-
L'elisir d'amore, opera Una furtiva lagrima
Composed by
Gaetano Donizetti
with
Placido Domingo
Conducted by
Sir John Pritchard
-
Norma, opera Casta Diva
Composed by
Vincenzo Bellini
with
Renata Scotto
Conducted by
James Levine
-
Otello, opera Ave Maria
Composed by
Giuseppe Verdi
with
Renata Scotto
Conducted by
Gianandrea Gavazzeni
-
Madama Butterfly (Madame Butterfly), opera Un bel di vedremo
Composed by
Giacomo Puccini
with
Renata Scotto
Conducted by
Lorin Maazel
-
Madama Butterfly (Madame Butterfly), opera Bimba dagli occhi
Composed by
Giacomo Puccini
with
Renata Scotto,
Placido Domingo
Conducted by
Lorin Maazel
-
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 Deh vieni non tardar
Composed by
Wolfgang Amadeus Mozart
with
Ileana Cotrubas
Conducted by
Sir John Pritchard
-
Rigoletto, opera Caro nome che il mio cor
Composed by
Giuseppe Verdi
with
Ileana Cotrubas
Conducted by
Sir John Pritchard
-
Gianni Schicchi, opera Oh! mio babbino caro
Composed by
Giacomo Puccini
with
Kiri Te Kanawa
Conducted by
Sir John Pritchard
-
La bohème, opera Si Mi chiamano Mimi
Composed by
Giacomo Puccini
with
Ileana Cotrubas
Conducted by
Sir John Pritchard
-
Madama Butterfly (Madame Butterfly), opera Addio fiorito asil
Composed by
Giacomo Puccini
with
Placido Domingo
Conducted by
Lorin Maazel
-
Tosca, opera Vissi d'arte
Composed by
Giacomo Puccini
with
Kiri Te Kanawa
Conducted by
Sir John Pritchard
-
La bohème, opera Quando me'n vo'soletta per la via
Composed by
Giacomo Puccini
with
Kiri Te Kanawa
Conducted by
Sir John Pritchard
-
Don Giovanni, opera, K. 527 Ah fuggi il traditor
Composed by
Wolfgang Amadeus Mozart
with
Kiri Te Kanawa
Conducted by
Lorin Maazel
-
Don Giovanni, opera, K. 527 Mi tradi quell'alma ingrata
Composed by
Wolfgang Amadeus Mozart
with
Kiri Te Kanawa
Conducted by
Lorin Maazel
-
L'elisir d'amore, opera Venti scudi
Composed by
Gaetano Donizetti
with
Ingvar Wixell,
Placido Domingo
Conducted by
Sir John Pritchard
Opera Arias,Ingvar Wixell,Vincenzo Bellini,Gaetano Donizetti,Wolfgang Amadeus Mozart,Giacomo Puccini,Giuseppe Verdi,Gianandrea Gavazzeni,James Levine,Lorin Maazel,Sir John Pritchard,Dame Kiri Te Kanawa,Ileana Cotrubas,Renata Scotto,Plácido Domingo,Sony,Classical,Classical Music,German/Austrian Classical Period Opera,Italian 20th/21st Century Opera,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio,Opera/Operetta Collections
Average customer rating:
- The End of the Big Voice?
- Fla Gator Lady
- 20 Great Tenor Arias
- Plesantly surprised...
- Absolutely Agree About Corelli
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Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Manufacturer: Decca
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- The Most Famous Opera Duets
- The Most Famous Opera Arias
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ASIN: B000007OTX
Release Date: 1998-06-09 |
Tracks:
- La Boheme: Che gelida manina
- Manon Lescaut: Donna non vidi mai
- Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
- Luisa Miller: O! fede negar potessi .. Quando le sere al placido
- La Traviata: Lunge da lei ... De' miei bollenti spiriti
- Martha: M'appari
- Giordano: Amor ti vieta
- L'Africaine: Mi batte il cuor .. O paradiso
- La Favorita: Favorita del re . . . Spirto gentil
- Werther: 'Pourquoi me reveiller'
- Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
- Les Contes d'Hoffmann: O Dieu! De quelle ivresse
- TOSCA: E lucevan le stelle
- Pagliacci: Recitar! ... Vesti la giubba
- Il Trovatore: Di quella pira
- Aida: Se quel guerrier .. Celeste Aida
- TOSCA: Recondita armonia
- L'Elisir d'Amore: Una furtiva lagrima
- La Gioconda: Cielo e mar!
- Turandot: Nessun dorma
Customer Reviews:
The End of the Big Voice?.......2007-04-16
This CD, which is truly fine overall, reminds me of Marilyn Horne's lament that we have probably seen the end of the big voice and it makes me sad. I agree with the reviewer who refers to "microphonies". And more justice could be done to Bjorling's voice with a better transfer. But at some point, music becomes a matter of taste and I prefers singers who have the instrument and the support and the training, whether formal or not, to just let fly and take a chance on making a mistake. Domingo can be wonderful and so can his musicianship but he tends to be so stiff. I have to wonder at the virulence and asperity with which some people go after Pavarotti. It's true that late in his career he made some questionable recordings but the answer to that is simple: don't buy them. At his best, he belongs for all time in the top echelon of tenors. I love this CD and would recommend it to anyone who enjoys great (big) voices.
Fla Gator Lady.......2007-01-12
Highly recommend this CD with these beloved arias of the greatest tenors in opera. I have owned this CD for a couple of years and purchased another for a friend who always requests that I play it ... perfect for listening in the car, dinner, bridge games, relaxation ... just so perfect. You won't be disappointed in this one.
20 Great Tenor Arias.......2007-01-09
A great disc,combination of the greatest tenors of the 20th century and some of the most beautiful music ever written in any century,a must addition to any opera lovers collection.
Plesantly surprised..........2006-01-14
I don't remember how I found this CD the other day surfing through the "Amazon" such as it is, but I did. I listened to a few clips provided & on the strength of that, I purchased this CD.
First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).
Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.
Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.
Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.
This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.
A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!
