Verdi: Don Carlo (Complete Opera) / Carreras [Box set]

1. Don Carlo, opera
   Composed by Giuseppe Verdi
   Performed by La Scala Theater Orchestra & Chorus
   with Luigi Roni, Stefania Malagu, Nicolai Ghiaurov, Jose Carreras, Piero Cappuccilli, Antonio Savastano, Francesca Caldera, Gianfranco Manganotti, Yelena Obraztsova, Mirella Freni, Luigi De Corato
   Conducted by Claudio Abbado
   
   

Verdi: Don Carlo (Complete Opera) / Carreras,Giuseppe Verdi,Claudio Abbado,La Scala Theater Orchestra & Chorus,Antonio Savastano,Francesca Caldera,Gianfranco Manganotti,José Carreras,Luigi De Corato,Luigi Roni,Mirella Freni,Nicolai Ghiaurov,Piero Cappuccilli,Stefania Malagu,Yelena Obraztsova,Jose Carreras,Freni,Elena Obraztsova,Piero Cappuccilli,Legato Classics,Classical,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio

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Average customer rating: Can't go wrong Most Famous??? Only one song knew well The Most Famous Opera Duets Good selection of opera highlights

The Most Famous Opera Duets Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Delibes, Leo | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Donizetti, Gaetano | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Strauss, Richard | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Wagner, Richard | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Ludwig, Christa | Divas | Opera & Vocal | Styles | Music Price, Leontyne | Divas | Opera & Vocal | Styles | Music Scotto, Renata | Divas | Opera & Vocal | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: The Most Famous Opera Arias The Best of Italian Opera The #1 Opera Album Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco... Rapture: Opera's Most Heavenly Moments ASIN: B000002SCA Release Date: 1994-04-12

Tracks:

1. Les Peurs des perles Act 1 - Au fond du temple saint
2. Madama Butterfly Act 1- Vogliatemi bene, un bene piccolino
3. Le Nozze di Figaro Act III - Sull'aria - Le Nozze di Figaro
4. La Traviata Act I - Un di, felice, eterea
5. Lucia Di Lammermoor Act I - Ah! Verranna a te sull'aure
6. Tristan und Isolde Act II - O sink hernieder, Nacht der Liebe
7. Carmen Act I - Parle-moi de m
8. Die ZauberflAct I - Bei Mern, welche Liebe F
9. Lakmct I - Viens, Mallika
10. Rigoletto Act I - il sol dell'anima
11. Der Rosenkavalier Act II - Mir ist die Ehre wilderfahren
12. Don Giovanni Act I - Li darem la mano
13. La Boh Act IV - O Mimi, tu pi torni
14. Il Trovatore Act IV - Miserere...Quel suon, quelle preci

Amazon.com

This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore "Miserere" (with Leontyne Price and Franco Bonisolli singing up a storm). There are many others, too--a veritable cornucopia of couplings--and a treat for the opera lover. --Robert Levine

Customer Reviews:

Can't go wrong.......2007-07-14

This is a really great CD for the price. It has many of the famous Arias on it and although the singers may not be the best out there they are certainly very good. This is cheaper than the price of a take away lunch; you can't go wrong with this CD.

Most Famous???.......2007-05-14

The title of this cd is misleading and I found myself wondering whose list did they use. That is not to say that there aren't some real treasures included here. The duet from Lakme is lovely in every way, Mady Mesple in particular, very beautful and very french, and far superior to Sutherlands hooty approach. Scotto and Bergonzi are superb, the Tristan and Isolde of Vickers and Dernesch truly other worldly, and the presentation of the rose duet with the young Ludwig and the astonishing Teresa Stich- Randell had me playing it over and over and I still can't believe it, but the most famous??? This cd is definitly worth buying, and I hated giving it only 3 stars but if you're talking most famous you could fill a couple of cd's with Puccini, not to mention Verdi, Mozart, etc. before Bizet's Les Pecheurs des perles, beautiful as it is, made the most famous list.

Only one song knew well.......2007-05-14

I should have done more research. The last song is the only one I could easily recognize. Live and learn.

The Most Famous Opera Duets.......2007-01-05

This seller truly makes a purchaser confident in the product as well the time in which is promised.

Thanks again!!!!!

Good selection of opera highlights.......2006-11-04

Super performances by famous opera artists of the 20th century, most of them no longer performing and some of them deceased. I enjoy having their voices available at home.

Average customer rating: A memorable album by Robert Shaw Great version Superb Brings back memories Apologies to Puccini.

Verdi: Requiem & Operatic Choruses Manufacturer: Telarc ProductGroup: Music Binding: Audio CD All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Atlanta Symphony Orchestra | ( A ) | Featured Performers, A-Z | Classical | Styles | Music Hadley, Jerry | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw Fauré · Duruflé - Requiem / J. Blegen · J. Morris · Atlanta SO · Shaw Bach: Mass in B minor / McNair, Ziegler, Simpson, Aler, Stone, Paul; Shaw Mozart: Requiem / McNair, Watkinson, Araiza, Lloyd; Marriner Mozart - Requiem / Augér, Bartoli, Cole, Pape, Wiener Phil., Solti ASIN: B000003CUH Release Date: 1990-10-25

Tracks:

1. Requiem: 1. Requiem & Kyrie
2. Requiem: 2. Dies Irae
3. Requiem: 3. Offertory
4. Requiem: 4. Sanctus

Tracks:

1. Requiem: 5. Agnus Dei
2. Requiem: 6. Lux Aeterna
3. Requiem: 7. Libera Me - 1. Libera Me - 2. Dies Irae - 3. Requiem Aeternam - 4. Libera Me
4. Requiem: Spuntato Ecco
5. Requiem: Patria Oppressa!
6. Requiem: Fuoco Di Gioia
7. Requiem: Va Pensiero
8. Requiem: Gloria All'Egitto

Amazon.com

Robert Shaw learned from Arturo Toscanini, and in his stupendous 1987 recording for Telarc he managed to surpass the master on some points. He is unerring in his pacing and staging of climaxes, and draws phrasing and dynamics from the chorus that other conductors can only dream of. Points are made with exhilarating effect throughout the account: never has the bass drum in the Dies irae been as splendidly hammered as here, and the whooping brass in the Tuba mirum is breathtaking. The all-American solo quartet sounds a bit driven, especially the light-voiced Susan Dunn and Jerry Hadley, but their contribution is a strong one nonetheless. --Ted Libbey

Customer Reviews:

A memorable album by Robert Shaw.......2007-04-16

I sometimes wonder why any top choral conductor would want to conduct, least of all record, a piece where the soloists invariably command center stage at the expense of the chorus.

Robert Shaw (1916 - 1999), of course, is practically a god in the choral world. And while he has done well as an orchestral conductor, his claim to fame to most will always be his work with choruses.

So here we have an operatic requiem written by one of history's greatest opera composers, conducted by one of history's greatest choral conductors. How does it turn out?

The Atlanta Symphony Chorus is very, very good. Their sumptuous sound becomes even more memorable thanks to the stunning reverberation of Atlanta Symphony Hall. Their Libera Me fugue was literally a wall of sound that seemed for a moment to encompass your entire world. The Dum Veneris passage following that was the best I'd ever heard: all four parts were distinct and incredibly powerful.

The four soloists, however, really stole the show for me. Susan Dunn and Diane Curry displayed a lot of passion in Recordare. They also created a wonderfully blended sound through their Agnus Dei duet, probably the best blend I'd ever heard so far.

Jerry Hadley is definitely one of my all-time favorite Verdi Requiem tenors. He reminded me of Richard Tucker in his commanding Kyrie entrance. His Ingemisco possessed a ringing power that left me breathless.

Paul Plishka was probably the "weakest" of the four. In Confutatis, it sounded like he was punching his voice. However, he sounded very good in the Offertorio.

And speaking of Offertorio, that was truly a soloist high point for me. The four singers literally turned into a mini-opera; it was quite dramatic hearing their voices trade back and forth.

The sound of the orchestra was truly a pleasure to hear. This music demands power and virtuosity, and the Atlantans provided both in spades. And drum lovers will be quite satisfied with the almost violent sound of the bass drum in Dies Irae.

