Herodiade

Herodiade

On this CD:

  1. Hérodiade, opera in 4 acts
    Composed by Jules Massenet
    Performed by Barcelona Liceu Theater Orchestra & Chorus
    with Juan Pons, Jose Carreras, Montserrat Caballe, Downing Whitesell, Vicente Esteve, Dunja Vejzovic, Antonio Comas, Roderick Kennedy, Enrique Serra
    Conducted by Jacques Delacote

Herodiade,Jules Massenet,Jacques Delacote,Barcelona Liceu Theater Orchestra & Chorus,Antonio Comas,Downing Whitesell,Dunja Vejzovic,Enrique Serra,José Carreras,Juan Pons,Montserrat Caballé,Roderick Kennedy,Vicente Esteve,Legato Classics,Classical,Classical Crossover,French Romantic Opera,Opera,Show Tunes,Traditional Pop


The Very Best of Régine Crespin
Average customer rating: 5 out of 5 stars
  • Sensuality Personified!
The Very Best of Régine Crespin

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Legend: Régine Crespin [CD & DVD]
  2. Italian Opera Arias
  3. Berlioz: Les Nuits d'été; et al / Crespin, Ansermet
  4. Very Best of
  5. The Very Best of Lucia Popp

ASIN: B0006VYEJQ
Release Date: 2005-04-26

Tracks:

  1. Ils S'Eloignent Enfin...Sombre Foret
  2. D'Amour L'Ardente Flamme
  3. Les Grecs Ont Disparu...Malheureux Roi!
  4. Nous Avons Vu Finir...Chers Tyriens
  5. Je Vais Mourir...Adieu, Fiere Cite
  6. Ah! Salome! Dans Ce Palais...Il Est Doux, Il Est Bon
  7. Je Souffre
  8. Mes Cheres Filles, J'Ai Encore A Vous Dire
  9. Soir
  10. Le Secret
  11. Apres Un Reve
  12. Clair De Lune
  13. Lo Fiolaire
  14. Lou Coucut
  15. Coeur En Peril
  16. Berceuse Creole

Tracks:

  1. Einsam In Truben Tagen
  2. Euch Luften, Die Mein Klagen
  3. Eine Waffe Lass Mich Dir Weisen...Der Manner Sippe
  4. Ich Sah Das Kind
  5. I. Der Engel
  6. II. Stehe Still!
  7. III. Im Treibhaus
  8. IV. Schmerzen
  9. V. Traume
  10. I. In Der Fremde
  11. II. Intermezzo
  12. III. Waldesgesprach
  13. Timor Di Me?...D'Amor Sull'Ali Rosee
  14. Ecco L'Orrido Campo...Ma Dall'Arido Stelo Divulsa
  15. Tu Che Le Vanita
  16. D'Art Et D'Amour

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

5 out of 5 stars Sensuality Personified!.......2005-04-27

This is one of the best collections of Regine Crespin. Of course, her Berlioz/Ravel set with Ansermet is definitive, but the beauty and soft womanliness of her voice can be heard in all the selections on this disc. The engineers went for her vocal best and they created a fine collection aptly titled "The Best of..." One would be unduly captious to find Crespin "brittle" of tone here.

It is by now, very difficult to imagine anyone singing "Il est doux" with more apt expression of the line than La Crespin. Wagner's Wesendonk lieder is simply sublime from start to finish and the Faure takes on new meaning. That she is comical, melancholy, fun and happy by turns singles her out. This collection captures all her awesome talent. Underneath it all seems to be a very, if I may, sexual energy.

Crespin must be heard to be believed and the miracle lies in that even her softest tones are really enveloping, never thin. All tones are open and this is why there are enough colors in Regine Crespin's delicious voice to paint the world a thousand times, but it may also be why she infamous for being short and edgy on top but I remind, never here is she such. She is a relaxed singer in superb voice, comfortable in her own olive skin and makes the most out of every word those poets wrote.

The whole collection is unique in pace, style, and voice. It is Regine Crespin...in a nutshell fabulous!

The Very Best of Thomas Hampson
Average customer rating: 4 out of 5 stars
  • SImply Untrue
  • an extra star for all the guest artists
  • An Homage to a Great Artist
  • superb vocals
The Very Best of Thomas Hampson
Marc Barrard , Thomas Hampson , Csaba Airizer , Georges Bizet , Charles Wakefield Cadman , Stephen Foster , Charles Gounod , Edvard Grieg , Charles Tomlinson Griffes , Imre (Emmerich) Kalman , Erich Wolfgang Korngold , Franz Lehar , Gustav Mahler , Jules Massenet , Giacomo Meyerbeer , Gioachino Rossini , Franz Schubert , Robert Schumann , Johann II Strauss , Ambroise Thomas , Giuseppe Verdi , Richard Wagner , Carl Maria von Weber , Antonio de Almeida , Antonio Pappano , Eugene Kohn , and Fabio Luisi
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Foster, StephenFoster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Song of America
  2. No Tenors Allowed: Famous Duets for Baritone and Bass
  3. Arias - Haydn, Mozart, Beethoven, Schubert
  4. Christmas with Thomas Hampson
  5. Leading Man

ASIN: B0006VYEI2
Release Date: 2005-04-26

Tracks:

  1. La Ran La Lera...Largo Al Factotum
  2. O Sainte Medaille...Avant De Quitter Ces Lieux
  3. Ce Breuvage...Vision Fugitive
  4. C'est Toi...Au Fond Du Temple Saint - Placido Domingo
  5. La Fatigue Alourdit Mes Pas...Comme Une Pale Fleur
  6. Ecoute!...Dieu, Tu Semas Dans Nos Ames
  7. C'est Mon Jour Supreme
  8. Tout Est Desert...Son Regard
  9. Ove Son Io?...Vada In Fiamme
  10. Perfidi! All'Anglo Contro Me...Pieta, Rispetto Amore
  11. Di Provenza Il Mar, Il Suol
  12. E Sogno? O Realta?
  13. Komm!
  14. Der Garten Des Herzens
  15. Lied Des Venezianischen Gondoliers
  16. Le Lazzarone
  17. L'Ultimo Ricordo

