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Nabucco, opera (Nabucodonosor)
Composed by Giuseppe Verdi
Performed by San Carlo Theater Orchestra & Chorus
with Gino Bechi, Maria Callas
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Don Carlo, opera Tu che la vanità...
Composed by Giuseppe Verdi
Performed by North German Radio Symphony Orchestra
with Maria Callas
Verdi: Nabucco,Gino Bechi,Giuseppe Verdi,San Carlos Theater Orchestra & Chorus,Sinfonieorchester des Norddeutschen Rundfunks,Maria Callas,Melodram,Classical,Italian Romantic Opera,Opera
Average customer rating:
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The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059RXO Release Date: 2001-02-27 |
Tracks:
- Carmen: Act 1: Prld - LPO/Sir Georg Solti
- La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
- La Boheme: Che Gelida Manina - Luciano Pavarotti
- Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
- Fedora: Amor Ti Vieta - Jussi Bjorling
- Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
- Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
- Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
- Rigoletto: La Donna E Mobile - Luciano Pavarotti
- Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
- Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
- Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
- La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
- Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
- Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
- Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
- Tosca: E Lucevan Le Stelle - Placido Domingo
- Madama Butterfly: Un Bel Di - Mirella Freni
- Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico
Tracks:
- Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
- Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
- Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
- La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
- Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
- Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
- Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
- Mattinata - Andrea Bocelli
- Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
- L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
- Turandot: Signore, Ascolta! - Montserrat Caballe
- Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
- Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
- Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
- Tosca: Vissi D'arte - Kiri Te Kanawa
- Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
- Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
- Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
- Rusalka: O Silver Moon - Renee Fleming
- La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
- Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis
Amazon.com
The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah ChinCustomer Reviews:
The beautiful gift of opera..........2007-07-17
Pretty darn good.......2007-07-04
The Opera #1 Opera Album.......2007-06-07
Excellent assortment.......2007-05-12
Great Selections.......2007-03-31
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...
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Masters of Classical Music (Box Set)
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001VU5 Release Date: 1990-10-25 |
Tracks:
- Eine kleine Nachtmusik: Allegro - Mozart, Wolfgang Amadeus
- Piano Concerto In A Major, K 488: Adagio - Mozart, Wolfgang Amadeus
- Flute Concerto In D Major, K 314: Allegro - Mozart, Wolfgang Amadeus
- Symphony No. 40 in G minor: Molto allegro - Mozart, Wolfgang Amadeus
- Clarinet Concerto KV 622: Adagio - Mozart, Wolfgang Amadeus
- Serenade, K 375: Menuetto - Mozart, Wolfgang Amadeus
- Turkish March - Mozart, Wolfgang Amadeus
- Violin Concerto, K 216: Allegro - Mozart, Wolfgang Amadeus
- Divertimento, K 334: Menuetto - Mozart, Wolfgang Amadeus
- Horn Concerto, K 447: Allegro - Mozart, Wolfgang Amadeus
- Cassation, K 99: Allegro - Mozart, Wolfgang Amadeus
Tracks:
- Overture No. 4 In Major: Rejouissance - J.S.Bach
- Overture No. 3 In D Major: Air - J.S.Bach
- Brandenburg Concerto No. 2 In F Major: I. Allegro - J.S.Bach
- Jesu, Joy Of Man's Desiring - J.S.Bach
- Overture No. 2 In B Minor: Menuet & Badinerie - J.S.Bach
- Prelude In C Major - J.S.Bach
- Toccata And Fugue In D Minor - J.S.Bach
- Prelude In C Minor - J.S.Bach
- Overture No. 1 In C Major: Passepied - J.S.Bach
- Brandenburg Concerto No. 1 In F Major: II. Adagio - J.S.Bach
- Kommst du nun, Jesu vom Himmel herunter, Chorale - J.S.Bach
- Brandenburg Concerto No. 3 In G Major: II. Allegro - J.S.Bach
- Violin Concerto In E Major: I. Adagio - J.S.Bach
- St. Matthew Passion: Finale Chorus: 'Wir setzen uns mit Tranen nieder' - J.S.Bach
Tracks:
- Symphony No. 5: Allegro con brio - Ludwig Van Beethoven
- Fur Elise - Ludwig Van Beethoven
- Violin Romance No. 2 - Ludwig Van Beethoven
- 'Moonlight' Sonata: Adagio sostenuto - Ludwig Van Beethoven
- Minuet - Ludwig Van Beethoven