The album also features five popular choruses from Verdi's operas. If, like me, you got carried away listening to the Requiem soloists, here's your chance to hear this remarkable chorus without any soloist distraction. The "Don Carlos" chorus (sung in Italian not French) was a rousing affair. "Patria oppressa" was appropriately subdued and melancholy. Fuoco di gioia proved the virtuosity of these choral masters. "Va pensiero" was smooth and rich. "Gloria all'Egitto" featured the chorus in all its mighty grandeur. The orchestra provides excellent accompaniment throughout. You will thoroughly enjoy listening to these choruses.

The recorded sound is absolutely fabulous. The four sections of the chorus are much more evenly miked than on most CDs. The great engineering makes the orchestra an audiophile's dream.

The liner notes contain texts and translations. However, a previous reviewer has found that the "Hostias" paragraph is missing the words "Fac eas, Domine, de morte transire ad vitam."

The tracks use an index system which I suspect is not available on most DVD players, the result being that the Dies Irae is put on a single 36 minute track.

This CD was recorded in April 1987 in Atlanta Symphony Hall, Atlanta, GA. The Requiem duration is 84'23", so the tempos are about average for this piece.

Great version.......2007-02-26

There are version of Verdi's Requiems in that market. I consider this to be onre the best ones I have heard. What adds to this perfomance is the quality of the manufacturer's transfer.

Superb.......2005-10-20

I don't have anything to add to the excellent reviews, I just want to chime in with my vote. This was rated as the top recording of this piece when I bought it on recomendation of a tenor friend back in 1990 or so and it is probably the best sustained operatic performace I have found thus far. The power and the majesty of this piece needs to be heard to be believed. So... Buy it, make sure the neighbors are out, turn the lights out, it in your best listening spot, turn up the volume and press play.

Don't miss the final track on the second disk!

Brings back memories.......2001-05-04

How could I possibly top the splendid review by Dominic Grant below? And his later graceful apology for a mere typo? Well, I just cannot. But I'd like to share my own thoughts, anyway.

With all the flap over the recently released Gergiev recording of the Verdi Requiem on Philips, with its unfortunate choice of Andrea Bocelli - a pop singer masquerading as an operatic singer - as tenor soloist, it is once again - and always - a pleasure to turn to a truly definitive recorded performance, that of Robert Shaw. As points of reference whenever I turn to this performance, I always have in mind earlier recordings by Giulini and Solti, among others. (I include a truly visceral one by Karel Ancerl and the Czech Philharmonic, featuring Galina Vishnevskaya with a "Libera me" to die for, and the type of Slavic excitement that Gergiev tries for but fails.)

Verdi's Requiem is, without doubt, the most operatic of such works as have become part of the liturgical canon. But it doesn't necessarily follow from this that the best recordings are the ones which utilize operatic superstars. Were that the case, Solti's recording, with Joan Sutherland, Marilyn Horne, Luciano Pavarotti and Martti Talvela, would be unchallenged (particularly when one throws in the Vienna Philharmonic, as well as the typically excellent mid-60's sound that Decca was so good at). But, true to form, Solti just couldn't find the proper sensitivity and balance to make his performance the definitive one.

Shaw does what Solti could not do. In a work that requires efforts of equal quality by orchestra, soloists and chorus, there simply is no better chorus than a Shaw chorus. Shaw's four soloists, while perhaps not of the marquee value of the ones on the Solti recording, are outstanding. A previous customer reviewer certainly got it right when he said that Susan Dunn was a Verdi soprano to be reckoned with. And Diane Curry, Jerry Hadley and Paul Plishka are equally excellent. (Plishka, as I mention later, is one of my "memories.") Moreover, in a work which demands that the cataclysms of the Dies Irae and the tenderly supplicant closing pages of the Libera me be captured in proper proportions, none are better than Telarc at this challenge.

The personal friendship between Robert Shaw and the Cleveland-based Telarc team of Bob Woods and Jack Renner goes back to the days when Shaw was George Szell's assistant at the Cleveland Orchestra. Thus it was, when Woods and Renner introduced the "all-digital" Telarc label in the late 70's, that they turned to Shaw and his Atlantans as an enduring source for the recording of choral masterpieces. With the passing of Shaw some two years ago, it is now time that someone sum up his recorded legacy, which, under the aegis of Telarc, exceeds three dozen recordings. In my humble opinion, he will be remembered for a long, long time for three works that Telarc recorded with his forces: The Bach B Minor Mass, the Brahms German Requiem, and this Verdi Requiem.

Oh! The memories! For several years, at a time when Shaw's Atlanta forces were as good as they were to get, in the early 80's, I was fortunate to live in the Atlanta area, and to attend many of his concerts. And, in the fall of 1965, when Paul Plishka had just won a "young artist" award that was to lead to his Metropolitan Opera career, I was fortunate to have been a member of an amateur chorus which performed this work with a semi-pro orchestra and four young soloists. The names of the other three soloists were long ago relegated to the dustbin of history. But the bass soloist at that 1965 performance was none other than Paul Plishka. He's still banging the boards at the Met. One durable dude!

Once again, kudos to Mr. Grant for his superb review, and for his reminding me that I had some "unfinished business" to attend to.

Bob Zeidler

Apologies to Puccini........2000-12-04

Further to my review of the 18th of June below,it's just been brought to my attention by a kind reader that I have inadvertently ascribed the composition of the famous aria,"Nessun Dorma" from Turandot to Verdi himself.First of all,my sincere apologies to Puccini (probably still revolving in his grave !),and my apologies to you for grossly offending your musical sensibilities as you pass this way.That will teach me to spend a little longer editing my reviews before submitting them !

Average customer rating: Marvelous performance by the whole lot. This is the definitive recording of Don Carlo!!! Italian Opera Sung By two Spaniards, an Italian and two Americans TAKING SOUNDINGS A masterpiece of conducting

Verdi - Don Carlo / Domingo · Caballé · Raimondi · Milnes · Verrett · Estes · Giulini Giuseppe Verdi , Carlo Maria Giulini , Plácido Domingo , Montserrat Caballé , Ruggero Raimondi , Sherrill Milnes , Shirley Verrett , Giovanni Foiani , Simon Estes , Ryland Davies , and Ambrosian Opera Chorus Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Verdi, Giuseppe | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Verdi - Aida / Caballé · Domingo · Cossotto · Ghiaurov · Cappuccilli · Roni · NPO · Muti Verdi - Falstaff / Gobbi · Schwarzkopf · Moffo · Karajan Strauss - Der Rosenkavalier / Schwarzkopf · Ludwig · Karajan Wagner: Lohengrin Verdi - Rigoletto / Sutherland, Pavarotti, Milnes, LSO, Bonynge ASIN: B00004VVZP Release Date: 2000-08-15

Tracks:

1. Don Carlo: Act One - I: Introduzione - Coro di cacciatori - Su, cacciator! pronti o la belva (Coro)
2. Don Carlo: Act One - II: Scena e romanza - Fontainebleu! Foresta immensa e solitaria!
3. Don Carlo: Act One - II: Scena e romanza - Io la vidi e al suo srriso (Carlo)
4. Don Carlo: Act One - III: Scene e duetto - Il suon del corno alfin nel bosco tace (Carlo, Tebaldo, Elisabetta)
5. Don Carlo: Act One - III: Scene e duetto - Al mio pie', perche?
6. Don Carlo: Act One - III: Scene e duetto - Di quale amor, di quanto ardor (Elisabetta, Carlo)
7. Don Carlo: Act One - III: Scene e duetto - Al fedel ch'ora viene, o signora (Tebaldo, Elisabetta, Carlo)
8. Don Carlo: Act One - III: Scene e duetto - L'ora fatale e suonata! (Elisabetta, Carlo)
9. Don Carlo: Act One - IV: Coro, scena e finale primo - Inni di festa lieti echeggiate (Coro, Elisabetta, Carlo)
10. Don Carlo: Act One - IV: Coro, scena e finale primo - Il glorioso Re di Francia (Lerna, Coro, Elisabetta)
11. Don Carlo: Act One - IV: Coro, scena e finale primo - Vi benedica, Iddio dal ciel! (Coro, Elisabetta, Carlo)
12. Don Carlo: Act Two, Scene One - I: Preludio, Introduzione, scena del frate e duetto (Don Carlo-Rodrigo) - Preludio (Orchestra)
13. Don Carlo: Act Two, Scene One - I: Preludio, Introduzione, scena del frate e duetto (Don Carlo-Rodrigo) - Carlo il sommo Imperatore (Coro, Un frate)
14. Don Carlo: Act Two, Scene One - I: Preludio, Introduzione, scena del frate e duetto (Don Carlo-Rodrigo) - Al chiostro di San Giusto (Carlo, Un frate)
15. Don Carlo: Act Two, Scene One - I: Preludio, Introduzione, scena del frate e duetto (Don Carlo-Rodrigo) - E lui! desso! l'Infante!
16. Don Carlo: Act Two, Scene One - I: Preludio, Introduzione, scena del frate e duetto (Don Carlo-Rodrigo) - Questo arcano dal Re non fu sorpreso ancora? (Rodrigo, Carlo)
17. Don Carlo: Act Two, Scene One - I: Preludio, Introduzione, scena del frate e duetto (Don Carlo-Rodrigo) - Dio, che nell'alma infondere amor (Carlo, Rodrigo, Coro, Un frate)
18. Don Carlo: Act Two - Scene Two - II: Coro e scena (Canzona del velo) - Sotto ai folti, immensi abeti (Coro di donne, Tebaldo)
19. Don Carlo: Act Two - Scene Two - II: Coro e scena (Canzona del velo) - Tra queste mura pie la Regina di Spagna
20. Don Carlo: Act Two - Scene Two - II: Coro e scena (Canzona del velo) - Nei giardin del bello saracin ostello (Ebloi, Tebaldo, Coro di donne)
21. Don Carlo: Act Two - Scene Two - III: Scena terzetto et dialogato (Romanza di Rodrigo) - La Regina!...Un'arcana mestizia (Coro di donne, Eboli, Elisabetta, Tebaldo, Rodrigo)
22. Don Carlo: Act Two - Scene Two - III: Scena terzetto et dialogato (Romanza di Rodrigo) - Che mai si fa nel suol francese
23. Don Carlo: Act Two - Scene Two - III: Scena terzetto et dialogato (Romanza di Rodrigo) - Carlo, ch'e sol il nostro amore (Eboli, Rodrigo, Elisabetta)
24. Don Carlo: Act Two - Scene Two - IV: Gran scena e duetto - Il vengo a domandar
25. Don Carlo: Act Two - Scene Two - IV: Gran scena e duetto - Perduto ben, mio sol tesor
26. Don Carlo: Act Two - Scene Two - IV: Gran scena e duetto - Oh! Carlo! Oh! Carlo! (Carlo, Elisabetta)

Tracks:

1. Don Carlo: Act Two, Scene Two - V: Scena e romanza - Il Re!...Perche sola e la Regina? (Tebaldo, Filippo, Coro)
2. Don Carlo: Act Two, Scene Two - V: Scena e romanza - Non pianger, mia compagna (Elisabetta, Rodrigo, Coro, Filippo)
3. Don Carlo: Act Two, Scene Two - VI: Scena e duetto - Restate! Al mio regal cospetto
4. Don Carlo: Act Two, Scene Two - VI: Scena e duetto - O Signor, di Fiandra arrivo
5. Don Carlo: Act Two, Scene Two - VI: Scena e duetto - Quest'e la pace che voi date al mondo?
6. Don Carlo: Act Two, Scene Two - VI: Scena e duetto - Oso lo sguardo tuo penetrar il mio soglio (Filippo, Rodrigo)
7. Don Carlo: Act Three, Scene One - VII: Preludio - Preludio (Orchestra)
8. Don Carlo: Act Three, Scene One - VIII: Scena, duetto e terzetto - A mezzanotte, ai giardin della Regina
9. Don Carlo: Act Three, Scene One - VIII: Scena, duetto e terzetto - Ciel! non e la Regina! (Carlo, Eboli)
10. Don Carlo: Act Three, Scene One - VIII: Scena, duetto e terzetto - Che disse mai? (Rodrigo, Eboli)
11. Don Carlo: Act Three, Scene One - VIII: Scena, duetto e terzetto - Al mio furor, sfuggite invano
12. Don Carlo: Act Three, Scene One - VIII: Scena, duetto e terzetto - Ed io, che tremava al suo aspetto!
13. Don Carlo: Act Three, Scene One - VIII: Scena, duetto e terzetto - Trema per te, falso figliuolo (Eboli, Rodrigo, Carlo)
14. Don Carlo: Act Three, Scene One - VIII: Scena, duetto e terzetto - Carlo! se mai su te fogli importanti serbi (Rodrigo, Carlo)
15. Don Carlo: Act Three, Scene Two - IX: Gran finale - Spuntato ecco il di d'esultanza (Coro)
16. Don Carlo: Act Three, Scene Two - IX: Gran finale - Il corteggio resale (Orchestra, Coro)
17. Don Carlo: Act Three, Scene Two - IX: Gran finale - Schiusa or sia la porta del tempio! (L'araldo, Coro)
18. Don Carlo: Act Three, Scene Two - IX: Gran finale - Nel Posar sul mio capo la corona (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati)
19. Don Carlo: Act Three, Scene Two - IX: Gran finale - A Dio voi foste infidi, infidi al vostro Re (Filippo, Coro, Elisabetta, Tebaldo, Carlo, Rodrigo, Deputati)
20. Don Carlo: Act Three, Scene Two - IX: Gran finale - Sire! egli e tempo ch'io viva! (Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, Coro)
21. Don Carlo: Act Three, Scene Two - IX: Gran finale - O ciel! Tu! Rodrigo! (Carlo, Coro, Eboli, Elisabetta, Filippo, Una voce dal cielo, Deputati)

Tracks:

1. Don Carlo: Act Four, Scene One - X: Introduzione e scena - Introduzione (Orchestra)
2. Don Carlo: Act Four, Scene One - X: Introduzione e scena - Ella giammai m'amo!
3. Don Carlo: Act Four, Scene One - X: Introduzione e scena - Dormiro sol nel manto mio regal (Filippo)
4. Don Carlo: Act Four, Scene One - XI: Scena - Il Grand'Inquisitor! (Lerma, L'Inquisitore, Filippo)
5. Don Carlo: Act Four, Scene One - XI: Scena - Nell'ispano suol mai l'eresia domino
6. Don Carlo: Act Four, Scene One - XI: Scena - Mio padre, che tra noi la pace alberghi ancor (L'Inquisitore, Filippo)
7. Don Carlo: Act Four, Scene One - XII: Scena e quartetto - Giustizia, giustizia, Sire! (Elisabetta, Filippo)
8. Don Carlo: Act Four, Scene One - XII: Scena e quartetto - Ardita troppo voi favellate!
9. Don Carlo: Act Four, Scene One - XII: Scena e quartetto - Ah! sii maledetto, sospetto fatale (Filippo, Elisabetta, Eboli, Rodrigo)
10. Don Carlo: Act Four, Scene One - XIII: Scena ed aria - Pieta! Pieta! perdon! (Eboli, Elisabetta)
11. Don Carlo: Act Four, Scene One - XIII: Scena ed aria - Ah! piu non vedro la Regina! O don fatale, o don crudel
12. Don Carlo: Act Four, Scene One - XIII: Scena ed aria - O mia Regina, io t'immolai (Eboli)
13. Don Carlo: Act Frou, Scene Two - XIV: Morte di Rodrigo e sommossa - Son io, mio Carlo (Rodrigo, Carlo)
14. Don Carlo: Act Frou, Scene Two - XIV: Morte di Rodrigo e sommossa - Per me giunto e il di supremo (Rodrigo)
15. Don Carlo: Act Frou, Scene Two - XIV: Morte di Rodrigo e sommossa - Che parli tu di morte? (Carlo, Rodrigo)
16. Don Carlo: Act Frou, Scene Two - XIV: Morte di Rodrigo e sommossa - O Carlo, ascolta, la madre t'aspetta
17. Don Carlo: Act Frou, Scene Two - XIV: Morte di Rodrigo e sommossa - Ah! io morro, ma lieto in core (Rodrigo)
18. Don Carlo: Act Frou, Scene Two - XIV: Morte di Rodrigo e sommossa - Mio Carlo, a te la spada io rendo (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore)
19. Don Carlo: Act Five - XV: Scena ed aria - Introduzione (Orchestra)
20. Don Carlo: Act Five - XV: Scena ed aria - Tu che le vanita
21. Don Carlo: Act Five - XV: Scena ed aria - Carlo qui verra! Si!
22. Don Carlo: Act Five - XV: Scena ed aria - Addio! Addio, bei sogni d'or
23. Don Carlo: Act Five - XV: Scena ed aria - Tu che le vanita (Elisabetta)
24. Don Carlo: Act Five - Scena, duetto d'addio e finale - E dessa!...Un detto, un sol
25. Don Carlo: Act Five - Scena, duetto d'addio e finale - Vago sogno m'arrise!
26. Don Carlo: Act Five - Scena, duetto d'addio e finale - Ma lassu ci vedremo (Carlo, Elisabetta)
27. Don Carlo: Act Five - Scena, duetto d'addio e finale - Si, per sempre! (Filippo, L'Inquisitore, Elisabetta, Carlo, Un frate, Familiari)

