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Die Walküre (The Valkyrie), opera, WWV 86b Act I Prelude
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Friedmund darf ich nicht heissen
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with Poul Elming, Matthias Holle, Nadine Secunde
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Aus dem Wald trieb es mich fort
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with Poul Elming
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Winterstürme wichen dem Wonnemond
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with Poul Elming
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Du bist der Lenz
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with Nadine Secunde
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b O süsseste Wonne!
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with Poul Elming, Nadine Secunde
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b War wälse dein Vater
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with Poul Elming, Nadine Secunde
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Siegmund heiss' ich
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with Poul Elming, Nadine Secunde
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Siegmund! Sieh auf mich!
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with Poul Elming, Anne Evans
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Da sahest der Walküre sehrenden Blick
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with Poul Elming, Anne Evans
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Act I Prelude "Hojotoho! Hojotoho!
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with Eva-Maria Bundschuh, Shirley Close, Hitomi Katagiri, Linda Finnie, Birgitta Svenden, Ruth Floeren, Eva Johansson, Hebe Dijkstra
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Schützt mich und helft
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with Eva-Maria Bundschuh, Shirley Close, Hitomi Katagiri, Linda Finnie, Birgitta Svenden, Ruth Floeren, Eva Johansson, Anne Evans, Hebe Dijkstra
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Du zeugtest ein edles Geschlecht
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with John Tomlinson, Anne Evans
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Was hast Du erdacht, dass ich erdulde?
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with John Tomlinson, Anne Evans
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Leb wohl, du kühnes, herrliches Kind!
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with John Tomlinson
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Der Augen leuchtendes Paar
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with John Tomlinson
Conducted by Daniel Barenboim
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Die Walküre (The Valkyrie), opera, WWV 86b Loge, hör! Lausche hieher!
Composed by Richard Wagner
Performed by Bayreuth Festival Orchestra
with John Tomlinson
Conducted by Daniel Barenboim
Richard Wagner: Highlights From Die Walküre,Richard Wagner,Daniel Barenboim,Bayreuther Festspiele Orchester,Anne Evans,Birgitta Svenden,Eva Johansson,Eva-Maria Bundschuh,Hebe Dijkstra,Hitomi Katagiri,John Tomlinson,Linda Finnie,Matthias Holle,Nadine Secunde,Poul Elming,Ruth Floeren,Shirley Close,Elektra / Wea,Classical,Classical Music,German/Austrian Romantic Opera,Opera,Opera/Operetta
Average customer rating:
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Highlights from Der Ring des Nibelungen
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004XT2G Release Date: 2001-02-27 |
Tracks:
- The Rhinegold: Lugt, Schwestern! Die Weckerin Lacht in Den Grund - Helen Donath/Edda Moser/Anna Reynolds/Zoltan Kelemen
- The Rhinegold: Nur Wer Der Minne Macht Ensagt - Helen Donath/Edda Moser/Anna Reynolds
- The Rhinegold: Der Welt Erbe Gewann Ich Zu Eigen Durch Dich - Zoltan Kelemen/Helen Donath/Edda Moser/Anna Reynolds
- The Rhinegold: Haltet Den Rauber! - Helen Donath/Edda Moser/Anna Reynolds
- The Rhinegold: Hor, Wotan, Der Harrenden Wort! - Karl Ridderbusch/Dietrich Fischer-Dieskau/Martti Talvela/Simone Mangelsdorff
