-
Hamlet, opera in 5 acts A vos jeux, mes amis
Composed by Ambroise Thomas
Performed by Toulouse Orchestra
with June Anderson
Conducted by Michel Plasson
-
Hamlet, opera in 5 acts Et maintenant, écoutez ma chanson
Composed by Ambroise Thomas
Performed by Toulouse Orchestra
with June Anderson
Conducted by Michel Plasson
-
Robert le diable, grand opera in 5 acts Robert, Robert, toi que j'aime
Composed by Giacomo Meyerbeer
Performed by Toulouse Orchestra
with June Anderson
Conducted by Michel Plasson
-
Manon, comic opera in 5 acts Suis-je gentille ainsi...Je marche sur tous les chemins
Composed by Jules Massenet
Performed by Toulouse Orchestra
with June Anderson
Conducted by Michel Plasson
-
Manon, comic opera in 5 acts Obéissons quand leur voix appelle
Composed by Jules Massenet
Performed by Toulouse Orchestra
with June Anderson
Conducted by Michel Plasson
-
Roméo et Juliette, opera Dieu! Quel frisson court dans mes veines
Composed by Charles Gounod
Performed by Toulouse Orchestra
with June Anderson
Conducted by Michel Plasson
-
Dinorah (Le pardon de Ploërmel), comic opera in 3 acts Ombre légère
Composed by Giacomo Meyerbeer
Performed by Toulouse Orchestra
with June Anderson
Conducted by Michel Plasson
-
Ivan IV (Ivan the Terrible), opera in 5 acts (unfinished) Il me semble parfois que la vie est un songe
Composed by Georges Bizet
Performed by Toulouse Orchestra
with June Anderson
Conducted by Michel Plasson
-
Ivan IV (Ivan the Terrible), opera in 5 acts (unfinished) Oh! Ciel! Quel changement
Composed by Georges Bizet
Performed by Toulouse Orchestra
with June Anderson
Conducted by Michel Plasson
-
La Vestale, opera Toi que j'implore
Composed by Gaspare Spontini
Performed by Toulouse Orchestra
with June Anderson
Conducted by Michel Plasson
-
La Vestale, opera Merci, jeunes amis
Composed by Gaspare Spontini
Performed by Toulouse Orchestra
with June Anderson
Conducted by Michel Plasson
French Opera Arias,Georges Bizet,Charles Gounod,Jules Massenet,Giacomo Meyerbeer,Gaspare Spontini,Ambroise Thomas,Michel Plasson,Toulouse Orchestra,June Anderson,Capitol,Classical,Classical Music,French Romantic Opera,Italian Romantic Opera,Opera
Average customer rating:
|
Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OTX Release Date: 1998-06-09 |
Tracks:
- La Boheme: Che gelida manina
- Manon Lescaut: Donna non vidi mai
- Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
- Luisa Miller: O! fede negar potessi .. Quando le sere al placido
- La Traviata: Lunge da lei ... De' miei bollenti spiriti
- Martha: M'appari
- Giordano: Amor ti vieta
- L'Africaine: Mi batte il cuor .. O paradiso
- La Favorita: Favorita del re . . . Spirto gentil
- Werther: 'Pourquoi me reveiller'
- Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
- Les Contes d'Hoffmann: O Dieu! De quelle ivresse
- TOSCA: E lucevan le stelle
- Pagliacci: Recitar! ... Vesti la giubba
- Il Trovatore: Di quella pira
- Aida: Se quel guerrier .. Celeste Aida
- TOSCA: Recondita armonia
- L'Elisir d'Amore: Una furtiva lagrima
- La Gioconda: Cielo e mar!
- Turandot: Nessun dorma
Customer Reviews:
The End of the Big Voice?.......2007-04-16
Fla Gator Lady.......2007-01-12
20 Great Tenor Arias.......2007-01-09
Plesantly surprised..........2006-01-14
First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).
Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.
Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.
Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.
This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.
A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!
