-
Mignon, opera in 3 acts
Composed by
Ambroise Thomas
with
Ignacio Ruffino,
Verdad Luz Guajardo,
Cesare Siepi,
Giulietta Simionato,
Gilberto Cerda,
Giuseppe di Stefano,
Graciela Milera
Conducted by
Guido Picco
Thomas: Mignon,Ambroise Thomas,Guido Picco,Giuseppe di Stefano,Cesare Siepi,Gilberto Cerda,Giulietta Simionato,Graciela Milera,Ignacio Ruffino,Ignacio Rufino,Verdad Luz Guajardo,Enterprise,Classical,Classical Music,French Romantic Opera,Opera,Opera / Operetta / Oratorio
Average customer rating:
- Marilyn Horne scintillates
- One Of The Greatest Voices of All!
- Not 100% satisfied with the selections, but what artistry!
- Vive Madame Horne !
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Just for the Record: The Golden Voice
Manufacturer: Decca
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ASIN: B0000TAYR0
Release Date: 2003-11-11 |
Tracks:
- L'amour Est Un Oiseau Rebelle (Habanera)
- Mon Coeur S'ouvre A Ta Voix
- Eccomi Al Fine In Babilonia
- Cruda Sorte!
- Hence, Iris, Hence Away
- Dove Sei, Amato Bene?
- Che Disse! Che Ascoltai!
- Addio, Addio O Miei Sospiri
- O Pretres De Baal... O Toi, Qui M'abandonne
- Elle Est La! Pres De Lui!
- Mura Felici
- Tanti Affetti
Tracks:
- Superbo Di Me Stesso
- Il Segreto Per Esser Felici - London Symphony Chorus
- Mi Chiami, O Norma!
- Deh! Con Te, Con Te Li Prendi
- Mira, O Norma
- Si, Fino All'ore Estreme
- Soli Or Siamo... Condotta ell'era In Ceppi - Luciano Pavarotti
- Non Son Tuo Figlio? - Luciano Pavarotti
- Mal Reggendo - Luciano Pavarotti
- E Un Anatema! - Renata Tebaldi
- Nacht Und Traume, D 827
- Abendlied
- Traume
- Jesus De Nazareth
- Shenandoah
- I Bought Me A Cat
- The Lord's Prayer
- Somewhere
- At The River (Lowry)
- Jeannie With The Light Brown Hair
Customer Reviews:
Marilyn Horne scintillates.......2007-05-20
This 2-CD set includes 32 separate "cuts." Thus, it provides a perspective on the broad range of works that Marilyn Horne mastered. While some pockets of work may be given somewhat short shrift (e.g., Rossini), overall this shows off her skills nicely. Born in Bradford, Pennsylvania (one of the coldest places in the nation during winter), she made her operatic debut in 1954. In liner notes copyrighted in 2003, she notes that: "Can't believe it's time for a 70th birthday celebration. . . ." And neither can I, since I recall hearing her perform at the Met (via the old Texaco opera show), and it does not seem all that long ago!
Some cuts well depict her artistry across a range of genres and composers.
The "Habanera" from Bizet's "Carmen" is, to be sure, an old chestnut by now, but she sings it with a rich and lustrous voice. She sings a seductive aria seductively.
"Eccomi al fine in Babilonia" is from Rossini's "Semiramide" and shows off her skills nicely. This piece shows off the range of her voice well. Her voice is very agile, as it would need to be to do Rossini justice. There are some nice runs; the cabaletta showcases her agility and allows her to display well sung ornamentation.
From Handel's "Semele," we hear "Hence, Iris, Hence Away." This is a sprightly piece that is characteristically well sung by Horne.
Handel's "Rosalinda" features a nice work for mezzos, "Dove sei amato bene?" If I hear correctly, Horne begins this with a trill in piano; there are a number of nicely executed trills in this work. This cut is smoothly and richly sung throughout.
"Addio, addio o miei sospiri" comes from "Orfeo ed Oridice" by Gluck. A sprightly paced work. Horne shows off excellent ornamentation; her coloratura technique is terrific.
From "Norma" (by Bellini) there are 4 cuts (from a longer scene), featuring collaboration with Joan Sutherland. The two singers worked well together in a number of operas, and this set of works illustrates that synergy beautifully. "Mi chiami, o Norma!" starts things off. The two voices meld extremely well together. "Deh! Con te, con te li prendi" features fine work all around. Both singers display good vocal dexterity. Horne hits one high note with a bit of harshness, but not an issue of any moment. "Mira, o Norma" is ravishing; Sutherland's and Horne's duet is absolutely wonderful. Finally, "Si, fino all'ore estreme." This is a fast paced duet, with both singers manifesting considerable vocal agility and sound coloratura technique. When they sing together, their voices almost sound "twinned."
Finally, "Jeannie with the Light Brown Hair." Horne sings this straight, without the ghastly "opera-tizing" that some singers cannot resist. Sung simply and powerfully. Her rich voice produces a very good vocal effect.
And so on.
Although this CD does not fully represent her repertoire, it does provide a good sense of the art of Marilyn Horne and it suggests the range of her singing. For those wanting to get a sense of Horne's oeuvre, this is one recording that provides entrée to her body of work.
One Of The Greatest Voices of All!.......2006-01-29
I am not the only one who regards Marilyn Horne's voice as exceptional. During the seventies and eighties she was regarded by The New York Times Music Critic as possessing the greatest voice of our time. One only has to sample this "golden" collection to prove how right he was. Her "mezzo" handles Handel and Rossini like no other. Brava all the way (To say nothing about Dalila's famous aria!) And I must even mention her "Jeannie With the Light Brown Hair". This is a two CD that is a MUST for those who appreciate the glories of the human voice (To say nothing about the warmth and spirit than accompany it.)
Not 100% satisfied with the selections, but what artistry!.......2004-11-03
Decca's release of this career-spanning Marilyn Horne recital contains many "golden" nuggets, but isn't the absolute best representation of her artistry, in my opinion.
There was certainly plenty of material to choose from, as Horne was one of the most recorded mezzos in the twentieth century. As advertised, Madame Horne personally approved the final recital list, and the diva undoubtedly has sentimental attachment to certain selections. Furthermore, a conscious attempt was made to represent the different genres explored during her decades-spanning career. This approach, however, leaves out some truly stunning material that would have made an even stronger case on why she was such an operatic institution.
