-
Turandot, opera Invocation to the Moon
Composed by Giacomo Puccini
with Joyce Barker
-
Turandot, opera Entry of Calaf
Composed by Giacomo Puccini
with Joyce Barker
-
Turandot, opera Sigore ascolta
Composed by Giacomo Puccini
with Joyce Barker
-
Turandot, opera Non piangere, Li
Composed by Giacomo Puccini
with Joyce Barker
-
Turandot, opera In questa reggia
Composed by Giacomo Puccini
with Joyce Barker
-
Turandot, opera Riddle Scene
Composed by Giacomo Puccini
with Joyce Barker
-
Turandot, opera Gloria, O vincitore
Composed by Giacomo Puccini
with Joyce Barker
-
Turandot, opera Tre riposto
Composed by Giacomo Puccini
with Joyce Barker
-
Turandot, opera Introduction
Composed by Giacomo Puccini
with Joyce Barker
-
Turandot, opera Nessun dorma
Composed by Giacomo Puccini
with Joyce Barker
-
Turandot, opera In tanto amore segreto
Composed by Giacomo Puccini
with Joyce Barker
-
Turandot, opera Tu che di gel
Composed by Giacomo Puccini
with Joyce Barker
-
Turandot, opera Finale (part 1)
Composed by Giacomo Puccini
with Joyce Barker
-
Turandot, opera Finale (part 2)
Composed by Giacomo Puccini
with Joyce Barker
Puccini: Turandot (abridged),Giacomo Puccini,Joyce Barker,GSE Claremont,Classical,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio
Average customer rating:
|
Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OTX Release Date: 1998-06-09 |
Tracks:
- La Boheme: Che gelida manina
- Manon Lescaut: Donna non vidi mai
- Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
- Luisa Miller: O! fede negar potessi .. Quando le sere al placido
- La Traviata: Lunge da lei ... De' miei bollenti spiriti
- Martha: M'appari
- Giordano: Amor ti vieta
- L'Africaine: Mi batte il cuor .. O paradiso
- La Favorita: Favorita del re . . . Spirto gentil
- Werther: 'Pourquoi me reveiller'
- Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
- Les Contes d'Hoffmann: O Dieu! De quelle ivresse
- TOSCA: E lucevan le stelle
- Pagliacci: Recitar! ... Vesti la giubba
- Il Trovatore: Di quella pira
- Aida: Se quel guerrier .. Celeste Aida
- TOSCA: Recondita armonia
- L'Elisir d'Amore: Una furtiva lagrima
- La Gioconda: Cielo e mar!
- Turandot: Nessun dorma
Customer Reviews:
The End of the Big Voice?.......2007-04-16
Fla Gator Lady.......2007-01-12
20 Great Tenor Arias.......2007-01-09
Plesantly surprised..........2006-01-14
First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).
Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.
Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.
Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.
This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.
A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!
Absolutely Agree About Corelli.......2005-05-27
Average customer rating:
|
The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059RXO Release Date: 2001-02-27 |
Tracks:
- Carmen: Act 1: Prld - LPO/Sir Georg Solti
- La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
- La Boheme: Che Gelida Manina - Luciano Pavarotti
- Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
- Fedora: Amor Ti Vieta - Jussi Bjorling
- Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
- Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
- Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
- Rigoletto: La Donna E Mobile - Luciano Pavarotti
- Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
- Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
- Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
- La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
- Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
- Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
- Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
- Tosca: E Lucevan Le Stelle - Placido Domingo
- Madama Butterfly: Un Bel Di - Mirella Freni
- Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico
Tracks:
- Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
- Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
- Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
- La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
- Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
- Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
- Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
- Mattinata - Andrea Bocelli
- Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
- L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
- Turandot: Signore, Ascolta! - Montserrat Caballe
- Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
- Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
- Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
- Tosca: Vissi D'arte - Kiri Te Kanawa
- Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
- Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
- Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
- Rusalka: O Silver Moon - Renee Fleming
- La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
- Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis
Amazon.com
The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah ChinCustomer Reviews:
The beautiful gift of opera..........2007-07-17
Pretty darn good.......2007-07-04
The Opera #1 Opera Album.......2007-06-07
Excellent assortment.......2007-05-12
Great Selections.......2007-03-31
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...