Absolutely Agree About Corelli.......2005-05-27
Average customer rating:
|
The Most Famous Opera Arias
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SCE Release Date: 1994-07-19 |
Tracks:
- Rigoletto: Act I - Caro nome
- Rigoletto: Act III - La donna e mobile
- Gianni Schicchi: O mio babbino caro
- Carmen: Act I - Habanera: La voila...L'amour est oiseau rebelle
- Orfeo ed Euridice: Act III - Che faro senz Euridice
- Madama Butterfly: Act III - Un bel di, vedremo
- Romeo et Juliette: Act I - Ah! je veux vivre
- Le nozze di Figaro: Act II - Voi che sapete che cosa e amor
- Samson et Dalila: Act II - Mon coeur s'ouvre a ta voix
- Tosca:: Act II - Vissi d'arte, vissi d'amore
- Aida: Act I-Celeste Aida
- Il Barbiere Di Siviglia: Act I-Una voce poco fa
- Lakme: Act II - Ou va la jeune indoue?
- La Wally: Act I - Ebben? Ne andro lontano
- La Boheme: Act I - Che gelida manina
- Die Zauberflote: Act II-Die Holle Rache kocht in meinem Herzen
Customer Reviews:
Great for kids!.......2007-06-27
Mediocre Sound Quality.......2007-03-31
It's a very nice collection to hum along to, but don't expect shivers down your spine as the sound quality is not sufficient to reproduce the dynamic range of these voices.
I was pleased.......2007-02-18
The Most Famous Opera Arias.......2007-01-05
I would not only refer this seller but I will come back myself.
Okay But.... - a review of "The Most Famous Opera Arias".......2006-08-18
This was the first we purchased and it is okay but not great.
Problem #1 - where is Wagner. No Wagner?
Problem#2 - Elena Obraztsova - she sounds like Carmen's grandmother. Rather matronly for a vixen (imho--lol)
Three Stars. [C+] Great Price and good sound quality for the car. The operatic styles of some of the performers are antiquated and frilly sounding, but I would probably buy this CD again.
Note: We purchased and really preferred "The # 1 Opera Album". It has more selections and better artists in our opinion. Also it's a two CD set. Just something to consider.
Average customer rating:
|
Anna Netrebko: Opera Arias
Anna Netrebko , Elina Garanca , Gianandrea Noseda , Wiener Philharmoniker , and Hector Berlioz Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008MLSH Release Date: 2003-09-09 |
Tracks:
- Idomeneo: Recitativo ed Aria "Quando avran fine omai" - Mozart
- Don Giovanni: Recitativo accompagnato e Rondo "Crudele!" - Mozart
- Benvenuto Cellini: Cavatine "Entre l'amour et le devoir" - Berlioz
- La Sonnambula: Recitativo e Cavatina "Care compagne, et voi, ternei amici" - Bellini
- Manon: Air du Cours-la-Reine "Suis-je gentille ainsi?" - Massenet
- Lucia di Lammermoor: Scena e Cavatina "Ancor non giunse!" - Donizet
- Faust: Ricitatif "Les grands seigneurs ont seuls des airs..." - Gounod
- Rusalka: "Mesicku na nebli hlubokem" - Dvorak
- La Boheme: "Quando me'n vo' (Musette's Waltz)" - Puccini
Amazon.com
Here, a year after her sensational Metropolitan debut as Prokofiev's Natasha from War and Peace, comes the debut solo recital album of 30-something soprano Anna Netrebko. She hails from southern Russia, and her emergence from the life of a conservatory student has a touch of the Cinderella talethe bit, that is, about being discovered by Gergiev mopping floors for the Kirov as a part-time job and making her way into the Kirov's ranks. Later she became a favorite at San Francisco Opera, trying on for size a swath of comic and dramatic roles. Opera Arias parades Netrebko's way through a spectrum of vocal styles and characters. This mesmerizing lyric soprano engages--at times thrillingly grips--the listener with an imagination far greater than the disc's title (couldn't someone have dreamt up a less ridiculously bland handle?), but most significantly leaves an impression that the enterprise here isn't merely about singing. Netrebko's Ilia and Donna Anna are flesh-and-blood characters in real situations, as Mozart wanted them to be. The results are a bit more uneven with her bel canto heroines, where the required balance between Netrebko's emotional identification, so obviously a forte, and the musical phrasing thereof is a delicate one. Her shading of Lucia's mood swings, vocal and emotional, isn't consistently compelling. On the other hand, Netrebko uncovers gemlike facets not just in Gounod's "Jewel Song" but particularly in her stunning, passionately realized and beautifully phrased Manon (even if her trills disappoint). A shame that samples of her Russian repertory are missing here, though Netrebko's "Song to the Moon" from Dvorak's Rusalka concentrates and sets a mood with enviable mastery. Netrebko's musical intelligence and theatrical savvy seem destined to ensure her a magnificent career, so it's no surprise that many fans are already clamoring for more than the tease of an aria collection. --Thomas MayCustomer Reviews:
Bright Star.......2007-07-13
Anna Netrebko: Opera Arias.......2007-03-29
I highly reccomend it.