In summary:
The first disc begins with the Habanera from Carmen. Horne was very proud of her Carmen, noting that it surpassed sales of Callas's Tosca at one point. It deserved to be included, but I don't think she was "THE" Carmen, and besides, the whole opera is so warmed-over by now, it's hard to get anyone excited about it!
From then on, we are treated to a bonanza of wonderful arie and scena. The aria from Samson et Delilah is a real gem. Horne was certainly not the most glamorous singer, but My God, the interpretation is heavenly. This is what the aria sounds like in the hands of a world-class contralto. Eccomi in Babilonia follows, and by anyone's measurement, she is the finest Arsace on record. Blessed with an extraordinary range, she is as fulminating in both the top and bottom registers. What's more, her spirited delivery magnifies the pure genius of Rossini's music. As for Cruda Sorte, "ditto," as Marilyn herself might say.
Next, we are treated to two excellent Handel arias. Iris, Hence Away gives me goosebumps everytime I hear it. This was recorded in the early sixties, for inclusion in the Age of Bel Canto recital she shared with Joan Sutherland and Richard Conrad. Now, if she had recorded this a few years later, she might have drove the coloratura harder. However, at this point, the voice had a somewhat lighter quality, thus the aria isn't sung with that all-purpose "Marilyn Horne" voice we are so used to. Speaking of lightness, Dove Sei, Amato Bene will send shivers down your spine. Again, Marilyn wasn't known for her subtlety, but she proves here that she was more than capable. Just listen to the fluttering trills and fil di voce, and dare to disagree with me! One of my major complaints is it there isn't more Handel on the recital. Sure, a whole recital of Handel arias by Horne is still available, but in this best-of disc, there was room at least for Or La Tromba, the trumpet aria from Rinaldo, and a personal favorite. Also, nothing is included from Vivaldi's Orlando Il Furioso, another travesty.
The pinnacle of the first disc is Addio, I Miei Sospiri, from Gluck's Orfeo ed Euridice. This is Horne magified to the nth power. Where to start? A scrumptiously sung recitativo, then the aria itself, with Marilyn pulling out all the stops. The bronzed tone, perfect breath control, spectacular coloratura fireworks, superlative diction, evenness and security from top to bottom, and Marilyn's own way of generating excitement will floor you. This is bravura singing at the highest level.
After a few other selections from the French reperetoire, the disc closes with two Rossini warhorses. Again, the "ultimate" Horne best-of would have saved room for more Rossini, on the second disc. But the evidence here is ample enough to proclaim her honorific as the leading interpreter of Rossini in the last century.
The second disc is less satisfactory. The first selection, Superbo Di Me Stesso sounds like it came from an inferior source, and wasn't remastered properly. Il Segreto Per Esser Felici, from Lucrezia Borgia is fine enough, but Marilyn could have ornamented more, and that snare drum is too loud! Then, we have an extended scene from Il Trovatore. Now, Marilyn herself stated that she wasn't perfect in Verdi. As she put it, she sang Verdi by not taking "both feet" out of the bel canto waters, so that she could go on singing the roles that brought her the most fame. This is understandable, but if that's the case, then we didn't need this long scene. Perhaps she wanted to highlight her collaboration with Luciano Pavarotti, and I'm sure Decca saw this as a way to lure the casual listener. For my money, though, they should have just included Stride La Vampa, and called it a day. This would have freed up lots of room for the stuff for which she's better recognized!
Now, another extended scene, from Norma, is completely justified. Equally important to Marilyn's legacy as an individual artist is her legacy as one-half of the Sutherland/Horne duo. I don't need to write more- the music speaks for itself.
The rest of the second disc throws in a bit of verismo (Horne is unrecognizeable in Ponchielli; Simionato she's not), a bit of German lieder, and some patriotic tunes. Along with Leontyne Price, Marilyn Horne was the most conciously patriotic singer out there, and to have left out her American recordings would have been a disgrace. But, again, we are given an ample serving of it, when it could have been scaled back some to make room for her operatic triumphs.
All in all, there is enough glorious material here for any fan of the legendary Marilyn Horne, and also those who want a taste of how a superlative mezzo/contralto sounds like.
Vive Madame Horne !.......2004-01-09
Je suis soufflée, et tout bonnement reconnaissante à Decca pour avoir sorti cette compil qui rend si bien honneur à une des mes interprètes préférées. Voix de velours, aisance dans le grave et médium unique au Monde, Marilyn a été, dans toutes ses incarnations, un pur produit américain, certes, mais quel produit ! Bien évidemment son timbre si particulier, que d'aucuns ont défini androgyne, peut plaire ou non... Ce qui compte c'est l'apport émotionnel qu'elle donne à tout ce qu'elle chante, et sans que cela n'enlève rien à la pure beauté de sa voix à la technique sans faille. Merci Mme Horne, pour nous avoir livré une des plus mémorables leçons de chant de l'histoire, et joyeux 70ème anniversaire (car il n'est pas déplacé que de dire votre âge, étant donné la vitalité qui vous caractérise depuis toujours).
Average customer rating:
- Superlative collection
- Great value for the money
- Great for the money and a good starter on opera....
