Strauss: Salome

1. Salome, opera, Op. 54 (TrV 215)
   Composed by Richard Strauss
   Performed by Vienna State Opera Orchestra
   with Marko Rothmuller, Elisabeth Hongen, Maria Cebotari, Julius Patzak
   Conducted by Clemens Krauss
   
   

Strauss: Salome,Richard Strauss,Clemens Krauss,Wiener Staatsopernorchester,Elisabeth Höngen,Julius Patzak,Maria Cebotari,Marko Rothmuller,Legato Classics,Classical,German/Austrian Romantic Opera,Opera,Opera / Operetta / Oratorio

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Average customer rating: Mill. Classical review classical music for the unitiated Some little gems there that I had forgotten! A very helpful collection Excellent!

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Tracks:

1. Brandenbutg Concerto No.3 In G First Movement
2. Overture No.3 In D Second Movement
3. Violin Concerto In E First Movement
4. Prelude In C minor
5. Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
6. Overture No.2 In B minor Minuet And Badinerie
7. Oboe Concerto In D minor Second Movement
8. Brandenburg Concerto No.4 In G Third Movement
9. Musical Offering - Fuga canonica
10. Easter Oratorio - Overture
11. Minuet In D minor
12. Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
13. Brandenburg Concerto No.1 In F Second Movement
14. Art Of The Fugue - Contrapunctus 9
15. Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
16. Overture No.4 In D - Réjouissance
17. Concerto No. 1 in E: Spring
18. Concerto No. 1 in E: Spring
19. Concerto No. 1 in E: Spring
20. Concerto No. 2 in G minor: Summer
21. Concerto No. 2 in G minor: Summer
22. Concerto No. 2 in G minor: Summer
23. Concerto No. 3 in F: Autumn
24. Concerto No. 3 in F: Autumn
25. Concerto No. 3 in F: Autumn
26. Concerto No. 4 in F minor: Winter
27. Concerto No. 4 in F minor: Winter
28. Concerto No. 4 in F minor: Winter
29. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
30. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
31. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
32. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
33. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
34. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
35. Concerto Grosso in A minor, Op. 3, no. 8
36. Concerto Grosso in A minor, Op. 3, no. 8
37. Concerto Grosso in A minor, Op. 3, no. 8
38. Water Music - Alla Hornpipe
39. Xerxes - Ombra Mai Fu (Largo)
40. Messiah - And The Glory Of The Lord
41. Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
42. Organ Concerto In F, Op. 4, No. 4 Allegro
43. Water Music - Air
44. Messiah - For Unto Us A Child Is Born
45. Concerto Grosso In B flat, Op. 3, No. 2 - Largo
46. Salomon - Sinfonia, Act 3
47. The Choice Of Hercules - While For Thy Arms
48. Water Music - Allegro (Suite No. 1)
49. Suite No. 5 In E - Air With Variations
50. Jephtha - How Dark, O Lord
51. Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
52. Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
53. Water Music - Andante Allegro Da Capo
54. Concerto for Trumpet & Orchestra in E-flat: First Movement
55. Symphony No. 94 in G: Surprise Symphony-second movement
56. Concerto for Violin No. 2 in D: Third Movement
57. Flute Trio No. 31 in G: Second Movement
58. Symphony No. 31 in D: Hornsignal-First Movement
59. String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
60. Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
61. Concerto for 2 Horns & Orchestra in E-flat: Second Movement
62. Symphony No. 88 in G: Fourth Movement
63. String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
64. Notturno No. 1 in C: Second Movement
65. Symphony No. 98 in B: Londoner No. 4-Fourth Movement
66. Eine Kleine Nachtmusik - first movement
67. Piano Concerto in A - second movement
68. Flute Concerto in D - Rondeau
69. Serenade - Minuet
70. Violin Concerto - first movement
71. Symphony No. 40 in G minor - first movement
72. Clarinet Concerto - second movement
73. Turkish March
74. Divertimento - Minuet
75. Horn Concerto No. 3 in E-flat - first movement
76. Symphony No. 5 in C minor, Op. 67-First Movement
77. Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
78. Overture
79. O welche Lust (Prisoners' Chorus)
80. Ha, welch ein Augenblick (Pizarros's Aria)
81. Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
82. Concerto for Violin and Orchestra in D, Op. 61: Third Movement
83. Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
84. Sympony No. 6 in F, Op. 68: Pastorale-First Movement
85. Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
86. German Dance No. 1 In C
87. Impromptu Op. 90, No. 3 In G-Flat
88. Heidenroslein
89. Ave Maria
90. Der Lindenbaum
91. Quintet In A 'Trout Quintet' - Andante
92. Mass No. 6 In E-Flat - Kyrie
93. Die Schone Mullerin Des Mullers Blumen
94. German Dance No. 2 In G
95. Piano Sonata In B-Flat
96. Nachtgesang Im Walde
97. Winterreise - No. 15: Die Krahe
98. German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
99. Symphony No. 8 In B Minor 'Unfinished' - Second Movement
100. Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
101. Nocturne in E-flat, Op. 9, no. 2
102. Etude in G-flat, Op. 10, no. 5
103. Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
104. Mazurka in D minor, Op. 33, no. 2
105. Prelude in D-flat, Op. 28, no. 15 Raindrop
106. Etude in C, Op. 10, no. 1
107. Nocturne in D-flat, Op. 27, no. 2
108. Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
109. Scherzo in B minor, Op. 20
110. Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
111. Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
112. Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
113. Violin Concerto - second movement
114. The Sleeping Beauty - Waltz
115. Capriccio Italien, Op. 45
116. Swan Lake - Waltz
117. Eugene Onegin - Polonaise
118. The Nutcracker - Waltz of the Flowers
119. Orchestral Suite No. 4 - Mozartiana - Third Movement
120. Swan Lake - Dance of the Swans
121. Symphony No. 6 in B minor - Pathétique - Third Movement
122. Hungarian Dance No.5
123. Lullaby
124. Symphony No.1 in C minor, Op. 68 - Third Movement
125. Intermezzo in E-flat, Op.117, no. 1
126. Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
127. Waltz, Op. 39, no. 15
128. Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
129. String Quintet in G, Op. 111 - Second Movement
130. Symphony No.4 in E minor, Op. 98 - Third Movement
131. Intermezzo in A minor, Op. 76, no. 7
132. Hungarian Dance No.1 in G minor
133. German Requiem Selig sind die Toten (Final Chorus)
134. Die Fledermaus - Overture
135. Kaiser Waltz, Op.437
136. Thunder And Lightning Polka, Op. 324
137. Roses From The South Waltz, Op. 388
138. AnnenPolka, Op. 117
139. Vienna Blood Waltz, Op. 354
140. Eljen A Magyar Polka, Op. 332
141. Wine, Women and Song Waltz, Op. 333
142. On The Beautiful Blue Danube Waltz, Op. 134
143. Die Meistersinger Von Nurnberg - Overture
144. Tannhauser - Die Pilger sind's (Pilgims' Chorus)
145. Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
146. Lohengrin - Act 3 Prelude and Bridal Chorus
147. The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
148. The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
149. Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
150. Die Walkure - Ride of the Valkyries
151. Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
152. Tristan und Isolde - Liebestod
153. Thus sprach Zarathustra, Op. 30 (excerpt)
154. Don Juan, Op. 20
155. Eine Alpensinfonie, Op. 64, I.Nacht
156. Don Quixote, Op.35, first movement: Introduction
157. Salome, Op. 54, Dance Of The Seven Veils
158. Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
159. Piano Concerto 2 In C minor, Op. 18 - First Movement
160. Vocalise, Op.34, No. 14
161. Prelude In G Sharp minor, Op. 32, No. 12
162. Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
163. Symphony No. 2 In E minor, Op. 27 - Third Movement
164. Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
165. Rhapsody, Op. 43 On A Theme By Paganini
166. Hungarian Rhapsody No.2
167. Liebestraum No.3 in A-flat
168. Piano Concerto No.1 in E-flat - third movement
169. Angelus
170. Mephisto Waltz No.1 (Dance in a Village Tavern)
171. Prelude and Fugue on B-A-C-H
172. Dante Symphony - Finale. - Purgatorio - Magnificat
173. Les Préludes
174. Boléro
175. Daphnis et Chloé first movement: Nocturne
176. Rhapsodie Espagnole
177. Shéhérazade - first movement: Asie
178. Ma Mère l'Oye - fourth movement: La Belle et la Bête
179. Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
180. La Valse
181. Slavic Dance No. 1 in C, Op. 46, no.1
182. Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
183. Humoresque, Op. 101
184. Slavic Dance No. 8 in G minor, Op. 46, no. 8
185. Serenade for String Orchestra, Op. 22 - second movement
186. Romance for Violin and Orchestra In F minor, Op. 11
187. Symphony No. 7 in D minor - third movement
188. Melodie (Songs My Mother Taught Me)
189. Carneval Overture, Op. 92
190. Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
191. Symphony No.4 In A, Op. 90. Italian - First Movement
192. Frühlingslied In A, Op. 62, No. 6
193. Wedding March (From A Midsummer Night's Dream, Op.61)
194. Duetto In F, Op.30, No.6 (From Songs Without Words)
195. String Symphony No.9 In C. Schweitzer Symphony - Third Movement
196. Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
197. Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
198. Notturno (From A Midsumment Night's Dream, Op. 61)
199. Rondo Capriccioso, Op.14
200. String Symphony No. 12 In G minor - First Movement
201. Venetian Gondola Song In F Sharp minor, Op.30, No.6
202. Scherzo (From A Midsumment Night's Dream, Op. 61)
203. Violin Concerto In E minor, Op.64 - Third Movement
204. Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
205. Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
206. Holberg Suite, Op. 40 - IV. Air. Andante religioso
207. Arietta, Op. 12, no. 1
208. Homage March from Sigurd Jorsalfar, Op. 56
209. Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
210. Wedding Day at Troldhauen, Op. 65, no. 6
211. The Last Spring, Op. 34, no. 2
212. Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
213. Nordic Melody Op. 63
214. Notturno, Op. 54, no. 4
215. Elegie, Op. 47, no. 5
216. Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
217. Piano Concerto in A minor, Op. 16 - Allegro
218. Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
219. Traumerai (from Kinderszenen, Op. 15)
220. Mondnacht (from Eichendorff-Liederkreis, Op. 39)
221. Aufschwung (from Fantasietucke, Op. 12)
222. Triolett, Op. 114, no. 2
223. Tanzlied (No. 1 from Duets, Op. 78)
224. Symphony No. 4 in D minor, Op. 120 - second movement
225. Frühlingsgruss
226. Abschied (from Waldszenen Op. 82)
227. Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
228. Manfred Overture, Op. 115
229. Romance in F sharp, Op. 28, no. 2
230. Die Rose stand im Tau
231. Liebesgarten (from Four Duets, Op. 34)
232. Warum? (from Fantasiestucke, Op. 12)
233. Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
234. Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Average customer rating: Excellent Strauss representative in a modest collection Great! Truly one of the very finest Zarathustras Til Eulenspiegel is the reason I have this C.D.! The greatest recording of Zarathustra ? Strauss: Also Sprach Zarathustra, Don Juan / Karajan