- Symphony No. 8 In F Major: Allegretto scherzando - Ludwig Van Beethoven
- Coriolan: Overture - Ludwig Van Beethoven
- Piano Concerto No. 2: Adagio - Ludwig Van Beethoven
- Symphony No. 5 In C Minor: Allegro - Ludwig Van Beethoven
- Egmont: Overture - Ludwig Van Beethoven
Tracks:
- Die Fledermaus: Die Fledermaus (Excerpts) - Johann Strauss
- Wine, Woman And Song - Johann Strauss
- Tritsch Tratsch Polka - Johann Strauss
- The Blue Danube - Johann Strauss
- The Gypsy Baron: Introduction - Johann Strauss
- Annen Polka - Johann Strauss
- Vienna Blood - Johann Strauss
- The Gypsy Baron: Einzugsmarsch - Johann Strauss
Tracks:
- Tannhauser: Overture - MASTERS OF CLASSICAL MUSIC
- Die Meistersinger von Nurnberg: Dance Of The Prentices - MASTERS OF CLASSICAL MUSIC
- Die Meistersinger von Nurnberg: Prelude Act 3 - MASTERS OF CLASSICAL MUSIC
- Die Meistersinger von Nurnberg: Aufzug der Meistersinger - MASTERS OF CLASSICAL MUSIC
- Der fliegende Hollander: Overture - MASTERS OF CLASSICAL MUSIC
- Lohengrin: Prelude - MASTERS OF CLASSICAL MUSIC
- Tristan und Isolde: Prelude And Liebestod - MASTERS OF CLASSICAL MUSIC
- Tannhauser: Arrival Of The Guests At Wartburg - MASTERS OF CLASSICAL MUSIC
Tracks:
- Piano Concerto No. 1: Allegro non troppo - Peter Tchaikovsky
- String Serenade: Waltz - Peter Tchaikovsky
- Violin Concerto: Andante - Peter Tchaikovsky
- The Sleeping Beauty: Introduction - Peter Tchaikovsky
- The Sleeping Beauty: Pas d'action - Adagio - Peter Tchaikovsky
- The Sleeping Beauty: Waltz - Peter Tchaikovsky
- Capriccio italien Op. 45 - Peter Tchaikovsky
- Swan Lake: Ballet Suite: Scene No. 10 - Peter Tchaikovsky
- Swan Lake: Ballet Suite: Waltz - Peter Tchaikovsky
- Eugene Onegin: Polonaise - Peter Tchaikovsky
Tracks:
- The 4 Seasons: Concerto No. 1 In E Major: Spring - VIVALDI, Antonio
- Siciliano - VIVALDI, Antonio
- Concerto In D Minor:: (Allegro Assai) Cologne Concerto - VIVALDI, Antonio
- The 4 Seasons: Concerto No. 2 In G Minor: Summer - VIVALDI, Antonio
- Oboe Sonata In B Flat Major, RV 34: Adagio - Allegro - Largo - Allegro - VIVALDI, Antonio
- The 4 Seasons: Concerto No. 3 In F Major: Autumn - VIVALDI, Antonio
- Oboe Concerto: Allegro non tasto - Largo - Allegro non molto - VIVALDI, Antonio
- Concerto In D Minor: (Largo e spiccato) Cologne Concerto - VIVALDI, Antonio
- The 4 Seasons: Concerto No. 4 In F Minor: Winter - VIVALDI, Antonio
Tracks:
- Scherzo No 1 In B Minor, Op. 20 - Frederic Chopin_
- Three Nocturnes, Op. 9: No 3 In B Major - Frederic Chopin_
- Twelve Etudes, Op. 10: No 5 In G Flat Major - Frederic Chopin_
- Twelve Etudes, Op. 25: No 10 In B Minor - Frederic Chopin_
- 24 Preludes, Op. 28: No. 13 In F Sharp Major - Frederic Chopin_
- 24 Preludes, Op. 28: No. 14 In E Flat Minor - Frederic Chopin_
- 24 Preludes, Op. 28: No. 15 In D Flat Major 'Raindrops' - Frederic Chopin_
- 24 Preludes, Op. 28: No. 16 In B Flat Minor - Frederic Chopin_
- 24 Preludes, Op. 28: No. 17 In A Flat Major - Frederic Chopin_
- 24 Preludes, Op. 28: No. 18 In F Minor - Frederic Chopin_
- Scherzo No. 2 In B Flat Minor, Op. 31 - Frederic Chopin_
- Waltz In E Flat Major, Op. 18 - Frederic Chopin_
- Nocturne In C Sharp Minor, Op. Posth. - Frederic Chopin_
- Four Mazurkas, Op. 24: No. 3 In A Flat Major - Frederic Chopin_
- Four Mazurkas, Op. 24: No. 4 In B Flat Minor - Frederic Chopin_
Tracks:
- Ave Maria - Franz Schubert
- Impromptu In E Flat Major - Franz Schubert
- Standchen - Franz Schubert
- Trout Quintet: Tema con variazioni - Franz Schubert
- 'Rosamunde': Entr'acte No. 1 - Franz Schubert
- Moment Musical In A Flat Major - Franz Schubert
- 'Rosamunde': Entr'acte No. 2 - Franz Schubert
- Moment Musical No. 3 In F Minor - Franz Schubert
- 'Rosamunde': Ballet Music No.2 - Franz Schubert
- Symphony No. 8 In B Minor 'Unfinished': Allegro moderato - Franz Schubert
Tracks:
- Nabucco: Overture - Verdi, Giuseppe
- Nabucco: Va pensiero, sull'ali dorate - Verdi, Giuseppe
- Aida: Prelude - Verdi, Giuseppe
- II Trovatore: Verdi! le fosche notturne (Gypsies' Chorus) - Verdi, Giuseppe
- II Trovatore: Or co' daddi, ma fra poco (Soldiers' Chorus) - Verdi, Giuseppe
- Aroldo: Overture - Verdi, Giuseppe
- La Traviata: Prelude - Verdi, Giuseppe
- La Traviata: Noi siamo zingarelle - Verdi, Giuseppe
- La Traviata:: Libiamo ne' lieti calici - Verdi, Giuseppe
- La Traviata: Di Madride noi siam mattadori - Verdi, Giuseppe
- La forza del destino: Overture - Verdi, Giuseppe
Customer Reviews:
masters of classical music.......2007-03-26
A good basic collection.......2006-11-10
An excellent introduction to classical music.......2006-10-18
Very Beautiful!!!!!1.......2006-10-05
Still Stuck on Beethoven.......2006-08-22
My interest started in this genre of music because I'm researching my ancestry in Prussia and this is the music of those times. Never mind my ancestors were poor peasants who probably never got the chance to hear such wonderful music... when listening to these CDs, I'm taken back in time... to a royal court in Europe... to another place in time. The music is inspiring, relaxing, invigorating.
