-
La favorita, opera
Composed by
Gaetano Donizetti
Performed by
Naples San Carlo Theater Orchestra
with
Pier Francesco Poli,
Luigi Paolillo,
Mario Zanasi,
Giulietta Simionato,
Gianni Raimondi,
Silvana Zanolli,
Nicola [singer] Zaccaria
Conducted by
Fernando Previtali
Donizetti: La Favorita,Gaetano Donizetti,Fernando Previtali,Napoli San Carlo Theater Orchestra,Gianni Raimondi,Giulietta Simionato,Luigi Paolillo,Mario Zanasi,Nicola Zaccaria [singer],Pier Francesco Poli,Silvana Zanolli,Hardy Classic,Classical Music,Italian Romantic Opera,Opera
Average customer rating:
- The End of the Big Voice?
- Fla Gator Lady
- 20 Great Tenor Arias
- Plesantly surprised...
- Absolutely Agree About Corelli
|
Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Manufacturer: Decca
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Similar Items:
- Paul Potts [United Kingdom]: One Chance
- The Most Famous Opera Duets
- The Most Famous Opera Arias
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ASIN: B000007OTX
Release Date: 1998-06-09 |
Tracks:
- La Boheme: Che gelida manina
- Manon Lescaut: Donna non vidi mai
- Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
- Luisa Miller: O! fede negar potessi .. Quando le sere al placido
- La Traviata: Lunge da lei ... De' miei bollenti spiriti
- Martha: M'appari
- Giordano: Amor ti vieta
- L'Africaine: Mi batte il cuor .. O paradiso
- La Favorita: Favorita del re . . . Spirto gentil
- Werther: 'Pourquoi me reveiller'
- Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
- Les Contes d'Hoffmann: O Dieu! De quelle ivresse
- TOSCA: E lucevan le stelle
- Pagliacci: Recitar! ... Vesti la giubba
- Il Trovatore: Di quella pira
- Aida: Se quel guerrier .. Celeste Aida
- TOSCA: Recondita armonia
- L'Elisir d'Amore: Una furtiva lagrima
- La Gioconda: Cielo e mar!
- Turandot: Nessun dorma
Customer Reviews:
The End of the Big Voice?.......2007-04-16
This CD, which is truly fine overall, reminds me of Marilyn Horne's lament that we have probably seen the end of the big voice and it makes me sad. I agree with the reviewer who refers to "microphonies". And more justice could be done to Bjorling's voice with a better transfer. But at some point, music becomes a matter of taste and I prefers singers who have the instrument and the support and the training, whether formal or not, to just let fly and take a chance on making a mistake. Domingo can be wonderful and so can his musicianship but he tends to be so stiff. I have to wonder at the virulence and asperity with which some people go after Pavarotti. It's true that late in his career he made some questionable recordings but the answer to that is simple: don't buy them. At his best, he belongs for all time in the top echelon of tenors. I love this CD and would recommend it to anyone who enjoys great (big) voices.
Fla Gator Lady.......2007-01-12
Highly recommend this CD with these beloved arias of the greatest tenors in opera. I have owned this CD for a couple of years and purchased another for a friend who always requests that I play it ... perfect for listening in the car, dinner, bridge games, relaxation ... just so perfect. You won't be disappointed in this one.
20 Great Tenor Arias.......2007-01-09
A great disc,combination of the greatest tenors of the 20th century and some of the most beautiful music ever written in any century,a must addition to any opera lovers collection.
Plesantly surprised..........2006-01-14
I don't remember how I found this CD the other day surfing through the "Amazon" such as it is, but I did. I listened to a few clips provided & on the strength of that, I purchased this CD.
First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).
Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.
Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.
Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.
This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.
A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!
Absolutely Agree About Corelli.......2005-05-27
Franco Corelli's "Nessun Dorma" is still the best of them all - clear, passionate, and exciting. (And those final two notes...! Gives me chills just to think of it.) I was fortunate enough to see him live in both "Turandot" and "Romeo and Juliet" a year before his retirement, and he was still a Calaf and a Romeo to die for... as, of course, Liu and Juliet did! As it is, I tend to buy compilations depending on how much Corelli they include - though Bjorling is a strong second, and I have happy memories of Domingo. Long live the Golden Age of Operatic Tenors!
Average customer rating:
- Cornucopia of Pavarotti's works
- Don't...!!!