- Amazing Value
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ASIN: B0007QOERC
Release Date: 2007-05-14 |
Tracks:
- Voi Che Sepate - Teresa Berganza
- Porgi Amor - Heather Harper
- Deh, Vieni Alla Finestra - Thomas Allen
- Batti, Batti, O Bel Masetto - Elizabeth Gale
- Der Holle Rache - Edda Moser
- O Isis Und Osiris - Cornelius Hauptmann
- Temerari...Come Scoglio - Elisabeth Schwarzkopf
- La Calunnia E Un Venticello - Ruggero Raimondi
- Nei Giardin Del Bello - Ambrosian Opera Chorus
- Casta Diva - Maria Callas
- Se Quel Guerrier...Celeste Aida - Franco Corelli
- Tenesta La Promessa...Addio Del Passato - Beverly Sills
- Niun Mi Tema - Jon Vickers
- Un Bel Di Vedremo - Renata Scotto
- E Lucevan Le Stelle - Placido Domingo
- Si, Mi Chiamano Mimi - Mirella Freni
- In Quelle Trine Morbide - Montserrat Caballe
- Signore, Ascolta - Kiri Te Kanawa
- Recitar...Vesti La Giubba - Jose Carreras
- Amor Ti Vieta Di Non Amor - Roberto Alagna
Tracks:
- Le Veau D'Or Est Toujours Debout - Boris Christoff
- Ou Va La Jeune Hindoue? - Mady Mesple
- L'Amour, L'Amour...Ah! Leve-Toi, Soleil - Alfredo Kraus
- Allons! Le Faut...Adieu Notre Petite Table - Ileana Cotrubas
- Toute Mon Ame Est La Pourquoi Me Reveiller - Nicolai Gedda
- Quand La Flamme De L'Amour - Jose Van Dam
- L'Amour Est Un Oiseau Rebelle - Victoria De Los Angeles
- A Cette Voix...Je Crois Entendre Encore - Alain Vanzo
- Une Puce Gentille - Gabriel Bacquier
- Je Vais Mourir...Adieu, Fiere Cite - Regine Crespin
- Mon Coeur S'Ouvre A Ta Voix - Rita Gorr
- Wie Todesahnung...O Du Mein Holder Abenstern - Dietrich Fischer-Dieskau
- Johohoe! Traft Ihr Das Schiff Im Meere An? - Anja Silja
- In Fernem Land - Chor Der Wiener Staatsoper
- Heil Dir, Sonne! - Siegfried Jerusalem
- Mild Und Leise - Helga Dernesch
Tracks:
- Che Faro Senza Euridice? - Agnes Baltsa
- Der Vogelfanger Bin Ich Ja - Walter Berry
- Finch'Han Dal Vino - Nicolai Ghiaurov
- E Susanna Non Vien!...Dove Sono - Barbara Hendricks
- Abscheulicher! - Christa Ludwig
- Ne M'Abandonne Pas, Espoir De La Vengeance...Asile Hereditaire - Nicolai Gedda
- Largo Al Factotum - Tito Gobbi
- Ella Giammai M'Amo! - Ruggero Raimondi
- La Donna E Mobile - Alfredo Kraus
- Di Quella Pira - Franco Corelli
- Esultate! - James McCracken
- Dio! Mi Potevi Scagliar - Placido Domingo
- Vissi D'Arte, Vissi D'Amore - Maria Callas
- In Questa Reggia - Ghena Dimitrova
- Tanto Amore - Janine Micheau
- O Mio Babbino Caro - Montserrat Caballe
- Ed Anche Beppe Amo - Luciano Pavarotti
- Poveri Fiori - Maria Callas
- Come Un Bel Di Di Maggio - Roberto Alagna
Tracks:
- Les Grands Seigneurs...Ah! Je Ris De Me Voir Si Belle - Victoria De Los Angeles
- Marie, Avec L'Enfant Jesus - Jules Bastin
- Heureux Petit Berger - Janine Micheau
- Connais-Tu Le Pays - Jane Rhodes
- Elle Ne Croyait Pas Dans Sa Candeur - Nicolai Gedda
- Votre Toast, Je Peux Vous Le Rendre...Toreador - Victoria De Los Angeles
- Les Oiseaux Dans La Charmille - Mady Mesple
- Maintenant, Chantons...Devant La Maison De Celui Qui D'Adore - Gerard Souzay
- Depuis Le Jour - Beverly Sills
- Da Geht Er Hin - Elisabeth Schwarzkopf
- Einsam In Truben Tagen - Regine Crespin
- Dich, Teure Halle - Hildegard Behrens
- Leb Wohl, Du Kuhnes, Herrliches Kind - Dietrich Fischer-Dieskau
- Hojotoho! Hojotoho! - Ute Walther
Tracks:
- Non Piu Andrai - Thomas Allen
- La Ci Darem La Mano - Graziella Sciutti
- Duo: Pa-Pa-Pa - Andreas Schmidt
- Soave Sia Il Vento - Delores Ziegler
- Mira, O Norma - Maria Callas
- Il Dolce Suono - Edita Gruberova
- Com'e Gentil - Alfredo Kraus
- Una Voce Poco Fa - Maria Callas
- Libiamo Ne' Lieti Calici - Alfredo Kraus
- Gualtier Malde!...Caro Nome - Michele Pertusi
- Ritorna Vincitor - Birgit Nilsson
- Ave Maria - Katia Ricciarelli
- Nessun Dorma - Franco Corelli
- Che Gelida Manina - Nicolai Gedda
- Ebben? Ne Andro Lontana - Barbara Hendricks
Tracks:
- Mes Amis, Ecoutez L'Histoire - Nicolai Gedda
- Mieux Vaut Mourir...Amour Sacre De La Patrie - Alfredo Kraus
- Ah! Je Veux Vivre Dans Ce Reve - Mady Mesple
- Puisqu'on Ne Peut Flechir...Vainement, Ma Bien-Aimee - Henry Legay
- Suis-Je Gentille Ainsi?...Je Marche Sur Tous Les Chemins - June Anderson
- Belle Nuit, O Nuit D'Amour - Jessye Norman
- La Fleur Que Tu M'Avais Jetee - Jose Carreras
- C'est Toi!...Au Fond Du Temple Saint - John Aler
- Werther, Werther, Qui M'Aurait Dit...Ces Lettres! - Tatiana Troyanos
- Viens, Mallika - Mady Mesple
- Ah! Je Suis Seule Enfin...Dis-Moi Que Je Suis Belle - Beverly Sills
- Alerte, Alerte!...Anges Purs, Anges Radieux - Nicolai Ghiaurov
- Boris's Farewell - Boris Christoff
- Schreckensschwur! - Gary Lakes
- Die 'Selige Morgentraum-Deutweise'...Selig, Wie Die Sonne - Peter Schreier
- Was Am Besten er Kann...Nothung! Nothung! - Siegfried Jerusalem
Customer Reviews:
Superlative collection.......2006-10-11
A collection of 100 individual arias and ensembles from the EMI catalogue of complete works recorded between 1955 and 2003. It includes selections from operas by Italian, Austrian, German, Russian and French composers. The French composers are especially well represented unlike most such anthologies. And there are several more obscure contributions, such as an aria from Catalani's La Wally. A well-judged balance of musical periods and styles, and the very best singers of the last half of the last century. And remarkably, the whole collection of 6 CDS, over 7 hours of music, is being sold for the cost of only 1 CD !
Great value for the money.......2006-04-23
This is simply the best collection of opera arias that I have seen. It's not 100% in that there are a few well-known arias that are not here, but what is here is simply a treasure. The organization is a bit strange, but there's some logic. For example, Disk 6 is mostly from French operas. A seemingly endless amount of glorious music. Just fabulous. You won't be disappointed.
