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Aida, opera Se quel guerrier io fossi!...Celeste Aida
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra
with Giuseppe Modesti, Fedora Barbieri, Franco Ricciardi, Tito Gobbi, Richard Tucker, Nicola [singer] Zaccaria, Maria Callas
Conducted by Tullio Serafin
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Aida, opera Su! del Nilo al sacro lido
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra
with Giuseppe Modesti, Fedora Barbieri, Franco Ricciardi, Tito Gobbi, Richard Tucker, Nicola [singer] Zaccaria, Maria Callas
Conducted by Tullio Serafin
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Aida, opera Ritorna vincitor!
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra
with Giuseppe Modesti, Fedora Barbieri, Franco Ricciardi, Tito Gobbi, Richard Tucker, Nicola [singer] Zaccaria, Maria Callas
Conducted by Tullio Serafin
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Aida, opera Gloria all'Egitto
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra
with Giuseppe Modesti, Fedora Barbieri, Franco Ricciardi, Tito Gobbi, Richard Tucker, Nicola [singer] Zaccaria, Maria Callas
Conducted by Tullio Serafin
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Aida, opera Qui Radamès verrà!...O patria mia
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra
with Giuseppe Modesti, Fedora Barbieri, Franco Ricciardi, Tito Gobbi, Richard Tucker, Nicola [singer] Zaccaria, Maria Callas
Conducted by Tullio Serafin
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Aida, opera Ciel! mio padre!
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra
with Giuseppe Modesti, Fedora Barbieri, Franco Ricciardi, Tito Gobbi, Richard Tucker, Nicola [singer] Zaccaria, Maria Callas
Conducted by Tullio Serafin
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Aida, opera Pur ti riveggo, mia dolce Aida
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra
with Giuseppe Modesti, Fedora Barbieri, Franco Ricciardi, Tito Gobbi, Richard Tucker, Nicola [singer] Zaccaria, Maria Callas
Conducted by Tullio Serafin
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Aida, opera Già i sacerdoti adunansi
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra
with Giuseppe Modesti, Fedora Barbieri, Franco Ricciardi, Tito Gobbi, Richard Tucker, Nicola [singer] Zaccaria, Maria Callas
Conducted by Tullio Serafin
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Aida, opera O terra, addio
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra
with Giuseppe Modesti, Fedora Barbieri, Franco Ricciardi, Tito Gobbi, Richard Tucker, Nicola [singer] Zaccaria, Maria Callas
Conducted by Tullio Serafin
Verdi: Aïda (Highlights),Giuseppe Verdi,Tullio Serafin,La Scala Theater Orchestra,Fedora Barbieri,Franco Ricciardi,Giuseppe Modesti,Maria Callas,Nicola Zaccaria [singer],Richard Tucker,Tito Gobbi,Angel Records,Classical,Classical Composers,Classical Music,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio
Average customer rating:
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Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OTX Release Date: 1998-06-09 |
Tracks:
- La Boheme: Che gelida manina
- Manon Lescaut: Donna non vidi mai
- Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
- Luisa Miller: O! fede negar potessi .. Quando le sere al placido
- La Traviata: Lunge da lei ... De' miei bollenti spiriti
- Martha: M'appari
- Giordano: Amor ti vieta
- L'Africaine: Mi batte il cuor .. O paradiso
- La Favorita: Favorita del re . . . Spirto gentil
- Werther: 'Pourquoi me reveiller'
- Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
- Les Contes d'Hoffmann: O Dieu! De quelle ivresse
- TOSCA: E lucevan le stelle
- Pagliacci: Recitar! ... Vesti la giubba
- Il Trovatore: Di quella pira
- Aida: Se quel guerrier .. Celeste Aida
- TOSCA: Recondita armonia
- L'Elisir d'Amore: Una furtiva lagrima
- La Gioconda: Cielo e mar!
- Turandot: Nessun dorma
Customer Reviews:
The End of the Big Voice?.......2007-04-16
Fla Gator Lady.......2007-01-12
20 Great Tenor Arias.......2007-01-09
Plesantly surprised..........2006-01-14
First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).
Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.
Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.
Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.
This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.
A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!
Absolutely Agree About Corelli.......2005-05-27
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The Most Famous Opera Arias
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SCE Release Date: 1994-07-19 |
Tracks:
- Rigoletto: Act I - Caro nome
- Rigoletto: Act III - La donna e mobile
- Gianni Schicchi: O mio babbino caro
- Carmen: Act I - Habanera: La voila...L'amour est oiseau rebelle
- Orfeo ed Euridice: Act III - Che faro senz Euridice
- Madama Butterfly: Act III - Un bel di, vedremo
- Romeo et Juliette: Act I - Ah! je veux vivre
- Le nozze di Figaro: Act II - Voi che sapete che cosa e amor
- Samson et Dalila: Act II - Mon coeur s'ouvre a ta voix
- Tosca:: Act II - Vissi d'arte, vissi d'amore
- Aida: Act I-Celeste Aida
- Il Barbiere Di Siviglia: Act I-Una voce poco fa
- Lakme: Act II - Ou va la jeune indoue?
- La Wally: Act I - Ebben? Ne andro lontano
- La Boheme: Act I - Che gelida manina
- Die Zauberflote: Act II-Die Holle Rache kocht in meinem Herzen
Customer Reviews:
Great for kids!.......2007-06-27
Mediocre Sound Quality.......2007-03-31
It's a very nice collection to hum along to, but don't expect shivers down your spine as the sound quality is not sufficient to reproduce the dynamic range of these voices.
I was pleased.......2007-02-18
The Most Famous Opera Arias.......2007-01-05
I would not only refer this seller but I will come back myself.