- The Rhinegold: Schwester! Bruder! Rettet! Helft! - Simone Mangelsdorff/Donald Grobe/Robert Kerns/Gerhard Stolze/Josephine Veasey
- The Rhinegold: Wotan, Gemahl, Unselger Mann! - Josephine Veasey/Dietrich Fischer-Dieskau/Gerhard Stolze/Robert Kerns/Donald Grobe
- The Rhinegold: (Transformation Music) - BPO/Herbert Von Karajan
- The Rhinegold: Zur Burg Fuhrt Die Brucke - Donald Grobe
- The Rhinegold: Abendlich Strahlt Der Sonne Auge - Dietrich Fischer-Dieskau
- The Rhinegold: So Gruss Ich Die Burg - Dietrich Fischer-Dieskau/Josephine Veasey/Gerhard Stolze
- The Rhinegold: Rheingold! Rheingold! - Helen Donath/Edda Moser/Anna Reynolds/Dietrich Fischer-Dieskau/Gerhard Stolze
- The Valkyrie: Der Manner Sippe Sass Hier Im Saal - Gundula Janowitz/Jon Vickers
- The Valkyrie: Wintersturme Wichen Dem Wonnemond - Jon Vickers
- The Valkyrie: Du Bist Der Lenz - Gundula Janowitz
- The Valkyrie: O Susseste Wonne! Seligstes Weib! - Jon Vickers/Gundula Janowitz
- The Valkyrie: War Walse Dein Vater, Und Bist Du Ein Walsung - Gundula Janowitz/Jon Vickers
- The Valkyrie: Siegmund, Den Walsung, Siehst Du, Weib! - Jon Vickers/Gundula Janowitz
- The Valkyrie: (The Ride Of The Valkyries) - BPO/Herbert Von Karajan
- The Valkyrie: Leb Wohl, Du Kuhnes, Herrliches Kind! - Thomas Stewart
- The Valkyrie: Der Augen Leuchtendes Paar - Thomas Stewart
- The Valkyrie: Loge, Hor! Lausche Hieher! - Thomas Stewart
- The Valkyrie: (Magic Fire Music) - BPO/Herbert Von Karajan
Tracks:
- Siegfried: Dass Der Mein Vater Nicht Ist - Forest Murmurs - Jess Thomas
- Siegfried: Nun Sing! Ich Lausche Dem Gesang! - Jess Thomas/Catherine Gayer
- Siegfried: Prld To Act III. - BPO/Herbert Von Karajan
- Siegfried: Wache, Wala! Wala! Erwach! - Thomas Stewart
- Siegfried: (Brunnhilde's Awakening: Intro) - BPO/Herbert Von Karajan
- Siegfried: Heil Dir, Sonne! Heil Dir, Licht! - Helga Dernesch/Jess Thomas
- Siegfried: Siegfried! Siegfried Seliger Held! - Helga Dernesch/Jess Thomas
- Twilight Of The Gods: (Orchestral Interlude) - BPO/Herbert Von Karajan
- Twilight Of The Gods: Zu Neuen Taten, Teurer Helde - Helga Dernesch
- Twilight Of The Gods: Mehr Gabst Du, Wunderfrau, Als Ich Zu Wahren Weiss - Helge Brilioth/Helga Dernesch
- Twilight Of The Gods: (Siegfried's Rhine Journey) - BPO/Herbert Von Karajan
- Twilight Of The Gods: (Funeral Music) - BPO/Herbert Von Karajan
- Twilight Of The Gods: Starke Scheite Schichtet Mir Dort - Helga Dernesch
- Twilight Of The Gods: Mein Erbe Nun Nehm Ich Zu Eigen - Helga Dernesch
- Twilight Of The Gods: Fliegt Heim, Ihr Raben! - Helga Dernesch
- Twilight Of The Gods: Conclusion 'Zuruck Vom Ring!' - Karl Ridderbusch
Customer Reviews:
A substantial overview of Karajan's Ring.......2007-07-11
One now comes to Richard Wagner, often considered the master of Romantic music and one of the definitive composers to ever set foot on the soil of this planet. If one were to painstakingly evaluate the two conductors' collective Wagnerian works, one would most likely come to the conclusion that Hungarian-born Sir Georg Solti was a "more perfect" Wagnerian conductor than the Austrian musical megalomaniac Herbert von Karajan. Solti's style of conducting, which lent itself to the works of Ludwig van Beethoven, Mahler, and Richard Strauss, was obviously within the atmosphere of Wagner, and his John Culshaw-produced rendering of Der Ring des Nibelungen can easily be considered one of the greatest achievements in modern recorded sound. Nonetheless, Karajan's brilliance came not from his ability to conduct Wagner perfectly, as one might arguably suggest for Solti, but rather from his ability to approach every composer with a certain level of comfort and singularity while simultaneously retaining his format of interpretation. Karajan was just as comfortable with the works of Johann Sebastian Bach and Wolfgang Amadeus Mozart as he was with Jean Sibelius and Arnold Schoenberg, and his expertise transcended every medium, from choral works and masses to symphonies to operas to concerti. It was also his singular smoothness, his uncanny ability to gloss and refine the roughest and most vulgar of music (which, occasionally, in a work such as Carmen, had a derogatory effect) which made his Wagnerian music so spectacular a beacon and link within the chain mail of the musical world.
