Giuseppe Verdi: La Traviata

1. La Traviata, opera Prelude
   Composed by Giuseppe Verdi
   Performed by Rome Opera Orchestra & Chorus
   with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
   Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
   
   
2. La Traviata, opera Libiamo ne'lieti calici (Brindisi)
   Composed by Giuseppe Verdi
   Performed by Rome Opera Orchestra & Chorus
   with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
   Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
   
   
3. La Traviata, opera Un dì felice eterea
   Composed by Giuseppe Verdi
   Performed by Rome Opera Orchestra & Chorus
   with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
   Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
   
   
4. La Traviata, opera È strano, è strano!; Ah, fors é lui
   Composed by Giuseppe Verdi
   Performed by Rome Opera Orchestra & Chorus
   with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
   Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
   
   
5. La Traviata, opera Follie! Follie! Dilirio vano
   Composed by Giuseppe Verdi
   Performed by Rome Opera Orchestra & Chorus
   with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
   Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
   
   
6. La Traviata, opera Sempre libera
   Composed by Giuseppe Verdi
   Performed by Rome Opera Orchestra & Chorus
   with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
   Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
   
   
7. La Traviata, opera Lunga de lei; De' miei bollenti spiriti
   Composed by Giuseppe Verdi
   Performed by Rome Opera Orchestra & Chorus
   with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
   Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
   
   
8. La Traviata, opera Pura siccome un angelo
   Composed by Giuseppe Verdi
   Performed by Rome Opera Orchestra & Chorus
   with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
   Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
   
   
9. La Traviata, opera Non sapete quale affetto
   Composed by Giuseppe Verdi
   Performed by Rome Opera Orchestra & Chorus
   with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
   Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
   
   
10. La Traviata, opera Ah, dite alla giovine
    Composed by Giuseppe Verdi
    Performed by Rome Opera Orchestra & Chorus
    with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
    Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
    
    
11. La Traviata, opera Morrò, morrò!
    Composed by Giuseppe Verdi
    Performed by Rome Opera Orchestra & Chorus
    with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
    Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
    
    
12. La Traviata, opera Di Provenza il mar
    Composed by Giuseppe Verdi
    Performed by Rome Opera Orchestra & Chorus
    with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
    Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
    
    
13. La Traviata, opera Ogni suo aver tal femmina
    Composed by Giuseppe Verdi
    Performed by Rome Opera Orchestra & Chorus
    with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
    Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
    
    
14. La Traviata, opera Di sprezzo degno sè stesso rende
    Composed by Giuseppe Verdi
    Performed by Rome Opera Orchestra & Chorus
    with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
    Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
    
    
15. La Traviata, opera Act III: Prelude
    Composed by Giuseppe Verdi
    Performed by Rome Opera Orchestra & Chorus
    with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
    Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
    
    
16. La Traviata, opera "Teneste la promessa..."
    Composed by Giuseppe Verdi
    Performed by Rome Opera Orchestra & Chorus
    with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
    Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
    
    
17. La Traviata, opera Addio del passato
    Composed by Giuseppe Verdi
    Performed by Rome Opera Orchestra & Chorus
    with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
    Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
    
    
18. La Traviata, opera Largo al quadrupede
    Composed by Giuseppe Verdi
    Performed by Rome Opera Orchestra & Chorus
    with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
    Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
    
    
19. La Traviata, opera Signora- Che t'accadde?
    Composed by Giuseppe Verdi
    Performed by Rome Opera Orchestra & Chorus
    with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
    Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
    
    
20. La Traviata, opera Parigi, o cara
    Composed by Giuseppe Verdi
    Performed by Rome Opera Orchestra & Chorus
    with Robert Merrill, Anna Reynolds, Anna Moffo, Piero dePalma, Franco Calabrese, Liliana Poli, Richard Tucker, Vito Susca, Franco Ventriglia
    Conducted by Fernando Previtali, Luigi [conductor] Ricci, Ugo Catania
    
    

Giuseppe Verdi: La Traviata,Robert Merrill,Franco Ventriglia,Vito Susca,Giuseppe Verdi,Fernando Previtali,Anna Reynolds,Rome Opera Orchestra & Chorus,Anna Moffo,Liliana Poli,Piero dePalma,Richard Tucker,Franco Calabrese,RCA,Classical,Classical Music,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio

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Average customer rating: The End of the Big Voice? Fla Gator Lady 20 Great Tenor Arias Plesantly surprised... Absolutely Agree About Corelli

Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco... Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Paul Potts [United Kingdom]: One Chance The Most Famous Opera Duets The Most Famous Opera Arias The #1 Opera Album The Best of Italian Opera ASIN: B000007OTX Release Date: 1998-06-09

Tracks:

1. La Boheme: Che gelida manina
2. Manon Lescaut: Donna non vidi mai
3. Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
4. Luisa Miller: O! fede negar potessi .. Quando le sere al placido
5. La Traviata: Lunge da lei ... De' miei bollenti spiriti
6. Martha: M'appari
7. Giordano: Amor ti vieta
8. L'Africaine: Mi batte il cuor .. O paradiso
9. La Favorita: Favorita del re . . . Spirto gentil
10. Werther: 'Pourquoi me reveiller'
11. Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
12. Les Contes d'Hoffmann: O Dieu! De quelle ivresse
13. TOSCA: E lucevan le stelle
14. Pagliacci: Recitar! ... Vesti la giubba
15. Il Trovatore: Di quella pira
16. Aida: Se quel guerrier .. Celeste Aida
17. TOSCA: Recondita armonia
18. L'Elisir d'Amore: Una furtiva lagrima
19. La Gioconda: Cielo e mar!
20. Turandot: Nessun dorma

