-
Adriana Lecouvreur, opera
Composed by
Francesco Cilea
Performed by
Naples San Carlo Theater Orchestra
with
Antonio Zerbini,
Adriana Lazzarini,
Amadeo Zambon,
Leyla Gencer,
Enzo Sordello,
Franco Ricciardi
Conducted by
Oliviero de Fabritiis
-
Turandot, opera Signore ascolta
Composed by
Giacomo Puccini
Performed by
Naples San Carlo Theater Orchestra
with
Leyla Gencer,
Lucille Udovich,
Franco Corelli
Conducted by
Oliviero de Fabritiis
-
Turandot, opera Il nom che cercate
Composed by
Giacomo Puccini
Performed by
Naples San Carlo Theater Orchestra
with
Leyla Gencer,
Lucille Udovich,
Franco Corelli
Conducted by
Oliviero de Fabritiis
-
Turandot, opera Tu, che di gel sei cinta
Composed by
Giacomo Puccini
Performed by
Naples San Carlo Theater Orchestra
with
Leyla Gencer,
Lucille Udovich,
Franco Corelli
Conducted by
Oliviero de Fabritiis
Cilea: Adriana Lecouvreur,Francesco Cilea,Giacomo Puccini,Oliviero de Fabritiis,Napoli San Carlo Theater Orchestra,Adriana Lazzarini,Amadeo Zambon,Antonio Zerbini,Enzo Sordello,Franco Corelli,Franco Ricciardi,Leyla Gencer,Lucille Udovich,Golden Age Of Opera,Classical,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio
Average customer rating:
- Audio beauty and magnificence, Maria Callas
- sublime
- Good "Best Of"
- The Very Best of Maria Callas
- Classic Callas
|
The Very Best Of Maria Callas
Maria Callas
Manufacturer: EMI Classics
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- Maria Callas, the Voice of the Century
- The Most Famous Opera Arias
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- The Most Famous Opera Duets
- The #1 Opera Album
ASIN: B00005Y1YQ
Release Date: 2002-02-12 |
Tracks:
- Carmen: L'Amour Est Un Oiseau Rebelle
- Gianni Schicchi: O Mio Babbino Caro
- La Wally: Ebben? Ne Andro Lontana
- Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix
- Tosca: Vissi D'arte, Vissi D'amore
- Andrea Chenier: La Mamma Morta
- Le Nozze Di Figaro: Porgi Amor
- Orphee Et Eurydice: J'ai Perdu Mon Eurydice
- Aida: Ritorna Vincitor!
- Adriana Lecouvreur: Respiro Appena... Lo So L'Umile Ancella
- Madama Butterfly: Un Bel Di Vedremo
- Norma: Casta Diva
- Turandot: Signore, Ascolta!
- Louise: Depuis Le Jour
- La Boheme: Si. Mi Chiamano Mimi
- La Gioconda: Suicidio
- La Forza Del Destino: Pace, Pace Mio Dio!
Customer Reviews:
Audio beauty and magnificence, Maria Callas.......2007-03-31
There are moments on this recording that are virtually audio heaven.
Ms. Callas' voice goes beyond the normal concept of beauty.
sublime.......2007-02-14
she is an angel , a voice without parallel , a collection very interesting of arias from different masters.
Good "Best Of".......2007-02-09
Maira Callas was never a favorite of mine, but she is notable as a passionate, (but sometime shrill to my ears) performer. This collection is a good single record tribute to her operatic legacy.
The Very Best of Maria Callas.......2006-08-20
Second on my list for CDs that should be recommended for people who want to start on a long trail of Callas to the Carmen with Gedda and Prétre. This has perhaps the best excerpts of all time from Maria Callas. The 'Ritorna vincitor' and 'Una voce poco fa' are to be treasured. Any long-time Callas fan will find this CD of little to no interest, because anything they haven't heard before, there's a better, low-audio-quality version of somewhere. 4 stars for that reason.
Classic Callas.......2006-07-11
Countless assessments of Maria Callas' life and career, as well as re-issues of some of her definitive recorded performances have been fueled by the 25th anniversaary of her tragic and prophetic death alone in her Paris flat on September 16, 1977. One of those such discs, this 17 track retrospective compilation from the archives of EMI is among the best. Every character she portrays is bought to life by her incomparible ability both vocally and emotionally. Enjoy!
Average customer rating:
- Andrea Bocelli - Sogno
- Not bad!
- pleasure to lilsten
- Bocelli - Aria
- Why...?
|
Andrea Bocelli - The Opera Album ~ Aria
Manufacturer: Philips
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Binding: Audio CD
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ASIN: B0000069CO
Release Date: 1998-04-07 |
Tracks:
- Rigoletto: Questa o quella
- La Boheme: Che gelida manina
- TOSCA: Recondita armonia
- TOSCA: E lucevan le stelle
- Madama Butterfly: Addio, fiorito asil
- Andrea Chenier: Come un bel di di maggio
- I Puritani: A te, o cara
- Der Rosenkavalier: Di rigori armato il seno
- Fedora: Amor ti vieta
- La Fanciulla del West: Ch'ella mi creda
- La Gioconda: Cielo e mar!