Okay But.... - a review of "The Most Famous Opera Arias".......2006-08-18
This was the first we purchased and it is okay but not great.
Problem #1 - where is Wagner. No Wagner?
Problem#2 - Elena Obraztsova - she sounds like Carmen's grandmother. Rather matronly for a vixen (imho--lol)
Three Stars. [C+] Great Price and good sound quality for the car. The operatic styles of some of the performers are antiquated and frilly sounding, but I would probably buy this CD again.
Note: We purchased and really preferred "The # 1 Opera Album". It has more selections and better artists in our opinion. Also it's a two CD set. Just something to consider.
Average customer rating:
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The Best of Italian Opera
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000UXN Release Date: 1997-01-21 |
Tracks:
- La Traviata: 'Libiamo, Libiamo'
- Rigoletto: 'La donna e' Mobile'
- The Barber Of Seville: 'Una voce poco fa'
- La Boheme: 'Che gelida manina'
- Rigoletto: 'Gualtier Malde!' Caro nome'
- Il Trovatore: 'Vedi! le fosche'
- Il Trovatore: 'Il balen del suo sorriso...Per me ora fatale'
- TOSCA: 'Vissi d'arte'
- La Traviata: 'Di Provenza il mar, il suol'
- The Marriage Of Figaro: 'Voi che sapete'
- Aida: 'Se quel guerrier io fossi...Celeste Aida'
- Madama Butterfly: 'Un bel di vedremo'
- La Gioconda: 'Cielo e mar'
- Lucia di Lammernoor: 'Ardon gl' incesi'
Customer Reviews:
Great Stuff.......2007-07-22
A Great Introduction to Italian Opera.......2005-05-01
Best of the best!.......2003-01-11
Fabulous bargain for anyone.......2002-11-24
These are older recordings -- I would guess mostly from the 1960's. The recording quality is exceptional for the day and, while not the equivalent of modern engineering, is sufficient to allow sheer physical pleasure from the music and an immediate appreciation of the vocal qualities of the artists. The sound quality is the only mild drawback...
The performances are magnificent! The voices are almost entirely lighter and more agile than the great voices of the 80's and 90's. In fact, the ear of the editor is apparent in his preference for lighter and more agile voices.
For example, there is a beautiful rendition of "Che Gelida Manina" from someone I had never heard before, Guiseppe Campora. He does not have the weight or volume of Pavarotti or Domingo, but has more elegance and a pure, charming tone. A connoisseur performance, but nevertheless a true operatic rendition by a tenor who can hit the high C with authority -- as good for a newcomer to opera who wants to hear the real thing, as for an opera lover who would like to hear something a bit different.
Some of the artists were among the most famous singers of their day: Moffo, de los Angeles, Gedda.
Anna Moffo, one of the greatest sopranos of her day (and all time), is in magnificent voice in famous blockbusters from Rossini's Barber of Seville, Mozart's Marriage of Figaro, and the Mad Scene from Lucia di Lammermoor.
De Los Angeles is at her best in "Libiamo" from La Traviata, but the recording quality (the one inadequately engineered track on the CD) and her lack of oomph make for a second-rate version of "Un bel di".
In keeping with the light and lyrical orientation of the selections, Moffo -- a famous Gilda and hardly a dramatic voice -- is bypassed for the even lighter, sweeter and more agile colatura Reri Grist (while she still had her voice), in a lovely "Caro Nome".
Another nice selection is Mario Sereni performing "Di provenza, il mar". Both this and "Libiamo" are taken from one of my favorite recordings of Traviata -- also a great chance to hear Serafin at the helm of the Rome Opera House orchestra. (The 2-CD version of this is still available from EMI, I think.) Newcomers will love this pretty tune, and Sereni's archtypal Verdi baritone is good, although hardly the best ever.
Franco Corelli has never been a favorite of mine, but he sounds the best I've ever heard him in his rendition of "Cielo et mar".
Anyway, I didn't intend to list every cut. Whether you are an opera lover who would like to hear some of opera's most famous arias performed in a new light, or an opera lover who would like to hear great performances at a cut-rate price, this CD gets my unqualified approval.
Great songs for a low price........2001-08-16
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The Very Best Of Maria Callas
Maria Callas Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y1YQ Release Date: 2002-02-12 |
Tracks:
- Carmen: L'Amour Est Un Oiseau Rebelle
- Gianni Schicchi: O Mio Babbino Caro
- La Wally: Ebben? Ne Andro Lontana
- Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix
- Tosca: Vissi D'arte, Vissi D'amore
- Andrea Chenier: La Mamma Morta
- Le Nozze Di Figaro: Porgi Amor
- Orphee Et Eurydice: J'ai Perdu Mon Eurydice
- Aida: Ritorna Vincitor!
- Adriana Lecouvreur: Respiro Appena... Lo So L'Umile Ancella
- Madama Butterfly: Un Bel Di Vedremo
- Norma: Casta Diva
- Turandot: Signore, Ascolta!
- Louise: Depuis Le Jour
- La Boheme: Si. Mi Chiamano Mimi
- La Gioconda: Suicidio
- La Forza Del Destino: Pace, Pace Mio Dio!
Customer Reviews:
Audio beauty and magnificence, Maria Callas.......2007-03-31
Ms. Callas' voice goes beyond the normal concept of beauty.
sublime.......2007-02-14
Good "Best Of".......2007-02-09
The Very Best of Maria Callas.......2006-08-20
Classic Callas.......2006-07-11
Average customer rating:
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Luciano Pavrotti: The Best (Farewell Tour)
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007V5WB4 Release Date: 2005-09-13 |
Tracks:
- La donna obile
- Una furtiva lagrima
- "Libiamo ne'lieti calici (Brindisi)
- Donna non vidi mai
- Che gelida manina
- O soave fanciulla
- Mi batte il cor...O Paradiso!