Strauss: Also Sprach Zarathustra, Don Juan / Karajan Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Strauss: Four Last Songs / Karajan, Berlin Philharmonic Orchestra Richard Strauss: Eine Alpensinfonie Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich, Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony Tchaikovsky: Symphonies no 4, 5, & 6 / Karajan, Berlin PO ASIN: B000001GQT Release Date: 1996-04-09

Tracks:

1. Thus Spoke Zarathustra - Tone-poem For Large Orchestra (Freely After Friedrich Nietzsche): Einleitung - Introduction
2. Thus Spoke Zarathustra - Tone-poem For Large Orchestra (Freely After Friedrich Nietzsche): Von den Hinterweltlern - Of The Backworldsmen
3. Thus Spoke Zarathustra - Tone-poem For Large Orchestra (Freely After Friedrich Nietzsche): Von der grossen Sehnsucht - Of The Great Longing
4. Thus Spoke Zarathustra - Tone-poem For Large Orchestra (Freely After Friedrich Nietzsche): Von den Freuden und Leidenschaften - Of Joys And Passions
5. Thus Spoke Zarathustra - Tone-poem For Large Orchestra (Freely After Friedrich Nietzsche): Das Grablied - The Song Of The Grave
6. Thus Spoke Zarathustra - Tone-poem For Large Orchestra (Freely After Friedrich Nietzsche): Von der Wissenschaft - Of Science And Learning
7. Thus Spoke Zarathustra - Tone-poem For Large Orchestra (Freely After Friedrich Nietzsche): Der Genesende - The Convalescent
8. Thus Spoke Zarathustra - Tone-poem For Large Orchestra (Freely After Friedrich Nietzsche): Das Tanzlied - The Dance-Song
9. Thus Spoke Zarathustra - Tone-poem For Large Orchestra (Freely After Friedrich Nietzsche): Nachtwandlerlied - Song Of The Night Wanderer
10. Till Eulenspiegels lustige Streiche Op. 28 - Nach alter Schelmenweise - In Rondeauform: Till Eulenspiegel's Merry Pranks - After An Old Picaresque Legend - In Rondeau Form
11. Don Juan Op. 20: Tondichtung nach Nikolaus Lenau - Tone-poem After Nikolaus Lenau
12. Salome: Tanz der sieben Schleier - Dance Of The Seven Veils

Amazon.com essential recording

Herbert von Karajan was a Strauss specialist, and if ever composer and conductor were united in musical philosophy, then these two were. Both favored making a beautiful, creamy, homogenized sound over just about all else, and von Karajan clearly relished the opportunities this music offered for playing that combined both tonal opulence and virtuosity. His Zarathustra (a.k.a. 2001: A Space Odyssey) is, along with Fritz Reiner's, probably among the two or three best performances preserved on disc, and von Karajan is nearly flawless on the other works as well. More good news: DG has given him warm, rich sound that's much better than their Berlin average. An essential Strauss collection. --David Hurwitz

Amazon.com

The readings from Herbert von Karajan and the Berlin Philharmonic are exquisitely played and splendidly recorded. Von Karajan's way with the music is supple, suave, and dashingly characterful, and his tempos are faultlessly judged. The orchestra is at its best, remarkable for the silky transparency it brings to the texture and the fascinating detail of the solo work--not least, the flute solos by James Galway, then a member of the BPO. The recording has been optimally transferred and presents a solid image. --Ted Libbey

Customer Reviews:

Excellent Strauss representative in a modest collection.......2007-05-03

This is another example of 'big' music, major works by Strauss by THE major post WW II German conductor of the Berlin Philharmonic. I probably would have never bothered to spend much time listening to Richard Strauss if it were not for the fact that the first few bars of 'Also Sprach Zarathustra' was the opening music for Stanley Kubrick's '2001'. And, I believe it was this version (or one sounding extremely similar to this one) which was used by Kubrick. As a fan of liturgical music, I have to say that Strauss' 'Zarathustra' may be thought of as 'anti-liturgical' music, since it takes its title and temper from the philosopher Friedrich Nietsche's most famous work, a distinctly anti-Christian, existential source document. The other works on this recording are also 'high' Strauss, especially 'Till Eulenspiegels lustige Streiche', a celebration of classic German folklore.

There must be hundreds of 'Zarathustra' recordings, but if you must have at least one, this one is a winner, especially at the price.

Great! Truly one of the very finest Zarathustras.......2005-12-24

Herbert von Karajan recorded the great Strauss tone-poem Also Sprach Zarathustra three times, each time it was exceptional and each record ranks at the top of the mountain, so to speak. The first record was in 1959 with the Vienna Philharmornic. That was the version used by Stanley Kubrick in 2001: A Space Odyssey. This version that I'm reviewing here is from 1974 with the Berlin Philharmonic and there is a final version from 1983, also with Berlin. This 1974 account is probably the best ever from Karajan and possibly anybody. Perhaps the later 1983 has deeper, richer digital sound but this 1974 account is more passionate and breaths fire. The only reason I give it four and not five stars is the recording itself. The remastering has really brightened up the aural image and it sounds quite fierce at times. The later version, coupled with the tone-poem Don Juan is on the Karajan Gold disc, catalog number 439 016-2. Make sure you get that Gold disc to compare and contrast. If you're a fan of this work, you might want to get them both as there are a few, albeit, slight differences in the 2 recordings.

On this 1974 record I'm reviewing, track 2, Of the Backworldsmen is tremendously powerful, such sweeping string sound unlike in any Zarathustra you've ever heard and let's not forget to mention the riveting timpani at the famous opening. Unbelievable! However the later version packs quite a punch too in places on account of the digital sound, but it's not as driven or intense as this earlier Karajan version.

As for the music itself, Zarathustra is one of the most evocative and fascinating of the orchestral works of Strauss, from the famous opening to the transcendent fury to come to the hushed, meditative polytonal ending, contrasting the two keys representing man and nature. I want to pay particular attention to a couple of passages that display Strauss' strengths and weaknesses in this work. Listen to track 6, subtitled Of Science and Learning. Strauss composes a fugue based on all 12 tones of the chromatic scale, years before Schoenberg's shenanigans. The fugue is great, a dark sound rumbling from the bowels of the orchestra and then it grows and grows and wham, you get this ultra sweet sound on high violins! What's up with that? Strauss schmaltzing it up! Well, you can't have everything. Later in the work, Strauss uses the Viennesse waltz to convey the dance of Nietzsche's Superman. This is Strauss being at his ironic and humorous best and worst! Later the orchestra expands and explodes with unrelenting force in the part just before the Midnight Bell and then the music closes beautifully in the Song of the Grave. All in all, the tone-poem is a stunning display of orchestral wizardry and power and no composer in history could utilize the modern orchestra to the farthest range of it's capabilities like Richard Strauss. ( Gustav Mahler, Nicolai Rimsky-Korsakov, Maurice Ravel and Ottorino Respighi are four challengers. )

The other works on this CD are quite a success as well, Karajan loved the tone-poem Don Juan and played it many times, Till Eulenspiegel is played well too, I might prefer Haitink's version here. The dance of the seven veils from Salome is highly sensual, but I prefer the power and sexual excitement of Solti's recording for this Salome excerpt.

