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Maria de Rudenz, opera
Composed by
Gaetano Donizetti
Performed by
La Fenice Theater Orchestra
with
Katia Ricciarelli,
Alberto Cupido,
Silvia Baleani,
Giorgio Surjan,
Leo Nucci
Donizetti: Maria De Rudenz,Gaetano Donizetti,La Fenice Theater Orchestra,Alberto Cupido,Giorgio Surjan,Katia Ricciarelli,Leo Nucci,Silvia Baleani,Mondo Musica,Classical,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio
Average customer rating:
- Maria de Rudenz - Certainly not a flop!
- This is an unfairly lost jewel
- Nelly Miricioiu transforms "Maria"
- A forgotten bel canto treasure
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Donizetti - Maria de Rudenz / N. Miricioiu · R. Nathan · B. Ford · R. McFarland · PO · D. Parry
Gaetano Donizetti , David Parry , Nelly Miricioiu , Bruce Ford , and Philharmonia Orchestra
Manufacturer: Opera Rara UK
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ASIN: B00000DG2G
Release Date: 1998-10-27 |
Tracks:
- Maria De Rudenz: Prelude And Chorus: 'Laude all' Eterno amor primiero
- Maria De Rudenz: Aria: 'Ah! non avea piu lagrime' (Corrado)
- Maria De Rudenz: Duetto: 'Fratello!' (Corrado) (Enrico)
- Maria De Rudenz: Duetto: 'Qui di mie pene un angelo' (Corrado) (Enrico)
- Maria De Rudenz: Duetto: 'Fratello! Enrico! abbracciami' (Corrado) (Enrico)
- Maria De Rudenz: Aria: 'Surse giorno fatal' (Maria) (Rambaldo)
- Maria De Rudenz: Aria: Cavatina 'Si, del chiostro penitente' (Maria) (Rambaldo)
- Maria De Rudenz: Aria: Cabaletta 'Sulla mia tomba gelida' (Maria) (Rambaldo)
- Maria De Rudenz: Scena e coro - 'Qui de' vassali move' (Rambaldo)
- Maria De Rudenz: Finale Primo - 'Matilde!'
- Maria De Rudenz: Finale Primo - Larghetto 'Chiuse al di per te le ciglia'
- Maria De Rudenz: Finale Primo: Stretta 'Il tuo core a me togliesti'
Tracks:
- Maria De Rudenz - Part Two: Preludio
- Maria De Rudenz - Part Two: Scena ed Aria: 'Ebben, colei?' (Enrico) (Rambaldo) (Maria)
- Maria De Rudenz - Part Two: Scena ed Aria: Area 'Talor nel mio delirio' (Enrico) (Rambaldo) (Maria)
- Maria De Rudenz - Part Two: Scena ed Aria: Cabaletta 'Tu la speme a me ritornii!' (Enrico) (Rambaldo) (Maria)
- Maria De Rudenz - Part Two: Duetto Finale: 'Che fu!...son io!' (Maria) (Corrado) (Rambaldo) (Matilde)
- Maria De Rudenz - Part Two: Duetto Finale: 'Fonte d'amare lagrime' (Maria) (Corrado) (Rambaldo) (Matilde)
- Maria De Rudenz - Part Two: Duetto Finale: 'E d'altra il cor...Ne franger' (Maria) (Corrado) (Rambaldo) (Matilde)
- Maria De Rudenz - Part Two: 'Si, quell' ombra sepolcrale'
- Maria De Rudenz - Part Two: 'Tardi, ah! tardi giungesti' (Enrico) (Corrado) (Rambaldo)
- Maria De Rudenz - Part Two: 'A me cui financo' (Enrico) (Corrado) (Rambaldo)
- Maria De Rudenz - Part Two: 'O tremenda gelosia' (Enrico) (Corrado) (Rambaldo)
- Maria De Rudenz - Part Two: 'O giovinetta sposa'
- Maria De Rudenz - Part Two: 'Ah! fra gl'amplessi tuoi' (Maria) (Corrado) (Rambaldo)
- Maria De Rudenz - Part Two: 'Mostro iniquo, tremar tu dovei' (Maria) (Corrado) (Rambaldo)
- Maria De Rudenz - Part Two: 'Al misfatto enorme e rio' (Maria) (Corrado) (Rambaldo)
- Appendix: 'Fu vista in arme sul far del giorno;
- Appendix: 'Che pensi Enrico?' (Enrico)
Customer Reviews:
Maria de Rudenz - Certainly not a flop!.......2005-06-12