First DGG album--very promising.......2007-02-01
A few selections illustrate:
Mozart, Idomeneo, "Quando avran fine omai." She displays a rich and clean voice. There is a very attractive quality to her voice manifest in this work.
Mozart, Don Giovanni, "Crudele? Ah no, mio bene!...Non mi dir." This is Donna Anna's poignant aria, given her circumstances. Netrebko displays rich tones. This is a well sung cut. "Non mi dir" shows off some agility in her voice.
Donizetti, Lucia di Lammermoor. "Ancor non giunse!. . .Regnava nel silenzio. . .Quando rapito in estasi" Something of a disappointment. Coloratura is not her forte (and see her "Sempre Libera" CD for further confirmation). She clearly shows off a rich and lush voice. I think that she displays some characterization here that is compelling. She hits high notes cleanly. But her ornamentation is indifferent, and she appears unable to trill. I know, some say that that is irrelevant. But compare Beverly Sills' version of this work, with almost too many trills extraordinarily well sung and her florid technique, and this version simply pales.
Bellini, La Sonnambula. "Care compagna. . .Come per me sereno." Again, Netrebko displays a rich voice. She displays an agile voice and the ability to hit the high notes. Her rendition of "come per sereno" is spirited.
Gounod, Faust. "The Jewel Song." Very smooth singing; animated singing. But the technique does not measure up to Anna Moffo's version--let alone Joan Sutherland's.
Puccini, La Boheme. "Musetta's Waltz." Yikes! What a version. Brava Netrebko. Her darker voice is very well suited to this. The characterization of Musetta seems on the mark. A wonderful cut.
All in all, this shows the promise of Netrebko. It also indicates where her strengths are and where she does not do so well (coloratura work). However, this is a very nice introduction to her work and her art.
Remarkable!.......2006-11-02
Yes, her voice is not as lyric as you might expect, and some roles may sound a little big heavy (sometimes maybe bordering verismo), but definitively at stated before hearing her is a gloriuos pleasure, almost as good as looking at her.
Beautiful voice, beautiful girl.......2005-11-22
Average customer rating:
|
The Legendary Enrico Caruso: 21 Favorite Arias
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003EOH Release Date: 1990-10-25 |
Tracks:
- Pagliacci: Vesti la giubba
- TOSCA: E lucevan le stelle
- Rigoletto: Questa o quella
- Rigoletto: La donna e mobile
- L'africana: O paradiso
- La Juive: Rachel, quand du Seigneur
- La Boheme: Che gelida manina
- Aida: Se quel guerrier io fossi; Celeste Aida
- Andrea Chenier: Come un bel di di maggio
- La Favorita: Romanza: Spirto gentil, ne' sogni miei
- La forza del destino: O tu che in seno agli angeli
- Otello: Ora e per sempre addio
- Les pecheurs de perles: Je crois entendre encore
- La Gioconda: Cielo e mar!
- Carmen: La fleur que tu m'avais jetee (Flower Song)
- TOSCA: Recondita armonia
- Faust: Salut, demeure chaste et pure
- L'Elisir d'Amore: Una furtiva lagrima
- Martha: M'appari tutt'amor
- Serse: Ombra mai fu (Largo)
- Il Trovatore: Di quella pira
Amazon.com
There's a plethora of single-disc Caruso collections, but this one's the preferred choice for opera fans who treasure this golden- voiced epitome of Golden Age singing. It's a Greatest Hits collection to beat all Greatest Hits collections. Selections span Caruso's career, from the lyric effusions of 1906-7 to the darker-voiced later recordings, including one of his last records, the 1920 La Juive aria, "Rachel, quand du Seigneur," which he invests with a heartbreaking poignancy that hasn't been bettered. Caruso shines brightest in the Italian repertory, capturing the pathos of Vesti la Giubba, the insouciance of the Duke's Rigoletto arias, and the hero's dilemma in Celeste Aida, among much else. But everything here is wonderful--great music, great singing. --Dan DavisCustomer Reviews:
Great to hear the Great Tenor.......2007-04-11
A childhood memory.......2006-05-28
Caruso was then, and I believe still is considered at the very top of operatic singers. And it is a remarkable experience to hear so many years later , and in a stronger and clearer way sounds which one heard long ago in childhood, and have for years only lived in the mind.