- Adriana Lecouvreur: La dolcissima effigie
- La Boheme: Musetta! - Testa adorata
- Lucia di Lammermoor: Tombe degli avi miei - Fra poco a me ricovero
- Werther: Pourquoi me reveiller
- Carmen: La fleur que tu m'avais jetee
- La Fille Du Regiment: Pour mon ame
Amazon.com
Andre Bocelli is no opera singer, but he shows far more potential in this album than does another pop-vocalist tenor-wannabe, Michael Bolton. For one thing, he can shake off the crooner mannerisms and really sing when performing music that calls for it. At his best, he has a rich, dark timbre and an easy, unforced top. At other times, however, the tone turns dry and thin and the high notes are constricted, the inconsistency suggesting a lack of technique. Never does one get the impression that he could be heard over a medium-sized orchestra without amplification. This isn't bad singing per se, but there is much better out there, readily available on disc. --Sarah Bryan Miller
Album Description
Exclusive Australian Gold pressing released to coincide with his first public appearance in Australia. He'll be performing at the opening ceremonies and then onto to tour the land down under. His back catalogue will be released & re-packaged in slipcases with his signature on them as well as all of them pressed on gold plated CD's. This pressing includes 17 tracks, all sung in his native Italian Tongue. 1998 release. Standard jewel case.
Customer Reviews:
Andrea Bocelli - Sogno.......2007-06-27
I am 45 years old. The reason why this is something I am mentioning, is to let all of you reading my review know what age group I am in. It might be important to the age you are in knowing what I have to say. I have four Andrea Bocelli CD's and they are all wonderful. I love each of them. My mom turned me on to him, and, since I love Josh Groban, I decided to listen to Andrea Bocelli and see what all her fuss over him was about. I'm glad I did. I am half Italian and half Spanish. I don't know either language, but when I listen to both Andrea and Josh, I don't have to. They make the music tell a story, and instantly, you understand something about the words from just the sound of their voices. If you love Josh Groban, then Andrea Bocelli is someone you should give a listen to. His voice is soothing, powerful, and romantic. I am looking forward to getting more of his CD's. Great Stuff!!!
Not bad!.......2007-04-09
What I have heard about Andrea Bocelli is bimodal--some think that he is not up to the operatic repertoire and is way overrated; others see him as a fine singer, from a nontraditional background and career path. What I hear on this CD is fine singing, with some limitations. He was once a law school student; he played in piano bars. He took lessons from the great Franco Corelli. Some examples of his work illustrate his skills:
"Questa O quella" is a nice romp. His smooth voice moves through this aria nicely. His voice is not a big one. On the other hand, his musicianship seems fine (thank goodness none of the sobbing and catches that some tenors adopt).
In Puccini's "Che gelida manina" (from "La Boheme"), he again sings smoothly. He has a nice sound to his voice. The high note is a bit thin, but certainly not as bad as some critics would have it. A serviceable version, in short.
Then, the twin arias from "Tosca"--"Recondita armonia" and "E lucevan le stelle." Both are well sung. His version of "Recondita armonia" compares well with other versions. He certainly has no reason to hang his head. When he amps up the volume, his voice is not quite as rich as many other tenors, bit it is still fine. Top notes, as observed before, are a bit thin, but--again--hardly reason for lamentation. This is nicely sung. My notes for "E lucevan le stelle" simply say "Ibid." That is, one could write a very similar set of comments.
The last piece is from a different tradition--a selection from Donizetti's "Lucia di Lammermoor," "Tome degli avi miei." Smoothly sung. A bit thin on higher notes. Overall, though, a nice job.
As I listen to his work, I think that Bocelli does a good job in the standard tenor repertoire. Is he a great tenor? No. Is he a good tenor? Yes.
pleasure to lilsten.......2007-01-19
This album is a pleasure. The selections are spirited and well executed. I was very satisfied with this purchse and would recommend it to any one who enjoys opera.
Bocelli - Aria.......2006-11-05
Introduced me to arias that were not known to me, and I find to be
quite beautiful. As usual, Bocelli does not fail.
Why...?.......2006-03-13
Why is there all this continuing controversy after so many years about whether or not Andrea Bocelli is - or is not - Operatically sound? All I know (and that's not saying much for me in this genre), is that after having listened to Amazon.com's sampling of the music on this Audio CD a few moments ago, I wept. Andrea Bocelli always makes me weep - because of his profound spiritual depth. And I don't care what anyone thinks on that issue. All I do know is this. The man sings from his soul...and nothing could surpass that - ever.
Average customer rating:
- If you love beautiful voices...
- If you want to know Corelli's art, this is the right CD
- excellent gift
- Greatest Tenor of This Century!
- Ah... Franco :}
|
The Very Best of Franco Corelli
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B00008V5VV
Release Date: 2003-04-22 |
Tracks:
- A Te, O Cara
- Meco All' Altar Di Venere... Me Protegge, Me Difende
- Ah Si, Ben mio...De Quella Pira
- Se Quel Guerrier Io Fossi!...Celeste Aida
- Pur Ti Riveggo, Mia Dolce Aida
- Intanto Amici... Viva Il Vino Spumeggiante
- Mamma, Quel Vino E Generoso
- Recitar!... Vesti La Giubba
- No, Pagliaccio Non Son
- Colpito Qui M'avete...Un Di All'azzuro Spazio
- Credo A Una Possanza Arcana
- Legray!... Andrea Chenier!...Si, Fui Soldato
- Come Un Bel Di Di Maggio
- Vicino A Te
Tracks:
- Donna Non Vidi Mai
- Recondita Armonia
- E Lucevan Le Stelle
- Non Piangere, Liu... Ah! Per L'ultima Volta!
- Nessun Dorma
- Favorita Del Re!... Spirto Gentil
- Cielo E Mar
- L'anima Ho Stanca
- Non Lunge Della Torre... Bianca Al Par Di Neve Alpina
- Ange Adorable
- L'amour, L'amour.. Ah! Leve-Toi, Soleil!
- O Nuit Divine!
- C'est La! Salut! Tombeau!
- Fronde Tenere... Ombra Mai Fu
- Ave Maria
- Domine Deus
- Core 'Ngrato
- Torna A Surriento
Customer Reviews:
If you love beautiful voices..........2007-04-30
and passionate singing, you won't be disappointed. While Corelli certainly had his flaws, they are minor in the larger picture of this unique, magnificent force of nature. Then get this set for your friend who thinks Andrea Bocelli is a great tenor.
