Weber: Der Freischütz (Highlights)

1. Der Freischütz, opera, J. 277 (Op. 77) Overture
   Composed by Carl Maria von Weber
   Performed by Dresden Staatskapelle
   with Francisco Araiza, Ekkehard Wlaschiha, Karita Mattila
   Conducted by Sir Colin Davis
   
   
2. Der Freischütz, opera, J. 277 (Op. 77) Viktoria! Der Meister soll leben
   Composed by Carl Maria von Weber
   Performed by Dresden Staatskapelle
   Conducted by Sir Colin Davis
   
   
3. Der Freischütz, opera, J. 277 (Op. 77) Schau der Herr mich an als König
   Composed by Carl Maria von Weber
   Performed by Dresden Staatskapelle
   with Francisco Araiza
   Conducted by Sir Colin Davis
   
   
4. Der Freischütz, opera, J. 277 (Op. 77) Nein, länger trag' ich nicht die Qualen - Durch die Wälder, durch die Auen
   Composed by Carl Maria von Weber
   Performed by Dresden Staatskapelle
   with Egbert Junghanns
   Conducted by Sir Colin Davis
   
   
5. Der Freischütz, opera, J. 277 (Op. 77) Hier im ird'schen Jammertal
   Composed by Carl Maria von Weber
   Performed by Dresden Staatskapelle
   with Ekkehard Wlaschiha
   Conducted by Sir Colin Davis
   
   
6. Der Freischütz, opera, J. 277 (Op. 77) Schelm! Halt fest!
   Composed by Carl Maria von Weber
   Performed by Dresden Staatskapelle
   with Eva Lind, Karita Mattila
   Conducted by Sir Colin Davis
   
   
7. Der Freischütz, opera, J. 277 (Op. 77) Kommt ein schlanker Bursch gegangen
   Composed by Carl Maria von Weber
   Performed by Dresden Staatskapelle
   with Eva Lind
   Conducted by Sir Colin Davis
   
   
8. Der Freischütz, opera, J. 277 (Op. 77) Wie nahte mir der Schlummer - Leise, leise, fromme Weise!
   Composed by Carl Maria von Weber
   Performed by Dresden Staatskapelle
   with Karita Mattila
   Conducted by Sir Colin Davis
   
   
9. Der Freischütz, opera, J. 277 (Op. 77) Milches des Mondes fiel aufs Kraut
   Composed by Carl Maria von Weber
   Performed by Dresden Staatskapelle
   with Francisco Araiza, Will Quadflieg, Ekkehard Wlaschiha
   Conducted by Sir Colin Davis
   
   
10. Der Freischütz, opera, J. 277 (Op. 77) Und ob die Wolke sie verhülle
    Composed by Carl Maria von Weber
    Performed by Dresden Staatskapelle
    with Karita Mattila
    Conducted by Sir Colin Davis
    
    
11. Der Freischütz, opera, J. 277 (Op. 77) Wir winden dir den Jungfernkranz
    Composed by Carl Maria von Weber
    Performed by Dresden Staatskapelle
    with Christiane Schwarz, Gisela Kaltofen
    Conducted by Sir Colin Davis
    
    
12. Der Freischütz, opera, J. 277 (Op. 77) Was gleicht wohl auf Erden dem Jägervernügen?
    Composed by Carl Maria von Weber
    Performed by Dresden Staatskapelle
    Conducted by Sir Colin Davis
    
    
13. Der Freischütz, opera, J. 277 (Op. 77) Die Zukunft soll mein Herz bewähren
    Composed by Carl Maria von Weber
    Performed by Dresden Staatskapelle
    with Siegfried Lorenz, Francisco Araiza, Thomas Thomaschke, Kurt Moll, Eva Lind, Karita Mattila
    Conducted by Sir Colin Davis
    
    

Weber: Der Freischütz (Highlights),Carl Maria von Weber,Sir Colin Davis,Dresden Staatskapelle,Christiane Schwarz,Egbert Junghanns,Ekkehard Wlaschiha,Eva Lind,Francisco Araiza,Gisela Kaltofen,Karita Mattila,Kurt Moll,Siegfried Lorenz,Thomas Thomaschke,Will Quadflieg,Polygram Records,Classical,Classical Music,German/Austrian Romantic Opera,Opera,Opera / Operetta / Oratorio

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Average customer rating: Ultimate music for every time of day and every mood Would give 5 stars if sound quality where better Great collection for a great price 20 Fabulous Discs

Rhapsody in Blue - Ultimate Piano Collection [20 CD Set] Manufacturer: Delta ProductGroup: Music Binding: Audio CD Mazurkas | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Clementi | Clementi, Muzio | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Paisiello | Paisiello, Giovanni | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rubinstein | Rubinstein, Anton | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Rondos | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Impromptus | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Intermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music Airs | Vocal Non-Opera | Opera & Vocal | Styles | Music Box Sets at 30% Off | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Passion - Most Famous Orchestral Spectaculars [20 CD Set] Rendezvous of Angels - Concert Collection [20 CD Set] Little Night Music - Ultimate Mozart Collection [20 CD Set] Classical Masterpieces of the Millennium [20 CD Set] Classical Evolution: Spanish Guitar Music ASIN: B00012QLSW Release Date: 2003-12-09

Tracks:

1. Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
2. Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
3. Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
4. Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
5. Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
6. Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
7. Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
8. Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
9. Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
10. Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
11. Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
12. Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble

Tracks:

1. Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
2. Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante - Vilmos Fischer, Vienna Mozart Ensemble
3. Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante ... - Vilmos Fischer, Vienna Mozart Ensemble
4. Piano Concerto No. 17 in G Major, K.453: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
5. Piano Concerto No. 17 in G Major, K.453: Andante - Vilmos Fischer, Vienna Mozart Ensemble
6. Piano Concerto No. 17 in G Major, K.453: Allegretto - Vilmos Fischer, Vienna Mozart Ensemble

Tracks:

1. Piano Sonata in a Major K.331: Andante Grazioso: Thema/Variation 1 - Margarete Babinsky
2. Piano Sonata in a Major K.331: Menuetto - Margarete Babinsky
3. Piano Sonata in a Major K.331: Alla Turca (Allegretto) - Margarete Babinsky
4. Piano Sonata in F Major K.332: Allegro - Margarete Babinsky
5. Piano Sonata in F Major K.332: Adagio - Margarete Babinsky
6. Piano Sonata in F Major K.332: Allegro Assai - Margarete Babinsky
7. Piano Sonata in C Major K.330: Allegro Moderato - Margarete Babinsky
8. Piano Sonata in C Major K.330: Andante Cantabile - Margarete Babinsky
9. Piano Sonata in C Major K.330: Allegretto - Margarete Babinsky
10. 12 Variations K.265: Ah, Vous Dirai-Je, Maman: Theme/Variation ... - Margarete Babinsky

Tracks:

1. Concerto in C Major for Piano and Orchestra: Allegro - Capella Coloniensis, Maria Luisa Tanzini
2. Concerto in C Major for Piano and Orchestra: Larghetto - Capella Coloniensis, Maria Luisa Tanzini
3. Concerto in C Major for Piano and Orchestra: Rondo - Allegro - Capella Coloniensis, Maria Luisa Tanzini
4. Concerto for Piano and Orchestra No. 4 in G Major: Allegro Moderato - Nicolai Evrov, Sofia Philharmonic Orchestra
5. Concerto for Piano and Orchestra No. 4 in G Major: Adagio Cantabile - Nicolai Evrov, Sofia Philharmonic Orchestra
6. Concerto for Piano and Orchestra No. 4 in G Major: Rondo - Presto - Nicolai Evrov, Sofia Philharmonic Orchestra
7. Concerto in C Major for Piano and Orchestra: Allegro Con Spirito - Ivan Drenikov, Sofia Soloists Chamber Ensemble
8. Concerto in C Major for Piano and Orchestra: Adagio E Cantabile - Ivan Drenikov, Sofia Soloists Chamber Ensemble
9. Concerto in C Major for Piano and Orchestra: Presto - Ivan Drenikov, Sofia Soloists Chamber Ensemble

Tracks:

1. Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
2. Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
3. Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
4. Overture Coriolan Op.62 - Dresdner Philharmonic
5. Overture Leonore No.2, Op.72 - Dresdner Philharmonic

Tracks:

1. Op.13, No. 8 in C Minor Pathetique: Grave - Allegro - Di Molto E ... - Istvan Szekely
2. Op.13, No. 8 in C Minor Pathetique: Adagio Cantabile - Istvan Szekely
3. Op.13, No. 8 in C Minor Pathetique: Rondo - Allegro - Istvan Szekely
4. Op.27, No. 14 in C Sharp Minor Moonlight: Adagio Sostenuto - Istvan Szekely
5. Op.27, No. 14 in C Sharp Minor Moonlight: Allegretto - Istvan Szekely
6. Op.27, No. 14 in C Sharp Minor Moonlight: Presto Agitato - Istvan Szekely
7. Op.57, No. 23 in F Minor Appassionata: Allegro Assai - Istvan Szekely
8. Op.57, No. 23 in F Minor Appassionata: Andante Con Moto - Istvan Szekely
9. Op.57, No. 23 in F Minor Appassionata: Allegro Ma Non Troppo - Presto - Istvan Szekely
10. Rondo a Capriccio Op.129: Die Wut er Den Verlorenen - Jennd

Tracks:

1. Piano Concerto No. 1 in E Minor, Op.11: Allegro Maestoso - Budapest Philharmonic Orchestra, Sandor Falvai
2. Piano Concerto No. 1 in E Minor, Op.11: Romanze. Larghetto - Budapest Philharmonic Orchestra, Sandor Falvai
3. Piano Concerto No. 1 in E Minor, Op.11: Rondo. Vivace - Budapest Philharmonic Orchestra, Sandor Falvai
4. Piano Concerto No. 2 in F Minor, Op.21: Maestoso - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
5. Piano Concerto No. 2 in F Minor, Op.21: Larghetto - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
6. Piano Concerto No. 2 in F Minor, Op.21: Allegro Vivace - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland

Tracks:

1. Piano Sonata No. 2 in B Flat Minor Op.35: Grave - Doppio Movimento [Liv - Ivo Pogoreuch
2. Piano Sonata No. 2 in B Flat Minor Op.35: Scherzo [Live] - Ivo Pogoreuch
3. Piano Sonata No. 2 in B Flat Minor Op.35: Marche Fune. Lento [Live] - Ivo Pogoreuch
4. Piano Sonata No. 2 in B Flat Minor Op.35: Finale. Presto [Live] - Ivo Pogoreuch
5. Piano Sonata No. 3 in B Minor Op.58: Allegro Maestoso [Live] - Garrick Ohlsson
6. Piano Sonata No. 3 in B Minor Op.58: Molto Vivace [Live] - Garrick Ohlsson
7. Piano Sonata No. 3 in B Minor Op.58: Largo [Live] - Garrick Ohlsson
8. Piano Sonata No. 3 in B Minor Op.58: Presto Ma Non Tanto [Live] - Garrick Ohlsson
9. Mazurkas Op.59: No. 1 in a Minor [Live] - Ivo Pogoreuch
10. Mazurkas Op.59: No. 2 in a Flat [Live] - Ivo Pogoreuch
11. Mazurkas Op.59: No. 3 in F Sharp [Live] - Ivo Pogoreuch

Tracks:

1. Nocturne in B Major Op.9, No. 3 [Live] - Jean Marc Luisada
2. Etude in G Flat Major Op.10, No. 5 [Live] - Jean Marc Luisada
3. Etude in B Minor Op.25, No. 1 [Live] - Jean Marc Luisada
4. Scherzo No. 1 in B Minor Op. 20 [Live] - Jean Marc Luisada
5. Scherzo No. 2 in B Flat Minor Op. 31 [Live] - Jean Marc Luisada
6. Waltz No. 1 in E Flat Major Op. 18 [Live] - Jean Marc Luisada
7. Four Mazurkas Op.24: No. 1 in G Minor [Live] - Jean Marc Luisada
8. Four Mazurkas Op.24: No. 2 in C Major [Live] - Jean Marc Luisada
9. Four Mazurkas Op.24: No. 3 in a Flat Major [Live] - Jean Marc Luisada
10. Four Mazurkas Op.24: No. 4 in B Flat Minor [Live] - Jean Marc Luisada
11. Four Mazurkas Op.30: No. 1 in C Minor [Live] - Kemal Gekic
12. Four Mazurkas Op.30: No. 2 in B Minor [Live] - Kemal Gekic
13. Four Mazurkas Op.30: No. 3 in D Flat Major [Live] - Kemal Gekic
14. Four Mazurkas Op.30: No. 4 in C Sharp Minor [Live] - Kemal Gekic

Tracks:

1. Piano Concerto in a Minor Op.54: Allegro Affettuoso - Berlin Radio Symphony Orchestra, Heidrun Holtman
2. Piano Concerto in a Minor Op.54: Intermezzo. Andantino Grazioso - Berlin Radio Symphony Orchestra, Heidrun Holtman
3. Piano Concerto in a Minor Op.54: Allegro Vivace - Berlin Radio Symphony Orchestra, Heidrun Holtman
4. Introduction and Allegro Appassionato Op.92 - Berlin Radio Symphony Orchestra, Heidrun Holtman
5. Concerto Allegro With Introduction Op.134 - Berlin Radio Symphony Orchestra, Heidrun Holtman

Tracks:

1. Rustle of Spring Op.32, No.6 - Jennd
2. Novelette in F Major Op.21, No.1 - Jennd
3. Songs Without Words: E Major Op.19, No.1 - Jennd
4. Songs Without Words: F Sharp Minor Op.30, No.6 - Jennd
5. Songs Without Words: Duetto in F Major Op.38, No.6 - Jennd
6. Songs Without Words: G Major Op.62, No.1 - Jennd
7. Songs Without Words: Spring Song in a Major Op.62, No.6 - Jennd
8. Intermezzo in a Major, Op.76, No.6 - Jennd
9. Intermezzo in a Minor Op.76, No.7 - Jennd
10. Intermezzo in a Major Op.118, No.2 - Jennd
11. Intermezzo in E Flat Minor Op.118, No.6 - Jennd
12. Lyric Pieces: Arietta Op.12, No.1 - Jennd
13. Lyric Pieces: Folkevise Op.12, No.5 - Jennd
14. Lyric Pieces: Butterfly Op.43, No.1 - Jennd
15. Lyric Pieces: To Spring Op.43, No.6 - Jennd
16. Lyric Pieces: Notturno Op.54, No.4 - Jennd
17. Lyric Pieces: Bryllupsdag Pa Troldhaugen Op.65, No.6 - Jennd
18. Saisons Op.37b, No. 6 Juin Barcarolle - Jennd
19. Chant Sans Paroles: Souvenir de Hapsal Op.2, No.3 - Jennd
20. Melody in F Op.3, No.1 - Jennd
21. Humoresque in G Flat Major Op.101, No.7 - Jennd

Tracks:

1. Impromptu in B Flat Major D.935, No.3: Theme: Andante - Jennd
2. Impromptu in B Flat Major D.935, No.3: Variation 1 - Jennd
3. Impromptu in B Flat Major D.935, No.3: Variation 2 - Jennd
4. Impromptu in B Flat Major D.935, No.3: Variation 3 - Jennd
5. Impromptu in B Flat Major D.935, No.3: Variation 4 - Jennd
6. Impromptu in B Flat Major D.935, No.3: Variation 5 - Jennd
7. Impromptu in B Flat Major D.935, No.3: Pito - Jennd
8. 6 Moments Musicaux D.780: No. 1 in C Major - Jennd
9. 6 Moments Musicaux D.780: No. 2 in a Flat Major - Jennd
10. 6 Moments Musicaux D.780: No. 6 in F Minor - Jennd
11. 4 Impromptus D.899: No. 1 in C Minor - Jennd
12. 4 Impromptus D.899: No. 2 in E Flat Major - Jennd
13. 4 Impromptus D.899: No. 3 in G Flat Major - Jennd
14. 4 Impromptus D.899: No. 4 in a Flat Major - Jennd

Tracks:

1. Sonata in a Major D.959: Allegro - Michael Endres
2. Sonata in a Major D.959: Andantino - Michael Endres
3. Sonata in a Major D.959: Scherzo: Allegro Vivace - Michael Endres
4. Sonata in a Major D.959: Rondo: Allegretto - Michael Endres
5. Sonata in B Flat Major D.960: Molto Moderato - Michael Endres
6. Sonata in B Flat Major D.960: Andante Sostenuto - Michael Endres
7. Sonata in B Flat Major D.960: Scherzo: Allegro Vivace - Michael Endres
8. Sonata in B Flat Major D.960: Allegro Ma Non Troppo - Michael Endres

Tracks:

1. Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
2. Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
3. Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
4. Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
5. Concerto for Piano and Orchestra in a Minor Op.16: Adagio - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
6. Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto E ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin

Tracks:

1. Piano Concerto No. 2 in B Flat Major Op.83: Allegro Non Troppo - Dimitris Sgouros, Sofia Philharmonic Orchestra
2. Piano Concerto No. 2 in B Flat Major Op.83: Allegro Appassionato - Dimitris Sgouros, Sofia Philharmonic Orchestra
3. Piano Concerto No. 2 in B Flat Major Op.83: Andante - Dimitris Sgouros, Sofia Philharmonic Orchestra
4. Piano Concerto No. 2 in B Flat Major Op.83: Allegro Giocoso - Dimitris Sgouros, Sofia Philharmonic Orchestra

Tracks:

1. Piano Concerto No. 2 in a Major Hungarian Fantasy: Adagio ... - Budapest Symphony Orchestra, Jennd
2. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Agitato ... - Budapest Symphony Orchestra, Jennd
3. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Moderato - Budapest Symphony Orchestra, Jennd
4. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Deciso - Budapest Symphony Orchestra, Jennd
5. Piano Concerto No. 2 in a Major Hungarian Fantasy: Marziale, Un ... - Budapest Symphony Orchestra, Jennd
6. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Animato - Budapest Symphony Orchestra, Jennd
7. Fantasy on Hungarian Folk-Tunes - Budapest Symphony Orchestra, Jennd
8. Polonaise Brillante (After Weber) - Budapest Symphony Orchestra, Jennd
9. Fantasy on Weber's FreischVilmos Fischer

Tracks:

1. Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
2. Pictures at an Exhibition: Gnomus. Sempre Vivo
3. Pictures at an Exhibition: Promenade. Moderato Commodo Assai E Con ...
4. Pictures at an Exhibition: Il Vechhio Castello (The Old Castle) . ...
5. Pictures at an Exhibition: Promenade. Moderato Non Tanto, Pesamente
6. Pictures at an Exhibition: Tuileries. Allegretto Non Troppo, ...
7. Pictures at an Exhibition: Bydlo. Sempre Moderato, Pesante
8. Pictures at an Exhibition: Promenade. Tranquillo
9. Pictures at an Exhibition: Ballet of the Chickens in Their Shells. ...
10. Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. ...
11. Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
12. Pictures at an Exhibition: Limoges. Le MarchThe Market Place) . ...
13. Pictures at an Exhibition: Catacombae. Sepulcrum Romanum. Largo
14. Pictures at an Exhibition: Cum Mortuis in Lingua Mortua. Adante ...
15. Pictures at an Exhibition: The Hut on Fowls' Legs - Baba-Yaga. Allegro
16. Pictures at an Exhibition: The Great Gate of Kiev - Allegro Alla ...
17. Three Intermezzos Op.117: Intermezzo in E Flat Major. Andante Moderato
18. Three Intermezzos Op.117: Intermezzo in B Flat Minor. Andante Non ...
19. Three Intermezzos Op.117: Intermezzo in C Sharp Minor. Andante Con ...
20. Piano Pieces Op.118: No. 1 Intermezzo in a Minor (Allegro Non Assai)
21. Piano Pieces Op.118: No. 2 Intermezzo in a Major (Andante Teneramente)
22. Piano Pieces Op.118: No. 3 Ballad in G Minor (Allegro Energico)
23. Piano Pieces Op.118: No. 4 Intermezzo in F Minor (Andante - Allegretto
24. Piano Pieces Op.118: No. 5 Romance in F Major (Andante - ...)
25. Piano Pieces Op.118: No. 6 Intermezzo in E Flat Minor (Andante, ...)

Tracks:

1. Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Moderato - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
2. Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Adagio ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
3. Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
4. Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
5. Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Largo - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
6. Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov

Tracks:

1. Prde Op.3, No.2 - Margarete Babinsky
2. Mdie Op.3, No.3 - Margarete Babinsky
3. Polichinelle Op.3, No.4 - Margarete Babinsky
4. Moment Musical Op.16, No.3 - Margarete Babinsky
5. Moment Musical Op.16, No.5 - Margarete Babinsky
6. Variations on a Theme by Corelli Op.42 - Margarete Babinsky
7. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
8. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
9. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
10. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
11. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
12. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
13. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
14. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
15. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
16. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
17. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
18. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
19. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
20. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
21. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
22. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
23. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
24. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
25. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
26. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
27. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
28. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
29. Prde Op.23, No.5 - Margarete Babinsky

Tracks:

1. Rhapsody in Blue - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
2. Concerto in F for Piano and Orchestra: Allegro - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
3. Concerto in F for Piano and Orchestra: Adagio. Andante Con Moto - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
4. Concerto in F for Piano and Orchestra: Allegro Agitato - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
5. American in Paris - Cle Ousset, , Radio Symphony Orchestra of Stuttgart

Album Description

This amazing 20-CD set truly is the ultimate piano collection! With over 20 hours of the greatest piano classics, from Mozart's priceless Piano Concertos and Sonatas to Gershwin's legendary Rhapsody in Blue, this set is a must have for everyone's collection. So sit back, relax and drift away on the beautiful melodic waves of classical piano at its very best.

Customer Reviews:

Ultimate music for every time of day and every mood.......2007-07-03

With 20 CDs in the collection, we have classical music for every mood and atime of day.

Would give 5 stars if sound quality where better.......2007-06-30

This Classical collection is one of great length and breadth ,and is well worth purchasing ,if you want an abundance of music at a low price.The sound quality is decent,however it is not great.This set will not provide you with the crisp,clear sound quality of a RCA,CBS or other well known label,so some classical aficionados may not appreciate it much.It all depends on what your looking for ,I guess.

Great collection for a great price.......2007-06-27

I did not expect much in buying this collection, but I was greatly surpeised. There were no reviews of the product at the time, and I bought the collection simply as a sampler of many great piano pieces. Most of the recordings are exquisite and of decent recording quality. This collection was well worth the price.

20 Fabulous Discs.......2007-06-08

I am surprised that this set has been out for 4 years and nobody reviewed it here yet. This is a lovely and occasionally amazing compilation. I was moved by many of the compositions. I really enhanced my classical music collection with this set. You have so many legends here to enjoy, from Bach to Brahms, Mozart to Beethoven, Chopin, Liszt, Rachmaninov, Gershwin, and more. If you love classical piano music and don't already have most of these works then this is a must buy for you. The price may go up, but I was fortunate to cash in on the $17.97 price. Quite a bargain for 20 fabulous discs.

Average customer rating: Fine anthology but still prefer her "Four Last Songs" recording RIP DAME ELIZABETH (1915-2006) SCHWARZKOPF ----- ONE OF THE GREATS OF THE TWENTIETH CENTURY ¡PERFECT! PERFECTA INTERPRETACIÓN

The Very Best of Elisabeth Schwarzkopf Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Humperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Smetana | Smetana, Bedrich | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolf | Wolf, Hugo | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Schwarzkopf, Elisabeth | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Humperdinck, Engelbert | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Lehar, Franz | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Schubert, Franz | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Strauss Jr., Johann | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Strauss, Richard | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Wagner, Richard | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Weber, Carl Maria von | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Wolf, Hugo | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by J.S. 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Tracks:

1. Ach War Ich Schon (Fidelio)
2. Non So Piu (Le Nozze Di Figaro)
3. Porgi, Amor (Le Nozze Di Figaro)
4. E Susanna Non Vien!...Dove Sono (Le Nozze Di Figaro)
5. Mi Tradi Quell'Alma Ingrata (Don Giovanni)
6. Come Scoglio (Cosi Fan Tutti)
7. Leise, Leise, Fromme Weise (Der Freischutz)
8. Dich, Teure Halle (Tannhauser)
9. Einsam In Truben Tagen (Lohengrin)
10. Wie Fremd Und Tot (Die Verkaufte Braut)
11. Bruderchen, Komm, Tanz Mit Mir (Hansel Und Gretel)
12. Da Geht Er Hin (Der Rosenkavalier)
13. Es Gibt Ein Reich (Ariadne Auf Naxos) - Richard Strauss
14. Das War Sehr Gut (Arabella)

Tracks:

1. Jauchzet Gott In Allen Landen
2. Bist Du Bei Mir
3. Ridente La Calma
4. An Die Musik
5. Der Musensohn
6. Nachtviolen
7. Der Musensohn
8. Auch Kleine Dinge
9. Mein Liebster Ist So Klein
10. Verschling' Der Abgrund
11. Ich Hab' In Penna
12. Wiegenlied Im Sommer
13. Mausfallenspruchlein
14. In Dem Schatten Meiner Locken
15. Mignon (Kennst Du Das Land?)
16. Gsatzli (Swiss Folksong)
17. Fruhling
18. Im Abendrot
19. Muttertandelei
20. Zueignung
21. Klange Der Heimat (Die Fledermaus)
22. Es Lebt'Eine Vilja (Die Lustige Witwe)
23. Im Chambre Separee (Der Opemball)
24. Wien, Du Stadt Meiner Traume

Amazon.com

Elisabeth Schwarzkopf was certainly one of the greatest singers of her own, or indeed any other time. An obsessive perfectionist, her flawless technique and intonation over a huge range, vocal flexibility, breath control, phrasing, stylistic versatility, and above all her focused, radiantly beautiful sound were matchless and incomparable. All these are on full display on this generous 2-CD set, which features over a dozen arias, songs by Schubert, Wolf and Richard Strauss, and some lighter fare. The recordings were made between 1950 and 1967, and the singing becomes better and better, the voice richer and more varied, the expression deeper and more immediate. Not surprisingly, the peaks come in the arias from her signature roles in Mozart's Figaro, Don Giovanni, and Cosi fan tutte; Richard Strauss' Ariadne, Rosenkavalier, and Arabella, which rise to real ecstasy; and arias from Weber's Freischütz and Smetana's Bartered Bride, which are wonderfully intimate and touching. She is less convincing in roles she never sang on stage, and the "childish" voice she cultivated especially for Hänsel and Gretel is unnatural and contrived. The same is true of the last two "popular" numbers, which sound condescending and artificial. The songs, however, have all her customary finesse and inwardness; the Wolf group, perhaps chosen for its gentle humor, is charming, while Strauss' "Four Last Songs" (represented by two) shimmer and soar. Schwarzkopf's singing had instantly recognizable characteristics: a tendency to hold back both vocally and emotionally, giving a sense of noble restraint, but also of cool detachment; excessive use of color and nuance, creating a fussy, calculated and somewhat artificial air. Only rarely does she "let go" with full voice and spontaneous feeling. However, as these recordings show, she invariably inspires admiration and captures ear and heart through the inimitable, glorious beauty of her voice. --Edith Eisler

Customer Reviews:

Fine anthology but still prefer her "Four Last Songs" recording.......2006-11-06

The engineering and audio quality of these 1960's performances are surprisingly good. The songs are wonderfully peformed and cover a range of periods and styles, but I find myself returning to her recording (also re-released on CD) of Strauss' "Four Last Songs", which I would give 6 stars -- my favorite recording of all time.

RIP DAME ELIZABETH (1915-2006).......2006-08-04

This set is a fine tribute to this extraordinary singer and musician. I was saddened to read about her passing. She had a long life (90 years) and inspired a whole generation of singers and music lovers throughout the world.

SCHWARZKOPF ----- ONE OF THE GREATS OF THE TWENTIETH CENTURY.......2006-01-29

Elisabeth Schwarzkopf's career is what legends are made of. She is every bit as fundamental to classical singing in the twentieth century as is Maria Callas. Schwarzkopf sang with refinement, polish, beauty of voice, and meticulous articulation. She was the greatest Mozart and Strauss soprano of her day; her ability to sing the operetta music of Lehar, Suppe', and Johann Strauss has not been equalled; she performed with distinction orchestral compositions of Mahler, Brahms, Bach, and Handel; her Schubert, Schumann, Wolf, and Mahler lieder were exemplary. She sang many operatic roles, far more than many people realize, and was certainly the definitive Marshallin in "Rosenkavalier" throughout the 1950's and 1960'. I saw her many times in recital in Chicago, and even at the time of her farewell (which I was fortunate enough to see), she was sublime. All of the superlative qualities of Schwarzkopf are generously demonstrated throughout these two wonder CD's. Virtually every item is magnificent (though obviously some will prefer some to others) and has the detailed Schwarzkopf imprint stamped right into the music. This CD, great as it is, represents only a very small part of the greatness of Schwarzkopf. I already own tons of her operas and recitals, from which many of the items here come from. But for the sake of completeness, I will probably add it. A person who loves great singing can never have too much of the art of Elisabeth Schwarzkopf. She's a vocal icon.

¡PERFECT!.......2005-02-10

I only want to say that you can hear, in this double cd, one of the great singers of all time. Elisabeth Schwarzkopf. Why? Because she sings all the arias and lieder with pure of tone, brilliance, perfect inflexion, modulation, excellent control breath, measured vibrato, and, all above, great emision of colours. She is master in this art.

PERFECTA INTERPRETACIÓN.......2005-02-09

La mejor recopilación de la discografía de Elisabeth Schwarzkopf. Su belleza de voz, la impecable hilación de frases, y, sobre todo, su expresiva interpretación son algunas de las sorpresas que se podrán escuchar en estos dos discos. Sin duda, UNA DE LAS MEJORES SOPRANOS DEL SIGLO XX.

Average customer rating: Kleiber's genius is the key here A safe choice for a recording of "Der Freischutz" brava, Janowitz, brava, Mathis Es ist gut... GOTHIC GLORY

Weber: Der Freischütz Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Janowitz, Gundula | Divas | Opera & Vocal | Styles | Music Weber, Carl Maria von | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Weber, Carl Maria von | ( W ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Gounod: Romeo Et Juliette Verdi - Falstaff / Gobbi · Schwarzkopf · Moffo · Karajan Wagner: Tristan und Isolde Beethoven: Fidelio Verdi: Macbeth ASIN: B000006145 Release Date: 1998-04-14

Tracks:

1. Der Freischiitz: Overture
2. Der Freischiitz: No. 1 Introduktion
3. Der Freischiitz: Was Gibt's Hier?
4. Der Freischiitz: No. 2 Terzett Mit Chor
5. Der Freischiitz: Ein Braver Mann
6. Der Freischiitz: No. 3 Walzer
7. Der Freischiitz: Rezitativ Und Arie
8. Der Freischiitz: Kamerad
9. Der Freischiitz: No. 4 Lied
10. Der Freischiitz: Bruderherz!
11. Der Freischiitz: No. 5 Arie
12. Der Freischiitz: No. 6 Duett
13. Der Freischiitz: So! Da Oben Mag Ich Den Herrn Uraltervater
14. Der Freischiitz: No. 7 Ariette
15. Der Freischiitz: Und Der Bursch Nicht Minder Schon!
16. Der Freischiitz: No. 8 Szene Und Arie
17. Der Freischiitz: Meine Agathe!
18. Der Freischiitz: No. 9 Terzett

Tracks:

1. Der Freischutz: No. 10 Finale
2. Der Freischutz: No11 Entr'acte
3. Der Freischutz: Herrliches Jagdwetter!
4. Der Freischutz: No. 12 Kavatine
5. Der Freischutz: Du Hast Dich Dazugehalten!
6. Der Freischutz: No13 Romanze, Razitativ Und Arie
7. Der Freischutz: Nun Mub Ich Aber Den Kranz Holen!
8. Der Freischutz: No. 14 Volkslied
9. Der Freischutz: No. 15 Jagerchor
10. Der Freischutz: Genug Der Freuden Des Mahles
11. Der Freischutz: No. 16 Finale
12. Der Freischutz: Wer Legt Auf Ihn So Strengen Bann?

Amazon.com

Der Freischütz is one of the great milestones in the history of opera. The resounding success of its premiere in 1821 practically made it a manifesto for German Romantic opera, one that would become a significant formative influence on Wagner. Although it has its roots in the Singspiel tradition exemplified by Mozart's Die Zauberflöte, Der Freischütz cut new ground with its potent mixture of supernatural elements, dreams, folk melodies, evocations of nature, and symphonic tone painting. Here, von Weber exploited his brilliant orchestral imagination--using, for example, carefully divided string tremolos and a gleaming choir of four horns--to maximum effect. This legendary recording from 1973 was Carlos Kleiber's first studio project, and the scrupulous attention he lavished on the score resulted in an interpretation that continues to sound bold, fresh, and authoritative. The Dresden Staatskapelle plays in top form, whether in tenderly sprung wind solos or in the truly spooky atmospherics of the famous Wolf's Glen scene. Peter Schreier's dark, pungent tenor is something of an acquired taste, but he gives fervent voice to the despair of hunter/protagonist Max. Gundula Janowitz sings with stirring beauty and enriches the two-dimensional character of Max's beloved Agathe with remarkable depth, revealing both her innocence and her agonized foreboding. And Theo Adam delivers a thoroughly spiteful, loathesome vocal portrait of the nefarious Kaspar, whose pact with the devil Samiel goes awry. For a work that is not performed nearly as often as it deserves to be, this recording is essential. --Thomas May

Customer Reviews:

Kleiber's genius is the key here.......2006-08-19

For most listeners, taking on faith that this legendary recording really is great, there's nothing to be disappointed by. Before Carlos Kleiber came to the score, Der Freischutz was a comfortable staple in German opera houses, to be absorbed along with strudel and beer as an accepted thing. Kleiber set the music on fire, and it's due to him that every moment is riveting. DG's 1973 sonics, to tell the truth, are a bit edgy and thin, but the new remastering is a step forward.

The detractors at Amazon have a point about the singing. If you aren't tuned in to Kleiber as the opera's driving force, picking at Peter Schreier (too thin and screechy for the role of Max), Gundula Janowitz (cool and a bit hooty as Agathe), and Theo Adam (curdled tone, dull portrayal) comes easily enough. But no rival Freischutz is perfeclty cast, and the fiendishly difficult role of Max never found its perfect exponent in Fritz Wunderlich, who died before he could record it.

Taking all the minuses into account, the singers are imperfect but very fine, and by subsuming themselves to Kleiber's vision, they give us a Freischutz unmatched on records.

A safe choice for a recording of "Der Freischutz".......2005-12-15

Source: 1973 studio recording made at VEB Deutsche Schallplaten, Berlin (in what was then very carefully designated as the DDR or German Democratic Republic.)

Sound: Good 1970s Deutsche Grammophon stereo.

Cast: Agathe - Gundula Janowitz; Annchen - Edith Mathis; Max - Peter Schreier; Kaspar - Theo Adam; Ottokar - Bernd Weikl; Kuno - Siegfried Vogel; Hermit - Franz Crass; Kilian - Gunther Leib; First Bridesmaid - Renate Hoff, Second Bridesmaid - Brigitte Pfretzschner; Third Bridesmaid - Renate Krahmer; Fourth Bridesmaid - Ingeborg Springer. Conductor - Carlos Kleiber with the Staatskapelle Dresden and the Rundfunkchor Leipzig.

Dialogue cast: Agathe - Regine Jeske; Annchen - Ingrid Hille; Max - Hans Jorn Weber; Kaspar / Samiel - Gerhard Paul; Ottokar - Otto Mellies; Kuno - Gerd Biewer; Hermit - Franz Crass; Kilian - Günther Leib; Royal Huntsman - Friedrich Wilhelm Junge; Royal Bodyguard - Achim Schmidtchen; Gamekeeper - August Hutten.

Reading Amazon reviews can sometimes be quite revelatory. In this case, before one listens to a single bar of the performance it is clear that there is something odd about the conducting. There is an air of protesting too much about the praise accorded to it. On the other hand, the singers seem to have attracted relatively little comment--potentially an ominous portent for an opera.

Well, on listening to the opera, I find that the singers aren't worth much in the way of comment. Janowitz and Adam are the best of the bunch and, truth to tell, that isn't particularly high praise. Peter Schreier is one of those acquired tastes that I have no intention of acquiring. He's not bad, not really, but who would go out of their way to hear him? He makes the egregious Hans Hopf on the old recordings conducted by Furtwangler and Erich Kleiber sound positively ... musical by comparison. The rest of the singing cast is appropriately competent, neither more nor less.

I specifically mention the singing cast because this is one of those lame productions in which some fool of a producer has decided that singers are incapable of speaking. Voice actors do the dialogue passages, a practice that virtually guarantees disaster, for the voices of the actors never match those of the singers and because such actors invariably overdo it by performing in what they fondly imagine to be an operatic style. Such casting costs this recording one star, all by itself. And the casting of a single voice actor to hold conversations with himself as Kaspar AND Samiel is simply perverse!

This, we are informed, is Kleiber Minor's first big-time recording, and it shows it. There are passages which are indisputably very good. There are passages which are just plain strange. What there unquestionably is not is a self-consistent and convincing vision of what "Der Freischutz"is all about, the sort of thing that is so clear in the ultra-Romantic version of Wilhelm Furtwängler and in the more restrained but equally brilliant version conducted by Carlos Kleiber's father, Erich. The elder Kleiber's "Freischutz" had been broadcast in 1955. It must have been one of the older man's last major projects before his sudden death in January 1956. Carlos Kleiber must have been familiar with his father's version of the opera, leading me to speculate that at least some of the peculiarities of this recording owe their existence to generational rivalry between father and son.

"Der Freischutz" is a far better opera than its current spotty performance frequency in North America might suggest. It has a fine overture that is followed by a slightly ponderous, scenario-establishing First Scene. The opera truly takes off in the vocally spectacular Second Scene of Act I. If two really first class sopranos from the German school of singing are present, the sequence of solos and duets make it is as good as anything written anywhere by anybody. Janowitz and Mathis are good but not great, making this scene less than it might be. The heart of the opera is the ensuing Wolf's Glen scene. Here, Weber pulled out all the stops to create the first Romantic opera. A very young Richard Wagner was bowled over by this opera. It set him on his chosen career. And we all know where that led....

The Wolf's Glen scene is jolly good fun, brilliantly constructed and it certainly had enormous impact on audiences for decades after its premiere in 1821. Its lineal descendants include Fafner's den in "Siegfried," both "Salome" and Elektra," "Wozzeck" and the musical scores of every other horror movie made in Hollywood or anywhere else. That being the case, it strikes me that the Amazon reviewers who inform us "that after 200 years the Wolf's Glen scene can still make a person shudder" and of "the really terrific sense of eerie menace" are being a bit hyperbolic. For the opera as a whole, I find myself more in agreement with this comment from the discerning Amazon reviewer, Sean Coxen: "If a record collector were to purchase only one 'Freischutz' for his library, this would be a safe enough choice". A safe choice, for the sound is (more or less) modern and the singers are (more or less) acceptable. Yes, quite safe. If, however, someone out there is looking for a GOOD performance, not just a safe one, I suggest you grab a copy of either the Furtwängler version or the Erich Kleiber. Heck, they're both cheap and they're both excellent, so buy both!

A COMMENT ON CASTING: An earlier reviewer rhetorically asked where a perfect Agathe is to be found. There is a simple answer to that: Elizabeth Grummer. She was a gloriously shining star of the post-WWII era, equally brilliant as Donna Anna in "Don Giovanni" and Eva in "Die Meistersinger." As Agathe for both Furtwangler and Kleiber, she was wonderful--there is no other word for it.

A COMMENT ON IMAGERY: A complaint from an Amazon reviewer about the most recent published state of this recording, "Even the excellent (menacing!) cover art is placed askew", leads me to ask this: Can't anybody see that the cover shows a side-by-side shotgun? This is an opera about riflemen, for Pete's sake. The most famous scene in the opera involves casting seven magic rifle bullets! So, why the shotgun?

brava, Janowitz, brava, Mathis.......2005-10-20

I can't add anything that will give you more insight that the wonderful reviews already written about this recording. I simply would like to state that I am grateful that Gundula Janowita and Edith Mathis were chosen to sing the roles of Agathe and Annchen.

The critics will say that Janowitz is not an ideal Agathe. Who, then, is an ideal Agathe? This is a role that is seemingly contradictory in itself, in terms of singing. It sometimes requires pure, limpid note-spinning; at other times, Wagnerian steel. The quandary is: Whom best to choose? Do you opt for a more lyrical voice, or a dramatic one? I vote for the lyrical one. Birgit Nilsson also sang this role on record. But, evidently, she was too rough for the role. Janowitz, of course, doesn't have Nilsson's steel, but she acquits herself in the more dramatic moments. There is no ugly spread on top, as you would expect out of lyrical soprano who is "pushing." To my ears, she remains in tune. For someone who is celebrated as an interpreter of Mozart, it is incredible that she could excel, at least on record, as Agathe.

Edith Mathis is also a joy to hear. She is ideally paired with Janowitz. Too bad, though, that the woman whom they chose for the speaking voice of Annchen sounds like a wenchy barmaid.

Es ist gut..........2005-09-29

The whole opera is well done, but I felt that Agatha's arias could have been a little faster. The end of "Leise, Leise" lacked excitement.

GOTHIC GLORY.......2005-04-01

Balancing brilliant value in performance and recording against infuriating lack of commentary in the liner, I still have to give this great set the full 5 stars.

The performance is 30 years old now, but the recording at its frequent best would draw high praise even today. The quality is not quite 100% consistent - now and again passages for full orchestra lack the spaciousness and depth that are so remarkable at many other points, and there is just a hint of distortion on Janowitz's high notes in her big scena in Act II, but these are quibbles. Far more representative of the general proficiency in the recording is the wonderful romantic aura round the even more wonderful horn playing near the start, the really terrific sense of eerie menace in the wolves' glen (with the full terror of Samiel reserved for the end) and the perfect fidelity given in general to the singing, both solo and chorus. Both Janowitz and Mathis sing like angels from on high, the huntsmen in chorus are the nimblest and most accomplished such a body that I ever heard, and the orchestral tone is gorgeous too. All this demanded full justice from the recording staff, and they have done it proud.

I personally go along with Kleiber's handling of the score in practically every way. When steadiness and calm are called for we get them - the slow start to the overture could hardly be better, nor could Agathe's great cavatina in Act III, sublimely done by Janowitz. However this reading has a spring in its step, and that as much as anything is what I love about it. It helps, obviously, to have virtuoso performers, and I have already drawn attention to the chorus in that respect. For all the Gothic shivers and goings-on, this opera is full of joie de vivre, or whatever the German is for that. Like Mozart, Schubert, Chopin, Mendelssohn, Schumann and Bizet, Weber was taken away from us too soon, another sacrifice to consumption. No composer's music could be less suggestive of approaching death that his. His orchestral scoring alone, deeply admired by no less a master of that art than Berlioz, is a celebration of life by itself. His melodic gift is one of the greatest there has ever been, stronger in my view than Mendelssohn's and up there with that of Berlioz and that of Verdi himself. This is what an adequate realisation of this work must bring out, not just the picturesque horrors. On this set you will hear some genuinely spontaneous-sounding laughter for one thing, and the true and vital gusto from the peasants, huntsmen and the rest of them. Obviously `characterisation' in a lightweight and fairy-tale parallel like this to the Faust theme is broad-brush, but where this score excels is in its varied and intensely dramatic delineation of situations. This is something else the conductor must present with the utmost clarity and vividness, and I can hardly imagine it done better than it is done here. And a special mention must be made of the magnificent realisation of the scene with the hermit (der fromme Klausner for initiates) -- credit even-handedly to Kleiber and to Franz Crass.

I love dear Schumann and I love his Manfred, especially in the realisation by Beecham, but I could only sigh to think of what Weber might have done with that theme. We should be grateful for what we've got, I suppose. The entire cast cover themselves with glory, but pride of place goes to the two sopranos. Peter Schreier is what I sometimes think of as a `mezzo-tenor', something like Mark Padmore. Theo Adam is a Wotan and a Sachs that I particularly like because of my own personal interpretation of those roles, but even those who think him lightweight in Wagner surely must have no such reservations about his Kaspar. The men are all fine, but it's the women here who make the really big impression - them and the orchestra. Not to mention the chorus and the conductor. Nor do I overlook the recording personnel.

Average customer rating: Another Gem from Sony Essential Classics

Opera Overtures & Incidental Music Giuseppe Verdi , Bedrich Smetana , Carl Maria von Weber , Jaromir Weinberger , Ermanno Wolf-Ferrari , Engelbert Humperdinck , Pietro Mascagni , Thomas Schippers , Eugene Ormandy , Columbia Symphony Orchestra , and Philadelphia Orchestra Manufacturer: Sony ProductGroup: Music Binding: Audio CD Humperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Smetana | Smetana, Bedrich | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolf-Ferrari | Wolf-Ferrari, Ermanno | ( W ) | Featured Composers, A-Z | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music New York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Compilations | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Famous Overtures William Tell & Other Favorite Overtures Strauss: Orchestral Music from Stage Works American Masterpieces Rossini: Overtures (14) ASIN: B0000029WQ Release Date: 1997-07-01

Tracks:

1. La forza del destino: Overture
2. The Bartered Bride: Overture
3. La Traviata: Prelude (Act I)
4. La Traviata: Prelude (Act III)
5. Der Freischutz: Overture
6. Euryanthe, Op. 81: Overture
7. Schwanda The Bagpiper: Polka
8. Schwanda The Bagpiper: Fugue
9. Jewels Of The Madonna: Intermezzo (Act III)
10. Hansel And Gretel: 'Prayer'
11. Cavalleria Rusticana: Intermezzo
12. Mignon: Overture
13. Mignon: Gavotte
14. Donna Diana: Overture

Customer Reviews:

Another Gem from Sony Essential Classics.......2003-07-07

As I have stated in many of my previous reviews, I am a huge fan of the Sony Essential Classics (SEC) budget series. Most of the recordings feature classic and often definitive performances featuring the likes of Leonard Bernstein, George Szell, Isaac Stern, Robert Casadesus, and Rudolf Serkin among others. Here we get two great conductors in Eugene Ormandy and Thomas Schippers (the latter would certainly more of a household name had he not died young) performing Overtures and Incidental Music from various operas. With only two orchestras and conductors performing the majority of works in this collection, SEC's Opera Overtures disc has a much more consistent feel overall than its Rossini Overtures set (see my review). Of course at the end of this CD two other conductors make an appearance -- Zubin Mehta on Reznicek's "Donna Diana" Overture and Antonio De Almeida (who is not listed above) on Thomas' "Mignon" Overture. In all, this is an outstanding collection, worth getting for the rarely heard artistry of Schippers alone.

Average customer rating: One of the best Liszt CD's you can own Where Are The Rave Reviews ? This is Incredible Wonderful operatic transcriptions

Liszt at the Opera: Operatic Fantasies, Paraphrases, and Transcriptions, Vol. I (Complete Music for Solo Piano, Vol. 6) Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Sarabande | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Howard, Leslie | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Classical | Imports | Stores | Music Similar Items: Liszt at the Opera II Liszt at the Opera: Operatic Fantasies, Paraphrases, and Transcriptions, Vol. VI (Complete Music for Solo Piano, Vol. 54) Liszt Transcriptions of Berlioz, Chopin, Saint-Saëns Liszt at the Opera, Vol 4 Liszt at the Opera III ASIN: B000002ZMJ Release Date: 1993-11-16

Tracks:

1. Operatic Fantasies, Paraphrases And Transcriptions: Ouverture aus der oper der Freischutz
2. Operatic Fantasies, Paraphrases And Transcriptions: Reminiscences de Don Juan
3. Operatic Fantasies, Paraphrases And Transcriptions: Aida di Verdi - Danza Sacra e Duetto Finale
4. Operatic Fantasies, Paraphrases And Transcriptions: Polonaise aus Tschaikowskys oper Jewgeny Onegin
5. Operatic Fantasies, Paraphrases And Transcriptions: Tscherkessenmarsch aus Russlan und Ludmilla
6. Operatic Fantasies, Paraphrases And Transcriptions: Sarabande und Chaconne aus dem Singspiel Almira
7. Operatic Fantasies, Paraphrases And Transcriptions: Benediction et Sermont- Deux motifs de Benvenuto Cellini
8. Operatic Fantasies, Paraphrases And Transcriptions: Valse de L'Opera Faust

Tracks:

1. Operatic Fantasies, Paraphrases And Transcriptions: Isoldens Liebestod - Schluss-szenn aus Tristan und Isolde
2. Operatic Fantasies, Paraphrases And Transcriptions: Remeniscences de Lucia di Lamermoor
3. Operatic Fantasies, Paraphrases And Transcriptions: Marche Funebre et Cavatine de Lucia de Lamermoor
4. Operatic Fantasies, Paraphrases And Transcriptions: Halloh! - Jagdchor und Steyrer aus der oper Tony
5. Operatic Fantasies, Paraphrases And Transcriptions: Illustrations de L'Opera L'Africaine
6. Operatic Fantasies, Paraphrases And Transcriptions: part 2
7. Operatic Fantasies, Paraphrases And Transcriptions: Three Pieces on Themes by Auber (1)
8. Operatic Fantasies, Paraphrases And Transcriptions: 2
9. Operatic Fantasies, Paraphrases And Transcriptions: 3
10. Operatic Fantasies, Paraphrases And Transcriptions: 4
11. Operatic Fantasies, Paraphrases And Transcriptions: Reminiscences de Norma

Customer Reviews:

One of the best Liszt CD's you can own.......2006-08-19

I echo what the reviewer below me says and repeat, "Where ARE the rave reviews" for this? This is probably one of the greatest Liszt CD's you can have. The virtuosic performance and wonderful interpretations from Leslie Howard are worth the price alone, but the music... god this music is incredible. Liszt's genius and proficiency in composition must be admired when you hear what he does with simple melodies or themes from operas. The originality and beautifully crafted paraphrases, not to mention the meticulous transcriptions, are simply breathtaking.

Liszt takes us through dramatic storms, rousing waltzes, terrifying marches, lamenting hymns, romantic songs, and brooding worlds of music. The unique melodies that Liszt augments with the piano has to be heard. These pieces just as great and musically complex as his other piano works. Why aren't more pianists reviving these fantasies on the concert stage?

Where to start here... I have to comment on each work because there is not one piece here that should be overlooked! Each work here is exceptionally amazing and masterful. The transcription of the "Der Freischutz" overture is dramatic, powerful and memorable. "Reminiscences of Don Juan" speaks for itself, but as for the interpretation by Howard, I'm afraid it's not the best. I much prefer Bolet's. Verdi's "Aida" paraphrase is remarkably beautiful and potent in its melodies. The transcription of Tchaikovsky's "Polonaise from Eugene Onegin," is cheerful and brilliant. The march from Glinka's "Russlan and Ludmilla" is a perfect menacing concoction on the piano through Liszt's fingers with a devilishly awesome theme.

Most of all, the paraphrase of Handel's "Sarabande and Chaconne" is the most beautiful original piano work I've heard in years. That sad and mournful theme that Liszt plays with endless variations can move you to tears. Liszt picked one theme from a Handel opera and turned it into something as profound and moving as a Beethoven adagio and even more heart-felt than a Chopin nocturne. The transcription of Berlioz' "Benvenuto Cellini" is glorious and enticing; a testament to Liszt's transcribing abilities. And then Howard encores the listener on this first CD one last time with that catchy melody from the waltz in "Gounod's Faust." It's like any Mephisto Waltz Liszt ever composed and thrills the ear with its impish tempo and embellished Romantic sound.

On the second CD, the music only gets better! Howard gives one of the best executions of the Love-Death scene of "Tristan and Isolde." Those tender Wagner melodies on the piano which rise into a crescendo sound otherwordly on the piano and through Liszt's transcription. The wall of sound that builds, followed by the climax of crashes and wails on the piano sends chills up the spine. Howard plays it with such passion and touch. This is probably the only evidence one needs to realize Liszt was a genius with the piano.

The "Reminiscences of Lucia de Lammermoor" is another example of Liszt's prolific ability to make the piano speak and sing. More significantly, Liszt summons such darkness and tension in the marche funebre part; you're hearing a phenomenal piano composition here. Ernst's "Tony" is another stunning transcription by Liszt; the dynamics and craft of this transcription makes for an excellent piano piece. One of the greatest pieces on here though must go to the Paraphrases on Meyerbeer's "L'Africaine." The first one, especially, is beyond anything I've heard on the piano. Those first tragic chords from hell make way for a gentle melody of heaven. The entire piece rises and falls into a sea of heroic and virtuosic music; it simply speaks for itself of how good it is. The second paraphrase is original and uplifting, and of a whole different emotion than the previous one. By now, after you hear all of these fantasies and transcriptions you begin to realize how much the piano was like a bodily organ to Liszt; just as we can speak with our tongue in many gradations and accents, so can Liszt demonstrate any emotion, any subtle feeling or idea onto the piano.

Lastly, the Three pieces on Themes by Auber are not that noteworthy, but have their elegant and beautiful moments. The last piece on the second CD, the Reminiscences of Norma is another masterpiece beside the Reminiscences of Don Juan. However, I again prefer Bolet's more impassioned and thoughtful performance; Howard is ok, but not the best at exposing the magnificence and spirituality of this piece.

Bottom line: Any Liszt lover who has not heard these or does not own this must get it now! This is some of the best music of Liszt and it astounds me that this music has almost been dormant until Howard's discovery. It is superior music that proves Liszt was the most musical and original composer of his time. VERY HIGHLY RECOMMENDED

Where Are The Rave Reviews ? This is Incredible.......2005-04-28

This is a treat for opera fans and fans of classical piano. Franz Liszt loved the opera- a medium which is at heart musical and he felt inspired to transcribe operatic music for piano, probably out of his personal passion for opera and as a way for the middle-class folk of Europe who could play piano (and men and women did those days) to entertain in their homes. This is a vast collection of his best opera-to-piano transcriptions. The pianist last name Howard is a virtuoso, too bad he is'nt that well-known. He is playing piano music which is really quite difficult to execute. Liszt made the piano into an orchestra in itself and composed symphonic transcriptions of Beethoven and Berlioz. This is a rare and miraculous recording album and I feel that every fan of classical music and opera ought to own it.

The excerpts here, with some variations by Liszt's part, include Mozart's Don Giovanni, Verdi's Aida (the Finale) Webber's Die Freeschutz, Tchaikovsky's Eugene Onegin- the Polonaise, Wagner's Tristan and Isolde, Isolde's Liebestod, Berlioz' Benvenuto Cellini, music of Auber, Gounod's Faust (the Waltz) and Bellini's Norma among others. This is worth the price. The music is clear, crisp, beautiful and transcendent. Do not miss your chance of owning this glorious music, which if you are musically inclined, you can play on your own home. Opera on piano is great recital music.

Wonderful operatic transcriptions.......1999-09-17

Liszt at the opera--would he never left. Don Juan is a stand-out, as is the Weber, and the Tchaikovsky, and the...

Average customer rating:

Jagdmusik (Hunting Music) Manufacturer: Novalis ProductGroup: Music Binding: Audio CD All Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Folk | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music ASIN: B000001MPQ Release Date: 1995-12-12

Tracks:

1. The Hunter's Joy: Auf, Auf Zum Frohlichen Jagen
2. The Hunter's Joy: Ein Jager Aus Kurpfalz
3. The Hunter's Joy: Des Jagers Wonderliedchen
4. The Hunter's Joy: Auf Gruner Heid
5. The Hunter's Joy: Le Rendez-Vous De Chasse
6. The Hunter's Joy: Theresien-Fanfare
7. The Hunter's Joy: Diana Jagdmarsch
8. The Hunter's Joy: Jagdstuck
9. The Hunter's Joy: Wachtel-Fanfare
10. The Hunter's Joy: Norderstedter Jagdfanfare
11. The Hunter's Joy: Jagerchor
12. Hunting Fanfare, The Meet: Le Point Du Jour Tagesanbruch
13. Hunting Fanfare, The Meet: Furstenruf
14. Hunting Fanfare, The Meet: Jogerruf
15. Hunting Fanfare, The Meet: Aufsitzen Zur Jagd
16. Hunting Fanfare, The Meet: Marsch (Im Trab) Beim Auszug
17. Hunting Fanfare, The Chase Begins: Ov: Jagd Anblasen
18. Hunting Fanfare, The Chase Begins: Ov: Anjagd, Gute Jagd
19. Hunting Fanfare, The Meet Is Over: Coda: Hubertusfanfare
20. Hunting Fanfare, The Meet Is Over: Coda: Jagd Vorbei-Grosses Halali
21. Hunting Fanfare, The Meet Is Over: Coda: Steh-Fanfare
22. Hunting Fanfare, The Meet Is Over: Coda: Hommage Aux Pigueux
23. St. Hubert's Mass: Introitus (Legende Des Hubertus)
24. St. Hubert's Mass: Kyrie
25. St. Hubert's Mass: Gloria
26. St. Hubert's Mass: Cloches Dans Le Soir
27. St. Hubert's Mass: Agnus Dei
28. St. Hubert's Mass: Sortie De Messe

Average customer rating: Wonderful!!! A Treasure Record: Birgit Nilsson In Her Prime!! Vocal lightning bolts Greatest Classical Recordings!! Amazed

Birgit Nilsson: Opera Arias Manufacturer: Testament UK ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Nilsson, Birgit | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music Mozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Wagner, Richard | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Weber, Carl Maria von | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Beethoven | Beethoven, Ludwig van | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Wagner: Opera Arias & Duets Birgit Nilsson Sings Richard Wagner & Richard Strauss Nilsson Sings Verdi Birgit Nilsson, Vol.1 Or sai chi l'onore: Opernarien von Mozart, Weber, Wagner, Strauss ASIN: B00004YU8P Release Date: 2000-11-14

Tracks:

1. Don Giovanni, Act I: Or Sai Chi L'onore
2. Fidelio, Act I: Abscheulicher, Wo Eilst Du Hin?...Komm Hoffnung
3. Ah, Perfido Op.65
4. Oberon, Act II: Ozean, Du Ungeheuer
5. Der Freischutz, Act II: Wie Nahte Mir der Schlummer... Leise, Leise
6. Tristan Und Isolde, Act III: Mild Und Leise (Liebestod)
7. Un Ballo In Maschera, Act II: Ecco L'orrido Campo... Ma Dall' Arido Stelo Divulsa
8. La Forza Del Destino, Act IV: Pace, Pace Mio Dio
9. Aida, Act I: Ritorna Vincitor
10. Aida, Act III: Qui Radames Verra... O Patria Mia

Customer Reviews:

Wonderful!!!.......2007-01-15

We had been searching and could not find this previously!! We are enjoying, what a great find!!!!!

A Treasure Record: Birgit Nilsson In Her Prime!!.......2005-09-02

This recording is a fine album to add to your collection if you happen to 1: love Birgit Nilsson 2: Collect early recordings of famous opera divas like Birgit Nilsson. In this album, we are treated to arias from operas Birgit sang in both full-length productions and in concert. The large diva from Sweden was most famous for her make Wagner-proud portrayal of Wagner heroines - Brunhilde, Isolde most notably, but she was also quite accomplished in the reperotoire of Strauss, Verdi and Beethoven. Her Mozart (she only sang Dona Ana in Don Giovanni) was not good, I'm afraid to say. I feel her interpretation was very off in the Mozart style (she sounded very weird and her Nordic lyricism was not appropriate for the Mozartian technique)Her Dona Ana lacks the dramatic lustre of such sopranos as Leontyne Price, Sena Jurinac, Carol Vaness and Edda Moser. Compare Nilsson's "Or Sai Che L'onore" featured here to that of Price and Moser -major difference! Her rendition of Beethoven's moving concert aria "Oh Perfido!" is very well-done. It's an extended monologue full of bravura and Nilsson captures the spirit of the aria and Beethoven perfectly. She is also a fine Leonore in Fidelio, though I still personally prefer Sena Jurinac as Fidelio. Naturally, Sweden being closer to Germany, Nilsson was able to learn to sing the language well. She sang her best roles in German- whether it was Fidelio, Salome, Brunhilde, Isolde, Venus or Elisabeth in Tannhauser, or Elektra, or featured here - Agathe in Webber's German Gothic opera Die Freischutz. Now her Verdi was not that bad, though there have been better Aidas then hers. Nilsson took on a lot of demanding roles and always did well, but often she never strayed from the same Wagner technique so that everything she sang sounded like a Wagner heroine (this is the stigma critics always gave her) but Nilsson's voice was beautiful, big and illustrious. Very few singers could do what she did. She surpassed Maria Callas folks, to my assessment. Here are her Aida and Leonora from Forza, and her Leonora was better than her Aida. Not featured here is her fine Puccini roles- Turandot and Tosca. Also, if I were alive in the time Nilsson was singing at the Met, I'd have killed to see her sing Bellini's Norma, a role I feel was perfectly suited for her.

Vocal lightning bolts.......2004-01-10

If you lke to be hit by vocal lightning bolts, buy this!!

Greatest Classical Recordings!!.......2003-12-25

If there were a greatest list of classical recordings, this would be it!! Since Nilsson retired, she has had no successor. Listen to this and you know why!!

Amazed.......2003-11-26

I'm amazed at how accurately this recording captures the power, majesty and beauty of Birgit Nilsson's mighty voice. Many of her Decca recordings do not do full justice to her huge strong voice. Fortunately, her Isolde and Brunnhilde with Karl Bohm (Deutsche) more accurately captures her voice. Now too these recordings join the ranks of those two legendary recordings. In these recordings, she is recorded closer and you can feel the power of her voice more realistically. Bravo Testament for issuing these on CDs beautifully remastered.

Average customer rating:

Overtures & Intermezzi Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Cherubini, Luigi | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Humperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schmidt | Schmidt, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music 4-for-3 Opera & Vocal | 4-for-3 Music | Stores | Music Similar Items: Intermezzo Tango Song & Dance Vivaldi: The Four Seasons/Tartini: The Devil's Trill ASIN: B00005NPK4 Release Date: 2003-01-07

Tracks:

1. Overture
2. Meditation
3. Overture
4. Overture
5. Intermezzo
6. Intermezzo
7. Intermezzo
8. Intermezzo
9. Overture
10. Overture, Op.26

Average customer rating: Ultimate Weber: And Not Andrew Lloyd Webber! Impressed Clarinet Student

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