This is the reason why this recording of Der Ring des Nibelungen features what critics have called a "chamber music approach" to the Wagner score; Karajan dissected the music (as he did with everything he conducted) and took every measure to present, at all times, the beauty inherent in the music, even at the most violent and explosive instances. No fault is obvious in this, and with the operas of Rossini or Donizetti, no problem would have occurred; however, with Wagner, placing too burdensome an emphasis on beauty could, possibly, have an acidic effect on the overall drama of the work. This became an almost debilitating fault near the end of his illustrious career, but here the results are stunning. Karajan's interpretation is not sluggish (by the standards set by Solti, it is actually fairly brisk) and the orchestral performance from the imperial Berliner Philharmoniker is beyond betterment.
Thus, one must wonder why this recording of the Ring Cycle, with arguably the best conductor in the world leading one of the finest groups of musicians ever assembled, is frequently dogged by critics as weak and woefully idealistic. The answer lies in Karajan's casting which is, overall, inferior to Solti's. However, jewel-bedecked performances can be found in Karajan's cast with which Solti's cannot compete. Jon Vickers and Gundula Janowitz bring new definition to the twins Siegmund and Sieglinde. Operatic roles may have existed which Vickers did not perfect, but those which he performed (Peter Grimes, Samson, Tristan, Aeneas, Otello, Don José) were forever standardized by his interpretation. Siegmund is no exception, and though James King was a golden-toned, amorous youth on the Solti Die Walküre, Vickers is mightily Zarathustran and gloriously introspective during "Winterstürme wichen dem Wonnemond." Janowitz, who could make the harshest, most brutal German phrases drip with the smoothness and creamy elegance of French, brings radiance and gleaming simplicity to her Sieglinde which no other soprano could dare attempt. Their ecstatic, and eventually orgasmic, love duet ("Du bist der Lenz" ... "O süsseste Wonne! Seligstes Weib!" ... "Siegmund, den Wälsung, siehst du, Weib!") may be the greatest moment of Karajan's entire Ring Cycle.
The character of Wotan, the ruler of the gods, should, theoretically, be performed by a commanding, sonorous bass-baritone such as George London, Hans Hotter, Theo Adam, or James Morris, the most superb modern Wagnerian baritone. However, Dietrich Fischer-Dieskau, who was so praised for his vocal delicacy and aristocratic gentility, is surprisingly successful as the ambitious god whose ageless wisdom was blinded by his opulent rapaciousness in Das Rheingold. Fischer-Dieskau was often fussy and blusterous on the operatic stage, but brief instances of vocal waywardness are often excusable through Wagner, and he will have no difficulty pleasing the most caustic critic during his wondrous musing as the gods enter the celestial fortress of Valhalla ("Abendlich strahlt der Sonne Auge...So grüss ich die Burg"). Thomas Stewart, a severely under-recorded American baritone, excels as Wotan in Die Walküre and Siegfried. Wotan's eminent farewell to Brünnhilde in Die Walküre ("Leb wohl, du kühnes, herrliches Kind!...Der Augen leuchtendes Paar") could easily buckle many baritones; Stewart, however, sings with unfettered passion and mournful abandonment as the pained father. He is less thrilling (due to the context of the music, not his voice) in his conjuring of Erda in Siegfried ("Wache, Wala! Wala! Erwach!").