- Great Tenor - Poor CD Quality
- Great Music......Horrible Mastering
- Surely I am proud to be an Italian-American!!
|
Pavarotti: Greatest Hits
Manufacturer: Decca
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ASIN: B0000042HZ
Release Date: 1997-09-30 |
Tracks:
- Turandot: Nessun dorma
- La Boheme: Che gelida manina
- La Traviata: Brindisi
- Aida: Se quel guerrier io foss ... Celeste Aida
- L'Elisir d'Amore: Una furtiva lagrima
- Rigoletto: Questa o quella
- Martha: M'appari
- TOSCA: E lucevan le stelle
- Fedora: Amor ti vieta
- Pagliaccci: Recitar!... Vesti la guibba
- Manon Lescaut: Donna non vidi mai
- Rigoletto: La donna e mobile
- L'africana: Mi batte il cuor ... O paradiso
- Werther: Pourquoi me reveiller
- Carmen: La fleur que tu m'avais jetee
- Manon Lescaut: Ma se vi talenta ... Tra voi, belle
- La Gioconda: Cielo e mar!
- TOSCA: Recondita armonia
- La Favorita: Spirito gentil
- II torvatore: Di quella pira
- L'amico Fritz: Suzel, buon di
Tracks:
- O sole mio
- Torna a Surriento
- Orchestra del Teatro Comunale di Bologna: Core 'ngrato
- Orchestra del Teatro Comunale di Bologna: Funiculi Funicul
- Notte 'e piscatore
- O Holy Night (Cantique de Noel)
- Panis angelicus
- Ave Marie: Ave Maria
- Mattinata
- La danza
- Caro mio ben
- Caruso
- My Way
- Santa Lucia
- Tu che m'hai preso il cuor
- Mamma
- La mai canzone al vento: La mia canzone al vento
- Volare
- Passione
- Granda: Granada
Customer Reviews:
Cornucopia of Pavarotti's works.......2007-03-01
This is a "Super hits" CD, with over forty different cuts (quite a few of which have appeared elsewhere, of course). For those who are aficionados of Pavarotti, this is what might be called "hog heaven."
Disc 1 features estimable works such as "Nessun dorma" (well done, with his voice showing to good effect), "Che gelida manina" (excellently done, with good characterization), ""Celeste Aida" (elegantly sung), "Di quella pira" (a much better than average version), "E lucevan le stelle" (Pavarotti does a nice job in the Puccini-Verdi repertoire), "La donna e mobile" (sung with aplomb), "Recondita armonia" (the other aria from Tosca, which also shows Pavarotti's voice off to good effect), and so on.
Disc 2 is especially interesting, because it features a more popular set of works, from the redoubtable "O sole mio" (richly orchestrated and nicely sung, not overpowered by Pavarotti's operatic voice), "Core n'grato" (compare with Caruso's version), "Oh, holy night," "La danza" (spritely sung with excellent breath control in a treacherous song), "Santa Lucia" (again, smoothly sung), "Ave Maria" (seemingly sung with respect and affection).
A cornucopia of Pavarottiana. For those fans of Pavarotti, this "greatest hits" collection will be welcome. For those who may not be aware of this tenor when his voice was still fresh, this is a fine entrée to his work.
Don't...!!!.......2005-01-24
To combine a voice as beautiful as Pavarotti's with some of the world's greatest music and outstanding orchestras, and end up with this...`thing'...is unforgivable. After buying and listening to it, it brought to mind those painful words "A fool, a fool. I saw a fool today. I saw him in the mirror."
R. J. Rogers
Great Tenor - Poor CD Quality.......2004-10-11
I have never been a huge fan of Maestro Pavarotti but I must admit that this compilation is a masterful collection of his operatic highlights.
I particularily enjoy the first disc which contains just about all the major tenor arias. The singing is superb and listening to this CD it becomes obvious what the fuss over the pre-3 Tenors Pavarotti was all about - the man really did have one of the greatest tenor voices of all time.
His diction was flawless, his line perfect and his interpretation in keeping with the greatest of the Italian tenors of days gone by.
The second disc is interesting in that it is a bit uneven. It contains a few neapolitan standards, a x-mas song, a duet with Frank Sinatra and some other random selections.
Overall this is a 5 star CD but due to the extremely low volume, particularily on the first and most important disc I can only give it a 4 star rating.
On a final note, anyone puzzeled by the current hype over the now againg and commercially over-blown Pavarotti should purchase this CD. This is the great tenor in his prime and as such a CD well worth having...even if you're not a Pavarotti fan.
I'm still not, but I recognize greatness when I hear it.