Tracks:

  1. Mein Sehnen, Mein Wahnen
  2. Wo Berg' Ich Mich?...So Weih' Ich Mich Den Rachgewalten
  3. Wie Todesahnung...O Du Mein Holder Abendstern
  4. Gruss Op.48 No.1
  5. Im Wunderschonen Monat Mai
  6. Aus Meinen Tranen Spriessen
  7. Die Rose, Die Lilie
  8. Ich Will Meine Seele Tauchen
  9. Ich Grolle Nicht
  10. Gute Nacht
  11. Die Post
  12. Blicke Mir Nicht In Die Lieder
  13. Ich Atmet' Einen Linden Duft
  14. Ich Bin Der Welt Abhanden Gekommen
  15. Von Der Schonheit
  16. O Vaterland, Du Machst Bei Tag
  17. Als Flotter Geist
  18. Komm, Zigany
  19. An Old Song Re-Sung
  20. At Dawning (I Love You) Op.29 No.1 - Armen Guzelimian
  21. Jeanie With The Light Brown Hair
  22. Beautiful Dreamer

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

5 out of 5 stars SImply Untrue.......2006-08-16

The previous review is simply a gross falsification. I have been an obsessed opera fan for a long time, and Thomas Hampson is a truly special singer. He is not the possesor of the largest or most interesting voice, which he will tell you and indeed says so all the time. His commitment to text, his willingness to search out parts to fit his voice, and his dedication to art song make im invaluable to Americans as a ture Troubador. His light Baritone was ideally suited to Figaro and to Valentin and the art song he loves. He must stretch to sing Verdi, where his voice sounds dry and small but many singers have chanced Verdi at their peril, and his innate ablity to inhabit a song, here evidenced in Di Provenza overcomes fact that it is out of his fach. You misinformed opinion of Hampson is mean and strangly bitter. I love Opera, but I do not love every singer, which doesn't mean I debase their very artistic existance. I have seen Hampson live, and have loved him (in Thias) and somewhat disliked him (in Simon Boccanegra) As for him being pretentious, somwetimes I find him mannered, but always charming. SOmetimes Intellectualism can appear pretentious, but surely you wont hold an opera singer to the charge that he must be unintellectual. what a vitriolic review, please buy this Cd, it merits repeated listening to a true American SINGER,

2 out of 5 stars an extra star for all the guest artists.......2006-05-08

The title of this album is an oxymoron. Or a sick joke. I can't decide. Sure he has made millions by luring the uninitiated listener into his web of deceit and conceit, but don't be fooled any longer. How fortunate Hampson has been to sing for and with great artists to shoulder his heavy load.

5 out of 5 stars An Homage to a Great Artist.......2005-10-30

EMI is wisely creating a series of recordings to gather the moments of artists that showcase the very reasons they become so highly regarded. Usually these collections are produced late in careers or even posthumously, but in the case of THE VERY BEST OF THOMAS HAMPSON the artist is still one of the more active and premiere singers of our day. Yet while he doesn't still perform all of these inclusions, it is wonderful to have excerpts from various successful recordings to remind us of the artistry that Hampson represents.

The two disc set includes arias from operas: Rossini's 'Il barbière di Siviglia', von Weber's 'Euryanthe', Gounod's 'Faust', Massenet's 'Hérodiade', Bizet's 'Les Pêcheurs de perles' (in duet with Placido Domingo), Thomas' 'Hamlet', Verdi's 'Don Carlo', 'Il Travatore', 'Macbeth', 'La Traviata', and 'Falstaff', Korngold's 'Die Tote Stadt', and Wagner's 'Tannhäuser'.

But the rewards of a Hampson recording must include his impeccable career as a lieder stylist and on this recording are excerpts from Schumann's 'Dichterliebe', Schubert's 'Winterreise', Mahler's 'Rückert Lieder' and 'Das Lied von der Erde', as well as songs by Meyerbeer, Rossini, Grieg, Kalman, and Lehar. And very importantly there are examples of American songs that Hampson has always emphasized in his recitals. Works by Stephen Foster, and two extraordinary works with the brilliant accompanist Armen Guzelimian - 'An Old Song Re-sung' by Griffes and 'At Dawning' by Charles Wakefield Cadman - round out this fine survey.

Not usually a collector of such 'recombinations', for this listener this album is so very fine that it deserves the attention of all those who appreciate the artistry of Thomas Hampson - then and now. Highly recommended. Grady Harp, October 05

5 out of 5 stars superb vocals.......2005-08-07

Mr.Hampson really gets the chance to showcase his wonderful baritone voice in this "Best of" collection which includes excellent selections from his various other CDs. I like the diversity of the selections featuring operatic arias,works from classical composers, and folk songs. For Thomas hampson fans, as well as fans of the baritone voice, this CD is for them.
Montserrat Caballé: Ultimate Collection
Average customer rating: 4.5 out of 5 stars
  • A fab collection of the loveliest soprano voice ever!!!!!!!!!!!!!!!!!!!1
  • LA SUPERBA!
  • Madame Caballé is great!!!
  • Amazing collection!
  • Cannot be called an "ultimate" collection
Montserrat Caballé: Ultimate Collection

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Bellini, VincenzoBellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DonizettiAll Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. Very Best of
  2. Diva:Montserrat Caballe
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ASIN: B00000J914
Release Date: 1999-05-25