In a guide to classical composers, which shall remain unnamed, the comment on "Maria de Rudenz" was, that because of its "over-the-top" melodrama it was one of Donizetti's failures. Simply refer to Frank Walker's classic biography, "The Man Verdi", and check the chapter on Giuseppina Strepponi and it is evident that it was one of her frequently performed roles. If so, surely other divas of the era must also have found it a "starry" role. I approached it sceptically at first with the excesses of its melodrama, which is no worse than "Sweeney Todd", but with the imaginative and often truly inspired scoring and melody of Donizetti, it has become a favourite of mine among his lesser known operas. These may not all be the master-pieces such as "Lucia", but, like early Verdi operas, they cannot be dismissed. They are exciting to listen to and I personally would love to experience them in the theatre, which sadly is unlikely to happen in Australia - but one can only hope. In the meantime, Opera Rara continue to tantalize opera lovers with fine performances of these neglected exciting pieces of Musical Theatre - long may they do so!
This is an unfairly lost jewel.......2003-09-19
I really thank Opera Rara records for bringing back to life this beautiful operatic jewel. It not only has beautiful music, the singing and the sound are great. If you like Donizetti and you already have his 4 or 5 most recorded operas, this is definitely a wonderful next purchase.
Nelly Miricioiu transforms "Maria".......2000-05-19
So many wonderful operas lie just beyond the boundaries of the traditional repertory, and Donizetti's "Maria de Rudenz" is no exception. As is well-known, lovers of bel canto singing owe considerable gratitude to Opera Rara, and this recording perpetuates that debt. Parry conducts with his standard scholarship and understanding of the musical and dramatic requirements of Donizetti's music. His tempi almost always seem ideal, and he lovingly supports his soloists in their efforts to sustain Donizetti's beautiful melodic lines. This isn't "Lucia di Lammermoor" or "Lucrezia Borgia," but much of the music is masterly and quite beautiful. As the heroine, soprano Nelly Miricioiu sings with genuine fire, using her voice (eerily similar to Callas, without the technical problems experienced by the great singer) with exemplary technique and obvious love for Donizetti's music. Tenor Bruce Ford is virtually beyond comparison with any other tenor currently singing/recording the bel canto repertory. The voice here is fresh and gloriously sure in pitch, displaying considerable dramatic incisiveness. The other soloists are all quite competent, and the recording bubbles along with consistent attention to detail and discoveries of hidden treasures. Buy this recording!
A forgotten bel canto treasure.......1999-11-04
"Maria de Rudenz" may have a rather unsavory and highly improbable plot, but the masterly music of Donizetti helps put the work over. All the singers are first rate, with special mention going to Bruce Ford, one of the finest tenors working in this repertoire, and Nelly Miriciou, who sings the title role with complete conviction reminiscent of Callas, without her predecessor's unsteadiness. This may not be a lost masterpiece, but it is a highly enjoyable addition to the recorded Donizetti canon. As always, Opera Rara's presentation puts all other complete opera sets to shame, with its deluxe packaging and first-rate booklet and notes, detailing the history of the opera. Fantastic.
