-
Manon, comic opera in 5 acts Act I: Announcement
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act I: Prelude
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act I: Is this the place?
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act I: That pretty girl
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act I: Now then look me straight
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act I: So here I stay
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act I: Who's this
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act I: No I will not believe
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act I: Paris calls us today
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act II: Introductioon...Manon
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act II: She's known as Manon
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act II: Excuse me madam
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act II: When you'd come
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act II: What is it now
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act II: Oh heaven so soon
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act III: Chorus
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act III: Your success my boy
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act III: in holy meditation...Ah begone
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act III: des Grieux
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act III: Manon! You
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act III: Is this not your hand?
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act IV: and who is this?
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act IV: Who knocks here?
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act V: Introduction...Manon
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
-
Manon, comic opera in 5 acts Act V: So low...
Composed by Jules Massenet
Performed by BBC Theatre Orchestra & Chorus
with Maggie Teyte, Roy Henderson, Dennis Noble, Norman Walker, Heddle Nash
Conducted by Stanford Robinson
Manon,Jules Massenet,Stanford Robinson,BBC Theatre Orchestra & Chorus,Dennis Noble,Heddle Nash,Maggie Teyte,Norman Walker,Roy Henderson,Dutton Laboratories,Classical,French Romantic Opera,Opera,Opera / Operetta / Oratorio
Average customer rating:
|
Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OTX Release Date: 1998-06-09 |
Tracks:
- La Boheme: Che gelida manina
- Manon Lescaut: Donna non vidi mai
- Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
- Luisa Miller: O! fede negar potessi .. Quando le sere al placido
- La Traviata: Lunge da lei ... De' miei bollenti spiriti
- Martha: M'appari
- Giordano: Amor ti vieta
- L'Africaine: Mi batte il cuor .. O paradiso
- La Favorita: Favorita del re . . . Spirto gentil
- Werther: 'Pourquoi me reveiller'
- Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
- Les Contes d'Hoffmann: O Dieu! De quelle ivresse
- TOSCA: E lucevan le stelle
- Pagliacci: Recitar! ... Vesti la giubba
- Il Trovatore: Di quella pira
- Aida: Se quel guerrier .. Celeste Aida
- TOSCA: Recondita armonia
- L'Elisir d'Amore: Una furtiva lagrima
- La Gioconda: Cielo e mar!
- Turandot: Nessun dorma
Customer Reviews:
The End of the Big Voice?.......2007-04-16
Fla Gator Lady.......2007-01-12
20 Great Tenor Arias.......2007-01-09
Plesantly surprised..........2006-01-14
First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).
Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.
Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.
Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.
This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.
A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!
Absolutely Agree About Corelli.......2005-05-27
Average customer rating:
|
The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059RXO Release Date: 2001-02-27 |
Tracks:
- Carmen: Act 1: Prld - LPO/Sir Georg Solti
- La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
- La Boheme: Che Gelida Manina - Luciano Pavarotti
- Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
- Fedora: Amor Ti Vieta - Jussi Bjorling
- Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
- Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
- Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
- Rigoletto: La Donna E Mobile - Luciano Pavarotti
- Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
- Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
- Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
- La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
- Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
- Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
- Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
- Tosca: E Lucevan Le Stelle - Placido Domingo
- Madama Butterfly: Un Bel Di - Mirella Freni
- Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico
Tracks:
- Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
- Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
- Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
- La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
- Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
- Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
- Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
- Mattinata - Andrea Bocelli
- Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
- L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
- Turandot: Signore, Ascolta! - Montserrat Caballe
- Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
- Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
- Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
- Tosca: Vissi D'arte - Kiri Te Kanawa
- Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
- Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
- Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
- Rusalka: O Silver Moon - Renee Fleming
- La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
- Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis
Amazon.com
The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah ChinCustomer Reviews:
The beautiful gift of opera..........2007-07-17
Pretty darn good.......2007-07-04
The Opera #1 Opera Album.......2007-06-07
Excellent assortment.......2007-05-12
Great Selections.......2007-03-31
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...