Tracks:

  1. La Boheme: Si. Mi chiamano Mimi
  2. Norma: Casta diva
  3. L'Assedio di Corinto: Giusto ciel! In tal periglio
  4. Sapho: O ma lyre immortelle
  5. Semiramide: Serbami ognor... Alle piu calde immagini
  6. Otello: Piangea cantando (Willow Song) -
  7. Otello: Ave Maria
  8. Herodiade: Il est doux, il est bon
  9. Lucrezia Borgia: Tranquillo ei posa... Com'e bello!
  10. Suor Angelica: Senza mamma
  11. Rigoletto: Caro nome
  12. La Sonnambula: Ah! non credea mirarti

Tracks:

  1. La Traviata: E strano, e strano! -
  2. La Traviata: Follie! Follie! -
  3. La Traviata: Sempre libera degg'io
  4. TOSCA: Vissi d'arte
  5. Il corsaro: Egli non riede ancora!
  6. Il corsaro: Non so le tetre immagini
  7. Armida: D'amore al dolce impero
  8. I Pagliacci: Qual fiamma avea nel guardo!
  9. Roberto Devereux: E Sara in questi orribili momenti... Vivi, ingrato
  10. Il Trovatore: D'amor sull'ali rosee
  11. Stabat Mater: Inflammatus et accensus
  12. Adriana Lecouvreur: Io son l'umile ancella
  13. Anna Bolena: Al dolce guidami
  14. Adelson e Salvini: Dopo l'oscuro nembo
  15. I Vespri Sicillani: Arrigo! Ah, parli a un core

Customer Reviews:

5 out of 5 stars A fab collection of the loveliest soprano voice ever!!!!!!!!!!!!!!!!!!!1.......2005-12-23

First off this two cd set is for the price of one,that is always great.Montserrat caballe is the star of this cdset,and she demonstrates all that is beautiful in singing,on ever track.Her ave maria from othello is included here.It is one of the best performed arias by caballe ever,she ends it with a heavenly piano top note.Also included is her magical casta diva from norma.Caballe sings all these arias with her legendary sound and breath control.On this set there are plenty of examples of long sustained notes,seemless legato,glorious high notes,and magically floated soft notes.Check out the cover to,there are some great photos of Caballe in opera costumes.These cds have great sound,and play for over two hours,too.

5 out of 5 stars LA SUPERBA!.......2005-11-22

Montserrat Caballe is an amazing person and an amazing singer. In my opinion she has a more beautiful voice than Maria Callas. The high notes she reaches are just fantastic! Her Sempre Libera is the best ever! Her Ave Maria is stunning and her Vissi D arte is really moving. Her voice is so beautiful, it's as if it's an angels voice coming from her.

5 out of 5 stars Madame Caballé is great!!!.......2003-04-06

This collection of Caballé's recordings is fantastic! Her soprano is the most beautiful that has been recorded. L. Price, Tebaldi, Ponselle, and a few others have gorgeous voices, but can any of those voices compare with Caballé's? Caballé's singing throughout is of the highest standard. Her "Ave Maria" is spectacular. "Vissi d'arte, vissi d'amore" has never sounded more beautiful. I love her "Non so le tetre immagini". Such beautiful singing does not come any better than this. Her "Caro nome" is disappointing. She is clearly not suited to this aria. "Inflammatus et accensus" is glorious. The later recordings are nice, but they are not the best Caballé has committed to disc. "Il est doux, il est bon" betrays a slight wobble in her otherwise still beautiful voice. "Dopo l'oscuro nembo" features very respectable soft singing from Caballé. This version does not do justice to Bellini's exquisite orchestration. For a version that does, check out Opera Rara's "The Collection: Volume 2". That version features competent singing from an inferior-voiced soprano, but the orchestra is ravishing. The one reviewer who mentioned the aria from "I Vespri Siciliani" as having "fioriture effects Berio could sign on to" is incorrect. The aria included here is not "Mercè, dilette amiche". That aria is more famous and much more florid than the aria included in this collection, "Arrigo, parli a un core". By the way, Caballé performs this aria ravishingly well. This is a superb testament to one of the all-time greats in opera.

5 out of 5 stars Amazing collection!.......2003-04-05

I will write this review objectively, but I will not avoid praising Caballé when praise is due.