Great Music......Horrible Mastering.......2004-07-24
Pavarotti has a voice that can take hold of you and change your entire mood...even if you don't know Italian. The problem with this set is the mastering (mastering evens out the volumes and signal to noise ratio on an album). The first CD in this collection is so quiet that you literally have to crank your player to get any kind of volume. For a professional CD this is absolutely unacceptable.
The song choices are good with the exception of "My Way" with Frank Sinatra. Both singers sound ....ummm...let's just say less than their best on the recording. It sits out like a boil on a pretty girl's face.
Surely I am proud to be an Italian-American!!.......2004-06-26
With his wondrous soaring vocals and the humble demeanor within his strong body, Pavarotti is an inspiration to Italian- Americans everywhere - Italian-Americans like me. My family plays his beautiful operas on vinyl nearly every day in me Papa's little wine and cheese shop on 18th and Broadway. The customers compliment the music with glee, pinching my plump cheeks with merriment and wishing me well on their way out the door. Ah, how I love this land of America!!
Oops, I am sorry, Nana.
My Nana has shushed me to "pipe down, little bambino."
I must go down to the dark cellar to count our day's earnings, for it is almost night, and stern Papa will be back soon to close shop and make sure all is well.
Average customer rating:
- Great to hear the Great Tenor
- A childhood memory
- Great collection.
|
The Legendary Enrico Caruso: 21 Favorite Arias
Manufacturer: RCA
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ASIN: B000003EOH
Release Date: 1990-10-25 |
Tracks:
- Pagliacci: Vesti la giubba
- TOSCA: E lucevan le stelle
- Rigoletto: Questa o quella
- Rigoletto: La donna e mobile
- L'africana: O paradiso
- La Juive: Rachel, quand du Seigneur
- La Boheme: Che gelida manina
- Aida: Se quel guerrier io fossi; Celeste Aida
- Andrea Chenier: Come un bel di di maggio
- La Favorita: Romanza: Spirto gentil, ne' sogni miei
- La forza del destino: O tu che in seno agli angeli
- Otello: Ora e per sempre addio
- Les pecheurs de perles: Je crois entendre encore
- La Gioconda: Cielo e mar!
- Carmen: La fleur que tu m'avais jetee (Flower Song)
- TOSCA: Recondita armonia
- Faust: Salut, demeure chaste et pure
- L'Elisir d'Amore: Una furtiva lagrima
- Martha: M'appari tutt'amor
- Serse: Ombra mai fu (Largo)
- Il Trovatore: Di quella pira
Amazon.com
There's a plethora of single-disc Caruso collections, but this one's the preferred choice for opera fans who treasure this golden- voiced epitome of Golden Age singing. It's a Greatest Hits collection to beat all Greatest Hits collections. Selections span Caruso's career, from the lyric effusions of 1906-7 to the darker-voiced later recordings, including one of his last records, the 1920 La Juive aria, "Rachel, quand du Seigneur," which he invests with a heartbreaking poignancy that hasn't been bettered. Caruso shines brightest in the Italian repertory, capturing the pathos of Vesti la Giubba, the insouciance of the Duke's Rigoletto arias, and the hero's dilemma in Celeste Aida, among much else. But everything here is wonderful--great music, great singing. --Dan Davis
Customer Reviews:
Great to hear the Great Tenor.......2007-04-11
I am impressed how well these almost 100 year old recordings have been transfered to CD. Of course they aren't perfect but considering their age it is still a miracle. It is nice to hear Caruso in his prime and not on a scratchy vinyl. I would recommend this to any lover of Caruso's singing.
A childhood memory.......2006-05-28
I do not really know Opera. I am writing this review because I remember hearing Caruso's voice coming from a seventy- eight on an old Victor gramophone in my paternal grandparents house. The power and lyric quality of the voice struck me so strongly especially in 'Pagliacci'. The phrase has been with me, and comes back occasionally through all the years.
Caruso was then, and I believe still is considered at the very top of operatic singers. And it is a remarkable experience to hear so many years later , and in a stronger and clearer way sounds which one heard long ago in childhood, and have for years only lived in the mind.
Great collection........2000-11-04
This CD is an older RCA release, but still one of the best! A great introduction to Caruso.
Average customer rating:
- listening to this cd
- If you are unsure about opera, this is where to begin
- The Perfect Opera CD
- Romantic
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Amor--Opera's Great Love Songs
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Similar Items:
- The Most Famous Opera Arias
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ASIN: B000009OU8
Release Date: 1998-08-11 |
Tracks:
- Celeste Aida
- O mio babbino caro
- Donna non vidi mai
- Quando le sere al placido
- Mon coeur s'ouvre a ta voix
- Una furtiva lagrima
- Signore, ascolta!