Absolutely Agree About Corelli.......2005-05-27
Franco Corelli's "Nessun Dorma" is still the best of them all - clear, passionate, and exciting. (And those final two notes...! Gives me chills just to think of it.) I was fortunate enough to see him live in both "Turandot" and "Romeo and Juliet" a year before his retirement, and he was still a Calaf and a Romeo to die for... as, of course, Liu and Juliet did! As it is, I tend to buy compilations depending on how much Corelli they include - though Bjorling is a strong second, and I have happy memories of Domingo. Long live the Golden Age of Operatic Tenors!
Average customer rating:
- Great for kids!
- Mediocre Sound Quality
- I was pleased
- The Most Famous Opera Arias
- Okay But.... - a review of "The Most Famous Opera Arias"
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The Most Famous Opera Arias
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ASIN: B000002SCE
Release Date: 1994-07-19 |
Tracks:
- Rigoletto: Act I - Caro nome
- Rigoletto: Act III - La donna e mobile
- Gianni Schicchi: O mio babbino caro
- Carmen: Act I - Habanera: La voila...L'amour est oiseau rebelle
- Orfeo ed Euridice: Act III - Che faro senz Euridice
- Madama Butterfly: Act III - Un bel di, vedremo
- Romeo et Juliette: Act I - Ah! je veux vivre
- Le nozze di Figaro: Act II - Voi che sapete che cosa e amor
- Samson et Dalila: Act II - Mon coeur s'ouvre a ta voix
- Tosca:: Act II - Vissi d'arte, vissi d'amore
- Aida: Act I-Celeste Aida
- Il Barbiere Di Siviglia: Act I-Una voce poco fa
- Lakme: Act II - Ou va la jeune indoue?
- La Wally: Act I - Ebben? Ne andro lontano
- La Boheme: Act I - Che gelida manina
- Die Zauberflote: Act II-Die Holle Rache kocht in meinem Herzen
Customer Reviews:
Great for kids!.......2007-06-27
I'm generally not a fan of music "samplers," but opera can be tough to introduce to children. And hey--even adults played cards, ate, and talked through the recitative sections of the early operas while they waited for the next aria! So I feel that getting kids hooked on opera through great arias probably can't hurt (the next 10 years or so will determine whether I'm right or not). My 4-year-old loves this CD; it's a delight to watch her imitate Anna Moffo (the sincerest form of flattery, for sure). Highly recommended resource for introducing young kids to opera. More top picks: Siberell's Bravo! Brava! A Night at the Opera, and the Black Dog Opera Library CDs.
Mediocre Sound Quality.......2007-03-31
If you note the album was released in 1994, and includes selections from many years prior, you will understand that the quality of the sound engineering is not going to dazzle your ear.
It's a very nice collection to hum along to, but don't expect shivers down your spine as the sound quality is not sufficient to reproduce the dynamic range of these voices.
I was pleased.......2007-02-18
I am by no means an opera expert, but found this to be a wonderful CD. Along with the songs I already knew I liked (such as a song from Carmen,) I found many others I enjoyed. In fact, Samson et Dahlila turned out to be my favorite. If you are just getting started or at any point in your adventure of opera, I would recommend this one.
The Most Famous Opera Arias.......2007-01-05
I was completely surprised in the product as well as the time in which it was delivered.
I would not only refer this seller but I will come back myself.
Okay But.... - a review of "The Most Famous Opera Arias".......2006-08-18
My daughter (6 y.o.) and I like opera; but sitting for two hours to watch Turandot is just not within the realm of possibilities for my 4 year old son right now... so I was looking for an opera CD for the car. He will sit and listen to short arias.
This was the first we purchased and it is okay but not great.
Problem #1 - where is Wagner. No Wagner?
Problem#2 - Elena Obraztsova - she sounds like Carmen's grandmother. Rather matronly for a vixen (imho--lol)
Three Stars. [C+] Great Price and good sound quality for the car. The operatic styles of some of the performers are antiquated and frilly sounding, but I would probably buy this CD again.
Note: We purchased and really preferred "The # 1 Opera Album". It has more selections and better artists in our opinion. Also it's a two CD set. Just something to consider.
Average customer rating:
- Lively and comforting CD!
- Baby loves this music!
- Baby Mozart
- great gift - thank you
- Great music for baby AND mom
|
Baby Mozart
Various Artists
Manufacturer: Buena Vista
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ASIN: B000065VCG
Release Date: 2002-05-07 |
Tracks:
- Tune Up And Fanfare Based On Themes From 'The Magic Flute'
- Piano Sonata In C, K545, 1st Movement
- Piano Sonata In C, K330, 1st Movement
- Variations On 'Ah Vous Dirai-je, Maman,' No. 1, 8, And 11, K265/300e
- Piano Sonata In D, K576, 3rd Movement
- Concerto For Flute And Harp In C, K299, 1st Movement
- Piano Sonata In A, K331, 3rd Movement
- Piano Sonata In C, K545, 2nd Movement
- Sonata In D For Two Pianos, K448, 1st Movement
- Piano Sonata In C, K330, 3rd Movement
- Divertmento No. 17 In D
- Piano Sonata In B Flat, K570, 3rd Movement
- Piano Sonata In F, K533, 3rd Movement
- The Magic Flute, K620, Papageno Arias No. 2 And 20
- Symphony No. 41 In C, K551, 4th Movement
Product Description
Introduce your baby to the wonders of classical music with this Mozart collection. The musical selections on this CD were softened to create a happy arrangement that will appeal to babies. Since listenening to classical music has been shown to impact cognitive skills as well verbal ability, intelligence, and memory, this CD is a perfect tool to enhance your child's development. Musical selections include: Tune up and Fanfare based on themes from "The Magic Flute"; Piano Sonata in C, first movement; Piano Sonata in C, first movement; Variations on "Ah vous dirai-je, maman"; Piano Sonata in D, third movement; Concerto for Flute and Harp in C, first movement; Piano Sonata in A, third movement; Piano Sonata in C, second movement; Sonata in D for Two Pianos, first movement; Piano Sonata in C, third movement; Divertmento no. seventeen in D; Piano Sonata in B flat, third movement; Piano Sonata in F, third movement; The Magic Flute, Papageno Arias no. two and twenty; and Symphony no. forty-one in C, fourth movement. Age: Birth - 3 years Manufacturer: New Sound Music
Amazon.com