Gerhard Stolze, the consummate character singer, is not featured on this set of highlights as Mime, Alberich's toiling, gnomish brother, in Siegfried; his unique caricature of Loge in Das Rheingold is inserted instead. Loge, the mischievous demigod of fire, is a part usually performed by a heldentenor, such as Wolfgang Windgassen, Set Svanholm, or Siegfried Jerusalem, and for those strictly concerned with vocal beauty, these singers would be highly appropriate. However, for those seeking a more burlesque, stupendously acted performance (merely listen as he warns the gods not to enter Valhalla ["Ihrem Ende eilen sie zu"]), Stolze is perfectly idiomatic and certainly does not "bark" his lines, though he is occasionally criticized for doing so. Hungarian bass-baritone Zoltan Kélémén's career began, for the most part, with Karajan casting him as Alberich. The most inimitable interpreter of the dwarf fiend was Gustav Neidlinger; his Alberich was explosively, thunderously vindictive, a Caligulan nemesis. Kélémén's Alberich was a twisted, grisly deuce, and though he may have lacked the vocal robustness of Neidlinger (and the malignant guffaw), his retort against the mocking of the Rheintöchter ("Der Welt Erbe gewänn ich zu eigen duch dich") is a petrifying outburst. Helen Donath, Edda Moser, and Anna Reynolds are the most perfectly tuned Rheintöchter available on disc. No other trio can compare with their beguiling chatter in the first scene ("Lugt, Schwestern! Die Weckerin lacht in den Grund") nor with their wrathful longing in the finale ("Rheingold! Rheingold! Reines Gold!"). Liselotte Rebmann, Daniza Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, and Helja Jenckel are similarly victorious during the Walkürnritt ("Hojotoho!"), which is sure to conjure an image of helicopters napalming seaside Vietnamese villages vis-à-vis Francis Ford Coppola or hellish, armed and armor-bedecked maidens soaring about on flying horses.
Josephine Veasey possessed an elegant, matronly tone which was perfectly suited for Fricka, Wotan's bickering wife, the goddess of marriage. Donald Grobe, a Karajan regular, is insipid but secure as Froh in his brief monologue ("Zur Burg führt die Brücke"). Martti Talvela and Karl Ridderbusch (another Karajan regular) shared the four main bass roles in the saga: Fasolt, Fafner, Hunding, and Hagen. Talvela is noted as one of the most sympathetic Fasolts on record; one must wonder how Talvela, the gargantuan Finnish bass, could not be suitable as a giant in any opera. His performance is woefully truncated here, alas. His Hunding, which was surely brutish and bovine, is not heard at all. The iniquitous villain Fafner's greatest moment comes not in Das Rheingold as the bellowing lummox but in Siegfried as the leering, yawning dragon; this is also left out of the collection. Ridderbusch's performance as Hagen, often heralded as one of his finest, is represented here by little more than his final outburst of "Zurück vom Ring!" After Dame Joan Sutherland's "cameo" appearance as the Waldwogel in Sir Georg Solti's Siegfried, all other performances are bound to fall short. Nonetheless, Catherine Gayer is notably lovely and chirpy.
Most criticism concerning the soloists is invested in insulting Jess Thomas, Helga Dernesch, and Helge Brilioth. Thomas, a regal Lohengrin and Tannhäuser in his youth, has forever been the recipient of spiteful banter reviling his performance as Siegfried in the third opera of the cycle. It is true that Windgassen owned the role in much the same way that Birgit Nilsson was the executor of Brünnhilde (after Flagstad and Varnay); however, their performances were sublime in the locality of their vocal precision and dramatic prowess, which were sublime. In the sector of vocal attractiveness (which is, one must concede, Karajan's principal area of focus), Windgassen fell short of the golden-throated Thomas, and Nilsson's steely voice, though it possessed its own rampageous eroticism, was also inferior to Helga Dernesch's richer and milder tone. As examples, Thomas is marvelous during the darkly impressionistic, meandering Waldweben ("Dass der mein Vater nicht ist"); Dernesch is ravishing in the Awakening Scene ("Heil dir, Sonne! Heil dir, Licht! ... Siegfried! Siegfried! Seliger Held!") and in the apocalyptic finale of Götterdämmerung ("Starke Scheite schichtet mir dort...Fliegt heim, ihr Raben!"). Poor Brilioth is often criticized for simply sounding dull and inadequate as Siegfried in Götterdämmerung, and one must concede that it would have been more prudent for Karajan to cast Windgassen. [Régine Crespin, who is not featured on this collection, performed Brünnhilde in Die Walkure. This had mixed results, for most held her performance as the Valkyrie in juxtaposition to her gorgeous interpretation of Sieglinde on the Solti recording. I, personally, found her Brunnhilde delightfully witty and humane.]