Great collection........2000-11-04
Average customer rating: |
Luciano Pavarotti - Nessun dorma (Arias & Duets)
Luciano Pavarotti , Mirella Freni , and Katia Ricciarelli Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Z32N Release Date: 2001-03-27 |
Tracks:
- La Traviata: Libiamo ne' lieti calici (Brindisi)
- Werther: Pourquoi me reveiller
- L'Elisir d'Amore: Una parola ... Chiedi all'aura
- La Gioconda: Cielo e mar
- La Traviata: Parigi, o cara
- L'africana: Mi batte il cor ... O paradiso
- Turandot: Nessun dorma
- Petite Messe solennelle: Domine Deus
- Requiem: Ingemisco
- La Traviata: Lungi da lei ... De' miei bollenti spiriti
- Macbeth: Ah, la paterna mano
- I lombardi: La mia letizia infondere
- Otello: Gia nella notte densa
Average customer rating:
|
Jennifer Larmore Sings Great Operatic Arias
Manufacturer: Chandos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NY166A Release Date: 2007-05-22 |
Tracks:
- Star Of the Evening
- O My Beloved
- Fierce Flames Are Raging
- Love Like Mine Is the Light Of Creation
- That Ungrateful Man Betrayed Me
- Where Was I?
- My Beloved
- Hence, Iris Hence Away!
- Tell Me, My Beating Heart
- See, O Norma
- O Hated Gift
- Juliet's Waltz Song
Customer Reviews:
The Art of Serious Fun.......2007-07-01
Thankfully, Larmore goes out of her comfort zone and sings some arias that one would not normally associate with this fearless singer. The Don Carlos and Trovatore arias will certainly give her naysayers something to chew on, but she does it! Note the last few bars of "O Hated Gift". I was on the edge of my seat.
The opening number ("Star of the Evening" from Adriana Lecouvreur) alone is worth the price of the disc. Orchestra and singer match brilliantly and Larmore's final bars brought tears to my eyes. It's good stuff.
The weak spots are minor. Poor Colin Lee is left on the floor in the Favorita duet. A more experienced tenor would have made this duet electrifying. On the other hand, Larmore alone (track 2) singing "O My Beloved" from Favorita proves (as she did in 2001 with OONY) that she should be singing this role on the stage and in a full recording while we're at it. She is Leonora and the tension she creates is heartbreaking.
I could have done without Hence, Iris Hence Away, heard on her In Performance DVD and Where Shall I Fly cd (surely there are other Handel arias, but perhaps that's another Chandos disc in the works???!!!), but it displays how she can still sing Handel like no other. The Tancredi aria is a nice surprise.
The Gioconda track is a blood and guts duet thanks to Susan Patterson and Larmore's singing. I love how Opera Rara and Chandos recital cds always include duets and more. Larmore is a generous singer and part of her genius is how she works off other artists.
As with every Larmore recital disc, she closes with a treat. Juliet's Waltz Song from Gounod's Romeo and Juliet???? Is she kidding??? Nope. I've heard many a soprano struggle though this aria and merely pull it off with a pinched high note. Should Larmore be singing this aria? Hell, no...Can she? Hell, yes!!! But what's so special is she sings it with pure pleasure; as if she'd sung this song her whole career. Not as a mezzo slumming it in soprano territory. And I think that's what she's trying to tell us here. Have fun, be true to your art form and never pander to your audience.
Larmore at her best again!.......2007-06-01
Jennifer Larmore es mi mezzosoprano favorita desde la primera vez que la escuché. Es una artista extraordinaria y este nuevo cd, a pesar de estar grabado en inglés, muestra, una vez más, la calidad interpretativa de esta maravillosa cantante. Incluso se permite el lujo de cantar el vals de Juliette con más seguridad que muchas sopranos que la tienen en repertorio.