Of all the reasons you'll click the Add to Shopping Cart button next to Baby Einstein's Baby Mozart--and there are many--the best one is that playing this record for babies doesn't feel weird. Instead of subjecting tiny, tender ears to the kind of Mozart that can make adult classical fans wilt when tackled by a maestro who means business, this is Mozart lite, mixed and mastered by a dad, Bill Weisbach, who's clearly hung around for his share of crib-side cooing. The slightly tinny sound of a child's piano sweeps the sting out of Piano Sonata in B Flat's third movement; the first movement of Concerto for Flute and Harp in C floats by, birdlike; variations on "Ah vous dirai-je, Maman" translate to a fancy-sounding (but adorable) "Twinkle, Twinkle"; and Piano Sonata in F's third movement snuggles so deeply into its childlike setting that if you close your eyes, you'll see a pastel parade of animals floating by overhead. Other pieces (more aptly called fragments, since only one track stretches beyond the three-minute mark), like Symphony No. 41's fourth movement, wander into more robust Mozart territory, but it's here the claims about classical music enhancing young kids' abstract reasoning skills and spatial intelligence crystallize. Babies strapped in for a roller coaster of sounds that gracefully dips, swerves, and high-jumps like this version, do have to process what they're hearing somehow (and a case could be made that the instruments Weisbach's chosen--the vibraphone, glockenspiel, and music box among them--make it more appealing for them to do so). Followers of Julie Aigner-Clark's Baby Einstein empire, many of whom opted out of the fan club once Disney bought the company in 2001, won't trip over a single Mickey Mouse-ified sound here. This is pure, plugged in, and muted Mozart, and if it doesn't make your baby smarter, it'll at least sound awfully sweet issuing from your nursery's speakers. --Tammy La Gorce
Customer Reviews:
Lively and comforting CD!.......2007-06-12
This CD is inspiring and comforting! I have listened to it a lot since I got it and will continue to share it with junior when he arrives.
Baby loves this music!.......2007-02-17
Puts our 6-week old daughter to sleep. What more could you ask for!
Baby Mozart.......2007-02-14
Although the selection of music was good, I was disappointed at the synthesized sounds of the music. I have heard much of the "Mozart Effect" for stimulating learning in young minds, but why market it this way? Just turn on your radio to your local classical music station and give your child the benefit of the real thing without having to put more money in Disney's pockets.
great gift - thank you.......2007-01-18
thankyou - I gave this as a gift - they loved it
Great music for baby AND mom.......2006-04-18
I bought this CD with a gift card, because I wanted some soothing music for my daughter's naptime. In looking at the titles of the pieces, I didn't recognize very many, but in listening to the CD I found that I recognize much of the music. I was pleased at how calming it was and found myself humming various pieces throughout the day.
I would recommend this CD, and plan to purchase other Baby Einstein music!
Average customer rating:
- Mellifluous and whisper-sweet - admirable beauty
- Can't recommend it
- a voice teacher and early music fan
- Without peer....!
- Best Tenor Handel Singing Ever
|
As Steals the Morn: Handel Arias & Scenes for Tenor
Manufacturer: Harmonia Mundi Fr.
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Binding: Audio CD
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ASIN: B000N6U1B4
Release Date: 2007-06-12 |
Customer Reviews:
Mellifluous and whisper-sweet - admirable beauty.......2007-07-28
There is so much to admire in this recording, which features the tender-voiced Mark Padmore. His voice is lovely indeed - I have always enjoyed the admirable sweetness of it.
The selection of arias and scenes, along with the truly delicious duet after which the disc is named (sung with soprano Lucy Crowe), is superb, giving Mark Padmore the chance to explore his interpretative range, to murmur, to whisper, to utter in mournful lament, to strike out with well articulated clarity. His diction for the English arias is beautiful; every word and its sense can be understood.
I have a few reservations which prevent me from giving this CD five stars, though. They are minor quibbles, perhaps... Firstly, Mark Padmore's coloratura is only just adequate. He gives the impression, in passages of faster work, of only just hanging on to the tiger, instead of riding it - of being ridden by the coloratura, rather than controlling it. Secondly, his Italian has a very strong English accent. And thirdly, I found the playing of the English Consort, conducted by Andrew Manze, to be a little TOO sugary and sweet, not helping to give bite when bite was needed. This was particularly apparent when Mark Padmore sang the arias of fury - he is more suited by inclination to tender arias, but he really did a noticeably good job of varying the emotional range in his chosen arias, and it just was not helped by the orchestral playing (which was otherwise beautiful). I'd have liked a little more ferocity in the orchestral forces when needed, to give a valuable contrast to the lyrical sweetness otherwise required.
In all, this is certainly a gorgeous recording in many respects. I would like to hear Mark Padmore with an orchestra that challenged him to give even more variation and intensity (and supported him in that), but the voice is truly a lovely one.
Recommended.
Can't recommend it.......2007-07-03
I can't recommend this recording unreservedly. Mr. Padmore's voice seems hard pressed and tremulous in some of the arias, and his Italian is un-idiomatic. His diction is superb, in both the English and Italian arias, and the choice of repertoire is adventurous, but I will stick to Robert White.
a voice teacher and early music fan.......2007-06-23
PADMORE HAS ARRIVED!!!!!Gramophone writes: "Mark Padmore uses his extraordinary diction and whispering chamber-like intimacy to remind us that the most exalted tenor arias from the operas and oratorios can achieve true potency even out of context..." To which I heartily agree. This is truly a wondrous portrayal of the many and varied moods of Handels' works. The tenor roles on this disc stretch between Handel's first and last oratorios, and most of them share a philosophy that implies that the dire consequences of personal pride, emotional selfishness, political ambition and sexual lust are amended by virtue and reason.