If you want to know Corelli's art, this is the right CD.......2007-03-10
Franco Corelli had one of the powerful tenor voices of the twentieth century. Think Mario del Monaco with more beauty and grace; think Richard Tucker with a smoother voice. He had annoying touches in his singing, such as those "catches" here and there. But, with Tucker, he is, in my estimation, one of the two most powerful and attention riveting tenors in the past century. Other tenors were more artistic, provided better characterization (think Domingo, Gigli, Pavarotti, Gedda, Caruso, and some others).
But Corelli was a wonder of nature! Some samples: "Ah si, ben mio. . .Di quella pira." If there were an aria made for Corelli, this would be it. His big, rich, powerful voice fits this cut nicely. Not much subtlety here. In "Di quella pira," he hits the high notes in a stentorian manner. There are those mannerisms, but they are so easily forgiven, taking into account that rich, lustrous voice.
"Celeste Aida" is another representative cut. This is a powerful version. Also, note how he goes from forte to piano at the end of this aria. A powerful effect indeed.
Then, there are the twin arias from "Tosca." In "Recondita armonia," his rich voice is well manifest. He exhibits a smooth line in his singing. This is a powerful version of this well known aria. "E lucevan le stele" displays again that rich voice. At one point, he goes from forte to piano in a mesmerizing manner (Who'd have thought it?). His final "la vita" grabs one's attention.
Finally, "Nessun dorma." Well, smoothly, and powerfully sung. The final "vincero" is powerfully rendered, leaving goose bumps on the spine.
This is the very best of Franco Corelli. Those who want to get a sense of the vocal prowess of one of the most powerful tenors of the 20th century should attend to this double CD set.
excellent gift.......2007-02-09
I gave it to my father and he says Its an amazing cd.
Greatest Tenor of This Century!.......2007-02-03
Franco Corelli is the greatest tenor of this century. Although there are many fine tenors including Carlo Bergonzi - no tenor comes close to singing with the pure heart and animal magnetism of Franco Corelli. Surprisingly, he was also quite comfortable with bel canto, listen to the incredible "A te o'cara". I've heard "Nessun Dorma" sung by many excellent tenors and hands down, none can touch the sublime beauty of Corelli's version. This 2cd set of his greatest arias is a wonderful gift for any opera fan. "Recondita Armonia" is my personal favorite. His thrilling vocal beauty and intensity of performance is truly unforgettable.
Ah... Franco :}.......2007-01-10
Such a pleasing voice. I can't believe the clarity and perfection. He was well before my time and others have become more 'popular' since then, but for some reason his voice seems better than the more current singers. I do not know much about opera so I will have to rely only on my own ears. I happily recommend this double album. I like to have it playing on the 5 CD changer with other opera cds, mixing through them...it is a perfect saturday morning accompaniment. enjoy.
Average customer rating:
- Glorious Renee
- One of Miss Fleming's absolute bests!
- An amazing cd and a great introduction into the world of opera
- The New La Divina
- Gorgeous
|
Renée Fleming
Giacomo Puccini , Jules Massenet , Georges Bizet , Alfredo Catalani , Ruggero Leoncavallo , Francesco Cilea , Charles Gounod , Giuseppe Verdi , Vincenzo Bellini , London Philharmonic Orchestra , Sir Charles Mackerras , Renée Fleming , and London Voices
Manufacturer: Decca
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- Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
- Renee Fleming: By Request
- Renée Fleming - Signatures ~ Great Opera Scenes / Sir Georg Solti
- Renée Fleming: Bel Canto
- Sacred Songs
ASIN: B00004YLU5
Release Date: 2000-09-26 |
Tracks:
- Puccini: O mio babbino caro - Gianni Schicchi
- Puccini: Un bel di vedremo - Madame Butterfly
- Puccini: Quando men vo - Musetta's waltz - La Boheme
- Puccini compl. Alfano: Signore, ascolta - Turandot
- Leoncavallo: Stridono lassu - I Pagliacci
- Cilea: Io son l'umile ancella - Adriana Lecouvreur
- Catalani: Ebben? Ne adnro lontana - La Wally
- Massenet: Je suis encore etourdie - Manon
- Massenet: Adieu notre petite table - Manon
- Bizet: Micaela's aria - Carmen
- Gounod: Je veux vivre - Romeo & Juliette
- Verdi: come in quest'ora bruna - Simon Boccanegra
- Bellini: Casta Diva - Norma
- Verdi: Bolero - Les Vepres Siciliennes
Amazon.com essential recording
Surely, Renée Fleming has one of the most beautiful voices to be heard anywhere today. It combines velvety warmth, creamy richness, soaring radiance, and flawless purity, and seems to flow out without effort, every tone impeccably centered and in tune, capable of almost too much variety of color and nuance. Fleming's breath control is incredible; she can spin out long, arching phrases and build up climaxes with thrilling intensity. The program of this recital displays Fleming's vocal and dramatic gifts to full advantage, and includes both familiar and lesser-known arias from Italian and French operas. Although some of these are not in her repertoire, she clearly feels close to them. The three opening Puccini favorites from Gianni Schicchi, Madama Butterfly, and La Bohème are a bit fussy and over-inflected, hardly suited to the characters' simplicity; but, from then on, Fleming seems completely at one with both her tragic and her lighthearted heroines. She captures their warm inwardness, rapture, passion, ecstasy, and desperation; darkening and lightening her voice at will. Her top notes soar gloriously, her trills laugh. The orchestra is splendid, supporting her all the way and sounding wonderful. --Edith Eisler
Customer Reviews:
Glorious Renee.......2007-03-28
I just love Renee Fleming's voice. It reminds me so much of the fabulous Anna Moffo - my personal favorite since childhood. My mother played Anna Moffo records for me while I was a tiny bit in my crib. So try to reprogram oneself after hearing such loveliness in the universe. Both ladies have a creamy voice, elegant phrasing and classical beauty. I agree with the prior reviewer that every soprano should record "O mio babbino caro". And if Renee did not record it, well then we'd be missing her version.