Average customer rating:
|
The Great Recordings
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001Y4JG6 Release Date: 2004-05-11 |
Tracks:
- Son Vergin Vezzosa - Paul Plishka
- Eccomi... Oh! Quante Volte
- Mira, O Norma
- Santo Di Patria... Allor Che I Forti Corrono... Da Te Questo
- Contro Un Cor Che Accende Amore - Nicolai Gedda
- Che M'apporti? - Ambrosian Opera Chorus
- Quel Sangue Versato Al Cielo S'innalza - Ambrosian Opera Chorus
- Vorrei Spiegarvi, Oh Dio, K.418
- Amor, Op.68 No.5
Tracks:
- Martern Aller Arten
- E Strano! E Strano!
- Ah, Fors'e Lui
- Follie! Follie!
- Sempre Libera
- Ces Murs Silencieux - Pardonnez-moi, Dieu De Toute Puissance - Ambrosian Opera Chorus
- Toi! Vous! - Oui! Je Fus Cruelle Et Coupable! - Ambrosian Opera Chorus
- N'est-ce Plus Ma Main? - Ambrosian Opera Chorus
- Robert, Toi Que J'aime
- Tu Ne Chanteras Plus?
- Chere Enfant Que J'appele
- Meine, Lippen, Die Kusen So Heiss
- Wien, Wien, Nur Du Allein
- Always Through The Changing
Customer Reviews:
RIP, BEVERLY SILLS 1929-2007.......2007-07-03
This wonderful CD set is a perfect compilation of her art as can be found anywhere. Her finest roles and performances are captured here, most of them derived from the Westminster/Audio Treasury recordings from her prime. Listening to them again demonstrates to me why she was so special, and such an inspiration to music lovers everywhere.
Brava Sills!.......2007-02-02
Bellini, I Puritani, "Son vergin vezzosa." Wonderful. Sutherland owns this--but so does Beverly Sills. Contemporary sopranos such as Netrebko and Gruberova have also sung this on their respective CDs, and while their product is nice, it simply does not compare. Sills is remarkably agile with her voice; the trills are well done; she cleanly hits high notes; the overall effect can only be described as wonderful.
Bellini, Norma, "Mira, o Norma". This is smoothly sung and very melodic. The technique that she exhibits does not overwhelm the music.
Rosini, Il Barbiere di Siviglia, "Contro un cor che accende amore." Again, her agile voice is well deployed. The florid singing is well done.
Donizetti, Roberto Devereaux, "Che m'apporti." Her clean, light voice matches well with this aria. Smoothly sung. Her "Quel sangue versato al cielo s'innalza," which follows, is well done. High notes cleanly hit, a smooth line.
Verdi, La Traviata, "E strano. . . .Sempre libera." Again, what agility! In "Sempre libera," she reveals a rich voice and, again, wonderful agility. This is an animated version of one of Verdi's showcase pieces.
Lehar, Giudetta. "Meine Lippen." A lot of fun! This is smoothly sung.
In the final analysis, this is a nice potpourri of Beverly Sills' repertoire. Those not familiar with her work will find this a nice entree to her oeuvre; those familiar with her will find this a good compilation.
Sills fits my bill.......2006-03-13
The Great American Soprano.......2005-10-01
My Favorite Woman.......2005-08-05
Average customer rating:
|
Art of Beverly
Beverly Sills Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000075A7K Release Date: 2002-11-12 |
Tracks:
- Mignon: Oui, Pour Ce Soir Je Suis Reine Des Fees...Je Suis Titania La Blonde
- Manon: Allons! Il Le Faut-Adieu, Notre Petite Table
- Manon: Je Marche Sur Tous Les Chemins-Obeissons Quand Leur Voix Appelle
- Louise: Depuis Le Jour
- Linda Di Chamounix: Ah! Tardai Troppo...O Luce Di Quest'Anima
- Lucia Di Lammermoor: Regnava Nel Silenzio...Quando Rapito In Estasi
- I Puritani: Fini...Me Lassa!