Padmore has always excelled with his velvet-toned tenderness, such as is displayed on this disc in "Where'er You Walk" from Semele and Jephtha's seraphic "Waft Her Angels". However, in this album he shows that he has acquired a stength and Italian vibrancy in his tone quality as he sings Jeptha's victory aria: "His Mighty Arm" and Bajazet's magnificent death aria :"Figlia mia-Tu spietato" from Tamerlano. I have never heard this death aria sung as well by anyone!!!!And, of course , the lovely melody, so beautifully performed by Padmore and Lucy Crowe is the 'crown' on this album: 'As Steals the Morn'.
Mark Padmore can be listed with the best of the present day tenors. And Andrew Manze with his sensively implemented accompaniment; just perfect!!!I would be remiss if I did not mention the very attractive packaging of the disc as well as the accompanying information; very superior.
Without peer....!.......2007-06-14
I fully agree with the listener above, this is some of the most beautiful and expressive Handel singing in a very long time. I sat in rapture between my two B&W's. Mark Padmore has just raised the bar and Andrew Manze and the English Concert support with playing of stunning virtousity....warm enveloping engineering and you most certainly have a disc to treasure. Please don't hesitate if you love Handel!!
Best Tenor Handel Singing Ever.......2007-06-13
We are in a Golden Age of Handel singing with Andreas Scholl, Daniel Taylor, Vivica Genaux, Ewa Podles and others making baroque music popular again. If you don't own any Lorraine Hunt Lieberson singing Handel (especially with the Philharmonia Baroque Orchestra) buy some today. But buy it alongside this disc. "As Steals the Morn" stole my heart. This is without a doubt the best tenor disc of Handel arias ever. WIth the women and the countertenors great versions of almost everything that Handel wrote abound. Padmore is in a class by himself among tenors singing this music. The singing is beautiful and heartfelt. This would join my Callas Tosca and Scotto Butterfly on a desert island.
Average customer rating:
- A Legendary Singer.
- Lorraine Hunt Lieberson's Bach: The mind of God revealed!!
- Glorious singing to treasure for decades
- Lorraine Hunt-Lieberson (1954-2006), supreme Handelian
- The Stellar Hunt Lieberson
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Lorraine Hunt Lieberson: Handel Arias
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- Bach: Cantatas BWV 82 and 199
- Peter Lieberson: Neruda Songs
- Music of Peter Lieberson: Rilke Songs, The Six Realms, Horn Concerto
- Lorraine Hunt - Handel Arias
- Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan
ASIN: B00022LZW8
Release Date: 2004-08-10 |
Tracks:
- Ah! Whither Should We Fly...
- ...As With Rosy Steps The Morn
- O Bright Example Of All Goodness!...
- ...Bane Of Virtue, Nurse Of Passions
- The Clouds Begin To Veil The Hemisphere...
- ...Defend Her Heav'n!
- Lord, To Thee Each Night And Day
- She's Gone, Disdaining Liberty And Life...
- ...New Scenes Of Joy
- Cantata
- Cantata
- Cantata
- Cantata
- Cantata
- Cantata
- Cantata
- Cantata
- Se Bramate D'amar, Chi Vi Sdegna
- Frondi Tenere E Belle...
- ...Ombra Mai Fu
Amazon.com
If you think you've heard Handel's "Ombra mai fu" (known as his "Largo") so often, and in so many different arrangements, and sung by so many different voices, that you can no longer be moved or surprised by it, think again. This CD of Handel arias, mostly from his Theodora or the cantata La Lucrezia, ends with "Ombra mai fu," and as sung by Lorraine Hunt Lieberson, it is so tender, so beautiful, so impeccably shaded, that you'll think you're hearing it for the first time. But that's only four of this disc's 67 minutes---a follow-up to Hunt Lieberson's extraordinarily successful CD of Bach cantatas. There's not a dull or disinterested moment to be heard anywhere. As the violated Lucrezia, Hunt Lieberson alternately rages against the man who raped her and turns her grief inward; the former is terrifying in its intensity, the latter makes us almost feel as if we're eavesdropping. The five arias for Irene, Theodora's friend, confidante, and the upholder of Christian beliefs are all magical prayers or statements of faith, and from Hunt Lieberson, they become real, with each word honestly conveyed and colored. The voice itself is unfailingly beautiful---warm, lush, never forced, agile when necessary---and her breath control is stunning. She is backed ideally by Harry Bicket and The Orchestra of the Age of Enlightenment, and the string soloists in the ensemble---the viola da gamba player, lutenist, etc.---are as gifted as she is. If you want proof that Handel was a great dramatist with a special gift for communicating emotion, all while listening to sublime sounds, this CD is a must. --Robert Levine
Customer Reviews:
A Legendary Singer........2007-03-07
I simply don't have the heart to review Mrs. Lieberson's works.
If we call Ms. Bartoli a 'great' singer, then the description of 'legendary' more aptly depicts Mrs. Lieberson.
If ever a truly good artist lived, Mrs. Lieberson is one such.
The only singer that could be recalled singing in such style is Teresa Berganza; but still, they are different.
This is one of my favourite interpretators of Haendel. Having been 'treated' by those coloraturas of arias of Haendel's period by Ms. Bartoli and others, I find the singing of Lorraine Hunt Lieberson a great relief - at last, this is what Haendel would want it to be. And I equally enjoy the singing of soprano arias by Mrs. Lieberson - the timbre is warmer, but still with all the shimmer - so different from the dark mushy tones of other celebrated 'lyrical soprano' around.
Don't want to say more. Mrs. Lieberson's leaving last year is too heavy a news for me.
