| Disc: 1 | |||
|---|---|---|---|
| 1. Overture | |||
| 2. List and Learn, Ye Dainty Roses | |||
| 3. Good Morrow, Pretty Maids | |||
| 4. For the Merriest Fellows | |||
| 5. Buon Giorno, Signorine | |||
| 6. We're Called Gondolieri | |||
| 7. And Now to Choose Our Brides | |||
| 8. Thank You Gallant Gondolieri | |||
| 9. From the Sunny Spanish Shore | |||
| 10. In Enterprise of Martial Kind | |||
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See all 24 tracks on this disc
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| Disc: 2 | |||
| 1. Of Happiness the Very Pith | |||
| 2. Rising Early in the Morning - Richard Lewis | |||
| 3. Take a Pair of Sparkling Eyes | |||
| 4. Here We Are at the Risk of Our Lives - Alex Young | |||
| 5. Dance a Cachucha, Fandango, Bolero - Owen Brannigan | |||
| 6. There Lived a King - Monica Sinclair | |||
| 7. In a Contemplative Fashion | |||
| 8. With Ducal Pomp and Ducal Pride - Monica Sinclair | |||
| 9. On the Day When I Was Wedded | |||
| 10. To Help Unhappy Commoners - Owen Brannigan | |||
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See all 15 tracks on this disc
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The Gondoliers,John Cameron,Sir Geraint Evans,James Milligan,Owen Brannigan,Arthur Sullivan,Malcolm Sargent,Pro Arte Orchestra,Edna Graham,Elsie Morison,Lavinia Renton,Stella Hitchens,Alexander Young,Richard Lewis,Capitol,British Operetta,Classical,Classical Music,Opera,Opera / Operetta / Oratorio
Average customer rating:
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The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OU0 Release Date: 1998-06-09 |
Tracks:
- H.M.S. Pinafore: We Shall Sail The Ocean Blue
- H.M.S. Pinafore: I'm Called Little Buttercup
- H.M.S. Pinafore: My Galant Crew, Good Morning
- H.M.S. Pinafore: I'm The Monarch Of The Sea
- H.M.S. Pinafore: When I Was A Lad
- H.M.S. Pinafore: Nevermind The Why And Wherefore
- H.M.S. Pinafore: Kind Captain, I've Important Information
- H.M.S. Pinafore: Carefully On Tip - Toe Stealing
- H.M.S. Pinafore: For He Is An Englishman
- The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
- The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
- The Pirates Of Penzance: With Cat Like Tread
- The Sorcerer: My Name Is John Wellinton Wells
- The Gondoliers: Take A Pair Of Sparkling Eyes
- Patience: If You're Anxious To Shine
- The Mikado: If You Want To Know Who We Are
- The Mikado: A Wand'ring Minstrel I
- The Mikado: Behold The Lord High Executioner
- The Mikado: As Someday It May Happen
- The Mikado: Three Little Maids From School Are We
- The Mikado: The Sun Whose Rays Are All Ablaze
- The Mikado: Here's A How - De - Do!
- The Mikado: From Ev'ry Kind Of Man Obedience I Expect
- The Mikado: A More Humane Mikado Never Did In Japan Exist
- The Mikado: The Criminal Cried As He Dropp'd Him Down
- The Mikado: The Flowers That Bloom In The Spring, Tra La
- The Mikado: On A Tree By A River A Little Tom Tit
- The Mikado: There Is Beauty In The Bellow Of The Blast
- The Mikado: For He's Gone And Married Yum-Yum
Customer Reviews:
Well worth the price.......2006-04-13
Not Exactly "The Ultimate" Collection..........2004-12-23
In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.
Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.
Where's the chicks?!?!.......2003-05-15
Not quite the ultimate...........2002-03-25
Great Music - Questionable Selection.......2002-02-05
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Gilbert & Sullivan: The Gondoliers
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029KH Release Date: 1993-10-19 |
Customer Reviews:
Gilbert & Sullivan at their best!.......2005-07-20
Good later G&S.......2002-01-30
This CD contains excellent performances by John Rath as Don Alhambra, Jill Pert as the Duchess of Plaza-Toto and the usual fine comic performance by Richard Suart as the Duke of Plaza-Toro.
The score is particularly fine, with Sullivan showing his mastery of many musical types, as the liner notes indicate, such as the waltz, the gavotte, the saltarello and the tarantello. It is a very vibrant and upbeat score.
The libretto is very clever, and Gilbert's sense of satire is never sharper than here. There are amusing songs as the democratic Gondoliers make Barataria into a model of social equality, and the Duke and Duchess relate the story of their product endorsements -- like the Mikado, all the satires are really about Victorian England, not about the land in which the stories are staged.
The story's plot relies on a typical Gilbert device -- babies "switched at birth" make one of the two Gondoliers -- no one is sure which one -- the rightful King of Barataria, promised to the Duke's daughter, Casilda. This interferes with the Gondoliers' plan to marry their sweethearts, and provides much of the humor as the Gondoliers attempt to adjust to their new social position. There is, of course, the usual Gilbertian plot twist at the end to resolve everything happily.
This is a very fun opera to listen to; with almost none of the wistfulness that haunts the Mikado, Pinafore, or the Yeomen of the Guard.
Definitive.......2000-07-01
Well worth the investment, even if you have the excellent 1960 recording.
the best choice so far.......1999-07-18
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The Very Best of Thomas Hampson
Marc Barrard , Thomas Hampson , Csaba Airizer , Georges Bizet , Charles Wakefield Cadman , Stephen Foster , Charles Gounod , Edvard Grieg , Charles Tomlinson Griffes , Imre (Emmerich) Kalman , Erich Wolfgang Korngold , Franz Lehar , Gustav Mahler , Jules Massenet , Giacomo Meyerbeer , Gioachino Rossini , Franz Schubert , Robert Schumann , Johann II Strauss , Ambroise Thomas , Giuseppe Verdi , Richard Wagner , Carl Maria von Weber , Antonio de Almeida , Antonio Pappano , Eugene Kohn , and Fabio Luisi Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006VYEI2 Release Date: 2005-04-26 |
Tracks:
- La Ran La Lera...Largo Al Factotum
- O Sainte Medaille...Avant De Quitter Ces Lieux
- Ce Breuvage...Vision Fugitive
- C'est Toi...Au Fond Du Temple Saint - Placido Domingo
- La Fatigue Alourdit Mes Pas...Comme Une Pale Fleur
- Ecoute!...Dieu, Tu Semas Dans Nos Ames
- C'est Mon Jour Supreme
- Tout Est Desert...Son Regard
- Ove Son Io?...Vada In Fiamme
- Perfidi! All'Anglo Contro Me...Pieta, Rispetto Amore
- Di Provenza Il Mar, Il Suol
- E Sogno? O Realta?
- Komm!