Great for the money and a good starter on opera...........2006-01-07
This cd is a splendid collection of songs, and the price is unbeatable; I have but a few minor complaints about the overall product. The cd would have been much more enjoyable if they had put the music in some sort of order, rather than jumping around from artist to artist sporatically. My only other complaint would be that they could have chosen some better vocalists to play some of the songs. For example, in CD 6, track 3: Romeo et Juliette, the singer was not nearly as strong and definative as she should have been and I've definately heard in various other versions that were way better than this. This disappointed me greatly. But even with these few small complaints, this collection is still great and the price is amazing. It includes MOST of the famous opera pieces, as well some great songs that are often overlooked such as the beautiful song from Wagner's Die Meistersinger von Nurnberg (CD 6, track 16) along with others.
Amazing Value.......2005-08-23
I am so impressed by this collection that I must share my joy at getting so many beautiful arias, duets, et al in one collection. It captures many of the great operatic voices in stellar performances spanning the last 50 years. If you are enchanted by beautiful operatic highlights, removed from their operatic storylines, this set is for you. Hours of gorgeous music for practically pennies!
Average customer rating:
- Five stars for five winning performances.
- Great Performances Indeed!
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Favorite Overtures
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Similar Items:
- Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain
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- Famous Overtures
ASIN: B0000025ME
Release Date: 1990-10-25 |
Tracks:
- Zampa Overture
- Mignon Overture
- Raymond Overture
- Poet And Peasant Overture
- William Tell Overture
Customer Reviews:
Five stars for five winning performances........2003-09-19
I owned the LP of this back in the early 1960s (the cover showed a bright red apple with a target painted on it) and played these pieces over and over. The music is wonderful, the performances among Bernstein's best, and the sonics spectacular. I wish I still had my vinyl copy, however, because I would love to compare it to this CD-for sonics, I suspect the LP would win.
Not that the CD is bad, but Columbia LPs in those days were produced with a very recognizable equalization that is not apparent here. And as I remember, there was somewhat more detail on the LP, especially in the strings and in the many bells that decorate these quickly recognizable, entertaining pieces. (Each of the five compositions held a firm place as background music for Warner Brothers cartoons.)
However, the CD is entirely listenable (and certainly contains no pops or scratches). I will be interested to hear the SACD version if Columbia ever produces one. From what I have heard, Columbia's few SACD reissues sound more like the LPs. In any case, the product labeling is poor. The front cover says, "Digitally mastered analog recording," while the back cover informs us that the disc is AAD. (The disc itself says AAD, but it wouldn't be the first mislabeled CD.) No date of production whatsoever appears, though we learn that the cover was designed in 1981. (Give me the apple with the target on it.) The interesting liner notes are what appeared on the back of the LP, no more, no less.
It's not an expensive disc, and some of the pieces, oddly, are not easy to find. Get it!
Great Performances Indeed!.......2001-08-04
This disc which is aptly named "Favorite Overtures" captures Leonard Bernstein and the New York Philharmonic at the peak of their creative powers during the 1960's. Each of the five overtures are gems, but of particular delight are the Mignon and Raymond Overtures by Ambroise Thomas. The Raymond Overture with it's galloping opening motive is a hidden treasure which has not been recorded very often. Thankfully, Bernstein gives us a rendition of Raymond that could only be described as definitive. The other overtures on this disc are Zampa, Poet and Peasant, and William Tell. Not only are they expertly played, but their sound is in the demonstration class which is amazing considering that they were made nearly forty years ago. The fact that this disc has remained in circulation for so long speaks for itself. My highest recommendation.
Average customer rating:
- Kathy Rocks Ever!
- A wide presentation of the work of an amazing artist
- A Great Coloratura Soprano
- Great compilation of Kathleen Battle's work
- Beautiful Voice
|
The Best of Kathleen Battle
Manufacturer: Deutsche Grammophon
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Similar Items:
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- So Many Stars
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ASIN: B00068CVF8
Release Date: 2004-11-09 |
Tracks:
- Summertime
- I loves you, Porgy
- Porgi amor
- Welche Wonne, welche Lust
- S'altro che lagrime
- Una donna a quindici anni
- Depuis le jour
- E pur cosi / Piangeri la sorte mia
- Oui! pour ce soir... Je suis Titania
- Ah! tardai troppo... O luce di quest'anima
- 4. Pie Jesu (Sopran)
- Voices of Spring, Op.410 (Frohlingsstimmen) - vocal version
- Swing Low, Sweet Chariot / Ride Up in the Chariot
- Witness "Oh, Lord, what manner of man is dis?"
- Talk About a Child
- He's got the whole world in His hands
Customer Reviews:
Kathy Rocks Ever!.......2006-01-01
Oh,yeah!Also here in Brazil she commanded,complained,got her tantrums as well but,she is Kathy;highly gifted,charmingly glamourous,her elegant golden singing beautifully soaring over brazilian audiences and so on.About this cd,I would prefer a completely new one.However,this is a gorgeous compilation,just perfect to Battle beginners or her fans,especially these spirituals that belongs incontestablely to her heavenly throat.I hope much more from Miss Battle just 'cause she is a great performer,in fact nobody or nothing couldn't denies that no matter she's doing backstage.Cowardly,poisonous "kid's rewiews" show us solely how empty is this quarrel.I hope a DG reissue of her beloved,out of print Schubert recital as well.
A wide presentation of the work of an amazing artist.......2005-12-23
This CD provides a sampling of Kathleen Battle's voice and interpretive abilities from coloratura virtuousity (Voices of Spring) to the simple, heartfelt spiritual (Talk about a child).
First of all, there's THAT voice. You hear a voice that is uniquely angelic and capable of expressing a wide range of moods. You hear a voice that glitters like a diamond, skips happily and effortlessly (and in impeccable tune) from note to note like it's nobody's business, one that that reminds you of moonbeams and early morning dew on pink rose petals. You've simply got to her it to believe it.
On this CD, the listener is provided with the the works/composers for which she's well known: Handel Opera (E pur cosi / piangero la sorte mia), Mozart Opera (S'altro che lagrime), Bel Canto Opera (Ah, tardai troppo...), French Opera (Depuis le jour), spirituals, and a few popular songs for sopranos such as Gershwin's Summertime and Faure's Pie Jesu
If you're just popping the CD in, try: (1) Ah, tardai troppo, (2) Voices of Spring, (3) Talk about a child, (4) I loves you, Porgy, and (5) Pie Jesu.
I suppose if you are a fan of heavy, dramatic voices, Kathleen Battle may not be to your liking. But I suspect that if you listen to her, you still might be amazed...