- Recondita armonia
- Vissi d'arte
- E lucevan le stelle
- Habanera: L'amour est un oiseau rebelle
- Amor ti vieta
- Gualtier Malde...Caro nome
- Cielo e mar
- Quando m'en vo
- La fleur que tu m'avais jetee
- O mio Fernando
- Pourquoi me reveiller
- Voi che sapete
- Un bel di (One fine day)
- Nessun dorma
Customer Reviews:
listening to this cd.......2007-02-19
this is a wonderful cd. i have it in my car and listen to it all the time. you wont go wrong buying this cd if you love the operah and great voices.
If you are unsure about opera, this is where to begin.......2004-06-22
Many people are turned off of opera because of the nature of the beast - unknown tongue, the continual singing and particularly the sopranos whose voices are as piercing as they are diffdicult to understand. These selections are ravishing in their beauty. It has been estimated that 2/3 of all classical effort was put into opera. Thus it is not surprising that some of the best music ever penned can be found here, particularly those that deal with that most human of emotion - love.
The orchestration is wonderful, the voices emotional and quite sincere, the authenticity is present. It is difficult to surpass Verdi or Puccini in plumbing the emotional depths. All in all a good experience.
The Perfect Opera CD.......2002-08-08
I'm so in love with this CD, I'm giving it to as many ppl as I can. It's a great introduction to opera for ppl who don't listen to it very often. It has all the great hits with all the great singers, who can make shivers go down your spine. My friends who don't know opera as much as I do love it too.
Romantic.......2000-05-12
If you have just got to be interested in Opera, this is a good start. You can listen to the best pieces of the most famous (an romantic) Operas performed by the best singers. If you are a long-time Opera lover, this CD will remind you of all the performances that you went with your loved one and romantic moments after the concerts.
Average customer rating:
- Interested oboe player
- Oboe cd
- What a great CD for a Great Price
- Good for orchestra studies
- Excellent
|
The Instruments of Classical Music, Vol. 2: The Oboe
Manufacturer: Delta
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ASIN: B000001VMJ
Release Date: 1990-06-04 |
Tracks:
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- Swan Lake: Scene (from 'Swan Lake')
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- Concerto 'La Favorita': Allegretto-Allegro velocissimio
Customer Reviews:
Interested oboe player.......2007-05-13
It is a fine collection of oboe pieces, and I really enjoy listening to them. The only complaint I have is that the case was broken when it got here (I'm not sure if it was before it was shipped or not).
Oboe cd.......2007-01-11
This cd took a little while to be delivered (a few weeks) but it was in excellent condition. I bought it along with another oboe cd so it could be that one of them was out of stock and they waited for that so that both could be shipped at the same time (which was fine with me).
What a great CD for a Great Price.......2007-01-09
I really love the music on this CD.
I just cant stop listening to this. If you enjoy classical music. You will like this CD and if you would like a introduction to classical music than this is the CD for you.
(If you find that you dont like it, you have not spent a lot of money on it).
Enjoy :-)
Good for orchestra studies.......2005-07-24
The record presents the oboe very well. Price can't be beat too. Oboe music is always enjoyable (well, that's somewhat subjective, of course, but if you like oboe, you'll like this collection).
Just a small caution: this is a study aid sort of thing. I find listening to fragments of music -- frequently very familiar music -- somewhat distressful because of this coitus interruptus sorta feeling, kind of like when in the middle of Watermusik the Dying Swan piece suddenly heaves into sight.
In other words, this is a perfect CD for teaching kids the orchestra, but if you simply want some oboe music for pleasure, then I'd recommend to pick something else; for example "The Handel Collection" (a pretty old record), by The City of London Sinfonia (cond. John Rutter), 1990 American Gramaphone Records -- it is a collection too, but not excerpts, pieces are played fully, and the performance is sometimes better. It's just one example; I have it handy so I've mentioned it, that's all. I don't like listening to excerpts, that's what I'm trying to say. But I'm not saying this CD's bad, it's very good for orchestra studies.
Excellent.......2004-06-15
I really enjoyed this! It was really great for all oboe and classical music lovers! Very Very Nice!