Average customer rating:
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Great Singers in Donizetti
Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000007TJ7
Release Date: 1998-06-23 |
Tracks:
- Lucia Di Lammermoor: Cruda Funesta Smania - Mariano Stabile
- Lucia Di Lammermoor: Regnava Nel Silenzio...Quando Rapita In Estasi - Luisa Tetrazzini
- Lucia Di Lammermoor: Dalle Stanze Ove Lucia - Marcel Journet
- Linda Di Chamounix: O Luce Di Quest Anima - Rosina Storchio
- Lucrezia Borgia: Di Pescatore Ignobile - Carlo Albani
- Lucrezia Borgia: Vieni, La Mia Vendetta...Qualunque Sia L'evento - Francesco Navarrini
- Lucrezia Borgia: Il Segreto Per Esser Felice - Clara Butt
- Don Pasquale: Sogno Soave E Casto - Giuseppe Anselmi
- Don Pasquale: So Anch' Io La Virtu Magica - Olimpia Boronat
- Don Pasquale: Pronto Io Son...Vado, Corro - Lucrezia Bori/Giuseppe De Luca
- Don Pasquale: Com'e Gentil - Giovanni Martinelli/Metropolitan Opr Chor
- L'elisir D'amore: LChiedi All' Aura Lusinghiera - Maria Galvany/Aristodemo Giorgini
- L'elisir D'amore: Obbligato, Obbligato - Fernando De Lucia/Ernesto Badini
- Maria Di Rudenz: Ah! Non Avea Piu Lagrime - Mattia Battistini
- La Favorite: Vien, Lenora - Riccardo Stracciari
- La Favorite: Redoutez La Fureur D'un Dieu (Anatheme De Balthazar) - Marcel Journet
- La Favorite: A Tanto Amor - Renato Zanelli
- La Favorite: Spirito Gentil - Giacomo Lauri-Volpi
Tracks:
- Don Sebastiano: Deserto In Terra - Alfred Piccaver
- La Figlia Del Reggimento: Convien Partir - Toti Dal Monte
- L'Elisir D'Amore: Udite, Udite, O Rustici - Salvatore Baccaloni
- L'Elisir D'Amore: Una Furtiva Lagrima - Tito Schipa
- Don Pasquale: Cheti, Cheti, Immantinente - Mariano Stabile/Martin Lawrence
- Don Pasquale: Tornami A Dir Che M'ami - Toti Dal Monte/Tito Schipa
- La Favorite: Una Vergine, Un Angiol Di Dio - Aureliano Pertile
- La Favorite: O Mio Fernando - Sigrid Onegin
- La Favorite: Splendon Piu Belle - Ezio Pinza/Metropolitan Opr Chor/Giulio Setti
- Lucia Di Lammermoor: Sulla Tomba Che Rinserra...Verrano A Te Sull'aure - Aureliano Pertile/Anna Rosza
- Lucia Di Lammermoor: Splendon I Sacri Faci...Ardon Gl'incensi... Spargi D'amaro Pianto - Toti Dal Monte
- Lucia Di Lammermoor: Tombe Degli Avi Miei...Fra Poco A Me Ricovero...Tu Che A Dio Spiegasti L'ali - Beniamino Gigli/Ezio Pinza/Metropolitan Opr House Chor/Giulio Setti
Amazon.com
A vocal feast for lovers of bel canto. Nimbus has collected Donizetti's most popular arias in versions made by Golden Age singers. The earliest tracks date from 1906; the most recent, buffo bass Salvatore Baccaloni's delightful "Udite, udite, o rustici," from 1932. In between come a gallery of famous singers of yesteryear, including the likes of Luisa Tetrazzini, Giovanni Martinelli, Marcel Journet, Mattia Battistini, and Lucrezia Bori. Beniamino Gigli and Ezio Pinza are heard in the Tomb Scene from Lucia di Lammermoor; bright-voiced soprano Toti dal Monte joins Tito Schipa's lyric tenor in "Tornami a dir che m'ami" from Don Pasquale, among many other highlights. Vocal buffs will already have many of these items in their collections, but this convenient package invites duplication and exploration. --Dan Davis
Average customer rating:
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Donizetti Divas, featuring Fleming, Kenny, Jones, Miricioiu, Montague and Focile
Gaetano Donizetti , Renée Fleming , Yvonne Kenny , David Parry , Della Jones , Nelly Miricioiu , Diana Montague , and Nuccia Focile
Manufacturer: Opera Rara
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ASIN: B000050XAJ
Release Date: 2001-01-09 |
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The Art of Monserrat Caballé
Manufacturer: Bella Voce Records
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Release Date: 2001-03-27 |
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The Opera Rara Collection Volume 1
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ASIN: B00000C2BP
Release Date: 1998-09-08 |
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- Donizetti Gabriella Di Vergy - Della Jones
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- Nicolini I Baccanali Di Roma - Yvonne Kenny
- Offenbach Christopher Columbus - Marilyn Hill Smith/Johanna Peters
- Donizetti L'Assedio Di Calais - Della Jones/Nuccia Focile/Christian Du Plessis
- Mercadante Virginia - Bruce Ford
- Pacini Maria Regina D'Inghilterra - Nelly Miricioiu/Mary Plazas
- Donizetti Gabriella Di Vergy - Ludmilla Andrew/Christian Du Plessis
