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Eugene Onegin, opera, Op. 24 Overture
Composed by
Pyotr Il'yich Tchaikovsky
Performed by
Bolshoi Theater Orchestra
with
Sergei Lemeshev,
Ivan Petrov,
Eugene Belov,
Larissa Avdeyeva,
Galina Vishnievskaya
Conducted by
Boris Khaikin
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Eugene Onegin, opera, Op. 24 Scene & Olga's Aria
Composed by
Pyotr Il'yich Tchaikovsky
Performed by
Bolshoi Theater Orchestra
with
Sergei Lemeshev,
Ivan Petrov,
Eugene Belov,
Larissa Avdeyeva,
Galina Vishnievskaya
Conducted by
Boris Khaikin
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Eugene Onegin, opera, Op. 24 Scene & Lensky's Aria
Composed by
Pyotr Il'yich Tchaikovsky
Performed by
Bolshoi Theater Orchestra
with
Sergei Lemeshev,
Ivan Petrov,
Eugene Belov,
Larissa Avdeyeva,
Galina Vishnievskaya
Conducted by
Boris Khaikin
-
Eugene Onegin, opera, Op. 24 Tatiana's Letter Scene
Composed by
Pyotr Il'yich Tchaikovsky
Performed by
Bolshoi Theater Orchestra
with
Sergei Lemeshev,
Ivan Petrov,
Eugene Belov,
Larissa Avdeyeva,
Galina Vishnievskaya
Conducted by
Boris Khaikin
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Eugene Onegin, opera, Op. 24 Onegin's Aria
Composed by
Pyotr Il'yich Tchaikovsky
Performed by
Bolshoi Theater Orchestra
with
Sergei Lemeshev,
Ivan Petrov,
Eugene Belov,
Larissa Avdeyeva,
Galina Vishnievskaya
Conducted by
Boris Khaikin
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Eugene Onegin, opera, Op. 24 Lensky's Aria
Composed by
Pyotr Il'yich Tchaikovsky
Performed by
Bolshoi Theater Orchestra
with
Sergei Lemeshev,
Ivan Petrov,
Eugene Belov,
Larissa Avdeyeva,
Galina Vishnievskaya
Conducted by
Boris Khaikin
-
Eugene Onegin, opera, Op. 24 Gremin's Aria
Composed by
Pyotr Il'yich Tchaikovsky
Performed by
Bolshoi Theater Orchestra
with
Sergei Lemeshev,
Ivan Petrov,
Eugene Belov,
Larissa Avdeyeva,
Galina Vishnievskaya
Conducted by
Boris Khaikin
-
Eugene Onegin, opera, Op. 24 Concluding Scene (Part)
Composed by
Pyotr Il'yich Tchaikovsky
Performed by
Bolshoi Theater Orchestra
with
Sergei Lemeshev,
Ivan Petrov,
Eugene Belov,
Larissa Avdeyeva,
Galina Vishnievskaya
Conducted by
Boris Khaikin
Tchaikovsky: Scenes and Arias from Eugene Onegin,Pyotr Il'yich Tchaikovsky,Boris Khaikin,Bolshoi Theater Orchestra,Eugene Belov,Galina Vishnievskaya,Ivan Petrov,Larissa Avdeyeva,Sergei Lemeshev,Monitor Records,Classical,Opera,Russian Romantic Opera
Average customer rating:
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Gottlob Frick Sings Arias and Scenes
Manufacturer: Preiser Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B0008GIT7W
Release Date: 2005-05-31 |
Average customer rating:
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Alexander Kipnis: Arias from "Boris Godunov" and Other Operas
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000E6MC
Release Date: 1991-05-10 |
Tracks:
- Boris Godunov: Coronation Scene: Glory To Czar Boris - Alexander Kipnes/Victore Chorale/Robert Shaw
- Coronation Scene: I Am Oppressed - Alexander Kipnes/Victore Chorale/Robert Shaw
- Boris Godunov: Varlaam's Song - Alexander Kipnes/Ilya Tamarin/Anna Leskaya
- Boris Godunov: Boris' Monologue - Alexander Kipnes
- Boris Godunov: Boris-Shuisky Duet - Alexander Kipnes/Ilya Tamarin
- Boris Godunov: Clock Scene - Alexander Kipnes
- Boris Godunov: Boris' Farewell And Prayer - Alexander Kipnes
- Boris Godunov: Death Of Boris - Alexander Kipnes/Victore Chorale/Robert Shaw
- Prince Igor: Galitsky's Recitative and Aria - Alexander Kipnes
- Song Of The Flea (After Goethe's Faust) - Alexander Kipnes
- Sadko: Song Of The Viking Guest - Alexander Kipnes
- Eugene Onegin: Gremin's Aria - Alexander Kipnes
- Rusalka: MIller's Aria - Alexander Kipnes
- Slumber Song - Alexander Kipnes/Celius Dougherty
- My Homeland - Alexander Kipnes/Celius Dougherty
- O Cease Thy Singing, Maiden Fair - Alexander Kipnes/Celius Dougherty
- Tilim-Bom (Trois histoires pour enfants: No.1) - Alexander Kipnes/Celius Dougherty
Customer Reviews:
Kipnis delivers somewhat.......2007-07-25
When I saw that this was being offered i figured, what could i lose? the best tracks on this CD are the ones from the "Song of the Flea" onward. I, in particular, did I enjoy the voice and piano works on this CD. It is certainly not the best output of such a distinguished artist, but it is not his worst either.
Average customer rating:
- Highlights from complete recording available on D'Oro
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Tchaikovsky: Scenes and Arias from Eugene Onegin
Manufacturer: Monitor Records
ProductGroup: Music
Binding: Audio CD
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| Tchaikovsky, Peter Ilyich
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Vishnevskaya, Galina
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ASIN: B000001013
Release Date: 1994-05-31 |
Tracks:
- Ov - Orch Of The Bolshoi Theater
- Scene & Olga's Aria - Galina Vishnevskaya/Larissa Avdeyeva
- Scene & Lensky's Aria - Sergei Lemeshev/Larissa Avdeyeva/Eugene Belov/Galina Vishnevskaya
- Tatiana's Letter Scene - Galina Vishnevskaya
- Onegin's Aria - Eugene Belov
- Lensky's Aria - Sergei Lemeshev
- Gremin's Aria - Ivan Petrov
- Concluding Scene (Part) - Galina Vishnevskaya/Eugene Belov
Customer Reviews:
Highlights from complete recording available on D'Oro.......2003-01-07
This CD is highlights from a complete opera originally recorded by Melodiya. Somehow the 60s Melodia recording (once available for a short time through now-perished Legato Classics) is obtained by Opera D'Oro. So, while D'Oro has the whole thing, this is a pretty good selection of arias & duets from it. This is not a live recording (as most of this company's budget price releases). It is a good studio recording remastered, sounding surprisingly balanced and clear. It boasts the greatest singers of the Bolshoi Theatre: Galina Vishnevskaya, Sergei Lemeshev, Evgeny Belov (in title role), Larissa Avdeyeva, and Ivan Petrov. Boris Khaikin who, at the time, was seconded only by Alexander Melik-Pashayev leads one of the best orchestras in the world. Galina Vishnevskaya, well known for her splendid accounts of taxing works of Shostakovich and Prokofiev, is the best Tatiana one could imagine. The composer himself would admit that this is the voice he was looking for when he created his favorite heroine. Incredibly expressive and powerful, yet subtle and vulnerable at the same time. Exquisite phrasing that could not even be lost on non-Russian speaking audience; listen to the naiveté of the letter scene versus the flood of emotions covered with coldness in Act III. She is head and shoulders above the rest of the cast, which is still first-rate. Belov's relatively high tessitura brings out the cruelty of the character, particularly during the ball scene where he heartlessly wounds Lenski's poetic heart. Even though Dmitri Hvorostovsky is the best reigning Onegin with his dark, honeyed baritone, Belov's account is interesting and appropriate. Lemeshev was one of the most sophisticated singers of his time, and this says a lot. While I personally prefer tenors with stronger low registers, Lemeshev's voice appears perfect for the part of dreamy, romantic, and highly vulnerable poet. Avdeyeva is idiomatic flirtatious Olga, and Petrov's deep smooth bass is an ideal choice for aged yet passionate and devoted Prince Gremin. Given the budget price, it has no translations. I wished for a nice (even if pricey) edition complete with information about these great artists. Don't let it stop you from immediately obtaining it though. An absolute must have before it disappears again, or choose a D'Oro release of the complete opera for about the same price.
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