Average customer rating:
|
20th Century Masters: The Best of the Three Tenors (Millenium Collection)
Karl-Heinz Loges , Leone Magiera , Sir Edward Downes , Berliner Philharmoniker , English Chamber Orchestra , London Symphony Orchestra , Los Angeles Philharmonic Orchestra , Philharmonic Orchestra , Wiener Philharmoniker , Wiener Staatsopernorchester , and Wiener Volksopernorchester
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ASIN: B0007LLPVK
Release Date: 2005-02-15 |
Tracks:
- O Sole Mio
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- "La fleur que tu m'avais jetae"
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- Core 'Ngrato
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- "Nessun dorma"
Average customer rating:
- Beautiful Singing
- Perfect
- I'm a listener, not a critic or singer
- Nice Timbre, Well Balanced voice, Dramatic, but.....
- The Denyce Graves CD I was waiting for
|
Denyce Graves - Voce di Donna
Christoph Willibald Gluck , Georges Bizet , George Frideric Handel , Francesco Cilea , Henry Purcell , Amilcare Ponchielli , Gaetano Donizetti , Samuel Barber , Pietro Mascagni , Camille Saint-Saëns , Jules Massenet , Maurizio Barbacini , and Denyce Graves
Manufacturer: RCA
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ASIN: B00000JMH2
Release Date: 1999-08-24 |
Tracks:
- Carmen: Quand je vous aimerai?... L'amour est un oiseau rebelle - (Habanera)
- Carmen: Pres des remparts de Seville - (Seguidilla)
- Orfeo ed Euridice: Ahime!...Che faro senza Euridice?
- La Gioconda: Voce di donna
- Adriana Lecouvreur: Acerba volutta
- Dido and Aeneas: Thy hand, Belinda... When I Am Laid In Earth
- Amadigi di Gaula: D' un sventurato amante...Pena tiranna
- La Favorite: Fia dunque vero...O mio Fernando!
- VANESSA: Must The Winter Come So Soon
- Vavalleria rusticana: Voi lo sapete
- Werther: Werther, Werther! - (Air des lettres)
- Werther: Va! Laisse couler mes larmes
- Samson et Dalila: Printemps qui commence
- Samson et Dalila: Samson...Amour! Viensaider ma faiblesse!
Amazon.com
This isn't mezzo-soprano Denyce Graves's first solo disc (she has previously released a compilation of romantic opera heroines), but it's definitely her most impressive. Like many beginning recording artists, she hasn't always been able to project her stage electricity into the microphone, but with such a sumptuous voice, one doesn't always mind. Here, though, there's not a dull moment in two choice arias each from roles Graves has sung often onstage: her signature role of Carmen and her almost-as-famous Dalila. There's also a fairly promising preview of the Charlotte from Werther, which she'll sing with Andrea Bocelli in October 1999 in Detroit, though one senses she still has work to do in learning to act with her voice. Two baroque-period selections, an aria from Handel's Amadigi and Purcell's famous "When I Am Laid in Earth" from Dido and Aeneas, suffer from imprecise diction and messy ornaments. But the aria in which Graves sounds most emotionally present is, oddly enough, "Must the Winter Come So Soon" from Barber's Vanessa. Her vivid reading reminds you of what happens onstage with her and hopefully what's to come on recordings. --David Patrick Stearns
Customer Reviews:
Beautiful Singing.......2005-10-01
Ms. Graves' voice is so warm. The sound is so impressive!!! There has been debate on whether or not she is truly a mezzo-soprano. Some critics feel that she is a true contralto with an extended upper range. The role of Dalila, is also considered borderline mezzo-soprano and contralto. Anyway, her voice has total ring in every tone. The rich sound that she produces is totally even from her bottom register to her top. The baroque selections need to be maybe a little lighter and more pure, but I am not that petty. I just believe that she is absolutely wonderful!!! Brava Ms. Graves!!!
Perfect.......2005-09-27
There is nothing I can say other than this is the perfect recording. Denyce Graves has chosen arias that we don't always get to hear and I thank her for doing so, she breathes live into the old standards from "Carmen" and introduces us to arias that will undoubtably become new favorites. Denyce's voice is absolutely fabulous, it's powerful yet calm and perfectly refined, I can say nothing bad about her voice or this recording.
I'm a listener, not a critic or singer.......2005-03-23
Unlike the other reviewers here, I'm an amateur piano player, and ocassionally listen to classical music. Several years ago while flipping, I came across Ms. Graves. I was totally blown away. I introduced her to my father who is an avid fan of the opera before he passed on.