A Great Coloratura Soprano .......2005-04-03
Coloratura sopranos are a dying breed today. The era of Lily Pons and Beverly Sills is long gone and opera audiences favor a more "heavy" coloratura sound- or at least a full lyric one, such as the voice types of Kiri Te Kenawa, Carol Vanness and Renee Fleming. Kathleen Battle was in many ways an artist who payed homage to the coloratura queens of olden days. Only Natalie Dessay, of late, represents that kind of singer. much This album showcases her best work, and she is in fine voice, bringing a luminous and sunny quality to her interpretations, while keeping the dramatic appeal of the text. She was at best a Handel/Mozart/Strauss/Gounod singer, and never fared well in the more dramatic reperotoire of Verdi or Puccini heroines. She never sang Madame Butterfly, which if she had gone through training, she could have nailed, especially because her dramatic aspirations coupled with her soft, vulnerable sound would have suited her as Ciao Ciao San, in the way that Ying Huang interpreted the role. Verdi opera must have frightened her and she could never dream of taking on the roles that Leontyne Price performed, surely an influence in her student days made all the more credible because Leontyne Price was a "sister" African-American. So Leonora, Aida and Suor Angelica were out of her reach. While she sang with Jessie Norman in concert and recitals (like the Spirituals Concert), she must have been secretly or overtly ? jealous of the fact that Jessye Norman had a voice that could swallow the world!! A big, beautiful voice such as Ms. Norman's is closer to the true goddesses of operas in the tradition of Maria Callas, while Battle is more of the "tiny, bright, canary" voice. She ranks among the best of the lighter sopranos- Beverly Sills, and like Sumi Jo today. Her fellow co-artists used to call her the "Singing Mosquito". But she is marvelous in singing Handel oratorio(the only times I've heard her sing live), Mozart- Sussannah, Zerlina, the Countess in Figaro, Gounod- Juliette, Bizet- Micaela, but could never truly master the more difficult Mozart heroines- Dona Ana in Don Giovanni or Fiordiligi in Cosi Fan Tutte or even Konstanza in Die Entfurung, though try she did. In Strauss operas, she made a fine Zerbinetta, though she always oozed a confidence that made it seem as if these difficult pieces were a piece of cake for her. Some arias in this collection appear that way too.
Kathleen Battle has long since disappeared from the opera world, singing off and on. Her last singing engagement was for the soundtrack to the Japanese action saga "House of Flying Daggers" in which she sings in a very Japanese/poetic style. Before that she sang in Mythodea opposite Jessie Norman in a massive choral work by Vangelis, and also in Disney's Fantasia 2000. Her constant bitchiness, diva antics and disrespect to conductors and singers became too much and finally Joseph Volpe fired her from the Met. She had stayed there for so long because James Levine took a shine to her. As a singer, she was a perfectionist and in her body of work it shows. But she displayed a nasty diva temperament that does not sit well today. In the 80's, she would come to rehearsals late, would criticize everyone from conductor to costuma makers and even once disrespected the much older and experienced Rosalind Elias, a beloved mezzo at the Met. While I think that Volpe did the right thin in firing Battle, I think that Battle's voice is glorious and would buy her albums, even if she mostly poses as if she were in Vogue cover shots.
Great compilation of Kathleen Battle's work.......2005-03-26
This is a great compilation CD of recordings made by Battle, which are currently deleted by Universal Music.
The selections are first rate and capture the artistry of Kathleen Battle perfectly, a shimmering, silvery, clean and clear voice which has captivated millions of people worldwide
Beautiful Voice.......2005-02-24
I find it hard to give anything under 5 stars for any work including Miss Battle. Her technique and mastery of the female voice is quite remarkable. I am a HUGE fan of the soprano voice and I have found no one who posses the talents, skills, and interpretations of Battle. I would like to have seen more variety in this compilation CD. Her Rosina, Zerbinetta, Semele, other such roles were obviously ignored in the making of this CD. I think anyone will be hard pressed to find any lyric/coloratura soprano who amounts to the skill level of Miss Battle. Talent is talent, and she's got plenty of it. A person's attitude has nothing to do with their abilities as a performer, and I am tired of people knocking Miss Battle because of the stigma with which she is attached. Personally, she has never done anything to me nor the number of others who criticize her for her actions which took place over a decade ago. You cannot say that this woman does not posses mad skills. She is a lovely woman who has accomplished great things. I would gladly buy any CD that carries the name "Kathleen Battle".
Average customer rating:
|
The Very Best of Giuseppe di Stefano
Manufacturer: EMI Classics
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Binding: Audio CD
Bellini, Vincenzo
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ASIN: B0000A5BXQ
Release Date: 2003-09-02 |
Tracks:
- Addio, Mignon
- Ah! Non Credevi Tu
- Io Son Solo...Ah! Dispar, Vision
- E La Solita Storia (Lamento Di Federico)
- Lunge Da Lei...De' Miei Bollenti Spiriti
- Fra Poco A Me Ricovero
- Tu Che A Dio Spiegasti L'Ali
- Son Gia Lontani!...Corre A Valle
- Intanto Amici Qua...Viva Il Vino Spumeggiante
- Mamma, Quel Vino E Generoso
- Recondita Armonia
- E Lucevan Le Stelle
- Dovunque Al Mondo
- Addio, Fiorito Asil
- Recitar!...Vesti La Giubba
- La Vita E Inferno...O Tu Che In Seno Agli Angeli
- Una Parola Sola...Or Son Sei Mesi
- Ch'ella Mi Creda Libero
- Avete Torto!...Firenze E Come Albero
- Non Piangere, Liu
- Nessun Dorma
Tracks:
- Questa O Quella
- Ella Mi Fu Rapita!...Parmi Veder Le Lagrime
- La Donna E Mobile
- Ah Si, Ben Mio
- Di Quella Pira
- Di' Tu Se Fedele
- Teco Io Sto...Non Sai Tu Che Se L'Anima Mia...Oh, Qual Soave Brivido - Maria Callas
- Forse La Soglia Attinse...Ma Se M'e Forza Perderti
- Che Gelida Manina
- In Un Coupe?...O Mimi, Tu Piu Non Torni - Rolando Panerai
- Donna Non Vidi Mai
- Oh, Saro La Piu Bella - Maria Callas
- No! Pazzo Son! Guardate!
