamic sensitivity and gorgeous pianissimo singing, and everything is sung with such dramatic intensity and immersion in character that you think you're hearing a live performance and not a recording. About the only quibble I have is that Alagna's diction in both French and Italian is so perfect that Gheorghiu's comes up a bit short by comparison.
The Cherry Duet from 'L'Amico Fritz' which begins the album is full of sweet affection and wistfulness. In the Saint Sulpice scene from 'Manon', Gheorghiu is irresistibly seductive and tender and Alagna believably torn between Des Grieux's pain at Manon's betrayal and his love for her. Some may actually prefer this version of the duet to the slightly more 'verismo' and less subtle rendition of their complete recording under Antonio Pappano. The Garden Scene from 'Faust', albeit not quite as intense as in their recent Metropolitan Opera performances, is still a triumph of French style, sensitivity, and drama, again with absolutely gorgeous pianissimo singing, this time at 'Eternelle!'. This should be no surprise to anyone who has heard them sing 'Romeo et Juliette'. And, of course, these masters of Gounod's version of 'Romeo and Juliet' also make something special of Bernstein's. I don't believe I've ever heard 'Tonight' more beautifully and musically sung - and as Gheorghiu pointed out in an interview, this is not 'easy' music to sing. The only problem here is that 'West Side Story' is more about Anglo/Puerto Rican culture clash than about family feuds, and so it hurts somewhat that the singers have the wrong (and more importantly, too similar) accents. Nevertheless, their English is clear and understandable, and as usual they mean every word they sing. The disc concludes with a radiant 'O soave fanciulla', where Rodolfo's and Mimi's romance is off to a tender and teasing start.
In addition to the six duets, each singer has two solo arias. Alagna's first is a splendid 'Ah, fuyez douce image', where he not only begins the aria pianissimo, but he makes more of the words than just about any tenor since Georges Thill. He follows this with a rollicking version of Paris' Entrance from 'La Belle Helene'. While not even Alagna can negotiate the B flat octave leaps with the ease of Jussi Bjorling (in his unsurpassable 1938 Swedish-language recording), he has the considerable advantage of native French speech, and a far better appreciation of the piece's humor. Gheorghiu has surpassed her two solo selections since making this recording - the 'Al dolce guidami' on her 'Casta Diva' bel canto disc and the 'Depuis le jour' on her live Covent Garden recital - but these versions demonstrate her ravishing top, command of legato, and extraordinary emotional expressivity.
Richard Armstrong (the music director of the Scottish Opera, who also conducted Alagna's solo debut album) is with his singers all the way and he has the Covent Garden Orchestra play gorgeously . In particular, his molding of the orchestral line and color in the Berlioz is very impressive. Excellent documentation, with full texts and translations, by British vocal collector John Steane. Although this is focused (as it should be) on the music rather than the singers, there is also brief biographical information on both Alagna and Gheorghiu, which none of their subsequent EMI CDs have had.
In short this album is a triumph from beginning to end and an absolute must for any lover of the human voice, absolutely giving lie to the common whine of 'all the great singers are gone forever'. Of course, you'll also have to buy Alagna's and Gheorghiu's complete opera recordings, their equally stunning Verdi duets CD, and too many individual solo albums to count. Almost anything either of these splendid artists do, separately or together, is worth buying and devouring. They're a Golden Age all by themselves!
A Nice Collection, But Something's Missing.......2003-11-09
Perfection.......2001-12-06
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Mascagni - L'amico Fritz / Freni, Pavarotti, Sardinero, Gavazzeni
Pietro Mascagni , Gianandrea Gavazzeni , Mirella Freni , Luciano Pavarotti , Laura Didier Gambardella , Vincente Sardinero , Luigi Pontiggia , Benito di Bella , Malvina Major , and Royal Opera House Covent Garden Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004VVZL Release Date: 2000-08-15 |
Tracks:
- L'amico Fritz: Preludietto
- L'amico Fritz: Ma questa e una pazzia! (Fritz, David, Hanezo, Caterina)
- L'amico Fritz: Son pochi fiori (Suzel, Fritz)
- L'amico Fritz: Orsu, vieni tra noi, al fianco mion (Fritz, Suzel, Hanezo, Federico, David)
- L'amico Fritz: Chi mai sara? (Hanezo, Fritz, David, Suzel, Federico, Beppe)
- L'amico Fritz: Laceri, miseri, tanti bambini (Hanezo, Fritz, David, Federico, Beppe)
- L'amico Fritz: Viva lo zingaro! (Hanezo, Fritz, David, Suzel, Federico, Beppe, Caterina)
- L'amico Fritz: Per voi, ghiottoni inutili (David)
- L'amico Fritz: Il suo sermone e splendido! (Beppe, Federico, Fritz, David, Hanezo)
- L'amico Fritz: Son gli or fanelli (Hanezo, Beppe, Federico, Fritz, David)
- L'amico Fritz: Ah! le belle ciliege! (Suzel)
- L'amico Fritz: Bel cavalier, che vai per la foresta (Suzel)
- L'amico Fritz: Suzel, buon di!
