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Il tabarro (The Cloak), opera
Composed by
Giacomo Puccini
with
Augusto Frati,
Aldo Bottion,
Giulio Fioravanti,
Flora Rafanelli,
Magda Olivero
Conducted by
Gaetano Deloghu
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La bohème, opera Si, mi chiamano Mimi
Composed by
Giacomo Puccini
with
Luigi Lega,
Magda Olivero
Conducted by
Fulvio Vernizzi
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La bohème, opera Sa dirmi, scusi....Mimi!
Composed by
Giacomo Puccini
with
Cor Niessen,
Magda Olivero
Conducted by
Fulvio Vernizzi
-
La bohème, opera Addio...Donde lieta usci
Composed by
Giacomo Puccini
with
Luigi Lega,
Magda Olivero
Conducted by
Fulvio Vernizzi
-
La bohème, opera Sono andati? Fingevo di dormire
Composed by
Giacomo Puccini
with
Luigi Lega,
Karin Ostar,
Cor Niessen,
Magda Olivero
Conducted by
Fulvio Vernizzi
Puccini: Il Tabarro/La Boheme,Giacomo Puccini,Fulvio Vernizzi,Gaetano Deloghu,Aldo Bottion,Augusto Frati,Cor Niessen,Flora Rafanelli,Giulio Fioravanti,Karin Ostar,Luigi Lega,Magda Olivero,Legato Classics,Classical,Italian Romantic Opera,Opera
Average customer rating:
- Very Bad
- Different is not always bad!
- Pay special attention to this new promise !
- A tenor who wishes he were a baritone
- Finally, a SPINTO tenor!!!
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Jose Cura - Puccini Arias / Domingo
Giacomo Puccini , London Philharmonia Orchestra , Plácido Domingo , and Jose Cura
Manufacturer: Erato
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- Artist Portrait Jose Cura
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ASIN: B000005E5L
Release Date: 1997-10-28 |
Tracks:
- Turandot (Act III): Nessun dorma
- Turandot (Act I): Non piangere Liu!
- Gianni Schicchi: Avete torto! - Firenze ome un albero fiorito
- Il Tabarro: Hai ben ragione
- Il Tabarro: Io voglio la tua bocca - Folle di gelosia
- La Rondine (Act I): Parigi! a cittei desideri
- La Rondine (ActIII): Dimmi che vuoi seguirmi
- La Fanciulla del West (Act II): Una parola sola - Or son sei mesi
- La Fanciulla del West (Act III): Risparmiate lo scherno - Ch'ella mi creda
- Madame Butterfly (Act I): Dipende dal grado di cottura - Amore o grillo
- Madame Butterfly (Act III): Addio fiorito asil
- Tosca (Act I): Recondita armonia
- Tosca (Act III): E lucevan le stelle
- La Boh (Act I): Che gelida manina
- Manon Lescaut (Act I): Tra voi, belle
- Manon Lescaut (Act I): Donna non vidi mai
- Manon Lescaut (Act II): Ah, Manon mi tradisce
- Manon Lescaut (Act III): Ah! non v'avvicinate! - No, pazzo son
- Manon Lescaut (Act IV): Manon...senti, amor mio - Vedi, son io che piango
- Edgar (Act II): Orgia, chimera dall'occhio vitreo
- Le Villi (Act II): Ecco la casa - Torna ai felici di
Amazon.com essential recording
Good tenors are always in short supply, a particularly lamentable circumstance given the great demand for them in the operatic and symphonic repertoire. Thus, the advent of a good young tenor is always cause for rejoicing. A tenor of the caliber of Jose Cura--a composer, conductor and guitarist as well as a singer--is really good news. There is nothing wimpy about Cura's singing, nothing strained; he sings with baritonal beef and strong, chesty high notes. A protege of Placido Domingo, he shares some qualities with the older tenor, but is definitely an artist with something to say for himself. This is a career to watch. --Sarah Bryan Miller
Customer Reviews:
Very Bad.......2007-03-29
First of all, his voice does not suit for Puccini(I do not know what is fitting for him). If you buy this cd, you may listen the worst "Non piangere liu" "E Lucevan Stella" etc. He can not bring a little emotion. But Puccini demands it.