Lorraine Hunt Lieberson's Bach: The mind of God revealed!!.......2007-01-06
These deeply felt performances of two of Bach's most moving cantatas show this transcendent singer's combination of emotional honesty and profound musicality, all combined to reveal the very mind of God through divine redemption from suffering. The disc is to be treasured even more in light of the Ms. Lieberson's recent untimely death from cancer. I'm an agnostic, but this music makes me envious of those who can believe. Roy in Pope Valley, California
Glorious singing to treasure for decades.......2006-07-11
By any measure, America's Lorraine Hunt Lieberson is at least the equal of Italy's premier diva, mezzo-soprano Cecilia Bartoli, although she does not have the same superstar status. It is difficult to recall past mezzos with clearer enunciation of English text, (as favoured in nine excerpts from Theodora), the richness of voice, displayed in full-throated fortissimo and sharply contrasted pianissimo of utmost delicacy, evokes fondest memories of the tragically doomed Kathleen Ferrier. Masterfully chosen to display every facet of Hunt Lieberson's consumate command of Handel's dauntingly difficult music, the disc's repertoire - recitatives and linkig arias from the operas Theodora and Serse, and the cantana La Lucrezia - is stunning. An unsung mezzo who makes the senses tingle!
Lorraine Hunt-Lieberson (1954-2006), supreme Handelian.......2006-07-06
I have never heard a voice purer of tone, more flexible in phrasing, and so gorgeously produced in a homogeneous column of sound such as this artist in Handel's repertoire. It is very tastefully sung (unlike a certain person whose name begins with R and ends with enaaay Fleming) and so dramatically touching that one could not help but feel that this repertoire finally has found its instrument. And how sad it is to know that this instrument has passed away two days ago. Lorraine Hunt-Lieberson died two days ago in her home in Santa Fe, New Mexico of breast cancer. It is such a huge loss to the opera world, as she is an artist who is still experiencing the prime of her career. The voice is just so beautiful, the tone so pure, that I lament that we can no longer hear any great roles from this artist. She will be missed.
The Stellar Hunt Lieberson.......2006-03-19
Simply put, Lorraine Hunt Lieberson is one of the very best classical singers alive. She combines vocal elegance and purity with an emotional delivery that raises her above the crowd of technically proficient singers who just don't possess her depth of musical understanding or emotional commitment. Hunt Lieberson is a true artist who resists easy classfication except to say she is perfect in what she does.
Average customer rating:
- Beautiful music
- Andrea Bocelli-Sacred Arias
- An "experience" of sacred arias more than "listening" of sacred arias
- amazing talent
- Perfect arias for the perfect voice
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Andrea Bocelli - Sacred Arias / Myung-Whun Chung
George Frideric Handel , Giulio Caccini , Charles Gounod , Franz Schubert , Cesar Franck , Gioachino Rossini , Giuseppe Verdi , Wolfgang Amadeus Mozart , Richard Wagner , Pietro Mascagni , Louis Niedermeyer , Franz Xaver Gruber , John Francis Wade , Jean-Paul Lecot , Myung-Whun Chung , and Andrea Bocelli
Manufacturer: Philips
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- Romanza
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- Andrea Bocelli - The Opera Album ~ Aria
ASIN: B00002ND9N
Release Date: 1999-11-09 |
Tracks:
- Caccini/Mercurio: Ave Maria
- Mascagni: Sancta Maria
- Gounod: Ave Maria
- Schubert: Ave Maria
- Franck: Panis Angelicus
- Rossini: Cuius animam
- Verdi: Ingemisco
- Mozart: Ave verum
- Wagner: Der Engel
- Handel: Ombra mai fu
- Niedermeyer: Pieta signore
- Rossini: Dominus Deus
- Schubert/Mercurio: Mille Cherubini in coro
- Gruber/Mercurio: Silent Night
- Wade: Adeste Fideles
- Gloria a te, Cristo Ges
Amazon.com
When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas May
Customer Reviews:
Beautiful music.......2007-01-12
This is my second copy of this CD, I burned the first one out!!
Andrea Bocelli has a very gorgeous voice that is a gift from above. His voice is not affected or braggadoccio but naturally magnificent. I could and do start my day listening to this spiritually uplifting CD almost everyday. It is a wonderful way to get off to a pleasant peaceful start, but also a nice way to come home in the evening if you have a CD player in your car. I highly recommend it to all.
Andrea Bocelli-Sacred Arias.......2006-08-25
Excellent listening. Voice quality and tone is superb. Brings tears to my eyes when I envision listening to this in a church setting.
An "experience" of sacred arias more than "listening" of sacred arias.......2006-04-28
I bought this CD's special edition with DVD, and I am impressed by bocelli's singing in this album. I have heard many voices singing sacred songs, and christmas songs, but very few singers can achieve the "sacred atmosphere" that bocelli devotes when he sings. He may not have a "strong" voice as opera singers, but I think singing these sacred songs, devoting the "sacred atmosphere" to the audience is much more important, the voice actually is just a tool that helps a singer to achieve the result. For real, I have heard some CD by some chorus that perform sacred arias, but they did not move me as much as this CD does, mostly not even close. Personally I like "O come all ye faithful", "silent night", all "ave maria"'s, "domine deus", "cujus animam" the most. When I listen Bocelli's singing I focus on what he tries to devote in singing more than his voice color, because in terms of voice color he surely cant be compared with pavarotti or domingo, so why compares? The way of listening him and listening real opera singers is different man. But the reason I gave only this CD four stars is that I have heard several sacred arias from this album performed by his voice teacher, the legendary tenor Franco Corelli. I tried not to compare both...but I cant, not because Bocelli sings bad, he is already excellent, just Corelli is TOO excellent that cant be described by human language (well I think even Pavarotti is not even close to Franco Corelli, but this is just my opinion). Anyway if you want to "experience" the true beauty of sacred arias, this CD is highly recommended. And this is also a very good sacred aria album for beginning listeners who want to broaden their musical taste to sacred arias.
amazing talent.......2006-03-25
worth the price the songs are breathtaking and talent is indescribable
Perfect arias for the perfect voice.......2006-03-04
These are just terrific. How does Andrea acheive the range he does, and the power he has, without sounding too heavy or too light? His voice sounds like the perfect voice for these perfect arias.
I have noticed one concern with the CD. I have heard several clicks scattered here and there in the songs -- but the CD is clean and I feel confident it is not the machine. Has anyone else noticed this?