Perhaps the greatest fault of this collection of highlights is that it is what it is: a collection of excerpts. Der Ring des Nibelungen is an expansive masterpiece which is not suitable for a two-disc collection of noteworthy tracks. This compilation, nevertheless, is indeed superb (as are most Deutsche Grammophon/Panorama releases), as is the set of highpoints from Karl Böhm's Ring Cycle, released through Philips. One should, by all means, disregard the hateful criticism placed upon Karajan's work here. It is not his finest, but it is Karajan, and his worst level is a pinnacle of excellence which most conductors can only hope to achieve, particularly in a Wagnerian sphere.
Where is Karajan's Ring on amazon?.......2005-09-05
not an introduction to The Ring.......2005-04-18
A wonderful introduction, or a new experience.......2004-02-14
Secondly, the CD is worth its price mainly due to Karajan's conducting. After listening to Solti's version of the Ring (also wonderful), I was suprised by the subtle hints he seems to charge through. You can literally hear the galloping of the horse, or subtle musical hints which add a great appreciation and character to the opera. Thus, if you have experienced several other conductors, but have not had the pleasure of Karajan, it would be worth the price.
Unfortunatly, some of the singing is kinda weak. Again, after Solti's Valkyries, you will have a hard time getting into the singing. And again, Karajan's Brunhilde isn't as strong as Solti's, but she still holds her own. Loge, here, sounds like a trickster (though he does sing/speak his words), and the Wotan's are alright.
In conclusion, this is perfect if you want to add flavor to your Wagner listening experience, or just want to know what the big deal is. I, of course, suggest getting one of the DVD's to get the big picture of what is going on (Levine's MET is a good start). So buy and enjoy.
good introduction.......2002-06-11
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Wagner: Highlights from "The Ring"
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026OJ Release Date: 1990-10-25 |
Tracks:
- Das Rheingold: Entrance Of The Gods Into Valhalla
- Die Walkure: The Ride Of The Valkyries
- Die Walkure: Magic Fire Music
- Siegfried: Forest Murmurs
- Gotterdammerung: Dawn & Siegfried's Rhine Journey
- Gotterdammerung: Siegfried's Funeral Music
- Gotterdammerung: Brunnhilde's Immolation Scene
Customer Reviews:
My first Wagner CD and it remains a favourite.......2006-07-10
Now I have a large number of Wagner CDs but this remains a favourite.
There are many arrangements of Ring excerpts around, but this has the best versions, in my view, especially for Dawn & RJ.
Mehta's pacing is excellent, particularly for the Goetterdaemmerung tracks, and the sound is superb: so much detail is revealed very clearly.
The Immolation Scene with Caballe was recorded separately (the stereo placing is clearly different from the others) and she is nothing like a Nilsson, but it's OK.
So, overall, a wonderful introduction to some of the key Highlights of the Ring.
Wagner for the rest of us.......2005-02-10
Though not an opera officianado, I really enjoyed Brunhilda's Immolation scene in this CD. The dramatic ending to the Ring is one of the greatest musical accomplishments in the history of music.