The more that I listen to Renee's music or see her in recitals, the more I adore the lady. The standouts on this disc are "Casta diva", "Lo son l'umile ancella", "Je suis encor tout etourdie", and "Ah! Je veux vivre", "Signore ascolta", etc.
One of Miss Fleming's absolute bests!.......2006-05-09
This is definitely one of my all-time favorite Renee Fleming albums if not THE favorite! Her voice totally shines in every single aria on here, and she seems can totally drag you into the world of each of the characters. What can I say? Ms. Fleming just never fails to impress me. Everything that she sings she seems to be able to bring something unique to it.
An amazing cd and a great introduction into the world of opera.......2006-04-20
I recommend this cd for those who want to get into opera but don't know where to start. Fleming tackles a diverse range of styles and never disappoints. Her Un bel di vedremo ranks up there with the best sopranos and is the standout track for me.
The New La Divina.......2005-11-22
Renee Fleming is the most sheerly beautiful voice in opera since Montserrat Caballe. Her Casta Diva is stunning, and the high note at the end of Merci jeune amies is pure virtuoso. I love her Puccini, Massenet and Verdi as well. Fleming said that she doesn't class herself amongst "the greats", but I do!
Gorgeous.......2005-09-30
This album says soprano standard repertoire all over it, but Renee will knock your socks off with her interpretations of these standard hits. Although she doesn't sing much Puccini, her Puccini arias are to die for. Her "Un bel di vedremo" (Madama Butterfly) gives me chills everytime I hear it. Her French arias are also breathtakingly gorgeous. Micaela's aria is so warm and beautiful, as is Juliette's. This is a fabulous recording, and I recommend it to everyone.
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- Great CD! Check it out!
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Kiri Te Kanawa - Greatest Hits ~ 14 Favorites of Opera, Popular & Traditional Song
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Similar Items:
- Kiri
- Kiri Te Kanawa - Ave Maria
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ASIN: B00000J28B
Release Date: 1999-06-08 |
Tracks:
- Suor Angelica: Senza Mamma
- Louise: Depuis Le Jour
- The Last Rose Of Summer
- Adriana Lecouvreur: Ecco, Respiro Appena
- Mefistofele: L'altra Notte In Fondo Al Mare
- All the Things You Are
- The Pearl Fishers: Ma Voila Seule... Comme Autrefois
- Always
- Smoke Gets In Your Eyes
- Turandot: Signore, Ascolta!
- Greensleeves
- Andrea Chenier: La Mamma Morta
- Die Tote Stadt: Gluck, Das Mir Verblieb
- Annie Laurie
Customer Reviews:
Great CD! Check it out!.......2003-01-24
I got this CD on a shopping spree a while back and I just totally forgot to listen to it until now and I am sure glad that I did. I'm not very familiar with Dame Kiri's work on the whole, but this CD does a great job of introducing the tremendous breadth of style and vocal character that she has. If for no other reason, buy this CD for the traditional and popular songs. I've never heard these pieces done with such beautiful style, clarity and comfort in the diction.
Get this CD!.......2000-01-23
This CD is absolutely wonderful! The range of songs on the CD show just how versitile Kiri Te Kanawa really is. Anyone who appreciates a beautiful voice will be rewarded by this CD time and time again. It is a must buy!
Average customer rating:
- A fab collection of the loveliest soprano voice ever!!!!!!!!!!!!!!!!!!!1
- LA SUPERBA!
- Madame Caballé is great!!!
- Amazing collection!
- Cannot be called an "ultimate" collection
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Montserrat Caballé: Ultimate Collection
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Similar Items:
- Very Best of
- Diva:Montserrat Caballe
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ASIN: B00000J914
Release Date: 1999-05-25 |
Tracks:
- La Boheme: Si. Mi chiamano Mimi
- Norma: Casta diva
- L'Assedio di Corinto: Giusto ciel! In tal periglio
- Sapho: O ma lyre immortelle
- Semiramide: Serbami ognor... Alle piu calde immagini
- Otello: Piangea cantando (Willow Song) -
- Otello: Ave Maria
- Herodiade: Il est doux, il est bon
- Lucrezia Borgia: Tranquillo ei posa... Com'e bello!
- Suor Angelica: Senza mamma
- Rigoletto: Caro nome
- La Sonnambula: Ah! non credea mirarti
Tracks:
- La Traviata: E strano, e strano! -
- La Traviata: Follie! Follie! -
- La Traviata: Sempre libera degg'io
- TOSCA: Vissi d'arte
- Il corsaro: Egli non riede ancora!
- Il corsaro: Non so le tetre immagini
- Armida: D'amore al dolce impero
- I Pagliacci: Qual fiamma avea nel guardo!
- Roberto Devereux: E Sara in questi orribili momenti... Vivi, ingrato
- Il Trovatore: D'amor sull'ali rosee
- Stabat Mater: Inflammatus et accensus
- Adriana Lecouvreur: Io son l'umile ancella
- Anna Bolena: Al dolce guidami
- Adelson e Salvini: Dopo l'oscuro nembo
- I Vespri Sicillani: Arrigo! Ah, parli a un core
Customer Reviews:
A fab collection of the loveliest soprano voice ever!!!!!!!!!!!!!!!!!!!1.......2005-12-23
First off this two cd set is for the price of one,that is always great.Montserrat caballe is the star of this cdset,and she demonstrates all that is beautiful in singing,on ever track.Her ave maria from othello is included here.It is one of the best performed arias by caballe ever,she ends it with a heavenly piano top note.Also included is her magical casta diva from norma.Caballe sings all these arias with her legendary sound and breath control.On this set there are plenty of examples of long sustained notes,seemless legato,glorious high notes,and magically floated soft notes.Check out the cover to,there are some great photos of Caballe in opera costumes.These cds have great sound,and play for over two hours,too.