- L'amico Fritz: Tutto tace (Fritz, Suzel)
- L'amico Fritz: Oh! chi e che giunge? (Fritz, Suzel, Beppe, David, Hanezo, Federico)
- L'amico Fritz: Vediamo un po'! (David, Suzel)
- L'amico Fritz: Faceasi vecchio Abramo (Suzel, David, Fritz)
- L'amico Fritz: Come va? (Fritz, David)
- L'amico Fritz: Quale strano turbamento (Fritz)
- L'amico Fritz: Fritz, noi partiamo. Addio! (Federico, Fritz, Hanezo, Beppe)
- L'amico Fritz: Che piu s'aspetta? (Federico, Fritz, David, Suzel)
Tracks:
- L'amico Fritz: Intermezzo
- L'amico Fritz: Tutto ho tentato (Fritz)
- L'amico Fritz: Buon giorno, Fritz!
- L'amico Fritz: O pallida, che un giorno mi guardasti (Beppe, Fritz)
- L'amico Fritz: O amore, o bella luce del core (Fritz)
- L'amico Fritz: L'amico Fritz fantastica d'amore! (David, Fritz)
- L'amico Fritz: Povero Fritz, l'amore in te si desta (David, Suzel)
- L'amico Fritz: Non mi resta che il pianto ed il dolore
- L'amico Fritz: Come s'e fatta pallida!
- L'amico Fritz: Ah! ditela per me quella parola (Suzel, Fritz)
- L'amico Fritz: Amici, ho vinto , ho vinto! (David, Fritz, Beppe, Caterina)
- L'amico Fritz: Tu sposi, Fritz? (Federico, Hanezo, David, Fritz)
Customer Reviews:
A beautiful, gentle opera from Pietro Mascagni (1863-1945).......2007-07-07
Although it contains no "hits", there is much beautiful music to be found here - wonderful melody seems to flow endlessly from Mascagni's pen. The biggest flaw in this opera - and no doubt the reason for its lack of enduring success - is the slight story. Fritz an avowed bachelor falls in love with Suzel and asks for her hand in marriage - that's about it!
The performance is as good as one can imagine with Pavarotti and Freni in their freshest voice. "L'Amico Fritz" is a beautiful, lyrical opera - and despite the slight storyline - deserves to be better known.
Utterly beguiling!.......2005-11-13
Pavarotti and Freni (and all, really) at their best.......2002-04-13
But to put it this way would be unjust towards all the other musicians that contributed to this fabolous recording. All, without exception, are inspired. Probably thanks to the electrifying presence of Gavazzeni, the gifted although not so famous director. It must be him, I don't see any other way that every single musician could bring out the best in him or her for this recording.
This recording truly deserves EMIs title of "GreatRecordings of the Centruy".