- M'appari
- Quando le sere al placido chiaror d'un ciel stellato
- Se quel guerrier io fossi!..Celeste Aida
- Forse la soglia attinse
- Recitar! - "Vesti la giubba"
- Come un bel di maggio
- Ah mes amis - Pour mon
- Di quella pira
- Nessun dorma!
Tracks:
- Torna a Surriento
- Santa Lucia luntana
- La Danza
- L'ultima canzone
- Non t'amo pi
- Mattinata
- 'O sole mio
- 'A vucchella
- Core 'ngrato
- Nel blu, dipinto di blu
- Vivere
- Il Canto
- Caruso
- Buongiorno a te
- Ti adoro
- E lucevan le stelle
- Questa o quella (Ballata)
- Parmi veder le lagrime
Customer Reviews:
Luciano Pavrotti: The Best (Farewell Tour).......2007-06-27
Luciano Pavorotti.......2007-02-17
Luciano is the best!.......2007-01-20
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Stars & Stripes Forever and the Greatest Marches
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003F5U Release Date: 1991-09-06 |
Tracks:
- Aida: Grand March
- Babes In Toyland: March Of The Toys
- Semper Fidelis
- Suite No. 1, Op. 43: Marche miniature
- Yankee Doodle
- Up The Street
- The Damnation of Faust: Rakoczy March
- Caucasian Sketches: Procession Of The Sardar
- Sambre et Meuse
- The Ruins Of Athens: Turkish March
- Colonel Bogey
- Dixie
- American Salute: When Johnny Comes Marching Home
- Strike Up The Band
- Radetzsky March
- Pomp And Circumstance March No. 1
- Algerian Suite: French Military March
- Mlada: Procession Of The Nobles
- Valdres March
- National Emblem March
- The Stars And Stripes Forever
Customer Reviews:
Album matches content hype.......2007-05-31
Fun.......2007-01-21
invigorating!.......2006-12-05
Totally awesome!.......2005-03-27
Average customer rating:
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Masters of Classical Music (Box Set)
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001VU5 Release Date: 1990-10-25 |
Tracks:
- Eine kleine Nachtmusik: Allegro - Mozart, Wolfgang Amadeus
- Piano Concerto In A Major, K 488: Adagio - Mozart, Wolfgang Amadeus
- Flute Concerto In D Major, K 314: Allegro - Mozart, Wolfgang Amadeus
- Symphony No. 40 in G minor: Molto allegro - Mozart, Wolfgang Amadeus
- Clarinet Concerto KV 622: Adagio - Mozart, Wolfgang Amadeus
- Serenade, K 375: Menuetto - Mozart, Wolfgang Amadeus
- Turkish March - Mozart, Wolfgang Amadeus
- Violin Concerto, K 216: Allegro - Mozart, Wolfgang Amadeus
- Divertimento, K 334: Menuetto - Mozart, Wolfgang Amadeus
- Horn Concerto, K 447: Allegro - Mozart, Wolfgang Amadeus
- Cassation, K 99: Allegro - Mozart, Wolfgang Amadeus
Tracks:
- Overture No. 4 In Major: Rejouissance - J.S.Bach
- Overture No. 3 In D Major: Air - J.S.Bach
- Brandenburg Concerto No. 2 In F Major: I. Allegro - J.S.Bach
- Jesu, Joy Of Man's Desiring - J.S.Bach
- Overture No. 2 In B Minor: Menuet & Badinerie - J.S.Bach
- Prelude In C Major - J.S.Bach
- Toccata And Fugue In D Minor - J.S.Bach
- Prelude In C Minor - J.S.Bach
- Overture No. 1 In C Major: Passepied - J.S.Bach
- Brandenburg Concerto No. 1 In F Major: II. Adagio - J.S.Bach
- Kommst du nun, Jesu vom Himmel herunter, Chorale - J.S.Bach
- Brandenburg Concerto No. 3 In G Major: II. Allegro - J.S.Bach
- Violin Concerto In E Major: I. Adagio - J.S.Bach
- St. Matthew Passion: Finale Chorus: 'Wir setzen uns mit Tranen nieder' - J.S.Bach
Tracks:
- Symphony No. 5: Allegro con brio - Ludwig Van Beethoven
- Fur Elise - Ludwig Van Beethoven
- Violin Romance No. 2 - Ludwig Van Beethoven
- 'Moonlight' Sonata: Adagio sostenuto - Ludwig Van Beethoven
- Minuet - Ludwig Van Beethoven
- Symphony No. 8 In F Major: Allegretto scherzando - Ludwig Van Beethoven
- Coriolan: Overture - Ludwig Van Beethoven
- Piano Concerto No. 2: Adagio - Ludwig Van Beethoven
- Symphony No. 5 In C Minor: Allegro - Ludwig Van Beethoven
- Egmont: Overture - Ludwig Van Beethoven
Tracks:
- Die Fledermaus: Die Fledermaus (Excerpts) - Johann Strauss
- Wine, Woman And Song - Johann Strauss
- Tritsch Tratsch Polka - Johann Strauss
- The Blue Danube - Johann Strauss
- The Gypsy Baron: Introduction - Johann Strauss
- Annen Polka - Johann Strauss
- Vienna Blood - Johann Strauss
- The Gypsy Baron: Einzugsmarsch - Johann Strauss
Tracks:
- Tannhauser: Overture - MASTERS OF CLASSICAL MUSIC
- Die Meistersinger von Nurnberg: Dance Of The Prentices - MASTERS OF CLASSICAL MUSIC