Average customer rating:
|
Sarah Brightman Classics
Sarah Brightman , Tomaso Giovanni Albinoni , Francisco Tarrega , George Frideric Handel , Fryderyk Chopin , Sergey Rachmaninov , Giacomo Puccini , Antonin Dvorak , Andrew Lloyd Webber , Ludwig van Beethoven , Joseph Marie Canteloube , Francesco Sartori , and Paul Bateman Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005RD78 Release Date: 2001-11-20 |
Tracks:
- Ave Maria (new recording)
- La Wally (from Time To Say Goodbye)
- Winter Light (new recording)
- Anytime, Anywhere (from Eden)
- Alhambra (new recording)
- Lascia Ch'io Pianga (from Eden)
- Dans La Nuit (new recording)
- Serenade/How Fair This Place (from La Luna)
- O Mio Babbino Caro (new recording)
- La Luna (from La Luna)
- Pie Jesu (new recording)
- Figlio Perduto (from La Luna)
- Nessun Dorma (new recording)
- Bailero (from Eden)
- Time To Say Goodbye (New solo version--previously unavailable)
Amazon.com
Have some friends who still haven't discovered what the Sarah Brightman fuss is all about? You'll find the perfect introduction to make converts of them all in Classics, so they'll have no more excuses to remain clueless. Sporting a Botticelli-inspired image of the platinum-selling soprano on the cover, Classics is a classy anthology including highlights from three of Brightman's chart-topping releases along with seven new tracks. Songs personally selected by the diva as her favorite classical interpretations are culled from her previous blockbusters: Time To Say Goodbye, Eden, and La Luna. And whether you're a fan already in the fold or one in the making, the new material here shows the diva at the top of her form, in new renderings of "O Mio Babbino Caro" and "Nessun Dorma" (accompanied by the Royal Philharmonic)--fascinating displays of the operatic confidence she's developed over her career. Other new offerings include a touching version of Schubert's "Ave Maria,' "Winter Light," a fresh take on her signature song "Pie Jesu" (from Andrew Lloyd Webber's Requiem). "Alhambra" and "Dans La Nuit"--a real treat, bathing the listener in Brightman's silky, sensuous vocalism--add two original titles to her famous adaptations of classical melodies to new lyrics (using Chopin's haunting E major Etude in the latter case). All told, a lovely affirmation of the directions Brightman has boldly taken in her career to date. -Sarah ChinAmazon.com
Sarah Brightman Photos
|
|
|
|
|||
|
|
|
|
More from Sarah Brightman
Time to Say Goodbye |
Diva: The Singles Collection |
Eden |
Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
Sarah's Best Easy Listening CD.......2007-03-15
Best Brightman CD.......2007-02-07
Sarah Brightman is a Classic.......2007-01-02
Not The Best - Not the Worst - From Sarah Brightman.......2006-12-30
OVERALLY - The new songs sound O.K. and the old recordings are just as good as they were back then. This album is still a great buy!
Nice Cover.......2006-12-27
I'm a heterosexual guy who's not an opera aficionado - I only mention these facts because I seem to be right in the bull's-eye of the target market for this product. Sarah B. has a nice voice and she's pretty. Both of these are featured prominently on this CD. The cover and several pages in the insert are devoted to what must have been a very long and expensive photo shoot (and Photoshop) of a semi-clad Sarah looking marvelous. (The CD also comes with a flyer so you can buy various Brightman "Classics" apparel - perhaps not for the heterosexual male).
As far as the music goes: not bad, not great. I don't claim to have the most discerning ears for this sort of music, but everything was OK by me. However, the pieces on the CD with which I'm somewhat familiar, such as "O Mio Babbino Caro," didn't sound quite as good as other versions I've heard (and that includes by Charlotte Church, not just opera stars). Also, the solo version of "Time to Say Goodbye" didn't sound nearly as good to me as the duet with Bocelli.
In sum, there were 3-4 songs I liked enough to rip to MP3s - which is enough so that I didn't feel ripped myself...
Average customer rating:
|
Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
Francesco Cilea , Giacomo Meyerbeer , Giacomo Puccini , Franz Lehar , Vencenzo De Crescenzo , Salvatore Cardillo , Ernesto de Curtis , Agustin Lara , Pablo Sorozabal , Umberto Giordano , Leonard Bernstein , Vincenzo d' Annibale , Anonymous , Andrew Lloyd Webber , Alexander Sergeyevich Dargomizhsky , Juan De Dios Filiberto , Louis Louiguy , Ruggiero Leoncavallo , Rudolf Sieczynski , Joseph M. Lacalle , Eduardo di Capua , Zubin Mehta , Plácido Domingo , Luciano Pavarotti , and José Carreras Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041XX Release Date: 1990-09-05 |
Tracks:
- Il Lamento Di Federico
- O Paradis
- Recondita Armonia - Luciano Pavarotti
- Dein ist Mein Ganzes Herz
- Rondine Al Nido - Luciano Pavarotti
- Core 'ngrato
- Torna A Surriento - Luciano Pavarotti
- Granada
- No Puede Ser
- L'impovviso
- E Lucevan Le Stelle
- Nessun Dorma
- Finale Medley: Maria - Tonight, 'O paese d' 'o sole, Cielito lINDO
- Memory, Ochi tchorniye, Caminito
- Mattinata ; Wien, Wien, Nur Du Allein, Amapola, 'O sole mio
- Encore: 'O sole mio
- Encore: Nessun Dorma
Amazon.com
Magic was created one starlit night in July 1990, when Luciano Pavarotti, Placido Domingo and José Carreras met onstage at the Baths of Caracalla in Rome and became the Three Tenors. They eschewed competitive instincts and cooperated in the spirit of mutual admiration to create one of the greatest musical events ever. This concert is an awe-inspiring orgy of the greatest hits for the tenor voice. Domingo and Pavarotti sing perfectly. The audience wins as these vocal supermen compete to seduce the hearts of the audience. One moment Domingo brings thrilling fire and pain to "E lucevan le stelle" from Tosca; the next, Pavarotti rises to heavenly heights in an inspired rendition of "Nessun dorma" from Turandot. Carreras is the competent little brother, one step behind the greatness of the big brothers from opera's Ponderosa. His singing isn't as captivating as that of the big boys; but his enthusiasm and passion are unrivaled. Mehta exquisitely captures the largeness of this bonanza through the grandiose orchestra. --Barbara Eisner BayerCustomer Reviews:
delivery went ok.......2006-11-14
A knockout performance .......2006-05-28
One of the most remarkable music performances I have seen.