While vocal crisis is a terrible thing for any singer to suffer (and I do worry about Ms Graves too), just step aside and listen to her render these time tested works for just a moment. Perhaps like me, you'll end up continually repeating this album on your iPod for hours on end. The final two tracks from Samson and Delilah makes your hair stand on end and your knees weak.
Nice Timbre, Well Balanced voice, Dramatic, but............2004-01-10
Denyce Graves has a lot of potential in this Album "Voce Di Donna". These are some of the most interesting Operas of it's time. They have stood the test of time. And such emotional airas as from Vanessa's Opera, when she sings the role of Erika in "Must the winter come so soon" is something. But other songs as I noticed in "Acerba Volutta" When she comes to substaining the high A6 note, she sounds as though she had to push her voice a little. And the same in "O mio Fernando" The A6 sounds more pushed at the end. In "Pres des remparts de Seville", the B6 sounds somewhat thin, but otherwise, she performs it very well. Denyce Graves has a lot of potential, but she should perform airas and in Operas as to her vocal comfort. Pushing the voice often isn't a good thing, as can lead to vocal Crisis. But nontheless, this is a good Opera Album. I can't wait till she puts out another CD.
The Denyce Graves CD I was waiting for.......2001-07-24
A much superior offering to her Heroines of French Romantic Opera offering, I feel. Her voice rings beautifully. You won't find yourself listening only to her as Carmen. She'll pull you in with the rest of the arias also.
Average customer rating:
- True Mexican colour
- A TRUE LYRIC TENOR VOICE
- Ramón Vargas - For Tenor Connoisseurs!!
- Thoughtful and musical tenor
- A Tenor of Note
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Ramón Vargas - L'amour, l'amour / Viotti
Jules Massenet , Giuseppe Verdi , Munich Radio Symphony Orchestra , Pyotr Il'yich Tchaikovsky , Gaetano Donizetti , Giacomo Puccini , Marcello Viotti , Ramón Vargas , and Charles Gounod
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Similar Items:
- Ramón Vargas - Verdi Arias
- Between Friends
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ASIN: B00000K4H4
Release Date: 1999-09-14 |
Tracks:
- Romeo Et Juliette: Ah! Leve-Toi, Soleil (Gounod)
- Manon: En Fermant Les Yeux "Dream of des Grieux" (Massenet)
- Werther: Pourquoi Me Reveiller? (Massenet)
- Il Duca D'Alba: Angelo Casto E Bel (Donizetti)
- Lucia Di Lammermoor: Fra Poco A Me Ricovero (Donizetti)
- La Favorita: Spirto Gentil (Donizetti)
- L'Elisir D'Amore: Una Furtiva Lagrima (Donizetti)
- Roberto Devereux: Ed Ancor La Tremenda Porta (Donizetti)
- Eugene Onegin, Op.24: Lensky's Aria (Tchaikovsky)
- Rigoletto: Parmi Veder Le Lagrime (Verdi)
- Rigoletto: La Donna E Mobile (Verdi)
- Un Ballo In Maschera: Ma Se M'E Forza Perderti (Verdi)
- La Boheme: Che Gelida Manina (Puccini)
Amazon.com
Mexican tenor Ramón Vargas is in the midst of a fine international career, where he is in demand for and concentrates on the purely lyric tenor repertoire. His smallish, well-focused voice is attractive and distinguished, his top notes free and easy, and his ability in coloratura admirable, making him particularly valuable in the operas of Rossini. He is also an intelligent musician and has a natural feel for a melodic line. On this CD, he tackles the occasional aria that is a bit too heavy for him, i.e., Rodolfo's aria from La Bohème, an excerpt from Verdi's Un Ballo in Maschera, and Lensky's aria from Eugen Onegin, but on disc, at least, he finds no need to force, and the results are good. In general, he's ardent without being overly sentimental, and except for a vaguely desperate sounding high D flat(!) (as at the end of the fine scene from Donizetti's Roberto Devereux), he keeps the tone lovely. And his selection of arias here contains enough rarities among the chestnuts to make this CD particularly valuable. If you haven't heard Vargas, you should. --Robert Levine
Customer Reviews:
True Mexican colour.......2007-04-17
Needless for me to remind, some top tenors around today come from Mexico.
Placido Domingo started off as a baritone. Vargas on the other hand is an out-and-out tenor. Yes, his voice is most beautiful in its upper register. Don't for once let those young or supposedly good looking tenors steal ALL the show. Vocally, guys like Vargas and Alvarez top the current tenor line up.
