Verdi: Arias, Vol. 2
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Il Corsaro, opera Act I: Egli Non Riede Ancor..Non So Le Tetre Imm
Composed by
Giuseppe Verdi
Performed by
Paris National Opera Theater Orchestra
with
Maria Callas
Conducted by
Nicola Rescigno
-
Il Corsaro, opera Act II: Ne Sulla Terra...Vola Talor Dal Carcere
Composed by
Giuseppe Verdi
Performed by
Paris National Opera Theater Orchestra
with
Maria Callas
Conducted by
Nicola Rescigno
-
Il Trovatore, opera Act I: Tacea La Notte Placida...Di Tale Amor
Composed by
Giuseppe Verdi
Performed by
Monte Carlo Conservatory Concert Society Orchestra
with
Maria Callas
Conducted by
Nicola Rescigno
-
Un ballo in maschera, opera Act III: Morrò, Ma Prima In Grazia
Composed by
Giuseppe Verdi
Performed by
Monte Carlo Conservatory Concert Society Orchestra
with
Maria Callas
Conducted by
Nicola Rescigno
-
Attila, opera Act I: Liberamente or Piangi...Oh! Nel Fuggente Nu
Composed by
Giuseppe Verdi
Performed by
Monte Carlo Conservatory Concert Society Orchestra
with
Maria Callas
Conducted by
Nicola Rescigno
-
Otello, opera Act IV: Mia Madre Aveva Una Povera Ancella
Composed by
Giuseppe Verdi
Performed by
Monte Carlo Conservatory Concert Society Orchestra
with
Maria Callas
Conducted by
Nicola Rescigno
-
Otello, opera Act IV: Piangea Cantando
Composed by
Giuseppe Verdi
Performed by
Monte Carlo Conservatory Concert Society Orchestra
with
Maria Callas
Conducted by
Nicola Rescigno
-
Otello, opera Act IV: Ave Maria Piena Di Grazia
Composed by
Giuseppe Verdi
Performed by
Monte Carlo Conservatory Concert Society Orchestra
with
Maria Callas
Conducted by
Nicola Rescigno
-
Aroldo, opera Act I: Ciel, Ch'io Respiri!...Salvami, Salvami Tu
Composed by
Giuseppe Verdi
Performed by
Monte Carlo Conservatory Concert Society Orchestra
with
Maria Callas
Conducted by
Nicola Rescigno
-
Aroldo, opera Act II: O Cielo! Dove Son Io
Composed by
Giuseppe Verdi
Performed by
Monte Carlo Conservatory Concert Society Orchestra
with
Maria Callas
Conducted by
Nicola Rescigno
-
Don Carlo, opera Act II: Non Pianger, Mia Compagna
Composed by
Giuseppe Verdi
Performed by
Monte Carlo Conservatory Concert Society Orchestra
with
Maria Callas
Conducted by
Nicola Rescigno
-
Don Carlo, opera Act III: O Don Fatale
Composed by
Giuseppe Verdi
Performed by
Monte Carlo Conservatory Concert Society Orchestra
with
Maria Callas
Conducted by
Nicola Rescigno
Verdi: Arias, Vol. 2,Giuseppe Verdi,Nicola Rescigno,Monte Carlo Conservatory Concert Society Orchestra,Orchestre du Théâtre National de l'Opéra de Paris,Maria Callas,Capitol,Classical,Classical Music,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio
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Giulietta Simionato - Recitals Vol 2 - Arias & Scenes
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- Giulietta Simionato, Vol.1
ASIN: B00004YWTU
Release Date: 2000-10-10 |
Tracks:
- Anna Bolena: Oh! Qual Parlar Fu Il Suo... La Mia Fama E A' Pie' Dell'ara... Ah! Qual Sia Cercar... - Giulietta Simionato/Plinio Clabassi
- Anna Bolena: Per Questa Fiamma Indomita... Ah! Pensate Che Rivolti - Giulietta Simionato/Plinio Clabassi
- Il Trovatore: Stride La Vampa!... Condotta Ell'era in Ceppi - Giulietta Simionato/Franco Corelli
- Il Trovatore: In Braccio Al Mio Rival!... Giorni Poveri Vivea... Beh!... Rallentate, O Barbari - Giulietta Simionato/Ettore Bastianini/Nicola Zaccaria
- Il Trovatore: Madre, Non Dormi?... Ai Nostri Monti - Giulietta Simionato/Franco Corelli
- Aida: L'abborrita Rival A Me Sfuggia... Ohime, Morir Me Sento... Empia Razza - Giulietta Simionato
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Bravissimo, Domingo! Vol. 2: Operatic Arias
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ASIN: B00000E6BC
Release Date: 1993-11-09 |
Average customer rating:
- 1962 Classic Callas
- CALLAS'S VOCAL PROBLEMS OBVIOUS, BUT SO IS THE ARTISTRY
|
Verdi: Arias, Vol. 2
Manufacturer: Capitol
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Binding: Audio CD
All Works by Verdi