Customer Reviews:

The End of the Big Voice?.......2007-04-16

This CD, which is truly fine overall, reminds me of Marilyn Horne's lament that we have probably seen the end of the big voice and it makes me sad. I agree with the reviewer who refers to "microphonies". And more justice could be done to Bjorling's voice with a better transfer. But at some point, music becomes a matter of taste and I prefers singers who have the instrument and the support and the training, whether formal or not, to just let fly and take a chance on making a mistake. Domingo can be wonderful and so can his musicianship but he tends to be so stiff. I have to wonder at the virulence and asperity with which some people go after Pavarotti. It's true that late in his career he made some questionable recordings but the answer to that is simple: don't buy them. At his best, he belongs for all time in the top echelon of tenors. I love this CD and would recommend it to anyone who enjoys great (big) voices.

Fla Gator Lady.......2007-01-12

Highly recommend this CD with these beloved arias of the greatest tenors in opera. I have owned this CD for a couple of years and purchased another for a friend who always requests that I play it ... perfect for listening in the car, dinner, bridge games, relaxation ... just so perfect. You won't be disappointed in this one.

20 Great Tenor Arias.......2007-01-09

A great disc,combination of the greatest tenors of the 20th century and some of the most beautiful music ever written in any century,a must addition to any opera lovers collection.

Plesantly surprised..........2006-01-14

I don't remember how I found this CD the other day surfing through the "Amazon" such as it is, but I did. I listened to a few clips provided & on the strength of that, I purchased this CD.

First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).

Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.

Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.

Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.

This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.

A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!

Absolutely Agree About Corelli.......2005-05-27

Franco Corelli's "Nessun Dorma" is still the best of them all - clear, passionate, and exciting. (And those final two notes...! Gives me chills just to think of it.) I was fortunate enough to see him live in both "Turandot" and "Romeo and Juliet" a year before his retirement, and he was still a Calaf and a Romeo to die for... as, of course, Liu and Juliet did! As it is, I tend to buy compilations depending on how much Corelli they include - though Bjorling is a strong second, and I have happy memories of Domingo. Long live the Golden Age of Operatic Tenors!

Average customer rating: Here's what the fuss was all about! Beverly Sills - The Best Beverly Sills' highs are breathtaking! THE 2005 OPERA CD OF THE YEAR EMI Does It Again: Beverly Sills - A Tribute

The Very Best of Beverly Sills Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Sills, Beverly | ( S ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music New York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Donizetti, Gaetano | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Massenet, Jules | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Rossini, Gioacchino | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Lehar, Franz | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: The Great Recordings Beverly Sills: Made in America Art of Beverly Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation) Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato ASIN: B0006VYELE Release Date: 2005-04-26

Tracks:

1. Una Voce Poco Fa - Sherrill Milnes
2. Dunque Io Son - Sherrill Milnes
3. Contro Un Cor - Sherrill Milnes
4. Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
5. E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
6. Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
7. Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
8. V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
9. Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
10. Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
11. Via, Caro Sposino - Ambrosian Opera Chorus
12. Tornami A Dir Che M'ami - Ambrosian Opera Chorus
13. La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

1. Vilia - Beverly Sills
2. Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
3. Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
4. Libiamo Ne' Lieti Calici - John Alldis Choir
5. Un Di Felice, Eterea - John Alldis Choir
6. E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
7. Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
8. Che Fai? - John Alldis Choir
9. Addio Del Passato - John Alldis Choir
10. Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

Here's what the fuss was all about!.......2007-07-17

It would have been even better if they had included at least one Cleopatra aria and something from Baby Doe, but it doesn't really matter, because this collection will allow younger listeners especially to hear what the fuss was all about! There are moments listening to Sills, especially from Traviata or Manon, that are so beautifully sung and so genuine that they are heartbreaking. I feel so fortunate to have heard her Queen of the Night, Manon, Violetta, and Baby Doe. She was so generous as a performer and as a humanitarian, and she really brought opera into the American mainstream.

Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!

Average customer rating: The beautiful gift of opera... Pretty darn good The Opera #1 Opera Album Excellent assortment Great Selections

The #1 Opera Album Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi Manufacturer: Decca ProductGroup: Music Binding: Audio CD General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | 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Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: The Most Famous Opera Duets The Most Famous Opera Arias The Best of Italian Opera Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco... The Best Opera Album in the World...Ever! ASIN: B000059RXO Release Date: 2001-02-27

Tracks:

1. Carmen: Act 1: Prld - LPO/Sir Georg Solti
2. La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
3. La Boheme: Che Gelida Manina - Luciano Pavarotti
4. Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
5. Fedora: Amor Ti Vieta - Jussi Bjorling
6. Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
7. Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
8. Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
9. Rigoletto: La Donna E Mobile - Luciano Pavarotti
10. Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
11. Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
12. Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
13. La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
14. Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
15. Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
16. Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
17. Tosca: E Lucevan Le Stelle - Placido Domingo
18. Madama Butterfly: Un Bel Di - Mirella Freni
19. Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico

Tracks:

1. Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
2. Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
3. Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
4. La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
5. Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
6. Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
7. Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
8. Mattinata - Andrea Bocelli
9. Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
10. L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
11. Turandot: Signore, Ascolta! - Montserrat Caballe
12. Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
13. Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
14. Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
15. Tosca: Vissi D'arte - Kiri Te Kanawa
16. Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
17. Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
18. Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
19. Rusalka: O Silver Moon - Renee Fleming
20. La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
21. Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis

Amazon.com

The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin

Customer Reviews:

The beautiful gift of opera..........2007-07-17

This 2-CD set is absolutely wonderful! You can close your eyes and feel like you're actually at the opera, listening to those beautiful voices bringing tears to your eyes. Nessun Dorma still stirs up emotions in me, no matter how many times I hear it. Great examples of opera to give someone wanting to get interested in this style of music.

Pretty darn good.......2007-07-04

This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.

The Opera #1 Opera Album.......2007-06-07

The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.

Excellent assortment.......2007-05-12

I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.

Great Selections.......2007-03-31

This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...

Average customer rating: Great Stuff A Great Introduction to Italian Opera Best of the best! Fabulous bargain for anyone Great songs for a low price.

The Best of Italian Opera Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Donizetti, Gaetano | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Mozart, Wolfgang Amadeus | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Ponchielli, Amilcare | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music Puccini, Giacomo | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music Rossini, Gioacchino | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Verdi, Giuseppe | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: The Most Famous Opera Arias The Most Famous Opera Duets The #1 Opera Album Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco... The Best Opera Album in the World...Ever! ASIN: B000000UXN Release Date: 1997-01-21

Tracks:

1. La Traviata: 'Libiamo, Libiamo'
2. Rigoletto: 'La donna e' Mobile'
3. The Barber Of Seville: 'Una voce poco fa'
4. La Boheme: 'Che gelida manina'
5. Rigoletto: 'Gualtier Malde!' Caro nome'
6. Il Trovatore: 'Vedi! le fosche'
7. Il Trovatore: 'Il balen del suo sorriso...Per me ora fatale'
8. TOSCA: 'Vissi d'arte'
9. La Traviata: 'Di Provenza il mar, il suol'
10. The Marriage Of Figaro: 'Voi che sapete'
11. Aida: 'Se quel guerrier io fossi...Celeste Aida'
12. Madama Butterfly: 'Un bel di vedremo'
13. La Gioconda: 'Cielo e mar'
14. Lucia di Lammernoor: 'Ardon gl' incesi'

Customer Reviews:

Great Stuff.......2007-07-22

The sound quality of this disc is surprisingly good, very good for an ADD. All the selections captured each singer in his/her top form. It is a real treat that this disc contains many work that were not normally in certain singer's repertoire. Gedda's Aida, Moffo's Rossini-Rosina and Cherobino, for example, all were superbly sung. Even Moffo's Lucia sounds much better than I have ever heard in other places.

A Great Introduction to Italian Opera.......2005-05-01

The artists on this CD succeed in their goal to create a CD that displays great Italian opera. Carlo del Monte and Victoria de los Angeles open the disc with the Brindisi from La Traviata. Victoria de los Angeles is not the best Violetta, but she does the job, along with her parner Carlo del Monte, an underappreciated tenor. Victoria de los Angeles also appears on the CD in "Un bel di vedremo" from Madama Butterfly, a role she was well known for. Swedish tenor Nicolai Gedda appears on the disc twice. His first appearence is a superb rendition of "La donna e mobile" from Rigoletto. His final performance on this disc is in the heroric aria "Celeste Aida", a performance in a role that was not in his voice range. Anna Moffo is the star on this CD, appearing three times in three very different roles. First is her beautiful "Una voce poco fa", normally a role that calls for a mezzo-soprano. Her second is "Voi che sapete" from Le Nozze di Figaro, another mezzo-soprano role. Her final appearence is her best, "The Mad Scene" from Lucia di Lammermoor. Underrated tenor Giuseppe Campora performs "Che gelida manina" with a great tenor voice. Soprano Reri Girst is excellent in her performance of "Caro nome" from Rigoletto. One of my favorite baritones appears on this CD. Robert Merrill is a perfect Count di Luna, and it is evident in his rendition of "Il balen del suo sorriso". Another baritone appears on this CD: mario Sereni. He is not a world famous baritone, but he should have been. Overall, this is an excellent introduction to the world of Italian opera.

Best of the best!.......2003-01-11

The performers, the selections, the quality... almost divine!

Fabulous bargain for anyone.......2002-11-24

I would recommend this CD to anyone, from opera novice to experienced listener...

These are older recordings -- I would guess mostly from the 1960's. The recording quality is exceptional for the day and, while not the equivalent of modern engineering, is sufficient to allow sheer physical pleasure from the music and an immediate appreciation of the vocal qualities of the artists. The sound quality is the only mild drawback...

The performances are magnificent! The voices are almost entirely lighter and more agile than the great voices of the 80's and 90's. In fact, the ear of the editor is apparent in his preference for lighter and more agile voices.