Amico mio!.......2002-03-06
Like a breeze on a spring day...............2001-01-23
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The Ultimate Aria Collection ~ A Passion for Opera
Georges Bizet , Giuseppe Verdi , Giacomo Puccini , Gaetano Donizetti , Ruggero Leoncavallo , Gioachino Rossini , Gustave Charpentier , Leo Delibes , Vincenzo Bellini , Christoph Willibald Gluck , Pietro Mascagni , Wolfgang Amadeus Mozart , Francesco Cilea , Edouard Lalo , Camille Saint-Saens , Arrigo Boito , George Frideric Handel , Alfredo Catalani , Amilcare Ponchielli , Charles Gounod , Jules Massenet , Ambroise Thomas , Fritz Wunderlich , Rome Opera Theater Orchestra & Chorus , Maria Callas , Elisabeth Schwarzkopf , Orchestra e Coro del Teatro alla Scala , Wiener Philharmoniker , Orchestre de Paris , Carlo Maria Giulini , Tullio Serafin , Sir Charles Mackerras , Francesco Molinari-Pradelli , Riccardo Muti , and Leone Magiera Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009OQL Release Date: 1998-08-11 |
Tracks:
- Carmen: Quand je vous aimerai? ...L'amour (Habanera)
- I Pagliacci: Recitar!... Vesti la giubba
- Madama Butterfly: Un bel di vedremo
- L'Elisir d'Amore: Una furtiva lagrima
- Nabucco: Va pensiero (Chorus Of The Hebrew Slaves)
- Gianni Schicchi: O mio babbino caro
- Rigoletto: La dona e mobile
- The Barber Of Seville: Largo al factotum
- Louise: Depuis le jour
- Lakme: Flower Duet
- Turandot: Nessun dorma
- Norma: Casta diva
- Gianni Schicchi: A vete torto!
- TOSCA: Vissi d'arte
- TOSCA: E lucevan le stelle
- La rondine: Chi il bel sogno di Doretta
- Il Trovatore: Di quella pira
Tracks:
- L'Elisir d'Amore: Quanto e bella, quanto e cara!
- Orphee et Eurydice: J'ai perdu mon Eurydice
- La Boheme: Che gelida manina
- La Boheme: Si, mi chimano Mimi
- La Traviata: Di Provenza il mar
- L'amico Fritz: O amore, o bella luce del core
- Le nozze di Figaro: Voi che sapete
- TOSCA: Recondita armonia
- Adriana Lecouvreur: Ecco, respiro appena...lo son l'umile ancella
- Le Roi d'Ys: Puisqu'on ne peut... Vainement, ma bien-aimee
- Samson et Dalila: Mon coeur s'ouvre a'ta voix
- Mefistofele: Dai campi, dai prati
- Manon Lescaut: In quelle trine morbide
- Serse: Ombra mai fu
- Turandot: Signore, ascolta
- Manon Lescaut: Donna non vidi mai
- La Wally: Ebben? ne ando lontana
- La Gioconda: Cielo e mar
Tracks:
- Aida: Se quel guerriero io fossi...Celeste Aida
- Romeo Et Juliet: L'amour, l'amour...Ah, leve-toi soleil
- Mefistofele: L'altra notte in fondo al mare
- Werther: Toute mon ame est la...Pourqui me reveiller
- Barber Of Seville: Una voce poco fa
- Cosi Fan Tutti: Un aura amorosa
- Le Villi: Se como voi piccina
- Un Balle en Maschera: `Se come voi piccina`
- Carmen: La fleur que tu m'avais jette
- La forza del destino: Pace, pace mio Dio
- Adriana Lecouvreur: L'anima ho stanca
- La Gioconda: Suicidio
- Don Giovanni: Dalla sua pace
- La Traviata: De' miei bolenti spiriti
- La nozzi di Figaro: Porgi amor
- Turandot: Non piangere, Liu
- Mignon: Elle ne croyait pas dans sa candeur naive
Amazon.com
Put together in evident haste, this collection is nevertheless a surefire, appetite-whetting starter kit both for the budding operaphile and for the simply intimidated. The samplings include some of the greatest voices from EMI's vaults: here you'll find the polar opposites Callas and Caballe, the golden wonder of Wunderlich and early Carreras, and a host of other singers who've made their stamp on this century. Emphasis is on the soprano and tenor range, while the lower voices are given short shrift, and the selections cleave predictably to standard Italian and French repertory (with an occasional surprise, such as an aria from Lalo's Le Roi d'Ys). Still, the nearly three and a half hours of music represented will make a ready convert of anyone who hasn't experienced the specially heightened, time-stopping expressivity--beyond the power of mere song--that is the aria's function and will likely spark a desire to explore the larger operatic context in several cases. And though the lack of a booklet with texts or at least bios of the artists is frustrating, this is a good place to begin for an overview of the mesmeric power extraordinary voices can wield. --Thomas MayCustomer Reviews:
OPERA HEAVEN.......2002-12-13
Incredibly Beautiful . . ........2001-10-27
Ultimate Aria.......2001-08-03
Congradulations EMI for an incredible vision of the greatest opeatic moments recorded.