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Similar Items:
- Verdi: Arias, Vol. 1
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- Puccini: Arias
- Callas à Paris: Arias, Vol. 1
- Maria Callas ~ Cherbini - Medea [selection]
ASIN: B000002SA0
Release Date: 1998-01-20 |
Tracks:
- Otello: Mi parea. M'ingiunse do coricarmi... Mia madre aveva una povera ancella (Atto IV)
- Otello: Pingea cantando (Atto IV)
- Otello: Ave maria piena di grazia (Atto IV)
- Aroldo: Ciel, ch'io respiri!...Salvami, salvami tu gran Dio! (Atto I)
- Aroldo: O Cielo! Dove son io? (Atto II)
- Don Carlo: Non pianger, mia compagna (Atto II)
- Don Carlo: O don fatale (Atto III)
Amazon.com
This collection encompasses music which, for the most part, did not figure in Callas's stage repertoire. The opening scene from Otello Act 4 partially fulfills one's fantasies of what a Callas Desdemona might have been like. Excerpts from Aroldo e Don Carlo, however, find the soprano on shakier ground with thin, effortful high notes, but her raw-nerve response to words and dramatic mood remains as potent as ever. As always, Nicola Rescigno works overtime creating an orchestral context for which Callas can soar, but is hampered by a watery, unidiomatic orchestra. Still and all, the Callas legacy would be poorer without these selections. --Jed Distler.
Customer Reviews:
1962 Classic Callas.......2005-11-09
Maria Callas was the champion soprano of the EMI label in the 50's and early 60's, spanning the period of her supremacy in the world's opera scene. By the time of this recording in 1962-1963, she was already an experienced singer with a wealth of roles under her belt. The voice here is sturdy, mature, full of beautiful pianissimi but shows signs of wear and tear and even notes that are willed more than naturally produced. Verdi heroines were not a problem for Callas, for most Verdi operas were influenced by bel canto, a repertoire Callas excelled in. She never performed the role of Desdemona in Verdi's Otello. Here we are treated to the final act arias " Mi parea. M'ingiunse do coricarmi... Mia madre aveva una povera ancella" otherwise known as The Willow Song. Followed by "Pingea Cantando" and "Ave Maria"- Desdemona's final arias before Otello does her in. The lush singing she performs here is indeed a fantasy of what her Desdemona would have sounded like. Callas had the right voice for Desdemona but never got around to performing it, although her rival Reneta Tebaldi shined as a superb Desdemona in the 50's, singing opposite tenor Franco Corelli. The arias from the early opera Aroldo pose some difficulties for Callas, especially because by this time her coloratura of her youthful days had fallen into decline. But all in all it is beautifully sung and breathtaking to hear. The aria of Queen Elisabeth Di Valois from Don Carlos is exceptionally good and aptly dramatic, but also lacks the graceful ease of her youth. Eboli's aria "O Don Fatale" is sung expressively and dramatically, her voice raising high above the orchestra. It is actually a mezzo soprano aria but a soprano can do wonders with it and Callas does. No, this is not Callas captured in her glorious prime - late 40's, 50's. This is the older Callas. In 1964 she returned to the Met to sing Tosca opposite Tito Gobbi in a Franco Zefferelli production. This moment appears in a film. That Tosca most explicitly demonstrates how Callas's voice had become ruined through years of singing too many dramatic roles in a particularly voice-killing manner. There are better Callas recordings out there and this EMI recording of Verdi arias should not be your first exposure to Callas. There is an earlier 1958 album- Verdi Arias Volume 1, and Callas is in better shape in that one. On that one she sings Verdi's Lady Macbeth and Abigaille from Nabucco in outstanding fashion. When hearing Callas recordings, always check out her earlier works, the earliest possible and the legendary EMI recordings of the 1950's including her Tosca, Norma, Medea, Lady Macbeth, Aida, Traviata, Lucia and Anna Bolena.