- A La Barcillunisa
- Cantu A Timuni
- 'O Sole Mio
- Marechiare
- Core 'Ngrato
- Torna A Surriento
Average customer rating:
- Another Gem from Sony Essential Classics
|
Opera Overtures & Incidental Music
Giuseppe Verdi , Bedrich Smetana , Carl Maria von Weber , Jaromir Weinberger , Ermanno Wolf-Ferrari , Engelbert Humperdinck , Pietro Mascagni , Thomas Schippers , Eugene Ormandy , Columbia Symphony Orchestra , and Philadelphia Orchestra
Manufacturer: Sony
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Similar Items:
- Famous Overtures
- William Tell & Other Favorite Overtures
- Strauss: Orchestral Music from Stage Works
- American Masterpieces
- Rossini: Overtures (14)
ASIN: B0000029WQ
Release Date: 1997-07-01 |
Tracks:
- La forza del destino: Overture
- The Bartered Bride: Overture
- La Traviata: Prelude (Act I)
- La Traviata: Prelude (Act III)
- Der Freischutz: Overture
- Euryanthe, Op. 81: Overture
- Schwanda The Bagpiper: Polka
- Schwanda The Bagpiper: Fugue
- Jewels Of The Madonna: Intermezzo (Act III)
- Hansel And Gretel: 'Prayer'
- Cavalleria Rusticana: Intermezzo
- Mignon: Overture
- Mignon: Gavotte
- Donna Diana: Overture
Customer Reviews:
Another Gem from Sony Essential Classics.......2003-07-07
As I have stated in many of my previous reviews, I am a huge fan of the Sony Essential Classics (SEC) budget series. Most of the recordings feature classic and often definitive performances featuring the likes of Leonard Bernstein, George Szell, Isaac Stern, Robert Casadesus, and Rudolf Serkin among others. Here we get two great conductors in Eugene Ormandy and Thomas Schippers (the latter would certainly more of a household name had he not died young) performing Overtures and Incidental Music from various operas. With only two orchestras and conductors performing the majority of works in this collection, SEC's Opera Overtures disc has a much more consistent feel overall than its Rossini Overtures set (see my review). Of course at the end of this CD two other conductors make an appearance -- Zubin Mehta on Reznicek's "Donna Diana" Overture and Antonio De Almeida (who is not listed above) on Thomas' "Mignon" Overture. In all, this is an outstanding collection, worth getting for the rarely heard artistry of Schippers alone.
Average customer rating:
- Operatic icon. Performer against which others are measured.
- La Divina set the stage
- The queen of opera
- Essential!
- The entire La Divina series is AMAZING!
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La Divina 2
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Similar Items:
- Maria Callas - La Divina
- Maria Callas: La Divina 3
- Maria Callas: The Legend
- The Very Best Of Maria Callas
- The Passion of Callas
ASIN: B000002RTT
Release Date: 1994-07-19 |
Tracks:
- Alceste: Divinites du Styx Acte 1
- Carmen: Les tringles des sistres tintaient Acte ll
- Ernani: Surta e la notte......Ernani! Ernani, involami Atto l
- Manon Lescaut: In quelle trine morbide Atto ll
- Aida: Ritorna vincitor Atto l
- Orphee et Eurydice: J'ai perdu mon Eurydice Acte lV
- I vespri siciliana: Bolero: Merce, dilette amiche Atto V
- Louise: Depuis le jour Acte lll
- La Boheme: Donde lieta usci Atto lll
- Mignon: Ah, pour ce soir...Je suis Titania Acte ll
- La Traviata: Teneste la promessa...Addio, del passato Atto lll
- Don Carlo: O don fatale Atto lll
- Samson et Dalila: Printemps qui commence Acte l
- La Sonnambula: Compagne, teneri amici...Come per me sereno Atto l
- Adriana Lecouvreur: Ecco: respiro appena...Io son 'lumile ancella Atto l
- Lucia di Lammermoor: Spargi d'amaro pianto Atto lll
Customer Reviews:
Operatic icon. Performer against which others are measured........2007-05-26
Maria Callas may be the only female operatic 'superstar' working in my lifetime. In the 1950s and early 1960's, she had all the star power and paparrazi draw of Jackie and Marilyn, far outstripping the fame to the world at large of her primary rival, Renita Tibaldi. I am not an expert, or even an experienced amateur at evaluating operatic sopranos; however I've listened to several of the modern crop, and while the newbies probably do a better job of keeping on key, none of them can match the drama emoted by Ms. Callas on any given aria. All three releases are especially good buys, as they all run to over 72 minutes; however the recording quality does show its early (pre-multitrack, pre-digital) recording technology. Each is as good as the next regarding content, but 2 and 3 are a bit better in sound quality.
La Divina set the stage.......2007-01-05
Maria Callas, as I understand it (I'm not a music expert), helped create a new interest in the bel canto tradition of Donizetti and Bellini at mid-twentieth century. This album represents those composers, plus many others as well.
Callas' range in choice of operatic material is great indeed. Selections on this CD run from Gluck to Donizetti to Bizet and Puccini. Her voice, uneven on occasion, does not define her importance. As noted, she helped spark a renewed interest in bel canto works. The irony is that she did not have great coloratura skills. In the selection from Lucia di Lammermoor, a trill is scarcely heard. Think a few years later, to Joan Sutherland, later still to Beverly Sills, and more recently to sopranos such as Angela Gheorghiu. They all have much better technique, trill well, and exhibit much more agile coloratura singing. But Callas was an important predecessor.
More important than technique is the passion that many heard in her voice and her presence on stage. This is a good introduction to the range of Callas' repertoire and a reminder of this fiery singer from decades ago.
The queen of opera.......2004-05-16
Absolutely beautiful! Divine is the only word to do her justice! Viva La Divina, BRAVISSIMA!
Essential!.......2004-04-04
All three La Divina Albums are essential indeed! I bought them all and enjoy them! A very beautiful, dramatic voice!
The entire La Divina series is AMAZING!.......2004-02-26
I bought all three La Divina Releases and they're all splendid. Brilliant, for Callas and beyond!
