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Mattinata, song for voice & piano (or orchestra)
Composed by Ruggero Leoncavallo
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Rigoletto, opera Questa O Quella
Composed by Giuseppe Verdi
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Aida, opera Marcia Trionfale
Composed by Giuseppe Verdi
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Rigoletto, opera La Donna E'Nobile
Composed by Giuseppe Verdi
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Il barbière di Siviglia (The Barber of Seville), opera La Calunnia
Composed by Gioachino Rossini
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Madama Butterfly (Madame Butterfly), opera Un Bel Di'Vedremo
Composed by Giacomo Puccini
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Il Trovatore, opera Di Quella Pira
Composed by Giuseppe Verdi
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La bohème, opera Che Gelida Manina
Composed by Giacomo Puccini
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Madama Butterfly (Madame Butterfly), opera Coro A Bocca Chiusa
Composed by Giacomo Puccini
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La Traviata, opera Croce E. Delizia
Composed by Giuseppe Verdi
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Carmen, opéra-comique in 4 acts Toreador
Composed by Georges Bizet
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La Traviata, opera Amami Alfredo
Composed by Giuseppe Verdi
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Il barbière di Siviglia (The Barber of Seville), opera Largo Al Factotum Della Citta'
Composed by Gioachino Rossini
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La Traviata, opera Brindisi - Libiam Ne'Lieti Calici
Composed by Giuseppe Verdi
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L'elisir d'amore, opera Una Furtiva Lacrima
Composed by Gaetano Donizetti
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La Traviata, opera Di Povenze Il Mare E Il Suol
Composed by Giuseppe Verdi
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Aida, opera Celeste Aida
Composed by Giuseppe Verdi
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Nabucco, opera (Nabucodonosor) Va Pensiero Sull'Ali Dorate
Composed by Giuseppe Verdi
Pop Opera,Georges Bizet,Gaetano Donizetti,Ruggero Leoncavallo,Giacomo Puccini,Gioachino Rossini,Giuseppe Verdi,Madacy Records,Art Song (General),Classical Music,French Romantic Opera,Italian Romantic Opera,Opera,Opera/Operetta Collections,Pop,Rock,Vocal
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Paul Potts [United Kingdom]: One Chance
Manufacturer: Sony / Bmg Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000SKO0OY Release Date: 2007-07-31 |
Tracks:
- Nessun Dorma
- Time to Say Goodbye [Con Te Partir
- Amapola
- Everybody Hurts [Ognuno Soffre]
- Caruso
- Nella Fantasia
- You Raise Me Up [por Ti Ser
- My Way [A Mi Manera]
- Cavatina
- Music of the Night
Album Description
2007 debut album from the winner of the first season of Britain's Got Talent. Potts' winning performance of Puccini's 'Nessun Dorma' is now one of the most watched clips in You Tube's history (10 million+). The album includes that track as well as the equally captivating 'Time To Say Goodbye', a Spanish version of 'My Way' and Italian version of REM's 'Everybody Hurts'. 12 tracks. RCA.Product Description
This Unassuming Man, a 36 Year Old Phone Salesman from South Wales and Amateur Opera Singer, Stepped Up to the Microphone on Simon Cowell's British Itv Show "Britain's Got Talent" and Literally Stole the Show. Many Anticipated Another William Hung, but Instead Got a Caruso! the Performance Brought the Entire Audience to their Feet, Even Winning High Praise from Cowell Himself. Potts Went on to Resoundingly Win the Competition! his is a Real Rags to Riches Tale, Having Been £30,000 in Debt and Suffering Years of Bullying and Recovering from a Serious Motorbike Accident. His Winning the Competition Got Him Signed to a Lucrative Recording Contract and He Gained Considerable Media Exposure all Over the World. This Debut Album Naturally features the Piece He Auditioned with (Puccini's "Nessun Dorma") as Well as his Heart Stopping Version of "Con Te Partiro/Time to Say Goodbye", the Song He Sang in the Finals, Originally Made Famous by Sarah Brightman and Andrea Bocelli.Customer Reviews:
Astounding debut album.......2007-08-01
The difference here is Potts himself. His voice is ever so slightly reedy. He does have the timbre and size of voice to pull off his signature tune, "Nessun Dorma", but I'd hate to see him try the entire opera. Unlike say Mario Lanza, when he tackles the more intimate songs, he lets the focus shift away from all-out operatic singing. yet he never gets the "microphone" voice that Boccelli uses at times. Potts is just able to tune his sound to the material at hand. He is always connected emotionally, too, which some greater singers than he is can't say. I have many complete operas in my collection, and yet I bought this album because I found his performing to be quite moving. Pity Paul Potts? Never! He is a real singer and not the product of some over processed sound machine.
