Gaetano Donizetti: Il Duca D'alba

1. Le duc d'Albe (Il duca d'Alba), opera
   Composed by Gaetano Donizetti
   Performed by Trieste Philharmonic Orchestra
   with Renato Cioni, Enzo Tei, Louis Quilico, Franco Ventriglia, Ivana Tosini, Vladimiro Ganzarolli
   Conducted by Thomas Schippers, Adolfo Fanfani
   
   

Gaetano Donizetti: Il Duca D'alba,Franco Ventriglia,Gaetano Donizetti,Adolfo Fanfani,Thomas Schippers,Trieste Philharmonic Orchestra,Enzo Tei,Ivana Tosini,Louis Quilico,Renato Cioni,Vladimiro Ganzarolli,Classic Memories,Classical,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio

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Average customer rating: Another supeb tenor. The one. A New Star voice Quite Good Promising debut by new lyric tenor

Italian Opera Arias Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Similar Items: Rolando Villazon - Gounod · Massenet Arias Rolando Villazon: Opera Recital Opera Recital [Includes Bonus DVD] Verdi: La Traviata Gitano ASIN: B00018TIOA Release Date: 2004-02-10

Tracks:

1. Lamento: E La Solita Storia
2. Recitativo E Romanza: Inosservato...Angelo Casto E Bel
3. Aria: Quanto E Bella
4. Aria: Una Furtiva Lagrima
5. Recitativo Ed Aria: Tombe Degli Avi Miei...Fra Poco
6. Aria: Il L'ho Perduta...Io La Vidi
7. Aria: Io L'ho Perduta...Io La Vidi
8. Aria: O Figli...Ah! La Paterna Mano
9. Scena Ed Aria: Ella Mi Fu Rapita...Parmi Veder
10. Canzone: La Donna E Mobile
11. Scena, Aria E Cabaletta: Lunge De Iei...De' Miei Bollenti...O Mio Rimorso
12. Aria: Che Gelida Manina
13. Aria: E Lucevan Le Stelle
14. Aria: Anche Tu Beppe Giungi...O Amore
15. Aria: Vergini, Muse...Quando Al Soave Anelito

Amazon.com

This is a glorious debut recital by a tenor, from whom, if he sings the right roles and keeps way from jet-setting and too much singing, might just be the lyrico-spinto tenor we've been waiting for. He has the class of Carlo Bergonzi and a ringing tone which is somewhere between Domingo's big, dark sound and Pavarotti's brightness; he sings with a true mezza voce (not a falsetto); he always obeys the composer's markings and delineates character. He seems incapable of vulgarity, refusing to gulp or sob when a musically expressive gesture will do. The opening aria here--from L'Arlesiana--is so beautifully, touchingly sung that it's a heartbreaker; he doesn't take the usually opted-for high note near the end, but never fear: in the Traviata and Bohème excerpts, Villazon offers big, whopping high Cs. This CD is a knockout; let's hope it's only the beginning of an illustrious career, both recorded and live. --Robert Levine

Customer Reviews:

Another supeb tenor........2007-05-13

We can be thankful that the old guard of the opera stage has been replaced by a trio of youthful artists. Villazon along with Calleja and Florez makes a great addition to the world of opera.

The one........2006-06-24

He's the real deal. Domingo-like burnished voice, great actor. Not just hype, he's genuinely worthy of all the praise.

A New Star voice.......2005-09-25

Rollando Villazon can't fail to impress a listener. He is an enourmous breath of fresh air for people waiting for a new generation of Opera superstars to emerge. Those somewhat dissapointed by the somewhat ncomfortable edge to Salvator Licitra's voice, may take refuge in the freshness of Villazon.
I don't really want to ruin the magic of his singing, with caddy comparisons, but it is sufficient to say that he excellent. Many compare his to Domingo, to that I would say that Villazon has an ease to his top that Domingo never had, but perhaps lacks the focus and thickness of Domingo's lower registers.
Overall what hits you most about Villazons performance, is the induviduality of his interpretations and voice. The top of his voice has a ring and tone that sets his apart from the pack.
To my ear, he sounds at his best in the Mid Period verdi, where the cut of voice come through in the long high-lying passage, (expecially the cut from Traviata,
Enjoy this incredible singer

Quite Good.......2005-05-26

A very promising debut album with some excellent burnished tenor sound. To the reviewer who went on and on about Mr. Villazon only being in his 20's -- I hate to burst your bubble, but he was born in 1972, which makes him 33! And, by the way, the age of the singer is not a "huge" advantage; let us remember that some of our greatest singers didn't come into their element until their 40's (e.g., Flagstad, Milanov...)

Promising debut by new lyric tenor.......2005-05-05

Rolando Villazon immediately made himself a name we should all watch out for, after his appearance on a NY City Opera telecast of Boheme, as Rodolfo. Since then he has become a regular artist in leading lyric roles at the Deutsche Oper Berlin, has sung two parts at the Met already, and obviously has much ahead for him. The voice itself has a number of virtues, evenness of tone across the different registers, and the ability to encompass long lines without taking unnecessary breaths and showing the control to taper many lines off softly. It has also taken on perhaps a prematurely dark quality, in contrast with what I remember of the La Boheme telecast.

This recital of Italian opera arias presents Villazon near the alpha of his career (one appearance as the Steersman on the Barenboim Flying Dutchman before, for Teldec) and the conductor at his omega - the just deceased Marcello Viotti, at the age of 52, who suddenly replaced Sinopoli in Berlin for the second of two performances of Verdi's Aida in 2001. Sinopoli had passed away at 54 the night of the first performance that weekend in Berlin.

On first impression, Federico's lament from Cilea's L'Arlesiana is taken too slowly, and yet from repeated listening to this disc, it is one of nearly half a dozen selections that contribute the most to making this an interesting recital. The lachrymose manner and delivery here, though, sets a little too much of an overall tone for the rest of the recital, including its several or so lighter numbers. Said to also be a Caruso favorite, the aria from Donizetti's Duca d'Alba is a real highlight as close to being Schubertian in feeling as some Verdi - as late into Verdi's work as Forza and Don Carlo. Villazon's singing here is as warmly ardent as you'll find anywhere on this disc, and his personal identification with the character of Don Carlo, several tracks later, is as complete as that of its best interpreters of the recent past, Placido Domingo especially.