For example, there is a beautiful rendition of "Che Gelida Manina" from someone I had never heard before, Guiseppe Campora. He does not have the weight or volume of Pavarotti or Domingo, but has more elegance and a pure, charming tone. A connoisseur performance, but nevertheless a true operatic rendition by a tenor who can hit the high C with authority -- as good for a newcomer to opera who wants to hear the real thing, as for an opera lover who would like to hear something a bit different.

Some of the artists were among the most famous singers of their day: Moffo, de los Angeles, Gedda.

Anna Moffo, one of the greatest sopranos of her day (and all time), is in magnificent voice in famous blockbusters from Rossini's Barber of Seville, Mozart's Marriage of Figaro, and the Mad Scene from Lucia di Lammermoor.

De Los Angeles is at her best in "Libiamo" from La Traviata, but the recording quality (the one inadequately engineered track on the CD) and her lack of oomph make for a second-rate version of "Un bel di".

In keeping with the light and lyrical orientation of the selections, Moffo -- a famous Gilda and hardly a dramatic voice -- is bypassed for the even lighter, sweeter and more agile colatura Reri Grist (while she still had her voice), in a lovely "Caro Nome".

Another nice selection is Mario Sereni performing "Di provenza, il mar". Both this and "Libiamo" are taken from one of my favorite recordings of Traviata -- also a great chance to hear Serafin at the helm of the Rome Opera House orchestra. (The 2-CD version of this is still available from EMI, I think.) Newcomers will love this pretty tune, and Sereni's archtypal Verdi baritone is good, although hardly the best ever.

Franco Corelli has never been a favorite of mine, but he sounds the best I've ever heard him in his rendition of "Cielo et mar".

Anyway, I didn't intend to list every cut. Whether you are an opera lover who would like to hear some of opera's most famous arias performed in a new light, or an opera lover who would like to hear great performances at a cut-rate price, this CD gets my unqualified approval.

Great songs for a low price........2001-08-16

Ranging from selections of La Traviata, Il Trovatore and other popular Italian operas, this is a great cd for under four bucks. The singers may not be well recognized, but they do possess powerful voices.

Average customer rating: Can't go wrong Most Famous??? Only one song knew well The Most Famous Opera Duets Good selection of opera highlights

The Most Famous Opera Duets Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Delibes, Leo | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Donizetti, Gaetano | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Strauss, Richard | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Wagner, Richard | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Ludwig, Christa | Divas | Opera & Vocal | Styles | Music Price, Leontyne | Divas | Opera & Vocal | Styles | Music Scotto, Renata | Divas | Opera & Vocal | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: The Most Famous Opera Arias The Best of Italian Opera The #1 Opera Album Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco... Rapture: Opera's Most Heavenly Moments ASIN: B000002SCA Release Date: 1994-04-12

Tracks:

1. Les Peurs des perles Act 1 - Au fond du temple saint
2. Madama Butterfly Act 1- Vogliatemi bene, un bene piccolino
3. Le Nozze di Figaro Act III - Sull'aria - Le Nozze di Figaro
4. La Traviata Act I - Un di, felice, eterea
5. Lucia Di Lammermoor Act I - Ah! Verranna a te sull'aure
6. Tristan und Isolde Act II - O sink hernieder, Nacht der Liebe
7. Carmen Act I - Parle-moi de m
8. Die ZauberflAct I - Bei Mern, welche Liebe F
9. Lakmct I - Viens, Mallika
10. Rigoletto Act I - il sol dell'anima
11. Der Rosenkavalier Act II - Mir ist die Ehre wilderfahren
12. Don Giovanni Act I - Li darem la mano
13. La Boh Act IV - O Mimi, tu pi torni
14. Il Trovatore Act IV - Miserere...Quel suon, quelle preci

Amazon.com

This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore "Miserere" (with Leontyne Price and Franco Bonisolli singing up a storm). There are many others, too--a veritable cornucopia of couplings--and a treat for the opera lover. --Robert Levine

Customer Reviews:

Can't go wrong.......2007-07-14

This is a really great CD for the price. It has many of the famous Arias on it and although the singers may not be the best out there they are certainly very good. This is cheaper than the price of a take away lunch; you can't go wrong with this CD.

Most Famous???.......2007-05-14

The title of this cd is misleading and I found myself wondering whose list did they use. That is not to say that there aren't some real treasures included here. The duet from Lakme is lovely in every way, Mady Mesple in particular, very beautful and very french, and far superior to Sutherlands hooty approach. Scotto and Bergonzi are superb, the Tristan and Isolde of Vickers and Dernesch truly other worldly, and the presentation of the rose duet with the young Ludwig and the astonishing Teresa Stich- Randell had me playing it over and over and I still can't believe it, but the most famous??? This cd is definitly worth buying, and I hated giving it only 3 stars but if you're talking most famous you could fill a couple of cd's with Puccini, not to mention Verdi, Mozart, etc. before Bizet's Les Pecheurs des perles, beautiful as it is, made the most famous list.

Only one song knew well.......2007-05-14

I should have done more research. The last song is the only one I could easily recognize. Live and learn.

The Most Famous Opera Duets.......2007-01-05

This seller truly makes a purchaser confident in the product as well the time in which is promised.

Thanks again!!!!!

Good selection of opera highlights.......2006-11-04

Super performances by famous opera artists of the 20th century, most of them no longer performing and some of them deceased. I enjoy having their voices available at home.