Average customer rating:
|
Romantic French Arias
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PMFTEK Release Date: 2007-07-10 |
Customer Reviews:
Enjoyable, with the normal Sutherland reservations.......2007-08-01
Average customer rating:
|
Jussi Bjorling: Opera Arias
Giacomo Puccini , Umberto Giordano , Francesco Cilea , Giacomo Meyerbeer , Charles Gounod , Jules Massenet , Friedrich von Flotow , Gioachino Rossini , Nils Grevillius , and Jussi Bjorling Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002S05 Release Date: 2002-11-05 |
Tracks:
- Act II: 'Una furtiva lagrima': L'Elisir d'Amore
- Act III: 'Ah! si ben mio coll'essere': Verdi: Il Trovatore
- Act I: Di tu se fedele': Un Ballo in Maschera
- Act I: 'Se quel guerrier': Aida
- Act I: 'Recitar!...Vesti la giubba': I Pagliacci
- Act I: 'Che gelida manina': La Boh
- Act I: 'O soave fanciulla': La Boh
- Act I: 'Recondita armonia': Tosca
- Act Three: 'E lucevan le stelle': Tosca
- Act Three: 'Ch'ella mi creda libero': La Fanciulla del West
- Act Three: 'Nessun dorma!': Turandot
- Act Three: 'Amor ti vieta': Fedora
- Act II: 'E la solita storia': L'Arlesiana
- 'Mi batte, il cor... O paradiso': L'Africaine
- Act III: 'Salut! demeure chaste et pure': Faust
- Act III: 'Je suis seul!...Ah, fuyez, douce image': Manon
- Act III: 'M appari tutt'amor': Martha
- Cujus animan: Stabat Mater
Customer Reviews:
Voice of the 20th Century.........2000-07-13
This collection is a wonderful presentation of the young Björling. His voice was said to have a direct appeal to emotions. Listen to "Ch'ella mi creda libero" with its almost extraterrestial "lift" and try to keep the lump in your throat from growing!
The-37 "O Paradiso" is a fantastic display of power blended with beauty - which is also the case with the Tosca arias presented here.
"Che Gelida Manina" is by many regarded as Björling's signature aria, just as "La Boheme" was said to be his signature opera. The -36 version here shows Björling aged 25 with wonderful silvery tone and grasp of message, problems with Italian pronounciation or not.
Björling never lapsed into self parodic sobbing or exaggerated shouts or gliding "loops" to get a message across. He insisted on sticking to what the composer actually had written down...and within these vocal restraints, Björling still managed to portray an unexplored universe of human feelings. "Vesti La Giubba" is a good example of this: no sobbing or bitter laughter but downright hartbreaking nonetheless. True art!
His -44 studio version of "Nessun Dorma" makes an interesting comparison with his -59 recording from the complete Turandot. Touch and go which one to go for as the second or third best version of "...Dorma" ever in recording history. The shining beacon is in my opinion from a radio concert in Sweden in 1944, where Björling for once actually DOES go beyond the strict readings of the work. His final B just stretches on and on and on into eternity - read heaven.
As for his famous ringing high notes, his final D flat on Cujus Animan may be THE one most beautiful sound I've ever heard from a human being!
If you do not have any Björling CDs, this may be a perfect introduction to his art.
And where to go from there? Well,"O Paradiso" is one of many excellent collections from the 50s. There's also a Norwegian compilation called "jussi's Beste" (which sold to platinum in Norway 35 years after his death...). This CD contains among other highlights the wonderful Christmas song "O Helga Natt", in which the final high note is sung with such force that it threatens to blow your speakers to oblivion, never mind your ears...(if it is the last sound I will ever hear, it is OK by me...).
If you want a complete opera recording, you just have to invest your hard earned cash (or bank credit as is the case with me) on Beechams "La Boheme".
Someone said elsewhere that once you have listened to Björling, you may never want to listen to any other tenor...ever: HOW VERY TRUE!
The OTHER essential Bjoerling CD; 10 stars! 20!.......1999-03-15
The "Vesti" is completely heartbreaking, maybe because there's none of the histrionic sobbing that usually accompanies it. And of course there is that 1945 recording of "Nessun dorma!", which I have seen referred to as one of the 5 greatest recordings of all time. The arias from Tosca are also outstanding. The only addition that would make this perfect CD "even more perfect" would be the inclusion of the Gonoud "Ah! Leve-toi, soleil!"
Although I have loved classical music since I was a kid, until Jussi every tenor I ever heard sounded like an opera parody. Jussi is different; he doesn't make you think "Now there's a guy taking a deep breath and singing loud." To steal a line from Amadeus, when he opens his mouth you "hear the voice of God"; absolute, divine beauty, untainted by ego or eccentricity. that seems to flow without strain or effort.
The only risk in listening to this (or, perhaps, any other Bjoerling) CD? You may never, ever be satisfied with any other voice.