Gosh what's next?
Ralph Hassman
Ultimate indeed.......2000-08-02
EMI have a enormous archive to pick their recordings from, and that of course makes it easy to find first rate interpretations of all the arias included in this collection, and I do think that almost all of the arias are wonderfully sung here. It may be possible to find better performances of single numbers here and there, but I've not yet heard a more complete, wellmatched, and so thrillingly sung collection.
Well then, is there nothing wrong with this compilation? You might find it a little odd that there are so many soloarias and so few duets, terzettos a.s.o, especially since the drama in operas oftenly is greater in numbers with more than one singer. You might also wish that some of the recordings had been a little more modern (most of these recordings were made during the 50's, 60's & 70's) giving place to younger performers that still are singing on the stages, but those are minor objections when the over all quality is so high.
The maybe strongest objection to this collection is that there is not one single part from any of Wagner's operas, and not any number sung in german, nor is there any parts from modern or russian operas. That may be a miss if you're interested in Wagner, russian and modern opera - on the other hand I think you should watch Wagners, russian and modern operas before listening to recordings of them - and if you've seen them and liked them you will probably buy the whole opera anyway. Therefor I still think that this is a extremely strong and complete compilation - the best I've run into so far. Easy to listen to, yet never banal.
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Overtures & Intermezzi
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NPK4 Release Date: 2003-01-07 |
Tracks:
- Overture
- Meditation
- Overture
- Overture
- Intermezzo
- Intermezzo
- Intermezzo
- Intermezzo
- Overture
- Overture, Op.26
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Intermezzo
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004RGDR Release Date: 2000-04-11 |
Tracks:
- Prld To Carmen - Czecho-Slovak RSO/Alexander Rahbari
- Cavalleria Rusticana: Intermezzo - Czecho-Slovak RSO/Alexander Rahbari
- I Pagliacci: Intermezzo - Czecho-Slovak RSO/Alexander Rahbari
- Notre Dame: Interlude - Budapest SO/Michael Halasz
- Hansel & Gretel: Dream Pantomime - Slovak RSO/Peter Breiner
- Manon Lescaut: Intermezzo - BRT PO/Alexander Rahbari
- Tausend Und Eine Nacht: Intermezzo - Sslovak State PO/Christian Pollack
- Thais: Meditation - Janos Selmeczi
- Carmen: Act 3: Entr'acte - Czecho-Slovak RSO/Alexander Rahbari
- Pelleas & Melisande: Sicilienne - NSO Of Ireland/John Georgiadis
- The Song: Interlude - Helsingborg SO/Okko Kamu
- Karelia Ste: Intermezzo - Czecho-Slovak RSO/Kenneth Schermerhorn
- The Tales Of Hoffmann: Barcarolle - Slovak State PO
- L'Amico Fritz: Intermezzo - Czecho-Slovak RSO/Ondrej Lenard
- La Traviata: Act 1: Prld - Czecho-Slovak RSO/Alexander Rahbari
- La Traviata: Act 3: Prld - Czecho-Slovak RSO/Alexander Rahbari
- La Gioconda: Dance Of The Hours - Czecho-Slovak RSO/Ondrej Lenard
Customer Reviews:
Bang for your buck.......2007-05-23
Nicely thought out program..........2007-02-09
The NAXOS producers seem to include not so typical repetoire on most of their compilations. The lush interlude from Schmidts "Notre Dame" is a gem. Strauss's little known "1001 Nights" gives us a Viennese twist on the Arabian fantasy. The gushing brass of the introduction to Stenhamar's interlude to the "Song" leaves us wanting for more. Sure, you don't get Karajan or Bernstein like performances, but the disc as a whole is worth the budget price asked. Recording quality varies from track to track, good to excellent.
A Great Intro to Some of Opera's Orchestral Moments.......2003-12-20
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My Heart's Delight
Manufacturer: Decca ProductGroup: Music Binding: Audio CD ASIN: B00000423J Release Date: 1994-03-08 |
Tracks:
- Madama Butterfly: Addio fiorito asil
- Turandot: Signore, ascolta!
- Turandot: Non piangere, Liu!