A soundtrack for heroes.......2001-02-04
a hit and miss affair.......2000-06-19
this one is a hit and miss.......2000-06-13
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Wagner: Highlights from Valkyrie, Mastersingers, Tristan & Isolde
Manufacturer: Intersound Records ProductGroup: Music Binding: Audio CD ASIN: B000000BMW Release Date: 1995-03-14 |
Tracks:
- The Valkyrie - Ride of The Valkyries
- Wotan's Farewell and Magic Fire Music
- The Mastersingers Of Nuremberg - Prelude
- Tristan And Isolde - Prelude and Liebestod
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Pure Opera: Highlights from Beautiful Operas
Manufacturer: Delta ProductGroup: Music Binding: Audio CD ASIN: B0002KVUPC Release Date: 2004-01-01 |
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Basic 100, Volume 59: Richard Wagner [Highlights From The Ring Of The Nibelung]
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FUP Release Date: 1995-03-14 |
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Highlights from Prima Voce
Manufacturer: Nimbus Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001O2XO Release Date: 1999-09-14 |
Tracks:
- Madama Butterfly: Un Bel Di Vedremo - Geraldine Farrar
- Pagliacci: Si Puo? Si Puo? (Prologue) - Pasquale Amato
- Lucrezia Borgia: Il Segreto Per Esser Felice - Sigrid Onegin
- Die Walkure: Der Manner Sippe - Lotte Lehmann
- Don Giovanni: Dalla Sua Pace - Richard Tauber
- A Life For The Tsar: I Do Not Grieve - Antonina Nezhdanova
- Les Pecheurs De Perles: Je Crois Entendre Encore - Dmitri Smirnov
- Cleoptre: Tes Messages D'Amour (Air De La Lettre) - Marcel Journet
- Louise: Depuis Le Jour - Nellie Melba
- Un Ballo In Maschera: Eri Tu, Che Macchiavi - Mattia Battistini
- La Sonnambula: Ah! Non Giunge - Luisa Tetrazzini
- I Puritani: Ah, Per Sempre Io Ti Perdei - Giuseppe De Luca
- Tosca: E Lucevan Le Stelle - Miguel Fleta
- Persian Love Song - Feodor Chaliapin
- Cant, No.81: Jesus Schlaft, Was Soll Ich Hoffen - Marian Anderson
- Mefistofele: L'Altra Notte In Fondo Al Mare - Claudia Muzio
- Le Postillon De Lonjumeau: Mes Amis, Ecoutez - Helge Roswaenge
- Atalanta: Care Selve - Eide Norena
- Werther: Io Non So...O Natura - Tito Schipa
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The Ultimate Highlights from the Opera
Manufacturer: Bci / Eclipse Music ProductGroup: Music Binding: Audio CD ASIN: B00005K2AW Release Date: 2001-05-08 |
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Opera Highlights (Box Set)
Manufacturer: Delta ProductGroup: Music Binding: Audio CD ASIN: B000001VUW Release Date: 1994-03-08 |
Tracks:
- Overture - Budapest Philharmonic Orchestra
- Pres des remparts - Krystyna Szostek-Radkowa
- La garde montante - Budapest Philharmonic Orchestra
- Parlez-moi de ma mere....Ma mere je ma - Andras Molnar
- Habanera - Budapest Philharmonic Orchestra
- Les dragons d'Alcara/Danse boheme - Budapest Philharmonic Orchestra
- Votre toast - Nicolai Ghiaurov
- La fleur que tu m'avais jetee - Andras Molnar
- Intermezzo - Marche des contrebandiers - Budapest Philharmonic Orchestra
- Je dis que rien ne - Liliana Vassileva
- Aragonaise - Budapest Philharmonic Orchestra
- A deux cuartos - Sofia National Opera Chorus
- Ballet Music - Budapest Philharmonic Orchestra