The two Elisir d'amore selections are pleasant vocally, but too dark, especially the start to so many phrases of "Una furtiva." The remorse felt during the opening aria of the Tomb Scene from Lucia, after a slightly uncertain start, is entirely felt. Oronte's brief aria from Verdi's Lombardi is handled with an easy, pleasant swagger from both Villazon and Viotti, leading one to expect similar lightness in selections that soon follow, and which is not entirely forthcoming; the beginning of the recitative to "Parmi veder" from Rigoletto shows a palpable anxiety in this peculiar moment for the Duke in which he finds himself. Intonation falters momentarily at the end of this aria. "Ah! la paterna mano", after good recitative, gets pushed a little too forward, robbing the crest of several lines in it their full expressive potential. Contrast of expression between Alfredo's aria and cabaletta from Traviata is so minimal, almost to have been erased altogether; Viotti here, so deft and highly musical an accompanist he is for most of the rest of this disc, is similarly disengaged. Connecting music between aria and cabaletta and repeat of the latter both get awkwardly cut.

That leaves four verismo tracks for the remainder of this disc. Most distinctively sung is "E lucevan le stelle" from Tosca, but frequently quite close to sounding a copy of Domingo's interpretation. The honeyed placement for the top of the staff, once the voice takes on the melodic line, could hardly remind you of anyone else. "Che gelida manina" is also given a fine performance here, but begins to lose all consonants on a couple of words right before the ascent to the high C in the aria. After hearing Dino Borgioli and Cesare Valletti as Fritz, each more of a benchmark than Pavarotti, it is hard to identify the villager Fritz, from how disinteresed Villazon sounds. A slight cut is taken between two portions of recitative before Fritz's Act III aria. "Quando al soave anelito" from Mascagni's Nerone, obviously a rarity, is one for which I can only find a Domingo recital before. Here, the singing is fine, but the youthful sense of wonderment for Nero, in his vision of Venus, as wordly-wise a fellow he is, gets understated. Accompaniments to these four arias are mostly as fine as the others, but all come to abrupt endings, the endings of Boheme and Amico Fritz which lose all their shimmer here.

Much criticism here, but there is also much hope felt from listening to this disc, for a bright future for Mr. Villazon still. He is only seldom a conscientious and musical performer, but as opposed to what the liner notes might say, part of being musical in singing such selections or opera in general, is being specific for each character being portrayed here. Villazon should also take note that his singing is most interesting and also most easy to distinguish from his widely celebrated mentor, when he sings lightly. First impressions are strong - I first anticipated awarding this disc five stars - but unfortunately it just barely deserves four. Sound quality, if a bit heavily miked for climaxes and a bit recessed for the orchestra, especially at closings to arias, is warm and full.

Average customer rating: True Mexican colour A TRUE LYRIC TENOR VOICE Ramón Vargas - For Tenor Connoisseurs!! Thoughtful and musical tenor A Tenor of Note

Ramón Vargas - L'amour, l'amour / Viotti Jules Massenet , Giuseppe Verdi , Munich Radio Symphony Orchestra , Pyotr Il'yich Tchaikovsky , Gaetano Donizetti , Giacomo Puccini , Marcello Viotti , Ramón Vargas , and Charles Gounod Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Vargas, Ramon | U to Z | Featured Performers, A-Z | Opera & Vocal | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Ramón Vargas - Verdi Arias Between Friends Ramon Vargas - Canzoni (Neapolitan Songs and other Italian Classical songs) In My Heart - 17th and 18th Italian Songs Ramón Vargas - México Lindo (Beautiful Mexico) ASIN: B00000K4H4 Release Date: 1999-09-14

Tracks:

1. Romeo Et Juliette: Ah! Leve-Toi, Soleil (Gounod)
2. Manon: En Fermant Les Yeux "Dream of des Grieux" (Massenet)
3. Werther: Pourquoi Me Reveiller? (Massenet)
4. Il Duca D'Alba: Angelo Casto E Bel (Donizetti)
5. Lucia Di Lammermoor: Fra Poco A Me Ricovero (Donizetti)
6. La Favorita: Spirto Gentil (Donizetti)
7. L'Elisir D'Amore: Una Furtiva Lagrima (Donizetti)
8. Roberto Devereux: Ed Ancor La Tremenda Porta (Donizetti)
9. Eugene Onegin, Op.24: Lensky's Aria (Tchaikovsky)
10. Rigoletto: Parmi Veder Le Lagrime (Verdi)
11. Rigoletto: La Donna E Mobile (Verdi)
12. Un Ballo In Maschera: Ma Se M'E Forza Perderti (Verdi)
13. La Boheme: Che Gelida Manina (Puccini)

Amazon.com

Mexican tenor Ramón Vargas is in the midst of a fine international career, where he is in demand for and concentrates on the purely lyric tenor repertoire. His smallish, well-focused voice is attractive and distinguished, his top notes free and easy, and his ability in coloratura admirable, making him particularly valuable in the operas of Rossini. He is also an intelligent musician and has a natural feel for a melodic line. On this CD, he tackles the occasional aria that is a bit too heavy for him, i.e., Rodolfo's aria from La Bohème, an excerpt from Verdi's Un Ballo in Maschera, and Lensky's aria from Eugen Onegin, but on disc, at least, he finds no need to force, and the results are good. In general, he's ardent without being overly sentimental, and except for a vaguely desperate sounding high D flat(!) (as at the end of the fine scene from Donizetti's Roberto Devereux), he keeps the tone lovely. And his selection of arias here contains enough rarities among the chestnuts to make this CD particularly valuable. If you haven't heard Vargas, you should. --Robert Levine

Customer Reviews:

True Mexican colour.......2007-04-17

Needless for me to remind, some top tenors around today come from Mexico.
Placido Domingo started off as a baritone. Vargas on the other hand is an out-and-out tenor. Yes, his voice is most beautiful in its upper register. Don't for once let those young or supposedly good looking tenors steal ALL the show. Vocally, guys like Vargas and Alvarez top the current tenor line up.
Why ask Pavarotti the question about his successor?
We know the answer ourselves - Ramon Vargas.
The new big 3 tenors? Vargas succeeding Pav, Alvarez succeeding Carerras, Heppner succeeding Domingo.
Ad finido.