Why ask Pavarotti the question about his successor?
We know the answer ourselves - Ramon Vargas.
The new big 3 tenors? Vargas succeeding Pav, Alvarez succeeding Carerras, Heppner succeeding Domingo.
Ad finido.
A TRUE LYRIC TENOR VOICE.......2003-11-02
Mr.Vargas has a true lyric tenor voice and, in pointed disagreement with Mr. Levine's otherwise excellent review, I point out that both Riccardo in Un Ballo in Maschera and Rodolfo in La Boheme are lyric tenor roles that were sung by such lyric tenors as Bonci and McCormack (Rodolfo). Another very important point is that we have, as opera lovers, developed a very disagreeable habit of proclaiming, through lack of historical perspective, every tenor "the greatest tenor of all-time" forgetting minor voices from the past like Lauri-Volpi, Caruso, Tucker, Gigli, etc.
With these points developed I can point out that the singing on this CD is on an exceptionally high order. Try the arias from Romeo, Lucia di Lammermoor, and La Favorita to see what I'm talking about. The top notes have, at times, almost a Bjoring like sheen and freedom (I should point out to the power nuts that Bjoring's voice was NOT LARGE)while his approach recalls the the great american tenor Jan Peerce. Bravo Vargas!!!!
Ramón Vargas - For Tenor Connoisseurs!!.......2003-03-23
I've been looking for a great tenor voice for some time now. Most new tenors, with a few exceptions, sound more like high singing baritones with little high frequency overtones to their voice. Pavarotti is by far the greatest tenor of our time with a beautiful upper register with high frequency overtones. But Pavarotti's overtones are not as attractive or present in his middle and lower registers. Ramon's a fairly new tenor (42 years old) that finally sounds like a tenor, because he has gorgous high frequency overtones. What makes Ramon so unique is that his overtones are consistant and beautiful throughout his entire range. If I had to discribe his voice in one word it would be "Intoxicating". His singing sounds effortless, romantic and very sensitive which touches the heart. The only thing he needs to work on is instilling more drama into the dramatic lines. With this one CD I have fallen in love with Ramon's voice. I can't wait until he is ready to do more Puccini. This CD is a MUST HAVE!
Thoughtful and musical tenor.......2001-05-29
I loved his Italian song recital (Canzoni), which led me to purchase this CD. The 'Canzoni' performance demonstrated a rich, beautifully controlled voice, producing the most lovely pianissimi since diStefano in his prime; definitely a voice to cherish. While this performance shows much the same, the voice seems thinner and effortful in production during the more dramatic moments. Of course, this is probably due to the fact that his lyric voice has to push a bit to be heard over an orchestra playing full force. However, his approach to this music is dead-on, and in many cases revelatory. I look forward to many more offerings from this very talented singer.
A Tenor of Note.......2000-06-28
It is no secret among true opera devotees that Ramon Vargas has one of more beautiful tenor voices of today. His slightly dark hued, warm lyric tenor is an instrument of rare quality. Fortunately, Vargas is able to combine this beauty of sound with intelligent phrasing and restraint. Although it was been remarked that his voice is rather small, this is a misconception. I have had the pleasure of hearing Vargas all three times he has performed at the LA Opera, once in Werther and twice in L'elisir D'amore. Although Vargas does not have the spinto power of a Domingo, he achieves plently of volume without straining his voice. Although Vargas struggles sometimes at the top, that is not because he lacks an adequate top register. Rather, it is because his voice is not particularly well suited to the heavier, higher tessitura roles. Thus, Vargas reaches the top notes demanded by Donizetti, for example, with facility, while he may sometimes struggle with a heavier Verdi aria. One can only hope that Vargas does not push his voice unwisely like a Di Stefano, whose expansion into the heavier repertoire resulted in the coarsening of that great tenor's velvety timbre. This is not to say that Vargas's voice will not change. But any change should come naturally. In the meantime, Vargas should do what he has been doing thus far, something that he seems to do better than any other tenor today.
Average customer rating:
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Opéra Français: Le Récital Oublié (The Forgotten Arias Collection)
Manufacturer: Bmg Int'l
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ASIN: B0001BFIEQ
Release Date: 2004-09-28 |
Average customer rating:
- A nice overview of Caruso's legacy
- Unearthly
- If You Only Buy One Caruso . . .
|
Artists Of The Century - Caruso, The Greatest Tenor In The World
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- Great Caruso
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ASIN: B00000J913
Release Date: 1999-05-25 |
Tracks:
- Act II: Amor Ti Vieta
- Act II: Che Gelinda Manina
- Act III: Salut Demeure Chaste Et Pure
- Act III: Di Quella Pira
- Act IV: Spirto Gentil, Ne' Sogni Miei (Romanza)
- Act III: Solenne In Quest'Ora
- Act IV: Mi Batte Il Cor...O Paradiso!