I have yet to listen to all the CD's in the set. I'm stuck on Beethoven! Wasn't he AWESOME!?!
I think this set is a wonderful introduction to classical music!!!!!
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Verdi: Requiem & Operatic Choruses
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003CUH Release Date: 1990-10-25 |
Tracks:
- Requiem: 1. Requiem & Kyrie
- Requiem: 2. Dies Irae
- Requiem: 3. Offertory
- Requiem: 4. Sanctus
Tracks:
- Requiem: 5. Agnus Dei
- Requiem: 6. Lux Aeterna
- Requiem: 7. Libera Me - 1. Libera Me - 2. Dies Irae - 3. Requiem Aeternam - 4. Libera Me
- Requiem: Spuntato Ecco
- Requiem: Patria Oppressa!
- Requiem: Fuoco Di Gioia
- Requiem: Va Pensiero
- Requiem: Gloria All'Egitto
Amazon.com
Robert Shaw learned from Arturo Toscanini, and in his stupendous 1987 recording for Telarc he managed to surpass the master on some points. He is unerring in his pacing and staging of climaxes, and draws phrasing and dynamics from the chorus that other conductors can only dream of. Points are made with exhilarating effect throughout the account: never has the bass drum in the Dies irae been as splendidly hammered as here, and the whooping brass in the Tuba mirum is breathtaking. The all-American solo quartet sounds a bit driven, especially the light-voiced Susan Dunn and Jerry Hadley, but their contribution is a strong one nonetheless. --Ted LibbeyCustomer Reviews:
A memorable album by Robert Shaw.......2007-04-16
Robert Shaw (1916 - 1999), of course, is practically a god in the choral world. And while he has done well as an orchestral conductor, his claim to fame to most will always be his work with choruses.
So here we have an operatic requiem written by one of history's greatest opera composers, conducted by one of history's greatest choral conductors. How does it turn out?
The Atlanta Symphony Chorus is very, very good. Their sumptuous sound becomes even more memorable thanks to the stunning reverberation of Atlanta Symphony Hall. Their Libera Me fugue was literally a wall of sound that seemed for a moment to encompass your entire world. The Dum Veneris passage following that was the best I'd ever heard: all four parts were distinct and incredibly powerful.
The four soloists, however, really stole the show for me. Susan Dunn and Diane Curry displayed a lot of passion in Recordare. They also created a wonderfully blended sound through their Agnus Dei duet, probably the best blend I'd ever heard so far.
Jerry Hadley is definitely one of my all-time favorite Verdi Requiem tenors. He reminded me of Richard Tucker in his commanding Kyrie entrance. His Ingemisco possessed a ringing power that left me breathless.
Paul Plishka was probably the "weakest" of the four. In Confutatis, it sounded like he was punching his voice. However, he sounded very good in the Offertorio.
And speaking of Offertorio, that was truly a soloist high point for me. The four singers literally turned into a mini-opera; it was quite dramatic hearing their voices trade back and forth.
The sound of the orchestra was truly a pleasure to hear. This music demands power and virtuosity, and the Atlantans provided both in spades. And drum lovers will be quite satisfied with the almost violent sound of the bass drum in Dies Irae.
The album also features five popular choruses from Verdi's operas. If, like me, you got carried away listening to the Requiem soloists, here's your chance to hear this remarkable chorus without any soloist distraction. The "Don Carlos" chorus (sung in Italian not French) was a rousing affair. "Patria oppressa" was appropriately subdued and melancholy. Fuoco di gioia proved the virtuosity of these choral masters. "Va pensiero" was smooth and rich. "Gloria all'Egitto" featured the chorus in all its mighty grandeur. The orchestra provides excellent accompaniment throughout. You will thoroughly enjoy listening to these choruses.
The recorded sound is absolutely fabulous. The four sections of the chorus are much more evenly miked than on most CDs. The great engineering makes the orchestra an audiophile's dream.
The liner notes contain texts and translations. However, a previous reviewer has found that the "Hostias" paragraph is missing the words "Fac eas, Domine, de morte transire ad vitam."