Love it!.......2007-08-01
Bravo Paul.......2007-08-01
Just got mine today and it was well worth the wait! .......2007-08-01
I know there will be critics of Potts (each to his or her own) but I think the great strength of this CD is that it may (finally) bring opera to the masses again and perhaps that is why they stuck with so many classic works. Potts does a fine job, at least as well (or better) than his performances on television. For those who are longtime opera lovers, they may find fault with some of his notes or delivery but please consider that this man does not have a long career backed by professional production and that the CD was put out rather quickly.
PLEASE BE AWARE THE SONGS ARE SUNG IN ITALIAN. For me, that makes the CD even more special because I can focus on the emotion and not the lyrics.
Here are my favorites and my thoughts:
Nessun Dorma - the song that stunned the world. It says something that this rather humble man's performance was forwarded to people via email, on video sites and had a record number of viewings - and for opera, not even rock or country music! Definitely a surprise that the average person took to this so well, except that his voice was (and IS) truly stunning. This piece is hauntingly lovely.
Con de Partiro (Time To Say Goodbye) - I wish he'd sung without so much accompaniment but other than that, I have no complaints. A love song that I could listen to again and again.
Paul Potts is amazong!.......2007-07-31
I will be anxiously awaiting his future CD's.
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No Reservations
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000RHRGQC Release Date: 2007-07-24 |
Tracks:
- Truffles And Quail - Conrad Pope
- Sway - Michael Buble
- Celeste Aida - Luciano Pavarotti
- O Mio Babbino Caro - Renata Tebaldi
- Zoe & Kate Watch Video - Phillip Glass
- Libiamo Libiamo - Joan Sutherland
- Via Con Me - Paolo Conte
- La Donna E 'Mobile - Joseph Calleja
- Un Bel Di 'Vedremo - Renata Tebaldi
- Zoe Goes To the Restaurant - Phillip Glass
- Cielo E Mar - Luciano Pavarotti
- Mambo Gelato - Ray Gelato
- Nessun Dorma - Luciano Pavarotti
- Count On My Love - Liz Phair
Customer Reviews:
Now it makes more sense..........2007-07-30
Now I'm beginning to understand why there seems to be such a paucity of score cues on this CD. I think either Glass' score was partially rejected or he only scored a small part of the movie to begin with.
Where's my Philip Glass? .......2007-07-30
Philip Glass only used a few motifs (three tops) in the movie...would it have been so hard to include all of them (as opposed to 1)?
Shame on Decca...unless they're planning on releasing a score-only CD.
Hope they do.
This is an unique soundtrack.......2007-07-29
More score, less opera please.......2007-07-28
Best movie soundtrack of 2007.......2007-07-28
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Andrea Bocelli - Amore
Andrea Bocelli Manufacturer: Sugar ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000CC1TGA Release Date: 2006-01-31 |
Tracks:
- Amapola
- Besame Mucho
- Les Feuilles Mortes (Autumn Leaves)
- Mi Manchi - featuring Kenny G
- Somos Novios (It's Impossible) - Duet with Christina Aguilera
- Solamente Una Vez
- Jurame
- Pero Te Extrano
- Canzoni Stonate - Featuring Stevie Wonder on harmonica and vocals
- L'Appuntamento
- Cuando Me Enamoro
- Can't Help Falling In Love - Live At Lake Las Vegas
- Because We Believe
- Ama Credi E Vai (Because We Believe)
Product Description
Romance. Passion. Emotion. These words are synonymous with the voice of Andrea Bocelli. Almost ten years ago he exploded onto the international music scene with Romanza, and has since sold nearly 50 million albums worldwide. Amore--released amongst the glamor of the Winter Olympics in Torino, Italy (where he will perform at the closing ceremony) and the romance of Valentine's Day--finds Bocelli straying from the carefully groomed classical ground in which he is most familiar. The concept of the album came from famed producer and longtime Bocelli fan David Foster along with co-producers Humberto Gatica and Tony Renis, who posed the question: Why not take the most beautiful love songs in the world and pair them with the most romantic voice in the world? The result is a beautiful album of pop standards that Foster has publicly claimed is "one of the most beautiful records I have ever been part of."Embarking on a new era, Amore unveils a fresh sensuous sound that gently moves Bocelli into new territory. Spanish guitars flourish, traditional Latin percussion seductively keeps the tempo, accordions and harmonicas provide charming melodies, while sometimes Bocelli shares the spotlight with just a grand piano. Recorded late in the summer at Bocelli's Tuscan home studio overlooking the coast, the album exudes the natural beauty and breathtaking surroundings evident in Italy. Amore marks the only album David Foster has made outside of his Californian studio complex in two decades. This was also most musically gratifying for Bocelli: "I've been presented with opportunities I once could only dream of, challenges I longed to confront and experiences I will cherish forever, but while recording this album I realized that now is the perfect moment to arrive at an album of this repertoire, with the perfect producers, the perfect musicians and the perfect selection of songs."