A TRUE LYRIC TENOR VOICE.......2003-11-02

Mr.Vargas has a true lyric tenor voice and, in pointed disagreement with Mr. Levine's otherwise excellent review, I point out that both Riccardo in Un Ballo in Maschera and Rodolfo in La Boheme are lyric tenor roles that were sung by such lyric tenors as Bonci and McCormack (Rodolfo). Another very important point is that we have, as opera lovers, developed a very disagreeable habit of proclaiming, through lack of historical perspective, every tenor "the greatest tenor of all-time" forgetting minor voices from the past like Lauri-Volpi, Caruso, Tucker, Gigli, etc.
With these points developed I can point out that the singing on this CD is on an exceptionally high order. Try the arias from Romeo, Lucia di Lammermoor, and La Favorita to see what I'm talking about. The top notes have, at times, almost a Bjoring like sheen and freedom (I should point out to the power nuts that Bjoring's voice was NOT LARGE)while his approach recalls the the great american tenor Jan Peerce. Bravo Vargas!!!!

Ramón Vargas - For Tenor Connoisseurs!!.......2003-03-23

I've been looking for a great tenor voice for some time now. Most new tenors, with a few exceptions, sound more like high singing baritones with little high frequency overtones to their voice. Pavarotti is by far the greatest tenor of our time with a beautiful upper register with high frequency overtones. But Pavarotti's overtones are not as attractive or present in his middle and lower registers. Ramon's a fairly new tenor (42 years old) that finally sounds like a tenor, because he has gorgous high frequency overtones. What makes Ramon so unique is that his overtones are consistant and beautiful throughout his entire range. If I had to discribe his voice in one word it would be "Intoxicating". His singing sounds effortless, romantic and very sensitive which touches the heart. The only thing he needs to work on is instilling more drama into the dramatic lines. With this one CD I have fallen in love with Ramon's voice. I can't wait until he is ready to do more Puccini. This CD is a MUST HAVE!

Thoughtful and musical tenor.......2001-05-29

I loved his Italian song recital (Canzoni), which led me to purchase this CD. The 'Canzoni' performance demonstrated a rich, beautifully controlled voice, producing the most lovely pianissimi since diStefano in his prime; definitely a voice to cherish. While this performance shows much the same, the voice seems thinner and effortful in production during the more dramatic moments. Of course, this is probably due to the fact that his lyric voice has to push a bit to be heard over an orchestra playing full force. However, his approach to this music is dead-on, and in many cases revelatory. I look forward to many more offerings from this very talented singer.

A Tenor of Note.......2000-06-28

It is no secret among true opera devotees that Ramon Vargas has one of more beautiful tenor voices of today. His slightly dark hued, warm lyric tenor is an instrument of rare quality. Fortunately, Vargas is able to combine this beauty of sound with intelligent phrasing and restraint. Although it was been remarked that his voice is rather small, this is a misconception. I have had the pleasure of hearing Vargas all three times he has performed at the LA Opera, once in Werther and twice in L'elisir D'amore. Although Vargas does not have the spinto power of a Domingo, he achieves plently of volume without straining his voice. Although Vargas struggles sometimes at the top, that is not because he lacks an adequate top register. Rather, it is because his voice is not particularly well suited to the heavier, higher tessitura roles. Thus, Vargas reaches the top notes demanded by Donizetti, for example, with facility, while he may sometimes struggle with a heavier Verdi aria. One can only hope that Vargas does not push his voice unwisely like a Di Stefano, whose expansion into the heavier repertoire resulted in the coarsening of that great tenor's velvety timbre. This is not to say that Vargas's voice will not change. But any change should come naturally. In the meantime, Vargas should do what he has been doing thus far, something that he seems to do better than any other tenor today.

Average customer rating: window into the past timeless beauty A Very Good Place to Start with Caruso's Art There is No Better... Best singer to date; period !

Prima Voce - Caruso Manufacturer: Nimbus Records ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Goldmark | Goldmark, Karl | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Caruso, Enrico | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Donizetti, Gaetano | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Massenet, Jules | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Meyerbeer, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Halevy, Fromental | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Ladino | Languages | Opera & Vocal | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music 4-for-3 Opera & Vocal | 4-for-3 Music | Stores | Music Similar Items: Italian Songs: The Digital Recordings The Legendary Enrico Caruso: 21 Favorite Arias Great Caruso Prima Voce: Enrico Caruso, Opera Vol. 3 Prima Voce: Caruso in Opera, Vol. 2 ASIN: B0000037J4 Release Date: 1992-12-02

Tracks:

1. Manon: Il Sogno ('En Fermant Les Yeux')
2. Tosca: E Lucevan Le Stelle
3. l'elisir D'amore: Una Furtiva Lagrima
4. Il Trovatore: Di Quella Pira
5. L'africana: Mi Batti Il Cor .... O Paradiso
6. Pagliacci: Recitar .. Vesti La Giubba
7. Don Sebastiano: Deserto In Terra Solo
8. Rigoletto: Questa O Quella
9. La Forza Del Destino: Della Natal Sua Terra ....
10. La Regina Di Saba: Magiche Note
11. PagliacciI: No! Pagliaccio Non Son
12. Aida: Se Quel Guerrier Io Fossi .. Celeste Aida
13. Manaon: Je Suis Seul ...Ah! Fuyez Douce Image
14. Un Ballo In Maschera: Di Tu Sse Fedele
15. Un Ballo In Maschera: Forse La Soglia ...Ma Se M'e Forza
16. Lo Schiavo: Qui Fortuna Insistenza ...Quando Nascesti Tu
17. Rigoletto: Ella Mi Fu Rapita ...Parmi Veder Le Lagrime
18. Manon Lescaut: Donna Non Vidi Mai
19. Il Duca D'alba: Angelo Casto E Bel
20. La Juive: Rachel, Quand Du Seigneur