The night that started it all!.......2005-11-02
If you are just discovering opera, suffice it to say; Buy this album!!! It was the concert that launched the 3 Tenors phenomenon. It is full of uplifting, heart- tugging favorites, and you will find yourself listening to it over and over. Buy the dvd as well. It imparts absolute electricity! I am a young pianist and vocalist, and this concert is truly inspiring to me! You won't regret one penny you spend on this!
Great singing from the three tenors.......2005-06-23
First of all I have to comment on the editorial review of this cd. I felt the reviewer is "belittling" José Carreras here by saying he's one step behind the big brothers and his singing isn't as captivating as that of the big boys.....?!?!? Of course I can only speak for myself, but I feel she's way out of line. And I'm starting to wonder if she's been listening to the cd at all? In my opinion you have to be dead not to be touched by his rendition of "Lamento di Federico" and "L'improvviso". If anybody can deliver a line it has to be Carreras. When it comes to his interpretation of "Granada" even conductor Zubin Mehta was gobsmacked. Watching the dvd you can see him putting down his baton and applauding. He even steps down from his podium to hug José.
I have to say I'm not too keen on the two other tenors, although I have to admit I loved Pavarotti's "Torna a Surriento" and "Rondine al nido". The thing about Pavarotti is that he has a great singing technique and he's also in possession of this "push-button" which make him sing a lot of high notes, but that alone isn't enough to stir emotion.
As for Domingo, even if he's giving it all in every song, and his "No puede ser" was great,I think he's a bit too much on the nasal side. He's okay when they all perform together, but his "E lucevan le stelle" is sending shivers down my spine - and not of delight. I'm practically unable to sit still and listen to his solos. If you really want "fire and pain" you should check out Carreras in the Tosca-recording from -80, or his recording from -76. It's really breathtaking and I promise you'll end up in tears!
At the end of this concert the three tenors perform a medley together. Their voices blend perfectly and it's powerful to listen to them giving it all. A lot of people are talking about their mis-pronounciations. I for one, think it only adds to the charm of the performers. Pavarotti has some problems with the English songs (okay, big problems..), Domingo stumbles in the words in the beginning of "Wien Wien nur du allein", and (this you'll see in the dvd) in the same song Carreras is actually reading the text from a piece of paper as he's singing and his facial expressions when getting his head around the German words are really hilarious. O sole mio as an encore is fabulous when Pavarotti pushes his button and shakes out all his high notes.... And I love it when the two other join forces and repeat his stunt to perfection.
All in all this is a wonderful album. And well worth 5 stars.... José alone gets 10 stars!!!
Excellent. Like summer sunshine. manna from heaven!.......2004-05-28
The concert was held during the World Cup in 1990 at the Baths of Caracella, which are ruins of the once great Roman baths. In this beautiful setting Luiciano Pavrotti, Jose Carreas and Placido Domingo came together for one of the best CD's ever made.
The singing is exquisite. The passion of the crowd in this live performance should equal the reaction of the listener. This is art at its highest level. It is a celebration of great music, not just of opera, but in my opinion, the soaring human spirit. What power to move the soul! You don't need to be an opera fan to enjoy this music. If you like any kind of music, you cannot help but be affected by the power of this special evening. And what an evening, those in attendance were lucky to have been there!!
The casual listener will already know some of these arias, as they are from some the great operas of all time. However, I believe even the most hardenend opera fan, unless he or she is a real stiff, cannot be helped to be but moved by this music.