Average customer rating:
- Bright Star
- Anna Netrebko: Opera Arias
- First DGG album--very promising
- Remarkable!
- Beautiful voice, beautiful girl
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Anna Netrebko: Opera Arias
Anna Netrebko , Elina Garanca , Gianandrea Noseda , Wiener Philharmoniker , and Hector Berlioz
Manufacturer: Deutsche Grammophon
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Similar Items:
- Sempre Libera
- Russian Album
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ASIN: B00008MLSH
Release Date: 2003-09-09 |
Tracks:
- Idomeneo: Recitativo ed Aria "Quando avran fine omai" - Mozart
- Don Giovanni: Recitativo accompagnato e Rondo "Crudele!" - Mozart
- Benvenuto Cellini: Cavatine "Entre l'amour et le devoir" - Berlioz
- La Sonnambula: Recitativo e Cavatina "Care compagne, et voi, ternei amici" - Bellini
- Manon: Air du Cours-la-Reine "Suis-je gentille ainsi?" - Massenet
- Lucia di Lammermoor: Scena e Cavatina "Ancor non giunse!" - Donizet
- Faust: Ricitatif "Les grands seigneurs ont seuls des airs..." - Gounod
- Rusalka: "Mesicku na nebli hlubokem" - Dvorak
- La Boheme: "Quando me'n vo' (Musette's Waltz)" - Puccini
Amazon.com
Here, a year after her sensational Metropolitan debut as Prokofiev's Natasha from War and Peace, comes the debut solo recital album of 30-something soprano Anna Netrebko. She hails from southern Russia, and her emergence from the life of a conservatory student has a touch of the Cinderella talethe bit, that is, about being discovered by Gergiev mopping floors for the Kirov as a part-time job and making her way into the Kirov's ranks. Later she became a favorite at San Francisco Opera, trying on for size a swath of comic and dramatic roles. Opera Arias parades Netrebko's way through a spectrum of vocal styles and characters. This mesmerizing lyric soprano engages--at times thrillingly grips--the listener with an imagination far greater than the disc's title (couldn't someone have dreamt up a less ridiculously bland handle?), but most significantly leaves an impression that the enterprise here isn't merely about singing. Netrebko's Ilia and Donna Anna are flesh-and-blood characters in real situations, as Mozart wanted them to be. The results are a bit more uneven with her bel canto heroines, where the required balance between Netrebko's emotional identification, so obviously a forte, and the musical phrasing thereof is a delicate one. Her shading of Lucia's mood swings, vocal and emotional, isn't consistently compelling. On the other hand, Netrebko uncovers gemlike facets not just in Gounod's "Jewel Song" but particularly in her stunning, passionately realized and beautifully phrased Manon (even if her trills disappoint). A shame that samples of her Russian repertory are missing here, though Netrebko's "Song to the Moon" from Dvorak's Rusalka concentrates and sets a mood with enviable mastery. Netrebko's musical intelligence and theatrical savvy seem destined to ensure her a magnificent career, so it's no surprise that many fans are already clamoring for more than the tease of an aria collection. --Thomas May
Customer Reviews:
Bright Star.......2007-07-13
If you like opera, if you like the lyric soprano, if the vocal range of the colortura causes goose bumps to rise, Anna Netrebko is a must. Roberta Peters, Beverly Sills, Anna Moffo, Joan Southerland, Maria Callas, she takes a back seat to none of them,she sits he front seat with the best of them and guess what? She is beautiful too.
Anna Netrebko: Opera Arias.......2007-03-29
Her voice takes my breath away, I fell in love with her.
I highly reccomend it.
First DGG album--very promising.......2007-02-01
Anna Netrebko has rapidly become a first tier star in opera. This album, her first at DGG, illustrates why some rate her so highly; it also illustrates some of the questions that some have raised about her. All in all, though, a very nice CD.
A few selections illustrate:
Mozart, Idomeneo, "Quando avran fine omai." She displays a rich and clean voice. There is a very attractive quality to her voice manifest in this work.
Mozart, Don Giovanni, "Crudele? Ah no, mio bene!...Non mi dir." This is Donna Anna's poignant aria, given her circumstances. Netrebko displays rich tones. This is a well sung cut. "Non mi dir" shows off some agility in her voice.
Donizetti, Lucia di Lammermoor. "Ancor non giunse!. . .Regnava nel silenzio. . .Quando rapito in estasi" Something of a disappointment. Coloratura is not her forte (and see her "Sempre Libera" CD for further confirmation). She clearly shows off a rich and lush voice. I think that she displays some characterization here that is compelling. She hits high notes cleanly. But her ornamentation is indifferent, and she appears unable to trill. I know, some say that that is irrelevant. But compare Beverly Sills' version of this work, with almost too many trills extraordinarily well sung and her florid technique, and this version simply pales.
Bellini, La Sonnambula. "Care compagna. . .Come per me sereno." Again, Netrebko displays a rich voice. She displays an agile voice and the ability to hit the high notes. Her rendition of "come per sereno" is spirited.
Gounod, Faust. "The Jewel Song." Very smooth singing; animated singing. But the technique does not measure up to Anna Moffo's version--let alone Joan Sutherland's.
Puccini, La Boheme. "Musetta's Waltz." Yikes! What a version. Brava Netrebko. Her darker voice is very well suited to this. The characterization of Musetta seems on the mark. A wonderful cut.
All in all, this shows the promise of Netrebko. It also indicates where her strengths are and where she does not do so well (coloratura work). However, this is a very nice introduction to her work and her art.
Remarkable!.......2006-11-02
Perhaps her voice is not as candid as some other sopranos, but her rendition of the score and interpretative expression make her and exquisite hearing pleasure. This recording shows a more matured artist capable of capturing the role dynamics and emotions.
Yes, her voice is not as lyric as you might expect, and some roles may sound a little big heavy (sometimes maybe bordering verismo), but definitively at stated before hearing her is a gloriuos pleasure, almost as good as looking at her.