Different is not always bad!.......2006-11-26
It's very interesting to read all the reviews smashing Jose Cura for his "baritone-like" voice and supposed stiff and unvaried interpretation. The first opera I ever saw was The Washington Opera's 1997 production of Samson et Dalila (I was 13) with Jose Cura and Denyce Graves. Immediately I was converted into an opera lover! (specifically an opera-goer-lover) I don't necessarily like listening to all opera, and a lot of singer's voices still annoy me, but Jose Cura's voice is different (the source of much of the controversy...). The richness and deep quality of his voice that so contrasts with most tenor's voices (which can be rather squeaky at times) is what attracts me. And you should see this man act! A refreshing experience against the stereotypical stiff opera singer standing in the middle of the stage bellowing his/her lungs out. So please, try to actually see the man before you form an unshakeable opinion. I think his voice alone is gorgeous (especially with Puccini's incomparable work!), but pared with his charisma and ability on stage, it's irresistable.
Pay special attention to this new promise !.......2006-06-30
A talented artist, a potent and polished voice emerges to satisfy the Opera lovers all over the world.
Jose Cura is nowadays, one the most prominent figures of the Bel Canto. His charismatic presence and his timber have deserved him the best praises all over the world.
In this opportunity we may listen him singing a selection of Puccini's Arias, accompanied by Placido Domingo with the Philharmonia orchestra, a magnificent occasion to enjoy his art and impeccable timber.
A tenor who wishes he were a baritone.......2005-12-14
I bought this CD because I love Puccini above all other composers, due to the sheer emotion that he could put into his music. I also wanted to hear Placido Domingo conduct and I'm always on the lookout for a good tenor. However, this is not the CD to buy if you're looking for a good tenor. I can't help but agree with the reviewer who gave only one star, at first Jose Cura sounds great. But after I really listened I had to change my opinion. Cura sings ridiculously heavy to be a tenor. If you listen to him with the mindset that this is a tenor it's really laughable how heavy and pressed his voice is. I was reminded of Placido Domingo (Ugh) or Franco Corelli who also depressed his larynx giving him a very baritonal sound but by the time he was in his forties, when most voices really blossom, his was declining do to the tremendous weight he sang with. Cura scoops up even to middle register notes because he is unable to start on the pitch, and has one tone to his voice (except when he goes bellow mezzo forte when he has almost no control) and very little in the way of vocal expression due to the restrictions this weight puts on the voice. Now don't get me wrong, I'm not usually an opera snob (I listen to and love Josh Groban, Russel Watson, and Andrea Bocelli), but Cura truly warranted a review. I gave it two stars because I didn't think Placido did a bad job at conducting (not the best by any means but certainly not bad) and despite everything I just said, I really like Cura's performance of Nessun Dorma (I don't get why it's weak).
Finally, a SPINTO tenor!!!.......2005-10-14
I am SO happy that there is finally a tenor out there with the vocal power to sing over a Puccini orchestra but still keep the lyricism for the upper register! If your preference is for a sweeter, lighter sound, check out recordings of Carlo Bergonzi and Roberto Alagna. This is a voice meant for singing over large orchestras with some "muscle" in the low register and the ability to make high notes soar. (It also doesn't hurt that Sr. Cura is as gorgeous as his voice! :) )
Average customer rating:
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The Great Renata Tebaldi
Manufacturer: Decca
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ASIN: B00005UOLL
Release Date: 2002-01-15 |
Tracks:
- Gianni Schicchi: O Mio Babbino Caro
- Tosca: Vissi D'arte
- La Wally: Ebben?...Ne Andro Lontana
- La Wally: Prendi, Fanciul, E Serbala!
- La Gionconda: Suicidio!
- Adriana Lecouvreur: I Fiori Offerti In Un'ora D'oblio...Poveri Fiori
- Andrea Chenier: Ecco L'altare...Eravate Possente
- Mefistofele: L'altra Notte In Fondo Al Mare
- Suor Angelica: Senza Mamma, O Bimbo, Tu Sei Morto
- Il Tabarro: Michele! Michele!...Avevo Ben Ragione...Si, Vicina
- La Fanciulla Del West: Una Partita A Poker!
- Turandot: Signore, Ascolta!
- Turandot: Tu Che Di Gel Sei Cinta
- La Boheme: Si. Mi Chiamano Mimi...O Soave Fanciulla
Tracks:
- Aida: Ritorna Vincitor!