- Gianni Schicchi: O mio babbino caro
- La Boheme: Che gelida manina
- La Boheme: Si. Mi chiamano Mimi
- La Boheme: O soave fanciulla
- Cavalleria Rusticana: Intermezzo
- Cavalleria Rusticana: Mamma, quel vino e generoso (Addio alla madre)
- Carmen: Seguidilla: Pres des remparts de Seville
- L'amico Fritz: Suzel, buon di
- Die lustige Witwe: Vilja
- Il paese del sorriso/Das Land des Lachelns: Tu che m'hai preso il cuor (Dein ist mein ganzes Herz/You Are My Heart's Delight)
- Porgy And Bess: My Man's Gone Now
- Granada
- Manon Lescaut: Tra voi, belle
- Manon Lescaut: Donna non vidi mai
- Porgy And Bess: Summertime
- La mia canzone al vento
- 'O sole mio
- La Traviata: Brindisi
Customer Reviews:
decent collection, good for the car.......2007-05-28
Nuccia Focile gave a simply knockout solo recital in 2006 that I was so fortunate to attend. The best recital I've ever attended. She brought tears to my eyes. Unfortunately, her in person commitment to the music doesn't travel that well here. She's decent on the recording, but other singers do it better.
I listen to this a lot in the car.
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Aurora -- Opera Arias
Manufacturer: Avie ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007EA3N Release Date: 2004-03-22 |
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Mario del Monaco: Opera Arias
Manufacturer: Testament UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003XIL Release Date: 1994-09-13 |
Tracks:
- Aida: Celeste Aida
- Otello: Esultate!
- Otello: Ora E per Sempre Addio
- Otello: Dio Mi Potevi Scagliar
- Otello: Niun Mi Tema
- La Boheme: Testa Adorata, Piu Non Tornerai
- I Pagliacci: Vesti La Giubba
- I Pagliacci: No, Pagliacci Non Son
- Manon Lescaut: Donna Non Vidi Mai
- Turandot: Nessun Dorma
- L'amico Fritz: O Amore, O Bella Luce Del Cor
- Cavalleria Rusticana: O Lola Ch'hai Di Latti La Cammisa
- Cavalleria Rusticana: Mamma, Quel Vino E Generoso
- Andrea Chenier: Un Di All'azzurro Spazio
- Andrea Chenier: Si, Fui Soldato
- Andrea Chenier: Come Un Bel Di Di Maggio
- Adriana Lecouvreur: La Dolcissima Effigie
- Adriana Lecouvreur: L'anima Ho Stanca
- L'africana: O Paradiso
- Marta: M'appari Tutt'amor
- Carmen: Il Fior Che Avevi A Me To Dato
- Werther: Ah! Non Mi Ridestar
- Lohengrin: Da Voi Lontan
Customer Reviews:
Showcase for a powerful voice.......2007-02-26
Bravo Mario!!!.......2002-06-18
Bravo Mario!!!!!!
A force of Nature!.......2001-01-31
Loathed by many for this high sound and accused for not being able to sing below forte, especially in the late stages of his carreer, no one can deny the fact that he has performed and recorded operas with some of the greatest singers of all times:Renata Tebaldi, M.Callas, J.Sutherland, M.Olivero, A.Cerquetti, G.Simionato, E.Bastianini, C.Siepi and many others. The list is long. Perhaps not the best tenor choice for all the roles he performed, Mario del Monaco was sublime when the role suited his voice. Such examples are Ottelo, Andrea Chenier, Canio (Pagliacci), Des Grieux (Manon Lescaut), Johnson (Fanciulla del West) and many of these performances are heard on this collection. He had a certain sound that made his voice very dramatic thus so good for these roles.
Concluding, those who like him will find this collection of exceptional value. Those who don't, just stay away since this Cd is full of Mario del Monaco.
Meditation Music:
- Puccini: La Boheme
- Puccini: Manon Lescaut
- Puccini: Tosca: Opernquerschnitt in destcher Sprache
- Puccini: Turandot
- R. Strauss: Der Rosenkavalier [Box set]
- Richard Strauss: Die schweigsame Frau
- Richard Strauss: Elektra
- Rigoletto: Opernquerschnitt in deutscher Sprache
- Rossini, Verdi, Bizet and others
- Simon Boccanegra
Meditation Music
Vive le Rock [Original recording remastered] [Import]
Tchaikovsky: The Nutcracker (Complete Ballet)
Whale Rider (Score) [Soundtrack]
Universal Masters Collection [Import]
Walking Shoes/Swing House [Import]