It is heavenly! I recommend this CD to you, because in my humble opinion, it will bring sunshine to your heart!!! : )
Average customer rating:
|
The Ultimate Puccini Collection
Giacomo Puccini , Herbert von Karajan , Riccardo Chailly , Stephen Barlow , Tullio Serafin , Lorin Maazel , Sir Edward Downes , Giuseppe Patane , Zubin Mehta , Alberto Erede , John Mauceri , Plácido Domingo , José Carreras , Kiri Te Kanawa , John Alldis Choir , Luciano Pavarotti , London Philharmonic Orchestra , Bologna Community Theater Orchestra , Ettore Bastianini , Carlo Bergonzi , Renato Cesari , Fernando Corena , Cesare Siepi , Renata Tebaldi , Gianna D'Angelo , Saint Cecilia Academy Orchestra , Franco Corelli , Alfredo Mariotti , Regine Crespin , Royal Opera House Orchestra Covent Garden , London Symphony Orchestra , Maggio Musicale Fiorentino Orchestra , Rome Opera House Orchestra , Pilar Lorengar , Berlin Philharmonic Brass Ensemble , Mirella Freni , Rolando Panerai , Jussi Bjorling , Leontyne Price , and Vienna Philharmonic Orchestra Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OU1 Release Date: 1998-06-09 |
Tracks:
- Turnadot: Nessun Dorma!
- Gianni Schicchi: O Mio Babbino Caro
- Manon Lescaut: Donna Non Vidi Mai
- La Boheme: Musetta's Waltz Song
- Tosca: Recondita Armonia
- Madame Butterfly: Un Bel Di
- TOSCA: E Lucevan Le Stelle
- La rondine: Il Sogno Di Doretta
- La Boheme: Che Gelida Manina
- La Boheme: Si, Mi Chiamano Mini
- La Boheme: O Soave Fanciulla - Love Duet, Act I
- Ch'ella mi creda libero
- TOSCA: Ah, Quegli Occhi...Qual'occhio Al Mondo - Love Duet, Act I
- TOSCA: Vissi D'Arte
- Madame Butterfly: Vogliatemi Bene - Love Duet, Act I
- La Boheme: Donde Lieta Usci
- Turandot: Signore, Ascolta!
- Turandot: In Questa Reggia
Amazon.com essential recording
Ordinarily, it pays to be wary of collections such as these, which often promise a lot but deliver a mishmash of disconnected excerpts. This disc, however, is something of an exception: you really do get just about all of Puccini's best arias, which is possible, because he didn't write so many operas that choosing the best moments becomes a matter of the producer's personal taste. Also, Puccini's operas are so popular that every major label has excellent complete recordings of all of them, so in making this compilation it was possible to cast from strength: all the singers here are fine. In fact, the only proviso that needs to be made before you rush out and add this disc to your collection is that it's wrong to assume that all of Puccini's best tunes lie in his arias. The opening 10 minutes of any one of his operas will tell you that's not true. So by all means enjoy this disc--then start sampling the operas complete. --David HurwitzCustomer Reviews:
Correction to the entry by "sergiocqh".......2005-11-08
Fantastic!.......2003-10-14
HATE OPERA? THIS ONE WILL CHANGE YOUR MIND.......2003-09-04
A great listening experience featuring some of the greatest opera performers of all time.
"Ultimate" only if you like your opera "al fresco"!.......2002-06-13
Wonderful Performance but Average Recording Quality.......2002-02-18
Average customer rating:
|
The Very Best Of Maria Callas
Maria Callas Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y1YQ Release Date: 2002-02-12 |
Tracks:
- Carmen: L'Amour Est Un Oiseau Rebelle
- Gianni Schicchi: O Mio Babbino Caro
- La Wally: Ebben? Ne Andro Lontana
- Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix
- Tosca: Vissi D'arte, Vissi D'amore
- Andrea Chenier: La Mamma Morta
- Le Nozze Di Figaro: Porgi Amor
- Orphee Et Eurydice: J'ai Perdu Mon Eurydice
- Aida: Ritorna Vincitor!
- Adriana Lecouvreur: Respiro Appena... Lo So L'Umile Ancella
- Madama Butterfly: Un Bel Di Vedremo
- Norma: Casta Diva
- Turandot: Signore, Ascolta!
- Louise: Depuis Le Jour
- La Boheme: Si. Mi Chiamano Mimi
- La Gioconda: Suicidio
- La Forza Del Destino: Pace, Pace Mio Dio!
Customer Reviews:
Audio beauty and magnificence, Maria Callas.......2007-03-31
Ms. Callas' voice goes beyond the normal concept of beauty.
