Opera Choruses

1. Il Trovatore, opera Anvil Chorus
   Composed by Giuseppe Verdi
   Performed by Robert Shaw Chorale, RCA Victor Symphony Orchestra
   Conducted by Renato Cellini
   
   
2. Carmen, opéra-comique in 4 acts Chorus of the Cigarette Girls
   Composed by Georges Bizet
   Performed by Vienna Philharmonic Orchestra
   with Monique Linval, Leontyne Price
   Conducted by Herbert von Karajan
   
   
3. Faust, opera Act 4: Gloire immortelle de nos aïeux (Soldiers' Chorus)
   Composed by Charles Gounod
   Conducted by Renato Cellini
   
   
4. Lohengrin, opera, WWV 75 Bridal Chorus
   Composed by Richard Wagner
   Conducted by Renato Cellini
   
   
5. Die Fledermaus (The Bat), operetta (RV 503) Brüderlein und Schwesterlein
   Composed by Johann II Strauss
   Conducted by Renato Cellini
   
   
6. Nabucco, opera (Nabucodonosor) Chorus of the Hebrew Slaves
   Composed by Giuseppe Verdi
   Performed by Robert Shaw Chorale, RCA Victor Symphony Orchestra
   Conducted by Robert Shaw
   
   
7. Cavalleria rusticana, opera (melodramma) in 1 act Gli Aranci Olezzano (Peasant's Chorus)
   Composed by Pietro Mascagni
   Performed by Robert Shaw Chorale, RCA Victor Symphony Orchestra
   Conducted by Renato Cellini
   
   
8. Tannhäuser, opera, WWV 70 March (Entry of the Guests)
   Composed by Richard Wagner
   Performed by Radcliffe Choral Society, Harvard Glee Club, Boston Symphony Orchestra
   Conducted by Erich Leinsdorf
   
   
9. Tannhäuser, opera, WWV 70 Pilgrims' Chorus
   Composed by Richard Wagner
   Performed by Norman Luboff Choir, New Symphony Orchestra of London
   Conducted by Leopold Stokowski
   
   
10. Rigoletto, opera Zitti, Zitti
    Composed by Giuseppe Verdi
    Performed by RCA Italiana Opera Chorus and Orchestra
    Conducted by Georg Solti
    
    
11. Madama Butterfly (Madame Butterfly), opera Act 2: Coro a Bocca Chiusa (Humming Chorus)
    Composed by Giacomo Puccini
    Performed by Rome Opera Orchestra & Chorus
    Conducted by Erich Leinsdorf
    
    
12. Mignon, opera in 3 acts Barcarolle
    Composed by Ambroise Thomas
    Conducted by Renato Cellini
    
    
13. Die Meistersinger von Nürnberg, opera, WWV 96 Wach Auf!
    Composed by Richard Wagner
    Performed by Robert Shaw Chorale, RCA Victor Symphony Orchestra
    Conducted by Robert Shaw
    
    
14. La Traviata, opera Noi Siamo Zingarelle
    Composed by Giuseppe Verdi
    Performed by RCA Italiana Opera Chorus and Orchestra
    with Dorothy Krebill, Thomas Jamerson, Harold Enns
    Conducted by Georges Pretre
    
    
15. La Traviata, opera Di Madride Noi Siam Mattadori
    Composed by Giuseppe Verdi
    Performed by RCA Italiana Opera Chorus and Orchestra
    with Dorothy Krebill, Thomas Jamerson, Harold Enns
    Conducted by Georges Pretre
    
    
16. Aida, opera Triumphal March
    Composed by Giuseppe Verdi
    Performed by London Symphony Orchestra, John Alldis Choir
    Conducted by Erich Leinsdorf
    
    
17. Il Trovatore, opera Anvil Chorus
    Composed by Giuseppe Verdi
    Performed by Robert Shaw Chorale, RCA Victor Symphony Orchestra
    Conducted by Renato Cellini
    
    
18. Carmen, opéra-comique in 4 acts Chorus of the Cigarette Girls
    Composed by Georges Bizet
    Performed by Vienna Philharmonic Orchestra
    with Monique Linval, Leontyne Price
    Conducted by Herbert von Karajan
    
    
19. Faust, opera Act 4: Gloire immortelle de nos aïeux (Soldiers' Chorus)
    Composed by Charles Gounod
    
    
20. Lohengrin, opera, WWV 75 Bridal Chorus
    Composed by Richard Wagner
    
    
21. Die Fledermaus (The Bat), operetta (RV 503) Brüderlein und Schwesterlein
    Composed by Johann II Strauss
    
    
22. Nabucco, opera (Nabucodonosor) Chorus of the Hebrew Slaves
    Composed by Giuseppe Verdi
    Performed by Robert Shaw Chorale, RCA Victor Symphony Orchestra
    Conducted by Robert Shaw
    
    
23. Cavalleria rusticana, opera (melodramma) in 1 act Gli Aranci Olezzano
    Composed by Pietro Mascagni
    Performed by Robert Shaw Chorale, RCA Victor Symphony Orchestra
    Conducted by Renato Cellini
    
    
24. Tannhäuser, opera, WWV 70 March (Entry of the Guests)
    Composed by Richard Wagner
    Performed by Radcliffe Choral Society, Harvard Glee Club, Boston Symphony Orchestra
    Conducted by Erich Leinsdorf
    
    
25. Tannhäuser, opera, WWV 70 Pilgrims' Chorus
    Composed by Richard Wagner
    Performed by Norman Luboff Choir, New Symphony Orchestra of London
    Conducted by Leopold Stokowski
    
    
26. Rigoletto, opera Zitti Zitti
    Composed by Giuseppe Verdi
    Performed by RCA Italiana Opera Chorus and Orchestra
    Conducted by Georg Solti
    
    
27. Madama Butterfly (Madame Butterfly), opera Act 2: Coro a Bocca Chiusa (Humming Chorus)
    Composed by Giacomo Puccini
    Performed by Rome Opera Orchestra & Chorus
    Conducted by Erich Leinsdorf
    
    
28. Mignon, opera in 3 acts Barcarolle
    Composed by Ambroise Thomas
    
    
29. Die Meistersinger von Nürnberg, opera, WWV 96 Wach Auf!
    Composed by Richard Wagner
    Performed by Robert Shaw Chorale, RCA Victor Symphony Orchestra
    Conducted by Robert Shaw
    
    
30. La Traviata, opera Noi Siamo Zingarelle
    Composed by Giuseppe Verdi
    Performed by RCA Italiana Opera Chorus and Orchestra
    with Dorothy Krebill, Thomas Jamerson, Harold Enns
    Conducted by Georges Pretre
    
    
31. La Traviata, opera Di Madride Noi Siam Mattadori
    Composed by Giuseppe Verdi
    Performed by RCA Italiana Opera Chorus and Orchestra
    with Dorothy Krebill, Thomas Jamerson, Harold Enns
    Conducted by Georges Pretre
    
    
32. Aida, opera Triumphal March
    Composed by Giuseppe Verdi
    Performed by London Symphony Orchestra, John Alldis Choir
    Conducted by Erich Leinsdorf
    
    