I've heard many Zarathustras, two versions by Solti, the 1954 and 1960 Reiner versions as well as Kempe, Sawallisch, Boulez, Previn, Haitink and others, but it's Karajan I return to. This 1974 is top of the line but make sure to add the digital 1983 recording to your collection as well for comparison's sake, turn it up loud and be swept into ecstasy while sending all your neighbors into a fury!

Til Eulenspiegel is the reason I have this C.D.!.......2005-10-19

Herbert Von Karajan and the Berlin Philharmonic did a splendid job on one of my personal favorite classic pieces, Til Eulenspiegel's Merry Pranks. It's 15 minutes worth of wonderful music put together in this C.D. along with Also Sprach Zarathustra! Enjoyable listening with this c.d.!!

The greatest recording of Zarathustra ?.......2005-09-13

Karajan and his beloved Berlin Philharmonic have been accused of "over indulgency" (for example, in the complete recordings of the Beethoven Symphonies, also available on Deutsche Gramaphon). However, the same cannot be said for this recording. Lustrous strings, powerful brass and clear and concise woodwinds, all combined under the virtuosity of probably, at the time, the world's greatest conductor with the world's greatest orchestra !

The opening of Zarathustra (made famous to the point of boring repetition from the movie 2001, a space odyssey), is easily susceptible to over emotional interpretation from the conductor; not so here.It is delivered with subtlety and combined with the awe inspiring power one would expect from the combination of the reputation of such a conductor and such an orchestra.

This almost "hands-off" interpretation of the work extends to the other Richard Strauss works also on the CD; Til Eulenspiegel, Don Juan and Salome, Dance of the Seven veils. For ANYONE interested in the works of this German composer, this CD is an absolute MUST!!! In over 35 years of listening to classical music, I would say this superbly re engineered recording from the original of 1974 represents the geatest interpretation ever made on vinyl (or in this case, digital)media of Strauss' best music.

An absolutely wonderful CD demonstrating the technical AND musical skills of an orchestra that during the 1970's and 80's was regarded as the world's best, being conducted by a conductor who, for over 30 years, was regarded as the world's best!

Strauss: Also Sprach Zarathustra, Don Juan / Karajan.......2005-08-09

Excellent items! Fast delivery. Thanks.

Average customer rating: first-rate interpretations, second-rate recorded sound Not worth it!!!!!!! Wonderful Interpretation throughout.

Strauss: Tone Poems Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Classical | Box Sets | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Schumann Piano Works Mozart: Piano Concertos Nos. 20, 23, 24, 26 & 27 Mozart: Requiem / Davis (Penguin Music Classics Series) Schumann: The Four Symphonies; Genoveva & Manfred Overtures Smetana: Má Vlast ASIN: B00002DF9N Release Date: 2001-03-13

Tracks:

1. An Alpine Symphony, Op.64: Night - Sunrise - Berliner Philharmoniker
2. An Alpine Symphony, Op.64: The Ascent - Berliner Philharmoniker
3. An Alpine Symphony, Op.64: Entering The Wood - Berliner Philharmoniker
4. An Alpine Symphony, Op.64: Wandering By The Brook - By The Waterfall - Apparition - Berliner Philharmoniker
5. An Alpine Symphony, Op.64: Flowery Meadows - On The Mountain Pasture - On The Wrong Track Through Thickets And Undergrowth - On The Glacier - Berliner Philharmoniker
6. An Alpine Symphony, Op.64: Precarious moments - On The Summit - Vision - Berliner Philharmoniker
7. An Alpine Symphony, Op.64: Rising Mists - The Sun Gradually Dims - Elegy - Berliner Philharmoniker
8. An Alpine Symphony, Op.64: Calm Before The Storm - Berliner Philharmoniker
9. An Alpine Symphony, Op.64: Thunderstorm, Descent - Berliner Philharmoniker
10. An Alpine Symphony, Op.64: Sunset - Berliner Philharmoniker
11. An Alpine Symphony, Op.64: Epilogue - Night - Berliner Philharmoniker
12. Don Juan, Op.20: Tone Poem After Nikolaus Lenau - Berliner Philharmoniker
13. Waltzes From Act III - Berliner Philharmoniker

Tracks:

1. Thus Spake Zarathustra, Op.30: Introduction - Michel Schwalbe
2. Thus Spake Zarathustra, Op.30: Of The Backworldsmen - Michel Schwalbe
3. Thus Spake Zarathustra, Op.30: Of The Great Longing - Michel Schwalbe
4. Thus Spake Zarathustra, Op.30: Of Joys And Passions - Michel Schwalbe
5. Thus Spake Zarathustra, Op.30: The Song Of The Grave - Michel Schwalbe
6. Thus Spake Zarathustra, Op.30: Of Science - Michel Schwalbe
7. Thus Spake Zarathustra, Op.30: The Convalescent - Michel Schwalbe
8. Thus Spake Zarathustra, Op.30: The Dance Song - Michel Schwalbe
9. Thus Spake Zarathustra, Op.30: Song Of The Night Wanderer - Michel Schwalbe
10. Festival Prelude, Op.61 - Wolfgang Meyer
11. Till Eulenspiegel's Merry Pranks, Op.28 - Berliner Philharmoniker
12. Salome, Op.54: Dance Of The Seven Veils - Berliner Philharmoniker

Tracks:

1. A Hero's Life, Op.40: The Hero - Erich Muhlbach
2. A Hero's Life, Op.40: The Hero's Adversaries - Erich Muhlbach
3. A Hero's Life, Op.40: The Hero's Companion - Erich Muhlbach
4. A Hero's Life, Op.40: The Hero's Battlefield - Erich Muhlbach
5. A Hero's Life, Op.40: The Hero's Works Of Peace - Erich Muhlbach
6. A Hero's Life, Op.40: The Hero's Retirement From The World And Fulfilment - Erich Muhlbach
7. Death And Transfiguration, Op.24 - Staatskapelle Dresden

Customer Reviews:

first-rate interpretations, second-rate recorded sound.......2006-07-30

What admirable interpretations from Böhm! He breathes so much character into each of the musical "paragraphs" in these readings. Each theme is given its own distinct tempo, chosen with exceptional judgement to emphasize its idiosyncracies and expressive character; and Böhm can turn his orchestra on a dime when a good deal of contrast is called for between the end of one paragraph and beginning of the next. There's also enourmous dynamic range and contrast, form the softest pianissimi to thundering fortissimi. These are readings that really bring out the broad ebb and flow of these long pieces, emphasizing the structure, the architecture of them. They're really fantastic.

Do be warned, though, that the recorded sound is very dated: generally it's rather one-dimensional and the resolution is not very high, so that you mostly hear only the most prominent voices of the ensemble at any given time. It's at its worst in the Alpine Symphony, which sounds like a scratchy, screechy 1930's film soundtrack. In the rest of the pieces it ranges from good to serviceable; but if there's any repertoire that really benefits from today's high-fidelity recording technology, massive post-Romantic orchestral scores like these are certainly a front-runner. Buy this set for the marvellous interpretations, but you'll want to explore other, better-recorded readings as well to really hear the full depth and resonance of the orchestral sound.

Not worth it!!!!!!!.......2006-07-19

This seems like a great deal with the amount of material and the price, but the truth is "cheap price, cheap recordings" . I highly suggest if you want to get the most of Richard Strauss's tone poems you should buy different recordings. The main thing I was disappointed with on this box set was the recording of An Alpine Symphony. The recording of the alpine symphony was too old and weak, sloppy and loud (only at times),and just ok overall. The alpine symphony is on the first cd so I after I listened to that, I had a bad attitude about the rest of it. Even though, all of the other recordings are pretty good or ok.

Personally, I would suggest Karajan and the Berlin Philharmonic when it comes to Richard Strauss's tone poems.

Wonderful Interpretation throughout........2006-01-01

This collection is a wonderful package in that it brings together one of Strauss's life friends and largest advocates (Karl Bohm) with two incredible GERMAN orchestras playing their own nationalistic music.

These recordings rank among my most cherished and loved. Highlights (for me) include the climax of sunrise in the Alpine Symphony, the huge reverberations as the massive sound of the fff chords carry over into silence in Heldenleben, and the wicked-crazy horns as they rip through the Waltz from Rosenkavalier.

These are prime interpretations (better, I feel than any other -- and I mean ANY - sorry Karajan fans!!!). And these two wonderful forces play their musical heritage with passion and brilliance.

As another reviewer pointed out, the sound quality leaves something to be desired, however it is not quite as bad as they would have us believe. What we first must take into account is that Strauss' huge tone poems put enormous demands on the recording equipment of its day that could not be met. Also, Bohm was stressed above all else that "the melody be prominent". Yes - as a result the recording really kicks out the melody line.