Average customer rating:
|
Susan Graham - Mozart & Gluck Arias ~ Il tenero momento
Wolfgang Amadeus Mozart , Christoph Willibald Gluck , Susan Graham , Harry Bicket , and Orchestra of the Age of Enlightenment Manufacturer: Erato ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000056BEZ Release Date: 2001-02-06 |
Tracks:
- Paride Ed Elena: Oh, Del Mio Dolce Ardor
- Le Nozze Di Figaro: Non So Piu Cosa Son, Cosa Faccio
- La Clemenza Di Tito: Parto, Ma Tu, Ben Mio
- Iphigenie En Tauride: Non, Je N'espere Plus... O Toi Qui Prolongeas Mes Jours
- Iphigenie En Tauride: O Malheureuse Iphigenie!
- Iphigenie En Tauride: Non, Ect Affreux Devoir... Je T'implore Et Je Tremble
- Le Nozze Di Figaro: Voi Che Sapete
- La Clemenza Di Tito: Deh, Per Questo Istante Solo
- Orphee Et Eurydice: Qu'entends-je? Qu'a-t-il Dit?... Amour, Viens Rendre A Mon Ame
- Idomeneo: Non Ho Colpa
- Orphee Et Eurydice: J'ai Perdu Mon Eurydice
- Lucio Silla: Dunque Sperar Poss'io... Il Tenero Momento
Amazon.com
The "tender moment" of this collection's title comes from a stunning scene in an opera Mozart wrote as a teenager, Lucio Silla. It refers to the heightening of sensitivity and expectation that love, above all else, instills. But the Mozart example (with which the album ends) might also be taken as a metonym for the way in which the most powerful emotions, including love in all its guises, from ardor to lament, can intensify the moment. It's a process that opera itself tries to replicate through the wonderful alchemy of music, text, and character. In her second recording for Erato (following the extraordinary Ned Rorem anthology), American mezzo-soprano Susan Graham focuses on the "tender moment" as depicted by Mozart and Gluck. These two masters of opera aren't often paired, though each in his highly distinct, individual way insisted on elevating the genre beyond the level of frivolous entertainment and display that the century they shared found so tempting. Graham's program of six scenes from each suggests some striking moments of common ground in terms of the larger classical aesthetic, though the success of the whole enterprise is mixed. Certainly, Graham makes a case for the radiant beauty of Mozart's opera seria writing (her own operatic debut was in Lucio Silla), which still tends to be undervalued--as though it were simply a case of the composer being enchained by excessive genre "conventions." There's a magical balance between form and content, substance and decoration in "Parto" from La Clemenza di Tito (notable enough for Antony Pay's melting basset clarinet obbligato), and in the lengthiest selection (the last one, from Lucio Silla), though Graham here exposes the instability of her lowest register.But to whatever extent Mozart and Gluck might intersect in sensibility, the latter conjures a remarkably different universe when he depicts love's loss and abandon. Somehow the scenes from Iphigénie and, especially, Orphée et Eurydice (in its French version here) don't register as stylistically different enough and they lack that strange, altogether Gluckian combination of objective purity with emotional extremity. And as Mozart's adolescent Cherubino, the kind of intensity that Graham conveys so convincingly on stage comes across a tad too contrived. On disc alone, not all of the selections can capture the spell Graham typically casts in live performance through her combination of singing, "emotional intelligence," and stage presence. Still, it's an intelligent program, and Graham has proved to be a winning exponent of period performance style (as in 2000's superb Alicina). The match here with the Orchestra of the Age of Enlightenment is a happy one. --Thomas May
Customer Reviews:
Wonderful Voice, Great Selection.......2007-01-10
The balance of material between Gluck and Mozart works surprisingly well. Graham eschews the showy and flashy, yet sings with extraordinary power and passion. The accompaniment is excellent, never getting in the way. The recording is almost perfect.
In short, a pleasurable CD that will improve the quality of your life.
Extremely competent but not a permanent addition.......2004-12-16
An album that is very dear to my heart.......2002-07-22
The Orchestra of the Age of Enlightenment is fabulous, expressive and colourful - you'd never want to hear this music on modern instruments again after hearing them! Susan Graham's voice is expressive and has much pathos - without ever becoming melodramatic.
The repertoire is well selected and there is a very tasteful blend of known and less well known arias. I hope that Ms Graham makes another CD with the OAE again soon! I could stand another disc like this one!