Average customer rating:
- ORDER AND BEAUTY
- Breathtaking
|
The Songs of Henri Duparc
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Songs of Chausson / Lott · Murray · McGreevy · Trakas · Chilingirian Quartet · G. Johnson
- Gabriel Fauré: The Complete Songs, Vol. 3
- Fauré: The Complete Songs, Vol. 2: Un paysage choisi
- Fauré - The Complete Songs, Vol. 4 ~ Dans un parfum de roses
- Songs by Bizet
ASIN: B000002ZLE
Release Date: 1993-06-21 |
Tracks:
- L'Invitation au voyage
- Serenade florentine
- Testament
- Phidyle
- Extase
- La vague et la cloche
- Chanson triste
- Le Galop
- Romance de Mignon
- Serenade
- La Fuite
- Lamento
- Elegie
- Le manoir de Rosemonde
- Au pays ou se fait la guerre
- Soupir
- La vie anterieure
Customer Reviews:
ORDER AND BEAUTY.......2006-08-30
Duparc composed little and published less. The 17 songs with piano (including one duet) that we have on this disc - just over one hour of music - constitute virtually all he chose to leave us as a musical legacy after more than 80 years of life. Some of the poets he set are familiar names - Baudelaire, Gautier, Sully-Prudhomme, Leconte de Lisle, one translation from Goethe - but three of the 17 are by one Jean Lahor. What they have as a common theme is a sense of incapacity to deal with mundane life, this manifested in the earlier poems as an escape into fantasy and dreams, lapsing into lonely sadness in the later. Whether the poetry of Lahor is of `middling quality', in the supercilious phrase of the liner-note writer, I wouldn't be knowing. My own French has no difficulty with understanding the literal meaning of anything here, and it is probably up to recognising the stature of Baudelaire, but whether it is good enough to pass such judgments on the plain and innocent-seeming verses of Lahor I am not so sure. It seems to me that a native speaker of French might miss the magic behind the simple diction of Housman, and what I seem to find in Lahor is at least a patent and fragile sincerity.
This poetry is set to a music of exquisite refinement and poise. There is clear influence from Wagner in one or two ways, particularly in some of the more vigorous accompaniments and probably also in the almost total avoidance of word-repetition, but the very French sense of atmosphere is as strong as it is in Debussy, and the vocal lines combine a Wagnerian flexibility with a delicate lyricism that recalls Berlioz. Duparc was also an outright perfectionist, and perfectionism is catching. It infects even such a slattern as I am myself when I listen to these fine-spun little masterpieces, and it seems to me that nothing less than total perfection in their performance can do them full justice.
What I find in this recital is total perfection from Thomas Allen, but only excellence from Sarah Walker and Roger Vignoles. They all show thorough understanding of this music, and they convey their understanding with both power when required and discretion, which is always required. I could probably ask for nothing more by way of insight into the soul of the works. Where I find something slightly lacking is at a more mundane level. Apart from a couple of slightly uneasy high notes, Sarah Walker's technical command is assured, and I feel more than a little ungallant in saying crudely that her voice is not quite what is needed for Duparc - it is just slightly ordinary, and her French is not as good as Allen's either. As the recital progressed I longed more and more for Veronique Gens, whose memorable Berlioz Nuits d'Ete came back forcefully into my mind. As for the accompaniment, it calls for the highest praise in its mastery of the idiom and style (which are more varied than you might expect). Vignoles catches the special and elusive atmosphere of this special and elusive composer with genuine and deep insight, and there is real and impressive power in the later sequences of the last song of all. However the shortcomings - slight but in this context very telling - are once again at a more humdrum level. The touch needs to be the last word in the `order, beauty, comfort, peace and pleasure' that Baudelaire himself yearns for in `L'Invitation au Voyage'. In particular the frequent tremolando sequences call for superhuman evenness, and when I ask myself `Who do I want to be doing this?' the answer that comes to me is as much a fantasy as anything in the poems - I want Michelangeli.
For some reason credits are given in the liner to the translators of only three of the poems. I can think of no reason for this discrimination, and all the translations are in my own opinion excellent. I spotted no misprints in either English or French, unless Baudelaire's `ciels', which Lahor and I thought was `cieux', is one of those and not his divine afflatus as I am assuming. The liner-note itself is businesslike and informative, and the recorded quality gives me no grounds for criticism. This is a fine production, and whether or not I have laboured my reservations unduly I recommend it cordially. Perfection was what I had wanted. It is not quite what I have got, but I have got a great deal nonetheless, and it may be a long time before I am given as much again.
Breathtaking.......2002-08-23
The music of Duparc is as intense, layered, complex, and as emotional as the man who wrote it - who in fact, drove himself mad in the process. To convey this music effectively, a journey must be taken by the vocalist and the pianist into rich text and engulfing harmonies, without drowning in over analysis & self indulgence. There is a foreboding sense of secret, or the opening of a private self, and a great vulnerability and tenderness in this music. Here, the vocalists Allen & Walker, present immaculate readings of these 17 works, along with the supreme artisty of Vignoles. These recorded pieces are such exquisite duets between voice and piano that they leave you in rapture. Walker's mellifluous "Extase" with it's Wagnerian, lush accompaniment is impeccable and haunting. Allen opens his soul, along with those of the poet and composer, in "Soupir" - laden with all the angst of unrequited love. Both he and Vignoles transport their listener heavenward on soft stardust in their intimate "Serenade Florentine". This is divinely inspired music. Honest. Unpretentious. Transcendental.
Average customer rating:
- The Fascinating Maria Callas
- Stupenda! A great compilation...