Opera Choruses,Georges Bizet,Charles Gounod,Pietro Mascagni,Giacomo Puccini,Johann II Strauss,Ambroise Thomas,Giuseppe Verdi,Richard Wagner,Erich Leinsdorf,Georg Solti,Georges Prêtre,Herbert von Karajan,Leopold Stokowski,Renato Cellini,Robert Shaw,Boston Symphony Orchestra,Harvard Glee Club,John Alldis Choir,London Symphony Orchestra,New Symphony Orchestra of London,Norman Luboff Choir,RCA Italiana Opera Chorus and Orchestra,RCA Victor Symphony Orchestra,Radcliffe Choral Society,Robert Shaw Chorale,Rome Opera Orchestra & Chorus,Vienna Philharmonic Orchestra,Leontyne Price,Monique Linval,Dorothy Krebill,Harold Enns,Thomas Jamerson,RCA,Classical,Classical Music,French Romantic Opera,German/Austrian Operetta,German/Austrian Romantic Opera,Italian Romantic Opera,Miscellaneous Music,Opera

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Average customer rating: Splendid ! It is the best... but it isn't This is what it was supposed to sound like Music to my ears... Not the Best Version by a Longshot

Carl Orff: Carmina Burana Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Janowitz, Gundula | Divas | Opera & Vocal | Styles | Music Orff, Carl | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Orff: Carmina Burana Orff: Carmina Burana Mozart: Symphonies Nos. 35-41 Bartók: Concerto for Orchestra; Music for Strings, Percussion and Celesta; Hungarian Sketches Carl Orff: Carmina Burana ASIN: B000001GQP Release Date: 1996-05-14

Tracks:

1. Fortune, Empress Of The World: O Fortune
2. Fortune, Empress Of The World: I Bemoan The Wounds Of Fortune
3. I Spring: The Merry Face Of Spring
4. I Spring: The Sun Warms Everything
5. I Spring: Behold, The Pleasant Spring
6. On The Green: Dance
7. On The Green: The Noble Woods Are Burgeoning
8. On The Green: Shopkeeper, Give Me Colour
9. On The Green: Those Who Go Round And Round
10. On The Green: If All The World Were Mine
11. II In The Tavern: Burning Inside
12. II In The Tavern: Once I Lived On Lakes
13. II In The Tavern: I Am The Abbot
14. II In The Tavern: When We Are In The Tavern
15. III The Court Of Love: Cupid Flies Everywhere
16. III The Court Of Love: Day, Night And Everything
17. III The Court Of Love: A Girl Stood
18. III The Court Of Love: In My Heart
19. III The Court Of Love: If A Boy With A Girl
20. III The Court Of Love: Come, Come, O Come
21. III The Court Of Love: In The Balance
22. III The Court Of Love: This Is The Joyful Time
23. III The Court Of Love: Sweetest One
24. Blanchefleur And Helen: Hail, Most Beautiful One
25. Fortune, Empress Of The World: O Fortune

Amazon.com

Yes, here it is folks--that irritatingly catchy chorus you first heard in the film Excalibur, or as the background music to the HBO Boxing Specials, and in zillions of other places. What it's not is the music from The Omen, which it clearly inspired. All pieces of music that feature choruses chanting in Latin are not the same (in fact, Stravinsky's Symphony of Psalms is much closer to The Omen than this). Orff actually wrote a lot more music, but here's a case where his reputation as a "one work" composer really is justified, for nothing else comes close in musical or popular appeal. This performance was authorized by the composer himself, and that's recommendation enough. --David Hurwitz

Customer Reviews:

Splendid !.......2007-06-27

It's definitively the best adaptation of Carl Orff's masterpiece with astonishing vocal parts.Surely a "must have" CD for everyone who loves classical music at his best.

It is the best... but it isn't.......2007-06-08

A confusing review title, I'll grant that. And if it is the best, the why isn't it, and why only 3 stars?
For me, Eugen Jochum's rendition of Carmina Burana is easily the best one. Approved by Orff himself that was invited to assist the premiere. Unlike several other performances, this Carmina Burana was raw, even violent at times. All the energy that Orff had put into it, all the joy and jokes of the text where lived by the performers. There was no worry on softening the sound in order to look more "polite" or classical. It was raw, it was energic, it was Orff's intention live on stage. That's why it is said Orff was so pleased with it.
However, some people criticized it. Said it was too violent, too unprofessional, too raw after all. That it was not a proper classical music interpretation. It lacked detail, politeness and "education". After all, it was just not "proper" to play classical music "like that". It is a stigma this performance has suffered for years, regardlessly of being the composer's approved one.
When I got this new DG release something sounded different. The sound was perhaps cleaner, but surely something was wrong. And it was easy to find out what. The remastering altered the original, by softening it. It was now slightly slower, more polite, there is not so much violence in the voices sometimes, nor in some of the instruments. DG tried to please everybody with this re-release, including the critics of the original 1988 release, the one faithful to the original performance.
So, that explains the title, it is the best performance, but not the best edition, as it has been remastered, and, in my humble opinion, adulterated.
For me, the best one overall: best performance and best edition is still the 1988 release of this same recording also by DG and available here at amazon called Orff: Carmina Burana.

This is what it was supposed to sound like.......2006-10-16

Maybe just like most other people, I heard bits of the first piece of "Carmina Burana" - I think it was as part of a chocolate commercial (back in Germany). When I saw that that was actually the very first piece, I wondered what could possibly come after that, and I did a bit of research into what the music was all about. The result of that search made it all the more interesting: It's medival poems and songs, partly in Latin, partly in old German, set to the music of Carl Orff.

I went through a bunch of other recordings of "Carmina Burana" until I finally found this one. This one is the best. I mean you can complain about aspects of it, but with the composer working with the conductor it's a bit hard to say anything meaninful. If you don't like the way this sounds then maybe you just don't like the full piece. For example, I've seen people praise other recordings because they sounded "less teutonic". That's quite a ridiculous comment - after all, that's what it's supposed to sound like. And it's Latin (or old German) and that's just what Latin sounds like.

So I can only recommend this recording, it's quite impressive, and it's quite heavy in the percussion - make sure to listen to it loud at least once.

Music to my ears..........2006-06-25

Great CD, great price, fast delivery -- what more is there?

Not the Best Version by a Longshot.......2006-05-13

I have six different recordings of this masterpiece, and this particular recording is probably my least favourite of them all. It's jarring to hear sprightly passages played too slowly, making them seem to plod along -- and it's even worse to hear sensuous and languid portions like "Cour D'Amours" and "Uf Dem Anger" played too quickly, as if they were all in a hurry to get home. It ruins the effect completely.

And Dietrich Fischer-Dieskau? I actually winced, hearing him in his solo passages, where he's supposed to sound impassioned and suffering, to hear him warbling away like he thought he was singing lieder. Sorry, no. If you want to hear how it all SHOULD sound, buy the CD with Charles Dutoit conducting the Orchestre Symphonique de Montreal, which is the finest version I've ever heard -- the best use of tempo, the best diction, and the best soloists by far.

And PLEASE, let's get something straight: "Carmina" does NOT rhyme with "Christina", it rhymes with "stamina". "Carmen" is a second-declension neuter noun in Latin, as is "stamen", and in the nominative plural, the stress falls on the first syllable. It's CAR-min-a, not car-MEE-na. It makes my hair stand on end to hear someone pronounce it like they think the "-ina" is an Italian diminutive ending, like in "manina". It is NOT.