This disc is also the perfect disc to buy with the Cecilia Bartoli Gluck disc. Ms Bartoli tackles Gluck's earlier opera seria arias - while Ms Graham mainly delves into the later reform opera arias - as well as some Mozart. I cherish both discs.
Please consider this CD for your collection.
Bland & Sleepy.......2002-01-02
For a study in opposites, try Ewa Podles in the same repertoire and buckle yourself in for the ride.
Another American Singer That Shines.......2001-12-23
Average customer rating:
|
Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JMH3 Release Date: 2001-10-08 |
Tracks:
- Celeste Aida
- Amor Ti Vieta
- Di All'azzurro Spazio [From "Andrea Chenier]
- O Soave Fanciulla
- Fleur Que Tu M'Avais Jetee
- O Paradiso
- Tal Giocco/Vesti la Giubba
- Stolta Paura l'Amor - Mario Lanza,
- Donna E Mobile
- Vesti la Giubba
- M'Appari
- Nessun Dorma
- Testa Adorata
- Come un Bel Di Maggio
- Lamento Di Federico
- Dio Ti Giocondi - Licia Albanese, Mario Lanza
Customer Reviews:
Mario Lanza Opera.......2007-05-12
Outstanding.......2006-11-06
Unsurpassed!.......2005-12-13
True, musically Mario made some mistakes....but so has every other great tenor in history....from Caruso to Pavarotti and beyond!
And perhaps he sang some arias with too much fortissimo....so what?
Every single song on here, be it among his best or worst work, is a masterpiece when compared to renditions of the same arias by other, more legit and operatically acclaimed tenors.
In order to "get" Lanza one must discard all notions of "finesse", "grace" and " elegance" for Lanza operated, and sang on raw, unadulterated, gut wrenching emotion.
THAT was the genious of Mario Lanza.
We can argue for another 40 years as to his operatic legitimacy...for nought!
Lanza was a VOCAL master and his approach to song was as unconventional and idiosyncratic as was his life.
That's what makes these songs so special and unique.
No one other than perhaps Corelli had the voice and the balls to sing with such uninhibited emotion and that's what this CD is all about.
It is a testament of a great voice.
The fact that Lanza did not have the benefit of a great conductor or teacher guiding him through most of his career, makes these recordings all the more great.
He sang the music as he felt it and that's a big no-no in the stuffy, overbearing and self-righteous world of opera.
Lanza earned millions of dollars because his voice touched all who heard it. His art brought more people to opera than all the leading tenors of his day combined....and this during the golden age of tenors and opera as a whole!
The only word of lesser praise I can offer is the inclusion of the duets. Mario did not have the temprament for duet singing, and subsequently he ended up drowning his partners out, or engaging in a sort of vocal warfare which was the case with much of what he and Grayson recorded during his MGM days.
The arias are great....the duets are medicore on all accounts.
In closing, I apologize for not having spen time on the actual songs. It's been done to death.
All I can say is that, if you wish to hear opera arias sung in a way such as will never be heard again in our lifetime, then this is a CD for you.
If you want proper, technically proficient opera, sung by some big name opera jerk, then stick to that....you'll only end up feeling like all the other good people who have so much negative to say about this CD.
BMG Needs to hire Folks in the Know.......2004-06-15
Mario Lanza WAS a trained opera singer.......2003-11-13
Mario had extensive operatic training from some top teachers. He was sought after by many opera companies, including the Met in New York.
It is true that some of Mario's recordings are not as good as others. He did various versions of much of his material, both live and studio, so of course you will find some you prefer to others. But the beauty, power and expressiveness of his voice is unmatched by any tenor I have ever heard.
Meditation Music:
- Fritz Reiner Conducts Act 2 From "Die Walküre"
- Gilbert & Sullivan: The Yeoman Of The Guard
- Giuseppe Verdi: Il Trovatore
- Gluck: Iphigénie en Aulide / Gardiner [Highlights]
- Gounod:Faust
- Great Spanish Tenors
- Italian Operatic Favourites
- La Gazza Ladra (Live 1/31/98)
- Lena Nordin, soprano: Arias by Mozart, Verdi, Gounod
- Les Introuvables du Ring [Box set]
Meditation Music
MarimBach & VibraVivaldi - A New Sound of Old Music
Music Review: 20th Century Russian Chamber Music
Irma on Canvas: Exhibition, Vol. 2
In My Memory/Urban Train [CD-single]
Jeder Boy Ist Anders/S [Import]
link-web.net Music Review: 20 Granite Creek