CALLAS'S VOCAL PROBLEMS OBVIOUS, BUT SO IS THE ARTISTRY.......1999-06-28
This 1963 Verdi recital does not find Callas in the relatively secure vocal condition she was in for the previous Verdi recital in 1958, but there are some great things here nevertheless. She creates a very somber, dark, and reflective Desdemona in the almost twenty minute scene which includes the "Salce, Salce" and the "Ave Maria". Since this music is written for the most part in the middle of the voice, Callas has for the most part no problems with extreme top notes. Moreover, she creates a very unusual effect on certain notes by softening them and tapering them into silence. The first "Aroldo" aria has an exciting opening, but Callas' voice turns squally and wobbly in the climaxes. The second "Aroldo" aria, however, comes off much better, with a "Nabucco"-like scene that includes an explosive opening, a cavatina, and a rousing cabaletta. A few sour top notes notwithstanding, Callas sings this with the tension, command and authority that was hers in her best days. The "O Dan Fatale" from "Don Carlo" is plunged into with a tremendous show of vocal force, and is sung at white heat throughout. The final aria, that of the Queen in "Don Carlo" is, to me, the only real failure on the entire recording. Callas' voice by this time simply did not have the sustaining power in the top register to make this aria work. No, this is not vocally prime Callas, but it is Callas in full command of her interpretative powers, and with the exception of the final selection, puts this music across in her own very unique and individual fashion.
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Great Arias & Ensembles from Your Favorite Operas, Vol. 2
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
All Works by Donizetti
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ASIN: B00005O6DA
Release Date: 2001-09-25 |
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- Tosca: Act II: Life Has Taught Me Singing And Loving - Jane Eaglen/Gregory Yurisich
- Julius Caesar: Act I, Scene I: Tyrant, Avoid My Sight - Janet Baker
- Rigoletto: Act I, Scene 2: The Old Man Laid His Curse On Me! - John Rawnsley/John Tomlinson
- Pagliacci: Act I. Finale: Go On Stage - Dennis O'Neill
- Pagliacci: Act I. Finale: Put On Your Costume - Dennis O'Neill
- Ernani: Part I: Ernani! Ernani, Rescue Me - Susan Patterson/Helen Williams
- Ernani: Part III: Charlemagne Inspire Me - Alan Opie
- The Barber Of Seville: Act I, Scene 4: My Poor Heart Is So Full Of Emotion - Bruce Ford/Della Jones/Alan Opie
- Eugene Onegin: Act I, Scene 2. Letter Scene: Are You An Angel Sent To Guard Me...? - Kiri Te Kanawa
- Eugene Onegin: Act I, Scene 2. Letter Scene: No, Come What May, I'm Now Resolved - Kiri Te Kanawa
- Eugene Onegin: Act I, Scene 3: You Wrote A Letter - Thomas Hampson/Kiri Te Kanawa
- Eugene Onegin: Act I, Scene 3: Were I The Sort Who Had Intended - Thomas Hampson/Kiri Te Kanawa
- Il Trovatore: Part IV, Scene 1. Miserere: Lord, Have Mercy Upon A Soul Departing - Sharon Sweet/Dennis O'Neill/Geoffrey Mitchell Chor
- Mary Stuart: Act II: You Murmuring Breezes - Janet Baker/Angela Bostock/ENO Chor
- Mary Stuart: Act II: What Tumult! Those Voices! - Janet Baker/Angela Bostock/ENO Chor
- Mary Stuart: Act II: In The Peace Of My Gloomy Seclusion - Janet Baker/Angela Bostock/ENO Chor
- La Traviata: Act III: Forever I Must Leave Thee - Valerie Masterson
- La Boheme: Act I: Lovely Maid In The Moonlight - Dennis O'Neill/Cynthia Haymon
- Der Rosenkavalier: Act I: Ah, There He Goes - Yvonne Kenny
- Der Rosenkavalier: Act II. Waltz Song: Look For My Glasses There In My Jacket - John Tomlinson/Elizabeth Vaughan
- Turandot: Act III: None May Sleep! - Dennis O'Neill
- Gianni Schicchi: Oh, My Beloved Father - Yvonne Kenny
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Diana Montague Sings Great Operatic Arias, Vol. 2
George Frideric Handel , Richard Heuberger , Franz Lehar , Wolfgang Amadeus Mozart , Gottfried Heinrich Stolzel , Johann II Strauss , David Parry , Walter Weller , Alistair Young , London Philharmonic Orchestra , Philharmonia Orchestra of London , Helen Williams , Orla Boylan , and Bruce Ford