sublime.......2007-02-14
Good "Best Of".......2007-02-09
The Very Best of Maria Callas.......2006-08-20
Classic Callas.......2006-07-11
Average customer rating:
|
Puccini - Turandot / Sutherland · Pavarotti · Caballé · Ghiaurov · Krause · Pears · LPO · Mehta
Giacomo Puccini , Zubin Mehta , Luciano Pavarotti , Joan Sutherland , London Philharmonic Orchestra , John Alldis Choir , Montserrat Caballé , Tom Krause , Nicolai Ghiaurov , Peter Pears , and Wandsworth School Boys' Choir Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041Q3 Release Date: 1990-10-25 |
Tracks:
- Turandot: Act I: 'Popolo di Pekino!' (Un Mandarino) - Act I: 'Indietro, cani!' (La folla - People - La foule - Die Menge)184276 - Puccini
- Turandot: Act I: 'Gira la cote!' (La folla - People - La foule - Die Menge) - Act I: 'Perche tarda la luna?' (La folla - People - La foule - Die Menge) - Puccini
- Turandot: Act I: 'O giovinetto! Grazia, grazia!' (La folla - People - La foule - Die Menge) - Puccini
- Turandot: Act I: 'Figlio, che fai?' (Timur, Calaf) - Puccini
- Turandot: Act I: 'Fermo! Che Fai? T'arresta' (Ping, Pang, Pong) - Act I: 'Non indugiare!' (Le ombre dei morte - Phantoms - Les ombres des morts - Die Schatten der Toten) - Puccini
- Turandot: Act I: 'Signore, ascolta!' (Liu) - Puccini
- Turandot: Act I: 'Non piangere, Liu!' (Calaf) - Puccini
- Turandot: Act II, Scene 1: 'Ola, Pang! Ola Pong!' (Ping) - Puccini
- Turandot: Act II, Scene 1: 'Ho una casa nell 'Honan' (Ping) - Puccini
- Turandot: Act II, Scene 1: 'O mondo, o mondo...' (Ping, Pang, Pong) - Act II, Scene 1: 'O tigre! O tigre!' (Ping, Pang, Pong) - Puccini
- Turandot: Act II, Scene 2: Introduzione - Puccini
- Turandot: Act II, Scene 2: 'Gravi, enorme ed imponenti' (La folla - People - La foule - Die Menge) - Puccini
- Turandot: Act II, Scene 2: 'Un giruamento atroce mi costringe' (L'Imperatore) - Puccini
- Turandot: Act II, Scene 2: 'Popolo di Pekino' (Il Mandarino) - Puccini
Tracks:
- Turandot: Act II, Scene 2: 'In questa Reggia' (Turandot) - G. Puccini
- Turandot: Act II, Scene 2: 'Straniero, ascolta' (Turandot) - G. Puccini
- Turandot: Act II, Scene 2: 'Gloria, gloria, o vincitore!' (La folla - People - La foule - Die Menge) - Act II, Scene 2: 'Figlio del cielo! Padre augusto!' (Turandot) - G. Puccini
- Turandot: Act II, Scene 2: 'Tre enigmi m'hai proposto' (Calaf) - G. Puccini
- Turandot: Act III, Scene 1: Introduzione: 'Cosi comanda Turandot' (Gli araldi - Heralds - Les Herauts - Die Herolde) - G. Puccini
- Turandot: Act III, Scene 1: 'Nessun dorma!' (Calaf) - Act III, Scene 1: 'Tu che guardi le stelle' (Ping, Pang, Pong) - G. Puccini
- Turandot: Act III, Scene 1: 'Principessa divina!' (Ping) - Act III, Scene 1: 'Tanto amore segreto' (Liu) - G. Puccini
- Turandot: Act III, Scene1: 'Tu che di gel sei cinta' (Liu) - G. Puccini
- Turandot: Act III, Scene 1: 'Liu! Liu! Sorgi!' (Timur) - G. Puccini
- Turandot: Act III, Scene 1: 'Principessa di morte' (Calaf) - G. Puccini
- Turandot: Act III, Scene 1: 'Che e mai di me?' ( Turandot, Calaf) - G. Puccini
- Turandot: Act III, Scene 1: 'Del primo pianto' (Turandot) - G. Puccini
- Turandot: Act III, Scene 1: 'So il tuo nome!' (Turandot) - G. Puccini
- Turandot: Act III, Scene 2: 'Diecimila anni al nosotro Imperatore!' (La folla - People - La foule - Die Menge) - G. Puccini
Amazon.com essential recording
Joan Sutherland is not usually considered a Puccini singer, and in fact she sang the role of Turandot only in the recording studio. But for that assignment she had exactly what was needed: a voice that seemed to have no upper limits and a personality that concealed vulnerability under an air of icy detachment. She also had an ideal set of colleagues, notably Luciano Pavarotti, whose "Nessun dorma" has become practically his signature tune. --Joe McLellanCustomer Reviews:
This is not to be missed.......2007-07-11
Zubin Mehta leads the London Philharmonic Orchestra in a jarring, exotic production of Turandot which tends to run at a faster tempo than other noted recordings and attacks the listener with a rampaging tapestry of wondrous sound. From the opening bars, the listener is plunged into a swirling, gory China of antiquity, with a maroon sky articulating the chaos within the forbidding fortress that is Turandot's palace, lined with the decapitated heads of her luckless suitors impaled on spikes. The John Alldis Choir is triumphant (as it is in most of its endeavors) in the opera's frequent choral sectors, especially "Gira la cote, gira, gira!" (the bloodthirsty ranting of the incensed Peking populace, a great requiem of death); "Perchè tarda la luna?" (a hauntingly gorgeous, sumptuous chorus in which the populace invokes the appearance of the moon, the signal for the execution to take place); "O giovinetto! Grazia, grazia!" (in which the furor of the populace melts into a bitter pity as the handsome, understandably petrified principe di Persia emerges with Pu-Tin-Pao, the executioner); "Non indugiare!"(the unsettling and misty chorus of the ghosts of Turandot's suitors; one can almost envision the eerie specters floating in the air amidst the perfume of their beloved mistress); and "Così comanda Turandot" in Act III (the cruel, anagogic chorus of the heralds; one can only imagine the subterranean torture chambers and dungeons in which Turandot's furies were realized and inflicted upon the ignorant populace of Peking). The Wandsworth School Boys' Choir is charming and atmospheric during their Act I incantations to Turandot's beauty ("Là sui monti dell'Est").