- I Puritani: Vieni, Vieni Fra Queste Braccia
- Roberto Devereux: L'amor Suo Mi Fe' Beata
- Maria Stuarda: O Nube
- Anna Bolena: Cielo A' Miei Lunghi Spasimi-Coppia Iniqua
Tracks:
- Les Contes D'Hoffman: Les Oiseau Dans La Charmille
- Les Contes D'Hoffman: Elle A Fui, La Tourterelle
- Zaide: Ruhe Sanft, Mein Holdes Leben
- Der Opernball: Im Chambre Separee
- Die Lustige Witwe: Es Lebt' Eine Vilja
- The Ballad Of Baby Doe: Gold Is A Fine Thing
- Die Tote Stadt: Cluck, Das Mir Verblieb
- Daphen: Was Blendet So...Ich Komme...Ich Komme
- Sechs Lieder Op.19 No.2: Breit' uber Mein haupt Dein Schwarzes Haar
Customer Reviews:
Beautiful music sung by a great soprano.......2007-08-01
WHAT CAN I SAY?.......2007-07-05
Rest in Peace Dear Bubbles (1929-July 2, 2007).......2007-07-03
I met this singer last fall in New York. A few months later, I saw her again hosting the opera quiz at the Met. Little did I know that about five months later, she would forever rest in the peace that she deserved for so long. Rest in peace Beverly. And brava...brava for the many years of wonderful singing that you gave us.
two beautiful discs!.......2007-02-18
Good example of the "Art of Beverly Sills".......2007-01-27
The first CD focuses on her operatic singing. The CD begins with a selection from Thomas' "Mignon," culminating in "Je suis Titania la blonde." Her voice is light and clear. She displays great agility. In the middle of this piece, she shows a decent but not great trill; she closes the "cut" with a series of terrific trills. Her ornamentation is nicely done.
Donizetti's "Linda di Chamounix" was another of Sills' characters. "Ah! Tardai troppo. . .O luce di quest'anima" features more clean vocalization. The florid singing is nicely done, with well sung high notes and additional sound trills. A very agile voice on display! From Donizetti's "Lucia di Lammermoor," Sills sings "Regnava nel silenzio. . .Quando rapito in estasi." Her voice is smooth. In the aria, she produces a set of trill after trill, each one well done, but in their totality almost overdone (I love trills, but there were almost too many!). "Quando rapito in estasi" is well sung, with much well done florid singing, with appoggiaturas, trills, and other ornamentation.
The remainder of the CD features selections from Bellini's "I Puritani," and Donizetti's "Roberto Devereux," "Maria Stuarda," and "Anna Bolena." I can say pretty much the same about these pieces as already stated before. Excellent technique, wonderful ornamentation.
The second CD begins with the redoubtable piece, sung by "Olympia," from Offenbach's "Les Contes d'Hoffmann." Well done, with good vocal effects, catching the mechanical aspects of the music. Other pieces on this side come from Mozart, Heuberger, Moore, Korngold, and so on.
One piece worth mentioning, because it captures her approach to a lighter work, from Lehar's "The Merry Widow." She sings the song for what it is, and does not overwhelm it with her voice. Compare with what Richard Tucker did to the enjoyable but rather light song, "What Now My Love?", when he essayed singing pop tunes. Enjoyable for the thrill of his voice; pretty grisly in terms of his overwhelming the music itself. That does not happen here; there is a certain pathos in Sills' singing, as warranted by the song. It suggests the range of her singing.
All in all, a good sampling of "The Art of Beverly Sills." Hearing her voice again after many years reinforces my preexisting view that she ranks as one of the best coloratura sopranos of the past fifty years. There are terrific contemporary singers who sing the same repertoire and do it well. But Beverly Sills certainly compares very well with them. If interested in an introduction to Sillsiana, this is a good place to start.
Average customer rating:
|
The Ultimate Puccini Collection
Giacomo Puccini , Herbert von Karajan , Riccardo Chailly , Stephen Barlow , Tullio Serafin , Lorin Maazel , Sir Edward Downes , Giuseppe Patane , Zubin Mehta , Alberto Erede , John Mauceri , Plácido Domingo , José Carreras , Kiri Te Kanawa , John Alldis Choir , Luciano Pavarotti , London Philharmonic Orchestra , Bologna Community Theater Orchestra , Ettore Bastianini , Carlo Bergonzi , Renato Cesari , Fernando Corena , Cesare Siepi , Renata Tebaldi , Gianna D'Angelo , Saint Cecilia Academy Orchestra , Franco Corelli , Alfredo Mariotti , Regine Crespin , Royal Opera House Orchestra Covent Garden , London Symphony Orchestra , Maggio Musicale Fiorentino Orchestra , Rome Opera House Orchestra , Pilar Lorengar , Berlin Philharmonic Brass Ensemble , Mirella Freni , Rolando Panerai , Jussi Bjorling , Leontyne Price , and Vienna Philharmonic Orchestra Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OU1 Release Date: 1998-06-09 |
Tracks:
- Turnadot: Nessun Dorma!