- Il Trovatore: Tacea La Notte Placida
- Verdi: Parigi, O Cara, Noi Lasceremo
- La Forza Del Destino: Me Pellegrina Ed Orfana
- La Forza Del Destino: Pace, Pace, Mio Dio!
- Otello: Gia Nella Notte Densa
- Don Carlo: Giustizia! O Sire
- Un Ballo: Morro, Ma Prima In Grazia
- Manon Lescaut: Sola, Perduta, Abbandonata
- Madama Butterfly: 'Con Onor Muore'
- La Regata Veneziana: Anzoleta Avanti La Regata
- La Regata Veneziana: Anzoleta Co' Passa La Regata
- La Regata Veneziana: Anzoleta Dopo La Regata
- Die Lustige Witwe: Vilja-Lied
Average customer rating:
- You'll Love This
- The greatest tenor after Caruso at his best
- A priceless musical document
- The greatest lyric tenor ever, at the start of his career.
|
Giuseppe Di Stefano: The Early Years
Manufacturer: Bongiovanni
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Similar Items:
- Giuseppe di Stefano the Early Years, Vol. II
ASIN: B00000448G
Release Date: 1996-08-01 |
Tracks:
- L'arlesiana: E' la solita storia del pastore
- L'amico Fritz: Ed anche Beppe amo
- TOSCA: E lucevan le stelle
- La Boheme: Che gelida manina
- L'Elisir d'Amore: Una furtiva lacrima
- Manon: Sogno
- I pescatori di perle: Mi par d'udir ancora
- Werther: Pouquoi me reveiller
- Elegie
- Si vous l'avez compris
- Ninna nanna della vita
- Santa Lucia
- Musica proibita
- Santa Lucia Luntana
- Torna a Surriento
- L'Elisir d'Amore: Voglio dire...lo stupendo elisir
- L'Elisir d'Amore: La ra, la ra, la lera
- L'Elisir d'Amore: Adina, credimi
- L'Elisir d'Amore: Venti scudi
- Il Tabarro: Hai ben ragione
- Il Tabarro: Dimmi: perche, gli hai chiesto... Vorrei tenerti
Customer Reviews:
You'll Love This.......2002-01-19
Production values are awful, and sound quality is pretty bad. For all the world, it sounds like a silent film piano player with a guy singing...but I tell you, it's just about the greatest thing you've ever heard.
Around the third time I listened to this, I actually began to like the flaws; they became endearing. Reminds me of those 1/4 inch thick Carusso records I started out with, lo these many moons ago. Perfection...? Hell, it's for sure nothing here is flawless. It's just, well...flawless. Giuseppe at his youthful, incomparable best. Strong buy.
The greatest tenor after Caruso at his best.......1999-04-16
This record shows Di Stefano was in his prime at the age of 23 in 1944. Incomparable beauty of timbre, clarity of diction, sureness of interpretation, and amazing technical feats reminiscent of 19th century bel canto tenors. This recording should finally assure Di Stefano of his long deserved place as one of the top 5 tenors of the century.
A priceless musical document.......1999-01-14
This is not simply a collector's item. These imperfect recordings, made by an unknown POW in a war camp, reveal di Stefano's stunning natural talent perhaps even more completely than his more polished later singing. His boyish voice here is glowing, his interpretations fresh and fearless. You simply have to hear his "Mi par d'udir ancora" (better known as "Je crois entendre encore") on this recording, the most compelling account of this aria I've ever heard. He sings it in a full voice, with measured sprinklings of mezza voce, while most tenors just croon this aria in a pitiful falsetto. For me di Stefano, even at his most inexperienced, is the ultimate tenor benchmark.
The greatest lyric tenor ever, at the start of his career........1998-12-27
This is what the tenor voice is all about, there has never been a voice like this. Hear this great tenor at his the very beginning of his career. Listen to the beauty that the human voice can produce. Di Stefano puts everthing into every song/aria on this recording. The quality of sound on this disc may not be great( 2 Stars), but the performance is outstanding. If you are an opera fan, and particularly fond of tenors, this recording is a must.