- Der Garten Des Herzens
- Lied Des Venezianischen Gondoliers
- Le Lazzarone
- L'Ultimo Ricordo
Tracks:
- Mein Sehnen, Mein Wahnen
- Wo Berg' Ich Mich?...So Weih' Ich Mich Den Rachgewalten
- Wie Todesahnung...O Du Mein Holder Abendstern
- Gruss Op.48 No.1
- Im Wunderschonen Monat Mai
- Aus Meinen Tranen Spriessen
- Die Rose, Die Lilie
- Ich Will Meine Seele Tauchen
- Ich Grolle Nicht
- Gute Nacht
- Die Post
- Blicke Mir Nicht In Die Lieder
- Ich Atmet' Einen Linden Duft
- Ich Bin Der Welt Abhanden Gekommen
- Von Der Schonheit
- O Vaterland, Du Machst Bei Tag
- Als Flotter Geist
- Komm, Zigany
- An Old Song Re-Sung
- At Dawning (I Love You) Op.29 No.1 - Armen Guzelimian
- Jeanie With The Light Brown Hair
- Beautiful Dreamer
Album Description
Details TBA. EMI. 2005.Customer Reviews:
SImply Untrue.......2006-08-16
an extra star for all the guest artists.......2006-05-08
An Homage to a Great Artist.......2005-10-30
The two disc set includes arias from operas: Rossini's 'Il barbière di Siviglia', von Weber's 'Euryanthe', Gounod's 'Faust', Massenet's 'Hérodiade', Bizet's 'Les Pêcheurs de perles' (in duet with Placido Domingo), Thomas' 'Hamlet', Verdi's 'Don Carlo', 'Il Travatore', 'Macbeth', 'La Traviata', and 'Falstaff', Korngold's 'Die Tote Stadt', and Wagner's 'Tannhäuser'.
But the rewards of a Hampson recording must include his impeccable career as a lieder stylist and on this recording are excerpts from Schumann's 'Dichterliebe', Schubert's 'Winterreise', Mahler's 'Rückert Lieder' and 'Das Lied von der Erde', as well as songs by Meyerbeer, Rossini, Grieg, Kalman, and Lehar. And very importantly there are examples of American songs that Hampson has always emphasized in his recitals. Works by Stephen Foster, and two extraordinary works with the brilliant accompanist Armen Guzelimian - 'An Old Song Re-sung' by Griffes and 'At Dawning' by Charles Wakefield Cadman - round out this fine survey.
Not usually a collector of such 'recombinations', for this listener this album is so very fine that it deserves the attention of all those who appreciate the artistry of Thomas Hampson - then and now. Highly recommended. Grady Harp, October 05
superb vocals.......2005-08-07
Average customer rating:
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Operas of Gilbert and Sullivan
Manufacturer: Avid Records UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001E5U8C Release Date: 2004-04-20 |
Tracks:
- HMS Pianfore: Overture
- HMS Pinafore, Act One: We Sail the Ocean Blue
- HMS Pinafore, Act One: Hail, Men O' War's Men
- HMS Pinafore, Act One: I'm Called Little Buttercup
- HMS Pinafore, Act One: But Tell Me, Who's the Youth
- HMS Pinafore, Act One: The Nightingale Sighed for the Moon's ...
- HMS Pinafore, Act One: A Maiden Fair to See
- HMS Pinafore, Act One: My Gallant Crew, Good Morning
- HMS Pinafore, Act One: I Am the Captain of the Pianfore
- HMS Pinafore, Act One: Sir, You Are Sad
- HMS Pinafore, Act One: Sorry Her Lot Who Loves Too Well
- HMS Pinafore, Act One: Over the Bright Blue Sea
- HMS Pinafore, Act One: I Am the Monarch of the Sea
- HMS Pinafore, Act One: When I Was a Lad I Served a Term
- HMS Pinafore, Act One: A British Tar Is a Soaring Soul
- HMS Pinafore, Act One: Refrain, Audacious Tar
- HMS Pinafore, Act One: Can I Survive This Overbearing?
- HMS Pinafore, Act One: Oh Joy, Oh Rapture Unforeseen
- HMS Pinafore, Act One: This Very Night
- HMS Pinafore, Act One: Let's Give Three Cheers
- HMS Pinafore, Act One: Entr'acte
- HMS Pinafore, Act Two: Fair Moon to Thee I Sing
- HMS Pinafore, Act Two: Things Are Seldom What They Seem
- HMS Pinafore, Act Two: The Hours Creep on Apace
- HMS Pinafore, Act Two: Never Mind the Why and Wherefore
- HMS Pinafore, Act Two: Kind Captain, I've Important Information
- HMS Pinafore, Act Two: Carefully on Tiptoe Stealing
- HMS Pinafore, Act Two: Pretty Daughter of Mine
- HMS Pinafore, Act Two: He Is an Englishman
- HMS Pinafore, Act Two: In Uttering a Reprobation
- HMS Pinafore, Act Two: Farewell My Own
- HMS Pinafore, Act Two: A Many Years Ago
- HMS Pinafore, Act Two: Oh Joy, Oh Rapture Unforeseen
Tracks:
- Ruddigore: Overture
- Ruddigore, Act One: Fair Is Rose as Bright May Day
- Ruddigore, Act One: Sir Rupert Murgatroyd
- Ruddigore, Act One: If Somebody There Chacned to Be
- Ruddigore, Act One: I Know a Youth Who Loves a Little Maid
- Ruddigore, Act One: From the Briny Sea
- Ruddigore, Act One: I Shipp'd d'Ye See, In a Revenue Sloop
- Ruddigore, Act One: My Boy, You May Take It from Me
- Ruddigore, Act One: If Well His Suit Has Sped
- Ruddigore, Act One: In Sailing O'er Life's Ocean Wide
- Ruddigore, Act One: Cheerily Carols the Lark
- Ruddigore, Act One: To a Garden Fulls of Posies
- Ruddigore, Act One: Welcome Gentry for Your Entry
- Ruddigore, Act One: Oh, Why Am I Moody and Sad?
- Ruddigore, Act One: You Understand?
- Ruddigore, Act One: Hail the Bride of Seventeen Summers
- Ruddigore, Act One: When the Buds Are Blossoming
- Ruddigore, Act One: Hold, Bride and Bridegroom
- Ruddigore, Act One: Oh, Happy the Lily
- Ruddigore, Act Two: I Once Was as Meek as a New-Born Lamb
- Ruddigore, Act Two: Happily Coupled Are We
- Ruddigore, Act Two: In Bygone Days I Hade Thy Love
- Ruddigore, Act Two: Painted Emblems of a Race
- Ruddigore, Act Two: When the Night Wind Howls
- Ruddigore, Act Two: He Yields! He Yields!