- Gianni Schicchi: O Mio Babbino Caro
- Manon Lescaut: Donna Non Vidi Mai
- La Boheme: Musetta's Waltz Song
- Tosca: Recondita Armonia
- Madame Butterfly: Un Bel Di
- TOSCA: E Lucevan Le Stelle
- La rondine: Il Sogno Di Doretta
- La Boheme: Che Gelida Manina
- La Boheme: Si, Mi Chiamano Mini
- La Boheme: O Soave Fanciulla - Love Duet, Act I
- Ch'ella mi creda libero
- TOSCA: Ah, Quegli Occhi...Qual'occhio Al Mondo - Love Duet, Act I
- TOSCA: Vissi D'Arte
- Madame Butterfly: Vogliatemi Bene - Love Duet, Act I
- La Boheme: Donde Lieta Usci
- Turandot: Signore, Ascolta!
- Turandot: In Questa Reggia
Amazon.com essential recording
Ordinarily, it pays to be wary of collections such as these, which often promise a lot but deliver a mishmash of disconnected excerpts. This disc, however, is something of an exception: you really do get just about all of Puccini's best arias, which is possible, because he didn't write so many operas that choosing the best moments becomes a matter of the producer's personal taste. Also, Puccini's operas are so popular that every major label has excellent complete recordings of all of them, so in making this compilation it was possible to cast from strength: all the singers here are fine. In fact, the only proviso that needs to be made before you rush out and add this disc to your collection is that it's wrong to assume that all of Puccini's best tunes lie in his arias. The opening 10 minutes of any one of his operas will tell you that's not true. So by all means enjoy this disc--then start sampling the operas complete. --David HurwitzCustomer Reviews:
Correction to the entry by "sergiocqh".......2005-11-08
Fantastic!.......2003-10-14
HATE OPERA? THIS ONE WILL CHANGE YOUR MIND.......2003-09-04
A great listening experience featuring some of the greatest opera performers of all time.
"Ultimate" only if you like your opera "al fresco"!.......2002-06-13
Wonderful Performance but Average Recording Quality.......2002-02-18
Average customer rating:
|
Massenet: Manon
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001Y4JGG Release Date: 2004-05-11 |
Amazon.com
This recording has been unavailable for too long. Recorded in 1970, a solid year-or-so before Beverly Sills' voice began to show the damage caused by singing Elisabetta I in Donizetti's Roberto Devereux, this is the finest all-around recording of Manon on the market. Sills, in addition to being fresh-voiced, is so thoroughly in the part that we can chart Manon's downfall step by step; her girlish singing is as right on as her sassy, showy coloratura in the thirds act, and her St Sulpice scene is truly seductive. She's the perfect Manon. And Nicolai Gedda's Des Grieux, sung, as is Sills' Manon and the rest of the cast, in impeccable French, is passionate, madly in love, and ultimately tragic. Gabriel Bacquier's Count is imperious and authoritative and Gerard Souzay's Lescaut is smooth. Julius Rudel's leadership sparkles when it should and his sense of French suavity is unfailing. The score is given more than complete - as an appendix, there's an aria for Manon that Massenet added later. This is a desert island disc. --Robert LevineCustomer Reviews:
5-stars!! Sills owned this role!.......2007-07-18
SILLS and a Perfect MANON............2007-07-07
This recording was originally issued on EMI, and I find it unusual that it should have disappeared from that label and it now appears on DG. Although it is strange, we need not worry about that; the main thing here is that the recording is again available to us.
You only really need two copies of Manon...the Victoria De Los Angeles one under Pierre Monteaux, and this one with Sills, Gedda, Bacquier, and Souzay under Julius Rudel. All participants here are simply wonderful, and all in very good voice as it happens! Usually we get a weak link, but somehow, the god's smiled on this effort, and everything came together wonderfully.