Average customer rating: Is there ANY DOUBT how pleased Verdi would be? Impressing portraits Probably Sills' best recording Tempos to taste Don't forget the baton

Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato Giuseppe Verdi , John Alldis Choir & Royal Philharmonic Orchestra , Aldo Ceccato , Beverly Sills , Nicolai Gedda , Rolando Panerai , Robert Lloyd , Mirella Fiorentini , Mario Carlin , William Elvin , and Keith Erwen Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation) The Very Best of Beverly Sills The Great Recordings Massenet: Manon The Ballad of Baby Doe ASIN: B000002SGL Release Date: 1990-10-25

Tracks:

1. La Traviata: Act I - Preludio
2. La Traviata: Dell'invito trascorsa i'ora
3. La Traviata: Libiamo ne' lieti calici (Alfredo, Violetta)
4. La Traviata: Che i
5. La Traviata: Un dfelice, eterea (Alfredo, Violetta)
6. La Traviata: Ebben? Che diavol fate?
7. La Traviata: Si ridesta in ciel l'aurora (tutti)
8. La Traviata: E' strano (Violetta)
9. La Traviata: Ah, fors'ui (Violetta)
10. La Traviata: Follie! Follie! (Violetta)
11. La Traviata: Sempre libera (Violetta)
12. La Traviata: Act II, Scene I - Lunge da lei (Alfredo)
13. La Traviata: De' miei bollenti spiriti (Alfredo)
14. La Traviata: Annina, donde vieni?
15. La Traviata: Oh mio rimorso! Oh, infamia! (Alfredo)
16. La Traviata: Alfredo? Per Parigi or or partiva
17. La Traviata: Pura siccome un angelo (Germont)
18. La Traviata: Non sapete quale affetto (Violetta)
19. La Traviata: Un dquando le veneri (Germont, Violetta)
20. La Traviata: Ah! Dite alla giovine (Violetta, Germont)
21. La Traviata: Imponete. Non amarlo ditegli (Violetta, Germont)
22. La Traviata: Morra mia memoria (Violetta, Germont)
23. La Traviata: Dammi tu forza, o cielo!
24. La Traviata: Che fai? ...Ai piedi suoi mi getterioletta)

Tracks:

1. La Traviata: Act II, Scene I - Ah, vive sol quel core
2. La Traviata: Di Provenaz il mar, il suol (Germont)
3. La Traviata: Ne rispondi d'un padre all'affetto
4. La Traviata: No, non udrai rimproveri (Germont)
5. La Traviata: Act II, Scene II - Avrem lieta di maschere la notte
6. La Traviata: Noi siamo zingarelle
7. La Traviata: Di Madride noi siam mattadori
8. La Traviata: Alfredo! Voi!
9. La Traviata: Invitato a qui sequirmi
10. La Traviata: Ogni suo aver tal femmina (Alfredo, tutti)
11. La Traviata: Di sprezzo degno se stesso rende (Germont, Alfredo, tutti)
12. La Traviata: Alfredo, di questo core (Violetta, tutti)
13. La Traviata: Act III - Prelude
14. La Traviata: Annina? Comandate?
15. La Traviata: Teneste la promessa (Violetta)
16. La Traviata: Addio, del passato (Violetta)
17. La Traviata: Largo al quadrupede
18. La Traviata: Signora! Che t'accadde?
19. La Traviata: Parigi, o cara, noi lasceremo (Alfredo, Violetta)
20. La Traviata: Ah, non piu, un tempio
21. La Traviata: Ma se tornando...Ah! Gan Dio! Morir si giovine (Violetta, Alfredo)
22. La Traviata: Ah, Violetta! Voi, signor!
23. La Traviata: Prendi, quest'e l'immagine...Se una pudica vergine

Customer Reviews:

Is there ANY DOUBT how pleased Verdi would be?.......2007-07-07

I have great regard for this recording of Beverly Sills in perhaps her real signature role. Lots of people would tell you "Manon", certainly, or "Lucia", or Elisabeth in "Devereauz", or perhaps "Baby Doe". I happen to simply love "Baby Doe", and, it was her truly great first big role. But, if one really wants to get down to the simple facts, Violetta, truly, was her best part, after "Manon".

I saw the lady on two occasions. Both times at the NYC Opera, once as Elisabeth in "Roberta Devereaux", and once in "La Traviata". Truthfully, I remember her most clearly as Elisabeth...but, I was fairly young, and look at the difference in the parts! Violetta is young, beautiful, and etc, as are most sporano parts, the same for .....Elisabeth was a walking veneration, in stately costume, with a face that was, simply, unforgettable! The only other character I remember as clearly is Norman Treigle as "Mefistofele"....

This Traviata certainly holds its own against the competition. I turn to it frequently, and always marvel, even after all these years, at Sills' creamy, silvery voice. It is unfortunate that she somehow never really made it to "front rank" in the eye of the general public. I suppose, as the NYC Opera was generally considered "second rank" to the Met, singers at the NYCO were also somewhat looked upon in the same way! How sad is that?? Then, by the time she did make it to the Met, her days of Violetta were over, and she sang somewhat heavier roles, for older characters.

Luckily for us, there is the recorded medium, which we can turn to time after time, and enjoy whenever we wish to. Admittedly, this is "second best" to a live performance, but at least we have the vocal interpretation, and luckily, I believe, there are some video performances also, so for those, we can see the Lovely Lady. Her recorded opera library, while not dense, is full of spectacular performances, and also some unusual roles...we need to be thankful for that.