LA SUPERBA!.......2005-11-22
Montserrat Caballe is an amazing person and an amazing singer. In my opinion she has a more beautiful voice than Maria Callas. The high notes she reaches are just fantastic! Her Sempre Libera is the best ever! Her Ave Maria is stunning and her Vissi D arte is really moving. Her voice is so beautiful, it's as if it's an angels voice coming from her.
Madame Caballé is great!!!.......2003-04-06
This collection of Caballé's recordings is fantastic! Her soprano is the most beautiful that has been recorded. L. Price, Tebaldi, Ponselle, and a few others have gorgeous voices, but can any of those voices compare with Caballé's? Caballé's singing throughout is of the highest standard. Her "Ave Maria" is spectacular. "Vissi d'arte, vissi d'amore" has never sounded more beautiful. I love her "Non so le tetre immagini". Such beautiful singing does not come any better than this. Her "Caro nome" is disappointing. She is clearly not suited to this aria. "Inflammatus et accensus" is glorious. The later recordings are nice, but they are not the best Caballé has committed to disc. "Il est doux, il est bon" betrays a slight wobble in her otherwise still beautiful voice. "Dopo l'oscuro nembo" features very respectable soft singing from Caballé. This version does not do justice to Bellini's exquisite orchestration. For a version that does, check out Opera Rara's "The Collection: Volume 2". That version features competent singing from an inferior-voiced soprano, but the orchestra is ravishing. The one reviewer who mentioned the aria from "I Vespri Siciliani" as having "fioriture effects Berio could sign on to" is incorrect. The aria included here is not "Mercè, dilette amiche". That aria is more famous and much more florid than the aria included in this collection, "Arrigo, parli a un core". By the way, Caballé performs this aria ravishingly well. This is a superb testament to one of the all-time greats in opera.
Amazing collection!.......2003-04-05
I will write this review objectively, but I will not avoid praising Caballé when praise is due.
First off, this compilation is amazing! I have always thrilled to hearing Caballé's voice and this compilation is no different. I am amazed at Caballé's instrument; such extraordinary purity combined with great power! Even when she sings pianissimo, she can be clearly heard! Her voice literally fills up the room. These arias really show off her remarkable voice. Of special note is her rendition of the hauntingly beautiful "Non so le tetre immagini". Amazing! Her "D'amor sull'ali rosee" is exquisite, but she sings it too softly. Her trill is quite weak. Voices like hers don't respond well to being forced to trill. The tracks from the 1990's show off the remarkable preservation of her voice. The voice retains its purity and beautiful timbre, but is now heavier and darker. "Sempre libera" is not that good. Her coloratura is not up to par with Verdi's demands and she cannot hit the high E-flat at the end. However, she sings the main part of Violetta's aria very well, with supple, gorgeous tone and ravishing pianissimos. "Ah! non credea mirarti" is ravishing, but it is missing its energetic cabaletta. Presumably, it was cut because Caballé could not deal with the coloratura. Caballé's legato lines in this aria are superb. Her version of the "Lucrezia Borgia" Prologue is masterful. Elizabeth's last aria from "Roberto Devereux" is noble and touching. She is not quite Sills, but that aria benefits from a spinto voice instead of a soubrette one. Her aristocratic phrasing is very well used throughout the selections, with a few exceptions. Her "Willow Song" is beautiful, first time on CD. However, she fails to completely show Desdemona's despair. Some parts were good, but the whole thing failed to touch the heart. Her phrasing here is too indulgent. I have to say that I prefer Sutherland's touching version on her "The Art of the Prima Donna" recording. However, I loved "Ave Maria". Caballé sounds most beautiful when singing softly and this selection really shows her in the best light. Her cadenzas are intoxicatingly beautiful. "Caro nome" is not really her aria. The coloratura is suspect and some of the staccati are replaced with upward flourishes. She avoids the last short passage of staccati. Her phrasing in this aria is way too indulgent and she really fails to suggest Gilda's innocence. Even Sutherland is better at portraying Gilda's girlish qualities. Her "Armida" aria has some nice coloratura. She does the runs really well and is fearless in the triplet passages. For some reason, she does not sing the second "fronde" in the first line of the third stanza nor does she sing the last line of this stanza, "i muti abitator". She also does not sing the last line of the fifth stanza, "il tempo vorator". Caballé's first recorded version of "Vissi d'arte, vissi d'amore" is included here. This just may be the most beautiful version of this aria ever recorded. It certainly is Caballé's best version of the aria. The climax is handled in one breath by Caballé. She diminuendos the big high note twice in the same breath. Amazing! The rolling of the "r" in "Signor" after the last diminuendo is quite nasal and reminds us that the sound we are hearing is coming from a human throat. It also shows that these diminuendos are natural and not studio produced. She infuses Tosca's aria with real feeling and piety. The compilation ends with a knockout reading of "Arrigo, parli a un core". Caballé is at her best in this aria. She sings softly to stunning effect. This version may be the most beautiful of this particular aria ever recorded. RCA has done Caballé justice with this wonderful collection. Caballé is truly a remarkable artist with a million-dollar voice. Brava!
Cannot be called an "ultimate" collection.......2003-02-05
This is a prime example of the a major recording label being fickle with the goods, in order to force you to continue buying other recitals and full-length studio recordings. Of course, any Caballe fan would already want to own those other recordings anyway, so the point is moot.