- Die Meistersinger von Nurnberg: Prelude Act 3 - MASTERS OF CLASSICAL MUSIC
- Die Meistersinger von Nurnberg: Aufzug der Meistersinger - MASTERS OF CLASSICAL MUSIC
- Der fliegende Hollander: Overture - MASTERS OF CLASSICAL MUSIC
- Lohengrin: Prelude - MASTERS OF CLASSICAL MUSIC
- Tristan und Isolde: Prelude And Liebestod - MASTERS OF CLASSICAL MUSIC
- Tannhauser: Arrival Of The Guests At Wartburg - MASTERS OF CLASSICAL MUSIC
Tracks:
- Piano Concerto No. 1: Allegro non troppo - Peter Tchaikovsky
- String Serenade: Waltz - Peter Tchaikovsky
- Violin Concerto: Andante - Peter Tchaikovsky
- The Sleeping Beauty: Introduction - Peter Tchaikovsky
- The Sleeping Beauty: Pas d'action - Adagio - Peter Tchaikovsky
- The Sleeping Beauty: Waltz - Peter Tchaikovsky
- Capriccio italien Op. 45 - Peter Tchaikovsky
- Swan Lake: Ballet Suite: Scene No. 10 - Peter Tchaikovsky
- Swan Lake: Ballet Suite: Waltz - Peter Tchaikovsky
- Eugene Onegin: Polonaise - Peter Tchaikovsky
Tracks:
- The 4 Seasons: Concerto No. 1 In E Major: Spring - VIVALDI, Antonio
- Siciliano - VIVALDI, Antonio
- Concerto In D Minor:: (Allegro Assai) Cologne Concerto - VIVALDI, Antonio
- The 4 Seasons: Concerto No. 2 In G Minor: Summer - VIVALDI, Antonio
- Oboe Sonata In B Flat Major, RV 34: Adagio - Allegro - Largo - Allegro - VIVALDI, Antonio
- The 4 Seasons: Concerto No. 3 In F Major: Autumn - VIVALDI, Antonio
- Oboe Concerto: Allegro non tasto - Largo - Allegro non molto - VIVALDI, Antonio
- Concerto In D Minor: (Largo e spiccato) Cologne Concerto - VIVALDI, Antonio
- The 4 Seasons: Concerto No. 4 In F Minor: Winter - VIVALDI, Antonio
Tracks:
- Scherzo No 1 In B Minor, Op. 20 - Frederic Chopin_
- Three Nocturnes, Op. 9: No 3 In B Major - Frederic Chopin_
- Twelve Etudes, Op. 10: No 5 In G Flat Major - Frederic Chopin_
- Twelve Etudes, Op. 25: No 10 In B Minor - Frederic Chopin_
- 24 Preludes, Op. 28: No. 13 In F Sharp Major - Frederic Chopin_
- 24 Preludes, Op. 28: No. 14 In E Flat Minor - Frederic Chopin_
- 24 Preludes, Op. 28: No. 15 In D Flat Major 'Raindrops' - Frederic Chopin_
- 24 Preludes, Op. 28: No. 16 In B Flat Minor - Frederic Chopin_
- 24 Preludes, Op. 28: No. 17 In A Flat Major - Frederic Chopin_
- 24 Preludes, Op. 28: No. 18 In F Minor - Frederic Chopin_
- Scherzo No. 2 In B Flat Minor, Op. 31 - Frederic Chopin_
- Waltz In E Flat Major, Op. 18 - Frederic Chopin_
- Nocturne In C Sharp Minor, Op. Posth. - Frederic Chopin_
- Four Mazurkas, Op. 24: No. 3 In A Flat Major - Frederic Chopin_
- Four Mazurkas, Op. 24: No. 4 In B Flat Minor - Frederic Chopin_
Tracks:
- Ave Maria - Franz Schubert
- Impromptu In E Flat Major - Franz Schubert
- Standchen - Franz Schubert
- Trout Quintet: Tema con variazioni - Franz Schubert
- 'Rosamunde': Entr'acte No. 1 - Franz Schubert
- Moment Musical In A Flat Major - Franz Schubert
- 'Rosamunde': Entr'acte No. 2 - Franz Schubert
- Moment Musical No. 3 In F Minor - Franz Schubert
- 'Rosamunde': Ballet Music No.2 - Franz Schubert
- Symphony No. 8 In B Minor 'Unfinished': Allegro moderato - Franz Schubert
Tracks:
- Nabucco: Overture - Verdi, Giuseppe
- Nabucco: Va pensiero, sull'ali dorate - Verdi, Giuseppe
- Aida: Prelude - Verdi, Giuseppe
- II Trovatore: Verdi! le fosche notturne (Gypsies' Chorus) - Verdi, Giuseppe
- II Trovatore: Or co' daddi, ma fra poco (Soldiers' Chorus) - Verdi, Giuseppe
- Aroldo: Overture - Verdi, Giuseppe
- La Traviata: Prelude - Verdi, Giuseppe
- La Traviata: Noi siamo zingarelle - Verdi, Giuseppe
- La Traviata:: Libiamo ne' lieti calici - Verdi, Giuseppe
- La Traviata: Di Madride noi siam mattadori - Verdi, Giuseppe
- La forza del destino: Overture - Verdi, Giuseppe
Customer Reviews:
masters of classical music.......2007-03-26
A good basic collection.......2006-11-10
An excellent introduction to classical music.......2006-10-18
Very Beautiful!!!!!1.......2006-10-05
Still Stuck on Beethoven.......2006-08-22
My interest started in this genre of music because I'm researching my ancestry in Prussia and this is the music of those times. Never mind my ancestors were poor peasants who probably never got the chance to hear such wonderful music... when listening to these CDs, I'm taken back in time... to a royal court in Europe... to another place in time. The music is inspiring, relaxing, invigorating.