While my favorite "La Traviata" will always be the Moffo/Tucker/Merrill under Prevetalli, there is, certainly, enough room for many interpretations. This is, then, one of the better ones to have as a viable "top tier" alternative. Maestro Ceccato is certainly famaliar enough with Verdi's score through years of performances to turn in a richly commendable performance. Nicolai Gedda....well, like Richard Tucker, somehow, with all his talent, and great singing voice, never really comes through to me as a three-dimensional character. (Again, as with Tucker, I never saw him "live", and this may make a world of difference...visual can be a great aid to characterization.) Rolando Panerai is very very good as Georgio Germont (but Robert Merrill will always hold this role for me), and his "Di Provenaz il mar" is really fine. Act III is stupendous, and of course, Act IV will break your heart as only Callas or Moffo could do. Or, as we so well know, Caballe, in the theatre could certainly do (I do not rank her RCA recording with Callas/Moffo efforts).

So, with all my ramblings, here, the final statement from me regarding this recording is this:

Certainly top tier, ranking with Callas and Moffo, great conducted interpretation, Panerai is very good, Gedda, too, is fine, but not my ideal. The secondary roles are all fine, here, too. So, do not hesitate to add this recording to your collection, either as a first recording, or as a secondary addition. This is Sills at her finest. ~operabruin

Impressing portraits.......2007-01-24

I love to have this recording, which is sadly no more available in Germany up to now. There are of course so many "La Traviata" recordings, but this I appreciate very much because of the singing portraits of really living persons - made by such great artists as Sills, Gedda and Panerai.

Probably Sills' best recording.......2006-11-17

Fans of Beverley Sills won't need convincing, but even those, like me, who are not always convinced by her, need not hesitate over the quality of this, her assumption of Violetta. Her voice sounds as good as I have heard it anywhere: wonderfully pure, expressive, agile, thrilling at the top and deeply in character, with none of the shrillness or unsteadiness which can intrude elsewhere; this is a performance to rival those of Moffo, Caballe and of course, Callas.

Ceccato's conducting is rather deliberate and even a little laboured at times but this does allow details and nuances to emerge. Panerai, if not always sufficiently refulgent of tone, sings very expressively and sympathetically as Germont, his tone very much in keeping with Sills' plangent singing, empathizing with her brittle vulnerability.

For me, the fly in the ointment is Gedda - though I am aware that not all will agree with me. I like him in some things but find his voice production wavery and pinched - not all Italianate or virile. Still, his diction is exemplary and, like Panerai, he is prepared to sing sofly and subtly. This set does not dislodge my preference for the Moffo/Previtali version and as far as I am concerned, nobody can approach Callas for individuality of utterance (but beware the cruddy quality of the two viable live recordings and the inadequacy of her colleagues in the 1952 Cetra set), but it's a worthy alternative if you have to have Sills.

Tempos to taste.......2006-07-25

Excellent singing by all the principals keeps bringing me back to this recording despite the slow tempos that diminish its effect, for me, by turning the domestic tragedy into an ominous apocalypse. This opera is about the fall of a sparrow, not the twilight of the gods. I am not a reference listener, so unfortunately (or fortunately) am unable to tell anyone else whether they should like the way this performance is paced. Mme. Sills herself was a a producer, and her artistry in all aspects of the recording is deliberate, ambitious, and complete, probably all the way down to the reverberant accoustics of the Toooting church where she recorded it. This Traviata is what it is, a distinctive recording which the listener can't help but admire and remember. I can understand why some people, though I am not one of them, would absolutely love it.

If you don't have an uncut performance of LaTraviata, you should order one today, this one being a very edifying and musically irreproachable example.

Don't forget the baton.......2005-03-19

I don't deny any of the good things said below about this recording. But I would like to offer in addition my compliments to conductor Aldo Ceccato, who not only paces well but also achieves better orchestral-vocal balance that even Carlos Kleiber - which is saying a lot. Individual instruments can be heard consciously augmenting certain vocal lines, which tells of Ceccato's attention to detail; and those instruments are always the right instruments, which tells of his good taste. Bravo, maestro.

Average customer rating: Verdi: Opera LaTraviata The Sound is very listenable Come closer to Maria Callas Best of La Traviata and Maria Callas Simply the best...

Verdi: La Traviata (complete opera live 1955) with Maria Callas, Giuseppe di Stefano, Carlo Maria Giulini, Orchestra & Chorus of La Scala, Milan Giuseppe Verdi , Orchestra e coro del Teatro alla Scala , Carlo Maria Giulini , Maria Callas , Giuseppe di Stefano , Ettore Bastianini , Silvio Maionica , Luisa Mandelli , and Arturo La Porta Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Callas, Maria | Divas | Opera & Vocal | Styles | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Verdi, Giuseppe | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music Callas, Maria | ( C ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Puccini: Tosca (complete opera) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Victor de Sabata, Chorus & Orchestra of La Scala, Milan Verdi: Rigoletto (Complete Opera); Maria Callas; Tito Gobbi; Giuseppe di Stefano Bizet: Carmen (complete opera) with Maria Callas, Nicolai Gedda, Georges Pretre, Paris Opera Orchestra Puccini: Madama Butterfly (complete opera) with Maria Callas, Lucia Danieli, Nicolai Gedda, Herbert von Karajan, Chorus & Orchestra of La Scala, Milan Puccini: La Boheme (complete opera) with Maria Callas, Giuseppe di Stefano, Anna Moffo, Antonino Votto, Chorus & Orchestra of La Scala, Milan ASIN: B00000630Y Release Date: 1998-03-17