Beautiful voice, beautiful girl.......2005-11-22
When I heard Anna Netrebko singing Quando Men Vo I was stunned by a voice of stunning purity, great power and sheer beauty. The best Musetta I've heard! Her Song to the moon is stunning and I love her Bel Canto! Anna Netrebko has a very bright future ahead of her. Her Mozart is top class!
Average customer rating:
- Great to hear the Great Tenor
- A childhood memory
- Great collection.
|
The Legendary Enrico Caruso: 21 Favorite Arias
Manufacturer: RCA
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- Artists Of The Century - Caruso, The Greatest Tenor In The World
ASIN: B000003EOH
Release Date: 1990-10-25 |
Tracks:
- Pagliacci: Vesti la giubba
- TOSCA: E lucevan le stelle
- Rigoletto: Questa o quella
- Rigoletto: La donna e mobile
- L'africana: O paradiso
- La Juive: Rachel, quand du Seigneur
- La Boheme: Che gelida manina
- Aida: Se quel guerrier io fossi; Celeste Aida
- Andrea Chenier: Come un bel di di maggio
- La Favorita: Romanza: Spirto gentil, ne' sogni miei
- La forza del destino: O tu che in seno agli angeli
- Otello: Ora e per sempre addio
- Les pecheurs de perles: Je crois entendre encore
- La Gioconda: Cielo e mar!
- Carmen: La fleur que tu m'avais jetee (Flower Song)
- TOSCA: Recondita armonia
- Faust: Salut, demeure chaste et pure
- L'Elisir d'Amore: Una furtiva lagrima
- Martha: M'appari tutt'amor
- Serse: Ombra mai fu (Largo)
- Il Trovatore: Di quella pira
Amazon.com
There's a plethora of single-disc Caruso collections, but this one's the preferred choice for opera fans who treasure this golden- voiced epitome of Golden Age singing. It's a Greatest Hits collection to beat all Greatest Hits collections. Selections span Caruso's career, from the lyric effusions of 1906-7 to the darker-voiced later recordings, including one of his last records, the 1920 La Juive aria, "Rachel, quand du Seigneur," which he invests with a heartbreaking poignancy that hasn't been bettered. Caruso shines brightest in the Italian repertory, capturing the pathos of Vesti la Giubba, the insouciance of the Duke's Rigoletto arias, and the hero's dilemma in Celeste Aida, among much else. But everything here is wonderful--great music, great singing. --Dan Davis
Customer Reviews:
Great to hear the Great Tenor.......2007-04-11
I am impressed how well these almost 100 year old recordings have been transfered to CD. Of course they aren't perfect but considering their age it is still a miracle. It is nice to hear Caruso in his prime and not on a scratchy vinyl. I would recommend this to any lover of Caruso's singing.
A childhood memory.......2006-05-28
I do not really know Opera. I am writing this review because I remember hearing Caruso's voice coming from a seventy- eight on an old Victor gramophone in my paternal grandparents house. The power and lyric quality of the voice struck me so strongly especially in 'Pagliacci'. The phrase has been with me, and comes back occasionally through all the years.
Caruso was then, and I believe still is considered at the very top of operatic singers. And it is a remarkable experience to hear so many years later , and in a stronger and clearer way sounds which one heard long ago in childhood, and have for years only lived in the mind.
Great collection........2000-11-04
This CD is an older RCA release, but still one of the best! A great introduction to Caruso.
Average customer rating:
- heywhattsamattayou
- full of passion and love
- Absolutely Beautiful!
- Where is Amore I?
|
Amore II ~ Great Italian Love Arias
Manufacturer: Sony
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- The Most Famous Opera Arias
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ASIN: B00004C4MX
Release Date: 2000-02-01 |
Tracks:
- Gianni Schicchi: O mio babbino caro
- La rondine: Chi il bel sogno di Doretta
- La Boheme: Quando m'en vo
- La Boheme: Mi chiamano Mimi
- La Boheme: Che gelida manina
- TOSCA: Vissi d'arte
- Madama Butterfly: Un bel di
- Madama Butterfly: Bimba dagli occhi pieni di malia
- Turandot: Tu, che di gel sei cinta
- Rigoletto: La donna e mobile
- Rigoletto: Caro nome
- La Traviata: Lunge da lei...De miei bollenti spiriti...oh mio rimorso
- Aida: Celeste Aida
- L'Elisir d'Amore: Prendi, per me sei libero
- L'Elisir d'Amore: Una furtiva lagrima
- Don Pasquale: Quel guardo il cavaliere
- Fedora: Amor ti vieta
- Turandot: Nessun dorma
Customer Reviews:
heywhattsamattayou.......2007-06-12
i'm a tellin you..... if you dont a like a this music....well you musta been born with the stone for a heart...heh
full of passion and love.......2007-03-31
This CD is full of passion and love. Whenever I listen to it, I get the butterfly feeling in my stomach...must have CD!!!! I strongly recommend!
Absolutely Beautiful!.......2002-03-02
Two words describe the music found on this CD: ABSOLUTELY BEAUTIFUL! The beauty of the vocals and music combine to allow one to transcend from the daily grind to a world of beauty. Bravo!
Where is Amore I?.......2001-02-16
This CD is a selection of arias from Italian operas. Most of the time when you get a compilation like this, you feel lucky if you like 2/3 of the selections. In this case, whoever did the selecting did a great job, there isn't a clinker in the lot. About half of the arias are by Puccini, the rest are by Verdi, Donizetti, and Giordano. Singers include Kiri Te Kanawa, Luciano Pavarotti, Richard Tucker, and Andrea Rost. There is enough variety to keep the whole CD interesting, yet the mood is consistent throughout. The sound is generally quite good, and while I am not generally a fan of live recordings, the audience response in the performance by Pavarotti really does add excitement to the presentation. Given the title of this CD, I assumed this was the second in a series, and I liked it so much I went looking for the original. Unfortunately, I can find no other CD on the Sony label titled Amore - too bad.
Average customer rating:
- Very Bad
- Different is not always bad!
- Pay special attention to this new promise !