Manufacturer: Chandos
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ASIN: B00008NRJG
Release Date: 2003-04-22 |
Tracks:
- Is It Pain, Is It Pleasure That Fills Me
- Send Me, But, My Beloved
- No Hope Remains In My Affliction
- I Implore Thee And Tremble
- Verdant Pastures, Leafy Woodlands
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- Banished, Rejected, God Save Me!
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- My Heart I Give You
- In A Cosy Chambre Separee
- Tender Flower, Starved Of Water
- Three Score And Ten
- When Happy Days
- Just As The Sun Awakens
- If You Are Near
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Bravissimo, Domingo! Vol. 1: Arias & Duets
Manufacturer: RCA
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- Bravissimo, Domingo! Vol. 2: Operatic Arias
- Placido Domingo Sings
ASIN: B00000E6JP
Release Date: 1993-11-09 |
Average customer rating:
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Cantolopera: Soprano Arias, Vol. 2
Manufacturer: Cantolopera/G7
ProductGroup: Classical
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Arias
| Opera & Vocal
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ASIN: B000KOQJEC |
Product Description
The great arias experienced as a protagonist. A conductor, a chorus, an orchestra. An entire cast of singers. 140 artists waiting to be heard and 140 melodies waiting to be interpreted. You can find out more at cantolopera website. Pieces from Lucia di Lammermoor, La Sonnambula, Marriage of Figaro, La Boheme, Carmen, Aida, and La Gioconda.
Average customer rating:
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Arias, Duets & Songs, Vol. 2
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
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| Classical
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All Works by Borodin
| Borodin, Alexander
| ( B )
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| Classical
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All Works by Gounod
| Gounod, Charles
| ( G )
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All Works by Leoncavallo
| Leoncavallo, Ruggiero
| ( L )
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All Works by Mascagni
| Mascagni, Pietro
| ( M )
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| Massenet, Jules
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| Offenbach, Jacques
| ( O )
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| Ponchielli, Amilcare
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| Puccini, Giacomo
| ( P )
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| Strauss, Richard
| ( S )
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| Verdi, Giuseppe
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| Rachmaninov, Sergei
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Vocal & Song
| Romantic (c.1820-1910)
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General
| Classical
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| Classical (c.1770-1830)
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Romantic (c.1820-1910)
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ASIN: B000002S4U
Release Date: 1993-07-20 |
Tracks:
- Rigoletto: 'Questa o quella'
- Rigoletto: 'E Il Sol Dell'anima'
- Rigoletto: 'La Donna E Mobile'
- II Trovatore: 'Di Quella Pira'
- Les Pecheurs De Perles 'Je Crois Entendre Encore'
- La Belle Helene 'Au Mont Ida Trois Deesses'
- Romeo Et Juliette 'Ah! Leve-Toi, Soleil'
- Carmen 'La Fleur Que Tu M'avais Jetee'
- Manon 'Instant Charmant...En Fermant Les yeux'
- Requiem 'Ingemisco'
- La Gioconda 'Cielo E Mar'
- Cavalleria Rusticana 'O Lola ' (Sicilliana)
- Cavalleria Rusticana 'Mamma...Quel Vino'
- Prince Igor: 'Vladimir's Cavatina'
- Manon Lescaut: 'Donna Non Vidi Mai'
- La Boheme: 'O Soave Fanciulla'
- Andrea Chenier 'Come Un Bel Di Di Maggio'
- In The Silence Of The Night, Op.4 No.3
- Lilacs,Op.21 No.5
- Mattinata
- Ideale
- Adelaide, Op.46
- Morgen,Op.27 n 4
Amazon.com