Okay - take that into account and listen to these with some imagination. I assure you that you will be able to hear the detail of Strauss' music - but more importantly the style and idea of it. Listen like you would look at a black and white photo. While the B&W leaves more for your imagination, you still "get the picture" - and sometimes the B&W reveales more! It's exactly the same with this incredible box of Strauss.

The interpretation is absolutely stunning and revealing. Bohm nailed this on the head and truly captured the essence of this music. I feel this is a wonderful place for you to start if you know little Strauss - and if you know much about Strauss, this is a great place for you to hear a different, but seemingly perfect interpretation of Strauss.

Average customer rating: One of the best If You Own A SACD Player, Buy This Hybrid SACD. If You Have A Normal CD Player, Buy The Earlier Plain CD "Living Stereo" Version Barnstorming in the Concert Hall! Hair raising Strauss!!

Richard Strauss: Scenes from Salome & Elektra [Hybrid SACD] Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: César Franck: Symphony in D Minor; Igor Stravinsky; Pétrouchka [Hybrid SACD] Mahler: Symphony No. 4 [Hybrid SACD] Brahms, Tchaikovsky: Violin Concertos [Hybrid SACD] Rhapsodies [Hybrid SACD] Respighi: Pines of Rome; Fountains of Rome; Debussy: La mer [Hybrid SACD] ASIN: B0009U55S8 Release Date: 2005-07-26

Customer Reviews:

One of the best.......2007-05-15

Fantastic. Different as I remember foim initial release in Australia in early 80s. I think many cuts were made for political reasons.

If You Own A SACD Player, Buy This Hybrid SACD. If You Have A Normal CD Player, Buy The Earlier Plain CD "Living Stereo" Version.......2006-11-08

Hey there, fans of Strauss and Reiner, this is a phenomenal recording no doubt, but I have to warn people that this Hybrid SACD doesn't sound as good in a standard CD player as the earlier version of this recording.

Of course if you have a SACD player, you should buy this thing, but if you are like most people who have standard stereos, the original release will sound superior in your normal CD player than the Hybrid SACD. Trust me on this one, I am a perfectionist and an audiophile.

Barnstorming in the Concert Hall!.......2005-12-21

These performances are amazing! The soundstage simply disappears out both sidedoors of the auditorium. If you don't like singing the Dance of the Seven Veils is so good it justifies the cost. One of the great performances of all time!

Hair raising Strauss!!.......2005-08-05

This is a great issue in this SACD series. Borkh has just the right sound for Elektra and Salome. Reiner backs her up perfectly. The CSO is in top form. Listen to the brass and you can be in heaven or hell.(Depends on your taste for his operas.)
Absolutely outstanding. The DSD remastering is phenominal!!

Average customer rating: Outstanding performances Reviving a Lost Love Not for beginners... One of the very best of all EMI sets! The 2nd coming for all Straussians! terrible, awful, hideous, lousy

Strauss: Orchestral Works Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Dances | Ballets & Dances | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music French Horn | Brass | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Classical | Box Sets | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Debussy, Ravel: Orchestral Works Bruckner: The Complete Symphonies Sibelius: The Complete Symphonies & Tone Poems Liszt: Works for Piano and Orchestra Symphonies 1-3 / Piano Concerto 1-4 / Isle of Dead ASIN: B000026D4K Release Date: 1999-11-16

Tracks:

1. Horn Concerto No. 1 In E Flat Major, Op. 11: I: Allegro
2. Horn Concerto No. 1 In E Flat Major, Op. 11: II: Andante
3. Horn Concerto No. 1 In E Flat Major, Op. 11: III: Allegro
4. Horn Concerto No. 2 In E Flat Major: I: Allegro
5. Horn Concerto No. 2 In E Flat Major: II: Andante con moto
6. Horn Concerto No. 2 In E Flat Major: III: Rondo (Allegro molto)
7. Oboe Concerto In D Major: I: Allegro moderato
8. Oboe Concerto In D Major: II: Andante
9. Oboe Concerto In D Major: III: Vivace
10. Duett-Concertino: I; Allegro moderato
11. Duett-Concertino: II: Andante
12. Duett-Concertino: III: Rondo (Allegro ma non troppo)

Tracks:

1. Burleske
2. Parergon zur Sinfonia Domestica, Op. 73
3. Panathenaenzug, Op. 74

Tracks:

1. Till Eulenspiegels lustige Streiche, Op. 28
2. Don Juan, Op. 20
3. Ein Heldenleben, Op. 40: The Hero
4. Ein Heldenleben, Op. 40: The Hero's Adversaries
5. Ein Heldenleben, Op. 40: The Hero's Wife
6. Ein Heldenleben, Op. 40: Certainty Of Victory
7. Ein Heldenleben, Op. 40: The Hero's Battlefield
8. Ein Heldenleben, Op. 40: War Fanfares
9. Ein Heldenleben, Op. 40: The Hero's Work Of Peace
10. Ein Heldenleben, Op. 40: The Hero's Withdrawl From The World
11. Ein Heldenleben, Op. 40: Renunciation

Tracks:

1. Violin Concerto in D minor, Op. 8: I: Allegro
2. Violin Concerto in D minor, Op. 8: II: Lento
3. Violin Concerto in D minor, Op. 8: III: Rondo
4. Sinfonia Domestica, Op. 53: Bewegt - Thema I - Thema II - Thema III
5. Sinfonia Domestica, Op. 53: Scherzo (Munter)
6. Sinfonia Domestica, Op. 53: Wiegenlied - Massig langsam
7. Sinfonia Domestica, Op. 53: Adagio - (Langsam)
8. Sinfonia Domestica, Op. 53: Finale (Sehr lebhaft)

Tracks:

1. Also sprach Zarathustra, Op. 30
2. Tod und Verklarung, Op. 24
3. Der Rosenkavalier, Op. 59

Tracks:

1. Salome, Op. 54: Dance Of The Seven Veils
2. Le Bourgeois Gentilhomme - Suite, Op. 60: Overture
3. Le Bourgeois Gentilhomme - Suite, Op. 60: Jourdain - Minuet
4. Le Bourgeois Gentilhomme - Suite, Op. 60: The Fencing Master
5. Le Bourgeois Gentilhomme - Suite, Op. 60: Entrance and Dance of the Tailors
6. Le Bourgeois Gentilhomme - Suite, Op. 60: Minuet of Lully
7. Le Bourgeois Gentilhomme - Suite, Op. 60: Courante
8. Le Bourgeois Gentilhomme - Suite, Op. 60: Entry Of Cleonte
9. Le Bourgeois Gentilhomme - Suite, Op. 60: Intermezzo (Prelude To Act 2)
10. Le Bourgeois Gentilhomme - Suite, Op. 60: The Dinner
11. Schlagobers, Op. 70: Waltz
12. Josephslegende, Op. 63: Symphonic Fragment

Tracks:

1. Metamorphosen: Study For 23 Solo Strings
2. Eine Alpensinfonie, Op. 64: Night
3. Eine Alpensinfonie, Op. 64: Sunrise
4. Eine Alpensinfonie, Op. 64: The Ascent
5. Eine Alpensinfonie, Op. 64: Entering The Forest
6. Eine Alpensinfonie, Op. 64: Strolling By The Stream
7. Eine Alpensinfonie, Op. 64: By The Waterfall
8. Eine Alpensinfonie, Op. 64: Apparition
9. Eine Alpensinfonie, Op. 64: In Flowery Meadows
10. Eine Alpensinfonie, Op. 64: In A Mountain Pasture
11. Eine Alpensinfonie, Op. 64: Lost In The Thickets And Undergrowth
12. Eine Alpensinfonie, Op. 64: On The Glacier
13. Eine Alpensinfonie, Op. 64: Dangerous Moments
14. Eine Alpensinfonie, Op. 64: On The Summit
15. Eine Alpensinfonie, Op. 64: Vision
16. Eine Alpensinfonie, Op. 64: Mists Rise Up
17. Eine Alpensinfonie, Op. 64: The Sun Grows Dark
18. Eine Alpensinfonie, Op. 64: Elegy
19. Eine Alpensinfonie, Op. 64: Quiet Before The Storm
20. Eine Alpensinfonie, Op. 64: A Thunderstorm - Descent
21. Eine Alpensinfonie, Op. 64: Sunset
22. Eine Alpensinfonie, Op. 64: Conclusion
23. Eine Alpensinfonie, Op. 64: Night

Tracks:

1. Aus Italien, Op.16: I: Andante
2. Aus Italien, Op.16: II: Allegro molto con brio
3. Aus Italien, Op.16: III: Andantino
4. Aus Italien, Op.16: IV: Finale (Allegro molto)
5. Macbeth, Op. 23: Symphonic Poem

Tracks:

1. Don Quixote, Op. 35: Introduktion (Massiges Zeitmass)
2. Don Quixote, Op. 35: Massig (Don Quixote)
3. Don Quixote, Op. 35: Maggiore (Sancho Panza)
4. Don Quixote, Op. 35: Variation I: The adventure with the windmills
5. Don Quixote, Op. 35: Variation II: The battle with the sheep
6. Don Quixote, Op. 35: Variation III: Discourse between knight and squire
7. Don Quixote, Op. 35: Variation IV: The adventure with the pilgrims
8. Don Quixote, Op. 35: Variation V: The knight's vigil
9. Don Quixote, Op. 35: Variation VI: The meeting with Dulcinea
10. Don Quixote, Op. 35: Variation VII: The ride through the air
11. Don Quixote, Op. 35: Variation VIII: The voyage in the enchanted boat
12. Don Quixote, Op. 35: Variation IX: The combat with the two magicians
13. Don Quixote, Op. 35: Variation X: The defeat of Don Quixote
14. Don Quixote, Op. 35: Finale (Sehr ruhig)
15. Dance Suite from harpsichord pieces by Francois Couperin: I: Entree and stately round
16. Dance Suite from harpsichord pieces by Francois Couperin: II: Courante
17. Dance Suite from harpsichord pieces by Francois Couperin: III: Carillon
18. Dance Suite from harpsichord pieces by Francois Couperin: IV: Sarabande
19. Dance Suite from harpsichord pieces by Francois Couperin: V: Gavotte
20. Dance Suite from harpsichord pieces by Francois Couperin: VI: Tourbillon - Wirbeltanz
21. Dance Suite from harpsichord pieces by Francois Couperin: VIII: Allemande
22. Dance Suite from harpsichord pieces by Francois Couperin: VIII: March

Amazon.com essential recording

When it comes to the music of Richard Strauss, none of the world's great orchestras has a more distinguished tradition than the Staatskapelle Dresden. As pit orchestra of the Dresden Court Opera, the Staatskapelle was involved in the premieres, between 1901 and 1911, of Feuersnot, Salome, Elektra, and Der Rosenkavalier; later, with Karl Böhm conducting, its players participated in the premiere of Daphne. Most of Strauss's major tone poems have been in the Dresden orchestra's concert repertory since completion.

Back in the 1970s, EMI was able to capitalize on this association when it reunited the Staatskapelle with Rudolf Kempe--a native of Dresden, one of the master conductors of the 20th century, and an absolutely authoritative Straussian--for an integral recording of Strauss's orchestral works and concertos. The cycle was warmly received when it was originally released on LP, and it has become one of the treasures of the CD catalog since EMI reissued it whole, in three volumes, in 1992. With this latest repackaging, the whole impressive enterprise becomes available in one box.

Across the board, Kempe and the Dresdeners give magnificent readings of the music. Their Zarathustra is imposing and grand; their Heldenleben suitably heroic and quite smashingly played; their Till Eulenspiegel and Don Juan delightfully brisk, characterful, and exultant (the latter is dispatched in a blazing 16:06, and receives as ardent and exhilarating a reading as you are ever likely to encounter on disc). One of the finest of all the offerings is the account of Eine Alpensinfonie, a Kempe favorite and still a sonic knockout after nearly three decades.

The less familiar orchestral works are here, as well, including the early tone poems Aus Italien and Macbeth and the admittedly rather frothy ballet scores Josephslegende and Schlagobers. Of special value are the accounts of all Strauss's concerted works, from the early Violin Concerto (played by Ulf Hoelscher) and Burleske for piano and orchestra (with Malcolm Frager as soloist), through Don Quixote (featuring Paul Tortelier in magisterial form) and the two horn concertos, to the Oboe Concerto of 1946 and the final Duett-Concertino for clarinet and bassoon.

It's hard to imagine any label tackling such a project in today's bottom-line environment, or coming up with such definitive readings from today's performers. All the more reason to celebrate the appearance of this compendium. --Ted Libbey

Customer Reviews:

Outstanding performances.......2007-05-13

Rudolf Kempe's interpretations of Richard Strauss orchestral works (almost complete - one miss the orchestral songs) have been classic recordings since they first appeared on record in the early seventies (1970-75).

Especially fine are his interpretations of the core works, e.g., the symphonic poems Also sprach Zarathustra, Ein Heldenleben, Eine Alpensinfonie, Tod und Verklärung, Don Juan, Till Eulenspiegel, Don Quixote. All these are given first rate interpretations.

Furthermore, you get outstanding interpretations of Strauss' two horn concertos as well, with Peter Damm's superb horn playing, and an outstanding performance of Metamorphosen.

There is simply no rival to this collection of "core works of Richard Strauss".

In addition, this box collects also Strauss less interesting orchestral works - see Amazon's listing above. These minor works receive fine interpretations and performances too, but the main attraction is of course the core works above.

Sound quality is very fine - just excellent analogue stereo - and the orchestra, Staatskapelle Dresden, was one of the top orchestras in the world when these sessions were put on record.

Warmly recommended!

Reviving a Lost Love.......2006-08-07

The highest praise for any conductor must be that he rekindles enthusiasm and love for music that had been recently abandoned. In his autobiography, the conductor Felix Weingartner confesses that he had grown out of touch with Strauss' music; until hearing this set, I had felt the same, with only a few exceptions. But Rudolf Kempe and his really great Staatskapelle Dresden have won me back to Richard's orchestral music. So far, I have only heard part of the set: Zarathustra, Heldenleben, Till, Tod und Verklaerung, Der Buerger als Edelmann, Don Juan, Burleske, and Sinfonia Domestica, but my appetite is whet for more. Because of the refined, subtle, and yet intense conducting of Kempe, what used to strike me as cheap and taudry now strikes me as profound and moving. And the sheer musical skill of Strauss in thematic invention and counterpoint never ceases to amaze. Kempe was truly, in my not so humble opinion, the greatest conductor of the German classics following Furtwaengler; Karajan was empty and shallow by comparison. Kempe brings to this music the same passion and dignity that he brought to Beethoven, Brahms, Wagner, Schumann, and other of "his" composers. To make just one comparison, Reiner's Zarathustra, once hallowed by me as by most listeners, now sounds like overripe, rotting fruit as compared to the passionate yet thoughtful quality that Kempe brings to it. The Staatskapelle Dresden, by the way, sounds like the greatest orchestra in the world, only matched by the Berlin Philharmonic under Kempe or Furtwaengler, an orchestra that produces incidentally beautiful sounds but whose main goal is the projection and characterization of the music. No virtuosity for its own sake, just musicianship, musicianship, and more musicianship. EMI's sound is the very epitome of how to record an orchestra: Impactful, yet smooth and detailed, with natural perspectives and no spotlighting. This set belongs in every music lover's library.

Not for beginners..........2006-07-16

Most boxed sets have their ups and downs because no conductor is equally sympathetic to all of a composer's works. Kempe is no exception to this rule.

The masterpieces, Zarathustra, Heldenleben, and Quixote, are superb here. Kempe clarifies Strauss' complex textures in a way that other conductors like Karajan don't. Most of the time, I prefer to hear these works Karajan's way, but it's nice to hear what Kempe does with them, too. No one does Sinfonia Domestica the way Kempe does it...with such gentleness and humor. I listened to Reiner's recording for years, but I put it up for sale on amazon after I heard the Kempe. With all four of these large tone poems, Kempe and Karajan are all I really need.

The Don Juan is just about the best I've ever heard. It is so vital and exciting! Better than Karajan or any other I know. It is hard to imagine that Macbeth will ever be done better than this either. Macbeth is one of the reasons I own this set, but it's hardly one of Strauss' masterpieces. Speaking of non-masterpieces, I also treasure Kempe's recordings of Strauss' strange works for piano and orchestra. The Burleske has more poetry but less excitement than the classic Byron Janis/Reiner recording.

Kempe's recordings of the Horn Concertos are truly awful. Listen to the weak, watery tones of the first-chair horn player stepping into the solo spotlight. One listen to the mono recordings of Dennis Brain conducted by Sawallisch shows what is missing: bold, ringing tone and lots of excitement. If I only knew Kempe's recordings, I wouldn't even care about these pieces.

The bad news continues with the Oboe Concerto (weak oboist) and the charming Duet Concertino (weak bassoon).

Kempe misses the raucous fun that charges the best recordings of Till Eulenspiegel. This is a limp dishrag of a performance (until the last few minutes). At the very start of the performance, you will hear a familiar sound -- our weak horn player from the concertos playing a solo -- and you will long to stop the CD and reach for a different recording.

Metamorphosen is one of my favorite pieces by Strauss. Kempe, as is his wont, tries mightily to clarify Strauss' dense counterpoint here, and I appreciate the effort. I hear things here that I miss in other recordings. But this reading does not move me the way others have. Ormandy, to name just one. Death and Transfiguration is another one that Ormandy did better. Kempe is too fast at times! Really fast!

My greatest disappointment with this set is a recording that has been acclaimed by many as one of the greatest Strauss recordings ever made...Kempe's take on Eine Alpensinfonie. I have lived for many years with the Karajan recording, and I must say that Kempe misses many of the moments that I have come to treasure in Karajan's version. One example would be those 20 horns playing! Karajan makes this absolutely thrilling, which I'm sure is what Strauss intended. With Kempe, this telling touch by Strauss passes by unremarkably. The slow, quiet passage at the summit lacks magic. The apotheosis at the top of the mountain is certainly thrilling in Kempe's hands, but he misses too much on the way up. By the way, his cowbells sound almost comically bad. He certainly does bring out the beauty of the closing sections of the work, though.