Tracks:

1. La Traviata: Preludio (Orchestra)
2. La Traviata: Act One: Dell'invito trascorsa e gia l'lora
3. La Traviata: Act One: Libiamo, ne' lieti calici
4. La Traviata: Act One: Che e cio (coro/Violetta/Flora/Marchese/Barone/Dottore/Gaston/Alfredo)
5. La Traviata: Act One: Un di felice, eterea (Alfredo/Violetta)
6. La Traviata: Act One: Ebben? Che diavol fate? (Gastone/Violetta/Alfredo)
7. La Traviata: Act One: Si ridesta in ciel l'aurora (Flora/Gastone/Barone/Dottore/Marchese/Coro)
8. La Traviata: Act One: E strano! E strano!
9. La Traviata: Act One: Ah, fors'e lui che l'anima
10. La Traviata: Act One: Follie! follie! Delirio vano e questo! (Violetta)
11. La Traviata: Act One: Sempre libera (Violetta - Alfredo)
12. La Traviata: Act Two: Scene One: Lunge da lei
13. La Traviata: Act Two: Scene One: De' miei bollenti spiriti (Alfredo)
14. La Traviata: Act Two: Scene One: Annina, donde vieni?...Alfredo?...Per Parigi or or partiva (Alfredo/Annina/Violetta/Germont)
15. La Traviata: Act Two: Scene One: Pura siccome un angelo
16. La Traviata: Act Two: Scene One: Non sapete quale affetto
17. La Traviata: Act Two: Scene One: Un di, quando le veneri
18. La Traviata: Act Two: Scene One: Ah! dite alla giovine
19. La Traviata: Act Two: Scene One: Imponete...Non amarlo ditegli
20. La Traviata: Act Two: Scene One: Morro! La mia memoria (Germont/Violetta)
21. La Traviata: Act Two: Scene One: Dammi tu forza, o cielo! (Violetta/Annina)
22. La Traviata: Act Two: Scene One: Che fai?...Nulla (Alfredo/Violetta)
23. La Traviata: Act Two: Scene One: Ah, vive sol quel core all'amore mio! (Alfredo/Commissionario/Germont)
24. La Traviata: Act Two: Scene One: Di Provenza il mar (Germont /Alfredo)

Tracks:

1. La Traviata: Act Two: Scene Two: Avram lieta di maschere la notte (Flora/Marchese/Dottore)
2. La Traviata: Act Two: Scene Two: Noi siamo zingarelle (Coro/Flora/Marchese/Dottore)
3. La Traviata: Act Two: Scene Two: Di Madride noi siam mattadori (Coro/Gastone/Flora/Dottore/Marchese)
4. La Traviata: Act Two: Scene Two: Alfredo! Voi!
5. La Traviata: Act Two: Scene Two: Invitato a qui seguirmi
6. La Traviata: Act Two: Scene Two: Ogni suo aver tal femmina (Flora/Gastone/Barone/Dottore/Marchese/Coro)
7. La Traviata: Act Two: Scene Two: Di sprezzo degno se stesso rende (Germont/Alfredo/Flora/Gastone/Barone/Dottore/Marchese/Coro)
8. La Traviata: Act Two: Scene Two: Alfredo, Alfredo, di questo core (Violetta/Germont/Alfredo/Gastone/Barone/Dottore/Marchese/Coro)
9. La Traviata: Act Three: Preludio (Orchestra)
10. La Traviata: Act Three: Annina? ...Comandate? (Violetta/Annina/Dottore)
11. La Traviata: Act Three: Teneste la promessa
12. La Traviata: Act Three: Addio, del passato (Violetta)
13. La Traviata: Act Three: Largo al quadrupede (Coro)
14. La Traviata: Act Three: Signora!... Che t'accadde?
15. La Traviata: Act Three: Parigi, o cara (Annina/Violetta/Alfredo)
16. La Traviata: Act Three: Ah, non piu, a un tempio
17. La Traviata: Act Three: Ah! gran Dio! Morir si giovine (Violetta/Alfredo)
18. La Traviata: Act Three: Ah! Violetta...Voi, signor!
19. La Traviata: Act Three: Prendi, quest'e l'immagine (Germont/Violetta/Alfredo)
20. La Traviata: Act Three: Se una pudica vergine (Violetta/Germont/Alfredo/Annina/Dottore)

Amazon.com essential recording

This live recording of the 1955 Visconti production at La Scala is the best of the available Maria Callas Traviatas. Aside from a minor pitch problem or two, she's in great voice, coloring phrases to reveal character and investing the coloratura with variety and passion. Her "Addio del passato" is heart-breaking. She fully captures Violetta's pride and vulnerability in the scene with Germont, though her partner, Ettore Bastianini, sings insensitively, if beautifully. Giuseppe Di Stefano is all one could ask for as Alfredo. Carlo Giulini conducts a performance that delivers all the lyricism and drama of the score. The recorded sound is primitive, but in EMI's latest transfer you can listen through it to a wondrous performance. --Dan Davis

Customer Reviews:

Verdi: Opera LaTraviata.......2007-07-04

Enjoyable recording,singers Maria Callas, DiStefano,Bastianini surperb. Clarity as if recently recorded. Orchestra and chorus fantastic.

