Atlas: An Opera in 3 Parts [Soundtrack]

Atlas: An Opera in 3 Parts [Soundtrack]

On this CD:

  1. Atlas, an opera in 3 parts for 18 voices & large ensemble
    Composed by Meredith Monk
    Performed by Meredith Monk, Steve Lockwood
    with Thad Wheeler, Wendy Hill, Dina Emerson, Kathleen Carroll, Janis Brenner, Emily Eyre, Thomas Bogdan, Randall K. Wong, Cynthia Powell, Dana Hanchard, James F. Wilson, Robert Osborne, John Cipolla, Robert Een, Katie Geissinger, Anthony Pirollo, Darryl Kubian, David Meschter, Wilbur Pauley, Ching Gonzalez, Allison Easter, Arthur J. Jr. Fiacco, Stephen Kalm, Wayne Hankin, Victoria Boomsma, Carlos Arevalo, Susan Iadone, Shi-Zheng Chen

Atlas: An Opera in 3 Parts,Anthony Pirollo,Arthur J. Jr. Fiacco,John Cipolla,Meredith Monk,Wayne Hankin,James F. Wilson,Thad Wheeler,Dana Hanchard,Kathleen Carroll,Darryl Kubian,Susan Iadone,Allison Easter,Carlos Arevalo,Ching Gonzalez,Dina Emerson,Emily Eyre,Janis Brenner,Katie Geissinger,Meredith Monk,Randall K. Wong,Robert Een,Robert Osborne,Shi-Zheng Chen,Stephen Kalm,Thomas Bogdan,Victoria Boomsma,Wendy Hill,Wilbur Pauley,Ecm Records,American 20th/21st Century Opera,Avant-Garde,Classical,Classical Music,Modern Composition,Opera,Opera / Operetta / Oratorio


Monk: Atlas - An Opera in Three Parts
Average customer rating: 3 out of 5 stars
  • Throw out everything you knew before!
  • Utter garbage
  • A Modern Minimalist Disaster
  • Strange, wonderful and very human
  • An Opera without words . . . and a masterpiece
Monk: Atlas - An Opera in Three Parts

Manufacturer: Ecm Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000E56I
Release Date: 2000-04-18

Tracks:

  1. Atlas: Part I: Personal Climate: Overture (Out of Body 1)
  2. Atlas: Part I: Personal Climate: Travel Dream Song
  3. Atlas: Part I: Personal Climate: Home Scene
  4. Atlas: Part I: Personal Climate: Future Quest (The Call)
  5. Atlas: Part I: Personal Climate: Rite Of Passage A
  6. Atlas: Part I: Personal Climate: Choosing Companions
  7. Atlas: Part I: Personal Climate: Airport
  8. Atlas: Part II: Night Travel: Night Travel
  9. Atlas: Part II: Night Travel: Guides' Dance
  10. Atlas: Part II: Night Travel: Agricultural Community

Tracks:

  1. Atlas: Part II: Night Travel: Loss Song
  2. Atlas: Part II: Night Travel: Campfire - Hungry Ghost
  3. Atlas: Part II: Night Travel: Father's Hope
  4. Atlas: Part II: Night Travel: Ice Demons
  5. Atlas: Part II: Night Travel: Explorer #5 - Lesson - Explorers' Procession
  6. Atlas: Part II: Night Travel: Lonely Spirit
  7. Atlas: Part II: Night Travel: Forest Questions
  8. Atlas: Part II: Night Travel: Desert Tango
  9. Atlas: Part II: Night Travel: Treachery (Temptation)
  10. Atlas: Part II: Night Travel: Possibility of Destruction
  11. Atlas: Part III: Invisible Light: Out Of Body 2
  12. Atlas: Part III: Invisible Light: Other Worlds Revealed
  13. Atlas: Part III: Invisible Light: Explorers' Junctures
  14. Atlas: Part III: Invisible Light: Earth Seen From Above
  15. Atlas: Part III: Invisible Light: Rite Of Passage B