- Les voici! Voisi la Quadrille! - Sofia National Opera Chorus
Tracks:
- Overture - Marcello Viotti
- Hier Soll Ich Dich Denn Sehen, Konstanze - Jerrold Van Der Schaaf
- Solche Hergelauf'ne Laffen - Kurt Rydl
- Singt Dem Grossen Bassa Lieder - Bamberg Symphony Orchestra Chorus
- Marsch, Marsch, Marsch! Trollt Euch Fort - Kurt Rydl
- Durch Zartlichkeit Und Schmeicheln - Jeanine Thames
- Ich Gehe, Doch Rate Ich Dir - Kurt Rydl
- Martern Aller Arten - Sylvia Greenberg
- Welche Wonne, Welche Lust - Jeanine Thames
- Wenn Der Freuden Tranen Fliessen - Jerrold Van Der Schaaf
- Ach Belmonte! Ach Mein Leben - Sylvia Greenberg
- Im Mohrenland Gefangen War - Wilfried Gahmlich
- O, Wie Will Ich Triumphieren, Wenn Sie Euch Zum Richtplatz Furhren - Kurt Rydl
- Nie Werd' Ich Deine Huld Verkennen - Bamberg Symphony Orchestra Chorus
Tracks:
- E Soffito...E Pareti - Giacomo Aragall
- Dovunque Al Mondo/Quale Smania Vi Prende! - Anna Tomowa-Sintow
- Viene La Sera/Bimba Dagli Occhi Pieni Di Malia - Anna Tomowa-Sintow
- E Izaghi Ed Izanami - Anna Tomowa-Sintow
- Un Bei Di Vedremo - Anna Tomowa-Sintow
- Una Nave Da Guerra/Scuoti Quella Fronda Di Ciliegio - Anna Tomowa-Sintow
- Coro A Bocca Chiusa - Sofia National Opera Chorus
- Io So Che Alle Sue Pene/Addio, Fiorito Asil - Giacomo Aragall
- Con Onor Muore - Anna Tomowa-Sintow
Tracks:
- Overture - Chamber Orchestra Of The Hungarian State Opera
- Ah, Se Intorno A Quest' Urna Funesta - Julia Hamari
- Chiamo Il Mo Ben Cosi - Julia Hamari
- Gli Sguardi Trattieni - Maria Zempleni
- Chi Mai Dell'Erebo Fra Le Caligini/Mille Pene - Julia Hamari
- Dance Of The Blessed Spirits - Ervin Lukacs
- Vieni A Regni Del Riposo - Chamber Chorus Of The Hungarian State Opera
- Torna, O Bella - Chamber Chorus Of The Hungarian State Opera
- Vieni, Appaga Il Tuo Consorte - Veronika Kincses
- Che Fiero Momento - Veronika Kincses
- Che Faro Senza Euridice - Julia Hamari
- Ballet Music - Ervin Lukacs
- Trionfi Amore - Veronika Kincses
Tracks:
- Entrance Of The Gods In Valhall - Radio Symphony Orchestra Sofia
- Ride Of The Valkyries - Budapest Symphony Orchestra
- Ein Schwert Verhiess Mir Der Vater - Reiner Goldberg
- Der Manner Sippe - Eszter Kovacs
- Wintersturme Wichem Dem Wonnemond - Reiner Goldberg
- Magic Fire Music - Budapest Symphony Orchestra
- Hoho! Hoho! Hohei! Schmiede Mein Hammer - Reiner Goldberg
- Siegfried's Rhine Journey - Yuri Ahronovitch
- Siegfried's Death And Funeral March - Radio Symphony Orchestra Sofia
- Starke Scheite Schichtet Mir Auf - Eszter Kovacs
Tracks:
- Long Live Boris Federovich - Warsaw National Opera Chorus
- Boris's Monologue - Warsaw National Opera Chorus
- Varlaam's Scene - Marek Wojciechowski
- Boris's Recitative And Aria - Anatolij Kotscherga
- Scene Boris/Shuisky - Kazimierz Pustelak
- Boris's Mad Scene - Anatolij Kotscherga
- Duet - Ryszarda Racewicz
- Get Him Here - Warsaw National Chorus
- Pale Moonlight - Marek Wojciechowski
- Domine, Domine Salvum - Marek Wojciechowski
- We, Dimitri Ivanovich - Vitalij Taraschtschenko
- Flow, Flow, Hot And Bitter Tears - Krzysztof Szmyt
- A Pious Servant Of The Lord - Jerzy Ostapiuk
- Farewell, My Son - Anatolij Kotscherga
Tracks:
- Overture - Sofia Symphony Orchestra
- Se Qeul Guerriero - Celeste Aida - Jozsef Simandy