[ADDED LATER: How pathetic that so many people have thought my review was "not helpful". Did they expect lies and smiley faces? They probably went right ahead and wasted their money anyway. I tried to warn them. Chances are, though, they have no idea what the lyrics mean, so it won't matter to them that Dietrich F.-D. sings them like he doesn't know what they mean either.

I even hope they will also ignore my correction of the frequent mispronunciation of the title, because it can be quite hilarious to hear pseudo-sophisticates mangling pronunciations and thus announcing to the world that they really don't have a clue.]

Average customer rating: Waste of money Great Music Compilation If you like classical music don't buy this CD. A must for anyone wanting the staples of classical music A great compilation

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Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: The Most Relaxing Classical Album in the World...Ever! Classical Music for People Who Hate Classical Music 25 Classical Favorites The Most Relaxing Classical Music in the Universe The Most Relaxing Classical Album In the World Ever, Volume II ASIN: B00004GOZA Release Date: 2000-02-08

Tracks:

1. Adagio In G Minor
2. Jesu, Joy OF Man's Desiring
3. Moonlight Sonata - Adagio sostenuto
4. March Of The Toreadors (Carmen)
5. Celebrated Minuet
6. Polovtsian Dance No. 1 (Prince Igor)
7. Cradle Song
8. 'Minute' Waltz
9. Suite Bergamasque: Clair de Lune
10. Largo
11. Pomp And Circumstance March No. 1
12. Rhapsody In Blue - Andante And Finale
13. Peer Gynt Suite: Morning
14. Messiah: Hallelujah Chorus
15. Liebestraum
16. Cavalleria Rusticana: Intermezzo
17. A Midsummer Night's Dream: Wedding March
18. 'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
19. The Great Gate Of Kiev

Tracks:

1. Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
2. Orpheus In The Underworld: Cancan
3. Carmina Burana - O Fortuna
4. Canon In D
5. Lietenant Kije Suite - Troika
6. Turandot: Nessun dorma
7. Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
8. Bolero - Conclusion
9. The Tale Of Czar Sultan: Flight Of The Bumblebee
10. William Tell Overture - Finale
11. Carnival Of The Animals: The Swan
12. Gymnopedie No. 3
13. Ave Maria
14. Blue Danube Waltz
15. Thus Spake Zarathustra - Sunrise
16. Firebird Suite - Finale
17. 1812 Overture - Finale: 1812 Overtune - Finale
18. Fantasia On 'Greensleeves'
19. Anvil Chorus (II Trovatore)
20. The Four Seasons - Largo From 'Winter'
21. Die Walkure: Ride Of The Valkyries

Amazon.com

For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason Verlinde

Customer Reviews:

Waste of money.......2006-01-12

Watch out for the volume leveling mentioned in another review. Surely the compliers could have come up with a better sort order than by composer. The change in tempo/volume between pieces makes it impossible to enjoy. My two CD's ended up in the trash.

Ken

Great Music Compilation.......2005-08-15

This is a great CD full of many songs that you will recognize and enjoy. If you are someone who likes classical music but doesn't necessarily know which songs or which composers you like, then this CD is for you. You will likely recognize many of the songs as the classical songs you would have picked out to be your favorites.

If you like classical music don't buy this CD........2005-03-11

Most of the tracks were chopped down to 3-4 minutes so some of the best parts of the compositions are missing. I don't know what I was thinking trying to buy 40 classical songs on two CD's. If you really want to enjoy the music you would do better to purchase a CD with fewer, but better quality tracks.

A must for anyone wanting the staples of classical music.......2005-02-23

In my years of experience teaching Fine Arts to high school students, I know that the majority, if not all, of the music included on this album is commonly used in collge music appreciation courses. This is an excellent sample of truly all the "greatest hits" of classical music. My students enjoy listening to the music and have later told me when take their required music apreciation courses in college that they "already know it all" because of this CD! The recordings are clear, the selections are passionate, and the listener will gain a familiarity with all of the most commonly heard classical music used in tv commercials, movies, etc.
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.

A great compilation.......2005-02-09

This cd somes up some of the greatest pieces of instrumental (and is some cases choral) music ever written. It is a great starter for a beginning classical music lover or a quick and easy all-in-one for those of us who study classical music for a living. I highly recommend this cd to anyone who wants to love or already does love classical music.

Average customer rating: A memorable album by Robert Shaw Great version Superb Brings back memories Apologies to Puccini.

Verdi: Requiem & Operatic Choruses Manufacturer: Telarc ProductGroup: Music Binding: Audio CD All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Atlanta Symphony Orchestra | ( A ) | Featured Performers, A-Z | Classical | Styles | Music Hadley, Jerry | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw Fauré · Duruflé - Requiem / J. Blegen · J. Morris · Atlanta SO · Shaw Bach: Mass in B minor / McNair, Ziegler, Simpson, Aler, Stone, Paul; Shaw Mozart: Requiem / McNair, Watkinson, Araiza, Lloyd; Marriner Mozart - Requiem / Augér, Bartoli, Cole, Pape, Wiener Phil., Solti ASIN: B000003CUH Release Date: 1990-10-25

Tracks:

1. Requiem: 1. Requiem & Kyrie
2. Requiem: 2. Dies Irae
3. Requiem: 3. Offertory
4. Requiem: 4. Sanctus

Tracks:

1. Requiem: 5. Agnus Dei
2. Requiem: 6. Lux Aeterna
3. Requiem: 7. Libera Me - 1. Libera Me - 2. Dies Irae - 3. Requiem Aeternam - 4. Libera Me
4. Requiem: Spuntato Ecco
5. Requiem: Patria Oppressa!
6. Requiem: Fuoco Di Gioia
7. Requiem: Va Pensiero
8. Requiem: Gloria All'Egitto

Amazon.com

Robert Shaw learned from Arturo Toscanini, and in his stupendous 1987 recording for Telarc he managed to surpass the master on some points. He is unerring in his pacing and staging of climaxes, and draws phrasing and dynamics from the chorus that other conductors can only dream of. Points are made with exhilarating effect throughout the account: never has the bass drum in the Dies irae been as splendidly hammered as here, and the whooping brass in the Tuba mirum is breathtaking. The all-American solo quartet sounds a bit driven, especially the light-voiced Susan Dunn and Jerry Hadley, but their contribution is a strong one nonetheless. --Ted Libbey

Customer Reviews:

A memorable album by Robert Shaw.......2007-04-16

I sometimes wonder why any top choral conductor would want to conduct, least of all record, a piece where the soloists invariably command center stage at the expense of the chorus.

Robert Shaw (1916 - 1999), of course, is practically a god in the choral world. And while he has done well as an orchestral conductor, his claim to fame to most will always be his work with choruses.

So here we have an operatic requiem written by one of history's greatest opera composers, conducted by one of history's greatest choral conductors. How does it turn out?

The Atlanta Symphony Chorus is very, very good. Their sumptuous sound becomes even more memorable thanks to the stunning reverberation of Atlanta Symphony Hall. Their Libera Me fugue was literally a wall of sound that seemed for a moment to encompass your entire world. The Dum Veneris passage following that was the best I'd ever heard: all four parts were distinct and incredibly powerful.

The four soloists, however, really stole the show for me. Susan Dunn and Diane Curry displayed a lot of passion in Recordare. They also created a wonderfully blended sound through their Agnus Dei duet, probably the best blend I'd ever heard so far.