Dame Joan Sutherland is not a soprano one might immediately place in the role of the Chinese pythoness, for she never performed the daunting part on stage and made only this single noted recording in the role. She possessed a flittering, melodic coloratura voice, much unlike the Wagnerian mortars of Birgit Nilsson and Eva Marton. However, she is thrilling at the title helm; she sings with such furor, such madness, such indescribable revulsion, that it is nearly impossible to accept her as the same soprano who so sweetly and genially floated through the effervescent persons of Violetta Valéry, Gilda, and Donna Anna. "In questa reggia" rolls out like blood-spattered embroidery as she recounts the tawdry tale of her doomed ancestress; her cry of "Straniero, ascolta!" is like a lightening rod of dread. She is thrilling as her psychology is revealed after the answering of the three riddles ("Figlio del Cielo! Padre augusto!"); for the first time in her lonely, imperious existence, she is afraid, for she is no longer in complete control of her destiny.
Luciano Pavarotti breathes such ineffable fire, youth, and passion into the bright-eyed prince Calaf that one can only wonder how some could prefer Franco Corelli's rather ornery interpretation. During "Nessun dorma," the greatest aria Puccini ever composed for the male voice and one of the finest in all opera, he is wondrous, beguiling, and awe-inspiring as the enamored, barding Tartar prince. However, the finale of the opera is where the two vocal masters truly shine. (It was penned, of course, by Franco Alfano, after the death of Puccini.) Their duet ("Principessa di morte!" ... "Che è mai di me?" ... "Del primo pianto") is a glorious, almost Shakespearean exchange; the intense chemistry between the two is apparent and it is obvious why they made so many recordings together. Sutherland is absolutely horrifying in her cry of "So il tuo nome." For a blood-curdling instant, the old Turandot returns, even after the passionate kiss from Calaf and the tearful confession of her innermost fears. For an instant, she is the murderess again, vengeful and sanguinary as ever.
Montserrat Caballé may have seemed, at first, to be an indulgence as the noble little Puccinian heroine, Liù; however, her performance of the signature pleading, searching aria ("Signore, ascolta!") would force even the most caustic cynic to sympathize with the pathetic little slave girl. Only Mirella Freni and Galina Vishnevskaya (though she is recognized more infrequently for doing so) have provided comparable performances. Her Act III confession ("Tanto amore segreto, e inconfessato ... Tu che di gel sei cinta") allow the listener to peer into the purely invincible but paradoxically fragile heart of the veritable Puccinian angel, a descendent of Mimì and Madama Butterfly. Her suicide is the culmination of one of the grandest cruelties in all opera: she lived a life in the pursuit of a single love which could only be truly realized and acknowledged through her supreme sacrifice.
Nicolai Ghiaurov makes a Chinese Boris Godunov out of the deposed Tartar king Timur. Sir Peter Pears, the inimitable British tenor, provides his commanding, mystical voice to the role of the venerable Emperor Altoum in his brief Act II introduction ("Un giuramento atroce mi costringe"). Sabin Markov is imposing as the law-giving Mandarin in the opening lines of Act I ("Popolo di Pekino!").
Tom Krause, Piero de Palma, and Pier Francesco Poli are the three masks, the not entirely convincing but altogether charming ministers: Ping, Pang, and Pong. The average listener may not consider the first scene of Act II to be a highlight of the opera. It possesses not a single line from Calaf, Liù, or Turandot; it is, in actuality, only a long, capricious trio for the aforementioned three. However, it is a treasure trove of delightful Puccinian melodies that are often overlooked because of a lack of star power. "Olà Pang! Olà Pong!" (in which the three ministers prepare for either a marriage or a funeral, then contemplate the tragic recent years of China's history under the Stalinesque grasp of Turandot), provides a strong, numinous introduction; "Ho una casa nell'Honan" (in which the ministers contemplate their peaceful, happier lives outside Peking, "all surrounded by bamboo") allows the three singers to shine individually, each sculpting the personality of his own mask; "O mondo...O mondo" (in which the ministers remember chidingly the colorful personalities of Turandot's failed suitors and other madmen in love) is a masterpiece in Oriental charisma and melody; and "Addio, amore, addio, razza!" (in which the ministers bid farewell to the divine lineage and honor of China) and "O tigre! O tigre!" (in which the ministers fantasize about conducting a marriage for Turandot [rather than the impending funeral] and she and her husband making love in the gardens of the palace), provide a musing, coy finalization to the scene.