If you are really serious about getting to know Strauss' music, this is a necessary purchase for the rarities that will probably never be done better like the Violin Concerto and the pieces I've already mentioned. If you just want Strauss' most famous works, this is a waste of your money (no matter how cheap it is!)because there's a lot of stuff here that either isn't very good or that you probably won't want to listen to that often. You would be better off buying Karajan's recordings (the 1970s recordings, not the remakes from the 80s) of the big three tone poems and then filling in the smaller ones as your interests dictate. Casual listeners will never need to hear pieces like Macbeth or the piano works that make this set so vital to Strauss-aholics like me!

One of the very best of all EMI sets! The 2nd coming for all Straussians!.......2006-02-10

The great Strauss tone poems soar to the highest level imaginable! With Kempe's genius, the lesser works become great! Kempe resists all temptation to be banal or bombastic. He directs the Staatskappele Dresden with a silken, burnished tone yet with restraint that has a radiant glow that never sacrifices the inherent capacity of the music to thrill, deeply move, or elevate to another plain. Each work played is in itself the guide: conductor and orchestra let the works deliver their own brilliance. The Don Juan and Dead and Transfiguration are soul piercing, along with Ein Heldenleben, and....... The Staatskapelle Dresden has always been an inspired ensemble and in Kempe's hands they are simply put, magnificent, delivering one thrilling performance after another. Like Wagner and Faith, you get Strauss or you don't. If you do get it, this set is beyond self recommendation; Buy this set before it disappears from the shelves. Classical Cd shelves these days have hidden boomerangs. One minute here, next minute.....boing going gone)...! The concert hall may never hear greater performances of Strauss' orchestral works as we hear on these nine disks. The sound is nothing short of a rich, full timber as Kempe leads then with inspired and interpretive genius . This all may sound over the edge but I don't think so and I don't think you will be disappointed. Strauss has been served in splendor by the Dresden musicians under Kempe's baton. [Although in an aside I must say that Raphael Fruhbeck de Burgos and the Tanglewood Music Center Orchestra's performance this past summer of Don Juan and the Rosenkavalier suite were superb.] Then I think of the BSO with Levine...., their Strauss should be something else. Bravo and kudos to all for bringing us this gift. Booklet is very well done with one exception. There is not a word in the booklet about Rudolf Kempe and/or the orchestra itself. 10 stars anyway!!

terrible, awful, hideous, lousy.......2005-04-22

The problem with the "classics" is that too many hacks have hacked them to pieces. My opinion of these recordings, for whatever it is worth, is that they simply do not do justice to Strauss's magnificent music.

There is a reason they are a "bargain". I would avoid this set.
Sometimes a boxed set is a good deal, but this one is not. I find the entire set unspeakably dull and literally unlistenable.

In any event, this is merely my opinion. The majority of the other reviewers think its terrific.

Average customer rating: Still a sonic spectacular after all these decades

Richard Strauss: Salome [Remastered] Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Nilsson, Birgit | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Strauss, Richard | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: R. Strauss: Elektra Solti Strauss ~ Der Rosenkavalier / Crespin, Minton, Jungwirth, Donath, Wiener Phil. R. Strauss - Ariadne auf Naxos / Schwarzkopf · Seefried · Streich · Schock · Prey · PO · Karajan Beethoven: Fidelio Strauss - Der Rosenkavalier / Schwarzkopf · Ludwig · Karajan ASIN: B000E6EH04 Release Date: 2006-06-13

Tracks:

1. Wie Schon Ist Die Prinzessin Salome Heute Nacht!
2. Nach Mir Wird Einer Kommen
3. Ich Will Nicht Bleiben
4. Siehe, Der Herr Ist Gekommen
5. Jauchze Nicht, Du Land Palastina
6. Du Wirst Das Fur Mich Tun
7. Wo Ist Er, Dessen Sundenbecher Jetzt Voll Ist?
8. Jokanaan, Ich Bin Verliebt In Deinen Leib
9. Wirds Dir Nicht Bange, Tochter Der Herodias?
10. Wo Ist Salome?
11. Es Ist Kalt Hier
12. Salome, Komm, Trink Wein Mit Mir
13. Sieh, Die Zeit Ist Gekommen
14. Wahrhaftig, Herr, Es Waere Besser
15. Siehe, Der Tag Ist Nahe

Tracks:

1. Eine Menge Menschen Wird Sich Gegen Sie Sammeln
2. Tanz Fur Mich, Salome
3. Salomes Tanz
4. Ah! Herrlich! Wundervoll
5. Still, Sprich Nicht Zu Mir!
6. Salome, Bedenk, Was Du Tun Willst
7. Man Soll Ihr Geben, Was Sie Verlangt!
8. es Ist Kein Laut Zu Vernehmen
9. Ah! Du Wolltest Mich Nicht Deinen Mund Kussen Lassen, Jokanaan!
10. Sie ist Ein Ungeheuer, Deine Tochter
11. Ah! Ich Habe Dinen Mund Gekusst

Customer Reviews:

Still a sonic spectacular after all these decades.......2006-06-23

The sound is very vivid and immediate in this latest remastering of the classic 1961 recording, and you hear details in the exceedingly complex orchestration that you would not hear in the opera house (much better in this respect than the previous, original CD issue). Solti sounds in total command of both the sensual and visceral aspects of the work, aided by the full bodied and imposing playing of the Vienna Phil. Furthermore, the cast overall is very strong, even though Nilsson's Salome does not reach the heights of dramatic fervor that Leonie Rysenek achieved in her live recording with Bohm. Gerhard Stolze, however, really makes a meal of Herod, vividly bringing out both the character's sliminess and hysteria (only Vickers in his live recording with Kempe and Rysenek equals him, but, by contrast, conveys a more kingly imperiousness with his heroic style and sound).
Anyone who likes Salome should get this one.

Average customer rating: The glory of Strauss in DDD sound

Richard Strauss: Der Rosenkavalier Suite Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Cincinnati Symphony Orchestra | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music ASIN: B000003D0A Release Date: 1995-06-20

Tracks:

1. Salomes Dance (Dance Of The Seven Veils)
2. Suite From Der Rosenkavalier
3. Burlesque For Piano And Orchestra - Jeffrey Kahane
4. Festival Prelude For Organ And Orchestra

Customer Reviews:

The glory of Strauss in DDD sound.......2004-11-02

Most recordings by Jesus Lopez-Cobos and the Cincinnati Symphony are an audiophile's dream and this one is no different. Mating four Richard Strauss creations, Telarc has issued a first drawer extravaganza that is stylistically correct and exquisitely played in sparkling sound.

Lopez-Cobos has put together four disparate Strauss pieces -- Salome's Dance Of The Seven Veils, Suite From Der Rosenkavalier, Burlesque For Piano And Orchestra and Festival Prelude For Organ And Orchestra -- in 76 minutes of outstanding performances brilliantly recorded in clear, balanced sound with extraordinary depth.

The Cincinnati orchestra's playing is universally exemplary and is acutely vivid during the Rosenkavalier Suite, the music from the opera organized by someone other than the composer, but for which the composer took royalties. This meandering and wonderful music, which is by turns tempestuous and tender, is the greatest achievement on this recording. The Festival Prelude is equally well done.

No praise is too lofty for the recording technicians and the Cincinnati players, especially the brass players. Their distinguished musicianship and style is 100 percent straight on all through this magnificent CD. The single disappointment is Jeffrey Kahane's piano playing during the Burleske, which is far from a great work of art.

But this is small negative compensation and does not dim the very bright light shone on this prominent issue from this conductor and orchestra, which are unfortunately no longer together. Lopez-Cobos was not always beloved by Cincinnati critics during his tenure in the Queen City but it was not because of music-making like that produced on this CD!

Lopez-Cobos and the orchestra recorded several Mahler and Bruckner symphonies of varying quality during their years together. If they could pull off Strauss of this quality, they'd have been a natural pairing to make DDD recordings of his lengthier symphonic treatises "Also Sprach Zarathustra", "Ein Heldenleben" and the "Alpine" Symphony. Pity to say we will probably never get the chance to hear it.