I have yet to listen to all the CD's in the set. I'm stuck on Beethoven! Wasn't he AWESOME!?!
I think this set is a wonderful introduction to classical music!!!!!
Average customer rating:
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Dinner Classics: The Italian Album
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026XP Release Date: 1990-05-17 |
Tracks:
- Canzon Septimi Toni No.2
- Concerto in E Major, Op. 8, No. 1: I-Allegro From Spring (La primavera)
- Overture (Allegro)
- from Concerto in G Major for 2 Guitars: I-Allegro
- from String Quartet in E Major Op. 13, No. 5: Minuetto
- from Sonata for Violin & Guitar: III-Menuetto: Allgretto
- from Sonata Concertata in A Major: III-Rondeau
- Cantabile for Violin & Guitar
- from Concerto for Guitar and Strings Orchestra, Op. 30: II-Andantino Siciliano
- Nocturne: Moderato from the ballet La Boutique Fantasque (after Rossini)
- from the Sebastian Suite: Barcarolle
- Dance for Six (from William Tell)
- La Donna E Mobile (from Rigoletto)
- Musetta's Waltz (from La Boheme)
- O Soave Fanciulla (Love Duet) from La Boheme
- Vissi D'Arte (from Tosca)
- Intermezzo: Andante Cantabile ( from Fedora)
- Introduction to Act I (from La traviata)
- Intermezzo (from Cavalleria rusticana)
- Celeste Aida (from Aida)
- O Mio Babbino Caro (from Gianni Schicchi)
Customer Reviews:
Bravo!.......2000-07-22
Outstanding compilation of the Italian classics,.......1999-05-01
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Verdi: Requiem & Operatic Choruses
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003CUH Release Date: 1990-10-25 |
Tracks:
- Requiem: 1. Requiem & Kyrie
- Requiem: 2. Dies Irae
- Requiem: 3. Offertory
- Requiem: 4. Sanctus
Tracks:
- Requiem: 5. Agnus Dei
- Requiem: 6. Lux Aeterna
- Requiem: 7. Libera Me - 1. Libera Me - 2. Dies Irae - 3. Requiem Aeternam - 4. Libera Me
- Requiem: Spuntato Ecco
- Requiem: Patria Oppressa!
- Requiem: Fuoco Di Gioia
- Requiem: Va Pensiero
- Requiem: Gloria All'Egitto
Amazon.com
Robert Shaw learned from Arturo Toscanini, and in his stupendous 1987 recording for Telarc he managed to surpass the master on some points. He is unerring in his pacing and staging of climaxes, and draws phrasing and dynamics from the chorus that other conductors can only dream of. Points are made with exhilarating effect throughout the account: never has the bass drum in the Dies irae been as splendidly hammered as here, and the whooping brass in the Tuba mirum is breathtaking. The all-American solo quartet sounds a bit driven, especially the light-voiced Susan Dunn and Jerry Hadley, but their contribution is a strong one nonetheless. --Ted LibbeyCustomer Reviews:
A memorable album by Robert Shaw.......2007-04-16
Robert Shaw (1916 - 1999), of course, is practically a god in the choral world. And while he has done well as an orchestral conductor, his claim to fame to most will always be his work with choruses.
So here we have an operatic requiem written by one of history's greatest opera composers, conducted by one of history's greatest choral conductors. How does it turn out?
The Atlanta Symphony Chorus is very, very good. Their sumptuous sound becomes even more memorable thanks to the stunning reverberation of Atlanta Symphony Hall. Their Libera Me fugue was literally a wall of sound that seemed for a moment to encompass your entire world. The Dum Veneris passage following that was the best I'd ever heard: all four parts were distinct and incredibly powerful.
The four soloists, however, really stole the show for me. Susan Dunn and Diane Curry displayed a lot of passion in Recordare. They also created a wonderfully blended sound through their Agnus Dei duet, probably the best blend I'd ever heard so far.
Jerry Hadley is definitely one of my all-time favorite Verdi Requiem tenors. He reminded me of Richard Tucker in his commanding Kyrie entrance. His Ingemisco possessed a ringing power that left me breathless.
Paul Plishka was probably the "weakest" of the four. In Confutatis, it sounded like he was punching his voice. However, he sounded very good in the Offertorio.
And speaking of Offertorio, that was truly a soloist high point for me. The four singers literally turned into a mini-opera; it was quite dramatic hearing their voices trade back and forth.
The sound of the orchestra was truly a pleasure to hear. This music demands power and virtuosity, and the Atlantans provided both in spades. And drum lovers will be quite satisfied with the almost violent sound of the bass drum in Dies Irae.
The album also features five popular choruses from Verdi's operas. If, like me, you got carried away listening to the Requiem soloists, here's your chance to hear this remarkable chorus without any soloist distraction. The "Don Carlos" chorus (sung in Italian not French) was a rousing affair. "Patria oppressa" was appropriately subdued and melancholy. Fuoco di gioia proved the virtuosity of these choral masters. "Va pensiero" was smooth and rich. "Gloria all'Egitto" featured the chorus in all its mighty grandeur. The orchestra provides excellent accompaniment throughout. You will thoroughly enjoy listening to these choruses.
The recorded sound is absolutely fabulous. The four sections of the chorus are much more evenly miked than on most CDs. The great engineering makes the orchestra an audiophile's dream.
The liner notes contain texts and translations. However, a previous reviewer has found that the "Hostias" paragraph is missing the words "Fac eas, Domine, de morte transire ad vitam."
The tracks use an index system which I suspect is not available on most DVD players, the result being that the Dies Irae is put on a single 36 minute track.