First off, this compilation is amazing! I have always thrilled to hearing Caballé's voice and this compilation is no different. I am amazed at Caballé's instrument; such extraordinary purity combined with great power! Even when she sings pianissimo, she can be clearly heard! Her voice literally fills up the room. These arias really show off her remarkable voice. Of special note is her rendition of the hauntingly beautiful "Non so le tetre immagini". Amazing! Her "D'amor sull'ali rosee" is exquisite, but she sings it too softly. Her trill is quite weak. Voices like hers don't respond well to being forced to trill. The tracks from the 1990's show off the remarkable preservation of her voice. The voice retains its purity and beautiful timbre, but is now heavier and darker. "Sempre libera" is not that good. Her coloratura is not up to par with Verdi's demands and she cannot hit the high E-flat at the end. However, she sings the main part of Violetta's aria very well, with supple, gorgeous tone and ravishing pianissimos. "Ah! non credea mirarti" is ravishing, but it is missing its energetic cabaletta. Presumably, it was cut because Caballé could not deal with the coloratura. Caballé's legato lines in this aria are superb. Her version of the "Lucrezia Borgia" Prologue is masterful. Elizabeth's last aria from "Roberto Devereux" is noble and touching. She is not quite Sills, but that aria benefits from a spinto voice instead of a soubrette one. Her aristocratic phrasing is very well used throughout the selections, with a few exceptions. Her "Willow Song" is beautiful, first time on CD. However, she fails to completely show Desdemona's despair. Some parts were good, but the whole thing failed to touch the heart. Her phrasing here is too indulgent. I have to say that I prefer Sutherland's touching version on her "The Art of the Prima Donna" recording. However, I loved "Ave Maria". Caballé sounds most beautiful when singing softly and this selection really shows her in the best light. Her cadenzas are intoxicatingly beautiful. "Caro nome" is not really her aria. The coloratura is suspect and some of the staccati are replaced with upward flourishes. She avoids the last short passage of staccati. Her phrasing in this aria is way too indulgent and she really fails to suggest Gilda's innocence. Even Sutherland is better at portraying Gilda's girlish qualities. Her "Armida" aria has some nice coloratura. She does the runs really well and is fearless in the triplet passages. For some reason, she does not sing the second "fronde" in the first line of the third stanza nor does she sing the last line of this stanza, "i muti abitator". She also does not sing the last line of the fifth stanza, "il tempo vorator". Caballé's first recorded version of "Vissi d'arte, vissi d'amore" is included here. This just may be the most beautiful version of this aria ever recorded. It certainly is Caballé's best version of the aria. The climax is handled in one breath by Caballé. She diminuendos the big high note twice in the same breath. Amazing! The rolling of the "r" in "Signor" after the last diminuendo is quite nasal and reminds us that the sound we are hearing is coming from a human throat. It also shows that these diminuendos are natural and not studio produced. She infuses Tosca's aria with real feeling and piety. The compilation ends with a knockout reading of "Arrigo, parli a un core". Caballé is at her best in this aria. She sings softly to stunning effect. This version may be the most beautiful of this particular aria ever recorded. RCA has done Caballé justice with this wonderful collection. Caballé is truly a remarkable artist with a million-dollar voice. Brava!

4 out of 5 stars Cannot be called an "ultimate" collection.......2003-02-05

This is a prime example of the a major recording label being fickle with the goods, in order to force you to continue buying other recitals and full-length studio recordings. Of course, any Caballe fan would already want to own those other recordings anyway, so the point is moot.

Other reviewers here have cried out against the exclusion of one of her most essential and artistic roles, Imogene from Il Pirata. I would like to emphatically express the same. In fact, I would even have settled for the exclusion of Casta Diva, in favor of Col Sorriso di Innocenza.

Some other stellar recordings not represented her are the Sleepwalking Scene from MacBeth, and Pace, Pace Mio Dio from La Forza del Destino. Also worth mentioning is her O Patria Mia from Aida. She might not be Leontyne Price or Martina Arroyo, but she gives a superb reading of this wonderful aria.

Of course, brevity does require some editing- a true "Ultimate" Caballe collection would span four or five CDs, at least- but to include late-career and less-than-best selections at the expense of others is a crime.

Perhaps the major Opera labels should start letting fans put together the track lists for these "best of" collections! We could do a much better job.
Ten Tenors in Prayer
Average customer rating: 2.5 out of 5 stars
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  • A wonderful CD
Ten Tenors in Prayer

Manufacturer: RCA
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Binding: Audio CD

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  1. Larger Than Life
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ASIN: B000007QGV
Release Date: 1998-09-15

Tracks:

  1. Ave Maria
  2. Herodiade: Adieu donc, vains objets
  3. Ave Maria
  4. A Plea To God
  5. Stabat Mater: Cujus animam
  6. Die Allmacht
  7. Panis angelicus
  8. Ave Maria
  9. Ave Maria
  10. Eili, Eili
  11. Requiem: Ingemisco
  12. Sigismondo: Misero me! Mi sento tutto gelar: Giusto ciel!
  13. Le Cid: Ah! Tout est bien fini!: O Souverain,o Juge, o Pere
  14. Rienzi: Allmacht'ger Vater
  15. The Lord's Prayer

Customer Reviews:

1 out of 5 stars Very Disappointing.......2007-02-16

The sound quality is worse than an old, scratched vinyl record. Music is boring and old. Extremely disappointing.

4 out of 5 stars A wonderful CD.......2001-11-21

I picked this CD up because it was a compilation of some of the most beautiful pieces of music sung by the world's greatest tenors. The CD has 4 different versions of "Ave Maria" alone, and is finished by Mario Lanza singing "The Lord's Prayer." This CD is a must-have for anyone who loves "soulful" singing by great voices.

I highly recommend this CD.
Angela Gheorghiu - Arias
Average customer rating: 4.5 out of 5 stars
  • To me, her best
  • One of Gheorghiu's best recitals
  • exquisite!
  • Angela Gheoghiu is Wonderful
  • A Pleasant Surprise
Angela Gheorghiu - Arias
Giuseppe Verdi , Jules Massenet , Alfredo Catalani , Vincenzo Bellini , Giacomo Puccini , Arrigo Boito , Charles Gounod , Gaetano Donizetti , John Mauceri , Angela Gheorghiu , and Orchestra del Teatro Regio di Torino
Manufacturer: Decca
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ASIN: B00000429G
Release Date: 1996-04-16

Tracks:

  1. Falstaff: Sul fil d'un soffio etesio
  2. Chbin: Aubade: Vive amour qui reve
  3. La Wally: Ebben?... Ne andrntana
  4. Hdiade: Il est doux, il est bon
  5. I Capuleti e i Montecchi: Eccomi... Oh! quante volte
  6. La Boh: Donde lieta usci al tuo grido d'amore
  7. Mefistofele: L'altra notte
  8. Faust: Air des bijoux
  9. Don Pasquale: Quel guardo il cavaliere
  10. La Boh: Si. Mi chiamano Mimi
  11. Valurile Dunarii: Muzica

Customer Reviews:

4 out of 5 stars To me, her best.......2007-07-01

I have several CDs of Gheorghiu. This is the one I prefer. I also have the DVD of her and her husband in Elisir. It was entertaining, but like in her Casta Diva disc, I didn't think her coloratura passed muster. I thought her singing in the Verdi disc was anemic. Every time she bursts into Tu che le vanita, I immediately and always think of Callas. That was one of the things that hooked me on opera in the first place, though I'm not a big fan of Callas. It just isn't there when Gheorghiu does it, though that's only one aria on the disc. I think Gheorghiu is a little overrated (still), and I think it came about when she burst on the scene in lovebird duets with her husband. But in this recital, I think she does an adequate job, and I still have her other CDs (and more amazing, bought them in the first place). She has a pretty voice and uses it well enough I think in at least this recital.