Amazon.com

Sounding across the years, through the haze of primitive (though remarkably vivid) recordings, the voice of Enrico Caruso is still a miracle. The sense of style, the feeling of effortless control and power held in reserve, and, most of all, the uncanny expressiveness that comes through in Caruso's combination of phrasing, accent, and intensity: it all compels the greatest admiration. Nimbus helpfully specifies the provenance of the takes collected on this disc. They span a period of 17 years, from several matrices recorded early in 1904--two years after Caruso had made his first recordings for The Grammophone Company--to a 1920 Victor recording of "Rachel, quand du Seigneur" from Halévy's La Juive, one of the tenor's signature pieces. Caruso died at the age of 48, when a lot of today's tenors are just reaching their peak. But as these selections show, he was a seasoned artist from the time he was 28. No wonder the world fell at his feet. --Ted Libbey

Customer Reviews:

window into the past.......2006-03-24

What a great recording! Basically, a digital version of recordings made on the first analog recording technology. The beauty of Caruso's singing, his anachronistic melodramatic style and the bumps and scratchings of the orgininal recording blend together for a total effect that is quite persuasive and effective. Love it.

timeless beauty.......2004-11-24

When one hears the richness of Caruso's voice, and the depth of the emotion he expresses, it's hard to fathom that some of these recordings date back 100 years. The tracks are in chronological order, from February 1904 to September 1920.
The first three selections from 1904 are exquisite, and have only a solo piano accompaniment. The "Una Furtiva Lagrima" (track # 3) has a grace and luminosity that is breathtaking.
There are many arias that have remarkable aspects to them, like "Magiche note" from Goldmark's "La Regina di Saba", where he does a series of pianissimos, and of course, his most famous role was as Canio, in Leoncavallo's "Pagliacci", and this CD has both "Vesti la giubba" from 1907, and "No ! Pagliacco non son" from 1910. The latter is phenomenal, and has a deep, dark quality, sounding more like a baritone than a tenor.

There are some rarely heard pieces here, like the Goldmark aria, and "Deserto in terra solo" from Donizetti's "Don Sebastiano", and only occasionally heard is the beautiful "Rachel, quand du Seigneur" from Halevy's "La Juive", and no one can equal Caruso's interpretation of it.
What stands out most about his singing aside from the glorious sound is his phrasing, which is dramatic as well as supremely musical...one of the many reasons the name Caruso has become synonymous with "Italian operatic tenor".

The booklet insert has liner notes on Caruso's career, and a brief synopses for each aria.
The sound considering the age is a marvel, re-mastered from 78 RPM recordings, and states "A breakthrough in archive sound reproduction, Nimbus Natural Ambisonic Transfer technology preserves the immediacy and fidelity of the original performance". Thank goodness Caruso's emergence as a singer and the gramophone came into existence at the same time, so that recordings like this can still be heard.
Total playing time is 74'58.

A Very Good Place to Start with Caruso's Art.......2004-04-03

The best transfer of Caruso I can lay my hand on so far. There is no surface noise and the beauty of his voice is not at all compromised, it sounds as though it is recorded in the 50s !

Caruso eclipses the great tenors of all other ages with ease. However be reminded that to some audience, his singing is dated at least so in term of taste. Others may wish to add more songs or arias to show the best of his voice etc.

The fact is, this CD runs 69.31 minutes which is more than sufficicinet to give the audience a good profile of the greatest voice of the century.

There is No Better..........2003-10-05

Caruso has no better in the male sphere of singing in terms of his range and the beauty of his voice. This recording verifies the case completely. He truly puts the so called 3 tenors of 2000 immediately into the background of mediocrity.

My feeling with regard to Caruso is that he sang songs that he really didn't always convince me about. When you hear this CD, which I must say buy, buy, buy, you will understand. It is possible to float the most beautiful male vox over nonchalance; it certainly is done quite regularly. I think if Caruso had created his own songs on a regular basis, I would be even more convinced of him being the greatest male singer of all time. There is no better...

Matthew Hahn...

Best singer to date; period !.......2001-02-28

Thank you Nimbus Records for getting this CD out. I have owned this CD since 1998 and have listened to it numerous times.

Enrico Caruso is one of my most favorite singers. Truly, after listening to Caruso sing you will agree that his talent was just enormous. In number after number the VOICE will engulf you, and move you to new heights. Listen to track thirteen, "Ah! Fuyez Douce Image". You will not find a better rendition ANYWHERE.

If you like classical singing and if you wish to hear a true great ply his art, this CD is for you. Five stars do not do justice.

Average customer rating: Disappointment A must-have for Pavarotti fans

Pavarotti at Carnegie Hall Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Alessandro Scarlatti | Scarlatti, Alessandro | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Stradella | Stradella, Alessandro | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music All Works Featuring Luciano Pavarotti | Pavarotti, Luciano | ( P ) | Featured Performers, A-Z | Classical | Styles | Music Donizetti, Gaetano | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Flotow, Friedrich von | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Liszt, Franz | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Schubert, Franz | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Scarlatti, Alessandro | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Los Angeles 1973 (Recital UCLA Campus 1973) Pavarotti in Central Park Luciano Pavarotti - Passione - Neapolitan Songs Mamma Luciano Pavarotti: O Holy Night ASIN: B0000041UJ Release Date: 1990-10-25

Tracks:

1. Le violette
2. Pieta, Signore
3. Eteocle e Polinice: Che fiero costume
4. Ave Maria
5. Ave verum
6. O Jesu mi dulcissime
7. Rigoletto: Ella mi fu rapita...Parmi veder le lagrime
8. Tre Sonetti Di Petrarca: Pace non trovo
9. Tre Sonetti Di Petrarca: Benedetto sia 'I giorno
10. Tre Sonetti Di Petrarca: I' vidi in terra
11. Il Duca d'Alba: Inosservato, penetrava... Angelo casto e bel
12. 'A Vucchella
13. Martha: M'appari tutt'amor
14. La Girometta

Customer Reviews:

Disappointment.......2006-02-17

The CD never arrived. I am very sorry about that. Can you tell me something about it?

A must-have for Pavarotti fans.......1999-08-23

The recital was one of Pavarotti's greatest accomplishments. But as far as I know, this is his only recording with piano accompaniment: in 1987, at NY's Carnegie Hall. So it's a unique opportunity to hear the familiar voice in all its pure clarity, devoid of orchestral support, and to listen to Pavarotti singing baroque songs and arias, religious music, and lieder, as well as his trademark opera arias and neapolitan songs. And the tenor gives each piece its specific meaning and style: from the spiritual unction of 'Pietà, signore' to the joy of 'La Girometta'. Great piano accompaniment, specially in Listz's sonetti.