Perhaps the greatest tenor of the 20th century, Jussi Bjorling possessed a voice of indescribably delicious beauty, with the dramatic depth of Domingo and the lyricism of Pavarotti. It has a unique luster and an edge that enters the body like an erotic electric shock. This recording earns its magnificence by presenting a vast range of arias and songs, including excerpts from Gounod's Pearl Fishers (breathtaking), Offenbach's La Belle Helene (fun and endearing), and Beethoven's Adelaide (scrumptious), as well as standard hits from Rigoletto, Carmen, and Romeo and Juliet. Each delicate gem of music is more magnificent than the previous one. A must have. --Barbara Eisner Bayer
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August Seider: Recital Vol.2 Opera Arias
Manufacturer: Gebhardt
ProductGroup: Music
Binding: Audio CD
General
| Arias
| Opera & Vocal
| Styles
| Music
General
| Classical
| Styles
| Music
ASIN: B000TXS5X2 |
Product Description
Gebhardt 0041 (2002 compilation) ADD
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Jussi Björling, Vol. 3-Songs And Arias
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
All Works by Borodin
| Borodin, Alexander
| ( B )
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All Works by Flotow
| Flotow, Friedrich von
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| Gounod, Charles
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All Works by Leoncavallo
| Leoncavallo, Ruggiero
| ( L )
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| Massenet, Jules
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| Meyerbeer, Giacomo
| ( M )
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Björling, Jussi
| ( B )
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| Classical
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Romances
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Gounod, Charles
| C to G
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| Opera & Vocal
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Capua, Eduardo di
| C to G
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| Opera & Vocal
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Flotow, Friedrich von
| C to G
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| Opera & Vocal
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Curtis, Ernesto de
| C to G
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Massenet, Jules
| M to P
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Meyerbeer, Giacomo
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Puccini, Giacomo
| M to P
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Rossini, Gioacchino
| Q to T
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Toselli, Enrico
| Q to T
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Vocal Works by Verdi
| Verdi, Giuseppe
| U to Z
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Borodin, Alexander
| A to B
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General
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French
| Languages
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Italian
| Languages
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Russian
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Oratorios
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ASIN: B000000WNC
Release Date: 1995-02-03 |
Tracks:
- Torna A Surriento
- Carmela
- Serenata
- Mattinata
- O Sole Mio
- Ideale
- Prince Igor: Vladimir's Cavatina
- L'Illustre Fregona: Melancolique Tombe Le Soir
- Fanal: Manner Over Lag Och Ratt
- Rigoletto: Questo O Quella
- Rigoletto: La Donna E Mobile
- Il Trocatore: Di Quella Pira
- Il Trocatore: Di Quella Pira
- TOSCA: Recondita Armonia
- TOSCA: E Lucevan Le Stelle
- La Boheme: Che Gelida Manina
- La Franciulla Del West: Ch'Ella Me Creda
- La Gioconda: Cielo E Mar
- Martha: Ach, So Fromm
- L'Africaine: Pays Merveilleux...O Paradis
- Romeo et Juliette: Ah! Leve-Toi, Soleil!
- Manon: Instant Charmant...En Ferment Les Yeux
- Faust: Salut! Demeure Chast Et Pure
- Stabat Mater: Cujus Animam
- Messa da requiem: Ingemisco
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