The brilliance of this recording, in short, can be heard plainly in Act I, during the visual, mimed entrance of Turandot to the thumping and plucking of the strings. This was truly a brilliant move by Puccini; the frigid princess remains wrapped in her icy mystery and virginal lonesomeness and disappears as abruptly as she appeared, like an arcane shade, until the middle of Act II. The same magic can be heard in the electrifying finale of the first act; Pavarotti's three cries of "Turandot!" are accentuated by three volcanic eruptions from the gong. While the scene closes with an oppressive theme, one can almost see the leering face of Turandot, viewing the man she believes will be her next victim.
One of the Great Recordings of the 20th Century.......2007-05-06
For me, bad habits and self conscious effects plagued much of Caballe's singing. Her voice was never a beautiful instrument but she used her voice beautifully. Sometimes the famous pianissimo singing she was famous for sounded overly luxuriant and outside the meaning of the words and music. There are times on the recording where vowels and consonants become sounds. Her performance here is good but I much prefer Tebaldi whose incredibly beautifully voice is used for full expression. Caballe's voice is more calculated. Effective yes, but I can still hear the wheels turning.
The main attraction of this recording for many is the youthful Calaf of Luciano Pavarotti. By the time of this recording, Pavarotti was perhaps the most famous opera singer in the world and here he is caught in full youthful bloom. The tone rivals the great tenors of the century. His singing is fully expressive with an irresistible lushness and expansive quality. The high notes have ping and in general, he gives a gorgeously sung and dramatic portrayal.
I have never warmed up to Mehta's bombastic approach to everything he conducts but here it works extremely well and the playing of the New Philharmonia Orchestra and John Aldiss Choir is superb.
Is this recording better than RCA's famous living stereo edition? No, but it clearly is equal to that recording. In fact, this is one of the best opera recordings of the century.
Barbaric AND Beautiful.......2006-12-05
This recording taught me that the opera is also beautiful.
Turandot is a fantastic change for Dame Joan, and she sings it with passion, vehemence, warmth, and exquisitely easy high notes. The voice in the theater was indeed quite large, especially in the middle range, with a top that slimmed down to a silvery sheen above the staff. But for this recording, you get the overall sense that Sutherland was holding something back all these years - until now. Pavarotti is simply as great as he ever was - the voice in the theater was exactly like his recordings. His Calaf is thrilling from beginning to end. Caballe's Liu outshines Tebaldi by virtue of the most sublime pianissimi ever recorded: the final note of "Signore ascolta" goes on forever. Ghiaurov and Pears are luxury casting, but the rest of the cast are no slouches either. Even Piero de Palma, the most recorded character tenor in history, is on hand to sing Pong, a solid experienced veteran, and a real artist. Zubin Mehta manages to integrate the brash colors of this score and refine them to glowing effect, without loss of grandeur.
This recording should be placed in the hall of fame as one of the best studio performances of all time.
Why you should get this recording.....................2006-06-27
Good except for Sutherland.......2006-05-26
I was surprised by how whiny and pathetic Sutherland sounds. Perhaps it is the lack of runs and turns. Her Italian diction is horrible. Plus I hate how she attacks her notes, as if they are preceded by acciaccatura. She is evidently miscast. Nilsson spent her career defining Turandot. The verity and constancy of her notes are such a delight, and Sutherland's recording only serves to underscore this.
On the other hand, Caballe was excellent. She is the best Liu I've ever heard. Her singing was particularly rousing. I wish she could make her breathing less audible though.
The rest is OK. The audio quality is excellent.
Average customer rating:
|
Luciano Pavrotti: The Best (Farewell Tour)
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007V5WB4 Release Date: 2005-09-13 |
Tracks:
- La donna obile
- Una furtiva lagrima
- "Libiamo ne'lieti calici (Brindisi)
- Donna non vidi mai
- Che gelida manina
- O soave fanciulla
- Mi batte il cor...O Paradiso!
- M'appari
- Quando le sere al placido chiaror d'un ciel stellato
- Se quel guerrier io fossi!..Celeste Aida
- Forse la soglia attinse
- Recitar! - "Vesti la giubba"
- Come un bel di maggio
- Ah mes amis - Pour mon
- Di quella pira
- Nessun dorma!