Average customer rating: Good voice for his repertoire Bravo, Bravo, Bravissimo! Early Marcelo Alvarez Revisited A great voice used well. What is it with the numbers?

Marcelo Álvarez - Bel Canto / Y. Huang, WNO, Rizzi Gaetano Donizetti , Vincenzo Bellini , Welsh National Opera Orchestra & Chorus , Carlo Rizzi , Marcelo Álvarez , and Ying Huang Manufacturer: Sony ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Tenor's Passion Salvatore Licitra - The Debut Marcelo Álvarez - French Arias Duetto Marcelo Alvarez Sings Gardel ASIN: B00000D9Y1 Release Date: 1998-10-20

Tracks:

1. Rigoletto: Questa O Quella
2. Rigoletto: Ella mi fu rapita!...Parmi veder le lagrime...Possente amor me chiama
3. Rigoletto: La danna e mobile
4. L'Elisir d'Amore: Una furtiva lagrima
5. Il Duca d'Alba: Inosservato penetrava...Angelo casto e bel
6. I Puritani: Opening Scene From Act III
7. Lucia di Lammermoor: Tombe degli avi miei...Fra poco a me ricovero
8. Linda di Chamounix: Linda! si retiro...Se tanto in ira agli unomini
9. La Traviata: Lunge da lei... De' miei bollenti spiriti...o mio rimorso
10. La Favorita: Favorita de Re!...Spirto gentil

Amazon.com

Though he came to professional singing comparatively late and began to attract the attention of the operatic world only fairly recently, Argentinian tenor Marcelo Alvarez already seems launched on a successful career. On this debut recording of Italian arias, he displays a light, sweet voice; a ringing, easy top; a basically lyrical temperament; and honestly felt, natural expressiveness--only the three familiar arias from Verdi's Rigoletto are a bit fussy and exaggerated. Though the mixed program does not give him much opportunity for sustained characterization, he does match the color and intensity of his voice to the situation. Among the highlights are a beautiful extended scene from Bellini's I puritani with soprano Ying Huang; arias from Donizetti's Linda di Chamonix and La favorita, the latter culminating in a splendid high C; and a lively cabaletta from Verdi's La traviata. The orchestra tends to be too discreet. --Edith Eisler

Customer Reviews:

Good voice for his repertoire.......2007-07-22

Marcelo Alvarez began his singing career later than most tenors. As the booklet coming with the CD notes, "After years of nearly everyone he knew wondering if he was crazy to want to be a singer, all the doors are opening." This CD appears to be a solid introduction to his work. His repertoire here runs from Verdi ("Rigoletto" and "La Traviata"), to Donizetti ("L'elisir d'amore," "Il Duca d'Alba," "Lucia di Lammermoor," Linda di Chamounix"), to Bellini ("I Puritani").

Some reflections on some of the "cuts" on this CD:

From "Rigoletto," "Questa o quella." This is smoothly sung; Alvarez demonstrates an attractive voice. There are some annoying affectations, but these are not critical. A nicely paced version of this work. Then, "La donna e Mobile." This is a spirited version of this well known piece. His voice appears a bit on the light side; he does not have the instrument of Tucker or Corelli (although that is hardly a criticism). The final high note is done well.

He does a nice turn on "Una furtive lagrima" from Donizetti's "L'elisir d'amore."

His turn at the opening of Act III of Bellini's "I Puritani" is quite musical. He shares the stage (albeit briefly) with soprano Ying Huang and a chorus. Again, an attractive voice is on display. For someone on stage for so long, his voice wears well on the listener.

"La Traviata": "Lunge da lei. . .De' miei bollenti spiriti. . .o mio rimorso!" is well done. The first part is sung nicely. He shows much spirit and captures the character in "De' miei bollenti spiriti." The final part of this scene, "O mio rimorso" is dramatically done. He does not quite have the agility that would be ideal here, but, nonetheless, a good version.

So, all in all, a good CD from one of the finer tenors around today. He does not have a large voice, but it is attractive. A good introduction to his art.

Bravo, Bravo, Bravissimo!.......2005-04-18

These arias from La Traviata, Lucia di Lammermoor, Linda di Chamounix, I Puritani and Rigoletto have been recorded often (Too often) but among recent recordings I like Marcelo Alvarez's recordings of them the most. He has a most velvety and gorgeous timbre, wonderful high notes and he phrases sensitively, he uses vocal colours to shade and illuminate every phrase making him a great successor of lyric tenors like Giuseppe di Stefano and José Carreras. Of course he is individual but just as amazing as these guys! Bravo Monsieur Alvarez!

Early Marcelo Alvarez Revisited.......2004-12-22

Now and then it is a pleasant excursion to return to early recordings made by singers who are reaching a heady level of importance just to see how voices mature. In the case of Marcelo Alvarez, who is enjoying great success with his recordings (Massenet's 'Manon' with Renee Fleming, and his own solo CD 'The Tenor's Passion' for example), listening to this remarkable disc of bel canto arias is of particular interest.

This recording features the younger (1998), lighter voice in the appropriately lighter repertoire and the intelligence coupled with sheer beauty of sound is here. Though his voice has darkened and is much more full now, these bel canto arias are still splendid. The technique is sound, the line is pure, and the bloom at the top promises that he would become the lyric tenor he has become in 2004.

Marcelo Alvarez started here with the right works at the right time in his career. They are here to savour - sort of a hint of what he has become - a treasureable, exciting and intelligent singer. Grady Harp, December 2004

A great voice used well........2002-08-28

Mr. Alvarez has a wonderful vocal instrument, and his technique is marvellous. He is true bel canto. Nothing is ever forced or lacking in beauty. Fine diction and flawless Italian pronunction. Even when the voice rises in intensity, the sound remains lustrous and golden. The liner notes indicate that he is a wise steward of his voice as well, choosing his repetoire carefully and planning ahead as to when he will attempt certain things. I look forward to hearing him sing Cavaridossi in a few years. In the meantime, you will not be disappointed by this collection. It is simply great singing.