- Ruddigore, Act Two: I Once Was a Very Abandoned Person
- Ruddigore, Act Two: My Eyes Are Fully Open
- There Grew a Little Flower
- Ruddigore, Act Two: Oh, Happy the Lily
Tracks:
- Patience: Overture
- Patience, Act One: Twenty Lovesick Maidens We
- Patience, Act One: Still Brooding on Their Mad Infatuation
- Patience, Act One: I Cannot Tell What This Love May Be
- Patience, Act One: The Soldiers of Our Queen
- Patience, Act One: In a Doleful Train...Twenty Lovesick Maidens We
- Patience, Act One: When I First Put This Uniform On
- Patience, Act One: Am I Alone and Unoberved?
- Patience, Act One: Long Years Ago, Fourteen Maybe
- Patience, Act One: Prithee Pretty Maiden
- Patience, Act One: Let the Merry Cymbals Sound
- Patience, Act One: Now Tell Us, We Pray You
- Patience, Act One: Your Maiden Hearts
- Patience, Act One: Come Walk Up and Purchase With Avidity
- Patience, Act One: True Love Must Single-Hearted Be
- Patience, Act One: I Hear the Soft Note...But Who Is This?
- Patience, Act Two: Sad Is That Woman's Lot
- Patience, Act Two: Turn, Oh Turn in This Direction
- Patience, Act Two: A Magnet Hung in Hardware Shop
- Patience, Act Two: Love Is a Plaintive Song
- Patience, Act Two: So Go to Him and Say to Him
- Patience, Act Two: It's Clear That Medieval Art Alone Retains Its Zest
- Patience, Act Two: If Saphir I Choose to Marry
- Patience, Act Two: When I Go Out of Door
- Patience, Act Two: I'm a Waterloo House Young Man
- Patience, Act Two: After Much Debate Internal
- Mikado: Overture
Tracks:
- Mikado, Act One: If You Want to Know Who We Are
- Mikado, Act One: Gentlemen, I Pray You Tell Me
- Mikado, Act One: A Wand'ring Minstrel, I
- Mikado, Act One: Our Great Mikado, Virtuous Man
- Mikado, Act One: Young Man, Despair
- Mikado, Act One: And Have I Journey'd for a Month
- Mikado, Act One: Behold the Lord High Executioner!
- Mikado, Act One: As Some Day It May Happen
- Mikado, Act One: Comes a Train of Little Ladies
- Mikado, Act One: Three Little Maids from School
- Mikado, Act One: So Please You, Sir, We Much Regret
- Mikado, Act One: Were You Not Ko-Ko Plighted?
- Mikado, Act One: I Am So Proud
- Mikado, Act One: With Aspect Stern
- Mikado, Act One: Your Revels Cease!
- Mikado, Act One: The Hour of Gladness
- Mikado, Act Two: Braid the Raven Hair
- Mikado, Act Two: The Sun, Whose Rays Are All Ablaze
- Mikado, Act Two: Brightly Dawns Our Wedding Day
- Mikado, Act Two: Here's a How-De-Do!
- Mikado, Act Two: Miya Sama, Miya Sama
- Mikado, Act Two: A More Humane Mikado
- Mikado, Act Two: The Criminal Cried
- Mikado, Act Two: See How the Fates Their Gifts Allot
- Mikado, Act Two: The Flowers That Bloom in the Spring
- Mikado, Act Two: Alone, And Yet Alive!
- Mikado, Act Two: Hearts Do Not Break
- Mikado, Act Two: On a Tree by a River a Little Tom-Tit
- Mikado, Act Two: There Is Beauty in the Bellow of the Blast
- Mikado, Act Two: For He's Gone and Married Yum-Yum
Tracks:
- Trial by Jury: Hark the Hour of Ten Is Sounding
- Trial by Jury: Now, Jurymen, Hear My Advice
- Trial by Jury: Is This the Court of the Exchequer?
- Trial by Jury: When First My Old, Old Love I Knew
- Trial by Jury: Silence in Court...All Hail, Great Judge
- Trial by Jury: When I, Good Friends, Was Called to the Bar
- Trial by Jury: Swear Thou the Jury
- Trial by Jury: Where Is the Plaintiff?
- Trial by Jury: Comes the Broken Flower
- Trial by Jury: Oh, Never, Never, Never
- Trial by Jury: May It Please You, M'Lud!
- Trial by Jury: That She Is Reeling Is Plain to Me
- Trial by Jury: Oh Gentlemen, Listen
- Trial by Jury: That Seems a Reasonable Proposition
- Trial by Jury: A Nice Dilemma We Have Here
- Trial by Jury: I Love Him, I Love Hin
- Trial by Jury: The Question, Gentlemen Is One of Liquor
- Trial by Jury: Oh Joy Unbounded
- Pirates of Penzance: Overture
- Pirates of Penzance, Act One: Pour, Oh Pour the Pirate Sherry
- Pirates of Penzance, Act One: When Frederic Was a Little Lad
- Pirates of Penzance, Act One: Oh, Better Far to Live and Die (I Am ...)
- Pirates of Penzance, Act One: Oh, False One, You Have Deceived Me!
- Pirates of Penzance, Act One: What Shall I Do?...Climbing Over ...
- Pirates of Penzance, Act One: Stop, Ladies, Pray!
- Pirates of Penzance, Act One: Oh, Is There Not One Maiden Breast?
- Pirates of Penzance, Act One: Oh, Sisters, Deaf to Pity's Name
- Pirates of Penzance, Act One: Poor Wandering One
- Pirates of Penzance, Act One: What Ought We to Do?
- Pirates of Penzance, Act One: Stay, We Must Not Lose Our Senses
- Pirates of Penzance, Act One: Here's a First-Rate Opportunity
- Pirates of Penzance, Act One: Hold, Monsters!
- Pirates of Penzance, Act One: I Am the Very Model of a Modern ...
- Pirates of Penzance, Act One: Oh, Men of Dark and Dismal Fate
- Pirates of Penzance, Act One: I'm Telling a Terrible Story
- Pirates of Penzance, Act One: Oh, Master, Hear One Word
- Pirates of Penzance, Act One: Pray Observe the Magnanimity
Tracks:
- Pirates of Penzance, Act Two: Oh, Dry the Glistening Tear
- Pirates of Penzance, Act Two: Then, Frederic, Let Your Escort ...
- Pirates of Penzance, Act Two: When the Foeman Bares His Steel
- Pirates of Penzance, Act Two: Now for the Pirates' Lair!
- Pirates of Penzance, Act Two: Young Frederic!
- Pirates of Penzance, Act Two: When You Had Left Our Pirate Fold
- Pirates of Penzance, Act Two: Away, Away! My Heart's on Fire
- Pirates of Penzance, Act Two: All Is Prepared
- Pirates of Penzance, Act Two: Stay, Frederic, Stay!
- Pirates of Penzance, Act Two: Ah, Leave Me Not to Pine
- Pirates of Penzance, Act Two: In 1940 I of Age Shall Be
- Pirates of Penzance, Act Two: No, I'll Be Brave!