5 out of 5 stars One of Gheorghiu's best recitals.......2007-01-09

I have played this CD numerous times since buying it many years ago. Whilst not 'perfect' to some, I still think it is one of Gheorghiu's best recitals recorded.

5 out of 5 stars exquisite!.......2006-11-02

In this recording Ms. Gheorghiu shows why she is one of the most extraordinary voices of our time. Her phrasing, musicality and expression is impecable. I seriously recommend this CD to anyone who wants to know how an opera singer is supposed to be heard.

5 out of 5 stars Angela Gheoghiu is Wonderful.......2006-08-06

I love this album I can listen to her all day long.

5 out of 5 stars A Pleasant Surprise.......2006-02-24

I purchased this CD for one specific selection, and to my surprise found that I thoroughly enjoyed the entire recording! Ms Gheorghiu has a wonderful voice and knows how to "sell" an aria!!
The Very Best of José Van Dam
Average customer rating: 5 out of 5 stars
  • Fantastic!
The Very Best of José Van Dam

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006VYEHS
Release Date: 2005-04-26

Tracks:

  1. Le Veau D'Or Est Toujours Debout
  2. Vous Qui Faites L'Endormie
  3. Si Les Filles D'Arles Sont Reines
  4. Voyons: 'Pour Hoffmann'...Dans Les Roles D'Amoureux Langoureux
  5. Scintille, Diamant
  6. Bien Des Jeunes Gens
  7. Lakme, C'est Toi Qui Nous Proteges!
  8. Tra La La...Quand La Flamme De L'Amour
  9. Elle Ne M'Aime Pas
  10. Ah! Malgre Toi, Poete
  11. Parjure!
  12. Louange A Vous
  13. Voyez, Thebains, Voyez - Barbara Hendricks
  14. Dors, O Cite Perverse!
  15. Quand Apparaissent Les Etoiles - Teresa Berganza
  16. Je Suis Le Chevalier Errant - Teresa Berganza
  17. Ecoute, Mon Ami - Teresa Berganza

Tracks:

  1. I. Villanelle
  2. IV. Absence
  3. VI. L'Ile Inconnue
  4. Tendrement Enlaces, Ma Chere Bien-Aimee
  5. Danse Macabre
  6. Clair De Lune
  7. Chanson Romanesque
  8. Chanson Epique
  9. Chanson A Boire
  10. Chanson A Dulcinee
  11. Elegie
  12. I. La Maitresse Volage
  13. II. Chanson A Boire
  14. III. Madrigal
  15. IV. Invocation Aux Parques
  16. V. Couplets Bachiques
  17. VI. L'Offrande
  18. VII. La Belle Jeunesse
  19. VIII. Serenade
  20. Malvina
  21. Wo Ist Er?
  22. Wird Dir Nicht Bange?
  23. Die Frist Ist Um
  24. Herr, Lehre Doch Mich
  25. Libera Me, Domine

Customer Reviews:

5 out of 5 stars Fantastic!.......2005-11-02

This collection represents Jose Van Dam at his best. The two arias from Faust are a little low for him but he sings them with great musicality. The aria from Mireille which is a rarity is sung brilliantly. Mr. Van Dam gets up to those high notes so easily. This collection mostly contains French Repertoire which was ideal for his voice. Several of the arias are rarely performed and I think should be performed more often. The few German selections are very effective as well. I think he was one of the finest Brahms Requiem soloists of all time.

Mr. Van Dam is still singing well at age 65. I think he is one of the finest singers and musicians because everything he sings means something to him internally. That is something that defines a great artist for me. I highly recommend this collection because it is a tool for singers to learn how to pronounce French properly. The diction is so clear that you can practically write it down.
French Opera Arias
Average customer rating: 4 out of 5 stars
  • Kiri at her best
French Opera Arias

Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002RRD
Release Date: 1990-04-10

Customer Reviews:

4 out of 5 stars Kiri at her best.......2007-07-24

This album of arias contains some expected and some unexpected delights. In addition to the sumptuous "Depuis le jour" which is a favourite vehicle for lyric sopranos, Kiri does a very respectabe interpretation of "D'amour l'ardante flame" from Berlioz "légende dramatique"La Damnation de Faust which was composed for the mezzo-soprano voice thanks to the exceptionally beautiful middle range of her voice. Another of my favorites in the collection is her interpretation of an aria from Verdi's Don carlo which is usually heard in Italian translation but work a lot better here in the original French.
This is a classic recording and should not be overlooked by Kiri fans or any fans of French opera.
Massenet: Orchestral Suites
Average customer rating: 4.5 out of 5 stars
  • Wondrous and lively music
  • Color and Craft--Orchestral Suites of Massenet
  • What a great recording.
Massenet: Orchestral Suites

Manufacturer: Naxos
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ASIN: B00000144P
Release Date: 1995-07-18

Tracks:

  1. Hdiade (Ballet Suite): Les Egyptiennes
  2. Hdiade (Ballet Suite): Les Babyloniennes
  3. Hdiade (Ballet Suite): Les Gauloises
  4. Hdiade (Ballet Suite): Les Phciennes
  5. Hdiade (Ballet Suite): Final
  6. Suite No. 1: Pastorale et fugue
  7. Suite No. 1: Variations
  8. Suite No. 1: Nocturne
  9. Suite No. 1: Marche et strette
  10. Suite No. 2: Scs hongroises: Allegro risoluto
  11. Suite No. 2: Scs hongroises: Allegro leggiero
  12. Suite No. 2: Scs hongroises: Allegro risoluto
  13. Suite No. 2: Scs hongroises: Andate
  14. Suite No. 2: Scs hongroises: Allegro risoluto
  15. Suite No. 3: Scs dramatiques: Prde et Divertissement
  16. Suite No. 3: Scs dramatiques: Mdrame
  17. Suite No. 3: Scs dramatiques: Sc finale

Amazon.com

Jules Massenet wrote more than operas. There's an outstanding piano concerto, as well as six charming "characteristic suites" for orchestra. Each has a different theme, and the titles emphasize the theatrical connection in calling each movement a "scene." When listening you may indeed be reminded of the opera, or even more, the ballet. Even so, these colorful and tuneful scores stand as one of the finest series of purely orchestral works by any 19th-century French composer, and they deserve a much wider exposure among music lovers. If you've had occasion to enjoy Massenet's operas, then you're sure to enjoy these delightful recordings as well. --David Hurwitz

Customer Reviews:

4 out of 5 stars Wondrous and lively music.......2006-09-17

When one thinks of classical music from the Romance period; French music is often left out as our ears dwell on the Russians, Germans, Italian operas, and maybe the more recent English composers. But the French produced many great composers, and one of them is Jules Massenet. Though he never wrote a "symphony", he wrote numerous orchestral suites that span 15 - 30 minutes each, and whose music is every bit as lively, enrapturing and melodic as symphonies from Brahms, Tchaikovsky and others. This CD includes several of the better ones, each themed around a specific item in pop culture at that time. The first suite, for example, is based of the stories revolving around King Herod of biblical fame. Every piece on the CD has its own mood, theme, and rhythm. Each is performed by a full orchestra and can be listened on its own. Overall, the music here makes for great movie music and the quality is great. This is a great buy for the price and I recommend it.

4 out of 5 stars Color and Craft--Orchestral Suites of Massenet.......2005-07-19

In some ways, Jules Massenet is a slightly sad musical figure. Not forward-looking enough to suggest a bridge between the two centuries he lived in--like Gabriel Faure or Paul Dukas--not potent enough to be one of Romantic music's heavy hitters, he inhabits a world of shadowy reputation a little better than that of his contemporary Edouard Lalo by virtue of the fact that people still listen to some of his perfumed operas, especially Manon and Werther. And speaking of perfume--while Massenet specialized in the painting of exotic scenes, Debussy left him far in the dust, as did for that matter the often-maligned Saint-Saens, whose Bacchanale, for example, outstrips all of the faux orientalisms in Herodiade.

Now that I've dispatched my duties as dry-eyed critic, I'm here to say that all the music on this disc is unfailingly attractive and entertaining, even if it doesn't storm the heavens. Even the unnamed Suite No. 1, which is a little more "academic" than the others, is well crafted and very pretty, though with a bit less profile. And the orchestration is colorful and expert throughout. I doubt any of the melodies or orchestral effects will stick with you, but you'll be very happy while you're giving this disc a spin.

Conductor and orchestra do this music full justice. M. Ossonce specializes in this sort of out-of-the-way fare from the late Romantic era in France (I've enjoyed his work in Alberic Magnard symphonies), and he keeps the pace sprightly, the colors bright and clean a la francais, as they should be. Naxos' engineers do more of the good work they seem inclined to do in the South Seas. On balance, a good disc for late-night listening while catching up on your reading.

5 out of 5 stars What a great recording........2004-03-19

I wasn't familiar with Massenet until I heard a sample of this recording on NPR. I loved it so much that I bought the CD that night. It's a good CD to use to introduce people to classical music. There's wonderful, catchy melodies throught the suites and the finales are just incredible. The music reminds me of some of my favorite Tchaikovsky pieces.
Ben Heppner - Great Tenor Arias
Average customer rating: 4 out of 5 stars
  • Heppner -"Beauty and the Beef"
  • He is DEFINATELY NOT Del Monaco or Corelli
  • Ben Heppner is One of the Best Tenors of All time!
  • Finally, a real dramatic tenor voice.
  • Heppner just may be the perfect tenor.
Ben Heppner - Great Tenor Arias
Ruggero Leoncavallo , Giuseppe Verdi , Giacomo Puccini , Georges Bizet , Jules Massenet , Umberto Giordano , Munich Radio Orchestra , Bavarian Radio Chorus , Roberto Abbado , Michael Glaser , and Ben Heppner
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003FO4
Release Date: 1995-08-15

Tracks:

  1. La Boheme: Musetta! O gioia della mia dimora!....Testa adorata
  2. La forza del destino: Oh! fede negar potessi... Quando le sere al placido
  3. La forza del destino: La vita e inferno all'infelice... Oh, tu che in seno agl'angeli
  4. Aida: Se quel guerrier io fossi!... Celeste Aida
  5. Il Trovatore: Ah si, ben mio
  6. Il Trovatore: Di quella pira
  7. Manon Lescaut: Donna non vidi mai simili a questa!
  8. Turandot: Nessun dorma
  9. La Fanciulla del West: Ch'ella mi creda libero e lontano
  10. Carmen: La fleur que tu m'avais jetee
  11. L'Africaine: Pays merveilleux... O Paradis
  12. Herodiade: Ne pouvant reprimer... Adieu donc, vains objets
  13. Le Cid: Ah! tout est bien fini... O souverain, o juge, o pere
  14. Andrea Chenier: Come un bel di di maggio
  15. Andrea Chenier: Colpito qui m'avete ov'io geloso... Un di all'azzurro spazio