This CD was recorded in April 1987 in Atlanta Symphony Hall, Atlanta, GA. The Requiem duration is 84'23", so the tempos are about average for this piece.
Great version.......2007-02-26
Superb.......2005-10-20
Don't miss the final track on the second disk!
Brings back memories.......2001-05-04
With all the flap over the recently released Gergiev recording of the Verdi Requiem on Philips, with its unfortunate choice of Andrea Bocelli - a pop singer masquerading as an operatic singer - as tenor soloist, it is once again - and always - a pleasure to turn to a truly definitive recorded performance, that of Robert Shaw. As points of reference whenever I turn to this performance, I always have in mind earlier recordings by Giulini and Solti, among others. (I include a truly visceral one by Karel Ancerl and the Czech Philharmonic, featuring Galina Vishnevskaya with a "Libera me" to die for, and the type of Slavic excitement that Gergiev tries for but fails.)
Verdi's Requiem is, without doubt, the most operatic of such works as have become part of the liturgical canon. But it doesn't necessarily follow from this that the best recordings are the ones which utilize operatic superstars. Were that the case, Solti's recording, with Joan Sutherland, Marilyn Horne, Luciano Pavarotti and Martti Talvela, would be unchallenged (particularly when one throws in the Vienna Philharmonic, as well as the typically excellent mid-60's sound that Decca was so good at). But, true to form, Solti just couldn't find the proper sensitivity and balance to make his performance the definitive one.
Shaw does what Solti could not do. In a work that requires efforts of equal quality by orchestra, soloists and chorus, there simply is no better chorus than a Shaw chorus. Shaw's four soloists, while perhaps not of the marquee value of the ones on the Solti recording, are outstanding. A previous customer reviewer certainly got it right when he said that Susan Dunn was a Verdi soprano to be reckoned with. And Diane Curry, Jerry Hadley and Paul Plishka are equally excellent. (Plishka, as I mention later, is one of my "memories.") Moreover, in a work which demands that the cataclysms of the Dies Irae and the tenderly supplicant closing pages of the Libera me be captured in proper proportions, none are better than Telarc at this challenge.
The personal friendship between Robert Shaw and the Cleveland-based Telarc team of Bob Woods and Jack Renner goes back to the days when Shaw was George Szell's assistant at the Cleveland Orchestra. Thus it was, when Woods and Renner introduced the "all-digital" Telarc label in the late 70's, that they turned to Shaw and his Atlantans as an enduring source for the recording of choral masterpieces. With the passing of Shaw some two years ago, it is now time that someone sum up his recorded legacy, which, under the aegis of Telarc, exceeds three dozen recordings. In my humble opinion, he will be remembered for a long, long time for three works that Telarc recorded with his forces: The Bach B Minor Mass, the Brahms German Requiem, and this Verdi Requiem.
Oh! The memories! For several years, at a time when Shaw's Atlanta forces were as good as they were to get, in the early 80's, I was fortunate to live in the Atlanta area, and to attend many of his concerts. And, in the fall of 1965, when Paul Plishka had just won a "young artist" award that was to lead to his Metropolitan Opera career, I was fortunate to have been a member of an amateur chorus which performed this work with a semi-pro orchestra and four young soloists. The names of the other three soloists were long ago relegated to the dustbin of history. But the bass soloist at that 1965 performance was none other than Paul Plishka. He's still banging the boards at the Met. One durable dude!
Once again, kudos to Mr. Grant for his superb review, and for his reminding me that I had some "unfinished business" to attend to.
Bob Zeidler
Apologies to Puccini........2000-12-04
Average customer rating:
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Verdi - Aida / Caballé · Domingo · Cossotto · Ghiaurov · Cappuccilli · Roni · NPO · Muti
Giuseppe Verdi , Riccardo Muti , Montserrat Caballe , Placido Domingo , New Philharmonia Orchestra , Choir of the Royal Opera House Covent Ga , Fiorenza Cossotto , Nicolai Ghiaurov , Piero Cappuccilli , and Luigi Roni Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NW0C Release Date: 2001-09-11 |
Tracks:
- Prld
- Act 1, Scene 1: Si, Corre Voce Che L'Etiope Ardisca
- Act 1, Scene 1: Se Quel Guerrier Io Fossi!
- Act 1, Scene 1: Celeste Aida
- Act 1, Scene 1: Quale Insolita Gioia Nel Tuo Sguardo!
- Act 1, Scene 1: Vieni, O Diletta, Appressati
- Act 1, Scene 1: Alta Cagion V'aduna
- Act 1, Scene 1: Su! De Nilo Al Sacro Lido
- Act 1, Scene 1: Ritorna Vincitor!
- Act 1, Scene 1: I Sacri Nomi Di Padre, D'amante
- Act 1, Scene 2: Possente, Possente Ftha
- Act 1, Scene 2: Danza Sacra Delle Sacerdotesse
- Act 1, Scene 2: Mortal, Diletto Ai Numi
- Act 1, Scene 2: Nume, Custode E Vindice
Tracks:
- Act 2, Scene 1: Chi Mai Fra Gl'Inni E I Plausi
- Act 2, Scene 1: Danza Degli Schiavi Mori
- Act 2, Scene 1: Vieni, Sul Crin Ti Piovano
- Act 2, Scene 1: Fu La Sorte Dell'armi A' Tuoi Funesta
- Act 2, Scene 1: Ebben, Qual Nuovo Fremito T'Assal, Gentile Aida?
- Act 2, Scene 1: Pieta Ti Prenda Del Mio Dolor
- Act 2, Scene 1: Su! Del Nilo Al Sacro Lido
- Act 2, Scene 2: Gloria All'Egitto, Ad Iside
- Act 2, Scene 2: Marcia Trionfale
- Act 2, Scene 2: Ballabile
- Act 2, Scene 2: Vieni, O Guerriero Vindice
- Act 2, Scene 2: Salvator Della Patria
- Act 2, Scene 2: Che Veggo! Egli? Mio Padre!