Amazon.com

Threading together Meredith Monk's various guises in the world of avant-garde performance art (from dance and mime to multimedia explorations) is her sensibility first and foremost as a composer, one who creates from the musical imagination's love of pattern and texture. And in Atlas, her full-length opera commissioned by Houston Grand Opera and premiered in 1991, Monk brings together several decades' worth of pioneering ways of expression. Yes, this is an opera involving almost no text and presenting a nonlinear, dreamlike collage in lieu of traditional narrative, but an opera all the same in the centrality of the human voice as the source and vehicle for conveying a dazzling multiplicity of states (Monk herself describes her use of the term "opera" to capture "the multiperceptual, mosaic form that I was envisioning.") Based quite loosely on the travel writings of Victorian adventurer Alexandra David-Neel, Atlas involves the journey of an Everywoman as an analog for spiritual questing, for a movement from the outer world to an inner, lost, or forgotten dimension. Monk's trademark work in "extended vocal technique" (work that links her with such other mavericks as Laurie Anderson and Joan La Barbara) is the basis for the opera's sound world, and she's trained her fellow cast members (Monk herself performs one of the three stages in the life of Atlas's heroine) to attain the remarkable flexibility required for its strangely beautiful, magnificently ranging variety of vocalise--from complex, microtonal, birdlike imitations to Tibetan chanting and quivering ululation. The repetitive, always slightly changing patterns of the melodic cells might be pigeonholed as "minimalism" (a term Monk, like Steve Reich, abjures), but this would be an unnecessary reduction for the fantastically original and appealing, rhythmically subtle, and unexpected fabrics that Monk weaves--with spare accompaniments by a chamber-size orchestra and the exotic colorings of glass harmonica. The booklet contains color photos of the original production--but even without the theatrical experience, Atlas comes through as a haunting and uniquely beautiful vision of the untapped possibilities of the lyrical stage. --Thomas May

Customer Reviews:

4 out of 5 stars Throw out everything you knew before!.......2002-10-05

As is clear below by the existence of 1 and 5 star reviews only, Meredith Monk is like most 'modern classical' composers. You're either going to love this or hate it. For my part, on first listen, I wasn't sure which category I would fall.

First, I must confess that my bias has always been against opera. Composers of opera tend to butcher both the melody and libretto all in the name of an elusive drama that usually falls quite flat. That being said, if you are a fan of traditional opera a la Gluck, Verdi and Wagner, you will never like 'Atlas' which consists mostly of wordless vocalise over repeating patterns played by a 10 peice orchestra. The cast mimics animal noises, claps, screams, shrieks and orrates occasional gibberish.

In a strange way however, this is no different than hearing Stravinsky, Babbit or Glass for the first time. It takes a lot of work and, in a sense, we need to re-learn how to listen. Normally, we are used to hearing exposition, development, recapitulation, bel canto and leitmotif. With Monk, we don't get that but instead a continual rich vocal tapestry over magically floating chamber orchestra. Yes, it takes endurance but MAN is it worth it. In fact, 'future quest' (track 4) and 'Agricultural community" (track 10)contains some of the most beautiful vocal writing I've heard in some time.

A quick disclaimer about the comparisons below to Philip Glass. Monk's technique, especially in her syncopations and instrumental voicings using 4ths, 5ths and 9ths, I would put 'Atlas' closer to Steve Reich's 'Tehillem' and 'Different Trains.' Still, Monks vocal writing is incomparable and in a crazy way, gorgeous. Pick it up; love it, hate it, sing along if you dare. Just listen to it!!

1 out of 5 stars Utter garbage.......2001-04-18

Don't get me wrong. I like some of Meredith Monk's stuff (when she's not on some hallucinogen), but this is going to far. Plot, musical coherence, dramatism, take your pick--unfortunately, none of it is there. Experimentation is all well and good if you can pull it off at least with some minor hint of artistic expression, but Atlas is utterly nonsensical and way too repetitive to be considered a work of art. If, after hearing this, you are still brave enough to give Meredith Monk another try, check out Book of Days. It's much more musically coherent and much easier to grasp. It also, in my opinion, is a much better expression of Monk's continuing search to expand the capabilities of the human voice.