Amazon.com

Politics, love, and family conflict make a heady brew in Verdi's masterpiece, originally set to a French text for Paris in 1867. In 1882, the composer made an Italian version with big cuts, lopping off the entire first act, which here is restored by Giulini. His pointed, nuanced conducting makes this recording the best available. An ideal Don Carlo requires the unattainable: five great singers and an expert Verdi conductor. This 1970 set has glorious voices that don't dig deep enough for this multilayered drama. The young Domingo sounds fresh, but lacks the free top that the part needs. Milnes has the voice for Rodrigo but, like Domingo and Caballé, is too generalized. Raimondi is too light-voiced for Philip, and the confrontation scene consequently lacks the chilling tension that Tito Gobbi and Boris Christoff bring to it on an earlier EMI cut led by Gabriele Santini. Rival recordings have bigger flaws and few of the virtues that are displayed here, such as Caballé's extraordinarily beautiful if detached singing. True Verdians also will want Pappano's French version, also on EMI, which features Alagna as the hapless prince. --Dan Davis

Customer Reviews:

Marvelous performance by the whole lot........2007-05-31

This is a very good version of the 5-act Italian "Don Carlo". You can notice the anguish and pain of Don Carlo into Domingo's performance, sometimes is heartbreaking. Monserrat Caballé singing is full of pain and longing, a true performance by the Catalonian soprano. The Marquis de Posa sung by Milnes shows a true friendship bond to Carlo and Elisabetta. The emperor Phillip is sung by Ruggero Raimondi. As the bad guy, his singing is dark yet full of expression, specially on his monologue "nel mio manto regal". The wicked Eboli sung by Verret is very good, showing the desire of breaking the love between Carlo and Elisabetta. Giulini conducting is passionate and blazing, like fireworks. The choir is very good, specially at the auto-de-fe scene before Carlo gets arrested. Don't look further, this is the Don Carlo to listen and it has a great price too.

This is the definitive recording of Don Carlo!!!.......2006-01-02

This is the definitive recording of Don Carlos.Giulini(a golden age conductor)does a marvelous job with his wand.Montserrat Caballe's performance is profound.She sings with such seemless legato line,and the most glorious tone,this demanding role of elisabetta di valois.Her high notes are so beautiful and powerful,she more than does this role justice.Caballe's pianissimo note at the end of her main aria,tu che le vanita(is one of the grandest verdi has ever written,and in caballe's hands,one of the most beautiful.)has to be heard to be believed.It is truely a revelation,in terms of the singular beauty Caballe is able to manifest here on planet earth.A note so soft and pure,and yet luxuriously audible.Shirley verrett is another reason to have this don carlo.Her eboli is sung with rich and beautiful tone,as well as thrilling dramatic bite.her o don fatale blows me away every time.Domingo sings with a handsome tone,and stays in character throughout.The other singers are in good voice,and pleasant to listen to.Milnes and raimondi are a nice addition to this recording.Giulini's don carlo was recorded in 1970,and this newly remastered version sounds pristine.The over all atmosphere I feel from this don carlo,when playing on my stereo,is that of being transported in a aural rapture to golden age heaven.

Italian Opera Sung By two Spaniards, an Italian and two Americans.......2005-11-05

For the Italian version of Verdi's Don Carlo on record, which far surpasses the original French version in popularity and commercial appeal, this is the studio recording to own. The people at EMI would not dare let this classic, legendary recording go out of print. Listed among opera's top recordings, this 1970 studio recording represents the highlight of many of these singer's respective careers up to that point and attests to the prowess of conductor Carlo Maria Giulini. It's ironic that for a highly Italian opera, replete with Verdi's Italian phrasing and music, the singers are not even Italian, except for baritone Ruggero Raimondi. Placido Domingo and Montserrat Caballe, the tenor and soprano romantic duo on this set, are both proud of their Spanish heritage. Domingo's parents sang in Zarzuela in Madrid. Domingo's roots are in Spain but he first received operatic notoriety in Mexico City. The Latin gloss he suffuses his voice with is extremely sexy and seductive, and he has enough darkness and heft (coming from the fact he first sang the roles of baritones) to make Don Carlos a man not to be toyed with. Don Carlos is Domingo's most vocally gratifying role. Every thing he sings here, from love arias to pensive ones, is clearly his best work. He can relax his voice in some portions as well as exude dramatic virile power in other more thrilling parts. He was born to sing Don Carlo, for it is even a tribute to his possibly Castillian roots. And just from his voice and mannerism alone one would actually mistake Domingo for a Spanish prince.

Likewise, Montserrat Caballe has what it takes to essay the role of Queen Elisabeth Di Valois. Not only does she color her voice so that she is both singing with melancholy sweetness (with those ravishing pianissimi she is so famous for) but she is able to make the Queen sound tormented behind a mask of pride and aristocratic bearing. With Verdi, Caballe did not have to tra-la-la her way through phrases as she did with Puccini. She knew Verdi very well and excelled in Verdi opera perhaps because Verdi's operas are influenced in part by bel canto, which Caballe was the reigning interpretor of in the 60's. This is Caballe's best work on recording, and that's considering she sang superbly as Donizetti's Lucrezia Borgia and Bellini's Norma. Her "rival" the seductive and scheming Princess Eboli is sung by the well-endowed mezzo soprano Shirley Verrett, an African-American. Born in America to a Seventh-Day Adventist, Shirley Verrett's rich, dark voice is thrilling and elegant. She makes the character of Eboli appear majestic in her own terms, though perhaps not as sympathetic in portrayal as Grace Bumbry's interpretation. Still Verrett has the right stuff to pull ito ff. Eboli is among her greatest mezzo roles and already hinted at here is her high soprano voice which she would use later in the 70's to essay the roles of Bellini's Norma, Aida and Puccini's Tosca. Another American in the cast is baritone Sherill Milnes, who is also involved in baseball. Milnes makes the role of the Inquisitornearly as charismatic as Domingo's Carlo. Their duets and scenes alone are worth the price of this recording. Milnes worked well with Domingo and it shows, especially here. This is his best work for I find that his Count Di Luna and Scarpia are static. Here, though, he delivers!! The only Italian in the bunch is Ruggero Raimondi singing one devilishly, and cool-sounding King Phillip. He makes the King sound like Don Giovanni! And that's actually good in this case because the King has some big flaws. Giulini is doing a fine job with the score, treating it with a kind of epic grandeur worthy of Wagner. This is still the best Don Carlo out there. The only other I recommend is the original French version starring Domingo, Ricciarelli, Valentini Terrani and Nicolai Ghiurov who sing in the most glorious French voices for this opera fit for the Paris Opera that adored historical spectacles.

TAKING SOUNDINGS.......2005-08-26

Opera in sound alone can never be the full monty, just as Shakespeare on the radio can't be. The grander the Grand Opera the more true this is, and Don Carlo is bigger in scope even than Aida. It is about a lot more than the story of a love-triangle set against a background of armies, slaves, pyramids and elephants: there are four parties to the love-interest alone, the role of Posa is nearly as important as any of them, and the action takes in the fate of the royal house of Spain, the imperial dominion in Flanders and the overweening power of the Spanish Inquisition. It cries out for staging. However in sound alone the Grand Inquisitor without his garb will have difficulty in being more than a disembodied bass voice given that his is a rather small part, and however dramatically kings, princes, princesses and nobles sing and act with their voices I can't help finding myself more concerned with them as sopranos, tenors, baritones and basses than as the dramatis personae they would be for me in the opera house.