This is one of Gedda's efforts that I heartily commend! Simply a great des Griux! Souzay's Lescaut is really a wonderfully smooth, and mellow, performance that you need to hear. Gabriel Bacquier, AS ALWAYS turns in a magnificently commanding performance as Count des Griux. This of course brings us to the role of Manon. Simply stunning would be a great way to say it! Sills is just so real-life-bubbly girlish, and so lovely, that we are swept up in the swirl of mad love, right up to tragedy that comes to her, and the heart-wrenchingly sad finale.
This recording belongs in everyone's collection, right beside the Victoria De Los Angeles one! Enjoy! ~operabruin
For Sills fans, mainly........2006-01-16
As good an ensemble as could be assembled in the more recent past, well conducted by the seasoned Rudel, this 1970 performance stands or falls by one's perception of the two principals.
Nicolaï Gedda (né Ustinov,) b. 1925, half-Swedish, half-Russian, was a fine musician with a highly developped vocal technique. His manner was rather cold, however, and at 45 his lyric voice had lost some of its original bloom. I find his des Grieux rather grim and emphatic, lacking in romantic élan. I much prefer the poetic Henri Legay in the definitive Monteux recording (TESTAMENT.)
Beverly Sills (née Silvermann,) b. 1929, American, studied with Estelle Liebling, a pupil of the legendary Mathilde Marchesi, teacher of Melba, Eames, Kurtz, Alda and many an other French stylist.
Sills new exactly how to sing this music and had the perfect voice and technique for it. Many years of repertory singing in the provinces, often in inappropriately heavy parts (Tosca!) however, had made Sills' voice thin and unsteady by the time she made this recording at age 41. Her interpretation is intense, heartfelt and full of telling dramatic detail, but often heavy-handed and unpleasant on the ear. She is also rather short on the elegance and chimeric charm that characterises the best interpreters of this part (Vallin, Heldy, Féraldy, de los Ángeles.)
The airplane hangar ambience of the recording studio (talk about overresonant!) does not help, either.
Incidentally, the rôle of Lescaut is sung (well) by Gerard SOUZAY.
Gabriel Bacquier sings comte des Grieux--very well indeed.
A Great Recording of an Opera That Should Be Performed More Often.......2005-10-08
Like great French opera, MANON is a work that is a bit larger than life, requires exquisite orchestral playing, and of course great singing. This set, originally released by Westminster in the 1970's and re-released by Duetsche Grammophon has it all. The vocal abilities of the three leading performers: Beverly Sills, Nicolai Gedda and Gabriel Bacquier as Manon, des Grieux, and Lescaut respectively are each in top vocal form. Sills herself states that Manon was a role she loved and one that she believed her voice was well suited for, and there can be no disputation when listening to this set. As a conductor, Julius Rudel is at his best. He has great control over the New Philharmonia Orchestra, creating lush sounds that make the recording spectacular and an added, but essential plus would be the outstanding choral performances by the Ambrosian Opera Chorus and the great performances of the smaller roles.
Just about every reviewer, from Amazon reviewers to the critics who write for OPERA NEWS have heralded the new availability of this recording. Listen to it, and you will understand why and echo the many praises of this set.
Enjoy!
Beverly Sills Signature Role.......2004-12-17
Average customer rating:
|
Luciano Pavrotti: The Best (Farewell Tour)
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007V5WB4 Release Date: 2005-09-13 |
Tracks:
- La donna obile
- Una furtiva lagrima
- "Libiamo ne'lieti calici (Brindisi)
- Donna non vidi mai
- Che gelida manina
- O soave fanciulla
- Mi batte il cor...O Paradiso!
- M'appari
- Quando le sere al placido chiaror d'un ciel stellato
- Se quel guerrier io fossi!..Celeste Aida
- Forse la soglia attinse
- Recitar! - "Vesti la giubba"
- Come un bel di maggio
- Ah mes amis - Pour mon
- Di quella pira
- Nessun dorma!