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Customer Reviews:
Bocelli is the Best.......2007-07-30
I came home and decided this would be great music to listen to while at work.....and it is - it's very calming in a sometimes stressfull environement.
Amore.......2007-06-13
I just can't get into it, maby if it was in english.......2007-06-08
Very romantic.......2007-05-24
Beautiful music.......2007-05-08
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The Phantom of the Opera (Original 1986 London Cast)
Charles Hart Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YTY2 Release Date: 2001-02-06 |
Tracks:
- Prologue
- Overture
- Act One, Scene I: Think Of Me
- Act One, Scene 2: Angel Of Music
- Act One, Scene 3: Little Lotte.../The Mirror (Angel Of Music)
- Act One, Scene 4: The Phantom Of The Opera
- Act One, Scene 5: The Music Of The Night
- Act One, Scene 6: I Remember.../Stranger Than You Dreamt It...
- Act One, Scene 7: Magical Lasso...
- Act One, Scene 8: Notes.../Prima Donna
- Act One, Scene 9: Poor Fool, He Makes Me Laugh
- Act One, Scene 10: Why Have You Brought Me Here.../Raoul, I've Been There
- Act One, Scene 10: All I Ask Of You
- Act One, Scene 10: All I Ask Of You (Reprise)
Tracks:
- Entr'acte
- Act Two, Scene 1: Masquerade/Why So Silent...
- Act Two, Scene 3: Notes.../Twisted Every Way...
- Act Two, Scene 5: Wishing You Were Somehow Here Again
- Act Two, Scene 5: Wandering Child.../Bravo, Monsieur
- Act Two, Scene 7: The Point Of No Return
- Act Two, Scene 8: Down Once More.../Track Down This Murderer
Amazon.com essential recording
What's left to be said about Andrew Lloyd Webber's adaptation of The Phantom of the Opera a decade after its premiere? That it's maddeningly ubiquitous? A stitch-up of various themes shoplifted from the Italian operatic repertoire? A critic-proof crowd pleaser that's probably being staged somewhere in the world as you read this? A megahit that will likely outlive Titanic in the pop-culture pantheon, Phantom has largely redefined--for better or worse--the manner in which modern musicals are conceived, staged, and marketed. Its influence has reached far beyond the traditional confines of London and Broadway. A favorite example: an abridged version that was the centerpiece of Los Angeles's longest-running transvestite revue, replete with 14-inch chandeliers and a man-playing-a-woman-playing-a-man in the title role. --Jerry McCulleyCustomer Reviews:
Phantom Revisited.......2007-07-25
A disappointment after the film soundtrack........2007-06-11
Sarah Brightman overpronounces to the point of absurdity with her hebrew "heard" and "operar" in "Why Have You Brought Us Here." In "Down Once More" I only know what she's saying because I already knew the words from Emmy Rossum in the film. Brightman sounds no more elegant than Carlotta, whose voice I actually prefer because, ironically, it's more pure and understandable. However, Brightman is a fabulous opera singer with wonderful vibrato and a very impressive range... but Rossum is still the preferable choice.