Jerry Hadley is definitely one of my all-time favorite Verdi Requiem tenors. He reminded me of Richard Tucker in his commanding Kyrie entrance. His Ingemisco possessed a ringing power that left me breathless.

Paul Plishka was probably the "weakest" of the four. In Confutatis, it sounded like he was punching his voice. However, he sounded very good in the Offertorio.

And speaking of Offertorio, that was truly a soloist high point for me. The four singers literally turned into a mini-opera; it was quite dramatic hearing their voices trade back and forth.

The sound of the orchestra was truly a pleasure to hear. This music demands power and virtuosity, and the Atlantans provided both in spades. And drum lovers will be quite satisfied with the almost violent sound of the bass drum in Dies Irae.

The album also features five popular choruses from Verdi's operas. If, like me, you got carried away listening to the Requiem soloists, here's your chance to hear this remarkable chorus without any soloist distraction. The "Don Carlos" chorus (sung in Italian not French) was a rousing affair. "Patria oppressa" was appropriately subdued and melancholy. Fuoco di gioia proved the virtuosity of these choral masters. "Va pensiero" was smooth and rich. "Gloria all'Egitto" featured the chorus in all its mighty grandeur. The orchestra provides excellent accompaniment throughout. You will thoroughly enjoy listening to these choruses.

The recorded sound is absolutely fabulous. The four sections of the chorus are much more evenly miked than on most CDs. The great engineering makes the orchestra an audiophile's dream.

The liner notes contain texts and translations. However, a previous reviewer has found that the "Hostias" paragraph is missing the words "Fac eas, Domine, de morte transire ad vitam."

The tracks use an index system which I suspect is not available on most DVD players, the result being that the Dies Irae is put on a single 36 minute track.

This CD was recorded in April 1987 in Atlanta Symphony Hall, Atlanta, GA. The Requiem duration is 84'23", so the tempos are about average for this piece.

Great version.......2007-02-26

There are version of Verdi's Requiems in that market. I consider this to be onre the best ones I have heard. What adds to this perfomance is the quality of the manufacturer's transfer.

Superb.......2005-10-20

I don't have anything to add to the excellent reviews, I just want to chime in with my vote. This was rated as the top recording of this piece when I bought it on recomendation of a tenor friend back in 1990 or so and it is probably the best sustained operatic performace I have found thus far. The power and the majesty of this piece needs to be heard to be believed. So... Buy it, make sure the neighbors are out, turn the lights out, it in your best listening spot, turn up the volume and press play.

Don't miss the final track on the second disk!

Brings back memories.......2001-05-04

How could I possibly top the splendid review by Dominic Grant below? And his later graceful apology for a mere typo? Well, I just cannot. But I'd like to share my own thoughts, anyway.

With all the flap over the recently released Gergiev recording of the Verdi Requiem on Philips, with its unfortunate choice of Andrea Bocelli - a pop singer masquerading as an operatic singer - as tenor soloist, it is once again - and always - a pleasure to turn to a truly definitive recorded performance, that of Robert Shaw. As points of reference whenever I turn to this performance, I always have in mind earlier recordings by Giulini and Solti, among others. (I include a truly visceral one by Karel Ancerl and the Czech Philharmonic, featuring Galina Vishnevskaya with a "Libera me" to die for, and the type of Slavic excitement that Gergiev tries for but fails.)

Verdi's Requiem is, without doubt, the most operatic of such works as have become part of the liturgical canon. But it doesn't necessarily follow from this that the best recordings are the ones which utilize operatic superstars. Were that the case, Solti's recording, with Joan Sutherland, Marilyn Horne, Luciano Pavarotti and Martti Talvela, would be unchallenged (particularly when one throws in the Vienna Philharmonic, as well as the typically excellent mid-60's sound that Decca was so good at). But, true to form, Solti just couldn't find the proper sensitivity and balance to make his performance the definitive one.

Shaw does what Solti could not do. In a work that requires efforts of equal quality by orchestra, soloists and chorus, there simply is no better chorus than a Shaw chorus. Shaw's four soloists, while perhaps not of the marquee value of the ones on the Solti recording, are outstanding. A previous customer reviewer certainly got it right when he said that Susan Dunn was a Verdi soprano to be reckoned with. And Diane Curry, Jerry Hadley and Paul Plishka are equally excellent. (Plishka, as I mention later, is one of my "memories.") Moreover, in a work which demands that the cataclysms of the Dies Irae and the tenderly supplicant closing pages of the Libera me be captured in proper proportions, none are better than Telarc at this challenge.

The personal friendship between Robert Shaw and the Cleveland-based Telarc team of Bob Woods and Jack Renner goes back to the days when Shaw was George Szell's assistant at the Cleveland Orchestra. Thus it was, when Woods and Renner introduced the "all-digital" Telarc label in the late 70's, that they turned to Shaw and his Atlantans as an enduring source for the recording of choral masterpieces. With the passing of Shaw some two years ago, it is now time that someone sum up his recorded legacy, which, under the aegis of Telarc, exceeds three dozen recordings. In my humble opinion, he will be remembered for a long, long time for three works that Telarc recorded with his forces: The Bach B Minor Mass, the Brahms German Requiem, and this Verdi Requiem.

Oh! The memories! For several years, at a time when Shaw's Atlanta forces were as good as they were to get, in the early 80's, I was fortunate to live in the Atlanta area, and to attend many of his concerts. And, in the fall of 1965, when Paul Plishka had just won a "young artist" award that was to lead to his Metropolitan Opera career, I was fortunate to have been a member of an amateur chorus which performed this work with a semi-pro orchestra and four young soloists. The names of the other three soloists were long ago relegated to the dustbin of history. But the bass soloist at that 1965 performance was none other than Paul Plishka. He's still banging the boards at the Met. One durable dude!

Once again, kudos to Mr. Grant for his superb review, and for his reminding me that I had some "unfinished business" to attend to.

Bob Zeidler

Apologies to Puccini........2000-12-04

Further to my review of the 18th of June below,it's just been brought to my attention by a kind reader that I have inadvertently ascribed the composition of the famous aria,"Nessun Dorma" from Turandot to Verdi himself.First of all,my sincere apologies to Puccini (probably still revolving in his grave !),and my apologies to you for grossly offending your musical sensibilities as you pass this way.That will teach me to spend a little longer editing my reviews before submitting them !

Average customer rating: Opera for Children Great Opera for Children My six-year old liked it! Fun, accessible opera for you and your child to enjoy

Pavarotti's Opera Made Easy-My Favourite Opera For Children Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Humperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Allen, Thomas | ( A ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Gounod, Charles | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Humperdinck, Engelbert | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Offenbach, Jacques | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Rossini, Gioacchino | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Wagner, Richard | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Sutherland, Joan | Divas | Opera & Vocal | Styles | Music Troyanos, Tatiana | Divas | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: World's Very Best Opera for Kids... in English! Classical Music for Children: A Toddler's Introduction to Classical Music The Classical Child at the Opera Children's Favorites David Bowie Narrates Prokofiev's "Peter and the Wolf" ASIN: B00000424Y Release Date: 1994-08-23

Tracks:

1. Carmen: Children's March
2. Carmen: Toreador Song
3. Carmen: Toreador Chorus
4. The Barber Of Seville: Largo Al Factotum
5. Faust: Soldiers' Chorus
6. Il travatore: Anvil Chorus
7. Madame Butterfly: Humming Chorus
8. Die Walkure: The Ride Of The Valkyries
9. The Tales Of Hoffman: The Doll Song
10. Aida: Triumphal Choruses And March
11. The Magic Flute: Papageno's Song: A Birdcatcher Am I
12. The Magic Flute: Papagena! Papagena! Papagena!
13. The Magic Flute: Pa-Pa-Pa-Pa
14. Hansel And Gretel: Brother, Come Dance With Me
15. Hansel And Gretel: I Am The Little Sandman
16. Hansel And Gretel: Children's Prayer
17. Hansel And Gretel: Song Of The Gingerbread Children
18. Hansel And Gretel: Ral-la-la-la, Ral-la-la-la

Customer Reviews:

Opera for Children.......2005-10-14

This is an excellent CD to introduce children to some of the more familiar operas. I would highly recommend this CD for children and also for adults who want to become familiar with opera.