Other reviewers here have cried out against the exclusion of one of her most essential and artistic roles, Imogene from Il Pirata. I would like to emphatically express the same. In fact, I would even have settled for the exclusion of Casta Diva, in favor of Col Sorriso di Innocenza.
Some other stellar recordings not represented her are the Sleepwalking Scene from MacBeth, and Pace, Pace Mio Dio from La Forza del Destino. Also worth mentioning is her O Patria Mia from Aida. She might not be Leontyne Price or Martina Arroyo, but she gives a superb reading of this wonderful aria.
Of course, brevity does require some editing- a true "Ultimate" Caballe collection would span four or five CDs, at least- but to include late-career and less-than-best selections at the expense of others is a crime.
Perhaps the major Opera labels should start letting fans put together the track lists for these "best of" collections! We could do a much better job.
Average customer rating:
- Operatic icon. Performer against which others are measured.
- La Divina set the stage
- The queen of opera
- Essential!
- The entire La Divina series is AMAZING!
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La Divina 2
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Similar Items:
- Maria Callas - La Divina
- Maria Callas: La Divina 3
- Maria Callas: The Legend
- The Very Best Of Maria Callas
- The Passion of Callas
ASIN: B000002RTT
Release Date: 1994-07-19 |
Tracks:
- Alceste: Divinites du Styx Acte 1
- Carmen: Les tringles des sistres tintaient Acte ll
- Ernani: Surta e la notte......Ernani! Ernani, involami Atto l
- Manon Lescaut: In quelle trine morbide Atto ll
- Aida: Ritorna vincitor Atto l
- Orphee et Eurydice: J'ai perdu mon Eurydice Acte lV
- I vespri siciliana: Bolero: Merce, dilette amiche Atto V
- Louise: Depuis le jour Acte lll
- La Boheme: Donde lieta usci Atto lll
- Mignon: Ah, pour ce soir...Je suis Titania Acte ll
- La Traviata: Teneste la promessa...Addio, del passato Atto lll
- Don Carlo: O don fatale Atto lll
- Samson et Dalila: Printemps qui commence Acte l
- La Sonnambula: Compagne, teneri amici...Come per me sereno Atto l
- Adriana Lecouvreur: Ecco: respiro appena...Io son 'lumile ancella Atto l
- Lucia di Lammermoor: Spargi d'amaro pianto Atto lll
Customer Reviews:
Operatic icon. Performer against which others are measured........2007-05-26
Maria Callas may be the only female operatic 'superstar' working in my lifetime. In the 1950s and early 1960's, she had all the star power and paparrazi draw of Jackie and Marilyn, far outstripping the fame to the world at large of her primary rival, Renita Tibaldi. I am not an expert, or even an experienced amateur at evaluating operatic sopranos; however I've listened to several of the modern crop, and while the newbies probably do a better job of keeping on key, none of them can match the drama emoted by Ms. Callas on any given aria. All three releases are especially good buys, as they all run to over 72 minutes; however the recording quality does show its early (pre-multitrack, pre-digital) recording technology. Each is as good as the next regarding content, but 2 and 3 are a bit better in sound quality.
La Divina set the stage.......2007-01-05
Maria Callas, as I understand it (I'm not a music expert), helped create a new interest in the bel canto tradition of Donizetti and Bellini at mid-twentieth century. This album represents those composers, plus many others as well.
Callas' range in choice of operatic material is great indeed. Selections on this CD run from Gluck to Donizetti to Bizet and Puccini. Her voice, uneven on occasion, does not define her importance. As noted, she helped spark a renewed interest in bel canto works. The irony is that she did not have great coloratura skills. In the selection from Lucia di Lammermoor, a trill is scarcely heard. Think a few years later, to Joan Sutherland, later still to Beverly Sills, and more recently to sopranos such as Angela Gheorghiu. They all have much better technique, trill well, and exhibit much more agile coloratura singing. But Callas was an important predecessor.
More important than technique is the passion that many heard in her voice and her presence on stage. This is a good introduction to the range of Callas' repertoire and a reminder of this fiery singer from decades ago.
The queen of opera.......2004-05-16
Absolutely beautiful! Divine is the only word to do her justice! Viva La Divina, BRAVISSIMA!
Essential!.......2004-04-04
All three La Divina Albums are essential indeed! I bought them all and enjoy them! A very beautiful, dramatic voice!
The entire La Divina series is AMAZING!.......2004-02-26
I bought all three La Divina Releases and they're all splendid. Brilliant, for Callas and beyond!
Average customer rating:
- Beautiful Singing
- Perfect
- I'm a listener, not a critic or singer
- Nice Timbre, Well Balanced voice, Dramatic, but.....
- The Denyce Graves CD I was waiting for
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Denyce Graves - Voce di Donna
Christoph Willibald Gluck , Georges Bizet , George Frideric Handel , Francesco Cilea , Henry Purcell , Amilcare Ponchielli , Gaetano Donizetti , Samuel Barber , Pietro Mascagni , Camille Saint-Saëns , Jules Massenet , Maurizio Barbacini , and Denyce Graves
Manufacturer: RCA
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- American Anthem
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ASIN: B00000JMH2
Release Date: 1999-08-24 |
Tracks:
- Carmen: Quand je vous aimerai?... L'amour est un oiseau rebelle - (Habanera)
- Carmen: Pres des remparts de Seville - (Seguidilla)
- Orfeo ed Euridice: Ahime!...Che faro senza Euridice?
- La Gioconda: Voce di donna
- Adriana Lecouvreur: Acerba volutta
- Dido and Aeneas: Thy hand, Belinda... When I Am Laid In Earth
- Amadigi di Gaula: D' un sventurato amante...Pena tiranna
- La Favorite: Fia dunque vero...O mio Fernando!