When recommending a Don Carlo on disc I therefore focus mainly on the musical side. In any case there is no possible risk that if this music is sung properly it will come across as a concert - Verdi sees to that. He was a dramatist to the marrow of his bones, and the listener at home has only to follow the words in order to be caught up in the grand sombre tragedy that Verdi has burned into music. The best performance on disc, for me, will be the performance that most consistently conveys both power and beauty, because this opera is about tormented human emotions at the mercy of ruthless political power in addition to their own tragic fallibility. None of that needs any staging when conveyed in music like this. It would be a tall order to expect any performance of this outsize opera to be perfect. It is not a perfect work itself, on any showing. Even by Verdi's standards it went through an enormous amount of rethinking and revision, and it has surely the most peculiar and unconvincing conclusion there can ever have been in a work of its stature. A worthy performance has to convey total and absolute belief and commitment, but the focus has to be on beauty as well, more than would be so in the opera house, because sound is all we have.

One doesn't have to get far into the first act to realise that this Don Carlo is going to score quite exceptionally highly in point of beauty. Domingo is in superb voice, and Caballe surpasses herself. As the work goes on I suppose it might be fair to say that her lower register is not the equal of her higher, but this is Verdi and not Wagner. Wagner pitches his solo parts reasonably so as not to put strain on the voices, Verdi exploits the upper range of every voice except the bass with remorseless partiality, and Caballe rises to his monstrous demands magnificently. Eboli is a mezzo role, but the challenge Verrett has to overcome is hardly less in that respect, and her confession of the theft of the jewel-box is perhaps the final solo gem in a performance that is a jewel-box itself. Not everyone is absolutely right - the Grand Inquisitor's voice is too youthful, but I have very little criticism indeed to make of any of the major roles. Raimondi as the king seems perfectly good to me, and Milnes delivers a fine rendering of the part of Posa, combining power and inwardness, sometimes at one and the same time. If there is a high spot to the entire performance it is surely the quartet in act IV, a sublime outpouring of beautiful sound from all the principals together.

In the last analysis this Don Carlo surpasses any other I have ever heard for its combination of sheer beauty with wholehearted power. Giulini was born to conduct it, and I doubt I have a single criticism of anything he does from start to finish. The recording is now 35 years old, but you might not be able to tell. Now only weeks from Giulini's passing I am especially glad to be able to give such an unqualified endorsement to what I believe to be one of his finest achievements, indeed one of the finest opera recordings I know. It's only to be expected that there are details that one prefers in other accounts, but for sheer consistent quality at the highest level I would say your search can safely end here.

A masterpiece of conducting.......2004-07-11

For me Don Carlo is Verdi's masterpiece. You find here a very good libretto which makes a lot of sense (compared to Il Trovatore for example) that has a very natural balance of human drama, powerful characters with veridic evolutions and above all some of the best music Verdi composed. It is flawless, and supports with depth and detail the characters and the conflicts without weak moments or loss of "concentration".

The vocal parts aren't as demanding as others in any register. Yet, the length and the profound impact that the orchestra has in this opera and the complex turns and situations the opera encompasses make me believe that a succesful Don Carlo is first of all a problem of conducting. And I think that this is why everybody turns to this recordnig when they have to name the best recording of Don Carlo.

For any of the vocals here you can find someone better. I personally prefer Corelli over all the others, including Domingo which here is in a very good shape and delivers a very involved and careful rendition of Don Carlo. Martti Talvela is indeed unsurpassed in the role of Grande Inquisitor, but Estes here does a very fine job. Ghiaurov's Filip is indeed overwhelming and I love him as much as the others do. But I have to say that I found Raimondi to be a revelation. Maybe his voice is a little lighter but the sensibility and expresivity Raimondi is capable of, deliver a very refreshing and rewarding contribution to this key role. Milnes is also very good. The first Don Carlo I heard had Bastianini singing Posa. Both him and Gobbi are more rewarding in terms of tone and interpretation. But Milnes comes really close and he makes a very convincing case especially in the duos with Domingo or King Filip (a real miscast was Dietrich Fischer-Dieskau, in Solti's recording). The ladies are as god as those on other recordings if not better. I really enjoy what Caballe does in the role of Elisabeta and Verrett is a very capable pair.
In conclusion the roles in this recording are handled extremely well and I can't help thinking that the star singers of some of these roles (mentioned above) were sacrificed for the unity of the cast, a good performing team.

So, in the end, everything comes to conducting. And here I think this recording is unsurpassed. The extraordinary sense of tempo that works wonders elsewhere is displayed here by Giulini in full power. And such, the opera unwraps in front of you with a "life-like" quality. Nothing is exagerated for the sake of a particular temporary effect. But when the development of the drama asks for it power and intensity are there to deliver the goods. As usual with Giulini the orchestra is so dedicated to its conductor and you can hear inner voices inside the orchestra that you won't hear anywhere else. The characters, entirely supported by the orchestra, evolve naturally in the same right atmosphere with flawless inner logic. It is the only recording of Don Carlo which has a sense of unity and of a "single piece".

To wrap up things imagine this: you listen to a performance wich always tells you where you are and how did you get there, you follow the evolution of both characters and intrigue without any bumpss or missed points, you hear very beautiful voices in distinguished performances supported by a very beautifully sounding and highly expressive orchestra. There is no wonder that you come back to this recording when somebody asks you which one is the best recording of Verdi's Don Carlo.

Average customer rating: OKAY, TAKE ME AWAY. Great music...stunning recording quality Incredible Just Stunning!

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Tracks:

1. Rigoletto: La donna e mobile - Luciano Pavarotti
2. Nabucco: Va pesiero - Chicago Symphony Orchestra
3. La forza del destino: Overture - Kirov Orchestra
4. La Traviata: Un di felice - Joan Sutherland
5. I Vespri Siciliani: Merce dilette amiche - Maria Chiara
6. La Traviata: Libiamo ne' lieti calici - Joan Sutherland
7. Il Trovatore: Di quella pira - Jose Carreras
8. Il Trovatore: Vedi! le fosche notturne spoglie - Chicago Symphony Orchestra And Chorus
9. Il Trovatore: Stride la vampa! - Stefania Toczyska
10. Aida: Ritorna vincitor! - Leontyne Price
11. Don Carlo: Dio che nell'alma infondere - Carlo Bergonzi
12. La Traviata: Prelude - Orchestra E Coro Del Maggio Musicale Fiorentino
13. Rigoletto: Caro nome - Joan Sutherland
14. Don Carlo: O don fatale - Olga Borodina
15. Aida: Se quel guerrier io fossi! Celeste Aida - Carlo Bergonzi
16. Emani: Ernani! Ernani involami - Joan Sutherland
17. Un Ballo in Maschera: Di tu se fedele - Jussi Bjorling
18. Un Ballo in Maschera: Morro ma prima in grazia - Margaret Price
19. Luisa Miller: Quando le sere al placido - Luciano Pavarotti
20. Aida: Gloria all'Egitto - Chicago Symphony Orchestra

Tracks:

1. Requiem: Dies irae - Wiener Philharmoniker
2. La forza del destino: Pace pace mio Dio - Angela Gheorghiu
3. Rigoletto: Questa o quella - Carlo Bergonzi
4. Rigoletto: Bella figlia dell'amore - Luciano Pavarotti
5. Otello: Ave Maria - Renee Fleming
6. La Traviata: Parigi o cara - Frank Lopardo
7. Macbeth: Ah la paterna mano - Luciano Pavarotti
8. Il Trovatore: Squilli echeggi la tromba guerriera - Chicago Symphony Orchestra And Chorus
9. Don Carlo: O Carlo ascolta - Dmitri Hvorostovsky
10. Requiem: Ingemisco - Luciano Pavarotti
11. Simon Baccanegra: Come in quest'ora bruna - Kiri Te Kanawa
12. Macbeth: Salve o Re! Si colmi il calice - Lucia Aliberti
13. Aida: O patria mia - Leontyne Price
14. I lombardi: La mia letizia infondere - Placido Domingo
15. Aida: Lo sguardo avea degli angeli - Montserrat Caballe
16. La forza del destino: Solenne in quest'ora - Nikolai Putilin
17. Macbeth: Patria opressa - Chicago Symphony Orchestra And Chorus
18. Il Trovatore: Tacea la notte - Katia Ricciarelli
19. I due Foscari: Dal piu remoto esilio - Odio solo ed odio atroce - Jose Carreras
20. Don Carlo: Spuntato ecco il di esultanza - Orchestra E Coro Del Teatro Alla Scala Di Milano

Customer Reviews:

OKAY, TAKE ME AWAY........2006-01-20

I don't know opera.