Michael Crawford... man or woman? He may be a high-flying tenor, but sometimes that just goes too far, making him sound whiny and weak. Another major note: he cannot act! He may be more operatic than Gerard Butler in his singing, but he is a horrendous actor. "Down Once More" was turned from the heart-wrenching ultra-powerful piece I know into a disappointment thanks to Crawford's terrible "acting." Also, "Music of the Night" is a disaster when he sings it. Not only does his bad acting tear it down substantially, but he tries to sing bass notes. Tries and fails, mind you. He ends up making the piece a strangled, overpronounced, over-legato mess. He is a wonderful opera tenor, with truly inspiring vibrato, but his sometimes whiny voice and horrible job with the role of the Phantom make him somewhat lesser than Gerard Butler.
As for Raoul, either one is just as skilled as the other. One is more youthful and soft, while the other is more masculine and bass. I think they are equally skilled in all categories.
Every piece in this soundtrack I prefer the film version of, although sometimes there are parts of songs which I feel differently about. The only full song I prefer from this over the film soundtrack is none other than "The Phantom of the Opera." The film version has too many drawn out instrumental bits, which can get tedious. Also, it is missing my favorite verse. The "Phantom" from this soundtrack has vastly better vocal performances from both singers, since Gerard is very strained and this song is all about singing, not really acting.
The only song I like more in this version is "Phantom of the Opera." All others are, for the most part, a disappointment. Just a plain disappointment.
Phantom of the Opera.......2007-05-21
Awesome! must get for Phantom or opera fans...........2007-05-17
The Phantom Of The Opera (1986 Original London Cast).......2007-05-10
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Ghost Opera
Kamelot Manufacturer: Steamhammer/SPV ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PA9PMY Release Date: 2007-06-05 |
Tracks:
- Solitaire
- Rule The World
- Ghost Opera
- The Human Stain
- Blücher
- Love You To Death
- Up Through The Ashes
- Mourning Star
- Silence Of The Darkness
- Anthem
- EdenEcho
- The Pendulous Fall (bonus track)
Amazon.com
Kamelot's latest power metal offering seems unlikely to win the collective the kind of major attention its sought for more than a decade now. While vocalist Roy Khan still emits his signature siren wail and guitarist Thomas Youngblood crafts riffs that crunch with more power than your average fast food taco, the band still lacks a unique identity, alternating between its status as a Queensryche retread or vying for listeners more attuned to Korn and Avenged Sevenfold. "Rule the World" certainly stands as one of the outfit's heaviest works to date and "Mourning Star" carries with it its own kind of majestic beauty but repeat listens reveal that Ghost Opera is little more than by-the-numbers power metal, of the kind that didn't really work when Helloween released Keeper of the Seven Keys two decades ago and still fails to satisfy today.--Jedd BeaudoinAlbum Description
American Melodic Metal masters Kamelot are back with the follow-up to their breakthrough epic The Black Halo. Ghost Opera is simply one of the most diverse metallic listening experiences of the year, containing all of the melody, power, passion and crunch that have earned them the undying respect of metal-heads around the country and around the world. The first pressing contains a bonus DVD featuring the video of Ghost Opera and a making of feature. Catch Kamelot on tour across North America late this summer!Customer Reviews:
a great successor to black halo.......2007-07-31
Kamelot has created their own Metal Genre!.......2007-07-27
good but could be better.......2007-07-27
Missed their mark!.......2007-07-26
Well worth the money!!! Bogus DVD or not!.......2007-07-23
But I'm kind of conflicted as well due to one simple fact. I can think of many, many cases where a certain album by a band is a better album overall than it's predecessor, but that predecessor just happens to have that one single song that is better than anything on the newer release. Of course this is all personal opinion but two genre examples that quickly come to mind are Ozzy and Maiden.
I feel that Diary of a Madman is better overall than Blizzard of Oz though nothing on Diary quite equals the one-two punch of "Revelation (Mother Earth)" and "Steal Away the Night". And while I think Piece of Mind is superior to Number of the Beast overall, it doesn't have anything that tops the magnificent "Hallowed Be Thy name".
Ghost Opera is like this; while I think it's (slightly) better overall, I haven't heard anything that tops Black Halo's "March of Mephisto". But, reading the reviews, I see that many fans like Halo better overall anyway.
In any case, I really like "Rule the World", "Love you to Death", "Up Thru the Ashes", "Edenecho" and the bonus track "The Pendulous Fall". And, if the band continues to evolve in this way...I can't wait for the next one!! But I have to say the "bonus" DVD wasn't worth it, only 2 videos and one was a making of..., but, then again I haven't seen one yet that didn't come with the DVD so I wonder how much cheaper it would have been?
Now if they'd just come to Atlanta (or anywhere closer than a 10 hr drive) so I can go see them!!!! Because, judging by the "One Cold Winter's Night" DVD and what I'm hearing on Ghost Opera..... I'd sure like to!!!
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Celtic Treasure
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MTDRJA Release Date: 2007-03-13 |
Tracks:
- Let Me Lie
- Scarborough Fair
- Shenandoah
- Summer Fly
- Whispering Hope
- Danny Boy
- Summer Rain
- The Last Rose of Summer
- One Fine Day
- Sonny
- The Water Is Wide
- Melancholy Interlude
- Abide With Me
Amazon.com
Having sung before royalty and performed with the Irish super-group Celtic Woman, Italian tenor Andrea Bocelli, and Welsh baritone Bryn Terfel, the very young and remarkably beautiful singer is back with a tribute to her Celtic ancestry. As with her previous Platinum-selling releases (she is already a huge star in her native New Zealand, Japan, Australia, and the UK), the orchestrations are lush, with sighing phalanxes of strings and woodwinds. But in keeping with the avowed theme, there are also soft touches of soulful, wavering tin whistles and vaguely fiddle-like violin vamps. The program is more varied than the album's title might lead one to expect, encompassing everything from "The Last Rose Of Summer" and "Danny Boy" to "Shenandoah," "Scarborough Fair," "Abide With Me," and even a couple of more pop-oriented songs penned by Westenra herself. However, brief sideways winks toward Nashville or the Great White Way do not adulterate the album's overall mood of ethereal, remote bliss. The one misstep is an English-language cover of "Un Bel Di" ("One Fine Day") from Puccini's Madama Butterfly: an aria unsuited to the artist's fragile, bell-like soprano and placid temperament. This aside, established classical crossover/theatrical divas like Sarah Brightman would be wise to begin looking to their laurels. --Christina RodenAlbum Description
Hayley's third solo album is a very personal collection of classical arias, Irish and Maori folk songs - representing treasured people and places on her remarkable musical journey. Recorded in Dublin, Ireland, Hayley's third solo album is a very personal collection of classical arias, Irish and Maori folk songs - representing treasured people and places in her remarkable musical journey. For the first time the album also includes several original tracks written by Hayley herself. Celtic Treasure is a celebration of Hayley's family roots, and her grandparent's journey across the World on the first boat that left Ireland for New Zealand in the 1880s - taking with them a rich musical heritage. Her grandmother - a singer, and her grandfather, who played the accordion, were to be important influences on Hayley's musical development. Hayley grew up hearing her grandmother singing Italian opera arias in English. Hayley has continued this tradition by recording the well-known aria One Fine Day... ('Un bel di) from Puccini's Madama Butterfly. Hayley's grandmother also sang Irish folk tunes, and Hayley includes one of them - Danny Boy on the album as a tribute to her. Another Irish folk tune Sonny, is the first recording in which Hayley accompanies herself on the piano. In the same vein as Hayley's signature song Pokarekare Ana from her debut album Pure, Hayley's deep sense of pride as a New Zealander, and the simple beauty of her voice come together in E Para Ra - a Maori lovesong reflecting her own love of her homeland. Hayley's first recordings of her own songs bring together all these musical influences. They include her compositions Let Me Lie and Summer Rain and her lyrics to a haunting lute song by the Elizabethan English composer John Dowland, called simply Melancholy Interlude.Customer Reviews:
Disappointing.......2007-07-13
This CD is pretty uninspired and Westenra's voice sounds just average on several of the tracks. There are a few impressive spots but generally I thought the CD was less than expected.
Great!.......2007-07-13
A Piece Of Heaven On Earth.......2007-07-13
A Pure Joy.................2007-06-20
Hayley has a clear, and pure voice that makes these familiar songs sound brand new. Though the whole album is a treat, the two hymns are inspiring. Others have done this repitoire, and done it well; none has done it better.
Hayley has a new recording of "West Side Story" due out soon; I can't wait. In the meantime, do not fail to grab this one.
Celtic Treasure - Hayley Westenra.......2007-06-20
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Romance of the Violin
Claude Debussy , Fryderyk Chopin , Camille Saint-Saens , Franz Schubert , Vincenzo Bellini , Wolfgang Amadeus Mozart , Christoph Willibald Gluck , Alexander Borodin , Antonin Dvorak , Claudio Monteverdi , Jules Massenet , Robert Schumann , Michael Stern , Craig Ogden , Gregory Knowles , John Constable , Jacob Heringman , and Stephen Orton Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DG06L Release Date: 2003-10-28 |
Tracks:
- O mio babbino caro (from 'Gianni Schicchi')
- The Girl With Flaxen Hair (from Preludes, Book I; La fille aux cheveux delin: Prelude for Piano L 117/8)
- Nocturne in C sharp minor (Op Post)
- The Swan (from Carnival of the Animals)
- Serenade (from 'Schwanengesang' song cycle for voice and piano, D 957
- Casta Diva (from 'Norma')
- Andante from Piano Concerto No. 21 in C Major K. 467
- Nocturne from Quartet for Strings No. 2 in D Major: 3rd movement
- Dance of the Blessed Spirits (from 'Orfeo ed Euridice')
- Songs My Mother Taught Me, song for voice and piano B104/4 Op 55/4
- Pur ti Miro (from 'L'incoronazione di Poppea')
- Elegie (Elegie 'O doux printemps d'autrefois' for voice and piano)
- Traumerei ('Kinderszenen' for piano, Op 15, No. 7 'Dreaming')
Amazon.com
Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. "O mio babbino caro" from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's "Casta diva" from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's "The Girl with the Flaxen Hair" is played with great warmth and sensuality. It would be easy to turn a recital like this into treacle, but Bell is wise enough to realize that the music is already sweet enough and he plays with great reserve and a minimum of sentimental slides. The light accompaniments always support, with woodwinds prominent but used with grace. This CD, in short, is a beauty: a fine gift, a lovely mood setter. --Robert LevineCustomer Reviews:
Romance of the Violin.......2007-07-16
End of the Day.......2007-06-08
He is inspiring, and she is right. This album is beautiful.
Wonderful!.......2007-05-30
Over and over and over...........2007-05-17
Non-standard CD format.......2007-04-22
A friend's PC was able to read the CD and make a copy in standard format that can be read on any player, including my Mac. The story had a happy ending, but I can not comprehend why the publisher chose the oddball CD specification.
The music is excellent and worth the trouble of making a copy, but the publisher really shouldn't make you go to that effort just to listen to a CD that you paid for.
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The Phantom of the Opera (2004 Movie Soundtrack)
Andrew Lloyd Webber , Richard Stilgoe , Gerard Butler , Emmy Rossum , Patrick Wilson , and Charles Hart Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000654YWY Release Date: 2004-11-23 |
Tracks:
- Overture - The Phantom Of The Opera: Original Motion Picture Soundtrack
- Think Of Me
- Angel of Music
- The Mirror (Angel Of Music)
- The Phantom Of The Opera
- The Music Of The Night - Gerard Butler
- Prima Donna - Simon Callow
- All I Ask Of You
- All I Ask Of You (Reprise)
- Masquerade - Margaret Price
- Wishing You Were Somehow Here Again
- The Point Of No Return
- Down Once More/Track Down This Murderer
- Learn To Be Lonely - Minnie Driver
Amazon.com
For better or worse, Andrew Lloyd Webber's adaptation of Gaston Leroux's gothic horror/romance novel has done for stage musicals what Spielberg's Jaws did for fish stories, with worldwide sales of its original cast album approaching 25 million. While director Joel Schumacher's film turns on his typically ambitious visual verve, its new film soundtrack recording has been paradoxically focused in scope, yet beefed up dynamically via the brawny presence of a hundred piece orchestra and The London Boys Choir. This single disc version showcases all of Phantom's key songs (a deluxe, double-disc edition is also available), with Gerard Butler imparting a welcome, youthful sensuality to his Phantom, making a fine foil for Emmy Rossum's ever-conflicted Christine. Original show orchestrator David Cullen has fashioned compelling new contemporary arrangements to frame Webber's songs -- which now conclude with the lilting, upbeat new ballad he wrote for the film, "Learn to Be Lonely," sung by Minnie Driver. --Jerry McCulleyCustomer Reviews:
PHANTOM OF THE OPERA.......2007-07-26
Perfect music!.......2007-06-11
First of all, let me just say that Emmy Rossum (Christine) sounds MUCH more elegant and true than Sarah Brightman (who overpronounces to the point of absurdity) in the classic London Cast recording of the musical.
Second of all, Gerard Butler may not be as operatic as Michael Crawford, but he is a much better actor, and the simple sound of his voice IS the Phantom. "Music of the Night" is so beautiful when he sings it, unlike Michael Crawford's mockery of the piece as he tries to sing those bass notes and just ends up mushing it all together into a horrible, overpronounced, over-legato MESS!
Now, Patrick Wilson! He has such a wonderful voice it just makes me faint! Wow! He is, I swear, the greatest tenor alive. Anyone who criticizes his beautiful performance of Raoul is simply insane.
This soundtrack has some utterly perfect music, such as
1. Gerard's incredible performance of "Music of the Night." He sings so beautifully at the end with that last "night" that one can scarcely believe it.
2. "Down Once More," the final scene of the movie can produce tears even without images on a screen. Hearing the three characters' voices together is sheer perfection!
3. "All I Ask of You" has wonderful emotion on all fronts, and Rossum and Wilson blend together into pure love. Bravo! Brava! Bravi!
4. "All I Ask of You (Reprise)"... It is so truly heartbreaking that I can never stop crying. "You will curse the day you did not do... all that the Phantom asked of you!" It has such a blend of emotion that one can only sit and listen, in bliss and awe.
This soundtrack, though missing some songs (get the two-disc set if you want them all), is basically perfect. I will love this music and these wonderful singers forever.
phantom of the opera is great!.......2007-06-08
I plan to buy the movie in the near future. I highly recommend this soundtrack if you loved the movie.
music.......2007-05-25
Like being there........2007-05-17
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Classical Wedding
Various Artists Manufacturer: Spring Hill ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000V1V Release Date: 1996-04-30 |
Tracks:
- Hornpipe from The Water Music
- Ode to Joy
- Psalm XIX
- Jesu, Joy of Man's Desiring
- Trumpet Tune
- Arioso in A
- La Rejoissance from The Royal Fireworks
- Ave Maria
- Trumpet Voluntary
- Canon in D
- Air from The Water Music
- Rondeau from Sinfonies de Fanfares
- The Lord's Prayer
- Bridal Chorus
- Fanfare and Bridal Chorus
- Wedding March
Customer Reviews:
Great Wedding Music.......2007-07-26
just the music for her processional. Thank you again.
Yvonne Barrett
wedding music.......2007-07-18
Great Product.......2007-05-31
Excellent Classical Wedding Music.......2007-05-14
Traditional and wonderful.......2007-04-10
Average customer rating:
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Quadrophenia
Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002P1P Release Date: 1996-07-02 |
Tracks:
- I Am The Sea
- The Real Me
- Quadrophenia
- Cut My Hair
- The Punk And The Godfather
- I'm One
- The Dirty Jobs
- Helpless Dancer
- Is It In My Head?
- I've Had Enough
Tracks:
- 5:15
- Sea And Sand
- Drowned
- Bell Boy
- Doctor Jimmy
- The Rock
- Love, Reign O'er Me
Amazon.com essential recording
An excellent and frequently astonishing album, Quadrophenia is both more ambitious and less accessible than Tommy, the first and most well known rock opera. At its simplest level, Quadrophenia is a coming-of-age story with an awesome soundtrack. The album features some of the Who's finest material, in songs like the enraged "Real Me," the cynical "Punk Meets the Godfather," the wistful "5:15" and "Sea and Sand," and the powerful "Love, Reign O'er Me." The songwriting (courtesy of Pete Townshend) is top-notch, as is the production (the Who actually managed to use synthesizers in an original manner, something few rock bands can aspire to). The mix of powerful songwriting and skillful composition makes this one of the Who's finest moments. --Genevieve WilliamsCustomer Reviews:
The Who's best album...........2007-07-06
Out of my brain on the 5:15.......2007-07-05
Better than Tommy!.......2007-06-27
Mods and Sods ( * * * * 1/3).......2007-06-22
In 1973, The Who were huge, and not just in terms of popularity. Sure, Quadrophenia was their fourth consecutive top five album in the US. More importantly, however, their musical scope had grown immensely since their debut in 1965. Having finally recorded an entirely consistent record in 1967 with The Who Sell Out, Townshend began to think in terms of expanding the limits of rock 'n roll, rather than working within them. Having done so with Tommy - which made the rock opera respectable - and Who's Next - which did the same for synthesizers - he had plenty of momentum. Still, attempting a second rock opera meant taking quite a chance. (Jethro Tull, another one of the most popular English bands of the early 70s, had recently suffered a severe backlash for releasing two LPs in a row consisting of a single album-length piece.) But as with Tommy, if any band could pull it off, then The Who could.
Quadrophenia, like Tommy, told the tale of a young man struggling with psychological problems. In this case, it is Jimmy, who suffers from a four-way split personality. As a young mod, he very well may have run with the type of guys who would become The Who, and subsequently became a fan of them. Thus, the songs on this album serve not only to tell the story of Jimmy, but of the band itself, as the songs "The Punk and the Godfather" and "Helpless Dancer" reference Who songs which were mod anthems. Jimmy tries desperately to keep up with fashion while living in his parents' house ("Cut My Hair) in order to avoid living one of the workaday lives of those he sees around him ("The Dirty Jobs", "Helpless Dancer"). Eventually, he tires of being disappointed by all the things that he hopes will make him happy ("I've Had Enough"), so he takes trip, literally and figuratively, to the beachside town of Brighton ("5:15").
Alas, he discovers that "here by the sea and sand/nothing ever goes as planned". He hits bottom when he encounters a former mod whom he admired so greatly years before who is now working as a bell boy. Thus, he has to spend each day licking the boots and running at the heels of the authority figures he once rebelled against. Despondent over the idea that what happened to the now bell boy could also happen to him, he sinks into the quicksand of drugs and alcohol ("Dr. Jimmy"), and starts to behave without regard to rules and consequences: "What is it? I'll take it/Who is she? I'll rape it". Quadrophenia ends with Jimmy's fate uncertain, as he stands on the beach in the rain, arms stretched upward to the sky, one imagines ("Love Reign O'er Me").
Musically, Quadrophenia and Tommy have similarities and differences. Both include three instrumentals, but none on Quadrophenia is as long as Tommy's 10-minute "Underture". Tommy features the leitmotifs of "See me, feel me..." and the "Pinball Wizard" chords, and Quadrophenia's songs are tied together by the "love reign o'er me" lyric and the beautiful synthesizer that underscores it. One important difference is that Quadrophenia consists entirely of full-length songs, whereas Tommy included several songs that were less than a minute long. This was also the first album in which Pete Townshend wrote every single song. Although John Entwistle's occasional contributions had always been a nice touch, they certainly aren't missed here. Rather, he concentrates on his bass, which bubbles near the surface of each song and sometimes even boils over. Keith Moon clobbers his drums as usual. Roger Daltrey sounds magnificent on the album's more bombastic numbers, while Townshend sings lead on the album's more tender moments, "Cut My Hair" and "I'm One". Who albums were always group efforts, and Who's Next had found the band performing as rock 'n roll musicians rather than simply players. Quadrophenia continued this trend.
Quadrophenia's story isn't developed quite as well as Tommy, and also not quite as entertaininng or interesting. The songs and the music, however, put it just a notch above their first rock opera. It is a downright majestic piece of work, and although it may be tough to take in a single listen, it is well worth doing so. But even if and when one doesn't, s/he will still find several great Who songs to return to regularly. Although Quadrophenia is not their best album, it does show that The Who were still in brilliant form two years after the release of their masterpiece.
Quadrohenia.......2007-05-11
ALL TIME EVER.THE TITLE SONG PROBABLY ONE OF THE GREATEST SONGS EVER.
IF YOU LOVE TO ROCK OUT AND GET ALITTLE LOSE THIS IS A PERFECT CHOICE.
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