What is it with the numbers?.......2002-01-23

I refuse to call this guy the 4th tenor because there are lots of good tenors, always have been. But I do think Marcelo Alvarez is in line to inherit the mantle. Here he puts his agile voice through all the paces. It is a sweet voice, with power-like a velvet glove over a hammer! Never does it sound harsh or forced. I also like that he used "longer cuts" from scenes including duets and ensembles instead of the usual "Greatest Hits" (altho i like those too) But for me the most attractive and appealing element is the absolute joyful quality of his voice, like he is singing for the sheer pleasure of it. Thank you, Marcello, the pleasure is all mine!

Average customer rating: "The" Voice! Pavarotti Arias Achingly, Heartwrenchingly, Beautiful Luciano at his best this is a wondeful recording

Luciano Pavarotti - Donizetti Arias ~ Una furtiva lagrima Gaetano Donizetti , Richard Bonynge , Sir Edward Downes , Leone Magiera , Luciano Pavarotti , Nicolai Ghiaurov , Eric Garrett , Ambrosian Singers , and Roger Soyer Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music All Works Featuring Luciano Pavarotti | Pavarotti, Luciano | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: The Very Best of Nicolai Gedda Arias Here's to the Ladies Arias by Verdi and Donizetti Amore: Romantic Italian Love Songs ASIN: B000009OUA Release Date: 1998-08-11

Tracks:

1. Ah! mes amis ... Pour mon ame: La Fille du regiment
2. Pour me rapprocher de Marie: La Fille du regiment
3. Quanto e bella: L'elisir d'amore Romani
4. Una Furtiva Lagrima: L'elisir d'amore
5. Una vergine, un'angel di Dio: La favorita Royer, Vaez
6. Si, che un solo accento: La favorita
7. Favorita del re! ... Spirto gentil: La favorita
8. Inosservato, penetrava ... Angelo casto e bel: Duca d'Alba Scribe
9. Deserto in terra: Don Sebastiano
10. Com'e gentil: Don Pasquale
11. Ah! rimiro il bel sembiante: Maria Stuarda
12. Tombe degli avi miei: Lucia di Lammermoor
13. Tu che a Dio spiegasti l'ali: Lucia di Lammermoor

Amazon.com essential recording

This CD contains arias recorded by Pavarotti between 1967 and 1975, and it would not be an overstatement to say that it is probably the most beautiful CD by a tenor ever released. This was Pavarotti in his early prime--indeed, a couple of the arias are first bloom. It covers music from eight Donizetti operas, from the almost startlingly virtuosic "Ah! mes amis..." (La Fille du Régiment), with its nine perfectly placed high Cs, through the ever popular "Una furtiva lagrima" (L'Elisir d'Amore) and three stunners from La favorita to Edgardo's final scene from Lucia and more. But the two priceless pieces of music here are from the little-known Il Duca d'Alba and Don Sebastiano, two arias of such exquisite beauty that were they the only things Donizetti had ever composed--or the only extant singing by Pavarotti--both would still be considered great. This is a treasure trove. Grab it. --Robert Levine

Customer Reviews:

"The" Voice!.......2007-02-15

If ever a human voice sung fom heaven, Luciano Pavarotti in this album is that voice.
He is reported to have said that Juan Diego Florez has taken over from him the 'King of high Cs' title.
Well, to me at least, that is an overtly over-statement, even if coming from Pavarotti himself.
Juan happened to possess a voice that could sing high passages with ease. Of course, he sings it well, too.
Even so, any one that have heard Pavarotti in his 'Regiment' aria "Ah! mes" would agree that it is entirely different from Juan's version. Not that Juan does not sing the notes beautifully. Rather, it appears to be that Pavarotti's timbre is more 'grounded' or 'earthy', thereby throwing the 9 High Cs to greater 'relief' (or contrast) than does Juan.
I agree that this recording captures Pavarotti in his younger and even more beautiful voice than his more mature works.
Everyone should own this CD as a real tribute to Luciano.

Pavarotti Arias .......2006-06-26

This is a very high quality recording made by the greatest tenor of our time, singing arias we all know and love.

Achingly, Heartwrenchingly, Beautiful.......2004-03-13

Pavarotti is arguably the most gifted and accomplished operatic tenor of the twentieth century. While other contemporary tenors may be stylistically flawless and a joy to listen to, Pavarotti is in a class by himself. He drifts effortlessly from the low, lyrical passages to soaring high notes which have a tendency to sound strained when anyone but Pavarotti (and of course, the incredible Mario Lanza) attempts them.
As many of the reviews mention, this IS Pavarotti in his prime, and this is most apparant in his flawless command of the stratospheric high C's. He's not known as "The King of the High C's" for nothing! In addition, unlike many opera compilations that trundle out the most overplayed snipits from the most well known works, Una Furtiva Lagrima gives us some of the greatest arias from one of opera's most talented composers, Donizetti. This album is a celebration not only of Pavarotti's brilliance, but Donizetti's as well. For an introduction to opera, this album is great. For an introduction to Donizetti, this album is excellent. And for a showcase of the power and range of one of opera's greats, this album is fantastic!

Luciano at his best.......2003-01-22

I can only repeat what has been said above. Pavarotti singing Donizetti in his prime years - outstanding. His voice is pure gold and suits perfectly for Donizetti. Especially the arias from Il Duca d'alba and Don Sebastiano are wonderful.

this is a wondeful recording.......2002-05-09

all I can do is echo the Amazon reviewer. This is if not the most beautiful recording ever made by a tenor at least one of the most beautiful. Pavarotti's voice and musicianship are outstanding. This is just a wonderful CD for anyone interested in Donizetti, in Pavarotti, or in great singing. At the price, it's a bargain.

Average customer rating: A reminder of what once was a great, great voice LUCKY LUCIANO

Arias by Verdi and Donizetti Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music All Works Featuring Luciano Pavarotti | Pavarotti, Luciano | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music Donizetti, Gaetano | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Luciano Pavarotti - Donizetti Arias ~ Una furtiva lagrima Arias ASIN: B0006M4ROC Release Date: 2005-03-08

Customer Reviews:

A reminder of what once was a great, great voice.......2005-07-29

Forget the wheezing & bellowing of the Three Tenors performances, or getting booed at La Scala. This will remind you that, once upon a time, there was a good reason that Pavarotti was the most celebrated Italian tenor of his generation. All one gets to enjoy is a pure, uncorrupted voice of the most stellar nature. The sound quality on these recordings is sometimes less than perfect --- there are times he sounds like he singing from inside a box --- but this is a minor quibble. A magnficent tone, good phrasing --- it will make one almost forgive Luciano for become the besotted grotesque that he is today.