Average customer rating: Studer,Terfel and Sinopoli are brilliant THE best Salome by a large margin!!! everything has been told about this perfect recording THE Salome Spoilt for choice

Strauss - Salome / Studer, Rysanek, Hiestermann, Terfel, Bieber, A. Murray, Sinopoli Richard Strauss , Giuseppe Sinopoli , Cheryl Studer , Bryn Terfel , Clemens Bieber , Horst Hiestermann , Marianne Rorholm , Leonie Rysanek , and Ann Murray Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Studer, Cheryl | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Strauss - Ariadne auf Naxos / Voigt · Dessay · von Otter · Heppner · Dohmen · Staatskapelle Dresden · Sinopoli Strauss: Die Frau ohne Schatten / Varady, Domingo, Behrens, van Dam, Sir Georg Solti Wagner: Parsifal Strauss - Elektra / Marc, Voigt, Schwarz, Jerusalem, Ramey, Wiener Phil., Sinopoli Wagner - Parsifal / Meier, Jerusalem, Hölle, van Dam, von Kannen, Tomlinson, Berlin Phil., Barenboim ASIN: B000001GFE Release Date: 1991-10-11

Tracks:

1. Salome: Scene 1 - Wie schon ist die Prinzessin Salome heute nacht!
2. Salome: Scene 1 - Nach mir wird Einer kommen
3. Salome: Scene 2 - Ich will nicht bleiben. Ich kann nicht bleiben
4. Salome: Scene 2 - Siehe, der Herr ist gekommen
5. Salome: Scene 2 - Jauchze nicht, du Land Palastina
6. Salome: Scene 2 - Lasst den Propheten herauskommen
7. Salome: Scene 3 - Wo ist er, dessen Sundenbecher jetzt voll ist?
8. Salome: Scene 3 - Er ist schrecklich. Er ist wirklich schrecklich!
9. Salome: Scene 3 - Wer ist dies Weib, das mich ansieht?
10. Salome: Scene 3 - Jochanaan! Ich bin verliebt in deinen Leib
11. Salome: Scene 3 - Dein Leib ist grauenvoll
12. Salome: Scene 3 - Zuruck, Tochter Sodoms! Beruhre mich nicht!
13. Salome: Scene 3 - Niemals, Tochter Babylons, Tochter Sodoms,...Niemals!
14. Salome: Scene 3 - Wird dir nicht bange, Tochter der Herodias?
15. Salome: Lass mich deinen Mund kussen, Jochanaan
16. Salome: Du bist verflucht
17. Salome: Scene 4 - Wo ist Salome? Wo ist die Prinzessin?
18. Salome: Scene 4 - Salome, komm, trink Wein mit mir
19. Salome: Scene 4 - Sieh, die Zeit ist gekommen
20. Salome: Scene 4 - Wahrhaftig, Herr, es ware besser, ihn in unsre Hande zu geben
21. Salome: Scene 4 - Siehe, der Tag ist nahe, der Tag des Herrn
22. Salome: Scene 4 - O uber dieses geile Weib, die Tochter Babylons

Tracks:

1. Salome: Tanz fur mich, Salome
2. Salome: Salomes Tanz der sieben Schleier
3. Salome: Ah! Herrlich! Wundervoll, wundervoll!
4. Salome: Salome, ich beschwore dich
5. Salome: Salome, bedenk, was du tun willst
6. Salome: Gib mir den Kopf des Jochanaan!
7. Salome: Es ist kein Laut su vernehmen
8. Salome: Ah! Du wolltest mich nicht deinen Mund kussen lassen, Jochanaan
9. Salome: Sie ist ein Ungeheuer, deine Tochter
10. Salome: Ah! Ich habe deinen Mund gekusst, Jochanaan

Customer Reviews:

Studer,Terfel and Sinopoli are brilliant.......2007-04-10

I bought this CD principally because of Giuseppe Sinopoli, whom I find a largely underrated conductor. His spacious interpretations are, in my opinion, brilliant, and this Salome is no exception. The sound quality is also excellent. You may not agree with me, but I find Salome, despite the gruesome plot having three corpses at the end, a very funny opera. Salome is a spoilt adolescent brat. She demands the head of John the Baptist, and screams like any spoilt brat until she gets it (on a silver tray, no less). Cheryl Studer does justice to the role, she becomes a spoilt brat and it is great to hear her personification of this role. Bryn Terfel has a beautiful baritone voice, and his glorious singing of the One that comes after him, whose shoes he is not worthy of unlacing, is truly breathtaking. I also enjoyed Horst Hiesterman as Herodias. He potrays him as the neurotic and superstitious character that Wilde intended, completely enchanted by Salome.

I'll be buying more of Sinopoli and Richard Strauss because of this recording.

THE best Salome by a large margin!!!.......2006-12-30

I feel great comforts reading many positive comments on this Salome. I'd say it worth way above 5 stars.

Having been an opera fan for the last 15 years, I can't say Salome is THE single greatest opera of all, but this recording did give me THE most unforgetable shattering listening experience for several years. The edge that Studer has over all other Salomes is characterization. and I think hers is the only one that really does justice to Strauss/Wilde masterpiece in portraying the 17 year old innocent but lonely girl who is spoiled and abused by the evil parents. Studer has that unique girlish tone and demonstrates her great artistry in both singing techniques (think of those pianissimo top notes in her final monologue)and musicality (in terms of the great melody line and variaties in tone and color). In the final scene, She effectively unleashes all the complex emotions----false satisfaction, irony and remorse and her deepest longings for Johannan, which arouse the aching deep in my heart every time I listen. I once indulged myself in listening to the final scene about 10 times in a row and just couldn't get enough of it. For me, it's the moment of being exposed to the true human nature. it made me feel deeply ampathetic of Salome. I feel it's not only a tragedy of a spoiled 17 year old princess in the ancient kingdom of Judaea, but in a way everyone, in their own life experience, is able to see him or herself in salome. And that's what makes the work the highest form of music and performing arts. Other Salomes----Nilsson, Behrens, Rysanek, Malfitano, etc don't come close to Studer, although eveyone has some points to make in the part. Sinopoli, the orchestra and the supporting roles also did a great job.

I went on following a lot on Studer. IMO, her Four Last songs (one of the greatest in the art song repertoire) under Sinopoli is also the best among the 7 or 8 recordings I have. Her Elisabeth in DVD Tannhauser in Bayreuth, again under Sinopoli, is very moving. But I must say her other roles in Mozart, Wagner and Verdi are far below her achievements in Salome. I went to her performance as Sieglinde in Walkure in Beijing in 2005 and didn't find her as great as I expected. So this Salome is very precious, something that does not come as often as, say some decades.

everything has been told about this perfect recording.......2006-12-13

Although once more, for me it's simply the best Salome on record because of the singular singing of Cheryl Studer, which suits extremly well to this kind of music. At this time of her career she was absolutely on the top of her possiblities. Thank god, she had the opportunity to record just in time with the best surrounding which was possible. The Conductor and everything else is the real match for this fantastic singer.

THE Salome.......2006-04-13

Richard Strauss' "Salome" is a virtuoso work in every aspect, from the Orchestra to the Singers, and it requires incredible stamina and impeccable technique. The music is absolutely glorious, and in some parts, almost orgasmic (if I may be so bold). This glorious recording of this glorious work is, in my opinion, the definitive Salome. Cheryl Studer has the pure, youthful quality to her voice which is perfect for the title role, and she seems to have no trouble at all with all the repeated high A's, B flats, and B's. Her top notes shine brilliantly, without a hint of strain or screech. Bryn Terfel is incandescent as Jochanaan, having a full, well rounded, rich sound. Horst Heistermann is perfect in the role of Herod. Another reviewer complained about his wobbly and wide vibrato on his top notes. Personally, I think his wide vibrato is perfect, giving his character the menacing and wild quality that is needed. Leonie Rysanek is very good in the role of Herodias, having the cold, indignant sound the role demands. And the orchestra shines throughout this work as well. Personally, I think this recording far outshines Birgit Nilssons. Not that I have anything against her, but her voice was just too old and metallic sounding for the role of Salome. All that to say this: this is an absolutely glorious work, and the performers execute it gloriously. This is the one to buy.

Spoilt for choice.......2003-09-29

As far as Salome on recordings is concerned, consumers are spoilt for choice!! Birgit Nilsson has 2 superb stereo recordings. Leonie Rysanek has 2 superb stereo recordings. Ljuba Welitsch has 2 superb mono recordings (1949 & 1952). Hildegard Behrens has 1 superb stereo recording with Karajan. Cheryl Studer (this recording) is also a superb stereo recording. I can't choose. I have to have them all!