Last summer we had an incredible 20th anniversary trip to Italy. As a side trip from Venice, we planned a night in Verona. Neither my wife or I had been to an opera.

Is this how its supposed to be...

...an incredible star filled night with a three quarter moon, the largest stage and outdoor theatrical production on the planet, all taking place in a roman colleseum (arena) built in 180 a.d., an incredible colorful set and production with a full symphony orchestra and voices that don't come easy. Aida.

Now I know what all the hpye is as you opera fans sure are lucky to have such a beautiful setting for all your productions.

Okay, we got spoiled. But I also found myself getting spoiled on the Italian composer Verdi.

For me, this set is not only a "take me back to Verona" trip, but a great introduction to Verdi's other works. With some of the biggest names in the opera world in starring roles, I listened to both discs twice the first night they arrived.

And, of course, we are planning a return trip to Verona in the very near future to see some more Verdi...perhaps Nabucco or Otello or Macbeth...I'll even settle for Aida again. It was such a magical experience and a superb introduction to opera and Verdi.

This set continues that magical moment for us and provides a great introduction to a master of the opera...Verdi.

Great music...stunning recording quality.......2002-11-01

This is a marvelous compendium of Verdi's opera works that even the serious opera fan wouldn't turn his nose up at. These are the top contemporary soloists singing with first tier orchestras. When I saw the Decca label, I expected reasonable quality, but this disk is stunningly well engineered. Most of the vocals match the best jazz cds for immediacy and intimacy, and the orchestras are equally well done.

Incredible.......2002-06-05

I don't say incredible about too many things, but Verdi was the zenith of Italian Opera and Solti and the Chicago Symphony and the Vienna Philharmonic are the quintessential ensembles for modern classical performance. Not to mention that most of the voices showcased have their own lines of CDs (Pavarotti, etc.) This CD is the best Verdi album available, and it has EVERYTHING. BUY THIS CD!

Just Stunning!.......2002-01-26

In my opinion this recording is stunning. I am not usually a fan of compilations in classical music, as they're usually watered down representations made under the presumption that the listener would find the full-blown version intimidating or boring. This one, however, is not only an exception in my view, but a recording that deserves a high place of honor in every serious listener's collection. The representation of artists, both vocal and orchestral, is breathtaking and impressive for the span of years. A great big thank you to the people at Decca responsible for putting this collection together, as it is obvious to this listener that a great deal of thought and care went into looking for the most beautiful version of every piece on here. I have purchased two copies, one for home and one for the office, and have gotten two friends similarly hooked. I am also feverishly searching for more pairings of Joan Sutherland and Carlo Bergonzi. In the meantime, I'm on to Essential Puccini!!

Average customer rating: Excellent older music A Golden Voice! Heaven The Ultimate Tenor Anthology The biggest hype I've ever seen or heard

Artists Of The Century - Jussi Bjorling, The Ultimate Collection Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Björling, Jussi | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Donizetti, Gaetano | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Giordano, Umberto | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Gounod, Charles | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Grieg, Edvard | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Flotow, Friedrich von | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mascagni, Pietro | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Schubert, Franz | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Strauss, Richard | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Tchaikovsky, Peter Ilyich | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Borodin, Alexander | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Jussi Björling Rediscovered The "Pearl Fishers" Duet The Very Best of Beniamino Gigli Jussi Bjorling: Opera Arias The Very Best of Franco Corelli ASIN: B00000J911 Release Date: 1999-05-25

Tracks:

1. Aida: Se quel guerriero io fossi; Celete Aida
2. Manon Lescaut - Donna non vida mai
3. Rigoletto - La Donna ? mobile
4. Rigoletto - Ella mi fu rapita; Parmi veder le lagrime
5. Cavalleria Rusticana - Siciliana: O Lola - Frederick Schauwecker
6. Faust - Salut, demeure chaste et pure - Robert Merrill
7. Pagliacci - Vesti la guibba
8. La Boh?me - Che gelida manini - Licia Albanese
9. Prince Igor - Vladimir's Recitative and Cavatina
10. Andrea Cher - Come un bel di di maggio
11. Martha - M'apparutt'amor
12. L'elisir d'amore - Una furtiva lagrima
13. Eugene Onegin - F, f (Lensky's aria)
14. Turandot - Nessun Dorma
15. Tosca - Recondita armonia
16. Tosca - E lucevan le stelle
17. Tosca - O dolci mani
18. The Trout (Die Forelle)
19. An Silvia: Was ist Silvia?
20. Stchen D. 957/4

Tracks:

1. The Pearl Fishers - Au fond du temple saint
2. Tosca - Mario, Mario, Mario!
3. Don Carlo - lo l'ho perduta!; Dio, che nell'alma infondere
4. Manon Lescaut - Oh, sar pila!; Tu, tu, amore? Tu?
5. La Boh - In un coup Mimtu pitorni
6. La Forza Del Destina - Solenne in quest'ora
7. Aida - La fatal pietra; O terra addio
8. Turandot - Signore, escaolta!; Non piangere, Li
9. Otello - Oh! monstruosa colpa!; Si, pel ciel marmorea giuro!
10. A Dream
11. Turandot - Nessun Dorma
12. Zeignung, Op 10, No. 1/Dedica

Amazon.com

Surely Björling was one of the greatest tenors of his or any other time, not only for the clarion ring, the purity, and the melting lyricism of his voice, but for his effortless lightness, impeccable intonation, endless breath control, and natural phrasing and line, enhanced by old-fashioned but wonderfully expressive scoops and slides. On this generous two-disc set, he is heard in a huge selection of arias and some duets with distinguished colleagues; most of them were recorded separately, and a few are excerpted from complete opera recordings--unfortunately not very skillfully, stopping abruptly in mid-phrase if not mid-note. No matter; the miraculous thing is that Björling, whether singing an entire role or a single aria, can instantly create a character and bring him to vibrant life. He sings everything in the original keys--his high B-flats, B's, and C's are thrilling--and almost everything in the original language, including a few songs by Schubert, Strauss, and Grieg. Recorded live in recital, they are delightful--only one is too operatic. Among his partners, soprano Zinka Milanov and baritone Robert Merrill stand out. This recording presents an incomparable artist at his incomparable best. --Edith Eisler

Customer Reviews:

Excellent older music.......2007-04-05

He is obviously one of the best of his time and puts to shame some of the newer singers. You get alot for your money on this CD too. I highly recommend it for a Sunday morning to enjoy your coffee, newspaper, and scones :}

A Golden Voice!.......2006-07-31

In opera circles everyone knows about Jussi Bjorling. But, I am writing this for the many people who never heard of him. He died in 1960 at the age of 49 so he hasn't been around for 46 years. Thus, the younger generation have only heard of Pavarotti, Domingo, Correras and some newer fellows. Believe me, the sweet, honeyed, golden voice of Bjorling will impress you. His voice..his "instrument".....is...is....what can I say, it's "beautiful". If you haven't heard him before you have an enormous treat ahead of you! If you love the beautiful sound of a "trained" voice, you'll love this guy! Enjoy!
(Some guy below is comparing Bjorling to DeStefano and Corelli and some others and was critical of Bjorling. The guy who wrote that must be suffering from hearing loss! ALL the tenors he mentioned are/were great artists. DON'T BELIEVE HIM...BELIEVE ME! :o) Email:boland7214@aol.

Heaven.......2004-12-13

I used to buy two separate CDs for people I was introducing to Bjoerling - the Pearl Fishers one, and the one with the Nessun dorma on it... So I was delighted when this 2 CD set came out.

To me, NO other tenor I've ever heard matches Bjoerling. His voice is one of the few that reduce me to tears just trying to EXPLAIN it to people. I've loved classical music since childhood but was never able to get into opera until I heard Jussi ... all the tenors alive today - feh, sorry, but to me they just sound like guys taking deep breaths and singing loud, not like "the voice of God" ...