Great Opera for Children.......2005-05-01

This CD is an excellent compilation of opera for children and adults alike. The operas that are represented on this disc are: Carmen, Il Barbiere di Siviglia, Faust, Il Trovatore, Madama Butterfly, Die Walkure, Les Contes d'Hoffmann, Aida, Die Zauberflote, and Hansel und Gretel. People love the Children's March, as well as the Toreador Chorus, from the opera Carmen. The well known Toreador Song is performed on this CD by great bass- baritone Jose van Dam. Children who watch Bugs Bunny will recognize "Largo al factotum" from Il Barbiere di Siviglia. Sherrill Milnes performs the role of Figaro expertly, and his falsetto is evident in Figaro's famous patter aria. Great choruses, like the Soldier's Chorus from Faust, the Anvil Chorus from Il Trovatore, the Triumphal Chorus from Aida, and the Humming Chorus from Madama Butterfly make appearences on this CD. The Doll Song from Les Contes d'Hoffmann is performed by soprano Joan Sutherland. She uses her voice to rise up and down, like a mechanical doll. My favorite German baritone, Hermann prey, performs Papageno's entrance aria from Die Zauberflote, as well was the duet with Papagena. Choruses from Hansel und Gretel round the CD.

My six-year old liked it!.......2001-04-02

My six year-old son enjoyed hearing this CD. We like to sing together, so we found many of the pieces quite alot. But to be honest, when we discovered the more recently released CD, The Classical Child AT the Opera, he went wild because all the pieces have been translateded into English, so it's much more enjoyable for us to sing along. So I would recommend it, but check out the other one as well -- your kids will be glad you did. All the best, Steven

Fun, accessible opera for you and your child to enjoy.......1999-11-05

I bought this CD for my then 3 year old son. He loved it then because it was the "Bugs Bunny" music he was familiar with from the cartoons. He listened to it for awhile then we put it away. After he turned 4, he said to me one day -- let's listen to opera, and now we listen to this CD every day. This music gets his blood going; he struts around his room when he listens to this. And, he is in every respect a typical boy who likes Pokemon and the Back Street Boys. So, I consider this CD successful in introducing opera to a youngster.

Average customer rating: CD set is misnamed Do not Buy Classical Music for People Who Hate Classical Music Seek better versions It Is What It Is

Classical Music for People Who Hate Classical Music Manufacturer: Compendia ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | 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The Most Relaxing Classical Music in the Universe ASIN: B000003QWH Release Date: 1994-06-09

Tracks:

1. Canon In D
2. 'Brandenburg' Concerto No. 3: Allegro
3. The Four Seasons - The Winter: Largo And Allegro
4. Fanfare ('Masterpiece Theatre' Theme)
5. Camerata Romana: Air For The 'G' String
6. 'Eine kleine Nachtmusik': Allegro
7. Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
8. Introduction To Symphony No. 5
9. 'William Tell' Overture: Finale
10. 'Aida': Triumphal March
11. On The Beautiful, Blue Danube Waltz
12. 'The Nutcracker': Waltz Of The Flowers
13. '1812' Overture: Finale

Tracks:

1. Sabre Dance
2. 'Light Cavalry' Overture: Finale
3. Carmen: The Toreadors
4. ' Midsummer Night's Dream': Wedding March
5. Radetzky March
6. Symphony No. 9, 'Choral': Finale
7. 'Prince Igor': Polovstian Dance No. 17
8. Jesu, Joy Of Man's Desiring
9. Peer Gynt: Solveig's Song
10. Sleepers, Wake
11. Water Music: Hornpipe
12. Symphony No. 9, 'From The New World': Largo
13. Emperor Waltz
14. 'Emperor' Quartet: St. Anthony's Chorale
15. 'The Tales Of Hoffman': Barcarolle
16. L'Arlesienne: Farandole
17. 'The Nutcracker': Dance Of The Mirlitons
18. 'The Nutcracker': Dance Of The Sugar-Plum Fairy
19. 'Rhapsody In Blue': Highlight
20. 'Orpheus In The Underworld': Can-Can

Tracks:

1. Introduction To 'Also sprach Zarathustra'
2. Symphony No. 4, 'Italian': Saltarello: Presto
3. Piano Concerto No. 20: Romance
4. 'The Valkyrie': Ride Of The Valkyries
5. 'The Four Seasons' - The Spring: Allegro
6. Toccata and Fugue
7. Trumpet Voluntary
8. 'Royal Fireworks Music': la rejouissance: Allegro
9. 'Moonlight' Sonata: Adagio Sostenuto
10. London Festival Orchestra: Overture To 'The Barber Of Seville'
11. Piano Concerto No. 2: Adagio Sostenuto

Tracks:

1. Carmina Burana: Introduction To 'Carmina Burana'
2. Peer Gynt: Dawn From 'Peer Gynt'
3. Lohengrin: Prelude To 'Lohengrin'
4. 'Lieutenant Kije': Troika From 'Lieutenant Kije'
5. Adiago For Strings
6. 'Carmen': Habanera From 'Carmen'
7. 'Double' Concerto: Allegro From 'Double' Concerto
8. The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
9. (Rondo) Alla Turca
10. Xerxes: Largo From 'Xerxes'
11. Symphony No. 5: Allegro vivace From Symphony No. 5
12. 'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
13. Clair De Lune
14. Bolero

Customer Reviews:

CD set is misnamed.......2007-06-08

They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.

Do not Buy.......2007-02-21

I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.

Classical Music for People Who Hate Classical Music.......2007-01-30

We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.

Seek better versions.......2006-12-09

If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.

It Is What It Is.......2006-10-27

It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.

Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.

It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.

To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.

Average customer rating: A good gift for novice

Passion - Most Famous Orchestral Spectaculars [20 CD Set] Manufacturer: Delta ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Dances | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chabrier | Chabrier, Alexis Emanuel | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, 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Album Description

Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.

Customer Reviews:

A good gift for novice.......2007-05-12

This was a good gift for somebody learning about Classical music in Japan.