Amazon.com

Not since the days of Lauritz Melchior have we had a true heldentenor, a singer who can take on the big Wagnerian parts and the other roles that require a voice of real weight and heft. The Canadian tenor Ben Heppner is the closest we come these days, but he is both less and more than that--less because he has so far not attempted the bigger Wagnerian roles, more because (unlike most such tenors, and as demonstrated on this disc) he has successfully mastered the idiom of French and Italian operas. He has a big voice, flexible and even, capable of a good legato line when needed (e.g., in nicely sung performances of "Ah si, ben mio" from Verdi's Il Trovatore and "O Paradis" from Meyerbeer's L'Africaine). But while his brilliant sound and dramatic intensity make him often thrilling to hear, there is also a sense of effort and a lack of charm in his singing that can put a listener off, and RCA has done him no favors with their rather distant miking. Still, he is an exciting singer, and this is a recommended disc. --Alex Morin

Customer Reviews:

4 out of 5 stars Heppner -"Beauty and the Beef".......2006-11-02

Comparing tenors is always risky-no matter what, someone's feelings get hurt.Ben Heppner is, as others have suggested, the leading heldontenor of the day.What seems to separate him from others, with whom he has been compared-Corelli,del Monaco,Melchior, is the obvious fact that Heppner has a stunning lyrical quality to his sound.Many of the Mellochi, dropped larynx technique singers, are simply incapable of producing a "sweet" sound.Size isn't everything.Volume and a sweet sound are qualities that when combined add so much more musical, and hence listening value.Heppner can sing everything, because his lyrical sound is listenable.When will they get it right...a triple forte presentation all the time isn't all there is to singing opera. With Heppner we have a sense of line, modulation and all the musical aspects that make performances enjoyable. As well, Heppner is a fine musician. I dislike over done portamento. Heppner sings and delivers as the composer intended-at least as far as one can tell.I loved Corelli's sound but his magnificence was diminished by a chronic failure to follow the score.And I don't think Del Monaco ever sang anything pianissimo.I am sorry fans, but that isn't good singing.With Heppner we have an artist who delivers music with great musicality. What a concept!This CD offers example after example of how it can and should be done.
This CD has all the goods to illustrate the point.Big sound plus sweet sound equals success.Great tenor arias from a great tenor!

2 out of 5 stars He is DEFINATELY NOT Del Monaco or Corelli.......2005-04-27

For all of the people out there reading the reviews on here make sure you take them with a grain of salt. Most peoples ear for voice is terrible. If you had heard Del Monaco or Corelli live you would know what complete and utter bullcrap these reviews are. Although Ben Heppner's voice may be considered large by todays standards it is small compared to Corelli and ESPECIALLY Del Monaco. In this age of state of the art recording equipment everyone sounds like they have a big voice. Mr. Heppner also lacks the core and squillo that Del Monaco and Corelli (and countless others) had. The ring in their voices is where all of the harmonics happen. It is these kinds of comparisons that have allowed the opera to decline to the level that it is today. Intstead of saying, "Why are'nt people singing like DelMonaco and Tebaldi and Nilsson anymore?" we have people trying to bring lesser voices up to their level. Very sad.

5 out of 5 stars Ben Heppner is One of the Best Tenors of All time!.......2000-01-28

The only reason that Ben Heppner would not be able to fill the shoes of Corelli, or del Monaco is because Ben wears a bigger size. Heppner not only has the large full ranged voice, mentioned by the previous reviewer, but he also has impecable artistry. Unlike del Monaco he knows what dynamics are. Unlike Corelli he can get to his top register without scooping, and unlike Corelli he knows how to count, and doesn't write the music as he sings it. Don't get me wrong Corelli, and Del Monaco are two of my favorite tenors, but they are by no means better than Heppner

4 out of 5 stars Finally, a real dramatic tenor voice........1999-09-29

Since the days of Del Monaco and Corelli, there have not been many dramatic tenors worthy of note. The few dramatic tenors I have seen live in recent years, namely the Russians, Atlantov and Bogachev, and the Americans, Margison and O'Neill, have indeed had big voices but not particularly attractive ones. They have also lacked the musicianship and style of singers like Del Monaco and Corelli, not to mention their top registers! Now comes a tenor like Heppner who, although he cannot fill the shoes of Corelli and Del Monaco, as indeed who can, is nevertheless worthy to walk in their footsteps. Heppner has an immense, bronze colored tenor voice. It is not darkly shaded like Corelli's or perhaps as stentorian as Del Monaco's. But Heppner displays a rich, even timbre throughout his singing, from bottom to top. In many of the arias on this CD, Heppner effectively employs dynamic shading for someone with as big a voice as his. But, above all, Heppner offers us a clinic in fine, subtle legato phrasing. His musicianship is impeccable. Heppner has enough voice and breadth to be patient with these arias, shaping the phrases in long, flowing lines without tiring or compromising his tone. Although sometimes Heppner thins out at the top, I suspect that's more of a problem with the engineering than the voice. One small criticism to be made, however, is that perhaps Heppner's performance is too controlled, lacking the spontaneity and thrill characteristic of performances by greats such as Corelli and Del Monaco. Nevertheless, we should consider outselves lucky to have this wonderful heroic tenor on the stage today.