1 out of 5 stars A Modern Minimalist Disaster.......2001-04-18

I sadly wasted approximately 2 hours of my life listening to this sorely lacking "opera". I was not at all surprised to read in the notes that the score had never actually been written to the piece, but rather, Monk came to the studio with a few ideas and improvised much of the work. The tracks repeat endlessly without any meaningful development. Some of them contain nonsensical dialogue as well, which adds little to the opera's overall effect. Listen to the sample track "Ice Demons" for a good demonstration of ludicrous and pretentious composition. While I'm not a devoted fan of minimalism in general, I can at least enjoy it on occassion. In my opinion, some minimalist works like "Einstein on the Beach" by Philip Glass are far more sophisticated than Monk's opera and don't have the aggravating tendency to take themselves too seriously. Monk's overdramatic spiritual nonsense really gets on the nerves.

4 out of 5 stars Strange, wonderful and very human.......2000-06-06

Before listening to this work, you'd be well advised unburden youself of all the expectations implied by the words "opera" and "avant garde". It's theatrical, tells a story of sorts, and there's a great deal of singing, but it's very different from the usual notion of opera. The instrumental accompaniment is sparse, and mostly serves to keep time. There are few words, and almost all of them spoken (typical for Monk's work). It's not cold, sterile or academic. That aside, this is a strangely moving and beautiful work that will grow on you. You're unlikely to see it performed live, so this recording may be the only way you'll ever experience it. The extended vocal techniques work to a dramatic purpose, and there is a meaningful musical climax with some stunning ensemble singing. Well worth the price.

5 out of 5 stars An Opera without words . . . and a masterpiece.......2000-05-25

Monk's "Atlas" is one of the important works of the later 20th century. It is an opera almost entirely without words, and those words in it are spare and enigmatic. Yet, even without the staging on hand, the narrative comes through in the music and the vocalising. Her idea was simple, sincere and quite radical, and beautifully done.

The style of the music is very much the Minimalism of Philip Glass, not as complex harmonically, but the same sound world and style. It's very beautiful, and if Minimalist works appeal to you, as well as fascinating experimentation, than you should seek out this great piece.
Atlas: An Opera in 3 Parts
Average customer rating: Not rated
    Atlas: An Opera in 3 Parts

    Manufacturer: Ecm Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000031XL
    Release Date: 1994-01-18

    Tracks:

    1. Atlas: Part I: Personal Climate: Overture (Out of Body 1)
    2. Atlas: Part I: Personal Climate: Travel Dream Song
    3. Atlas: Part I: Personal Climate: Home Scene
    4. Atlas: Part I: Personal Climate: Future Quest (The Call)
    5. Atlas: Part I: Personal Climate: Rite Of Passage A
    6. Atlas: Part I: Personal Climate: Choosing Companions
    7. Atlas: Part I: Personal Climate: Airport
    8. Atlas: Part II: Night Travel: Night Travel
    9. Atlas: Part II: Night Travel: Guides' Dance
    10. Atlas: Part II: Night Travel: Agricultural Community

    Tracks:

    1. Atlas: Part II: Night Travel: Loss Song
    2. Atlas: Part II: Night Travel: Campfire - Hungry Ghost
    3. Atlas: Part II: Night Travel: Father's Hope
    4. Atlas: Part II: Night Travel: Ice Demons
    5. Atlas: Part II: Night Travel: Explorer #5 - Lesson - Explorers' Procession
    6. Atlas: Part II: Night Travel: Lonely Spirit
    7. Atlas: Part II: Night Travel: Forest Questions
    8. Atlas: Part II: Night Travel: Desert Tango
    9. Atlas: Part II: Night Travel: Treachery (Temptation)
    10. Atlas: Part II: Night Travel: Possibility of Destruction
    11. Atlas: Part III: Invisible Light: Out Of Body 2
    12. Atlas: Part III: Invisible Light: Other Worlds Revealed
    13. Atlas: Part III: Invisible Light: Explorers' Junctures
    14. Atlas: Part III: Invisible Light: Earth Seen From Above
    15. Atlas: Part III: Invisible Light: Rite Of Passage B
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    Release Date: 2000-10-24

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