The tracks use an index system which I suspect is not available on most DVD players, the result being that the Dies Irae is put on a single 36 minute track.
This CD was recorded in April 1987 in Atlanta Symphony Hall, Atlanta, GA. The Requiem duration is 84'23", so the tempos are about average for this piece.
Great version.......2007-02-26
Superb.......2005-10-20
Don't miss the final track on the second disk!
Brings back memories.......2001-05-04
With all the flap over the recently released Gergiev recording of the Verdi Requiem on Philips, with its unfortunate choice of Andrea Bocelli - a pop singer masquerading as an operatic singer - as tenor soloist, it is once again - and always - a pleasure to turn to a truly definitive recorded performance, that of Robert Shaw. As points of reference whenever I turn to this performance, I always have in mind earlier recordings by Giulini and Solti, among others. (I include a truly visceral one by Karel Ancerl and the Czech Philharmonic, featuring Galina Vishnevskaya with a "Libera me" to die for, and the type of Slavic excitement that Gergiev tries for but fails.)
Verdi's Requiem is, without doubt, the most operatic of such works as have become part of the liturgical canon. But it doesn't necessarily follow from this that the best recordings are the ones which utilize operatic superstars. Were that the case, Solti's recording, with Joan Sutherland, Marilyn Horne, Luciano Pavarotti and Martti Talvela, would be unchallenged (particularly when one throws in the Vienna Philharmonic, as well as the typically excellent mid-60's sound that Decca was so good at). But, true to form, Solti just couldn't find the proper sensitivity and balance to make his performance the definitive one.
Shaw does what Solti could not do. In a work that requires efforts of equal quality by orchestra, soloists and chorus, there simply is no better chorus than a Shaw chorus. Shaw's four soloists, while perhaps not of the marquee value of the ones on the Solti recording, are outstanding. A previous customer reviewer certainly got it right when he said that Susan Dunn was a Verdi soprano to be reckoned with. And Diane Curry, Jerry Hadley and Paul Plishka are equally excellent. (Plishka, as I mention later, is one of my "memories.") Moreover, in a work which demands that the cataclysms of the Dies Irae and the tenderly supplicant closing pages of the Libera me be captured in proper proportions, none are better than Telarc at this challenge.
The personal friendship between Robert Shaw and the Cleveland-based Telarc team of Bob Woods and Jack Renner goes back to the days when Shaw was George Szell's assistant at the Cleveland Orchestra. Thus it was, when Woods and Renner introduced the "all-digital" Telarc label in the late 70's, that they turned to Shaw and his Atlantans as an enduring source for the recording of choral masterpieces. With the passing of Shaw some two years ago, it is now time that someone sum up his recorded legacy, which, under the aegis of Telarc, exceeds three dozen recordings. In my humble opinion, he will be remembered for a long, long time for three works that Telarc recorded with his forces: The Bach B Minor Mass, the Brahms German Requiem, and this Verdi Requiem.
Oh! The memories! For several years, at a time when Shaw's Atlanta forces were as good as they were to get, in the early 80's, I was fortunate to live in the Atlanta area, and to attend many of his concerts. And, in the fall of 1965, when Paul Plishka had just won a "young artist" award that was to lead to his Metropolitan Opera career, I was fortunate to have been a member of an amateur chorus which performed this work with a semi-pro orchestra and four young soloists. The names of the other three soloists were long ago relegated to the dustbin of history. But the bass soloist at that 1965 performance was none other than Paul Plishka. He's still banging the boards at the Met. One durable dude!
Once again, kudos to Mr. Grant for his superb review, and for his reminding me that I had some "unfinished business" to attend to.