Average customer rating:
- Beware
- The Thrilling Young Björling in his First Non-Swedish Arias
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Jussi Björling Collection: Opera Arias & Duets, 1936-1944, Vol. 3
Manufacturer: Naxos
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Similar Items:
- Jussi Björling Collection, Vol. 2: Songs in Swedish, 1929-1937
- Jussi Björling Collection, Vol. 1
- Jussi Björling: Opera Arias
ASIN: B0000W3XMA
Release Date: 2004-02-17 |
Tracks:
- Che Gelida Manina
- Se Quel Guerrier... Celeste Aida
- La Donna E Mobile
- Recondita Armonia
- Cielo E Mar
- Ch'ella Mi Creda Libero
- Mi batte Il Cor...O Paradiso
- E Lucevan Le Stelle
- Instant Charmant...En Fermant Les Yeux
- La Fleur Que Tu M'avais Jetee
- M'appari Tutt'amor
- Salut! Demeure Chaste Et Pure
- Ah Si, Ben Mio
- Di Quella Pira
- O Soave Fanciulla
- E Il Sol Dell'anima
- Come Un Bel Di Di Maggio
- Amor Ti Vieta
- Nessun Dorma
- Recitar!... Vesti La Giubba
- Questa O Quella
- Mamma, Quel Vino
- Di' Tu Se Fedele
Customer Reviews:
Beware.......2004-10-18
I'd give most any Bjorling recording 5 stars, and I do here for the singing. But a big question arises: are these the exact same performances released by EMI on their Bjorling series? I haven't checked every listing, but they sure sound the same.
The Thrilling Young Björling in his First Non-Swedish Arias.......2004-02-25
This disc contains the first arias and duets Jussi Björling recorded in any language other than Swedish. Recorded in Stockholm between 1936 and 1944 (and with a three year gap during the War), the first of them were made when he was only 25. He had already become an international star by that time, having made his official major opera début at the Royal Opera in Stockholm at 19. Of course he had been singing all of his life, having even toured the US with his father and two singing brothers as the Björling Quartet when he was only eight. He had recorded some of these arias in Swedish before, but in addition to singing in the original languages here, the improvement in his technique is notable. For instance, his early Swedish recording of 'Di quella pira' (Il Trovatore) was sung down a whole tone from the original, but in the current version he sings it in the original key and the climactic high C's ring out thrillingly.
I'm writing this review before Amazon has listed the precise contents of the disc. I won't take the space to list them, but will try to mention a number of what I think are the highlights. The arias (and two duets) are either in Italian or French; the only German aria here is 'Ach, so fromm' (Martha) but it is sung in Italian as 'M'appari.' There are a few moments where his diction is a bit faulty, especially in the French arias, but this is never a distraction. More important, he seems to know exactly what emotional moment is being expressed and conveys this with his tone color and phrasing. For instance, in the very first selection, 'Che gelida manina' (La Bohème) he captures the doubts and raptures of young love tenderly and ardently.
He manages the penultimate rising phrase at 'Et j'étais une chose à toi!,' from 'The Flower Song' (Carmen) with an exquisite soft tone (the score is marked pp) that is nonetheless passionate. 'En fermant les yeux' (Manon) is shiveringly beautiful, if marred slightly by some decidedly non-French vowel sounds; it also seems to have been recorded almost a half-tone sharp making his high C almost a C sharp! This is the young Björling making some of the most beautiful tenor sounds ever recorded.
'E lucevan le stelle' (Tosca) expresses the utter sadness of Cavaradossi's coming death without the sobbing and gulping so typical of many Italians tenors of the time. And it is ultimately the more effective for that. The purity and elegance of his singing here is of a standard that has rarely been matched.
There are two duets here, both with Swedish soprano Hjördis Schymberg: 'O soave fanciulla' (La Bohème) and 'E il sol dell'anima' (Rigoletto). In the former one hears an even fresher version of the duet he later sang with Victoria de los Angeles in one of the great complete opera recordings of all time, the 1956 'Bohème' conducted by Beecham. The pair's rapturous harmony at their exit will put a lump in your throat. The elegance of the Rigoletto duet is wonderful, and is helped by the nuanced orchestral accompaniment led by the conductor on all these selections, Nils Grevillius.
There are a number of arias here that Björling never sang on stage: the Carmen 'Flower Song' and the Manon aria. He also never sang the two Giordano rôles from 'Andrea Chenier' and 'Fedora'; their two arias ('Come un bel dì di maggio' and 'Amor ti vieta') were recorded in 1944 after his three-year hiatus, and are notable for their fervor and clean line. Radamès was a rôle he sang only very few times. Yet his 'Celeste Aida'is beautifully sung with dramatic heft.