Average customer rating: wallpaper simply beautiful, so just enjoy it Sloppy renditions and amateurish Great songs reinvented, with a twist Praise for Beyond Imagination

Beyond Imagination Opera Babes Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Soundtracks | Styles | Music General | Classical | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Broadway & Vocalists | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Sony | Computers Brands | Computers Features | Electronics | Desktops | Monitors | Networking | Notebooks Similar Items: The Opera Band Defined Renaissance (Eng) Summer Etterna ASIN: B00007MB2F Release Date: 2003-01-14

Tracks:

1. One Fine Day (Un Bel Di From Madame Butterfly)
2. Sempre Ricordo (Piano Concerto in A minor)
3. There's A Place (From The New World Symphony)
4. Beyond Imagination (From A Midsummer Nights Dream)
5. O Fortuna (From Carmina Burana)
6. Lakm2O (Flower Duet)
7. Ebben?..Ne Andro Lontano (from La Wally)
8. You Live On In My Heart (Cinema Paradiso)
9. Chanson Boh (From Carmen)
10. Remember Me
11. Stranger In Paradise (From Kismet)
12. Ode II Joy (From Symphony No. 9)
13. 1001 Nights (From The Nutcracker Suite)
14. Barcarolle (From The Tales Of Hoffman)
15. LakmVibeTribe Mix)
16. Ave Maria
17. Vittoria! (Aida 2002)

Amazon.com

Plucked from a wet afternoon of busking Bizet and Puccini to passersby on the Piazza in Covent Garden in the spring of 2001, soprano Rebecca Knight and mezzo Karen England soon found themselves singing in slightly larger venues: the FA Cup and Champions League soccer finals. That the management company doing the plucking had recently performed a similar Cinderella crossover act for Russell Watson offered portent, and indeed the Babes--the moniker began as a joke--were soon on their way to this recording debut. The marketing shtick and its soccer connections may offend purists, but it's the football hooligans that the Babes are trying to win over here; can Borodin soothe the savage Manchester United fan? Their classically trained voices mesh gloriously, with England's warm mezzo showing particular character in her solo turns.

The repertoire choices here cover material that may already be familiar to fans of Charlotte Church (i.e., Delibes "Flower Duet") and other crossover acts, but they do include some pleasant surprises, like Offenbach's Barcarolle from The Tales of Hoffmann and "You Live On in My Heart," a reworking of Ennio Morricone's enchanting Cinema Paradiso theme with lyrics by Knight. But in a rush toward the musical middle of the road, it's the productions themselves that sometimes overwhelm the Babes with bathos ("Ave Maria"), hollow thunder ("Aida 2002"), and electro club kitsch (the 'Vibe Tribe' mix of "Flower Duet"). Former Art of Noise mainstay Anne Dudley's tastefully restrained coloring of Tchaikovsky's "1001 Nights" is one of the notable exceptions. They're babes, they sing opera--with fair promise--for the masses, and if they turn one in a hundred from football hooliganism to a well-mannered appreciation of Grieg and Dvorák, won't it all have been worth it? --Jerry McCulley

Customer Reviews:

wallpaper.......2007-07-12

overorchestrated, overproduced aural wallpaper...that said, still, these women have wonderful voices and are worth hearing. They are oversold,too...Opera Babes! Indeed. Folks who like Enya will like this.

simply beautiful, so just enjoy it.......2007-06-11

my daughter has taught me to love opera. this immediately captured me. the Babes' voices blend so beautifully. I love it! who cares about Puccini, Classic Opera, blah, blah, woof, woof. I love this album

Sloppy renditions and amateurish.......2007-05-15

I heard one of the selections on Sirius and liked it so I bought the CD. Upon hearing the entire CD I was disappointed that the only selection I liked was the one that prompted me to buy the product. The voices are nice but they are simply adding voice to opera masterpieces that do not fit. They are certainly not of the caliber of Sarah Brightman or Charlotte Church and don't look for that. Their sound is mellow, dim and without the emotion that does an inservice to the opera pieces they sing. I found the CD lackluster and in all honestly very "amateurish".

Great songs reinvented, with a twist.......2006-09-30

Expanding upon the recent interest in Gregorian chant fusion as well as rich-voiced solo vocalists such as Josh Groban, operatic soprano Rebecca Knight and mezzo soprano Karen England offer full-vibratoed, somewhat modernized interpretations of favorite classical themes. Backed by chorus, orchestras, keyboards and drums, they draw from such diversely satisfying works as Puccini's opera "Madame Butterfly," Grieg's "Piano Concerto in a minor," Dvorak's "New World Symphony," Mendelssohn's "Midsummer Night's Dream," Orff's "Carmina Burana," Delibe's "Lakme," Beethoven's "Ode to Joy," Tchaikovsky's "Nutcracker Suite," Offenbach's "The Tales of Hoffman," Schubert's "Ave Maria," and Verdi's "Aida." Some of the arrangements are fairly traditional, while others are noticeably enhanced. The emphasis tends to be on pretty pieces with sweet melodies, though a few are more intense in nature (#1, 4, 5, 15 and 17). A couple of pop songs, still sung in operatic style, are thrown in for good measure, although they don't have the same appeal and mystique as the old favorites. All of the selections feature both vocalists together, singing in lovely, close harmony. The arrangers of this elegantly hip music include Jon Cohen, Noely, Frank Gallagher, Deni Lew and Anne Dudley, with multi-language lyrics (for the adaptations of instrumental works) by Rebecca Knight and others. I have to admit that I occasionally found myself longing for the modern additions to be more consistently interesting and distinctive--in other words, equaling the artistry of the classics that they're accompanying. Track #1, which really shines, is a well-done example. Alternately, perhaps the source songs might have been better off left in their pure, original styles rather than watered down with schmaltzy, predictable underpinnings that don't add much to the music. But like Enigma did for medieval chant, the Opera Babes are endeavoring to bring some wonderful, time-tested music to a wider audience, fusing it with modern idioms in way that is artistic and generally appealing. For more opera fusion, compare the work of Amici Forever (a group of five singers, both male and female), and the oddly packaged but similar-in-concept album "Coco de Mer" by Adam Plack.

Praise for Beyond Imagination.......2006-02-26

What I really enjoyed about this album was its distinctive sound and arrangement of the material. I enjoy classically performed opera and was surprised how much I like the Opera Babes' versions. Of course, the wonderful voices added immensely to the high quality of this product.

Average customer rating: A Beautiful, Relaxing Project It just cannot be the end for Charlotte's classical career! :( Charlotte Church Somewhat decent but still mediocre R&B For Charlotte

Prelude: The Best of Charlotte Church Charlotte Church Manufacturer: Sony ProductGroup: Music Binding: Audio CD Church, Charlotte | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Broadway & Vocalists | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Sony | Computers Brands | Computers Features | Electronics | Desktops | Monitors | Networking | Notebooks Similar Items: Enchantment Voice of an Angel Charlotte Church Tissues and Issues Dream a Dream ASIN: B00006LFGG Release Date: 2002-11-26

Tracks:

1. Pie Jesu from Requiem
2. My Lagan Love
3. In Trutina (from Carmina Burana)
4. Panis Angelicus
5. Amazing Grace
6. Just Wave Hello
7. La Pastorella (The Little Shepherdess)
8. She Moved Through The Fair
9. Ave Maria
10. Dream A Dream (w/ Billy Gilman)
11. The Flower Duet
12. Haba
13. The Prayer (w/ Josh Groban)
14. All Love Can Be
15. It's The Heart That Matters Most
16. Tantum Ergo
17. Bridge Over Troubled Water
18. Sancta Maria