Bob Zeidler
Apologies to Puccini........2000-12-04
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Tuscany: A Romantic Journey
Manufacturer: Somerset Entertainment ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007R8FC6 Release Date: 2005-03-01 |
Tracks:
- O Mio Babbino from Gianni Schicchi - Puccini (4:09)
- Con Te Partiro - Sartori (4:05)
- Intermezzo from Cavalleria Rusticana - Mascagni (4:22)
- La Donna E Mobile from Rigoletto - Verdi (2:24)
- Un Bel Di Vedremo from Madama Butterfly - Puccini (3:54)
- Nessun Dorma from Turandot - Puccini (3:26)
- Intermezzo from La Traviata - Verdi (3:55)
- Musetta's Waltz from La Boheme - Puccini (2:57)
- Caruso - Dalla (3:25)
- Ebben? Ne Andro Lontana from La Wally - Catalani (3:49)
- O Sole Mio - Di Capua (4:19)
- Va'Pensiero from Nabucco - Verdi (4:17)
- Vesti La Giubba from Pagliacci - Leoncavallo (3:38)
- Una Furtiva Lagrima from L'Elisir D'Amore - Donizetti (4:24)
- Vissi D'Arte from Tosca - Puccini (3:21)
- Winter from The Four Seasons (Largo) - Vivaldi (4:22)
Product Description
Take a romantic journey across the fabled landscape of Tuscany with these beautiful, orchestral recordings of Italian classics. Instrumentation includes an orchestra.Customer Reviews:
Favorites of the past.......2007-07-19
Seventh heaven.......2007-06-15
Excellent CD.......2007-05-13
Monica.......2007-01-25
Tuscany: A Romantic Journey is beautiful!!.......2006-02-24
Average customer rating:
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Essential Verdi
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000056JSW Release Date: 2001-02-13 |
Tracks:
- Rigoletto: La donna e mobile - Luciano Pavarotti
- Nabucco: Va pesiero - Chicago Symphony Orchestra
- La forza del destino: Overture - Kirov Orchestra
- La Traviata: Un di felice - Joan Sutherland
- I Vespri Siciliani: Merce dilette amiche - Maria Chiara
- La Traviata: Libiamo ne' lieti calici - Joan Sutherland
- Il Trovatore: Di quella pira - Jose Carreras
- Il Trovatore: Vedi! le fosche notturne spoglie - Chicago Symphony Orchestra And Chorus
- Il Trovatore: Stride la vampa! - Stefania Toczyska
- Aida: Ritorna vincitor! - Leontyne Price
- Don Carlo: Dio che nell'alma infondere - Carlo Bergonzi
- La Traviata: Prelude - Orchestra E Coro Del Maggio Musicale Fiorentino
- Rigoletto: Caro nome - Joan Sutherland
- Don Carlo: O don fatale - Olga Borodina
- Aida: Se quel guerrier io fossi! Celeste Aida - Carlo Bergonzi
- Emani: Ernani! Ernani involami - Joan Sutherland
- Un Ballo in Maschera: Di tu se fedele - Jussi Bjorling
- Un Ballo in Maschera: Morro ma prima in grazia - Margaret Price
- Luisa Miller: Quando le sere al placido - Luciano Pavarotti
- Aida: Gloria all'Egitto - Chicago Symphony Orchestra
Tracks:
- Requiem: Dies irae - Wiener Philharmoniker
- La forza del destino: Pace pace mio Dio - Angela Gheorghiu
- Rigoletto: Questa o quella - Carlo Bergonzi
- Rigoletto: Bella figlia dell'amore - Luciano Pavarotti
- Otello: Ave Maria - Renee Fleming
- La Traviata: Parigi o cara - Frank Lopardo
- Macbeth: Ah la paterna mano - Luciano Pavarotti
- Il Trovatore: Squilli echeggi la tromba guerriera - Chicago Symphony Orchestra And Chorus
- Don Carlo: O Carlo ascolta - Dmitri Hvorostovsky
- Requiem: Ingemisco - Luciano Pavarotti
- Simon Baccanegra: Come in quest'ora bruna - Kiri Te Kanawa
- Macbeth: Salve o Re! Si colmi il calice - Lucia Aliberti
- Aida: O patria mia - Leontyne Price
- I lombardi: La mia letizia infondere - Placido Domingo
- Aida: Lo sguardo avea degli angeli - Montserrat Caballe
- La forza del destino: Solenne in quest'ora - Nikolai Putilin
- Macbeth: Patria opressa - Chicago Symphony Orchestra And Chorus
- Il Trovatore: Tacea la notte - Katia Ricciarelli
- I due Foscari: Dal piu remoto esilio - Odio solo ed odio atroce - Jose Carreras
- Don Carlo: Spuntato ecco il di esultanza - Orchestra E Coro Del Teatro Alla Scala Di Milano
Customer Reviews:
OKAY, TAKE ME AWAY........2006-01-20
Last summer we had an incredible 20th anniversary trip to Italy. As a side trip from Venice, we planned a night in Verona. Neither my wife or I had been to an opera.
Is this how its supposed to be...
...an incredible star filled night with a three quarter moon, the largest stage and outdoor theatrical production on the planet, all taking place in a roman colleseum (arena) built in 180 a.d., an incredible colorful set and production with a full symphony orchestra and voices that don't come easy. Aida.
Now I know what all the hpye is as you opera fans sure are lucky to have such a beautiful setting for all your productions.
Okay, we got spoiled. But I also found myself getting spoiled on the Italian composer Verdi.
For me, this set is not only a "take me back to Verona" trip, but a great introduction to Verdi's other works. With some of the biggest names in the opera world in starring roles, I listened to both discs twice the first night they arrived.
And, of course, we are planning a return trip to Verona in the very near future to see some more Verdi...perhaps Nabucco or Otello or Macbeth...I'll even settle for Aida again. It was such a magical experience and a superb introduction to opera and Verdi.
This set continues that magical moment for us and provides a great introduction to a master of the opera...Verdi.