- Meyerbeer Il Crociato In Egitto - Diana Montague
- Rossini Armida - Bruce Ford/William Matteuzzi/Paul Austin Kelly
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- Mayr Medea In Corinto - Jane Eaglen
- Pucitta La Caccia Di Enrico IV - Della Jones/Marilyn Hill Smith
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- Mercadante Il Brindisi - Bruce Ford/Alastair Miles
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The Opera Rara Collection, Vol. 2
Manufacturer: Opera Rara UK
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Bellini, Vincenzo
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ASIN: B00004S3BI
Release Date: 2000-05-09 |
Average customer rating:
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Donizetti: Maria De Rudenz
Manufacturer: Mondo Musica
ProductGroup: Music
Binding: Audio CD
All Works by Donizetti
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ASIN: B00002SSN1
Release Date: 1999-11-19 |
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Donizetti:Maria Di Rudenz
Manufacturer: Classic Memories
ProductGroup: Music
Binding: Audio CD
All Works by Donizetti
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ASIN: B000027SFZ
Release Date: 1995-07-18 |
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Donizetti: Maria de Rudenz (Highlights)
Manufacturer: Opera Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000JRLF
Release Date: 1999-09-14 |
Customer Reviews:
Enthusiastic performance.......2000-07-04
This is a highlights disc (about 65 minutes of them) from a live 1981 production at La Fenice in Venice. The sound quality is somewhat variable, apparently depending on where on stage the singers happen to be, but is unusually good for a one-shot theatre production. La Fenice's orchestra and chorus under Eliahu Imbal perform with panache. Katia Ricciarelli turns in some of her finest singing -- and that is very fine indeed! -- ably matched by thge sweet tones of Leo Nucci. There are times when I am as inclined as the La Fenice audience to break into applause spontaneously at the conclusions of some big numbers. Alberto Cupido in the tenor role holds up his end of the performance most enjoyably.
This opera is not markedly inferior to most of Donizetti, and the team on this reording make a very persuasive case for it. A real winner at the bargain price!
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Maria Di Rudenz
Donizetti , Ricciarelli , Baleani , Nucci , and Inbal
Manufacturer: Living Stage
ProductGroup: Music
Binding: Audio CD
General
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ASIN: B000083MDO
Release Date: 2003-01-28 |
Customer Reviews:
Ricciarelli di Bel canto.......2005-07-05
Maria di Rudenz is yet another rather rare bel canto opera that proves that these less neglected works are far superior to the modern rubbish composers write nowadays. Honestly, it makes one wonder why it's so difficult to write simple, beautiful melodies. Who cares if bel canto operas often included recycled material? I'd rather have that, than any modern opera and production! Enough said.
Hearing Katia Ricciarelli sing so beautifully on this '81 recording hurt me cause I thought of how many bel canto operas she could have graced with her gentle and involved singing in the 70s. By the early and mid 80s, when she realised her choices (Turandot, Aida etc) were wrong and started singing Rossini and Bellini works, it was unfortunately too late. The vocal damage was already made. This is why Maria di Rudenz is a unique opportunity to hear her at her considerable best. Appart from a couple stretched passagio phrases and top notes, everything else is still as great as it was in her prime. The gorgeous sound, the affective soft singing and the proud Italian manner make the young Katia one of my favourite sopranos.
The rest of the team is also superb. Nucci sings wonderfully and manages the florid singing very well. This recording made me appreciate this impressive baritone even more. Cupido has a very pleasant tenor voice (a bit like Canonici) but doesn't always manage the bel canto singing required here well. Some of the jumps sound quite amateurish but his stylish handling of the recitatives make you forgive him.
Maestro Inbal creates the right atmosphere and the performance delivers excitement and even more beauty. The sound is good, if not spacious enough.
A defenite pick for bel canto admirers!
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