The Ultimate Tenor Anthology.......2003-10-26

For anyone who has for some reason fallen in love with some other tenor voice, the discovery of Jussi Bjoerlings voice may be heartbreaking. This is not a tenor who can only sing superbly in lyric opera or only in dramatic opera, or only in song and lieder. This singer can sing whatever he wants and more; he does it equally brilliant whatever to the vocal demands may be. That, more than anything makes him absolutely unique in the record history.
In the opening selection of this compilation; "Celeste Aida", this essentially lyric voice demonstrates for every heroic and dramatic tenor how to sing dramatic opera. It is a sheer singing lesson. In the strenuous recitative, he does not shout or use other non-musical effects, but shows that true dramatic expression is characterized by tonal intensiy and not by volume, although he had plenty enough of that. The beautiful and incredibly free flow of lyric tones in the Pearlfishers duet, the Faust cavatina and in the gorgeous "Che gelida manina" is absolutely exemplary. Yet, who could replicate the beauty of those effortless high C`s? I cannot think of anyone.
The only thing that could better this and give the set 5 stars in the book, is a compilation of the same selections, transferred from the original tapes and not excessively remastered as on this occasion. The sound is at times overly bright and the voice sounds thin and even sharp. But the singing is so far unmatched.

The biggest hype I've ever seen or heard.......2003-07-27

This tenor is a tiny patch if compare to Corelli or Del Monaco, not to even mention Pavarotti. His high notes are strain to the max and he sounds like he's singing in half falsetto.
A total disappointment. I recommend Gigli and Del Monaco instead.

Average customer rating: heywhattsamattayou full of passion and love Absolutely Beautiful! Where is Amore I?

Amore II ~ Great Italian Love Arias Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Paris Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Donizetti, Gaetano | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Puccini, Giacomo | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music Verdi, Giuseppe | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Paris Symphony Orchestra | ( P ) | Performers, A-Z | Classical Music Blowout | Stores | Music Vienna Philharmonic Orchestra | ( V ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Amor--Opera's Great Love Songs The Most Famous Opera Arias The Best of Italian Opera The Most Famous Opera Duets Rapture: Opera's Most Heavenly Moments ASIN: B00004C4MX Release Date: 2000-02-01

Tracks:

1. Gianni Schicchi: O mio babbino caro
2. La rondine: Chi il bel sogno di Doretta
3. La Boheme: Quando m'en vo
4. La Boheme: Mi chiamano Mimi
5. La Boheme: Che gelida manina
6. TOSCA: Vissi d'arte
7. Madama Butterfly: Un bel di
8. Madama Butterfly: Bimba dagli occhi pieni di malia
9. Turandot: Tu, che di gel sei cinta
10. Rigoletto: La donna e mobile
11. Rigoletto: Caro nome
12. La Traviata: Lunge da lei...De miei bollenti spiriti...oh mio rimorso
13. Aida: Celeste Aida
14. L'Elisir d'Amore: Prendi, per me sei libero
15. L'Elisir d'Amore: Una furtiva lagrima
16. Don Pasquale: Quel guardo il cavaliere
17. Fedora: Amor ti vieta
18. Turandot: Nessun dorma

Customer Reviews:

heywhattsamattayou.......2007-06-12

i'm a tellin you..... if you dont a like a this music....well you musta been born with the stone for a heart...heh

full of passion and love.......2007-03-31

This CD is full of passion and love. Whenever I listen to it, I get the butterfly feeling in my stomach...must have CD!!!! I strongly recommend!

Absolutely Beautiful!.......2002-03-02

Two words describe the music found on this CD: ABSOLUTELY BEAUTIFUL! The beauty of the vocals and music combine to allow one to transcend from the daily grind to a world of beauty. Bravo!

Where is Amore I?.......2001-02-16

This CD is a selection of arias from Italian operas. Most of the time when you get a compilation like this, you feel lucky if you like 2/3 of the selections. In this case, whoever did the selecting did a great job, there isn't a clinker in the lot. About half of the arias are by Puccini, the rest are by Verdi, Donizetti, and Giordano. Singers include Kiri Te Kanawa, Luciano Pavarotti, Richard Tucker, and Andrea Rost. There is enough variety to keep the whole CD interesting, yet the mood is consistent throughout. The sound is generally quite good, and while I am not generally a fan of live recordings, the audience response in the performance by Pavarotti really does add excitement to the presentation. Given the title of this CD, I assumed this was the second in a series, and I liked it so much I went looking for the original. Unfortunately, I can find no other CD on the Sony label titled Amore - too bad.

Average customer rating: Hampson: One of the sexiest voices in opera today. radiant Beautiful. Two fine singers create a special CD Simply Stunning!! Hadley/Hampson are among the best ever. Hadley & Hampson blend beautifully.

Jerry Hadley and Thomas Hampson - Famous Opera Duets (Tenor/Bass) Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Hadley, Jerry | ( H ) | Featured Performers, A-Z | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta Standing Room Only Show Boat (1988 Studio Cast Highlights) In the Real World A Song of Naples - Neapolitan Songs ASIN: B000000SEV Release Date: 1993-10-05

Tracks:

1. La Boheme: 'O Mimi, Tu Piu Non Torni'
2. Belisario: 'Leberi Siete, Addio!'
3. Les Vepres siciliennes: 'Quel Est Ton Nom?'...'Henri'
4. Don Carlos: 'Le Voila! C'est l'Infant!'
5. Les Pecheurs De Perles: 'Au Fond Du Temple Saint'
6. L'Elisir D' Amore: 'Venti Scudi'
7. Lucia Di Lammermoor: 'Orrida E Questa Notte'
8. Dinorah: 'Quand L'heure Sonnera'
9. Die Fledermaus: 'Komm Mit Mir Zum Souper'

Customer Reviews:

Hampson: One of the sexiest voices in opera today........2006-02-06

This is a wonderfully varied album, one which I've given to several opera neophytes among my friends, as well as to my mother who has been an opera fan since the 1930s. The excerpt from Bizet's Pearl Fishers is gorgeous, everything the other reviewers say, but my personal favorite is the one from Don Carlo for its rollercoaster emotional dramatics (be sure and read the notes to this one so you know what's going on!), a showcase for the versatility of the performers. Hampson's performances here are subtly nuanced, self-assured, and sophisticated without losing a sense of fun, while Hadley's lovely tenor contains an irresistible ebullience. They are great foils for each other, and I'll bet they had a fine time making this album.

radiant.......2001-02-01

Although Jerry Hadley may not have the reputation of some of the world's other great tenors, his voice is truly beautiful and his straightforward, unegotistical style is refreshing. Everything about this disc is perfect, it is superbly recorded, the orchestration is just right, and the two singers (Hampson is, as he always is, masterful) blend flawlessly. The Pearl Fishers Duet, taken at a relatively leisurely pace, is absolutely riveting for its sheer beauty and probably ranks with the great recordings ever of this masterpiece.

Beautiful. Two fine singers create a special CD.......2000-07-26

I had never heard of Jerry Hadley prior to seeing an ad in one of the auctions. I bought the CD and became an instant lover of Hadley's voice. I am a Michael Crawford fan and also admire Michael Feinstein. Carreras and other greats have their places. Why didn't I hear about Hadley earlier?

I acquired this CD also on auction. Listening to it one thought came to mind. Sometimes two = better than one. The interplay and synergy displayed by tenor Hadley and baritone Hampson is marvelous. This CD represents a case where two voices = a four-power recording. The works should all be savoured.

Which of the nine tracks do I enjoy the most? All nine is not an acceptable answer. I admire the opening Puccini excerpt from La Boheme. Bizet's selection from Les Pecheurs de peries can stand with any. My favorite has to be the Strauss selection from Die Fledermous. Hadley and Hampson are more Broadway-type opera singers. Their duet in Die Fledermous may only be 3.36. You might put this track alone on repeat.

I highly recommend the CD. Maybe you will find other tracks more desirable than #1 (Pucinni), #5 (Bizet) and #9 (Johann Strauss). Try this. Maybe I will have to re-listen. That would be such sweet joy. It is going to be my next CD played (again and again). Enjoy.