- A tenor who wishes he were a baritone
- Finally, a SPINTO tenor!!!
|
Jose Cura - Puccini Arias / Domingo
Giacomo Puccini , London Philharmonia Orchestra , Plácido Domingo , and Jose Cura
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD
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ASIN: B000005E5L
Release Date: 1997-10-28 |
Tracks:
- Turandot (Act III): Nessun dorma
- Turandot (Act I): Non piangere Liu!
- Gianni Schicchi: Avete torto! - Firenze ome un albero fiorito
- Il Tabarro: Hai ben ragione
- Il Tabarro: Io voglio la tua bocca - Folle di gelosia
- La Rondine (Act I): Parigi! a cittei desideri
- La Rondine (ActIII): Dimmi che vuoi seguirmi
- La Fanciulla del West (Act II): Una parola sola - Or son sei mesi
- La Fanciulla del West (Act III): Risparmiate lo scherno - Ch'ella mi creda
- Madame Butterfly (Act I): Dipende dal grado di cottura - Amore o grillo
- Madame Butterfly (Act III): Addio fiorito asil
- Tosca (Act I): Recondita armonia
- Tosca (Act III): E lucevan le stelle
- La Boh (Act I): Che gelida manina
- Manon Lescaut (Act I): Tra voi, belle
- Manon Lescaut (Act I): Donna non vidi mai
- Manon Lescaut (Act II): Ah, Manon mi tradisce
- Manon Lescaut (Act III): Ah! non v'avvicinate! - No, pazzo son
- Manon Lescaut (Act IV): Manon...senti, amor mio - Vedi, son io che piango
- Edgar (Act II): Orgia, chimera dall'occhio vitreo
- Le Villi (Act II): Ecco la casa - Torna ai felici di
Amazon.com essential recording
Good tenors are always in short supply, a particularly lamentable circumstance given the great demand for them in the operatic and symphonic repertoire. Thus, the advent of a good young tenor is always cause for rejoicing. A tenor of the caliber of Jose Cura--a composer, conductor and guitarist as well as a singer--is really good news. There is nothing wimpy about Cura's singing, nothing strained; he sings with baritonal beef and strong, chesty high notes. A protege of Placido Domingo, he shares some qualities with the older tenor, but is definitely an artist with something to say for himself. This is a career to watch. --Sarah Bryan Miller
Customer Reviews:
Very Bad.......2007-03-29
First of all, his voice does not suit for Puccini(I do not know what is fitting for him). If you buy this cd, you may listen the worst "Non piangere liu" "E Lucevan Stella" etc. He can not bring a little emotion. But Puccini demands it.
Different is not always bad!.......2006-11-26
It's very interesting to read all the reviews smashing Jose Cura for his "baritone-like" voice and supposed stiff and unvaried interpretation. The first opera I ever saw was The Washington Opera's 1997 production of Samson et Dalila (I was 13) with Jose Cura and Denyce Graves. Immediately I was converted into an opera lover! (specifically an opera-goer-lover) I don't necessarily like listening to all opera, and a lot of singer's voices still annoy me, but Jose Cura's voice is different (the source of much of the controversy...). The richness and deep quality of his voice that so contrasts with most tenor's voices (which can be rather squeaky at times) is what attracts me. And you should see this man act! A refreshing experience against the stereotypical stiff opera singer standing in the middle of the stage bellowing his/her lungs out. So please, try to actually see the man before you form an unshakeable opinion. I think his voice alone is gorgeous (especially with Puccini's incomparable work!), but pared with his charisma and ability on stage, it's irresistable.
Pay special attention to this new promise !.......2006-06-30
A talented artist, a potent and polished voice emerges to satisfy the Opera lovers all over the world.
Jose Cura is nowadays, one the most prominent figures of the Bel Canto. His charismatic presence and his timber have deserved him the best praises all over the world.
In this opportunity we may listen him singing a selection of Puccini's Arias, accompanied by Placido Domingo with the Philharmonia orchestra, a magnificent occasion to enjoy his art and impeccable timber.
A tenor who wishes he were a baritone.......2005-12-14
I bought this CD because I love Puccini above all other composers, due to the sheer emotion that he could put into his music. I also wanted to hear Placido Domingo conduct and I'm always on the lookout for a good tenor. However, this is not the CD to buy if you're looking for a good tenor. I can't help but agree with the reviewer who gave only one star, at first Jose Cura sounds great. But after I really listened I had to change my opinion. Cura sings ridiculously heavy to be a tenor. If you listen to him with the mindset that this is a tenor it's really laughable how heavy and pressed his voice is. I was reminded of Placido Domingo (Ugh) or Franco Corelli who also depressed his larynx giving him a very baritonal sound but by the time he was in his forties, when most voices really blossom, his was declining do to the tremendous weight he sang with. Cura scoops up even to middle register notes because he is unable to start on the pitch, and has one tone to his voice (except when he goes bellow mezzo forte when he has almost no control) and very little in the way of vocal expression due to the restrictions this weight puts on the voice. Now don't get me wrong, I'm not usually an opera snob (I listen to and love Josh Groban, Russel Watson, and Andrea Bocelli), but Cura truly warranted a review. I gave it two stars because I didn't think Placido did a bad job at conducting (not the best by any means but certainly not bad) and despite everything I just said, I really like Cura's performance of Nessun Dorma (I don't get why it's weak).
Finally, a SPINTO tenor!!!.......2005-10-14
I am SO happy that there is finally a tenor out there with the vocal power to sing over a Puccini orchestra but still keep the lyricism for the upper register! If your preference is for a sweeter, lighter sound, check out recordings of Carlo Bergonzi and Roberto Alagna. This is a voice meant for singing over large orchestras with some "muscle" in the low register and the ability to make high notes soar. (It also doesn't hurt that Sr. Cura is as gorgeous as his voice! :) )
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- Puccini: Gianni Schicchi / Fischer-Dieskau · Mödl · Ahnsjö · Thaw · Fahberg · Auer · Engen · Grumbach · Wewezow · Schary · Sawallisch
- Puccini: Manon Lescaut
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Romantic Clarinet [Import]
Some Cities
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So Far So Close