- wonderful representation of Callas artistry
|
Maria Callas - Life & Art (2 CD's & Bonus DVD)
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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Similar Items:
- Verdi: Arias by Maria Callas (includes DVD - rare performance of Callas on film)
- Callas - A Documentary Plus Bonus / John Ardoin, Franco Zeffirelli
- Maria Callas - Passion / A Film by Gerard Caillat
- The Passion of Callas
- Maria Callas - The Callas Conversations (EMI Classic Archive)
ASIN: B0002Z83KW
Release Date: 2004-11-16 |
Tracks:
- Bellini: Norma - Casta Diva (Act I)
- Donizetti: Anna Bolena - Al dolce guidami castel natio (Act II)
- Verdi: Il trovatore - D'amor sull'ali rosee (Act IV)
- Catalani: La Wally - Ebben? ne andrr lontana (Act I)
- Giordano: Andrea Chinier - La mamma morta (Act III)
- Puccini: La bohhme - Donde lieta uscl (Act III)
- Puccini: Tosca - Vissi d'arte (Act II)
- Mascagni: Cavalleria rusticana - Voi lo sapete o mamma
- Boito: Mefistofele - L'altra notte in fondo al mare (Act III)10. Puccini: Madama Butterfly - Un bel dl vedremo (Act II)
- Puccini: Turandot - Signore, ascolta (Act I)
- Puccini: Manon Lescaut - Sola, perduta, abbandonata (Act IV)
- Ponchielli: La Gioconda - Suicidio! (Act IV)
- Verdi: Aida - Ritorna vincitor! (Act I)
- Bizet: Carmen - Carreau ! Pique ! (Card Scene) (Act III)
- Massenet: Le Cid - De cet affreux combat...Pleurez, mes yeux ! (Act III)
Tracks:
- Bellini: La sonnambula - Compagne, teneri amici...Come per me sereno...Sovra il sen la man mi posa (Act I)
- Bellini: I puritani - Son vergin vezzosa (Act 1)
- Donizetti: Lucia di Lammermoor - Regnava nel silenzio...Quando rapito in estasi (Act I)
- Verdi: Rigoletto - Gualtier Maldh...Caro nome (Act I)
- Verdi: La traviata - Ah, fors'h lui (Act I)
- Puccini: Gianni Schicchi - O mio babbino caro
- Cilea: Adriana Lecouvreur - Ecco: respiro appena. Io son l'umile ancella (Act I)
- Thomas: Mignon - Ah, pour ce soir...Je suis Titania (Act II)
- Gounod: Romio et Juliette - Ah ! Je veux vivre dans ce rjve (Act I)
- Gounod: Faust - Un bouquet !...Ah ! je ris (Jewel Song) (Act III)
- Berlioz: La Damnation de Faust - D'amour l'ardente flamme (Part IV)
- Massenet: Werther - Werther ! Qui m'aurait dit...Des cris joyeux (Letter Scene) (Act III)
- Bizet: Les Pjcheurs de perles - Me voil` seule...Comme autrefois (Act II)
- Saint-Saens: Samson et Dalila - Printemps qui commence (Act I)
- Charpentier: Louise - Depuis le jour ( Act III)
Tracks:
- Massenet: Le Cid - De cet affreux combat...Pleurez, mes yeux (Acte III) (DVD)
- Bizet: Carmen - Prilude; Habanera (Acte I); Entr'acte (Acte III); Siguidille (Acte I) (DVD)
- Verdi: Ernani - Surta h la notte...Ernani, involami (Atto I) (DVD)
- Rossini: La Cenerentola - Nacqui all'affanno e al pianto...Non piy mesta (Atto II) (DVD)
- Verdi: Don Carlo - O don fatale, o don crudel (Atto III) (DVD)
Customer Reviews:
The Fascinating Maria Callas.......2007-01-10
The DVD of her life was the most interesting part. I was really hoping for a wide selection of arias on the CDs, rather than the two full operas that came in the set.
Stupenda! A great compilation..........2006-08-23
First off, I think this is a great compilation of Maria Callas' work. It has a little bit of almst everything. It picks the right records and highlights them quite well. I liked the idea of splitting the album into two discs. One of lighter romantic arias. The other with tragic and dramatic arias. Now, to the point...
I listen to many operas as it is my music of choice. Whenever I find myself at a loss with a certain soprano for either character or tone I always find myself coming back to Callas. Not having the most tonaly beautiful voice she does for me what is more important. She adds life and passion to the music instead of just singing it. She knows the characters and their motivations. This rare feat comes thru in her voice. Capable of singing almost any soprano role from a light lyric coloratura such as Lakme or to the heavy demands of a Wagnerian role such as Norma. Not only does her range impress but her voice was capable of such colors and shades of those colors. She imparts such pathos and depth with her voice. This for me is most important. A singer can have the most tonaly beautiful voice, but if there is no heart and emotion behind it, forget about it. Callas has that in spades. Maybe that is why 30 some odd years after her death I still find myself turning to her for inpsiration.
wonderful representation of Callas artistry.......2006-04-29
This 2 set CD and additional DVD are a great sampling of Maria Callas singing various operatic arias. They demonstrate not only her remarkable vocal range but her ability to perform expressively as well. No artist in my opinion can act today as well as Callas. Callas voice may have been flawed later on during her career, but her ability to act truly makes up for any vocal imperfections. After all, she is the only operatic soprano I know of who possessed not only the natural talent for acting, but the ability to sing anything from mezzo to soprano. If you are a fan of Callas, then I highly recommend this set. Even those not familiar with Maria Callas should hear her perform at least once.
Average customer rating:
|
Aria
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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Similar Items:
- Music For A Sunday Morning
ASIN: B00000070U
Release Date: 1997-06-17 |
Tracks:
- Lakme: FLOWER DUET
- La rondine: CHI IL BEL SOGNO DI DORETTA
- Tales Of Hoffman: BELLE NUIT, O NUIT D'AMOUR
- Romeo Et Juliet: JE VEUX VIVRE
- Le Nozzle Di Figaro: SULL' ARIA CHE SOAVE ZEFFIRETTO
- Norma: CASTA DIVA
- Samsom Et Delilah: MON COER S'OUVRE A TA VOIX
- Carmen: SEGUIDILLA
- Die Zauberflote: BEI MANNERN, WELCHE LIEBE FUHLEN
- Gianni Schicchi: O MIO BABBINO CARO
- La Boheme: QUANDO M'EN VO' SOLETTA
- Don Pasquale: NOTTURNO
- Mignon: CONNAIS-TU LE PAYS?
- Adriana Lecouvreur: LO SON L'UMILE ANCELLA
- Julius Caesar: V'ADORO, PUPILLE
- Hansel And Gretel: EVENING PRAYER
- Serse: OMBRA MAI FU
- Die Zauberflote: ACH, ICH FUHLS
- Manon Lescaut: IN QUELLE TRINE MORBIDE
- Madama Butterfly: UN BEL DI
- Die Zauberflote: O ZITTRE NICHT, MEIN LIEBER SOHN
Customer Reviews:
LOVELY!!.......2002-02-10
Eugenia Zukerman is one of my favioite flutist. Recording these Aria's was a great idea for her because she really does sing out on the flute!She really is so beautiful!
Meditation Music:
- Top Twenty Operatic Scenes and Arias
- Verdi: Aida
- Verdi: Aida
- Verdi: Arias
- Verdi: Ernani
- Verdi: Falstaff (recorded Wien 5/1980)
- Verdi: Highlights From Aida
- Verdi: I Lombardi
- Verdi: Il Trovatore
- Verdi: La forza del destino
Meditation Music
meditation music
Meditation Music
The Best Of [Enhanced] [Import]
Vivaldi: In Furore
The Magic of a Flute [Live]
Music: Sometimes [CD-single] [Import]
Transatlantik Lounging, Vol. 4 [Import]
Vengo a Cobrar [Enhanced] [Explicit Lyrics]
The Collie Man
The Way It Is
True [Enhanced] [Limited Edition] [Original recording remastered] [Import]
Very Best of