- Act 2, Scene 2: Ma Tu, Re, Tu Signore Possente
- Act 2, Scene 2: Il Dolor Che In Quel Volto Favella
- Act 2, Scene 2: O Re, Pei Sacri Numi
- Act 2, Scene 2: Gloria All'Egitto, Ad Iside
Tracks:
- Act 3: O Tu Che Sei D'Osiride
- Act 3: Vieni D'Iside Al Tempio
- Act 3: Qui Radames Verra!
- Act 3: O Patria Mia
- Act 3: Ciel! Mio Padre!
- Act 3: In Armi Ora Si Desta Il Popol Nostro
- Act 3: Padre, A Costoro Schiava Non Sono
- Act 3: Pur Ti Riveggo, Mia Dolce Aida
- Act 3: Nel Fiero Anelito Di Nuova Guerra
- Act 3: Fuggiam Gli Ardori Inospiti... La, Tra Foreste Vergini
- Act 3: Aida!... Tu Non M'Ami
- Act 3: Ma, Dimmi: Per Quale Via
- Act 3: Traditor!... La Mia Rival!
- Act 4, Scene 1: L'Aborrita Rivale A Me Sfuggia
- Act 4, Scene 1: Gia I Sacerdoti Adunansi
- Act 4, Scene 1: No, Vive Aida!... Vive!
- Act 4, Scene 1: Ohime! Morir Mi Sento!
- Act 4, Scene 1: Spirto Del Nume, Sovra Noi Discendi!
- Act 4, Scene 1: Radames, Radames, Radames
- Act 4, Scene 1: A Lui Vivo, La Tomba!
- Act 4, Scene 2: La Fatal Pietra Sovra Me Si Chiuse
- Act 4, Scene 2: Presago Il Core Della Tua Condanna
- Act 4, Scene 2: Vedi? Di Morte L'Angelo
- Act 4, Scene 2: O Terra, Addio
Amazon.com essential recording
Behind the pyramids and the elephants, the long lines of prisoners of war and of slaves carrying booty, the choral shouts of "Glory to Egypt," and the splendid brass sounding the Triumphal March, Aida is the story of a love triangle: Aida, an Ethiopian princess who has become a slave in Egypt; Amneris, an Egyptian princess; and Radamès, the Egyptian general they both love (Aida secretly). There are ironies and conflicts: How can she love a man who is the enemy of her country, but who says he has fought and conquered for the sake of her love? It is suitable only for the biggest opera houses and therefore demands voices capable of great power as well as emotional expressiveness. Montserrat Caballé, Plácido Domingo, and Fiorenza Cossotto provide such voices, and Ricardo Muti conducts with a sense of drama and dynastic glory. --Joe McLellanCustomer Reviews:
Marvelous Aida!.......2007-02-27
However, the main reason for me to purchase this set is for the high-octane performance of Amneris given by Fiorenza Cossotto. This brilliant mezzo soprano, whose career is suprisingly still ongoing, has a voice that was tailored to the temperaments of the Verdi mezzo roles. I think that while Giulietta Simionato may have had a warmer timbre, Cossotto inhabited the psychologies of her characters better. I have never heard a more demented Azucena from any other singer, and my recordings of her Eboli show a singer whose grace and elan are unequalled, even by the great Simionato. Her Adalgisa shows a secure instrument that is fluent in coloratura and brilliant in the top registers. Her Santuzza literally puts several sopranos into shame. Her Leonore from Donizetti's La Favorita is a reference performance, equipped with all the coloratura and very large, brilliant high notes. Her Dalila is simply seductive and powerful. Her Principessa di Boullion is menacing, and her Carmen is rightfully seductive. Her recorded Preziosilla on Levine's Forza is perhaps the most accurate and fun interpretation of the gypsy part I've ever heard. Her Lady Macbeth is fierce, and her Rosina is no pushover. Her Amneris, a role which she essayed frequently in many of the world's great theaters, is perhaps the definitive interpretation of the role. Neither Simionato or Barbieri could touch Fiorenza in the thrilling chest notes and the regal interpretation she gave the role. For her, and of course for the cast and Muti, should you buy this set. While some may find Tebaldi's Aida definitive, no one, in my opinion, can skirt around Cossotto's magnificent Amneris. Buy this Aida. It is an essential for any collection.
Is there any Aida without pluses and minuses?.......2006-06-01
Best conducting: Karajan on both his readings, the first for Decca in the early Sixties, the second for EMI in 1980. He has the glorious Vienna Phil. on both--for richness, depth, drama, and splendor nothing equals them. Karrajan himself provides a continuous outpouring of insights into Verdi's deceptively simple score.
Best Aida: For many, Leontyne Price will always be defined by this role, her signature for two decades and perfectly suited to her voice, with its dusky low range and incredible floated high notes. She sounds much fresher in her first RCA recording with Solti than in the remake with Leinsdorf. For other listeners there is no replacement for Callas and her intense involvement with the role, while Tebadi stands out for sheer lusciousness of voice.
Best Rhadames: Bjorling really didn't have the heft to sing this role onstage, but pairing Milanov in a classic RCA mono recording he sounds, as always, ravishing in style and tone. Vickers attacks the role with incredible intensity but is singularly un-Italian despite his glorious, heroic volume of sound. Among stylish tenors with smaller voices, Bergonzi under Karajan, paired with Tebaldi, wins high critical praise. Domingo, for all his virtues, always seems to come in second best.
