Haas: Sarlatán

Haas: Sarlatán

On this CD:

  1. Sarlatán (Charlatan), opera
    Composed by Pavel Haas
    Performed by Prague State Opera Orchestra
    with Anda-Louise Bogza, Leo Marian Vodicka, Milan Burger, Alex Hendrych, Jitka Svobodova, Vladimir Chmelo, Jiri Kubik, Roman Janal, Miroslav Svejda, Ludek Vele, Jan Markvart
    Conducted by Israel Yinon

Haas: Sarlatán,Pavel Haas,Israel Yinon,Prague State Opera Orchestra,Alex Hendrych,Anda-Louise Bogza,Jan Markvart,Jiri Kubik,Jitka Svobodova,Ladislav Mlejnek,Leo Marian Vodicka,Ludek Vele,Milan Burger,Miroslav Svejda,Roman Janal,Vladimir Chmelo,Polygram Records,Classical,Classical Music,Opera,Opera / Operetta / Oratorio


Haas: Sarlatán
Average customer rating: 5 out of 5 stars
  • From the House of the Dead
Haas: Sarlatán

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
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ASIN: B00000JSAQ
Release Date: 1999-08-10

Tracks:

  1. Sarlatan: Act One, Scene 1 - Sem, sem, lidicky (Kyska)
  2. Sarlatan: Act One, Scene 1 - Vazene panstvo, jsem slavny Pustrpalk! (Pustrpalk)
  3. Sarlatan: Act One, Scene 1 - Pomoc, pomoc! (Zbeh - Deserter)
  4. Sarlatan: Act One, Scene 1 - Oh, monsieur Pustrpalk? (Amaranta)
  5. Sarlatan: Act One, Scene 1 - Au! Au! (Amaranta)
  6. Sarlatan: Act One, Scene 2 - Jdou soumrakem a svitanim (Sbor, Chorus)
  7. Sarlatan: Act One, Scene 3 - Jejej! Vynalezce takove siroke sukne (Pustrpalk)
  8. Sarlatan: Act One, Scene 3 - Aha, co vidim? (Rozina)
  9. Sarlatan: Act Two, Scene 1 - Tam vesnice byla (Pustrpalk)
  10. Sarlatan: Act Two, Scene 1 - Vladu nad sebou uz ztracim (Pustrpalk)
  11. Sarlatan: Act Two, Scene 1 - A prece jeste dvatisice zlatych ma (Zavinac)
  12. Sarlatan: Act Two, Scene 1 - Pst! Nebudit! (Pustrpalk)
  13. Sarlatan: Act Two, Scene 1 - Nocni konference? (Fire-Eater)
  14. Sarlatan: Act Two, Scene 1 - At zije Pustrpalk! (Members Of Pustrpalk's Troupe)
  15. Sarlatan: Act Two, Scene 1 - Co se stalo? (Members Of Pustrpalk's Troupe)

Tracks:

  1. Sarlatan: Act Two, Scene 2 - Pristupte jen, obcane! (Sereda)
  2. Sarlatan: Act Two, Scene 2 - Vy chcte sem? (Sereda)
  3. Sarlatan: Act Two, Scene 2 - Jen racte, bohove, hrdinove, gracie a morske panny (Bakalar)
  4. Sarlatan: Act Two, Scene 2 - Ach, padam slabosti! (The King)
  5. Sarlatan: Act Two, Scene 2 - Obcane, at zije nejvetsi muz naseho veku (The King)
  6. Sarlatan: Act Three, Scene 1 - Pane, prinaseji tezky pripad! (Kyska)
  7. Sarlatan: Act Three, Scene 1 - Jsem Jochimus (Jochimus)
  8. Sarlatan: Act Three, Scene 1 - Orchestralni mezihra (Orchestral Interlude)
  9. Sarlatan: Act Three, Scene 1 - Zde vino! (Bakalar)
  10. Sarlatan: Act Three, Scene 1 - Chacha! Odpravil ubozaka! (Lekarnik)
  11. Sarlatan: Act Three, Scene 2 - Dnes jsem ho videl (Bakalar)
  12. Sarlatan: Act Three, Scene 2 - Hej, mam zizen! Dej sem vino! (Pustrpalk)
  13. Sarlatan: Act Three, Scene 2 - Ja Pustrpalk, ja lekar jsem ( Pustrpalk)
  14. Sarlatan: Act Three, Scene 2 - Ticho! Tam, vidite? Jde sem! - Sarlatan! (Pustrpalk-Sbor - Chorus)

Customer Reviews:

5 out of 5 stars From the House of the Dead.......2000-02-07

Pavel Haas's amazing, energetic opera The Charlatan follows a troupe of quack performers and their charasmatic leader, Dr. Pustrpalk, as they journey from town to town through a Bohemian countryside. There are evasions, pursuits, seductions, murders, and all manner of rowdy behavior. Haas fashioned his own libretto, remarkable for its assured pace and sardonic humor, and its grounding in the rough-and-tumble of the everday. Unlike many operas, The Charlatan works vividly as theater. More important, the music is a delight -- brisk, confident, tender at times, rude at times, not afraid of modern ideas but wearing the smile of Czech folksong. It has much in common with later Janacek -- particularly Vixen and From the House of the Dead -- where repeated runs of notes are as important as melody, able to shift surprisingly among disparate moods; and like Janacek, Haas gives us endings that feel perfect, that startle with their swiftness, with the bustle of a spa-town brass band gone wild. This performance seems ideal. Entartete Musik, conductor Israel Yinon and Producer Michael Haas (no relation) should be congratulated for rescuing this work from obscurity, and reinstating a brilliant composer who was killed young.

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