- VANESSA: Must The Winter Come So Soon
- Vavalleria rusticana: Voi lo sapete
- Werther: Werther, Werther! - (Air des lettres)
- Werther: Va! Laisse couler mes larmes
- Samson et Dalila: Printemps qui commence
- Samson et Dalila: Samson...Amour! Viensaider ma faiblesse!
Amazon.com
This isn't mezzo-soprano Denyce Graves's first solo disc (she has previously released a compilation of romantic opera heroines), but it's definitely her most impressive. Like many beginning recording artists, she hasn't always been able to project her stage electricity into the microphone, but with such a sumptuous voice, one doesn't always mind. Here, though, there's not a dull moment in two choice arias each from roles Graves has sung often onstage: her signature role of Carmen and her almost-as-famous Dalila. There's also a fairly promising preview of the Charlotte from Werther, which she'll sing with Andrea Bocelli in October 1999 in Detroit, though one senses she still has work to do in learning to act with her voice. Two baroque-period selections, an aria from Handel's Amadigi and Purcell's famous "When I Am Laid in Earth" from Dido and Aeneas, suffer from imprecise diction and messy ornaments. But the aria in which Graves sounds most emotionally present is, oddly enough, "Must the Winter Come So Soon" from Barber's Vanessa. Her vivid reading reminds you of what happens onstage with her and hopefully what's to come on recordings. --David Patrick Stearns
Customer Reviews:
Beautiful Singing.......2005-10-01
Ms. Graves' voice is so warm. The sound is so impressive!!! There has been debate on whether or not she is truly a mezzo-soprano. Some critics feel that she is a true contralto with an extended upper range. The role of Dalila, is also considered borderline mezzo-soprano and contralto. Anyway, her voice has total ring in every tone. The rich sound that she produces is totally even from her bottom register to her top. The baroque selections need to be maybe a little lighter and more pure, but I am not that petty. I just believe that she is absolutely wonderful!!! Brava Ms. Graves!!!
Perfect.......2005-09-27
There is nothing I can say other than this is the perfect recording. Denyce Graves has chosen arias that we don't always get to hear and I thank her for doing so, she breathes live into the old standards from "Carmen" and introduces us to arias that will undoubtably become new favorites. Denyce's voice is absolutely fabulous, it's powerful yet calm and perfectly refined, I can say nothing bad about her voice or this recording.
I'm a listener, not a critic or singer.......2005-03-23
Unlike the other reviewers here, I'm an amateur piano player, and ocassionally listen to classical music. Several years ago while flipping, I came across Ms. Graves. I was totally blown away. I introduced her to my father who is an avid fan of the opera before he passed on.
While vocal crisis is a terrible thing for any singer to suffer (and I do worry about Ms Graves too), just step aside and listen to her render these time tested works for just a moment. Perhaps like me, you'll end up continually repeating this album on your iPod for hours on end. The final two tracks from Samson and Delilah makes your hair stand on end and your knees weak.
Nice Timbre, Well Balanced voice, Dramatic, but............2004-01-10
Denyce Graves has a lot of potential in this Album "Voce Di Donna". These are some of the most interesting Operas of it's time. They have stood the test of time. And such emotional airas as from Vanessa's Opera, when she sings the role of Erika in "Must the winter come so soon" is something. But other songs as I noticed in "Acerba Volutta" When she comes to substaining the high A6 note, she sounds as though she had to push her voice a little. And the same in "O mio Fernando" The A6 sounds more pushed at the end. In "Pres des remparts de Seville", the B6 sounds somewhat thin, but otherwise, she performs it very well. Denyce Graves has a lot of potential, but she should perform airas and in Operas as to her vocal comfort. Pushing the voice often isn't a good thing, as can lead to vocal Crisis. But nontheless, this is a good Opera Album. I can't wait till she puts out another CD.
The Denyce Graves CD I was waiting for.......2001-07-24
A much superior offering to her Heroines of French Romantic Opera offering, I feel. Her voice rings beautifully. You won't find yourself listening only to her as Carmen. She'll pull you in with the rest of the arias also.
Average customer rating:
- Tebaldi at her best!
- Tebaldi the Great
- A legacy for the ages!
- Best Collection
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La Tebaldi
Manufacturer: Decca
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- Verdi: Il Trovatore
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- La Boheme
ASIN: B0000041Y8
Release Date: 1991-08-09 |
Tracks:
- Madama Butterfly: Un bel dvedremo
- La Boheme: Si, mi chiamano Mimi
- TOSCA: Vissi d'arte
- Mefistofele: L'altra notte
- Aida: Ritorna vincitor
- Otello: Mia madre aveva...Piangea cantando...Ave Maria - Verdi
- Il Trovatore: Siam giunti...D'amor sull'ali rosee
- Verdi: Pace, pace, mio Dio!
- Guglielmo Tell: S'allontanano alfine!...Selva opaca
- Adriana Lecouvreur: Ecco, respiro appena...Io son l'umile ancella
- Cecilia: Grazie sorelle
Tracks:
- Gianni Schicchi: O mio babbino caro
- Suor Angelica: Senza mamma, o bimbo
- Andrea Chenier: La mamma morta
- La Wally: Ebben?... Ne andro lontana
- Don Carlo: Tu che la vanit
- Un Ballo in Maschera: Ecco l'orrido campo...Ma dall'arido stelo divulsa
- Un Ballo in Maschera: Morro, ma prima in grazia
- Giovanna d'Arco: Oh ben s'addice...Sempre all'alba
- Turandot: In questa reggia
- La Gioconda: Suicidio!
- La rondine: Sogno di Doretta
- Cavalleria Rusticana: Voi lo sapete
- L'arlesiana: Esser madre e un inferno
Customer Reviews:
Tebaldi at her best!.......2007-04-07
I'd highly recommend these CDs!They have a little of everything. They'd make an excellent addition to anyone's opera collection. Her voice is etherial!
Tebaldi the Great.......2007-02-19
Renata Tebaldi is one of the glorious voices of the past half century. Recordings here come from the 1950s and 1960s. She had a sumptuous spinto voice, clearly manifest on this 2 CD set. Here are some of her "greatest hits." As would be expected, the repertoire of Puccini and Verdi is heavily represented here.
She "leads off" with "Un bel di" from Puccini's "Madame Butterfly." Her voice brings life to this aria; her characterization is right on. At the point, where the volume of her voice increases, the sound remains lush; there is no bleating or ugliness in her singing.
There follow two more classic Puccini arias that Tebaldi does justice to. "Si, mi chiamano Mimi" from "La Boheme" is a wonderful version of this work. She captures the poignancy in Mimi's character. Her work here can probably justly be termed "iconic." In short, this is a ravishing turn by "La Tebaldi." So, too, is her take of "Vissi d'arte" from "Tosca." One can understand the enthusiasm of her claque at La Scala as one listens to her singing. Her rich voice fits these roles nicely; her characterization is well rendered. Her version of "Ritorna vincitor" from Verdi's "Aida" is also well done. Her voice richly captures the character and fits the music well.
Verdi and Puccini are not the only composers represented on this 2 CD set. Also recorded are her singing Boito ("Mefistofele"), Rossini ("William Tell"), Cilea ("Adriana Lecouvreur"), Giordano ("Andrea Chenier"), Catalani ("La Wally"), and so on. Once more, the selection of music in this set well represents her body of work.
All in all, a satisfying selection of "the greatest hits" of Renata Tebaldi. The "liner notes" conclude by referring to her as possessing "a perfect voice of bewitching beauty." I'm not sure that anyone can achieve perfection (the statement has a bit of hyperbole); nonetheless, her voice is ravishing as already noted. Those interested in her recorded oeuvre would be well rewarded by acquiring this work. The CDs serve well to introduce "La Tebaldi" to those who may not have heard her before. Such listeners will be richly rewarded by that introduction.
A legacy for the ages!.......2001-02-23
Perhaps the greatest spinto and certainly among the greatest sopranos of all times, with an extremely powerful, amazingly beautiful instrument, Renata Tebaldi on this set heard in some of her best moments! I will not repeat comments on her beautiful voice since it often overshadows the pathos with which she performed each role. To me, she knew exactly where to draw the line between acting and singing. Not too much to become annoying, not too little to become boring. This compilation also shows how versatile this soprano was, with repertoire ranging from Puccini and Verdi to Rossini and even Wagner (though no Wagner aria is heard on this particular double cd). In her early years she also performed Mozart roles!
Her Puccini arias will make the most demanding listener cry. Her verdian heroines, enriched with her personal touch, are of exceptional value. Her Desdemona (Otello), Donna Leonora (Forza del destino) and Aida stand perhaps out. Her many verisimo roles sooo moving, full of sorrow and pain, exactly how they are supposed to sound. Just listen to "La mamma morta"! An unsurpassed shocking experience! A previous reviewer (F.W.Barton) correctly mentioned that not all moments are from her complete studio recordings, so this is a unique chance to enjoy alternative Tebaldi performances. Strongly recommended!!!!
Best Collection.......2001-01-11
If you love the warmth and power of Renata Tebaldi then this collection is for you. This has Two CD's of her best works. My favorites are her "o mio babbino caro" her tosca which isnt as dramatic as callas but has a vocal warmth in that aria that makes her voice so perfect for the aria. Another soothing aria would be her Un del di from Butterfly what sweetness and amazing finish to that aria!!! Her amazing power was noticed in La mamma morta and In questa reggia ( which was sooo good that it made me wonder WHY DIDNT SHE SING THIS ROLE ON STAGE) oh and of course her Suicido was also very well done.....Renata Tebaldi was without a doubt one of the best of the century...and this collection proves it.
Modified rapture.......2000-04-24
I bought this collection of Tebaldi's Decca recordings with the hope to experience some great singing. However, I can't help feeling a bit disappointed in the end. There are some thrilling performances here, for example, the dark, passionate renditions of the arias from La Gioconda and L'arlesiana, but overall, the achievements are rather uneven. Tebaldi certainly possesses a most beautiful and powerful voice, something to take bath in. Yet, she evinces little of the psychological insights, intense pathos and interpretive individuality of Claudia Muzio, Meta Seinemeyer, Maria Callas and Leonie Rysanek. Compare her performance of 'Ma dall'arido Stelo divulsa' from Verdi's 'Un Ballo in Maschera' with that by Leonie Rysanek (On RCA Living Stereo): The aria is magnificently vocalised by Tebaldi, but it is Rysanek who effectively combine vocal opulence with dramatic insights, evincing Amelia's exteme desperations. Perhaps Tebaldi was constrained by the restrictions and protocols of recording studios and unable to realise her full dramatic potentials --- in this case she is best heard on live recordings where we could experience her in full flight. Furthermore, the 1964 Come back album items on the second disc demonstrate a voice that has lost much of its pristine freshness and youthfulness, even though there are exciting things to hear. Still, the beauty of the voice and the sincerity of utterances are there for us to experience. For ardent Tebaldi fans, this is definitely a must, but for those looking for truly great singing and acting, you might want to look elsewhere for Tebaldi's live recordings and Maria Callas, etc.
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Nessun Dorma
Manufacturer: Elektra / Wea
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ASIN: B000000SFA
Release Date: 1991-08-02 |
Tracks:
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- Vesti la giubba
- Ma se m'e forza perdeti
- Cielo e mar!
- LA dolcissima effgie
- Neussun dorma!
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