Amazon.com

Need more evidence of the record industry's obsession with youth? Consider that budding Welsh diva Charlotte Church was a ripe, old 16 when this, her first greatest-hits anthology was released. Spanning her first four releases, as well as some outside collaborations and unreleased material, this 18-track collection underscores the soprano's seemingly boundless potential--as well as some potential career obstacles ahead. Her crystalline, still-maturing voice is best showcased on classically oriented works like Andrew Lloyd Webber's "Pie Jesu," Franck's "Panis Angelicus," and her now-ubiquitous rendering of Delibes' "Flower Duet." She also excels on folk traditionals such as "She Moved Through the Fair" and "My Langan Love." But overwrought productions like the already-dated "Dream a Dream" and "Habanera," a faux-flamenco take on Bizet, nearly get the best of her. Still, her promising duet with fellow young phenom Josh Groban on "The Prayer" and her mature, dreamy reading of A Beautiful Mind's "All Love Can Be," as well as strong performances on the previously unreleased "It's the Heart That Matters Most" and "Bridge over Troubled Waters," are ample evidence of her potential for rewarding pop crossover--if she doesn't retire by 21. --Jerry McCulley

Customer Reviews:

A Beautiful, Relaxing Project.......2007-06-15

My only other experience with Charlotte Church was seeing part of a PBS special on her, where she sang songs like "Some Enchanted Evening". I actually enjoy her voice on this style of music.

I love her rendition of "Amazing Grace". She also did good on covering "Bridge Over Troubled Water", though I was disappointed she didn't try the high note on the verses as Garfunkel did. My favorite on the project was "It's the Heart That Matters Most".

If I want some beautiful sounding music to relax to while I'm working, this would be a very good project for that.

It just cannot be the end for Charlotte's classical career! :(.......2006-08-20

I'm just shocked that Charlotte has decided to end her classical career with this mediocre assortment of her most loved pieces from her other albums! I wish that she had re-sung all of the pieces to make them sound better than ever with her mature voice! To me, it seems disgusting that anyone would want to end their career with a last album that sounds the way this album does!

Her beginning pieces (Pie Jesu, My Lagan Love, In Trutina, Panis Angelicus, and Amazing Grace) were sung at the beginning of her classical career, and you can hear her flat vowels and shaky low notes. You can also hear it in "She Moved Thru the Fair". It's really annoying!

La Pastorella is a beautiful song to sing, and Church masters it beautifully! Just Wave Hello - the Ford Anthem, is also a beautiful piece, with amazing work from the orchestra.

Ave Maria is a complete annoyance! Church lays on the high notes too much, putting too much emphasis on them, and it's an annoyance! Her vowels are also flat on the high notes - I just hate it!

Dream a Dream is a very nice piece, leaning more towards the pop scene. Church still seems to make it work, and I would listen to it all day!

The Flower Duet is a beautiful song, but Church's vocals are strained, which makes it hard to listen to with a smile on your face! It's still beautiful!

The Prayer (w/ Josh Groban) is a very nice piece, originally sung by Celine Dion. She's still a little bit flat here!

All That Love can Be is sung beautifully, completely smooth and connected. The vocals are flawless and have a mezmerizing effect.

It's the Heart that Knows is a pop piece that Church sings with strong vocals. It's just showing us that she's ending her career as a classical superstar!

Tantum Ergo, Bridge Over Troubled Water, and Sancta Maria, are all beautiful pieces!

I am a Charlotte Chruch fan, no doubt, but I really didn't like this album! I still wish that she would stay with opera, but I guess dreams don't come true! I wouldn't advise you to buy this CD - but as long as you have Voice of an Angel, Charlotte Church (the Self Titled Album) and Enchantment, there's no need for this CD!

Sorry Charlotte!

Charlotte Church.......2006-07-29

Love that voice!! This is a great CD and any one who had not heard this young lady sing should buy it and prepare for some musical enjoyment.

Somewhat decent but still mediocre.......2006-06-07

I am well aware of Charlotte's age. However, I am also aware of her amazing vocals and powerful range. But these things don't make you a good singer. Charlotte chose to stick to opera in most of her songs. And face it, not just anyone can do opera.

Charlotte's voice is very well trained - maybe too trained. From a very young age she's been hitting the same notes as Sarah Brightman. But I feel that Charlotte's over-worked and not to mention overdone voice has been declining tremendously.

But I guess none of this really matters now because I haven't heard her do anything classical for a while. If you want to listen to Charlotte now, go find the song 'Crazy Chick.'

If you want to listen to other angel voiced sopranos, I'd go with Sarah Brightman or Renee' Fleming.

R&B For Charlotte .......2006-05-07

If a bird can be annoying as in a Rooster Crowing in the morning, some people will like it. A dog can bark in the nights we sleep, some People will like it. A human voice so light, so vibrated within their own dimensions, people will like it, but not I. I never really saw the beauty of opera, agitating to the ears, just like a Rooster calling on it's hens. With that said, Charlotte needs to turn to Blues Rock or R&B. Yes, Boogie style Blues Rock, she has the voice for it. No matter how many here perceive Opera or know what should sound good, no opera singer could ever sing Blues without a voice and a heart for it. Not One! So why should a girl with soulful music embedded in her, do the same? I say, "it's time to really Rock Charlotte!"

Average customer rating: Renee Fleming sings favorite works The best of the best. Beautiful and creamy voice Renee Fleming;THE BEAUTIFUL VOICE The most gorgeous soprano voice I've ever heard

Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss Gustave Charpentier , Charles Gounod , Jules Massenet , Antonin Dvorak , Friedrich von Flotow , Giacomo Puccini , Erich Wolfgang Korngold , Carl Orff , Richard Strauss , Sergey Rachmaninov , Johann II Strauss , Franz Lehar , Jose Maria Cano , Marie-Joseph Canteloube , Jeffrey Tate , Sir Charles Mackerras , Renée Fleming , English Chamber Orchestra , Osian Ellis , London Voices , and Clive Greensmith Manufacturer: Decca ProductGroup: Music Binding: Audio CD Canteloube, Joseph | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Korngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Fleming, Renee | C to G | Featured Performers, A-Z | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Renée Fleming Renee Fleming: By Request Renée Fleming - Signatures ~ Great Opera Scenes / Sir Georg Solti Sacred Songs Handel ASIN: B0000042I6 Release Date: 1998-02-10

Tracks:

1. Louise (Acte 3): Depuis le jour ou je me suis donnee
2. Faust (Acte 3 - Air des bijoux): O Dieu! que de bijous!... Ah! Je ris de me voir si belle (Air des bijoux - Jewel Song)
3. Manon (Acte 3): Je marche sur tous les chemins... Obeissons... Profitons bien de la jeunesse (Gavotte)
4. Gypsy Melodies, Op. 55 B104 No. 4: Songs My Mother Taught Me
5. Martha (Act 2 - No. 8 The Last Rose): 'Tis The Last Rose Of Summer
6. La rondine (Act 1): Chi il bel sogno di Doretta
7. Die tote Stadt (Act 1 - Mariettas Lied): Gluck, das mir verblieb
8. Carmina Burana (No. 21): In trutina
9. Vier Lieder, Op. 27 No. 4: Morgen!
10. Vocalise, Op. 34 No. 14: Vocalise
11. Die Fiedermaus (Act 2 - Csardas): Klange der Heimat (Csardas)
12. Die lustige Witwe (Act 2 - Vilja-Lied): Es lebt' eine Vilja (Vilja-Lied)
13. LUNA: Epilogo
14. Chants d'Auvergne, Series 1: Bailero