Tracks:
- Torna a Surriento
- Santa Lucia luntana
- La Danza
- L'ultima canzone
- Non t'amo pi
- Mattinata
- 'O sole mio
- 'A vucchella
- Core 'ngrato
- Nel blu, dipinto di blu
- Vivere
- Il Canto
- Caruso
- Buongiorno a te
- Ti adoro
- E lucevan le stelle
- Questa o quella (Ballata)
- Parmi veder le lagrime
Customer Reviews:
Luciano Pavrotti: The Best (Farewell Tour).......2007-06-27
Luciano Pavorotti.......2007-02-17
Luciano is the best!.......2007-01-20
Average customer rating:
|
Anna Netrebko: Opera Arias
Anna Netrebko , Elina Garanca , Gianandrea Noseda , Wiener Philharmoniker , and Hector Berlioz Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008MLSH Release Date: 2003-09-09 |
Tracks:
- Idomeneo: Recitativo ed Aria "Quando avran fine omai" - Mozart
- Don Giovanni: Recitativo accompagnato e Rondo "Crudele!" - Mozart
- Benvenuto Cellini: Cavatine "Entre l'amour et le devoir" - Berlioz
- La Sonnambula: Recitativo e Cavatina "Care compagne, et voi, ternei amici" - Bellini
- Manon: Air du Cours-la-Reine "Suis-je gentille ainsi?" - Massenet
- Lucia di Lammermoor: Scena e Cavatina "Ancor non giunse!" - Donizet
- Faust: Ricitatif "Les grands seigneurs ont seuls des airs..." - Gounod
- Rusalka: "Mesicku na nebli hlubokem" - Dvorak
- La Boheme: "Quando me'n vo' (Musette's Waltz)" - Puccini
Amazon.com
Here, a year after her sensational Metropolitan debut as Prokofiev's Natasha from War and Peace, comes the debut solo recital album of 30-something soprano Anna Netrebko. She hails from southern Russia, and her emergence from the life of a conservatory student has a touch of the Cinderella talethe bit, that is, about being discovered by Gergiev mopping floors for the Kirov as a part-time job and making her way into the Kirov's ranks. Later she became a favorite at San Francisco Opera, trying on for size a swath of comic and dramatic roles. Opera Arias parades Netrebko's way through a spectrum of vocal styles and characters. This mesmerizing lyric soprano engages--at times thrillingly grips--the listener with an imagination far greater than the disc's title (couldn't someone have dreamt up a less ridiculously bland handle?), but most significantly leaves an impression that the enterprise here isn't merely about singing. Netrebko's Ilia and Donna Anna are flesh-and-blood characters in real situations, as Mozart wanted them to be. The results are a bit more uneven with her bel canto heroines, where the required balance between Netrebko's emotional identification, so obviously a forte, and the musical phrasing thereof is a delicate one. Her shading of Lucia's mood swings, vocal and emotional, isn't consistently compelling. On the other hand, Netrebko uncovers gemlike facets not just in Gounod's "Jewel Song" but particularly in her stunning, passionately realized and beautifully phrased Manon (even if her trills disappoint). A shame that samples of her Russian repertory are missing here, though Netrebko's "Song to the Moon" from Dvorak's Rusalka concentrates and sets a mood with enviable mastery. Netrebko's musical intelligence and theatrical savvy seem destined to ensure her a magnificent career, so it's no surprise that many fans are already clamoring for more than the tease of an aria collection. --Thomas MayCustomer Reviews:
Bright Star.......2007-07-13
Anna Netrebko: Opera Arias.......2007-03-29
I highly reccomend it.
First DGG album--very promising.......2007-02-01
A few selections illustrate:
Mozart, Idomeneo, "Quando avran fine omai." She displays a rich and clean voice. There is a very attractive quality to her voice manifest in this work.
Mozart, Don Giovanni, "Crudele? Ah no, mio bene!...Non mi dir." This is Donna Anna's poignant aria, given her circumstances. Netrebko displays rich tones. This is a well sung cut. "Non mi dir" shows off some agility in her voice.
Donizetti, Lucia di Lammermoor. "Ancor non giunse!. . .Regnava nel silenzio. . .Quando rapito in estasi" Something of a disappointment. Coloratura is not her forte (and see her "Sempre Libera" CD for further confirmation). She clearly shows off a rich and lush voice. I think that she displays some characterization here that is compelling. She hits high notes cleanly. But her ornamentation is indifferent, and she appears unable to trill. I know, some say that that is irrelevant. But compare Beverly Sills' version of this work, with almost too many trills extraordinarily well sung and her florid technique, and this version simply pales.