Great music...stunning recording quality.......2002-11-01
Incredible.......2002-06-05
Just Stunning!.......2002-01-26
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Aria
Manufacturer: Koch Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002IQGF8 Release Date: 2004-08-10 |
Tracks:
- Willow
- Un Bel Di
- Secret Tear
- Dido
- Pace Pace
- Pamina Blue
- Habanera
- Home
Customer Reviews:
Horrible Techno Muzak with Beautiful Singing.......2007-06-21
Not for the Opera purest..........2007-05-19
As for the disappointed opera fan/reviewer, this IS NOT opera and it was never intended to replace or even imitate true opera. Paul Schwartz was exposed to the opera, orchestral symphonies, rock music and dance clubs that were all within walking distance from his home as a young man. He simply took the sounds that appealed to him and put them together. Thus this, his first effort, leans heavily on traditional classical music that is familiar to a great number of people. I personally found his second release, "Aria, Vol. 2: New Horizon", to be much more enjoyable. "Aria 3: Metamorphosis" was released five years after "New Horrizon" and shows a more matured sound and is highly enjoyable. Paul embarked on another venture through the "State of Grace" series during those five years which I haven't heard, yet. I love listening to all three Cd's with #2 and #3 being my favorites of the three. So if you are an opera purest, Paul Schwartz's "Aria" compositions are NOT what you are looking for. But, if you're a New Age enthusiast with even a little appreciation for classical music, then you'll probably enjoy this CD along with his other works.
Opera meets contemporary music for sophisticated listeners.......2006-11-12
buy this cd!.......2006-10-08
Incredible music from opera's master composers.......2006-03-04
The selection "Willow" from Verdi's Otello is haunting and mystical. "Un Bel Di" from Puccini's Madama Butterfly soars. Other works from Purcell's Dido and Aeneas; or Mozart's The Magic Flute; or Bizet's Carmen are arranged to be unique and evoke the context of the original opera.
Rebecca Luker's voice is superb. The electonic approach to these classics updates them, but never replaces the originals. They were not meant to replace only to offer a unique approach to classics.
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Verdi - Nabucco / Cappuccilli, Domingo, Dimitrova, Nesterenko, Valentini-Terrani, Deutschen Oper Berlin, Sinopoli
Giuseppe Verdi , Giuseppe Sinopoli , Piero Cappuccilli , Placido Domingo , Ghena Dimitrova , Evgeny Nesterenko , Lucia Valentini-Terrani , and Berlin State Opera Chorus Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001G4N Release Date: 1984-03-12 |
Tracks:
- Nabucco: Sinfonia
- Nabucco: Part One: Introduzione 'Gli arredi festivi giu cadano infranti'
- Nabucco: Part One: Recitativo E Cavatina: 'Sperate, o figli!'
- Nabucco: Part One: Recitativo E Cavatina: 'D'Egitto la sui lidi'
- Nabucco: Part One: Recitativo E Cavatina: 'Qual rumore?'
- Nabucco: Part One: Recitativo E Cavatina: 'Come notte a sol fulgente'
- Nabucco: Part One: Recitativo E Terzettino: 'Fenene! O mia diletta'
- Nabucco: Part One: Recitativo E Terzettino: 'Guerrieri, e preso il Tempio!...Prode guerrier'
- Nabucco: Part One: Recitativo E Terzettino: 'Lo t'amava!'
- Nabucco: Part One: Coro: 'Lo vedeste?'
- Nabucco: Part One: Finale: 'Viva Nabucco!'
- Nabucco: Part One: Finale: Si finga...Tremin gl'insani del mio furore!'
- Nabucco: Part One: Finale: 'O vinit, il capo a terra!'
- Nabucco: Part Two: Scene 1 - Scena Ed Aria: 'Ben io t'invenni'
- Nabucco: Part Two: Scene 1 - Scena ed aria: 'Anch'io dischiuso un giorno'
- Nabucco: Part Two: Scene 1 - Scena ed aria: 'Chi s'avanza?'
- Nabucco: Part Two: Scene 1 - Scena ed aria: 'Salgo gia del trono aurato'
- Nabucco: Part Two: Scene 2 - Recitativo e preghiera: (Introduzione)
- Nabucco: Part Two: Scene 2 - Recitativo e preghiera: 'Vieni, o Levita!'
- Nabucco: Part Two: Scene 2 - Recitativo E Preghiera: 'Tu sul labbro de' veggenti'
Tracks:
- Nabucco: Part Two: Scene 2 - 'Che si vuol?...Il maledetto non ha fratelli'
- Nabucco: Part Two: Scene 2 - Scena e finale: ' Deh, fratelli, perdonate!'
- Nabucco: Part Two: Scene 2 - Scena e finale: 'S'appressan gl'instanti'
- Nabucco: Part Two: Scene 2 - Scena e finale: ''S'oda or me!'
- Nabucco: Part Two: Scene 2 - Scena e finale: 'Chi mi toglie il regio scettro?'
- Nabucco: Part Three: Scene 1 - Introduzione: 'E l' Assiria una regina'
- Nabucco: Part Three: Scene 1 - Scena e duetto: 'Eccelsa Donna'
- Nabucco: Part Three: Scene 1 - Scena e duetto: 'Donna, chi sei?'
- Nabucco: Part Three: Scene 1 - Scena e duetto: 'Oh, di qual' onta aggravasi'
- Nabucco: Part Three: Scene 1 - Scena e duetto: 'Ah, qual suon!'