Average customer rating: Good remasterings of Karajan classics Karajan's Greatest Strauss hits?`

R. Strauss: Zarathustra; Don Juan; 4 Last Songs, etc. Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Ravel, Debussy, Saint-Saëns: Orchestral Works Famous Overtures Brahms: 4 Symphonies Dvorak: Symphonies Nos. 8 & 9; Smetana: The Moldau Karajan Conducts Grieg & Sibelius ASIN: B00008CLNW Release Date: 2003-05-13

Tracks:

1. Introduction
2. Of The Backworldsmen
3. Of The Great Longing
4. Of Joys And Passions
5. The Song Of The Grave
6. Of Science And Learning
7. The Convalescent
8. The Dance-Song
9. Song Of The Night Wanderer
10. Tone Poem After Nikolaus Lenau
11. Fruhling - Anna Tomowa-Sintow
12. September - Anna Tomowa-Sintow
13. Beim Schlafengehen - Anna Tomowa-Sintow
14. Im Abendrot - Anna Tomowa-Sintow

Tracks:

1. Night
2. Sunrise
3. The Ascent
4. Entering The Forest
5. Wandering By The Brook
6. By The Waterfall
7. Apparition
8. Flowery Meadows
9. In The Mountain Pasture
10. On The Wrong Track Through Thickets And Undergrowth
11. On The Glacier
12. Precarious Moments
13. On The Summit
14. Vision
15. Rising Mists
16. The Sun Gradually Dims
17. Elegy
18. Calm Before The Storm
19. Thunderstorm, Descent
20. Sunset
21. Epilogue
22. Night
23. After An Old Picaresque Legend - In Rondeau Form
24. Tanz Der Sieben Schleier

Customer Reviews:

Good remasterings of Karajan classics.......2006-01-20

Half of this bargain two-fer comes from the Sevenites (Also Sprach Zarathustra, Don Juan, Till Eulespiegel), and the other half from the Eighties (Four Last Songs, Alpine Sym.). The significance has to do with recorded sound. The later digital recordings have sounded nasty and shrill but are now much better thanks to the current remastering. The earlier analog ones sound increidbly good, particularly the Zarathustra. Critics tend to prfer Karajan's version of the Four Last Songs with Gundula Janowitz, but that recording isn't in as good sound as this one, and Tomova-Simtov lets us hear the poetry more clearly. I am happy to own both and even happier that the early digital-era problems have been solved.

Karajan's Greatest Strauss hits?`.......2004-10-22

This recoupling of Strauss masterpieces is probaby Herbert von Karajan's greatest existing CD set of Richard Strauss, for whose music he was an unquestioned master. This set is headlined by Karjan's remarkable 1974 performance of "Also Sprach Zarathustra" and his top of the line digital recording of "Eine Alpensinfonie" from 1981. It includes a number of popular Strauss tone poems and Karajan's elegant collaboration with Anna Tomowa-Sintow of the Four Last Songs.

The remastering on this set is somewhat uneven. "Also Sprach Zarathustra" sounds about the same here as it did on the DG Strauss Panorama two-CD set where it last appeared. The Alpine Symphony is the 21-track version from the Karajan Gold CD and is a major improvement over the earlier single track and 11 track versions DG distributed. The performance in this set sounded wonderful on my home stereo.

I paid an Amazon.com vendor about $9 for this set new, making it an outstanding bargain box of most of Karajan's best Strauss recordings. His EMI "Ein Heldenleben" is not included, of course. Still, this set is a major improvement of the DG Strauss Panorama that included Karajan's 1959 recording of "Ein Heldenleben".

With the addition of Karajan's recordings of "Don Juan", "Til Eulenspiegel" and Salome's "Dance of the Seven Veils", this now becomes the preferred collection of Strauss orchestral music by this conductor.

Average customer rating: Enigimatic Flame! perhaps the most sensual of German lieder singers

Ljuba Welitsch The Complete Columbia Recordings Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Sopranos | Voices | Opera & Vocal | Styles | Music Tenors | Voices | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B0000029V9 Release Date: 1997-06-03

Tracks:

1. Salome, Op. 54: Final Scene
2. Tosca - (Act I): 'Perche chiuso?...Mia gelosa'
3. Tosca - (Act II): 'Vissi d'arte'
4. Don Giovanni - (Act I): 'Don Ottavio, son morta!...Or sai, chi l'onore'
5. Don Giovanni - (Act II): 'Crudele! Ah no, mio ben... Non mi dir, bell'idol mio'
6. Die Fledermaus: 'Czardas'
7. Der Zigeunerbaron: 'Habet Acht' - (Gypsy Song)
8. Four Last Songs: 'Fruhling'
9. Four Last Songs: 'September'
10. Four Last Songs: 'Beim Schlafengehen'
11. Four Last Songs: 'Im Abendrot'

Tracks:

1. Op. 43, No. 1: 'Von ewiger Liebe'
2. Op 105, No. 1: 'Wie Melodien Zieht Es Mir'
3. Op. 84, No. 4: 'Vergebliches Standchen'
4. 'Die Mainacht'
5. 'Meine Liebe ist grun'
6. Op. 2: 'Gretchen Am Spinnrade'
7. Op. 43, No. 1: 'Die Junge Nonne'
8. Schwanengesang: 'Liebesbotschaft'
9. Op. 32: 'Die Forelle'
10. Myrthen, Op. 25, No. 1: 'Widmung'
11. Liederkreis, Op. 39, No. 5: 'Mondnacht'
12. Myrthen, Op. 25, No. 3: 'Der Nussbaum'
13. Zigeunerlieder,Op. 103: No. 1
14. Zigeunerlieder,Op. 103: No. 2
15. Zigeunerlieder,Op. 103: No. 4
16. Zigeunerlieder,Op. 103: No. 7
17. 'Mne Grustno'
18. ''Mel'nik'
19. 'Gde ti, zvezdochka?'
20. 'Hat Dich Die Liebe Beruhrt'
21. 'Valse De Chopin'
22. 'Dei Nacht' - Op. 10, No. 3
23. 'Cacilie' - Op. 27, No.2
24. 'Ich atmet' einen linden Duft'
25. 'Blicke Mir Nicht In Die Lieder'
26. 'Ich Bin Der Welt Abhanden Gekommen'
27. 'Um Mitternacht' - (Incomplete)

Amazon.com

Ljuba Welitsch had a short career, her stardom spanning the mid-1940s to the mid-1950s. Perhaps this is because she gave so much of herself--even on records you feel she's operating on all cylinders. Her most famous role, Salome, is represented here by the closing scene with Fritz Reiner and the Metropolitan Opera Orchestra, recorded at the time of her triumphant New York debut. She was also a great Donna Anna, her rendition of the big arias from Don Giovanni full of fire and thrust. Tosca's "Vissi d'arte" is a passionate reading, one of the best on disc. The song disc is more variable but always interesting. A great singer, captured in her prime. -- Dan Davis

Amazon.com

Half of Bulgarian soprano Ljuba Welitsch's Columbia output stems from her salad days at the Met, when her silvery voice cut across the footlights like liquid fire. The 1950 Tosca and Don Giovanni selections, as well as her incomparable Salome Final Scene with the fiery Fritz Reiner at the helm, sound more potent than ever in these 20-bit transfers from original source material. Also memorable are two delicately scaled Joseph Marx lieder and a peerless Strauss Cacille. Sadly, the 1952-3 lieder sessions find Welitsch in dire straits: her voice has acquired a papery edge, with perceptive decline in intonation and breath control. Give Paul Ulanowsky credit, though, for admirably maneuvering through the thankless, Crisco-thick piano "deorchestrations" of Strauss' Four Last Songs. --Jed Distler

Customer Reviews:

Enigimatic Flame!.......2003-11-14

This woman moved me! I felt exitement, finality, pain, passion, victory, sensuousness, and nostalgia of a time unknown to me. The Salome aria is the most convincingly and beautifully sung I have ever heard by far. The thread of sound is never broken. The lieder selections are very lovely and interestingly personal, not at all detached or serious; a joy. Strauss' Four Last Songs done with piano are quite effective as such.

The recorded sound is very impressive; a clean, full-bodied sound. Columbia's mono recordings are absolutely superior.

This soprano seemed to have something very important to say. There is an ever present urgency in her delivery, a haste, and a desperation that clings to the heart. As she sings, she invokes compassion, mystery, fear and joy.

Please hear this woman!

perhaps the most sensual of German lieder singers.......1999-08-22

This collection of Ljuba Welitsch's singing Strauss is an great example of a singer's cultural connection to a composer giving her an almost eerily innate feeling for the music. Welitsch's voice can only be described as sexy, in a pre-war German sort of way, silvery hard and focused in tone combined with a sensuality of expression that is unique. She breathes life and fire into this music in a way that later singers -- even the great Elisabeth Schwarzkopf -- could not.

Meditation Music:

1. The Best Of Gilbert & Sullivan Arias & Duets / English National, D'Oyly Carte, Sadler's Wells Operas
2. The Gondoliers [Box set] [Cast Recording]
3. The Stone Guest
4. Tosti: Canti Popolari E Romanze Abruzzesi
5. Tutino: La Lupa
6. Verdi: Rigoletto
7. Vienna Opera Live, Vol. 10
8. Vivaldi - L'incoronazione di Dario / Elwes · Ledroit · Lense · Verschaeve · Poulenard · Mellon · Visse · Bezzina
9. Wagner: Der Ring des Nibelungen
10. Wagner: Die Meistersinger von Nürnberg

Meditation Music

meditation music

Meditation Music

Ultralust

Bach: Concerti, BWV 972-987

Albinoni: Sonate da Chiesa; Trattenimenti Armonici

Music: Classic Mix

Annual 2001-2002 [Import]

A Modo Mio [Import]

15 Ans Deja [Import]

All Killer No Filler [Enhanced]

2001-a Space Rock Odyssey [Import]

3 CD Box Set

1933

14 Vallenatos Romanticos, Vol. 4

100 Anos de Tango

Super Audio CD Sampler [Hybrid SACD]

Tiger's Baku