His performance of 'Nessun dorma' (Turandot) is marked by his refusal to croon it as some tenors do. It is a stentorian rebuttal of the cruel queen's order that no one sleep. Finally, two arias by Verdi must be lauded: 'Questa, o quella' (Rigoletto) and 'Di' tu se fedele' (Ballo in maschera). They are virile, cleanly sung, expressive without being histrionic. The same is true of that most maudlin of all Italian arias, 'Vesti la giubba' (Pagliacci); there is no hysterical sobbing or laughing and yet one feels Canio's heart breaking.
This is the young Björling at the beginning of his career. The voice is fresh, thrilling, flexible, utterly solid from top to bottom, and it is operated by a keen intelligence.
This release is not to be missed by those who do not already own a previous incarnation of these performances. It must be said that the transfer from 78s done by Swedish transfer engineer, Stefan Lindström, is expemplary. Thank you, Naxos, for bringing us this wonderful series.
TT=65:34
Scott Morrison
Average customer rating:
- Ravishing Artists, Glorious Music--Dragging Tempo
|
The Puccini Experience ~ Gheorghiu, Rautino, Botha, Michaels-Moore, ROH Covent Garden, Downes
Giacomo Puccini , Sir Edward Downes , Angela Gheorghiu , Johan Botha , Nina Rautino , Francis Egerton , Anthony Michaels-Moore , and Michael Druiett
Manufacturer: RCA
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ASIN: B0000024FD
Release Date: 1995-11-07 |
Tracks:
- Le Ville, Act I: Se come voi piccina io fossi
- Edgar, Act III: Addio mio dolce amor
- Manon Lescaut, Act I: Donna non vidi mai
- Manon Lescaut, Act IV: Sola, perduta, abbandonata
- La Boheme, Act III: Donde lieta usci
- Tosca: Act I Finale: Un tal baccano in chiesa
- Tosca: Act I Finale: Or tutto e chiaro
- Tosca: Act I Finale: Tre sbirri, una carrozza
- Tosca, Act III: E lucevan le stelle
- Madama Butterfly, Act II: Un bel di verdremo
- La Fanciulla del West, Act III: Ch'ella mi creda
- La Rondine, Act I: Chi il bel sogno di Doretta
- Il Tabarro: Nulla, silenzio
- Sour Angelica: Senza mamma
- Gianni Schicchi: O mio babbino caro
- Turandot: Act I Finale: Signore, ascolta
- Turandot: Act I Finale: Non piangere, Liu
- Turandot, Act III: Nessun dorma
Customer Reviews:
Ravishing Artists, Glorious Music--Dragging Tempo.......2000-03-15
This album from the Royal Opera House features top-knotch performers performing popular as well as rarely performed Puccini masterpieces. The contrast of the singers' voices is indeed interesting. From the first class lyric soprano of Angela Gheorghiu, to the full dramatic soprano,Nina Rautio. The male artists tenor, Johan Botha and baritone Anthony Michaels Moore also rise to occasion in this unique recital. The one fault with this recording,(O mio babbino caro being the most odvious example)is the overall tempo of the pieces. They are much too slow! At times the passion of Puccini is lost and the arias drag. This is a good CD to own for advid Puccini lovers who already own an array of recordings by this prolific composer and would like to experience new interpretations. However, it is not recommended for newcomers for whom it is crucial to hear this brilliant opera giant at his most dramatic.
Average customer rating:
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Placido Domingo Sings
Manufacturer: D Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B000068CWJ
Release Date: 2002-05-15 |
Tracks:
- Traviata: Libiamo, Libiamo
- Trovatore: Di Quella Pira
- Pagliacci: Recitar! ...Vesti la Giubba
- Traviata: De Mei Bollenti Spiriti
- Messa da Requiem: Ingemisco
- Cavalleria Rusticana: Sicilliana: O Lola!