Simply Stunning!! Hadley/Hampson are among the best ever........1998-11-07

These two, individually masters at solo expression, set a new standard for absolutely superb ensemble. Puccini's "Au fond du temple saint" from LES PECHEURS DE PERLES elicits strong emotions and tears every time I hear it in concert. And it does every time I listen to these two exceptional master interpreters.

Hadley & Hampson blend beautifully........1998-09-11

Hadley & Hampson blend as beautifully as it is possible for two voices to blend. Each wonderful voice is complimented by the other. Never has there been such a gorgeous recording of duets.

Average customer rating: Superb singing by my favorite tenor exceptional recording of Bizet, Verdi and Puccini The Kiss of Jussi Notes on a classic Pearl Fishers Duet

The "Pearl Fishers" Duet Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Milanov, Zinka | Divas | Opera & Vocal | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Puccini, Giacomo | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music Verdi, Giuseppe | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Artists Of The Century - Jussi Bjorling, The Ultimate Collection The Most Famous Opera Duets Bizet: The Pearl Fishers (Complete opera); Hendricks, Aler, Plasson, Capitole de Toulouse Jussi Björling Rediscovered Jussi Bjorling: Opera Arias ASIN: B000003ERE Release Date: 1990-10-25

Tracks:

1. The Pearl Fishers: Au Fond Du Temple Saint
2. Tosca: Mario, Mario, Mario! - Zinka Milanov
3. Don Carlo: Io L' Ho Perduta!, Dio, Che Nell' Alma Infondere
4. Manon Lescaut: Tu, Tu, Amore? Tu? - Licia Albanese
5. La Boheme: O Mimi, Tu Piu Non Torni
6. La Forza Del Destino: Solenne In Quest' Ora
7. Aida: La Fatal Pietra; Oterra Addio - Zinka Milanov
8. Turandot: Signore, Ascolta!; Non Piangere, Liu - Renata Tebaldi
9. Otello: Si, Pel Ciel Marmoreo Giuro!

Amazon.com

This disc is essential for Jussi Bjoerling fans--doesn't that include almost everyone?--and for anyone who wants a distinctive sampling from recorded opera's most eloquent age. Best are Bjoerling's duets with baritone Robert Merrill--especially the classic "Au fond du temple saint" from The Pearl Fishers--and the scene with Renata Tebaldi, "Signore, ascolta; non piangere, Liu," from Turandot. Although the sound is variable--and sometimes disappointingly, annoyingly glitch-ridden in these recordings made between 1950 and 1959--the voice, the style, and the passion of the inimitable Bjoerling more than make up for it. --David Vernier

Customer Reviews:

Superb singing by my favorite tenor.......2006-12-29

I can hardly tell you how much I loved this CD when musicologist David St. George gave
gave me a copy of it. Each time I hear the CD, Bjoerling's singing astounds me, because
depsite his age, he was in excellent voice when he recorded the "Pearl Fishers Duet."
My only complaint about Bjoerling is that a year before my birth, he died. :)

exceptional recording of Bizet, Verdi and Puccini.......2006-10-23

The beautiful main duet from Bizet's "The Pearlfishers" ("Au fond du temple saint") is the centerpiece of this disc, that also features pieces from "Aida", "Tosca", "Turandot" and "Otello", amongst others by Puccini and Verdi.

Legendary opera stars Robert Merrill, Zinka Milanov, Licia Albanese and Renata Tebaldi have the kind of voices that one rarely hears these days in opera. It's such a pleasure to know that these singers have received immortality thanks to CD reissues like this one. As other reviewers have noted, these recordings have great historical value but don't expect miracles with the overall sound quality.

[RCA/BMG Classics GD87799]

The Kiss of Jussi.......2006-08-23

Bjoerling never misses his pitch, never struggles with any note in his repertoire, never runs out of breath, and most importantly, never fails to makes any note perfectly beautiful. Bjoerling's supporting cast are immortalized by their association with this incomparable singer. Every track in this album is historically as well as artistically precious.

Notes on a classic.......2006-06-04

I'm prompted to comment only because a reviewer below offers no criticism of this famous duets recording exceept for the Manon Lescaut excerpt with Licia Albanese. As it happens, the only weakness in the cuts with Bjorling and Merrill is the workaday conducting by Renato Cellini (and the boxy sound that deserves the same miraculous remastering BMG has recently given to Toscanini). The Met was a singers' house and often fell short on conducting, saddling Golden Age voices with less than stellar maestros like Cillini, Fausto Cleva, and Leinsdorf (who actually does a very good job, for him, in Turandot, Bjorling's last opera recording before he died).

But the RCA Manon Lescaut from Rome was a wonderful exception. It is arguably the most satisfying collaboration in Bjorling's career, thanks to Jonel Perlea and the inspired Licia Albanese. Others might argue for the Aida with Milanov or the famous La Boheme with de los Angeles under Beecham. But for me the dramatic intensity of this Manon Lescaut is unparalleled. It's true that Albanese doesn't sound like a lush, full-voiced Puccini soprano, but she inhabits the role of Manon with astonishing realism and passion.

Pearl Fishers Duet.......2006-03-18

The Pearl Fishers Duet by Georges Bizet is well presented and delightfully sung. There are several additional duets on this CD which, whilst sung correctly and well, do not come over with the same lightness and flow. They would not be the best of their genre.

Average customer rating: Sensuality Personified!

The Very Best of Régine Crespin Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Canteloube, Joseph | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Poulenc | Poulenc, Francis | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Legend: Régine Crespin [CD & DVD] Italian Opera Arias Berlioz: Les Nuits d'été; et al / Crespin, Ansermet Very Best of The Very Best of Lucia Popp ASIN: B0006VYEJQ Release Date: 2005-04-26

Tracks:

1. Ils S'Eloignent Enfin...Sombre Foret
2. D'Amour L'Ardente Flamme
3. Les Grecs Ont Disparu...Malheureux Roi!
4. Nous Avons Vu Finir...Chers Tyriens
5. Je Vais Mourir...Adieu, Fiere Cite
6. Ah! Salome! Dans Ce Palais...Il Est Doux, Il Est Bon
7. Je Souffre
8. Mes Cheres Filles, J'Ai Encore A Vous Dire
9. Soir
10. Le Secret
11. Apres Un Reve
12. Clair De Lune
13. Lo Fiolaire
14. Lou Coucut
15. Coeur En Peril
16. Berceuse Creole

Tracks:

1. Einsam In Truben Tagen
2. Euch Luften, Die Mein Klagen
3. Eine Waffe Lass Mich Dir Weisen...Der Manner Sippe
4. Ich Sah Das Kind
5. I. Der Engel
6. II. Stehe Still!
7. III. Im Treibhaus
8. IV. Schmerzen
9. V. Traume
10. I. In Der Fremde
11. II. Intermezzo
12. III. Waldesgesprach
13. Timor Di Me?...D'Amor Sull'Ali Rosee
14. Ecco L'Orrido Campo...Ma Dall'Arido Stelo Divulsa
15. Tu Che Le Vanita
16. D'Art Et D'Amour

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

Sensuality Personified!.......2005-04-27

This is one of the best collections of Regine Crespin. Of course, her Berlioz/Ravel set with Ansermet is definitive, but the beauty and soft womanliness of her voice can be heard in all the selections on this disc. The engineers went for her vocal best and they created a fine collection aptly titled "The Best of..." One would be unduly captious to find Crespin "brittle" of tone here.

It is by now, very difficult to imagine anyone singing "Il est doux" with more apt expression of the line than La Crespin. Wagner's Wesendonk lieder is simply sublime from start to finish and the Faure takes on new meaning. That she is comical, melancholy, fun and happy by turns singles her out. This collection captures all her awesome talent. Underneath it all seems to be a very, if I may, sexual energy.

Crespin must be heard to be believed and the miracle lies in that even her softest tones are really enveloping, never thin. All tones are open and this is why there are enough colors in Regine Crespin's delicious voice to paint the world a thousand times, but it may also be why she infamous for being short and edgy on top but I remind, never here is she such. She is a relaxed singer in superb voice, comfortable in her own olive skin and makes the most out of every word those poets wrote.

The whole collection is unique in pace, style, and voice. It is Regine Crespin...in a nutshell fabulous!

Average customer rating: Excellent selections

Opera's Greatest Duets Manufacturer: RCA ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Bellini, Vincenzo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Gershwin, George | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Offenbach, Jacques | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo