Romantic Opera

Romantic Opera

On this CD:

  1. Die Zauberflöte (The Magic Flute), opera, K. 620 Overture
    Composed by Wolfgang Amadeus Mozart
    Performed by London Festival Orchestra
    Conducted by Cesare Cantieri

  2. La bohème, opera Che Gelida Manima
    Composed by Giacomo Puccini
    Performed by Nuremberg Symphony Orchestra
    with Jose Maria Perez
    Conducted by Hanspeter Gmur

  3. Lohengrin, opera, WWV 75 Wedding Chorus
    Composed by Richard Wagner
    Performed by Ljubljana Radio Symphony Orchestra and Chorus
    Conducted by Marko Munih

  4. La Traviata, opera Stride La Vampa
    Composed by Giuseppe Verdi
    Performed by Zagreb Opera Orchestra
    with Ruza Pospisch-Baldani
    Conducted by Milan Sachs

  5. Samson et Dalila, opera in 3 acts, Op. 47 Mon Coeur S'Ouvre A Toi
    Composed by Camille Saint-Saens
    Performed by Zagreb Opera Orchestra
    with Mariana Radev
    Conducted by Milan Sachs

  6. Aida, opera Celeste Aida
    Composed by Giuseppe Verdi
    Performed by Nuremberg Symphony Orchestra
    with Jose Maria Perez
    Conducted by Hanspeter Gmur

  7. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 Che puro ciel
    Composed by Christoph Willibald Gluck
    Performed by Zagreb Opera Orchestra
    with Ruza Baldani
    Conducted by Milan Sachs

  8. Tannhäuser, opera, WWV 70 Entry of the guests
    Composed by Richard Wagner
    Performed by Ljubljana Radio Symphony Orchestra and Chorus
    Conducted by Marko Munih

  9. Tosca, opera E lucevan le stelle
    Composed by Giacomo Puccini
    Performed by Nuremberg Symphony Orchestra
    with Jose Maria Perez
    Conducted by Hanspeter Gmur

  10. Il Trovatore, opera Ah si, ben mio coll esere io tuo
    Composed by Giuseppe Verdi
    Performed by Nuremberg Symphony Orchestra
    with Jose Maria Perez
    Conducted by Hanspeter Gmur

  11. Carmen, opéra-comique in 4 acts La fleur que tu m'avis jetee
    Composed by Georges Bizet
    Performed by Nuremberg Symphony Orchestra
    with Jose Maria Perez
    Conducted by Hanspeter Gmur

  12. L'incoronazione di Poppea, opera in 3 acts, SV 308 Addio Roma
    Composed by Claudio Monteverdi
    Performed by Zagreb Opera Orchestra
    with Ruza Baldani
    Conducted by Milan Sachs

  13. Rigoletto, opera Addio-caro nome che il mio cor
    Composed by Giuseppe Verdi
    Performed by Nuremberg Symphony Orchestra
    with Juan Perez, Bella Jasper
    Conducted by Cesare Cantieri

  14. La Traviata, opera Di provenza il mar, il suol
    Composed by Giuseppe Verdi
    Performed by Nuremberg Symphony Orchestra
    with Rudolf Knoll
    Conducted by Hanspeter Gmur

Romantic Opera,Georges Bizet,Christoph Willibald Gluck,Claudio Monteverdi,Wolfgang Amadeus Mozart,Giacomo Puccini,Camille Saint-Saens,Giuseppe Verdi,Richard Wagner,Cesare Cantieri,Hanspeter Gmur,Marko Munih,Milan Sachs,Bella Jasper,Ruza Pospisch-Baldani,Ljubljana Radio Symphony Orchestra and Chorus,London Festival Orchestra,Nüremberg Symphony Orchestra,Zagreb Opera Orchestra,Mariana Radev,Jose Maria Perez,Juan Perez,Rudolf Knoll,Ruza Baldani,Romantic Classics,Classical,French Romantic Opera,German/Austrian Classical Period Opera,German/Austrian Romantic Opera,Italian Baroque Opera,Italian Romantic Opera,Miscellaneous Music,Opera


No Reservations
Average customer rating: 4 out of 5 stars
  • Now it makes more sense...
  • Where's my Philip Glass?
  • This is an unique soundtrack
  • More score, less opera please
  • Best movie soundtrack of 2007
No Reservations

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  1. Hairspray (Soundtrack to the Motion Picture)
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ASIN: B000RHRGQC
Release Date: 2007-07-24

Tracks:

  1. Truffles And Quail - Conrad Pope
  2. Sway - Michael Buble
  3. Celeste Aida - Luciano Pavarotti
  4. O Mio Babbino Caro - Renata Tebaldi
  5. Zoe & Kate Watch Video - Phillip Glass
  6. Libiamo Libiamo - Joan Sutherland
  7. Via Con Me - Paolo Conte
  8. La Donna E 'Mobile - Joseph Calleja
  9. Un Bel Di 'Vedremo - Renata Tebaldi
  10. Zoe Goes To the Restaurant - Phillip Glass
  11. Cielo E Mar - Luciano Pavarotti
  12. Mambo Gelato - Ray Gelato
  13. Nessun Dorma - Luciano Pavarotti
  14. Count On My Love - Liz Phair

Customer Reviews:

4 out of 5 stars Now it makes more sense..........2007-07-30

It appears that some of the most memorable score cues from the movie are actually from Mark Isham's soundtrack "Life As A House" (Listen to track 11 from "Life As A House" for example.)

Now I'm beginning to understand why there seems to be such a paucity of score cues on this CD. I think either Glass' score was partially rejected or he only scored a small part of the movie to begin with.

3 out of 5 stars Where's my Philip Glass? .......2007-07-30

The other music on the cd is perfectly fine. It's good music actually, but I wanted more score. I was hoping the two score cues would be longer than they were.

Philip Glass only used a few motifs (three tops) in the movie...would it have been so hard to include all of them (as opposed to 1)?

Shame on Decca...unless they're planning on releasing a score-only CD.
Hope they do.

5 out of 5 stars This is an unique soundtrack.......2007-07-29

This is an unusual soundtrack. It combines instrumental music with opera music. This disc also has two songs from popular singers. I love the track "Sway" by Michael Buble. I also enjoyed the track "Mambo Gelato" These two tracks make me want to grab someone and dance. The opera tracks on this disc are excellent. The best of the bunch is "La Donna E Mobile" by Joseph Calleja. This track is very uplifting and playful. "Cielo E Mar" is a romantic sounding track from Pavarotti. "Nessum Dorma" is a really soothing track from Pavarotti too. He has such a powerful voice. Philip Glass is a talented composer for the film. I love his instrumental restaurant theme here. It is a beautiful piece of music. "Count On My Love" is a great song that fits the tone of the movie well. I really enjoyed listening to the music on this soundtrack.

3 out of 5 stars More score, less opera please.......2007-07-28

Phillip Glass's score was exceptional, why there isn't more of it on the rousing soundtrack, I can't imagine, but the lack leaves a hole in the overall CD.

5 out of 5 stars Best movie soundtrack of 2007.......2007-07-28

There isn't much good to say about the film but this soundtrack really is beautiful.
Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Average customer rating: 4.5 out of 5 stars
  • The End of the Big Voice?
  • Fla Gator Lady
  • 20 Great Tenor Arias
  • Plesantly surprised...
  • Absolutely Agree About Corelli
Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000007OTX
Release Date: 1998-06-09

Tracks:

  1. La Boheme: Che gelida manina
  2. Manon Lescaut: Donna non vidi mai
  3. Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
  4. Luisa Miller: O! fede negar potessi .. Quando le sere al placido
  5. La Traviata: Lunge da lei ... De' miei bollenti spiriti
  6. Martha: M'appari
  7. Giordano: Amor ti vieta
  8. L'Africaine: Mi batte il cuor .. O paradiso
  9. La Favorita: Favorita del re . . . Spirto gentil
  10. Werther: 'Pourquoi me reveiller'
  11. Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
  12. Les Contes d'Hoffmann: O Dieu! De quelle ivresse
  13. TOSCA: E lucevan le stelle
  14. Pagliacci: Recitar! ... Vesti la giubba
  15. Il Trovatore: Di quella pira
  16. Aida: Se quel guerrier .. Celeste Aida
  17. TOSCA: Recondita armonia
  18. L'Elisir d'Amore: Una furtiva lagrima
  19. La Gioconda: Cielo e mar!
  20. Turandot: Nessun dorma

Customer Reviews:

5 out of 5 stars The End of the Big Voice?.......2007-04-16

This CD, which is truly fine overall, reminds me of Marilyn Horne's lament that we have probably seen the end of the big voice and it makes me sad. I agree with the reviewer who refers to "microphonies". And more justice could be done to Bjorling's voice with a better transfer. But at some point, music becomes a matter of taste and I prefers singers who have the instrument and the support and the training, whether formal or not, to just let fly and take a chance on making a mistake. Domingo can be wonderful and so can his musicianship but he tends to be so stiff. I have to wonder at the virulence and asperity with which some people go after Pavarotti. It's true that late in his career he made some questionable recordings but the answer to that is simple: don't buy them. At his best, he belongs for all time in the top echelon of tenors. I love this CD and would recommend it to anyone who enjoys great (big) voices.

5 out of 5 stars Fla Gator Lady.......2007-01-12

Highly recommend this CD with these beloved arias of the greatest tenors in opera. I have owned this CD for a couple of years and purchased another for a friend who always requests that I play it ... perfect for listening in the car, dinner, bridge games, relaxation ... just so perfect. You won't be disappointed in this one.

5 out of 5 stars 20 Great Tenor Arias.......2007-01-09

A great disc,combination of the greatest tenors of the 20th century and some of the most beautiful music ever written in any century,a must addition to any opera lovers collection.

5 out of 5 stars Plesantly surprised..........2006-01-14

I don't remember how I found this CD the other day surfing through the "Amazon" such as it is, but I did. I listened to a few clips provided & on the strength of that, I purchased this CD.

First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).

Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.

Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.

Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.

This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.

A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!

4 out of 5 stars Absolutely Agree About Corelli.......2005-05-27

Franco Corelli's "Nessun Dorma" is still the best of them all - clear, passionate, and exciting. (And those final two notes...! Gives me chills just to think of it.) I was fortunate enough to see him live in both "Turandot" and "Romeo and Juliet" a year before his retirement, and he was still a Calaf and a Romeo to die for... as, of course, Liu and Juliet did! As it is, I tend to buy compilations depending on how much Corelli they include - though Bjorling is a strong second, and I have happy memories of Domingo. Long live the Golden Age of Operatic Tenors!
The Very Best of Beverly Sills
Average customer rating: 5 out of 5 stars
  • Here's what the fuss was all about!
  • Beverly Sills - The Best
  • Beverly Sills' highs are breathtaking!
  • THE 2005 OPERA CD OF THE YEAR
  • EMI Does It Again: Beverly Sills - A Tribute
The Very Best of Beverly Sills

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006VYELE
Release Date: 2005-04-26

Tracks:

  1. Una Voce Poco Fa - Sherrill Milnes
  2. Dunque Io Son - Sherrill Milnes
  3. Contro Un Cor - Sherrill Milnes
  4. Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
  5. E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
  6. Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
  7. Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
  8. V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
  9. Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
  10. Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
  11. Via, Caro Sposino - Ambrosian Opera Chorus
  12. Tornami A Dir Che M'ami - Ambrosian Opera Chorus
  13. La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

  1. Vilia - Beverly Sills
  2. Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
  3. Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
  4. Libiamo Ne' Lieti Calici - John Alldis Choir
  5. Un Di Felice, Eterea - John Alldis Choir
  6. E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
  7. Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
  8. Che Fai? - John Alldis Choir
  9. Addio Del Passato - John Alldis Choir
  10. Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

5 out of 5 stars Here's what the fuss was all about!.......2007-07-17

It would have been even better if they had included at least one Cleopatra aria and something from Baby Doe, but it doesn't really matter, because this collection will allow younger listeners especially to hear what the fuss was all about! There are moments listening to Sills, especially from Traviata or Manon, that are so beautifully sung and so genuine that they are heartbreaking. I feel so fortunate to have heard her Queen of the Night, Manon, Violetta, and Baby Doe. She was so generous as a performer and as a humanitarian, and she really brought opera into the American mainstream.

5 out of 5 stars Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

5 out of 5 stars Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

5 out of 5 stars THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

5 out of 5 stars EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!
The #1 Opera Album
Average customer rating: 4.5 out of 5 stars
  • The beautiful gift of opera...
  • Pretty darn good
  • The Opera #1 Opera Album
  • Excellent assortment
  • Great Selections
The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Most Famous Opera Duets
  2. The Most Famous Opera Arias
  3. The Best of Italian Opera
  4. Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
  5. The Best Opera Album in the World...Ever!

ASIN: B000059RXO
Release Date: 2001-02-27

Tracks:

  1. Carmen: Act 1: Prld - LPO/Sir Georg Solti
  2. La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
  3. La Boheme: Che Gelida Manina - Luciano Pavarotti
  4. Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
  5. Fedora: Amor Ti Vieta - Jussi Bjorling
  6. Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
  7. Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
  8. Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
  9. Rigoletto: La Donna E Mobile - Luciano Pavarotti
  10. Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
  11. Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
  12. Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
  13. La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
  14. Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
  15. Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
  16. Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
  17. Tosca: E Lucevan Le Stelle - Placido Domingo
  18. Madama Butterfly: Un Bel Di - Mirella Freni
  19. Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico

Tracks:

  1. Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
  2. Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
  3. Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
  4. La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
  5. Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
  6. Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
  7. Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
  8. Mattinata - Andrea Bocelli
  9. Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
  10. L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
  11. Turandot: Signore, Ascolta! - Montserrat Caballe
  12. Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
  13. Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
  14. Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
  15. Tosca: Vissi D'arte - Kiri Te Kanawa
  16. Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
  17. Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
  18. Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
  19. Rusalka: O Silver Moon - Renee Fleming
  20. La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
  21. Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis

Amazon.com

The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin

Customer Reviews:

5 out of 5 stars The beautiful gift of opera..........2007-07-17

This 2-CD set is absolutely wonderful! You can close your eyes and feel like you're actually at the opera, listening to those beautiful voices bringing tears to your eyes. Nessun Dorma still stirs up emotions in me, no matter how many times I hear it. Great examples of opera to give someone wanting to get interested in this style of music.

4 out of 5 stars Pretty darn good.......2007-07-04

This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.

2 out of 5 stars The Opera #1 Opera Album.......2007-06-07

The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.

4 out of 5 stars Excellent assortment.......2007-05-12

I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.

5 out of 5 stars Great Selections.......2007-03-31

This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...
Celtic Treasure
Average customer rating: 4.5 out of 5 stars
  • Disappointing
  • Great!
  • A Piece Of Heaven On Earth
  • A Pure Joy..........
  • Celtic Treasure - Hayley Westenra
Celtic Treasure

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000MTDRJA
Release Date: 2007-03-13

Tracks:

  1. Let Me Lie
  2. Scarborough Fair
  3. Shenandoah
  4. Summer Fly
  5. Whispering Hope
  6. Danny Boy
  7. Summer Rain
  8. The Last Rose of Summer
  9. One Fine Day
  10. Sonny
  11. The Water Is Wide
  12. Melancholy Interlude
  13. Abide With Me

Amazon.com

Having sung before royalty and performed with the Irish super-group Celtic Woman, Italian tenor Andrea Bocelli, and Welsh baritone Bryn Terfel, the very young and remarkably beautiful singer is back with a tribute to her Celtic ancestry. As with her previous Platinum-selling releases (she is already a huge star in her native New Zealand, Japan, Australia, and the UK), the orchestrations are lush, with sighing phalanxes of strings and woodwinds. But in keeping with the avowed theme, there are also soft touches of soulful, wavering tin whistles and vaguely fiddle-like violin vamps. The program is more varied than the album's title might lead one to expect, encompassing everything from "The Last Rose Of Summer" and "Danny Boy" to "Shenandoah," "Scarborough Fair," "Abide With Me," and even a couple of more pop-oriented songs penned by Westenra herself. However, brief sideways winks toward Nashville or the Great White Way do not adulterate the album's overall mood of ethereal, remote bliss. The one misstep is an English-language cover of "Un Bel Di" ("One Fine Day") from Puccini's Madama Butterfly: an aria unsuited to the artist's fragile, bell-like soprano and placid temperament. This aside, established classical crossover/theatrical divas like Sarah Brightman would be wise to begin looking to their laurels. --Christina Roden

Album Description

Hayley's third solo album is a very personal collection of classical arias, Irish and Maori folk songs - representing treasured people and places on her remarkable musical journey. Recorded in Dublin, Ireland, Hayley's third solo album is a very personal collection of classical arias, Irish and Maori folk songs - representing treasured people and places in her remarkable musical journey. For the first time the album also includes several original tracks written by Hayley herself. Celtic Treasure is a celebration of Hayley's family roots, and her grandparent's journey across the World on the first boat that left Ireland for New Zealand in the 1880s - taking with them a rich musical heritage. Her grandmother - a singer, and her grandfather, who played the accordion, were to be important influences on Hayley's musical development. Hayley grew up hearing her grandmother singing Italian opera arias in English. Hayley has continued this tradition by recording the well-known aria One Fine Day... ('Un bel di) from Puccini's Madama Butterfly. Hayley's grandmother also sang Irish folk tunes, and Hayley includes one of them - Danny Boy on the album as a tribute to her. Another Irish folk tune Sonny, is the first recording in which Hayley accompanies herself on the piano. In the same vein as Hayley's signature song Pokarekare Ana from her debut album Pure, Hayley's deep sense of pride as a New Zealander, and the simple beauty of her voice come together in E Para Ra - a Maori lovesong reflecting her own love of her homeland. Hayley's first recordings of her own songs bring together all these musical influences. They include her compositions Let Me Lie and Summer Rain and her lyrics to a haunting lute song by the Elizabethan English composer John Dowland, called simply Melancholy Interlude.

Customer Reviews:

2 out of 5 stars Disappointing.......2007-07-13

We first encountered Westenra as a member of the Celtic Woman group. She was great -- as were all the girls. Based on that, I selected this CD after reading the reviews on Amazon. This one seemed to get the best overall reviews.

This CD is pretty uninspired and Westenra's voice sounds just average on several of the tracks. There are a few impressive spots but generally I thought the CD was less than expected.

5 out of 5 stars Great!.......2007-07-13

Hayley does a great job with this cd. Its relaxing and interesting, instead of boring like some opera kind of vocalists can be. I recommend her cd, Pure, as well. She will definitely impress and soothe you!

5 out of 5 stars A Piece Of Heaven On Earth.......2007-07-13

If you could hear the angels singing this is exactly what they would sound like. Please do yourself a favor and get the dvd too. They are both beyond amazing.

5 out of 5 stars A Pure Joy.................2007-06-20

This album of Celtic standards is truly one of the most beautiful I've heard in a long time. For a girl of 19 to have this kind of vocal maturity is amazing... she gets better with each new recording.

Hayley has a clear, and pure voice that makes these familiar songs sound brand new. Though the whole album is a treat, the two hymns are inspiring. Others have done this repitoire, and done it well; none has done it better.

Hayley has a new recording of "West Side Story" due out soon; I can't wait. In the meantime, do not fail to grab this one.

5 out of 5 stars Celtic Treasure - Hayley Westenra.......2007-06-20

Love the beautiful voice that I have come to expect from the Celtic Women lasses and the eclectic choice of songs really accentuates her range and flexibility to sing classic and contemporary. She shines with every choice. I await her next CD.
Romance of the Violin
Average customer rating: 4.5 out of 5 stars
  • Romance of the Violin
  • End of the Day
  • Wonderful!
  • Over and over and over....
  • Non-standard CD format
Romance of the Violin
Claude Debussy , Fryderyk Chopin , Camille Saint-Saens , Franz Schubert , Vincenzo Bellini , Wolfgang Amadeus Mozart , Christoph Willibald Gluck , Alexander Borodin , Antonin Dvorak , Claudio Monteverdi , Jules Massenet , Robert Schumann , Michael Stern , Craig Ogden , Gregory Knowles , John Constable , Jacob Heringman , and Stephen Orton
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000DG06L
Release Date: 2003-10-28

Tracks:

  1. O mio babbino caro (from 'Gianni Schicchi')
  2. The Girl With Flaxen Hair (from Preludes, Book I; La fille aux cheveux delin: Prelude for Piano L 117/8)
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  6. Casta Diva (from 'Norma')
  7. Andante from Piano Concerto No. 21 in C Major K. 467
  8. Nocturne from Quartet for Strings No. 2 in D Major: 3rd movement
  9. Dance of the Blessed Spirits (from 'Orfeo ed Euridice')
  10. Songs My Mother Taught Me, song for voice and piano B104/4 Op 55/4
  11. Pur ti Miro (from 'L'incoronazione di Poppea')
  12. Elegie (Elegie 'O doux printemps d'autrefois' for voice and piano)
  13. Traumerei ('Kinderszenen' for piano, Op 15, No. 7 'Dreaming')

Amazon.com

Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. "O mio babbino caro" from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's "Casta diva" from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's "The Girl with the Flaxen Hair" is played with great warmth and sensuality. It would be easy to turn a recital like this into treacle, but Bell is wise enough to realize that the music is already sweet enough and he plays with great reserve and a minimum of sentimental slides. The light accompaniments always support, with woodwinds prominent but used with grace. This CD, in short, is a beauty: a fine gift, a lovely mood setter. --Robert Levine

Customer Reviews:

4 out of 5 stars Romance of the Violin.......2007-07-16

While it's not my very favorite Joshua Bell CD, this is a pleasure to listen to!

4 out of 5 stars End of the Day.......2007-06-08

I am a Joshua Bell fan, and this album is the one that I enjoy with my dessert, it calms me at the end of the day, and makes me think of my 6 year old granddaughter's visit. She has to have music on during meals at her home. Usually it is some kid stuff, but I do not have anything like she has at home, so I chose to play Joshua Bell during our dinner. When I placed the dessert before her, she looked up at me and said: "This music is so beautiful, I want to play the violin just like that". What more could I say.
He is inspiring, and she is right. This album is beautiful.

5 out of 5 stars Wonderful!.......2007-05-30

I play this for my grandson to nap by. It is so relaxing and wonderful!

5 out of 5 stars Over and over and over...........2007-05-17

That's how I want to play this CD! It's a wonderful line-up of rich, mellow, captivating compositions played with a warmth and vibrancy that is seldom heard. Joshua at his very best. You won't be disappointed.

4 out of 5 stars Non-standard CD format.......2007-04-22

The music on this CD deserves five stars, but the CD itself is a non-standard format that doesn't work on all players. There's a tiny warning on the back of the CD. You won't notice the warning until you discover that the CD doesn't work on your player. My Macintosh computer wouldn't read the non-standard format so there was no way for me to listen in my office or put the music on my iPod.

A friend's PC was able to read the CD and make a copy in standard format that can be read on any player, including my Mac. The story had a happy ending, but I can not comprehend why the publisher chose the oddball CD specification.

The music is excellent and worth the trouble of making a copy, but the publisher really shouldn't make you go to that effort just to listen to a CD that you paid for.
25 Classical Favorites
Average customer rating: 4.5 out of 5 stars
  • classic music CD
  • Good for beginners
  • Great mix
  • Good for first-timer
  • 25 Classical Favorites cd
25 Classical Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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  1. 25 Romantic Classics
  2. 25 Mozart Favorites
  3. 25 Beethoven Favorites
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  5. 25 Bach Favorites

ASIN: B0000058HT
Release Date: 1996-01-23

Tracks:

  1. Eine Klein Nachtmusik: (I. Allegro)
  2. Nutcracker Suite: (Russian Dance)
  3. The Four Seasons, Op. 8: (Spring: I. Allegro)
  4. Hungarian Dance No. 5 In G Minor
  5. Symphony in D, K. 161 - 163: (III. Presto)
  6. Waltz In D-Flat Major, Op. 64, No. 1
  7. Tritsch-Tratsch Polka, Op. 214
  8. Brandenburg Concerto No. 3 In G, S. 1048: (III. Allegro)
  9. Swan Lake: (Dance Of The Swans)
  10. Carmen Suite No. 2: (Habanera)
  11. Messiah: (Overture)
  12. Wind Serenade 'The Marriage Of Figaro': Overture
  13. Violin Concerto No. 1 In G Minor, Op. 12: (III. Allegro)
  14. Water Music: (Overture)
  15. Sleeping Beauty Ballet Suite, Op. 66: (Panorama)
  16. Symphony No. 26 In E-flat Major, K. 184: (III. Allegro)
  17. Waltz No. 10 In B Minor, Op. 69 No. 2
  18. Violin Concerto No. 1 In A Minor, S. 1041: (III. Allegro)
  19. Water Music: (Lentement)
  20. Brandenburg Concerto No. 4 In G Major, S. 1049: (II. Andante)
  21. Habanera
  22. Horn Concerto No. 3 In E-Flat Major, K. 447: (II. Romanza)
  23. Rhapsody On A Theme By Paganini, Op. 43: (Variation No. 18)
  24. Thunder And Lightning Polka, Op. 324
  25. Stars And Stripes Forever

Customer Reviews:

5 out of 5 stars classic music CD.......2007-06-27

The CD was well represented by the clips on the Amazon website and came in time for our event. We did have a problem with the charge but that was taken care of promptly. Great service.

4 out of 5 stars Good for beginners.......2007-02-15

It is an excellent collection of classical music. I would recommend this CD if you have a friend who don't like classical music, since it has the most beautiful overtures and portions of famous artists. If you are a Classic Music Savvy you probably will not be impressed by it, unless you want to play the CD as background music in a friends gathering.

4 out of 5 stars Great mix.......2007-02-14

All the best composers! Over an hour of music. A samble of the greatest pieces.

5 out of 5 stars Good for first-timer.......2007-01-22

This is the first time I have ever bought a classical music CD and I was very pleased with this one. It has a good variety of selections. I would buy it again.

5 out of 5 stars 25 Classical Favorites cd.......2007-01-06

This CD has so many of my favorite, lively classical music -- love it!!
The Most Famous Opera Arias
Average customer rating: 4 out of 5 stars
  • Great for kids!
  • Mediocre Sound Quality
  • I was pleased
  • The Most Famous Opera Arias
  • Okay But.... - a review of "The Most Famous Opera Arias"
The Most Famous Opera Arias

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002SCE
Release Date: 1994-07-19

Tracks:

  1. Rigoletto: Act I - Caro nome
  2. Rigoletto: Act III - La donna e mobile
  3. Gianni Schicchi: O mio babbino caro
  4. Carmen: Act I - Habanera: La voila...L'amour est oiseau rebelle
  5. Orfeo ed Euridice: Act III - Che faro senz Euridice
  6. Madama Butterfly: Act III - Un bel di, vedremo
  7. Romeo et Juliette: Act I - Ah! je veux vivre
  8. Le nozze di Figaro: Act II - Voi che sapete che cosa e amor
  9. Samson et Dalila: Act II - Mon coeur s'ouvre a ta voix
  10. Tosca:: Act II - Vissi d'arte, vissi d'amore
  11. Aida: Act I-Celeste Aida
  12. Il Barbiere Di Siviglia: Act I-Una voce poco fa
  13. Lakme: Act II - Ou va la jeune indoue?
  14. La Wally: Act I - Ebben? Ne andro lontano
  15. La Boheme: Act I - Che gelida manina
  16. Die Zauberflote: Act II-Die Holle Rache kocht in meinem Herzen

Customer Reviews:

5 out of 5 stars Great for kids!.......2007-06-27

I'm generally not a fan of music "samplers," but opera can be tough to introduce to children. And hey--even adults played cards, ate, and talked through the recitative sections of the early operas while they waited for the next aria! So I feel that getting kids hooked on opera through great arias probably can't hurt (the next 10 years or so will determine whether I'm right or not). My 4-year-old loves this CD; it's a delight to watch her imitate Anna Moffo (the sincerest form of flattery, for sure). Highly recommended resource for introducing young kids to opera. More top picks: Siberell's Bravo! Brava! A Night at the Opera, and the Black Dog Opera Library CDs.

2 out of 5 stars Mediocre Sound Quality.......2007-03-31

If you note the album was released in 1994, and includes selections from many years prior, you will understand that the quality of the sound engineering is not going to dazzle your ear.

It's a very nice collection to hum along to, but don't expect shivers down your spine as the sound quality is not sufficient to reproduce the dynamic range of these voices.

5 out of 5 stars I was pleased.......2007-02-18

I am by no means an opera expert, but found this to be a wonderful CD. Along with the songs I already knew I liked (such as a song from Carmen,) I found many others I enjoyed. In fact, Samson et Dahlila turned out to be my favorite. If you are just getting started or at any point in your adventure of opera, I would recommend this one.

5 out of 5 stars The Most Famous Opera Arias.......2007-01-05

I was completely surprised in the product as well as the time in which it was delivered.

I would not only refer this seller but I will come back myself.

3 out of 5 stars Okay But.... - a review of "The Most Famous Opera Arias".......2006-08-18

My daughter (6 y.o.) and I like opera; but sitting for two hours to watch Turandot is just not within the realm of possibilities for my 4 year old son right now... so I was looking for an opera CD for the car. He will sit and listen to short arias.

This was the first we purchased and it is okay but not great.

Problem #1 - where is Wagner. No Wagner?
Problem#2 - Elena Obraztsova - she sounds like Carmen's grandmother. Rather matronly for a vixen (imho--lol)

Three Stars. [C+] Great Price and good sound quality for the car. The operatic styles of some of the performers are antiquated and frilly sounding, but I would probably buy this CD again.

Note: We purchased and really preferred "The # 1 Opera Album". It has more selections and better artists in our opinion. Also it's a two CD set. Just something to consider.
The Best of Italian Opera
Average customer rating: 4.5 out of 5 stars
  • Great Stuff
  • A Great Introduction to Italian Opera
  • Best of the best!
  • Fabulous bargain for anyone
  • Great songs for a low price.
The Best of Italian Opera

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  5. The Best Opera Album in the World...Ever!

ASIN: B000000UXN
Release Date: 1997-01-21

Tracks:

  1. La Traviata: 'Libiamo, Libiamo'
  2. Rigoletto: 'La donna e' Mobile'
  3. The Barber Of Seville: 'Una voce poco fa'
  4. La Boheme: 'Che gelida manina'
  5. Rigoletto: 'Gualtier Malde!' Caro nome'
  6. Il Trovatore: 'Vedi! le fosche'
  7. Il Trovatore: 'Il balen del suo sorriso...Per me ora fatale'
  8. TOSCA: 'Vissi d'arte'
  9. La Traviata: 'Di Provenza il mar, il suol'
  10. The Marriage Of Figaro: 'Voi che sapete'
  11. Aida: 'Se quel guerrier io fossi...Celeste Aida'
  12. Madama Butterfly: 'Un bel di vedremo'
  13. La Gioconda: 'Cielo e mar'
  14. Lucia di Lammernoor: 'Ardon gl' incesi'

Customer Reviews:

5 out of 5 stars Great Stuff.......2007-07-22

The sound quality of this disc is surprisingly good, very good for an ADD. All the selections captured each singer in his/her top form. It is a real treat that this disc contains many work that were not normally in certain singer's repertoire. Gedda's Aida, Moffo's Rossini-Rosina and Cherobino, for example, all were superbly sung. Even Moffo's Lucia sounds much better than I have ever heard in other places.

4 out of 5 stars A Great Introduction to Italian Opera.......2005-05-01

The artists on this CD succeed in their goal to create a CD that displays great Italian opera. Carlo del Monte and Victoria de los Angeles open the disc with the Brindisi from La Traviata. Victoria de los Angeles is not the best Violetta, but she does the job, along with her parner Carlo del Monte, an underappreciated tenor. Victoria de los Angeles also appears on the CD in "Un bel di vedremo" from Madama Butterfly, a role she was well known for. Swedish tenor Nicolai Gedda appears on the disc twice. His first appearence is a superb rendition of "La donna e mobile" from Rigoletto. His final performance on this disc is in the heroric aria "Celeste Aida", a performance in a role that was not in his voice range. Anna Moffo is the star on this CD, appearing three times in three very different roles. First is her beautiful "Una voce poco fa", normally a role that calls for a mezzo-soprano. Her second is "Voi che sapete" from Le Nozze di Figaro, another mezzo-soprano role. Her final appearence is her best, "The Mad Scene" from Lucia di Lammermoor. Underrated tenor Giuseppe Campora performs "Che gelida manina" with a great tenor voice. Soprano Reri Girst is excellent in her performance of "Caro nome" from Rigoletto. One of my favorite baritones appears on this CD. Robert Merrill is a perfect Count di Luna, and it is evident in his rendition of "Il balen del suo sorriso". Another baritone appears on this CD: mario Sereni. He is not a world famous baritone, but he should have been. Overall, this is an excellent introduction to the world of Italian opera.

5 out of 5 stars Best of the best!.......2003-01-11

The performers, the selections, the quality... almost divine!

5 out of 5 stars Fabulous bargain for anyone.......2002-11-24

I would recommend this CD to anyone, from opera novice to experienced listener...

These are older recordings -- I would guess mostly from the 1960's. The recording quality is exceptional for the day and, while not the equivalent of modern engineering, is sufficient to allow sheer physical pleasure from the music and an immediate appreciation of the vocal qualities of the artists. The sound quality is the only mild drawback...

The performances are magnificent! The voices are almost entirely lighter and more agile than the great voices of the 80's and 90's. In fact, the ear of the editor is apparent in his preference for lighter and more agile voices.

For example, there is a beautiful rendition of "Che Gelida Manina" from someone I had never heard before, Guiseppe Campora. He does not have the weight or volume of Pavarotti or Domingo, but has more elegance and a pure, charming tone. A connoisseur performance, but nevertheless a true operatic rendition by a tenor who can hit the high C with authority -- as good for a newcomer to opera who wants to hear the real thing, as for an opera lover who would like to hear something a bit different.

Some of the artists were among the most famous singers of their day: Moffo, de los Angeles, Gedda.

Anna Moffo, one of the greatest sopranos of her day (and all time), is in magnificent voice in famous blockbusters from Rossini's Barber of Seville, Mozart's Marriage of Figaro, and the Mad Scene from Lucia di Lammermoor.

De Los Angeles is at her best in "Libiamo" from La Traviata, but the recording quality (the one inadequately engineered track on the CD) and her lack of oomph make for a second-rate version of "Un bel di".

In keeping with the light and lyrical orientation of the selections, Moffo -- a famous Gilda and hardly a dramatic voice -- is bypassed for the even lighter, sweeter and more agile colatura Reri Grist (while she still had her voice), in a lovely "Caro Nome".

Another nice selection is Mario Sereni performing "Di provenza, il mar". Both this and "Libiamo" are taken from one of my favorite recordings of Traviata -- also a great chance to hear Serafin at the helm of the Rome Opera House orchestra. (The 2-CD version of this is still available from EMI, I think.) Newcomers will love this pretty tune, and Sereni's archtypal Verdi baritone is good, although hardly the best ever.

Franco Corelli has never been a favorite of mine, but he sounds the best I've ever heard him in his rendition of "Cielo et mar".

Anyway, I didn't intend to list every cut. Whether you are an opera lover who would like to hear some of opera's most famous arias performed in a new light, or an opera lover who would like to hear great performances at a cut-rate price, this CD gets my unqualified approval.

4 out of 5 stars Great songs for a low price........2001-08-16

Ranging from selections of La Traviata, Il Trovatore and other popular Italian operas, this is a great cd for under four bucks. The singers may not be well recognized, but they do possess powerful voices.
UltraSound - Music for the Unborn Child
Average customer rating: 4.5 out of 5 stars
  • Grandmother's Review
  • great cd!
  • Absolutely Love It!!!
  • My daughter loved this before she was born
  • enjoyable
UltraSound - Music for the Unborn Child

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GluckAll Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Hovhaness, AlanHovhaness, Alan | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MassenetAll Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music