- Possenthe Ftha - Bulgarian National Chorus
- Ritorna Vincitor - Anna Tomowa-Sintow
- Chi Mai Fra Gl'immi E I Plausi - Bulgarian National Chorus
- Silenzio! Aida Verso Noi S'Avanza - Gisella Passino
- O T Che Sei D'Osiride - Sofia National Opera Chorus
- Qui Radames Verra - Anna Tomowa-Sintow
- Gloria All' Egitto - Bulgarian National Chorus
Tracks:
- Preludio - Roberto Paternostro
- Libiamo Ne' Lieti Calici - Fujiwara Opera Chorus
- E Strano! - Lucia Aliberti
- Lunge Da Lei...../De' Miei Bollenti Spiriti - Peter Dvorsky
- Annina, Donde Vieni?/O Mio Rimoroso - Peter Dvorsky
- Dite Alla Giovine - Lucia Aliberti
- Di Provenza Il Mar, Il Sol - Renato Bruson
- Noi Siamo Zingarelle - Fujiwara Opera Chorus
- Di Madride Noi Siam Mattadori - Fujiwara Opera Chorus
- Di Sprezzo Degno - Fujiwara Opera Chorus
- Preludio - Roberto Paternostro
- Teneste La Promessa - Lucia Aliberti
- Parigi, O Cara - Lucia Aliberti
- Ah! Violetta!/Voi.....Signor! - Lucia Aliberti
Tracks:
- Preludio - Sofia Symphony Orchestra
- Che Faceste - Bulgarian National Chorus
- Nel Di Della Vittoria - Sylvia Sass
- Oh Noi Perduti...Schiudi, Inferno, La Bocca - Kolos Kovats
- La Luce Langue - Sylvia Sass
- Chi V'impose Unirvi A Noi - Bulgarian National Chorus
- Studia Il Passo/Come Dal Ciel Precipita - Boris Christoff
- Tre Volte Miagola La Gatta - Hungarian Radio and Television Chorus
- Ballabili - Prague Festival Orchestra
- Patria Oppressa! - Bulgarian National Chorus
- O Figli, O Figli Miei! - Peter Kelen
- Perfidi! All' Ango Contro Me - Piero Cappuccilli
- Vittoria! - Peter Kelen
Tracks:
- Overture - Hanns-Martin Schneidt
- Gli Arredi Festivi - Manfred Schenk
- Ben Io T'invenni/Anch'io Dischiuso Un Giorno - Anna Tomowa-Sintow
- Vieni, O Levita/Tu Sol Labbro - Kolos Kovats
- E I'Assiria Una Regina - Bulgarian National Chorus
- Va Pensiero, Sull'ali Dorate - Prague National Theatre Chorus
- Son Pur Queste Mie Membra!/Dio Di Giuda - Lajos Miller
Average customer rating: |
Richard Wagner: Highlights From Die Walküre
Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD ASIN: B000000SQ5 Release Date: 1995-08-01 |
Average customer rating:
|
Richard Wagner: Highlights from The Ring
Manufacturer: RCA ProductGroup: Music Binding: Audio CD ASIN: B000003FKR Release Date: 1994-01-18 |
Tracks:
- Die Walkure: Act II : Ride Of The Valkyries
- Die Walkure: Act II : Magic Fire Music
- Siegfried: Act II : Forest Murmurs
- Das Rheingold: Invocation Of Alberich And Entrance Of The Gods Into Vallhalla
- Gotterdammerung: Prologue : Dawn And Siegfried's Rhine Journey
- Gotterdammerung: Act III : Siegfried's Funeral Music
- Gotterdammerung: Act III : Immolation Scene (Finale)
- Tristan und Isolde: Liebestod
Customer Reviews:
just highlights, but good.......2002-06-11
Meditation Music:
- Rossini: Bianca e Falliero / Renzetti, Rossini Opera Festival [Box set]
- Rossini - Il barbiere di Seviglia
- Rossini: Il Signor Bruschino
- Rossini: L'inganno Felice
- Saint-Saëns: Samson et Dalila
- Schubert: Schwanengesang; 5 Lieder
- Smetana: The Bartered Bride
- Strauss: Die Fledermaus
- Sullivan: Pirates of Penzance; H. M. S. Pinafore
- Sullivan: The Mikado
Meditation Music
Sunset Over Wasteland [Import]
Sorry We Are Circo Loco, Vol. 1 [Import]
Sketches (For My Sweetheart the Drunk) [CD-Extra]