LUCKY LUCIANO .......2005-03-31

Decca has reissued this, the first Pavarotti recital recording. Forget all the recent hype, innumerable recent CDs (both studio and live) and extramusical noise be it admirable or otherwise. Turn the clock back and enjoy what all the excitement was originally about. Here is the voice - warm, sincere, pure, unspoiled and undeniably Italian. This is how I like to think of Mr. P as the handsome, whiskered, dimpling, lovely fellow in the gold scarf peeking around the corner. The original LP issue knocked me out when I first heard it, and it still does.

Average customer rating: Beyond all description... An Absolute Must-Have for Any Pavarotti Fan Wonderful!!!!

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Album Description

Disc 1: Donizetti Arias from L'elisir d'amore, Maria Stuarda, Lucia di Lammermoor, La Fille du Regiment, Linda di Chamounix, La Favorita, and Don Paquale

Disc 2: Bellini/Donizetti/Verdi Includes arias from I Capuleti e i Montecchi, Norma, La Sonnambula (1976 Duet Recording), I Beatrice di Tenda, I Puritani, Don Sebastien, Il Duca d'Alba, I Lombardi, I due Foscari, Ernani, and Attila

Disc 3: Verdi 1 Includes arias from Macbeth, Luisa Miller, Rigoletto, Il Trovatore, La Traviata, and Les Vepres Siciliennes

Disc 4: Verdi 2 Includes arias from Un Ballo in Maschera, La Forza del Destino, Don Carlos, Aida, Otello, and Requiem

Disc 5: Puccini Includes arias from La Boheme, Madama Butterfly, and Turandot

Disc 6: Puccini and Verismo Includes arias from Cavalleria Rusticana, Manon Lescaut, Pagliacci, Andrea Chenier, and Tosca

Disc 7: Arias 1 Includes arias from La Griselda, Atalanta, Orfeo ed Euridice, Don Giovanni, Cosi fan Tutte, Guillaume Tell, and more. Includes Unreleased Material.

Disc 8: Arias 2 Includes arias from Martha, Mefistofele, La Giocanda, Adriana Lecouvreur, Rosenkavalier, Fedora, Werther, Faust, Carmen, and more

Disc 9: Italian Songs Includes: In questa tomba oscura, Me voglio fa'na casa, Non t'amo piu, Pace non trovo, and more

Disc 10: Neapolitan and Italian Popular Songs Includes: O sloe mio, Torna a Surriento, Core 'ngrato, Funiculi Funicula, Non ti scordar di me, Mamma and more

Bonus CD: The 1964 EP (previously unreleased) "Che Gelida Manina," "E lucevan le stelle," "Questo o quella," "La Donna e mobile," and "Parmi veder" with Orchestra of the Royal Opera House, Covent Garden, Edward Downes conducting

Customer Reviews:

Beyond all description..........2006-09-19

As a boy, I heard so many hyperbolic references to the legendary Enrico Caruso that I chose to purchase a remastered copy of his "Greatest Hits" when I first began to acquire recordings as a young man. Soon after, I discovered Pavarotti and my life was changed by his music. Caruso ended up in the Goodwill Store. I am convinced that in 500 years, should the earth cool again and the Muslim hoards abate, the civilized world will still tell tales of the greatest tenor. I have often found myself grumpy when searching for recordings of Pavarotti because of the inconsistent fidelity of the recordings. That search for the definitive Pavarotti recordings, regarding both content and fidelity, has ended with the release of this extraordinary collection. Worth it's weight in gold, the Puccinni Volume (#5) alone is enough to send someone like me into hyperspace. I am astounded by the beauty and power of these performances. I will always remember the day, not long ago, when a NPR commentator glibly mentioned between the weather and the night's playlist the terrible words, "Luciano Pavarotti has announced that he is retiring from Opera." I felt as if something indescribably beautiful was fading from the world. Of course, beauty in all of its earthly forms is fleeting at best, but these discs contain a reflection of it that will surely bolster any soul.

An Absolute Must-Have for Any Pavarotti Fan.......2004-01-09

...and that certainly goes without saying. My one tiny little problem with it is that his recordings of "Santa Lucia" and "Caruso" are not on this incredible box-set. Even though I have those recordings on other CDs, I still think those are very important pieces to include on this set (assuming that this set of Pavi hits would be the only compilation that that any fan of this phenomenal tenor would have). He is probably my biggest idol, and he deserves to have been one of the biggest opera stars in history.

Wonderful!!!!.......2002-11-07

This Pavarotti set; The Pavarotti Edition; is a wonderful collection of Arias and songs that cover Luciano's great career. Pavarotti is THE Voice of the 20th Century and this set does him justice. It includes 10 CDs with over 750 minutes of music; Includes Music from All of His roles; has a beautiful 76 page full color booklet; Has a wonderful write up; and includes a bonus CD of Pavarotti's fist album, a 45, from 1964, which has never been released on CD before this set. Every Song is hear, This SET is a must have for every Pavarotti Fan.

Average customer rating: I agree with the Above Reviewer.... An excellent CD for young baritones A marvelous sound.... Quintessential bel cantos The best Baritone in the world, period.

Songs of Love and Desire Gioachino Rossini , Gaetano Donizetti , Vincenzo Bellini , Ion Marin , and Dmitri Hvorostovsky Manufacturer: Philips ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Hvorostovsky, Dmitri | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Similar Items: Verdi Arias I Met You, My Love Dmitri Hvorostovsky - Passione di Napoli Dmitri Hvorostovsky in Concert 1998 Moscow Nights ASIN: B000004155 Release Date: 1994-09-20

Tracks:

1. Il Barbiere di Siviglia: Largo Al Factotum
2. La Favorita: Vien, Leonora
3. Il Duca d'Alba: Nei Miei Superbi Gaudi
4. La Favorita: A Tanto Amor, Leonora
5. Poliuto: Di Tua Beltade Immagine
6. Il Pirata: Si, Vincemmo
7. L'Eliser D'Amoure: Come Paride Vezzoso
8. Don Pasquale: Bella Siccome Un Angelo
9. Guglielmo Tell: Resta Immobile
10. I Puritani: Per Sempre Io Ti Perdei
11. Don Sebastiano, Re Del Portogallo: O Lisbona, Alfin Ti Miro
12. Lucia di Lammermoor: Cruda, Funesta Smania