Amazon.com essential recording

This vocal recital certainly lives up to its title, perhaps too well. It's a collection of arias and songs Fleming has sung for years that for some may be too much frosting and not enough cake. Surely, her performances are rich with interpretive nuances, wonder-filled portamentos and word colorings that reflect a long history with this repertoire, which ranges from Charpentier's "Depuis le jour" to Rachmaninoff's "Vocalise." Some may find Fleming a bit much, but agree with her or not, she's far more interesting than singers who keep a safe, discreet distance from the music. --David Patrick Stearns

Customer Reviews:

Renee Fleming sings favorite works.......2007-07-30

Renee Fleming has turned out a fine CD of arias with which not everyone is familiar. Outstanding are Depuis le Jour from Charpentier's Louise and Marietta's Lied, Glueck, das mir verblieb, from Korngold's Die Tote Stadt. The latter is one of the most haunting arias ever written. Many of us cannot get it out of our minds. She includes Chi il bel sogno di Doretta from Puccini's La Rondine and does it well. Hers is not really a Puccini voice. Perhaps Richard Strauss and Mozart are her strengths.

The best of the best........2007-04-11

I've given away at least a dozen copies of this CD. I'm running low, so I just refilled the stash. For people who haven't discovered Renee Fleming or who think they don't care for opera, this CD is the best possible way to blow down the walls. If you think there's nothing new to be heard in these old arias, you owe it to yourself to find out how wrong you can be.

Beautiful and creamy voice.......2006-02-28

I like so much Ren?e Fleming and this is special cd !

Renee Fleming;THE BEAUTIFUL VOICE.......2006-01-30

IT'S A FINE RECORDING THAT OFFERS A VARIETY OF SELECTIONS FROM OPERA, OPERETTAS AND FOLK SONGS, ALL WITH FLEMING AT HER BEST.

The most gorgeous soprano voice I've ever heard.......2006-01-02

I am a 19-year-old voice student at the University of Central Arkansas and I came across Renee by way of a soprano in my voice studio. She said it was her favorite soprano and that I should give her a listen. I was a little hesistant because I'm a baritone and my voice teacher told me that I should listen to men, but I just want to hear it all. So this past summer I first bought Renee's self-titled album with all of the lolipop arias on it and I was just amazed, not just because of how good she is but how easy she is to listen to. I loved her voice immediately. From the the moment the first tone passed through her throat on Puccini's "O Mio Babbino Caro." So I had to hear more. The Beautiful Voice is even better. It wasn't as easy to listen to at first because some of the songs on this album are not as famous as those on the other one, but these songs are all gems. The Korngold with the pianissimi B flats is my personal favorite. Even my mother who screams at me to turn down that "noise" when I listen to opera cds has grown to be quite fond of Renee Fleming. Sometimes her interpretations can be over the top, but the voice is beyond spectacular. It pours out like melted butter. It's vibrant, rich, expressive, free and always perfectly in tune. There is no hint of strain from any sound emitted from her body. She will undoubtedly be remembered like Callas & Sutherland and all the other great soprano voices before her. Not for the dramatic intensity of Callas or the coloratura & technical ease of Sutherland, but for the sheer unspeakable beauty of her voice. This is a must have for any vocalist seriously dedicated to classical training.

Average customer rating: Carl Orff: Carmina Burana aduio CD Not enough energy Definitive Version Superb sound The Best version ever heard! A melhor versão já ouvida!

Carl Orff: Carmina Burana Manufacturer: Telarc ProductGroup: Music Binding: Audio CD All Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Atlanta Symphony Orchestra | ( A ) | Featured Performers, A-Z | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Orff: Carmina Burana Carmina Burana: Vocal Score Orff - Carmina Burana: Battle, Allen, Lopardo, Ozawa, Berlin / Beethoven - Symphony No. 9: Schwanewilms, Groves, Dever, Hawlata, Ozawa, Saito Kinen Orchestra Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw Orff: Carmina Burana ASIN: B000003CSM Release Date: 1990-10-25

Tracks:

1. Introduction
2. Part I
3. Part II
4. Part III

Amazon.com

As much as critics--and many musicians--love to hate this work, Carmina Burana is a uniquely entertaining and justly popular theatrical masterpiece. This collection of 13th-century secular poems, originally found in a Bavarian monastery, were selected, set to original music, and arranged for a large modern orchestra, vocal soloists, and choirs by German composer Carl Orff. Orff ingeniously used these large forces to create a work of astonishing and powerful simplicity. The simplest melodies, primal rhythms, and rudimentary orchestration combine for an unforgettably dynamic musical and dramatic experience. This is one of the first digital recordings of the work, and one of the more successful in balancing the large numbers of singers and instrumentalists. Judith Blegen's lovely rendition of "In trutina" is worth many hearings, and the energy and excitement generated in the sections for full choir and orchestra are something you just have to experience. --David Vernier

Customer Reviews:

Carl Orff: Carmina Burana aduio CD.......2007-01-21

A good orchestral rendition of this work. Not spectacular, but definitely good.

Not enough energy.......2005-07-01

I will not repeat the correct observations of others about this recording vis a vis being less than dynamic.

However, the amazon.com review that states this has rudimentary orchestration is completely wrong. This piece is totally inventive in its use of orchestral and choral forces throughout.

Definitive Version.......2005-01-08

I was enjoying Orff's masterpiece, until I reached the Tenor solo. It was at this point that I fell in love with this recording. William Brown performs one of the greatest renditions of the Roasting Swan that I've ever heard. Each of the 3 times that the melody is performed, it gradually becomes more strained. This is a direct result of the pain that the swan is experiencing. My hat also goes off to the Baritone and Soprano. Couldn't ask for better performers.

Shaw's group was once again flawless and the ASO always impresses me.

I study classical voice and choral conducting in a major university, and I would recommend this version of Carmina Burana to anyone.

Superb sound.......2004-12-14

To counter some of the other reviewer's comments here, I have both the Slatkin/St Louis Symphony version and the Robert Shaw version and there's no comparison. The Slatkin version is ponderous and the audio is pure mud. The chorus and orchestra are mixed together in a mess of sound that makes hearing the words impossible. In addition, the orchestral bass notes are just a bunch of mush.

By comparison, the Shaw version is crystal clear with easily distinguished choral voices, bass notes and triangles/cymbols. The bass drum rattles your fillings and adds to the impact. I've sung this piece myself in the Kennedy Center (Wash DC) and find this version to be perfect in every way. The chorus is superb. Buy it.

The Best version ever heard! A melhor versão já ouvida!.......2003-06-07

When I heard the introduction of "O Fortuna" on the vinyl version of Sepultura's Morbid Visions album, dated 1986, I thought: Where to find this record, which orchestra and regent played this opus called Carmina Burana? There are several versions. I have one by Seiji Osawa, other by James Levini (in vinyl, with lyrics) and this by Robert Shaw that I consider the best!!!Through this site I could find it, just hearing the tracks! I must say: This version of Carmina Burana is the heaviest (due the tambour like a Thunder) and awesome of all time I have heard!!! It's simple and wonderful!!! This version have 4 long tracks. On a CD Player which displays the index, you can see the subtitles.
I ordered it in a classical music store.
I recommend it!!!...

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