The Sound is very listenable.......2007-01-05

Don't be put off by other reviewers' rants on the sound of this superb performance. If you're comfortable listening to some of the better Opera D'Oro sets, you'll find this more than satisfactory. I ordered it recently despite those complaints and am VERY glad I did. If you want to hear truly unforgivable EMI sound of a pirate Callas, listen to the MACBETH; you'll then see what a good job EMI did with this Callas performance. But if you decide you want the Lisbon TRAVIATA instead of this one, just about everyone says the Pearl is far superior to EMI in their remastering job.

Come closer to Maria Callas.......2007-01-03

This CD is a master piece of Maria Callas' performance. Together with Stefano, they created a milestone that their followers are difficult to overpass. Listen to this live, you feel you were back in 1955. The atmosphere it produced is fresh and new to the later generations. But because the record technique as mono, not stereo, if you feel untolerable for the mono, it will cut your expectation little bit. But generally, if you are really a fans of Maria Callas, you will definately like it.

Best of La Traviata and Maria Callas.......2006-11-13

Even though this recording is not stereophonic, you can still enjoy the marvelous voice of Maria Callas. You don't have to see her performance to understand how artistic she was. With her voice she was not actually singing, but she was acting as well. Not many singers could portrait Violetta's character like Maria Callas portraits in this particular recording. I would definitely recommend everyone who is interested in operas or not interested at all. La Traviata in general is a very light opera, so you do not have to be an opera buff to like it.

Simply the best..........2006-03-19

This recording of one of the greatest Verdi's opera is surely the best I've ever heard. Callas was at her top, others interprets are excellent also. A great historical piece of art.

Average customer rating: Luciano Pavrotti: The Best (Farewell Tour) Luciano Pavorotti Luciano is the best!

Luciano Pavrotti: The Best (Farewell Tour) Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music All Works Featuring Luciano Pavarotti | Pavarotti, Luciano | ( P ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Bixio, Cesare Andrea | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Cardillo, Salvatore | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Capua, Eduardo di | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Curtis, Ernesto de | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: The Best of the Three Tenors Romantica: The Very Best Of Luciano Pavarotti Pavarotti: Greatest Hits Amore: Romantic Italian Love Songs The Best of Luciano Pavarotti: 20th Century Masters/The Millennium Collection ASIN: B0007V5WB4 Release Date: 2005-09-13

Tracks:

1. La donna obile
2. Una furtiva lagrima
3. "Libiamo ne'lieti calici (Brindisi)
4. Donna non vidi mai
5. Che gelida manina
6. O soave fanciulla
7. Mi batte il cor...O Paradiso!
8. M'appari
9. Quando le sere al placido chiaror d'un ciel stellato
10. Se quel guerrier io fossi!..Celeste Aida
11. Forse la soglia attinse
12. Recitar! - "Vesti la giubba"
13. Come un bel di maggio
14. Ah mes amis - Pour mon
15. Di quella pira
16. Nessun dorma!

Tracks:

1. Torna a Surriento
2. Santa Lucia luntana
3. La Danza
4. L'ultima canzone
5. Non t'amo pi
6. Mattinata
7. 'O sole mio
8. 'A vucchella
9. Core 'ngrato
10. Nel blu, dipinto di blu
11. Vivere
12. Il Canto
13. Caruso
14. Buongiorno a te
15. Ti adoro
16. E lucevan le stelle
17. Questa o quella (Ballata)
18. Parmi veder le lagrime

Customer Reviews:

Luciano Pavrotti: The Best (Farewell Tour).......2007-06-27

Wonderful Pavarotti sings the best of the best. His voice never ceases to amaze me. Listening pleasure at it's finest.

Luciano Pavorotti.......2007-02-17

All the songs are wonderful, can never become tired of listening to his songs. Excellent.

Luciano is the best!.......2007-01-20

I can't speak more highly of this collection of Pavrotti's songs. I keep this two CD pack in my car so I can enjoy it on my way to and from work. Even after I have arrived, I find myself sitting in my car waiting for a song to end. Walking out on a song seems sacriligious. While I grew up listening to Caruso and Lanza, there is no question that Pavrotti is the Master! Although, I do have to admit Pavrotti has the greater advantage of modern recording technology to better present his talent than Caruso and Lanza had. However, Lanza definitely didn't have the power that Pavrotti has. With Caruso, we will never know... I highly recommend this collection of Pavrotti's, if you are a Pavrotti fan. If you aren't, buy it anyway and become one:)

Average customer rating: masters of classical music A good basic collection An excellent introduction to classical music Very Beautiful!!!!!1 Still Stuck on Beethoven

Masters of Classical Music (Box Set) Manufacturer: Delta ProductGroup: Music Binding: Audio CD Mazurkas | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Polkas | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Bagatelles | Short Forms | Forms & Genres | Classical | Styles | Music Impromptus | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music