Customer Reviews:

I agree with the Above Reviewer...........2004-10-25

simply the greatest baritone of our time! As an aspiring baritone, I can only aspire to achieve the kind of vocal perfection that Hvorostovsky displays so well. I first encountered his voice in 2001, when I was looking around in a Borders for baritone recordings; the CD I found was "Passion di Napoli" (Delos, I believe). I listened to it and was completelely blown away. Since then, I've seen him in the Met's production of "Don Giovanni" a while back, as the title character, and I've bought other albums of his. Honestly, I was amazed with his voice back in 2001, and I'm amazed now, perhaps moreso, with more of a vocal education. I envy his voice full-heartedly. I would not be ashamed to develop a voice similar to Hvorostovsky's. In fact, I would deem it a gift from God if this happens. I highly recommend this recording, and any other Hvorostovsky recordings out there, to anyone who wants to hear what the greatest singer in the world (sorry Terfel and Allen, but Hvorostovsky's got you beat) sound like. If you value operatic vocal music at all, then DO NOT OVERLOOK THIS SINGER! Off the charts!

An excellent CD for young baritones.......2004-03-29

With so many young baritones listening to powerhouses like Robert Merrill and Ettore Bastiannini singing monstorous arias, it is nice to find a CD from a well known baritone like Hvorostovsky singing on the more lyrical side of the baritonal spectrum. Hats off to Dimitri on this one. It truly is a "must-have" for any aspiring young baritone, let alone the average listener.

A marvelous sound...........2003-08-20

... and his Italian is wonderful. I'm not going to say that he's today's greatest baritone, but he's sure up there. His sound is simply delicious, fat and round, not an unpleasant tone in the bunch. Moreover, he is so personable even unseen. I like him a LOT.

Quintessential bel cantos.......2002-03-23

You can't say enough about this brilliant baritone. Hvorostovsky is the quintessential lyric baritone of all time. He is much gifted and just too good to be true. He made himself a big star out of winning at Cardiff Singer of the World Competion. He's been riding high ever since. Thanks to his star power, he has pretty good discography as for his recital albums. His superb singing and sheer beauty of his voice is showcased in this bel canto collection. It's easy to get addicted to intoxicating Dmitri sounds. I can't get enough of him and it happened to many people.

He has done stage productions of Puritani, Favorita, Barbiere, and L'elisir d'amour so far. I'v heard his Favorita at Carnegie Hall, and it was stanning performance. I still can't get over. I'd very much like to hear more of his bel canto operas but he became very good dramatic actor and his temperament is towards Verdi's. So you can't expect much of bel canto out of him yet at least he can do good recital program with them, I hope. My dying wish is to have all his bel canto repertories in full length commercial recordings. So help me God!

The best Baritone in the world, period........2000-12-17

OK, I know its a bold statement, but this artist has something going for him. I kid you not when I say, he has a phenomenal voice! If you know anything about classical voices then upon first hearing this man's voice you will agree that he deserves much more recognition. The power, line, and sheer beauty he possesses is unbelieveable. I know I keep going on and, but you must check Dmitri out. Forget Bryn Terfel and his breathy tone. His voice lacks the sheer vocal potency that Dmitri has. Listen to the first track on this CD, one of the most famous and vocally demanding in opera, he has it all. The track from La Favorite showcases Dmitri's ability to sing a beautiful melodic line and still retain vocal consistancy. Decca needs to pick this artist up. Enjoy, he is definitely someone to look forward to in the future.

Average customer rating:

Florencio Constantino Sings Opera Arias Manufacturer: Symposium ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music ASIN: B000001XX6 Release Date: 1997-10-07

Tracks:

1. Les Huguenots: Bianca Al Par
2. Le Prophete: Re Del Ciel
3. L'Africaine: O Paradiso
4. Il Barbiere Di Siviglia: Ecco Ridente
5. L'Elisir D'Amore: Una Furtiva Lagrima
6. Lucia Di Lammermoor: Verrano A Te
7. Lucia Di Lammermoor: Tu Che Addio
8. La Favorita: Una Vergine
9. Il Duca D'Alba: Angelo Casto E Bel
10. Mignon: Ah! Non Credivi Tu
11. Rigoletto: Questa O Quella
12. Rigoletto: E Il Sol Dell'anima
13. Il Trovatore: Deserto Sulla Terra
14. Il Trovatore: Di Quella Pira
15. La Traviata: Un Di Felice
16. La Traviata: De' Miei Bollenti Spiriti
17. La Traviata: Parigi O Cara
18. Forza Del Destino: Solenne In Quest'ora
19. Aida: Celeste Aida
20. Faust: Io Bramo Il Piacere
21. Faust: Salve Dimora
22. Faust: Dammi Ancor

Meditation Music:

1. Gaetano Donizetti: Lucia Di Lammermoor [Box set]
2. Gaetano Donizetti: Lucia di Lammermoor (Highlights)
3. Gateway To Classical Music: Opera
4. Giacomo Puccini: La Bohème (Scenes And Arias)
5. Giacomo Puccini~Madama Butterfly Highlights
6. Giacomo Puccini: Turandot Highlights
7. Gilbert & Sullivan: The Gondoliers [Import]
8. Gioachino Rossini: Il Barbiere di Siviglia
9. Giuseppe Verdi: La Forza Del Destino
10. Giuseppe Verdi: La Traviata (Scenes And Arias)

Meditation Music

meditation music

Meditation Music

Songs We Should Have Written

Eisler: Elegien No1&2; Die Hollywood-Elegien

Hamletmaschine-Oratorio

Music: Simple Moves (re-issue)

Get 'Em Up [CD-single]

Hunter Files

Le Temps Des Cerises [Import]

James Taylor - Greatest Hits, Vol. 2

Into the Woods

Highway 61 Revisited [Import] [Limited Edition]

Jazz Cafe Presents [Import]

Discografia Completa, Vol. 1 [Import]

I'm Heated [Explicit Lyrics]

In Tennessee

Quartet Live, Vol. 3: My Old Flame