- Nabucco: Part Three: Scene 1 - Scena e duetto: 'Deh, perdona'
- Nabucco: Part Three: Scene 2 - Coro e profezia: (Introduzione)
- Nabucco: Part Three: Scene 2 - 'Va, pensiero, sull' ali dorate'
- Nabucco: Part Three: Scene 2 - 'Oh, chi piange?...Del futuro nel buio discerno'
- Nabucco: Part Four: Scene 1 - Scena ed aria: (Introduzione)
- Nabucco: Part Four: Scene 1 - Scena ed aria: 'Aon pur queste mie membra!'
- Nabucco: Part Four: Scene 1 - Scena ed aria: 'Dio di Giuda!'
- Nabucco: Part Four: Scene 1 - Scena ed aria: 'Cadran, cadranno i perfidi...O prodi miei, seguitemi'
- Nabucco: Part Four: Scene 2 - Finale ultimo: (Introduzione) - 'Va, la palma del martirio'
- Nabucco: Part Four: Scene 2 - Finale ultimo: 'Oh, dischiuso e il firmamento!'
- Nabucco: Part Four: Scene 2 - Finale ultimo: 'Ah, torna Israello'
- Nabucco: Part Four: Scene 2 - Finale ultimo: 'Immenso Jeovha'
- Nabucco: Part Four: Scene 2 - Finale ultimo: 'Oh! chi vegg'io?'
- Nabucco: Part Four: Scene 2 - Finale ultimo: 'Su me...morente...esanime'
Amazon.com
Nabucco was Verdi's third opera, and it's filled with one great, energy-filled melody after another; if the drama is a bit crude (the characters are one-dimensional at best), the emotions are sincere and the passions run high enough to make one forgive Verdi's youthful enthusiasm. The role of Abigaille, Nabucco's evil daughter, is a voice-wrecker, but the animal-like Ghena Dimitrova sounds as if she could sing it in her sleep. She hurls the high Bs and Cs at us as ferociously as the Bs and Cs two octaves lower--this is a stunner of a performance. As the title character, Piero Cappuccilli sings with his usual big, unsubtle tone; one wishes for more sensitivity. Placido Domingo, who will apparently sing anything written in the tenor clef, makes as much of the little part of Ismaele, and bass Evgeny Nesterenko fills out the High Priest's music superbly. Giuseppe Sinopoli's leadership is probing, nuanced, and, when needed, as big as all outdoors. This is a pip of a performance, highly recommended. --Robert LevineCustomer Reviews:
comment to (editorial) reviews.......2006-05-25
In the the review below I read "the very young Domingo and Lucia Popp shining in the early stages of their careers". According to my information Domingo was 41 at the time (same age as Dimitrova, by the way), while Lucia Popp was even 2 years older. Are we talking about the same performance?
Brava Dimitrova!!.......2005-10-25
Of special interest in this Nabucco are the very young Domingo and Lucia Popp shining in the early stages of their careers. But they are definitely not the main players in this opera (although Domingo does have the tenor lead). Comparing the two, I prefer Gobbi's Nabucco, but I find no real fault with Cappuccilli's voice or portrayal.
I thought that Abigaille belonged to the late Elena Suliotis (who did sound at times very much like Callas), but Ghena Dimitrova was a revelation. She is just superb as the mostly evil (till the very end when dying) role of the spurned Abigaille, the apparent daughter of the Nebuchadnezzar, but who is really the daughter of slaves! (Let me know if you find this twist in the Bible! Just possibly the story has been enhanced a bit for both dramatic and political reasons.)
Suliotis may have a slight edge dramatically, but I think the edge goes to Dimitrova vocally in this very demanding role. Powerful and dynamic and displaying great technique and vocal agility (as described by other reviewers), she is also softly touching and sings beautifully in such arias as "Anch'io dischiuso un giorno."
Why did I wait so long to listen to this Nabucco! It truly flies on golden wings.
Oh, yeah, and Sinopoli definitely didn't disappoint.
Bible Opera Packs A Punch.......2005-08-11
Other than the tremendous talents of Placido Domingo, this recording is blessed with the fine voice of bass-baritone Piero Cappuccili in the eponymous role. As Nabucco, the evil, arrogant king, he is majestic and sometimes paternal (Verdi baritones ALWAYS sound paternal and it doesnt help that the music written fo them are mellow). Cappucilli is another great Verdi singer that together with Domingo make this recording exceptional. Opposite the more dragon-lady-like Ghena Dimitrova, he seems to be weak though....as in the scene "Prisoner ? Si! Prisioner SI!!"
But Cappuccili holds his own and is in fine shape in this recording. He is also the best Macbeth, and his voice is prominently displayed in a DG recording he sang opposite Shirley Verret's imperious Lady Macbeth.
The ladies in this recording are electrifying. Ghena Dimitrova, a Bulgarian-born soprano, is the best Abigaille ever recorded or performed. Not even Callas reaches the technical bravura and character integrity she essays. Her voice is strong, full and powerful. It is even said that Dimitrova had the highest and strongest dramatic soprano voice. Her career was short-lived because of all the intense roles she sang (Turandot, Tosca, Norma, Lady Macbeth). Abigaille she sang numerous times and it was even her signature role. Mezzo soprano Lucia Valentini-Terrani is prolly the weakest in the bunch, but she masters the role of Ferena with aplomb. I cant complain. I love everything about this recording, including the somewhat wooden Terrani. This recording deserves more recognition. Opera lovers go out and get this recording. Pass it on.....