Let's say we stop there; it's easy to see why the Price-Vickers-Solti set has such a strong following, and also the Tebaldi-Bergonzi-Karajan set. But complaints have always arisen about both, that Vickers has no Italian style and Solti conducts with brazen vulgarity. In the other set, the grouse is that Tebaldi wasn't in best voice and sounds too imperious, while Bergonzi, for all his polish, isn't a viscerally exciting Rhadames.
This carping opened the way for the 70's EMI set with Caballe and Domingo in their vocal prime. Muti conducts skilfully, moving the drama along quickly and with a refreshing lack of overdone sentimentality. Caballe isn't a spinto-dramatic soprano as called for, but she sings for the microphone with wonderful nuance and pathos (I find her less droopy than she often was). Domingo exhibits perfect tone and style, but his reading is a bit callow compared ot what he would achieve later in his career. In other words, there's no true greatness in any part but the whole hangs together nicely. It must be noted, though, that the bland Capuccilli as Amonasro ruins the drama of the Nile scene.
My review, such as it is, stops here, since other reviewers listed below have detailed the specifics of this recording. But I'd like to offer some notes about all the Aidas I've encountered over the years.
--Aida was Birgit Nilsson's best Italian role, and in her EMI recording she softens her steely tone and makes quite a nice success for herself. She is partnered with Corelli, whose vulgar bawling makes him unlistenable to my ears, but if you admire him, this performance led by a young Zubin Mehta ranks with the Caballe-Domingo one.
--Callas must be listened to on her own, or with Gobbi when he enters as her father in Act 3. Their Nile scene is incomparable, not to be missed. Too bad it's ruined by the entrance of the horribly stentorian, unstylish Richard Tucker, a huge blemish on this recording.
--Abbado should have come through with Aida from La Scala when he was musical director there, but his reading for DG is cautious and bland (the same goes for a live performance on Opera d'Oro with Arroyo and Domingo--they aren't great, either, though very good).
--Aidas who can't really manage the part include Katia Ricciarelli for Abbado and Freni for Karajan in his EMI remake (she's wildly overparted but moving and artistic nonetheless). Aprile Millo for Levine from the Met (Sony) can sing the notes but has nothing interesting to tell us. Heresy to say, but I feel the same way about the revered Zinka Milanov with Bjorling on RCA.
--A Rhadames who can't really sing the part is Carreras under Karajan, but he gives his all trying. Pavarotti sang the role both on stage and on disc (with an unknown and forgettable Aida), but his lyric tenor isn't right. Having said that, I was surprised at how enjoyable his Decca performance is. Domingo has sung the role for Muti, Leinsdorf, Abbado, and Levine. All are very good; probably the best is with Leinsdorf, a shame since the conducting is prosaic and the bloom was off Price's voice by then.
--Uninspired condcuting honors go to Leinsdorf, but I get little out of Levine's hectic, impesonal work on Sony, and the sainted Tulio Serafin on the Callas set is authentic but rather workaday. When it comes down to it, Solti for all his vulgarisms threw himself into his preformance, while Karajan is the greatest maestro to take on the opera, pace the fans of Toscanini, whose fiery reading isn't to my taste, even if it didn't have a second-rate cast and boxy, wooden sonics.
The most intimate of stories amidst spectacle sing with musical splendor!.......2005-11-11
HYPERBOLICAL AND GRANDIOSE.......2003-09-16
I suspect that singers who can surmount the musical challenge as triumphantly as these do just find that they are acting superbly as well. The conducting helps just a little of course. Verdi's orchestral conception has now advanced beyond the 'big guitar' stage and the sumptuous sound Muti obtains and the strong forward thrust of his tempi creats an enthralling sense of grandeur. I had to listen to this Aida without interruption, just carried along by the sheer power of it. Loss of spontaneity? -- not a bit of it. The Requiem was still to come, and nobody has ever found any loss of spontaneity in that. For all the heartbreaking tenderness and pathos the final impression left is of an overpowering drama.
JUSTIFIES ITS FAME! Powerful, beautiful and exciting!.......2003-02-27
Although I prefer Caballe in bel canto, as Aida she is superb, full of lyricism. Moreover, Caballe gives here one of her most dramatic studio performances. She doesn't have young Tebaldi's heavenly spinto sound but Montserrat's golden tone is almost equally affective. Notice Caballe's amazing vocal technique; the endless breath, the even registers and the seamless phrasing.
Domingo sings one of his most famous roles. He and Caballe have similar creamy voices and this makes the Aida-Radames duets very successful. He repeated the role in studio many times later but his partnership with Caballe produced the best results. Cossotto, Cappuccilli and Ghiaurov are flawless and remain my favourite Amneris, Amonastro and Ramfis. Muti conducts with grandness and lyricism and creates a masterful AIDA.
Even though this is THE BEST ALL-AROUND AIDA, other sopranos have also given great performances. Arroyo, Milanov, Price and Tebaldi are all superb (each in their own way). More recently, Millo has also successfully performed the title role.
Meditation Music:
- Verdi: Aida
- Verdi: Don Carlo (Complete Opera) / Carreras [Box set]
- Verdi:Il Trovatore
- Verdi: Il Trovatore
- Verdi: Il Trovatore (Highlights)
- Verdi: Otello
- Verdi: Simon Boccanegra
- Verdi:Simon Boccanegra (abridged)
- Verdi:Steffelio/Otello
- Verdi: Un Ballo in maschera
Meditation Music
Time in a Bottle: The Best of Mellow Rock
Zimmermann: Photoptosis; Dialogue
Music: Very Best of the Shadows [Import]
Worldwide 3: Compiled by Gilles Peterson [Import]
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Where Do We Go from Here [Enhanced]
Yan Yana Fotograf Cektirelim [Import]