- Pirates of Penzance, Act Two: Though in Body and in Mind
- Pirates of Penzance, Act Two: When a Felon's Not Engaged in His ...
- Pirates of Penzance, Act Two: A Rollicking Band of Pirates We
- Pirates of Penzance, Act Two: With Cat-Like Tread
- Pirates of Penzance, Act Two: Hush, Hush! Not a Word
- Pirates of Penzance, Act Two: Sighing Softly to the River
- Pirates of Penzance, Act Two: And What Is This, And What Is That?
- Pirates of Penzance, Act Two: Frederic Here! Oh Joy!
- Pirates of Penzance, Act Two: Poor Wandering Ones
- Iolanthe: Overture
- Iolanthe, Act One: Tripping Hither, Tripping Thither
- Iolanthe, Act One: Iolanthe!
- Iolanthe, Act One: Good Morrow, Good Mother
- Iolanthe, Act One: Fare Thee Well, Attractive Stranger
- Iolanthe, Act One: Good Morrow, Good Lover
- Iolanthe, Act One: None Shall Part Us from Each Other
- Iolanthe, Act One: Loudly Let the Trumpet Bray!
- Iolanthe, Act One: The Law Is the True Embodiment
- Iolanthe, Act One: My Well-Loved Lord and Guardian Dear
- Iolanthe, Act One: Of All the Young Ladies I Know
- Iolanthe, Act One: Nay, Tempt Me Not
- Iolanthe, Act One: Spurn Not the Nobly Born
- Iolanthe, Act One: My Lords, It May Not Be
- Iolanthe, Act One: A Shepherd I
- Iolanthe, Act One: When I Went to the Bar as a Very Young Man
Tracks:
- Iolanthe, Act One: When Darkly Looms the Day
- Iolanthe, Act One: Oh, Shameless One, Tremble!
- Iolanthe, Act One: In Babyhood Upon Her Lap I Lay
- Iolanthe, Act One: For Riches and Rank That You Befall
- Iolanthe, Act One: To You I Give My Heart
- Iolanthe, Act One: Tripping, Hither, Tripping Thither
- Iolanthe, Act One: The Lady of My Love
- Iolanthe, Act One: Go Away, Madam
- Iolanthe, Act One: Oh, Chancellor Unwary
- Iolanthe, Act One: Young Strephon Is the Kind of Lout (With ...)
- Iolanthe, Act Two: When All Night Long a Chap Remains
- Iolanthe, Act Two: Strephon's a Member of Parliament
- Iolanthe, Act Two: When Britain Really Ruled the Waves
- Iolanthe, Act Two: In Vain to Us You Plead
- Iolanthe, Act Two: Oh, Foolish Fay
- Iolanthe, Act Two: Though P'r'aps I May Incur Your Blame
- Iolanthe, Act Two: Love, Unrequited, Robs Me of My Rest
- Iolanthe, Act Two: When You're Lying Awake With a Dismal Headache
- Iolanthe, Act Two: If You Go in, You're Sure to Win
- Iolanthe, Act Two: If We're Weak Enough to Tarry
- Iolanthe, Act Two: My, Lord, A Suppliant at Your Feet I Kneel
- Iolanthe, Act Two: He Loves! If in the Bygone Years
- Iolanthe, Act Two: It May Not Be
- Iolanthe, Act Two: Soon as We May
- Gondoliers: Overture
- Gondoliers, Act One: List and Learn, Ye Dainty Roses
- Gondoliers, Act One: Good Morrow, Pretty Maids
- Gondoliers, Act One: For the Merriest Fellows Are We
- Gondoliers, Act One: Buon'giorno, Signorine
- Gondoliers, Act One: We're Called Gondolieri
- Gondoliers, Act One: And Now to Choose Our Brides
- Gondoliers, Act One: Thank You, Gallant Gondolieri
Tracks:
- Gondoliers, Act One: From the Sunny Spanish Shore
- Gondoliers, Act One: In Enterprise of Martial Kind (The Duke of ...)
- Gondoliers, Act One: O Rapture When Alone Together
- Gondoliers, Act One: There Was a Time
- Gondoliers, Act One: I Stole the Prince
- Gondoliers, Act One: But, Bless My Heart
- Gondoliers, Act One: Try We Life-Long
- Gondoliers, Act One: Bridegroom and Bride
- Gondoliers, Act One: When a Merry Maiden Marries
- Gondoliers, Act One: Kind Sirm You Cannot Have the Heart
- Gondoliers, Act One: Do Not Give Way
- Gondoliers, Act One: Then One of Us Will Be a Queen
- Gondoliers, Act One: Replaying, We Sing
- Gondoliers, Act One: For Everyone Who Feels Inclined
- Gondoliers, Act One: Come, Let's Sway
- Gondoliers, Act One: Then Away We Go to an Island Fair
- Gondoliers, Act Two: Of Happiness the Very Pith
- Gondoliers, Act Two: Rising Early in the Morning
- Gondoliers, Act Two: Take a Pair of Sparkling Eyes
- Gondoliers, Act Two: Here We Are, At the Risk of Our Lives
- Gondoliers, Act Two: Dance a Cachucha, Fandango, Bolero
- Gondoliers, Act Two: There Lived a King
- Gondoliers, Act Two: In a Contemplative Fashion
- Gondoliers, Act Two: With Ducak Pomp and Ducal Pride
- Gondoliers, Act Two: On the Day When I Was Wedded
- Gondoliers, Act Two: To Help Unhapppy Commoners
- Gondoliers, Act Two: Small Titles Abd Orders
- Gondoliers, Act Two: I Am a Courtier Grave and Serious
- Gondoliers, Act Two: Here Is a Case Unprecedented
- Gondoliers, Act Two: Now Let the Loyal Lleges Gather Round
- Gondoliers, Act Two: The Royal Prince
Tracks:
- Yeomen of the Guard: Overture
- Yeomen of the Guard, Act One: When Maiden Loves
- Yeomen of the Guard, Act One: Tower Warders, Under Orders
- Yeomen of the Guard, Act One: When Our Gallant Norman Foes
- Yeomen of the Guard, Act One: Alas, I Waver to and Fro
- Yeomen of the Guard, Act One: Is Life a Boon?
- Yeomen of the Guard, Act One: Here's a Man of Jollity
- Yeomen of the Guard, Act One: I Have a Song to Sing, O!
- Yeomen of the Guard, Act One: How Say You, Maiden, Will You Wed?
- Yeomen of the Guard, Act One: I've Jibe and Joke
- Yeomen of the Guard, Act One: 'Tis Done! I Am a Bride!
- Yeomen of the Guard, Act One: Were I Thy Bride
- Yeomen of the Guard, Act One: Oh, Sergeant Meryll, Is It True?
- Yeomen of the Guard, Act One: Forbear My Friends
- Yeomen of the Guard, Act One: The Prisoner Comes to Meet His Doom
- Yeomen of the Guard, Act Two: Night Has Spread Her Pall Once More
- Yeomen of the Guard, Act Two: Oh! A Private Buffoon Is a Light-Hearted
- Yeomen of the Guard, Act Two: Hereupon We're Both Agreed
- Yeomen of the Guard, Act Two: Free from His Fetters Grim
- Yeomen of the Guard, Act Two: Strange Adventure!
- Yeomen of the Guard, Act Two: Hark! What Was That, Sir?
- Yeomen of the Guard, Act Two: A Man Who Would Woo a Fair Maid
- Yeomen of the Guard, Act Two: When a Wooer Goes A-Wooing
Tracks:
- Yeomen of the Guard, Act Two: Comes the Pretty Young Bride
- Yeomen of the Guard, Act Two: Hold, Pretty One!
- Yeomen of the Guard, Act Two: All Thought of Leonard Meryll Set Aside
- H.M.S. Pinafore
- Yeomen of the Guard
- Di Ballo: Overture - Birmingham Symphony Orchestra,
- Pineapple Poll Ballet Suite, Scene One: Opening Dance
- Pineapple Poll Ballet Suite, Scene One: Poll's Dance and Pas de Deux
- Pineapple Poll Ballet Suite, Scene One: Belaye's Solo
- Pineapple Poll Ballet Suite, Scene One: Pas de Trois
- Pineapple Poll Ballet Suite, Scene One: Finale
- Pineapple Poll Ballet Suite, Scene Two: Poll's Solo
- Pineapple Poll Ballet Suite, Scene Two: Jasper's Solo
- Pineapple Poll Ballet Suite, Scene Two: Belaye's Solo and Sailor's ...
- Pineapple Poll Ballet Suite, Scene Two: Poll's Solo
- Pineapple Poll Ballet Suite, Scene Two: Entry of Belaye With ...
- Pineapple Poll Ballet Suite, Scene Two: Reconciliation
- Pineapple Poll Ballet Suite, Scene Two: Grand Finale
Customer Reviews:
Not the best sung but among the best in characterization.......2005-07-09
But now I find that all of the 1949-1951 sets are available on the Avid Entertainment label as a boxed set of 10 discs (AMSC 780-789). To keep things compact, the Avid people unavoidably had to place on the same disc Act I of one opera after Act II of the one before. There is also orchestral bonus material towards the end including orchestral selections from "Pinafore" and "Yeomen of the Guard," Sullivan's salute to the dance "Overture Di Ballo," and the entire score of the G&S-based ballet "Pineapple Poll."
Green is good and even better are the bottomless basso of Richard Watson, the most famous Mikado of them all Darrell Fancourt, and the sympathetic contralto of Ella Halman. Only tenor Leonard Osborne does not come over very well on recordings, although he was very good on stage. No true "Savoyard" will want to be without this collection.
Those who are perfectly happy with less will want "Gilbert & Sullivan: Highlights and Overtures" (AMSC 800), a double-CD set in which there are 27 selections from the complete recordings and the 9 overtures, plus "Overture Di Ballo." A great starter kit to introduce newcomers to the magic of the G&S team.
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Gilbert & Sullivan: Iolanthe; The Gondoliers
Manufacturer: Castle Pulse ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008BXGN Release Date: 2003-04-07 |
Tracks:
- Overture
- List & Learn
- Good Morrow, Pretty Maids
- For The Merriest Fellows Are We
- See, See, At Last They Come
- We're Called Gondolierf
- Are You Peeping?
- From The Sunny Spanish Shore
- In Enterprise Of Marital Kind
- O Rapture When Alone Together
- There Was A Time
- I Stole The Prince
- But, Bless My Heart
- Try We Lifelong
- Bridegroom & Bride!
- When A Merry Maiden Marries
- Kind Sir, You Cannot Have The Heart
- Do Not Give Way
- Now, Pray, What Is The Cause
- Replying, We Sing
- Then Let's Away
- Then Away They Go To An Island Fair
- Of Happiness The Very Pith
- Rising Early In The Morning
- Take A Pair Of Sparkling Eyes
- Here We Are, At The Risk Of Our Lives
- Dance A Cachucha
- There Lived A King
- In A Contemplating Fashion
- With Ducal Pomp
- On The Day When I Was Wedded
- To Help Unhappy Commoners
- I Am A Coutier Grave & Serious
- Here Is A Cause
- Now Let The Loyal Lieges Gather Round
- Overture
- Tripping Hither, Tripping Thither
- Iolanthe!
- From Thy Dark Exile
- Good Morrow, Good Mother
- Fare Thee Well, Attractive Stranger
- Good Morrow, Good Lover
- None Shall Part Us
- Loudly Let The Trumpet Bray
- Blow, Ye Lower Middle Classes
- Law Is The True Embodiment
- My Well-Loved Lord
- Nay, Tempt Me Not
- Spum Not The Nobly Born
- My Lords, It May Not Be
- When I Went To The Bar
- When Darkly Looms The Day
- Oh, Shameless One, Tremble
- For Riches & Rank I Do Not Long
- Go Away, Madam
- Every Bill & Every Measure
- When All Night Long
- Stephon's A Member Of Parliament
- When Britain Really Ruled The Waves
- In Vain To Us You Plead
- Oh, Foolish Fay
- Tho P'r'aps I May Incur Your Blame
- Love Unrequited Robs Me Or My Rest
- If You Go In You're Sure To Win
- If We're Weak Enough To Tarry
- My Lord, A Suppliant At Your Feet
- It May Not Be
- Soon As We May
Album Details
4 CD box setCustomer Reviews:
Glitter, and inimitability.......2005-12-14
The stars, give the taste of the era nad the original, one must ignore the fast tempo of these recordings: the need to fit evry item to the procrustean bed of a 10" 78 record necessitated that they be sung somewhat faster than in normal productions, and when you compare the play time of the '60s & 70's CD's, they are not all that faster.
To hear Lytton as the Duke in the Gondoliers is to be transported back to that very era. I for one want a tardis, to go back and induce them to use him throughout the series: it really depends what one wants of course If you want a note perfect rendition then you have to stick with Baker, if you want the flavour of the performance than it has to be Lytton. Only Peter Pratt approaches the acid attack that he gives (Why DID PP go so early and leave us to JR's milk & water early performances???)
The sound level of items transcribed from shellacs ( san I am old enough to have heard the shellacs!!) is the result of almost miraculous sound engineering.
Bertha Lewis gives the definitive rendition of the duchess's role never to be really approached untill the performances of Anne Drummond Grant in the 50's (another great savoyard for whom "Death called too soon")
Leo Sheffield's light baritone gives a completely different weight to the character than any of the later exponents, and agin this to me suggests a man with a light humerous touch, tongue in cheek, he is going to have it his way ( until Inez blows him off course in the closing moments ) "Do not give way.." is covering up the fact that the grief will soon be very real, and ( in the way of 18th C ( ??Methodism) setting )) fatal! but he will "Not have the innovation perpetrated...
Winifred Lawson's soaring topnotes take me back to the note in Gramophone from the '60s ( ace of club's heyday) " needs cutting2 I.E. DAMPING DOWN: but keep them! keep them!! they are again part of the era.
Altogether I will be completing the run at the rate of one a month till the last peter pratt & Donald Adams is safe on my rack!!
Terrific re-issue at rock-bottom price.......2005-01-15
Sound: Amazingly good mono, considering the great age of the performances, and in many ways comparable to first-generation LPs. There is a low but easy-to-ignore hiss that probably appeared in the original matrices. Voices of soloists are very well captured. The choruses sound fine, although a little distant and slightly compressed. If the orchestra seems just a bit compressed by digital era standards, nevertheless, the sound is good and full of detail. The CD tracks tend to follow the three-and-a-half minute takes of the original 78s. This is apparent to the eye--if not to the ear--in "Iolanthe" when the track changes during the grand entrance of the peers about thirty seconds before the end of the music. Reflecting the original sides, there is often, but not always, a brief roll-off into dead silence before the next number begins.
Text: No dialogue. The performing text and the order of pieces is that established by W. S. Gilbert and used on stage by the D'Oyly Carte Opera Company throughout most of the 20th Century. Arthur Sullivan was a man was forever late in composing his music. Overtures were just about the last things composed. Fast approaching deadlines sometimes forced Sullivan to call on the assistance of Frank Cellier, the regular conductor for the comic operas. Sullivan would set out the order of pieces and the overall approach, leaving Cellier to do the orchestral arrangements. In both "The Gondoliers" and "Iolanthe," however, scoring for the overtures was done entirely by Sullivan.
Format: Four discs, with two discs per opera, one for each act.
Documentation: No libretto. Cast list. Single page summary of the plot of each act.
The 1927 "Gondoliers" was the second of the Savoy Operas to be recorded in the newly-developed electronic process. Its cast were second generation Savoyards. None of them appeared in leading roles during the original London runs, but Sir Henry Lytton--imagine, being knighted for doing G&S!--was understudy in the lead comic roles in London by 1886 and soon heading up D'Oyly Carte touring companies.
Although never a regular member of the D'Oyly Carte Company, George Baker recorded Giuseppe, one of the romantic leads in the "The Gondoliers" in 1927 and, because HMV engineers didn't much like the way Lytton's voice recorded, stepped up to recording the comic lead in "Iolanthe." His recording career involved more than 3,000 recordings (with nearly as many false names) and would stretch right into the 1960s, when he recorded leading comic parts in Sir Malcolm Sargent's stereo series of G&S recordings.
By 1930, the second generation of Savoyards was largely gone, leaving only Bertha Lewis, Leo Sheffield and a junior member, Derek Oldham. Darrel Fancourt and Leslie Rands, two stalwarts of the third generation, both well-remembered from post-World War II recordings, appear in "Iolanthe."
These recordings were made under the personal supervision of Rupert D'Oyly Carte, whose father, Richard, had founded the opera company and been a partner with Sullivan (happily) and Gilbert (stormily); whose step-mother, Helen, had succeeded to control of the company, and whose daughter, Bridget, would run it with a whim of iron well past the middle of the 20th Century. Rupert must have been a pretty odd duck, since P. G. Wodehouse, a schoolmate, insisted that he was the model for PGW's first great fictional character, the incomparable Psmith. Whatever the eccentricities of the D'Oyly Cartes, this early series of recordings must be regarded as definitive in setting out the English G&S performance tradition.
These performances of "The Gondoliers" and "Iolanthe" have the virtues of all D'Oyly Carte Company recordings: excellent, rigidly disciplined choruses and soloists with superb English diction. Alas, the soloists also suffer from the curse of English vocal training.
Among many dedicated G&S fanatics, Henry Lytton is regarded as a fine comic actor but terrible singer. In the short part of the Duke of Plaza-Toro in "The Gondoliers," he certainly acts very well indeed. He chooses to take great freedoms with written musical rhythms in order to achieve dramatic, or rather, comedic effect. If he was not as good a singer as Martyn Green, his great successor, he was a world better than the comedy man of the sixties and seventies, John Reed. In fact, the voices of Lytton and Reed sound remarkably, even eerily similar, but the older man was entirely free of the egregious quirks and would-be funny bits that often made Reed so annoying.
It is the given wisdom among the many hardcore G&S fans (see above) that Derek Oldham was the best tenor who ever recorded a Savoy opera. Don't believe them. Oldham was all right, but the finest actor ever to take the lead tenor parts was Oldham's successor, Leonard Osborn, while the finest singer was probably Richard Lewis, who recorded in Sargent's stereo series.
Leo Sheffield, who joined the D'Oyly Carte Company five years before the death of W. S. Gilbert and had been directed by the fierce old man, himself, was a wonderful performer, and one who did not suffer from excessive care for musical notes as written. He had a lighter, drier, more agile voice than those later associated with his parts. By 1930, the heavier, darker sounding Darrel Fancourt was firmly in place.
Bertha Lewis was a classic English hooting contralto. W. S. Gilbert was notorious for making unkind fun of middle-aged, hefty women--the parts she played. Arthur Sullivan was usually a man of gentler impulses and always a more suave individual than Gilbert, but he made his own kind of musical fun, allowing Lewis to be subtly hilarious from beginning to end.
All the other soloists are fine--and very, very British, even more so than their successors in later decades.
Harry Norris conducts "The Gondoliers" and Malcolm Sargent leads "Iolanthe." Both are rhythmically sensitive and do a good job keeping things moving. Sargent is blessedly free of the ponderousness that afflicts his later series. I found Norris to be the less precise, but more satisfying of the two. He leads the fastest peformance of "The Gondoliers" that I've ever heard.
This set presents two of the best of the G&S comic operas at a rock-bottom price, with surprisingly good sound and first-class performances. It is a must-have for a serious lover of G&S. For those of you who more concerned with performance than reproduced sound, this set is a steal!
For those of you who cringe before the thought of non-digital sound, walk away. This not for you. (Why have you wasted your time by reading this far?)
Five stars, no question about it.
Best versions ever!.......2004-01-04
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The Complete Gilbert & Sullivan (Box Set)
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008LJEO Release Date: 2003-05-13 |
Customer Reviews:
Don't underestimate those "unknown" Operettas!!.......2005-07-07
In any case - most people getting this set will already have the Mikado, and very probably Pirates and Pinafore for that matter, so you're really getting it for the others.
So just for the record - someone has to say this!
The Mikado is (of course) a wonderful piece, but it enjoys its long running status as the most successful of all the G&S operettas very largely for "extra-musical" reasons. It is visually so wonderful, with all those great authentic costumes, and the whole idea of satirising English institutions by pretending they are Japanese is of course brilliantly funny.
Again, Pirates and Pinafore enjoy a lot of their acclaim simply because we have heard them so often. And at least part of the initial success of these (admittedly very funny and entertaining) pieces was the vogue for "nautical drama" on the popular Victorian stage.
Iolanthe, Ruddigore, and Yoemen are all MUCH stronger musically than any of what another reviewer here keeps calling the "trilogy". Patience, Princess Ida, and the Gondoliers all excel either "nautical" operetta, at least musically, although not, perhaps, the Mikado. And I have had a lot of fun listening to my recording of the Sorcerer - although I think most at least of the other G&S operettas are even more interesting.
As for "Trial by Jury" it is really another thing altogether - but in its kind the most perfect thing either Gilbert or Sullivan had anything to do with!
This leaves Utopia and the Grand Duke.
Both of these were produced after the long running friendship between G&S had soured, and they have been sadly neglected ever since. Utopia is none the less both musically beautiful and very funny, and well worth taking an effort to come to grips with. The main point of the satire (which many commentators and reviewers seem to miss) is the way that the English language and British (especially English) institutions were being adopted, often rather uncritically, by countries around the world (most, but not all, of them members of the British Empire, of course). India is perhaps the country Gilbert had most in mind, but you could set it in any of a dozen other countries. The residual problems this has left in the post-colonial world ensure that this work is still far from dated. In some ways this operetta is about globalisation! What could possibly be LESS dated than that!
The Grand Duke, on the other hand, is a bit of an odd man out - I suppose you still have to say it is the weakest of all the G&S efforts. It's the ONLY one that didn't score a very respectable run on its first outing. Surprisingly, however, if an attempt is made to duplicate the musical and (especially) dialogue cuts that G&S would have done themselves if they had not by this time been at each other's throats all the time, a very entertaining piece can be made of it. I was very agreeably surprised by the Ohio Light Opera recording, which does just that - and I am coming round to the idea that the only thing really wrong with the Duke is that it is too long.
ANYWAY:
For all people (especially callow youth) who remain convinced that G&S only wrote three operettas worth listening to - all I can say is, buy this set, and give the lesser known ones a chance. Make sure you have a libretto in your hands as you listen, of course. It may even just need a single hearing in some cases, but otherwise, be patient. In the meantime, you really cannot have any conception of what you are missing.
A few details.......2004-03-28
Wonderful set, if a little inconsistent at times........2003-07-07
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Anne Sofie von Otter - Beethoven, Meyerbeer, Spohr ~ Lieder / Melvyn Tan
Giacomo Meyerbeer , Louis Spohr , Ludwig van Beethoven , Anne Sofie von Otter , and Melvyn Tan Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005M05D Release Date: 2001-08-14 |
Tracks:
- 40 Melodies: No.12. Mina (Lied Des Venezianischen Gondoliers)
- 40 Melodies: No.6. Komm (Eigentlich: Du Schones Fischermadchen)
- 40 Melodies: No.16. Ma Barque Legere
- 40 Melodies: No.22. La Fille De L'air
- 40 Melodies: No.27. Sicilienne
- 40 Melodies: No.28. Priere D'enfants
- 40 Melodies: No.29. Le Voeu Pendant L'orage
- Das Schafers Lied (Hirtenlied) - Anne Sofie Von Otter//Eric Hoeprich/Melvyn Tan
- In Questa Tomba Oscura, WoO 133 (2. Ver)
- T'intendo Si, Mio Cor, Op.82 No.2
- Als Di Geliebte Sich Trennen Wollte (Empfindungen Bei Lydiens Untreue), WoO 132
- Seufzer Eines Ungeliebten - Gegenliebe, WoO 118
- Sehnsucht, WoO 146
- An Die Geliebte, WoO 140 (2. Ver)
- Ariette (Der Kuss), Op.128
- Maigesang, Op.52 No.4
- Adelaide, Op.46
- Sechs Deutsche Lieder, Op.154: 1. Abend-Feier - Anne Sofie Von Otter/Melvyn Tan/Christina Hogman/Kristana Hammarstrom/Eric Hoeprick/Nils-Erik Sparf
- Sechs Deutsche Lieder, Op.154: 2. Jagdlied - Anne Sofie Von Otter/Melvyn Tan/Christina Hogman/Kristana Hammarstrom/Eric Hoeprick/Nils-Erik Sparf
- Sechs Deutsche Lieder, Op.154: 3. Tone - Anne Sofie Von Otter/Melvyn Tan/Christina Hogman/Kristana Hammarstrom/Eric Hoeprick/Nils-Erik Sparf
- Sechs Deutsche Lieder, Op.154: 4. Erlkonig - Anne Sofie Von Otter/Melvyn Tan/Christina Hogman/Kristana Hammarstrom/Eric Hoeprick/Nils-Erik Sparf
- Sechs Deutsche Lieder, Op.154: 5. Der Spielmann Und Seinne Geige - Anne Sofie Von Otter/Melvyn Tan/Christina Hogman/Kristana Hammarstrom/Eric Hoeprick/Nils-Erik Sparf
- Sechs Deutsche Lieder, Op.154: 6. Abendstille - Anne Sofie Von Otter/Melvyn Tan/Christina Hogman/Kristana Hammarstrom/Eric Hoeprick/Nils-Erik Sparf
Amazon.com
A new disc from Anne Sofie von Otter always arouses eager expectation, whatever the repertoire. None of the composers featured on this recording of Lieder and Mélodies is regarded primarily for his songwriting prowess, yet von Otter conjures winner after winner. Even at their lightest, these pieces never fail to charm, and some of them do a good deal more than that.Listen to the way that Meyerbeer reflects the text of "La Fille de l'air" (The daughter of the air) in the tinkling accompaniment, superbly realized by Melvyn Tan. Or the way the arching violin arabesques spice up the vocal line in the first of Spohr's irresistible Six Lieder. And Beethoven's tolling "In questa tomba oscura" (In this dark grave) is a small masterpiece, as is, in a quite different vein, Meyerbeer's deceptively simple "Sicilienne." It is only in some of the darker songs (such as Meyerbeer's setting of "Le Voeu pendant l'orage") that the difference between prodigious talent and genius is made explicit. And, of course, comparison between Spohr's timid "Erlkönig" and Schubert's infernal creation is as inevitable as it is cruel.
As one would expect from such an experienced lieder artist, the program is beautifully constructed, with songs carefully placed for maximal variety, not just of tone but also of instrumentation (excellent playing from clarinetist Eric Hoeprich and violinist Nils-Erik Sparf). This is another winner from von Otter and friends. --Harriet Smith
Customer Reviews:
Good sing.......2001-09-23
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Here's a Howdy Do: A Gilbert & Sullivan Festival
Arthur Sullivan , Christopher Laurence , Wild Ray Snurck , Robert [ , and The Kng's Singers Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FLI Release Date: 1993-09-14 |
Tracks:
- HMS Pinafore: A British Tar
- The Mikado: The Sun Whose Rays
- The Gondoliers: Take A Pair Of Sparkling Eyes
- Ruddigore: The Ghosts' High-Noon
- The Pirates Of Penzance: Ah, Leave Me Not
- The Mikado: A Wand'ring Minstrel I
- The Pirates Of Penzance: The Pirate King
- The Mikado: Tit Willow
- The Pirates Of Penzance: With Cat-Like Tread
- The Mikado: Brightly Dawns Our Wedding Day
- The Mikado: A More Humane Mikado
- The Gondoliers: Rising Early In The Morning
- Gilbert & Sullivan Medley
- Patter Matter
- The Mikado: Here's A Howdy Do
Customer Reviews:
Gilbert and Sullivan......In Tears.......2001-03-14
An Eye-Opener!.......2000-06-23
The best of King's Singers meets the best of G&S.......1999-09-23
looks pretty good.......1999-09-20
Amazing work from the worlds' foremost a cappella group........1999-08-29
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The Best of Gilbert & Sullivan
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004W5AD Release Date: 2000-08-08 |
Tracks:
- H.M.S. Pinafore: Ov - Orch Of The D'Oyly Carte Opr/John Owen Edwards
- H.M.S. Pinafore: We Sail The Ocean Blue - Tom McVay/Gordon Sandison/Yvonne Barclay
- H.M.S. Pinafore: Never Mind The Why And Wherefore - Tom McVay/Gordon Sandison/Yvonne Barclay
- The Yeomen Of The Guard: When Maiden Loves She Sits And Sighs - Janine Roebuck
- The Yeomen Of The Guard: Here's A Man Of Jollity - Chor Of The D'Oyly Carte Opr
- Iolanthe: Tripping Hither, Tripping Thither - Yvonne Patrick/Madeliene Mitchell/Chor Of The D'Oyly Carte Opr
- Iolanthe: The Law Is The True Embodiment - Richard Suart/Chor Of The D'Oyly Carte Opr
- Iolanthe: When I Went To The Bar - Richard Suart
- Iolanthe: Strephon's A Member Of Parliament! - Chor Of The D'Oyly Carte Opr
- Iolanthe: When Britain Really Rul'd The Waves - Lawrence Richard/Chor Of The D'Oyly Carte Opr
- Iolanthe: Finale Act Two: Soon As We May - Chor Of The D'Oyly Carte Opr
- The Pirates Of Penzance: Ov - Orch Of The D'Oyly Carte Opr/John Pryce-Jones
- The Pirates Of Penzance: Poor Wand'ring One - Marilyn Hill Smith/Chor Of The D'Oyly Carte Opr
- The Pirates Of Penzance: I Am The Very Model - Eric Robertson/Chor Of The D'Oyly Carte Opr
- The Pirates Of Penzance: When The Foeman Bares His Steel - Simon Masterton Smith/Marilyn Hill Smith/Patricia Cameron/Eric Robertson/Chor Of The D'Oyly Carte...
- The Pirates Of Penzance: With Cat-Like Tread - Gareth Jones/Chor Of The D'Oyly Carte Opr
- The Mikado: If You Want To Know Who We Are - Chor Of The D'Oyly Carte Opr
- The Mikado: The Flowers That Bloom In The Spring - Bonaventura Bottone/Eric Roberts/Deborah Rees/Thora Ker/Malcom Rivers
- The Mikado: On A Tree By A River - Eric Roberts
- Patience: The Soldiers Of Our Queen - Donald Maxwell/Chor Of The D'Oyly Carte Opr
- Patience: If You Want A Receipt For That Popular Mystery - Donald Maxwell/Chor Of The D'Oyly Carte Opr
- Patience: Am I Alone And Unobserved - Simon Butteriss
- Patience: If You're Anxious For To Shine - Simon Butteriss
- The Gondoliers: We're Called Gondolieri - David Fieldsend/Alan Oke
- The Gondoliers: From The Sunny Spanish Shore - Richard Suart/Jill Pert/Elizabeth Woollett/Philip Casey
- The Gondoliers: For Ev'ry One Who Feels Inclined - David Fieldsend/Alan Oke/Chor Of The D'Oyly Carte Opr
- The Gondoliers: Take A Pair Of Sparkling Eyes - David Fieldsend
- The Gondoliers: Dance A Cachucha - Chor Of The D'Oyly Carte Opr
Customer Reviews:
The best? I think not........2004-01-11
There has got to be something that better represents the G&S canon.
can't understand the words.......2004-01-08
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The Gilbert and Sullivan Overtures
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000AEL8 Release Date: 1998-08-25 |
Tracks:
- Cox And Box
- The Sorcerer
- HMS Pinafore
- The Pirates Of Penzance
- Patience
- Iolanthe
- Princess Ida
- The Mikado
- Ruddigore
- The Yeomen Of The Guard
- The Gondoliers
- The Grand Duke
Customer Reviews:
Complete Overtures (plus Cox and Box).......2005-08-12
So this recording does actually include all the overtures - or at least an overture to all the Gilbert and Sullivan Operettas that HAD overtures as such. The undistinguished overture to Cox and Box is thrown in for good measure.
These works, it must be said, are very uneven in quality. Most of them were not actually written by Sullivan - but cobbled together by someone else out of the tunes from the operetta, often at the very last minute. The performances treat the overtures as music in their own right - and at least some of them deserve it. The overtures Sullivan DID write himself (especially the "Yoemen" overture) are fine pieces - as is the overture to "Patience" (written by a very young Eugene d'Albert) and the "Ruddigore" overture (in this case the later one by Toye rather than Clarke's original - but I actually prefer this!)
Several of the others are really very ordinary - although keen G&S fans will at least enjoy the quotations of the famous melodies.
All in all a very pleasant recording - even if you already have all (or most) of the works in question complete.
Lovely recording of lovely music.......2001-11-04
Simply Splendid!.......2001-07-08
First Rate G & S.......1999-08-27
Meditation Music:
- The Stone Guest
- Tosti: Canti Popolari E Romanze Abruzzesi
- Tutino: La Lupa
- Verdi: Rigoletto
- Vienna Opera Live, Vol. 10
- Vivaldi - L'incoronazione di Dario / Elwes · Ledroit · Lense · Verschaeve · Poulenard · Mellon · Visse · Bezzina
- Wagner: Der Ring des Nibelungen
- Wagner: Die Meistersinger von Nürnberg
- Wagner: Die Meistersinger Von Nürnberg
- Wagner: Lohengrin (Highlights)
Meditation Music
Bach: Harpsichord Concertos BWV 1055-1058
Bach: Dobule Violin Conceti/Vivaldi: Double Violin Concerti
Biscuit Barrel Fashion [Import]
A Invasão do Sagaz Homem Fumaça [Import]
A Little South of Sanity [Explicit Lyrics] [Live]