Bellini, La Sonnambula. "Care compagna. . .Come per me sereno." Again, Netrebko displays a rich voice. She displays an agile voice and the ability to hit the high notes. Her rendition of "come per sereno" is spirited.
Gounod, Faust. "The Jewel Song." Very smooth singing; animated singing. But the technique does not measure up to Anna Moffo's version--let alone Joan Sutherland's.
Puccini, La Boheme. "Musetta's Waltz." Yikes! What a version. Brava Netrebko. Her darker voice is very well suited to this. The characterization of Musetta seems on the mark. A wonderful cut.
All in all, this shows the promise of Netrebko. It also indicates where her strengths are and where she does not do so well (coloratura work). However, this is a very nice introduction to her work and her art.
Remarkable!.......2006-11-02
Yes, her voice is not as lyric as you might expect, and some roles may sound a little big heavy (sometimes maybe bordering verismo), but definitively at stated before hearing her is a gloriuos pleasure, almost as good as looking at her.
Beautiful voice, beautiful girl.......2005-11-22
Average customer rating:
|
The Very Best of Franco Corelli
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008V5VV Release Date: 2003-04-22 |
Tracks:
- A Te, O Cara
- Meco All' Altar Di Venere... Me Protegge, Me Difende
- Ah Si, Ben mio...De Quella Pira
- Se Quel Guerrier Io Fossi!...Celeste Aida
- Pur Ti Riveggo, Mia Dolce Aida
- Intanto Amici... Viva Il Vino Spumeggiante
- Mamma, Quel Vino E Generoso
- Recitar!... Vesti La Giubba
- No, Pagliaccio Non Son
- Colpito Qui M'avete...Un Di All'azzuro Spazio
- Credo A Una Possanza Arcana
- Legray!... Andrea Chenier!...Si, Fui Soldato
- Come Un Bel Di Di Maggio
- Vicino A Te
Tracks:
- Donna Non Vidi Mai
- Recondita Armonia
- E Lucevan Le Stelle
- Non Piangere, Liu... Ah! Per L'ultima Volta!
- Nessun Dorma
- Favorita Del Re!... Spirto Gentil
- Cielo E Mar
- L'anima Ho Stanca
- Non Lunge Della Torre... Bianca Al Par Di Neve Alpina
- Ange Adorable
- L'amour, L'amour.. Ah! Leve-Toi, Soleil!
- O Nuit Divine!
- C'est La! Salut! Tombeau!
- Fronde Tenere... Ombra Mai Fu
- Ave Maria
- Domine Deus
- Core 'Ngrato
- Torna A Surriento
Customer Reviews:
If you love beautiful voices..........2007-04-30
If you want to know Corelli's art, this is the right CD.......2007-03-10
But Corelli was a wonder of nature! Some samples: "Ah si, ben mio. . .Di quella pira." If there were an aria made for Corelli, this would be it. His big, rich, powerful voice fits this cut nicely. Not much subtlety here. In "Di quella pira," he hits the high notes in a stentorian manner. There are those mannerisms, but they are so easily forgiven, taking into account that rich, lustrous voice.
"Celeste Aida" is another representative cut. This is a powerful version. Also, note how he goes from forte to piano at the end of this aria. A powerful effect indeed.
Then, there are the twin arias from "Tosca." In "Recondita armonia," his rich voice is well manifest. He exhibits a smooth line in his singing. This is a powerful version of this well known aria. "E lucevan le stele" displays again that rich voice. At one point, he goes from forte to piano in a mesmerizing manner (Who'd have thought it?). His final "la vita" grabs one's attention.
Finally, "Nessun dorma." Well, smoothly, and powerfully sung. The final "vincero" is powerfully rendered, leaving goose bumps on the spine.
This is the very best of Franco Corelli. Those who want to get a sense of the vocal prowess of one of the most powerful tenors of the 20th century should attend to this double CD set.
excellent gift.......2007-02-09
Greatest Tenor of This Century!.......2007-02-03
Ah... Franco :}.......2007-01-10
Average customer rating:
|
Artists Of The Century - Jussi Bjorling, The Ultimate Collection
Manufacturer: RCA ProductGroup: Music Binding: Audio CD |