- Boh: Che Gelida Manina
- Boh: Dammi I Colori...Recondite Armonie
- Adriana Lecouvreur: l'Anima Ho Stanca
- Cavalleria Rusticana: Intanto Amici..Viva il Vino Spumeggiante
- Trabarro: Hai Ben Ragione
- Tosca: E Lucevan le Stelle
- Traviata: Un Delice, Eterea
- Traviata: Lunge da Lei
Average customer rating:
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The Three Tenors
Manufacturer: Valmark
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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ASIN: B000009OMT
Release Date: 1998-08-25 |
Tracks:
- Oh! Feder negar potseei...quando le sere al placido...l'ara, o'lavello aaprest ami
- De miei bollenti spiriti
- Dammi l colori...recondita armonia
- Questa o quella
- Scena della borsa
- Dammi i colori...recondita armonia
- Di quella pira
- De miei bollenti spiriti
- Recitar...vesti la giubba
- Nessun dorma
- Oh meschina! Oh fato orrendo! Giusto cielo ah! Rispondente!
- Ola chi sei che ardisci aggirarti furtino in questa mura? Soltoi ad un aol mio...Grido mille a punirti avrei
- Padre mio caro padre...ceda natura al suo autor
- Ha inseperabile...E il sol dell' anima
- Ella mi fu rapita...parmi veder le lacrime
Tracks:
- Un de se ben rammentomi...bella figilia dell' amore
- Partite? Crudele
- La donna e mobile
- Kyrie Eleison
- Non sono in vena...chi e la?
- Oh di capellio, generosi amici
- Son salvo, alfia son salvo
- Brindisi: Intanto amici...a voi tutti salute...viva il vino spumeggiante
- Hai ben ragione
- Lunga da lei
- De miei bollenti spiriti
- Forse la soglia attinse
- Addio foirito asil
- Dovunque al mondo
Tracks:
- Ingemisco
- E lucean le stelle
- Siciliana: O lola!
- Che gelida manina
- Scena e concertante finale
- Dunque e proprio finita
- Oh! Fede negar potessi agli occhi miei...
- La mia canzon d'amor...el vira! el vira!
- Cuius animam
- Una furtiva lacrima
- Di tu se fedele
- La rivedra nell'estasi
- E lucevan le stelle
- Recondita armonia
- Mercello, finalmente
Customer Reviews:
1968 recording!.......1999-09-02
This is a 1968 recording, with sound quality to match... Although it's a nice compilation, it doesn't sound as good as it should, and for that reason is a real disappointment.
Average customer rating:
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The Great Tenors
Manufacturer: Deuce Boxed Sets
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
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All Works by Donizetti
| Donizetti, Gaetano
| ( D )
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All Works by Leoncavallo
| Leoncavallo, Ruggiero
| ( L )
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| Mascagni, Pietro
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ASIN: B00005YO2X
Release Date: 1995-08-01 |
Average customer rating:
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Italian Delights
Manufacturer: Prime Cuts
ProductGroup: Music
Binding: Audio CD
All Works by Leoncavallo
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Cilea, Francesco
| C to G
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ASIN: B000002V7J
Release Date: 1995-07-14 |
Average customer rating:
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The Great Tenors, Volume One
Manufacturer: Prime Cuts
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
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All Works by Donizetti
| Donizetti, Gaetano
| ( D )
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| Leoncavallo, Ruggiero
| ( L )
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| Mozart, Wolfgang Amadeus
| ( M )
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| Puccini, Giacomo
| ( P )
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ASIN: B000002V7D
Release Date: 1995-07-14 |
Meditation Music:
- Puccini: La Bohème
- Puccini: Madama Butterfly
- Puccini: Tosca
- Puccini: Turandot
- Purcell - The Indian Queen / Kirkby, Bott, Ainsley, D. Thomas, Finley, T. Williams, AAM, Hogwood
- Richard Strauss: Ariadne auf Naxos
- Rimsky-Korsakov: The Golden Cockerel
- Rossini: Overtures
- Schubert:Fierrabras
- Siegfried Matthus: Graf Mirabeau
Meditation Music
meditation music
Meditation Music
Through Darkness [Import]
Strong & Free
Tchaikovsky, Dvorak: Serenades
Music: Prime Cuts
Stand!
Terence Trent d'Arby [Import]
Sound of Carnival [CD-single] [Import]
The Best That I Could Do 1978-1988
Sound of Dead Goats [Explicit Lyrics]
Rust Never Sleeps
The Street of Dreams
Soneros Cubanos / The Sounds of Cuba
The Mind [Explicit Lyrics]
Songs of Inspiration
Touch