5 out of 5 stars Heppner just may be the perfect tenor........1999-09-28

How on earth did I miss this one?! Recorded in 1995, I just stumbled across it the other day. What a voice! Here is that true rarity: a genuine Heldentenor with a sweet, flexible, well-placed voice; and he is definitely NOT a tenor-baritone. I've heard "Nessum Dorma" a thousand times, sung by a hundred tenors, but never like like this--your hair will stand on end! Who said a so-called dramatic tenor can't hit a decent high-C? Heppner not only hits it--dead center--he demolishes it. And the "Un di all'azzurro spazio" is a "textbok" in vocal agility. I know of no other tenor today (or yesterday) who can so perfectly handle the two distinct "styles" of the aria, at times lyrical, and others dramatic. This aria was meant to be difficult and, although many can sing it with fair success, only Heppner grabs it, shakes it for all it's worth, and conquers it. How nice to have a North American (albeit from British Columbia) do us so proud,
Eileen Farrell Sings Opera Arias & Songs
Average customer rating: 5 out of 5 stars
  • A document
  • A magnificent artist
  • Stunning vocalism
  • After they revived me....
  • One of the most impressive dramatic sopranos i've heard
Eileen Farrell Sings Opera Arias & Songs

Manufacturer: Testament UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003XJE
Release Date: 1996-05-09

Tracks:

  1. Alceste, Act 1: Divinities Du Styx
  2. Oberon, Act II: Ozean, Du Ungerheuer
  3. Ernani, Act I: Recit: Sorta e la notte
  4. La Gioconda, Act IV: Suicidio
  5. Jeanne d'Arc, Act I: Adieu, forets!
  6. Herodiade, Act I: Celui Dont La Parole...
  7. L'Enfant Prodigue: L'annee en vain...
  8. The Consul, Act II: To this we've come
  9. Song Recital: Summertime-From Porgy & Bess
  10. Song Recital: Where is dis road a-leadin' me to?
  11. Song Recital: There shall be more joy
  12. Song Recital: Hickory Hill
  13. Song Recital: Sing to me, sing, Op. 28
  14. Song Recital: Through the years
  15. Song Recital: To the Children, Op. 26, No.7
  16. Song Recital: A Dream, Op. 48, No. 6
  17. Song Recital: Down by the Sally Gardens
  18. Song Recital: Danny Boy

Customer Reviews:

5 out of 5 stars A document.......2005-02-13

What a joy! A shining example of great singing. This is dramatic singing at its finest. The voice is a phenomenon - I only wish I heard her live in the opera house. A voice of breadth, power and beauty, like a doric column - even from top to bottom, a true soprano dramitica agilita. (This is a woman that sang Bach cantata arias constantly as a member of the famous Bach Aria Group as well as the great dramatic parts).

I feel there are several definitive interpretations here, 'Ozean der Ungerheur' - the cantilena and coloratura are mind boggling for a voice of this size - Nilsson cannot even compare in this regard. Also the Menotti aria, what drama, what sound, what DICTION!

This recording is a document against which every serious, professional singer should test their 'mettle'. The collaboration with Thomas Schippers is very fine.

5 out of 5 stars A magnificent artist.......2005-01-10

Eileen Farrell sings amazingly on this CD. She is superb in the opera arias; I especially like her in "Suicidio!", "Adieu, forêts!", Il est doux, il est bon", and "L'année en vain-Azaël! pourquoi mas-tu quittée". In the "La Gioconda", she sings with much passion and pours out glorious torrents of sound. Her singing of the phrase "un dì leggiadre volavan l'ore" is exquisite. She shows remarkable delicacy in the French opera arias, as well as her huge sound during the climaxes. I really am not as impressed with her "Ozean, du Ungeheuer". She doesn't do it for me in this aria the way Birgit Nilsson does. Also, the engineers scale back the sound during the cabaletta. This lessens the impact of Farrell's immense voice, which is really an incredible instrument. I love her singing of the aria from "The Consul", "To this we've come". She displays extraordinary emotion and fire in this aria, all the while singing in very clear English.

In the English-language songs, she sings with emotional warmth, sincerity, and great restraint. Her voice displays a timeless beauty in the song "Down by the Sally Gardens". Her rendition of "Danny Boy" is heartfelt and very touching. Her English diction is exemplary, every word clearly enunciated with care and clarity.

One thing I admire tremendously about Eileen Farrell is her seemingly natural way with any type of music she sings. She always adapts her voice to the demands of the piece. Also, her sincerity and utter guilelessness is very refreshing to hear. She never fakes emotions, overemotes, or wallows in her own sound. Listen up, Renée Fleming!

Farrell demonstrates on this CD why she is such a legendary singer.

5 out of 5 stars Stunning vocalism.......2004-02-26

This recital is a great tribute to a sadly underrated singer. Some of the less familiar items are stunningly sung (e.g. the Debussy and Massenet arias), but the highlight for me is the "Suicidio." This just might be the best recording of this area ever (with nods to Ponselle, Callas, Tebaldi, et al). I think it blows the sox off the competition, much the same way the "In questa reggia" from the Puccini album does. Hopefully, Columbia will see fit to reissue the Puccini someday.

5 out of 5 stars After they revived me...........2003-08-26

Nevermind the technical merit and attention to detail that a review should have, this is purely and simply a rave review. Nothing more, nothing less. I love opera, am hard to please, and generally don't like albums of arias, preferring the complete works to the fancy bits. But, God in heaven, what a voice. I've listened to it twice in the first day, and I can still hardly believe it's true. Don't wait. For heaven's sake, buy the thing NOW! THIS MINUTE! MOVE! Now I'm going to lie down to recover... Thank you.

5 out of 5 stars One of the most impressive dramatic sopranos i've heard.......2001-06-20

I heard this recording many years ago (the operatic arias only), and it was high time for it to be reissued. Farrell is one of the most impressive dramatic sopranos i've ever heard. It's also probably her best recording, in full command of (majestic) voice and style.

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