More than Exciting.......2002-04-26
Essential Verdi.......2002-02-06
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Story Of Verdi In Words And Music
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001KDJ Release Date: 1995-04-16 |
Tracks:
- La forza del destino: Overture
- Aida: Ballet
- Otello: Drinking Song
- Otello: Ave Maria
- La forza del destino: Overture
- Requiem: Requiem aeternam
- Un Ballo in Maschera: Eri tu, Che Macchiavi
- Nabucco: Chorus Of The Hebrew Slaves
- Aida: Ballet
- Rigoletto: La Donna e Mobile
- Requiem: Agnus Dei
- Anvil Chorus
- La Traviata: Libiamo (Drinking Song)
- La Traviata: Sempre Libera
- La forza del destino: Solenne in Quest'Ora
- La forza del destino: Pace, Pace, Mio Dio
- Aida: Celeste Aida
- Aida: O Patria Mia
- Requiem: Dies Irae
- Otello: Opening
- Falstaff: L'Onore! Ladri!
- La Traviata: Addio Del Passato
- Il Trovatore: Stride la Vampa
- Nabucco: Chorus Of The Hebrew Slaves
- Aida: Chorus And Triumphal March From Act II
- La forza del destino: Pace, Pace, From Scene 4
- Aida: Qui Radames verra, From Scene 3
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Essential Opera
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009A41V0 Release Date: 2005-08-09 |
Customer Reviews:
Great collection but the title's a misnomer.......2006-07-17
However, I can't agree that the collection lives up to its name. How can it be essential when where is Maria Callas in the line-up? Absent Maria, any opera collection that deems itself "essential" deludes itself. Callas is as indispensable to opera as, say, Picasso is to cubism. To paraphrase Franco Zeffirelli, Callas showed us the maximum of what opera is. Callas IS essential opera.
This misnomer is made the more stark and jarring when one sees that a contemporaneous rival, Renata Tebaldi, is given two tracks to sing and Callas, none. Tebaldi was Callas' rival like Clementi was Mozart's--whoever remembers the rivals now? History has judged well who the masters are. So I listen to arias in this CD, arias that Callas have incomparably defined like Tosca's Vissi d'Arte, La Wallys's Ebben Ne'andro Lontana", to disappointment.
I'd give this disc four and a half stars for Callas' omission, but the Amazon rating system does not allow it. In any case, Tatiana Troyano's Habanera, Cecilia Bartoli's "Una Voce Poco fa," Krause, Popp, and Fassbaender's "Saove sia il vento," and Sutherland and Berbie's Lakme duet, and ten other tracks still make this compilation wonderful, exciting, and highly commendable. Do yourselves a favor and get this cd.
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Aria: A Passion for Opera
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002S5M Release Date: 1994-02-15 |
Tracks:
- Carmen: Quand Je Vous Aimerai?...L'Amour
- I Pagliacci: Recitar!...Vesti La Giubba
- Madama Butterfly: Un Bel Di Vedremo
- L'Elisir D'Amore: Una Furtiva Lagrima
- Nabucco: Va Pensiero From Nabucco
- Gianni Schicchi: O Mio Babbino Caro
- Rigoletto: La Dona E Mobile
- Il Barbiere Di Siviglia: Largo Al Factotum
- Louise: Depuis Le Jour
- Lakme: Flower Duet
- Turandot: Nessun Dorma
- Norma: Casta Diva
- Gianni Schicchi: A Vete Torto!
- Tosca: Vissi D'Arte
- Tosca: E Lucevan Le Stelle
- La rondine: Chi Il Bel Sogno
- Il Trovatore: Di Quella Pira
Amazon.com
If you've ever heard an opera excerpt in a film or TV commercial and wondered from whence it came, this compilation will probably provide your answer. The disk is an extensive superstar sampling of opera's greatest arias, featuring beloved stars from 1958-1987. Newbies will delight in hearing the young Freni's developing, but not yet perfected, artistry; Corelli's soaring tenor emoting in "Vesti la guibba" and "Nessun Dorma"; and Callas being Callas in "Habanera" and "Casta Diva." Megatalents Caballé, Gobbi, Di Stefano, and Domingo round out the mix. It even includes the Lakme duet and the chorus from Nabucco, in case arias aren't enough. An enjoyable variety. --Barbara Eisner BayerCustomer Reviews:
Always on my CD changer.......2005-08-31
The CD contains well known songs like "Vesti la Giubba" from Pagliacci, and "Un bel Di" from Madame Butterfly, but there are lesser known, and beautiful songs as well, such as "Viens, Malilika...sous Dome Epais" from Lakme', an absolutely gorgeous duet for two sopranos. I would highly reccomend this CD if you want to learn more about opera, or if you simply want some beautiful vocal music to listen to.
Wonderful compilation - Great intro!.......2004-11-09