Tracks:
- Torna a Surriento
- Santa Lucia luntana
- La Danza
- L'ultima canzone
- Non t'amo pi
- Mattinata
- 'O sole mio
- 'A vucchella
- Core 'ngrato
- Nel blu, dipinto di blu
- Vivere
- Il Canto
- Caruso
- Buongiorno a te
- Ti adoro
- E lucevan le stelle
- Questa o quella (Ballata)
- Parmi veder le lagrime
Customer Reviews:
Luciano Pavrotti: The Best (Farewell Tour).......2007-06-27
Luciano Pavorotti.......2007-02-17
Luciano is the best!.......2007-01-20
Average customer rating:
|
Tuscany: A Romantic Journey
Manufacturer: Somerset Entertainment ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007R8FC6 Release Date: 2005-03-01 |
Tracks:
- O Mio Babbino from Gianni Schicchi - Puccini (4:09)
- Con Te Partiro - Sartori (4:05)
- Intermezzo from Cavalleria Rusticana - Mascagni (4:22)
- La Donna E Mobile from Rigoletto - Verdi (2:24)
- Un Bel Di Vedremo from Madama Butterfly - Puccini (3:54)
- Nessun Dorma from Turandot - Puccini (3:26)
- Intermezzo from La Traviata - Verdi (3:55)
- Musetta's Waltz from La Boheme - Puccini (2:57)
- Caruso - Dalla (3:25)
- Ebben? Ne Andro Lontana from La Wally - Catalani (3:49)
- O Sole Mio - Di Capua (4:19)
- Va'Pensiero from Nabucco - Verdi (4:17)
- Vesti La Giubba from Pagliacci - Leoncavallo (3:38)
- Una Furtiva Lagrima from L'Elisir D'Amore - Donizetti (4:24)
- Vissi D'Arte from Tosca - Puccini (3:21)
- Winter from The Four Seasons (Largo) - Vivaldi (4:22)
Product Description
Take a romantic journey across the fabled landscape of Tuscany with these beautiful, orchestral recordings of Italian classics. Instrumentation includes an orchestra.Customer Reviews:
Favorites of the past.......2007-07-19
Seventh heaven.......2007-06-15
Excellent CD.......2007-05-13
Monica.......2007-01-25
Tuscany: A Romantic Journey is beautiful!!.......2006-02-24
Average customer rating:
|
The Opera Band
Amici Forever Manufacturer: RCA Victor ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000V0DE2 Release Date: 2004-01-13 |
Tracks:
- Prayer in the Night
- Senza Catene (Unchained Melody)
- Canto Alla Vita
- Vita Mia
- Requiem for a Soldier (Band of Brothers)
- Whisper of Angels
- The Pearl Fishers
- Soave sia il vento
- Nimrod: Lux Aeterna
- Song to the Moon
- Zadok the Priest
- Nessun Dorma
Amazon.com
The debut of the young, classically trained international quintet of sopranos Jo Appleby and Tsakane Valentine, tenors David Habbin and Geoff Swell, and basso Nick Garret offers up a familiar take on the crossover formula that has enriched everyone from genre pioneers The Three Tenors to Russell Watson and beyond. While their occasionally electro-pumped rhythms and youth-angled marketing shtick ("The world's first opera band!") may borrow a page from Opera Babes and Bond, it still manages to evoke the spirit (if not the letter) of its eclectic classical sources. And if the world hasn't exactly been burning for yet another dramatized update of Turandot's melodic "Nessun Dorma," The Pearl Fishers, or--for that matter--"Unchained Melody," Amici Forever's takes on the pop side of the crossover equation are indeed promising, recasting Alex North's "Unchained.." ("Senza Catene") and their reworked theme to the miniseries Band of Brothers("Requiem for a Soldier") in a successful, neo-classical light. If Neopolitan-shaded originals like "Canto Alla Vita" and "Vita Mia" sound like Josh Groban clones, their glorious harmonic vocal reworkings of Faure's "Pavane" ("Whisper of Angels") and Elgar's "Enigma Variations" ("Nimrod: Lux Aeterna") bristle with an ambitious sense of adventure that's missing from much of their crossover competition. Serious opera buffs may still quarrel with the daring "impurity" of it all, but if Amici Forever prod a few more pimply punters to peruse Puccini, won't it all have been worth it? --Jerry McCulleyCustomer Reviews:
Definitive.......2007-07-27
great choice.......2007-01-11
Brilliant offering.......2007-01-10
Easy Listening.......2006-09-21
Very Relaxing Music.......2006-09-11
Meditation Music:
- Purcell: Dido & Aeneas
- Rameau: Dardanus (Suite d'Orchestre)
- Richard Wagner: Highlights From Die Walküre
- Rossini: Bianca e Falliero / Renzetti, Rossini Opera Festival [Box set]
- Rossini - Il barbiere di Seviglia
- Rossini: Il Signor Bruschino
- Rossini: L'inganno Felice
- Saint-Saëns: Samson et Dalila
- Schubert: Schwanengesang; 5 Lieder
- Smetana: The Bartered Bride
Meditation Music
Sunday Morning [CD-single] [Import]
Poulenc: La Voix Humaine (The Human Voice) - Tragedie lyrique en un acte
Music: Let No One Live Rent Free in Your Head [Import]
Sail Away [Original recording remastered]