- Act I: Un Di All'Azzurro Spazio (Improvviso)
- Recitar!... Vesti La Giubba
- Act I: Questa O Quella
- Act IV: La Donna E Mobile
- Act III: Ah Si, Ben Mio
- Act I: Celeste Aida
- Act I: Recondita Armonia
- Act III: E Lucevan Le Stelle
- Act III: Della Natal Sua Terra Il Padre... O Tu Che In Seno Agl' Angeli
- Act II: Magiche Note
- Act II: La Fleur Que Tu M'Avais Jetee
- Act I: Ah, Qual Soave Vision...Bianca Al Par Di Neve
- Act II: Cielo E Mar
- Act II: Nell'Ore Arcane Della Sua Lussuria... Ora E Per Sempre Addio
- Un Ballo In Maschera: Act I: Di' Tu Se Fedele
- Act II: Una Furtiva Lagrima
Tracks:
- Act III: Je Suis Seul... Ah, Uyez, Douce Image
- Act II: Chi Mi Frena In Tal Momento? (Sextett)
- Act I: O Soave Fanciulla
- Act III: Ella Mi Fu Rapita!...Parmi Veder Le Lagrime
- Act I: Donna Non Vidi Mai
- Cujus Animam
- Act II: Oh! Mostruosa Colpa!... Si, Pel Ciel
- Act I: Libiamo, Libiamo (Brindisi)
- Ingemisco
- Act II: Faiblesse De La Race Humaine!... Inspirez-Moi, Race Divine
- Act III: Ah! Tout Est Bien Fini!... O Souverain, O Juge, O Pere!
- Act IV: O Figli, O Figli Miei... Ah, La Paterna Mano
- Act II: Pour Moi Ce Jour Est Tout Mystere
- Act I: A Cette Voix Quel Trouble...Je Crois Entendre Encore
- Act IV: Bella Figlia Dell'Amore (Quartett) - Giuseppe De Luca
- Act II: Chi Mi Frena In Tal Momento? (Sextett) - Amelita Galli-Curci
- Act I: Frondi Tenere E Belle...Ombra Mai Fu (Largo)
- Act I: Studenti! Udite!
- Crucifixus
Customer Reviews:
A nice overview of Caruso's legacy.......2007-01-04
Enrico Caruso was one of the first "media stars," with his recordings selling widely in the early twentieth century; he helped popularize the recording industry. He was one of the leading tenors of his day, and is regarded as one of the tops of the twentieth century (although he began serious singing in the late 19th century).
This CD features some of his "greatest hits," among which are his well reputed version of "Vesti la giubba" (from I Pagliacci, one of his signature operas); arias from Verdi's Rigoletto, including the bold "Questa o quella" and "La donna e mobile"; some of his most popular recordings from Puccini, including "E lucevan le stelle," "Recondita armonia," and "Che gelida manina." Nice additions to the CD are wonderful ensemble pieces, such as the sextet from Lucia di Lammermoor (including the voice of Luisa Tetrazzini) and the quartet from Rigoletto (with Amelita Galli-Curci).
Interesting tidbits include his first recording, from 1902, and his last, from 1920.
All in all, this is a very nice representation of his work. I'm not sure that it compares with the old LP (with him in clown outfit) that includes Rossini's nearly unsingable "La danza," among other items. But it is a terrific introduction to the art of Caruso. Anyone who has not listened to this tenor's works before would be well advised to use this as their entree to his oeuvre.
Unearthly.......2002-12-23
Forget toiling for a BMW, enjoy finer things in life.One of my personal favorites is ''Le pecheurs de perles'', but the offer is overwhelming.
If You Only Buy One Caruso . . ........2001-01-03
let this be it! Wonderful, generous selection of his singles for Victor, most of them solos, but a few duets, quartets, quintets, and a sextet. The accompanying booklet makes a great deal of including his first and last recordings, but by far the most important here is Caruso's 1907 recording of Vesti la giubba, the first classical recording to sell over a million copies in the United States. If you listen to it, you'll know why--it's every bit as melodramatic as the minstrel show singles with which it shared the top of the early twentieth-century charts.
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