Opera Treasure

Pagliacci, opera Prologue
Composed by Ruggero Leoncavallo
with Tito Gobbi
Conducted by Tullio Serafin
Mefistofele, opera in prologue, 4 acts & epilogue Dai campi, dai prati
Composed by Arrigo Boito
with Giacinto Prandelli
Conducted by Vittorio Gui
Adriana Lecouvreur, opera Poveri flori
Composed by Francesco Cilea
with Mirella Freni
Conducted by Antonino Votto
La Gioconda, opera in 4 acts Voce di donna
Composed by Amilcare Ponchielli
with Irene Companez
Conducted by Antonino Votto
Andrea Chénier, opera Son sessant'anni, o vecchio. . .
Composed by Umberto Giordano
with Mario Sereni
Conducted by Gabriele Santini
Samson et Dalila, opera in 3 acts, Op. 47 Samson. . . Amour! Viens aider ma Faiblesse!
Composed by Camille Saint-Saens
with Helene Bouvier
Conducted by Louis Fourestier
Manon, comic opera in 5 acts Lo son' solo. . . Ah! Dispar vision
Composed by Jules Massenet
with Giuseppe di Stefano
Conducted by Alberto Erede
Suor Angelica, opera Senza mamma
Composed by Giacomo Puccini
with Augusta Oltrabella
Conducted by Giuseppe Antonicelli
L'Arlesiana, opera Come due tizzi accesi
Composed by Francesco Cilea
with Tito Gobbi
Conducted by Umberto Berrettoni
Mefistofele, opera in prologue, 4 acts & epilogue Chi oserebbe affermare
Composed by Arrigo Boito
with Orietta Moscucci, Giacinto Prandelli
Conducted by Vittorio Gui
L' amico Fritz, opera (commedia lyrica) in 3 acts Ed anche Beppe amo. . . O amore, o bella luce del cor
Composed by Pietro Mascagni
with Beniamino Gigli
Conducted by Rainaldo Zamboni
Les Pêcheurs de perles, opera in 3 acts Me voila seule dans la nuit
Composed by Georges Bizet
with Martha Angelici
Conducted by Pierre Dervaux
La bohème, opera D'onde lieta usci al tuo grido
Composed by Giacomo Puccini
with Maria Callas
Conducted by Tullio Serafin
La forza del destino, opera La vita e inferno all'infelice. . . O tu che in seno. . .
Composed by Giuseppe Verdi
with Richard Tucker
Conducted by Tullio Serafin
La Gioconda, opera in 4 acts Ombra di mia prosapia
Composed by Amilcare Ponchielli
with Ivo Vinco
Conducted by Antonino Votto
Madama Butterfly (Madame Butterfly), opera Leri son salita tutta sola
Composed by Giacomo Puccini
with Victoria de Los Angeles
Conducted by Gianandrea Gavazzeni
Manon, comic opera in 5 acts En fermant les yeux
Composed by Jules Massenet
with Rudolf Schock
Conducted by Walter Susskind
L' amico Fritz, opera (commedia lyrica) in 3 acts Son pochi fiori
Composed by Pietro Mascagni
with Mafalda Favero
Conducted by Giuseppe Antonicelli
Maristella, opera Lo conosco un giardino
Composed by Giuseppe Pietri
with Beniamino Gigli
Conducted by Umberto Berrettoni
Il Campiello, opera Ritornello
Composed by Ermanno Wolf-Ferrari
Conducted by Gino Marinuzzi

Opera Treasure,Tito Gobbi,Georges Bizet,Arrigo Boito,Francesco Cilea,Umberto Giordano,Ruggero Leoncavallo,Pietro Mascagni,Jules Massenet,Giuseppe Pietri,Amilcare Ponchielli,Giacomo Puccini,Camille Saint-Saens,Giuseppe Verdi,Ermanno Wolf-Ferrari,Alberto Erede,Antonino Votto,Gabriele Santini,Gianandrea Gavazzeni,Gino Marinuzzi,Giuseppe Antonicelli,Louis Fourestier,Pierre Dervaux,Rainaldo Zamboni,Tullio Serafin,Umberto Berrettoni,Vittorio Gui,Walter Süsskind,Augusta Oltrabella,Beniamino Gigli,Giacinto Prandelli,Giuseppe di Stefano,Helene Bouvier,Irene Companez,Ivo Vinco,Mafalda Favero,Maria Callas,Mario Sereni,Martha Angelici,Mirella Freni,Orietta Moscucci,Richard Tucker,Rudolf Schock,Victoria de Los Angeles,Angel Records,Classical,Classical Music,French Romantic Opera,Italian Romantic Opera

Average customer rating:

Disappointing
Great!
A Piece Of Heaven On Earth
A Pure Joy..........
Celtic Treasure - Hayley Westenra

Celtic Treasure

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Odyssey
Hayley Westenra - Live From New Zealand
Celtic Woman - A New Journey: Live at Slane Castle, Ireland
Lisa
A New Journey

ASIN: B000MTDRJA
Release Date: 2007-03-13

Tracks:

Let Me Lie
Scarborough Fair
Shenandoah
Summer Fly
Whispering Hope
Danny Boy
Summer Rain
The Last Rose of Summer
One Fine Day
Sonny
The Water Is Wide
Melancholy Interlude
Abide With Me

Amazon.com

Having sung before royalty and performed with the Irish super-group Celtic Woman, Italian tenor Andrea Bocelli, and Welsh baritone Bryn Terfel, the very young and remarkably beautiful singer is back with a tribute to her Celtic ancestry. As with her previous Platinum-selling releases (she is already a huge star in her native New Zealand, Japan, Australia, and the UK), the orchestrations are lush, with sighing phalanxes of strings and woodwinds. But in keeping with the avowed theme, there are also soft touches of soulful, wavering tin whistles and vaguely fiddle-like violin vamps. The program is more varied than the album's title might lead one to expect, encompassing everything from "The Last Rose Of Summer" and "Danny Boy" to "Shenandoah," "Scarborough Fair," "Abide With Me," and even a couple of more pop-oriented songs penned by Westenra herself. However, brief sideways winks toward Nashville or the Great White Way do not adulterate the album's overall mood of ethereal, remote bliss. The one misstep is an English-language cover of "Un Bel Di" ("One Fine Day") from Puccini's Madama Butterfly: an aria unsuited to the artist's fragile, bell-like soprano and placid temperament. This aside, established classical crossover/theatrical divas like Sarah Brightman would be wise to begin looking to their laurels. --Christina Roden

Album Description

Hayley's third solo album is a very personal collection of classical arias, Irish and Maori folk songs - representing treasured people and places on her remarkable musical journey. Recorded in Dublin, Ireland, Hayley's third solo album is a very personal collection of classical arias, Irish and Maori folk songs - representing treasured people and places in her remarkable musical journey. For the first time the album also includes several original tracks written by Hayley herself. Celtic Treasure is a celebration of Hayley's family roots, and her grandparent's journey across the World on the first boat that left Ireland for New Zealand in the 1880s - taking with them a rich musical heritage. Her grandmother - a singer, and her grandfather, who played the accordion, were to be important influences on Hayley's musical development. Hayley grew up hearing her grandmother singing Italian opera arias in English. Hayley has continued this tradition by recording the well-known aria One Fine Day... ('Un bel di) from Puccini's Madama Butterfly. Hayley's grandmother also sang Irish folk tunes, and Hayley includes one of them - Danny Boy on the album as a tribute to her. Another Irish folk tune Sonny, is the first recording in which Hayley accompanies herself on the piano. In the same vein as Hayley's signature song Pokarekare Ana from her debut album Pure, Hayley's deep sense of pride as a New Zealander, and the simple beauty of her voice come together in E Para Ra - a Maori lovesong reflecting her own love of her homeland. Hayley's first recordings of her own songs bring together all these musical influences. They include her compositions Let Me Lie and Summer Rain and her lyrics to a haunting lute song by the Elizabethan English composer John Dowland, called simply Melancholy Interlude.

Customer Reviews:

Disappointing.......2007-07-13

We first encountered Westenra as a member of the Celtic Woman group. She was great -- as were all the girls. Based on that, I selected this CD after reading the reviews on Amazon. This one seemed to get the best overall reviews.

This CD is pretty uninspired and Westenra's voice sounds just average on several of the tracks. There are a few impressive spots but generally I thought the CD was less than expected.

Great!.......2007-07-13

Hayley does a great job with this cd. Its relaxing and interesting, instead of boring like some opera kind of vocalists can be. I recommend her cd, Pure, as well. She will definitely impress and soothe you!

A Piece Of Heaven On Earth.......2007-07-13

If you could hear the angels singing this is exactly what they would sound like. Please do yourself a favor and get the dvd too. They are both beyond amazing.

A Pure Joy.................2007-06-20

This album of Celtic standards is truly one of the most beautiful I've heard in a long time. For a girl of 19 to have this kind of vocal maturity is amazing... she gets better with each new recording.

Hayley has a clear, and pure voice that makes these familiar songs sound brand new. Though the whole album is a treat, the two hymns are inspiring. Others have done this repitoire, and done it well; none has done it better.

Hayley has a new recording of "West Side Story" due out soon; I can't wait. In the meantime, do not fail to grab this one.

Celtic Treasure - Hayley Westenra.......2007-06-20

Love the beautiful voice that I have come to expect from the Celtic Women lasses and the eclectic choice of songs really accentuates her range and flexibility to sing classic and contemporary. She shines with every choice. I await her next CD.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Mahler Symphonies: An Owner's Manual (includes 1 CD)
The Young Person's Guide to the Orchestra (Book & CD)
Study of Orchestration, Third Edition
What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Ave Maria
Vocalise
Melancholy Rose
L'Heure Exquise
O Del Mio Dolce Ardor
Charmed By A Rose
In The City
Get Off My Land
Dite Oime
Bachianas Brasileiras No.5
Maria's Dream (Instrumental)
Bonus Track

Customer Reviews:

Breathtaking.......2006-12-17

I bought this CD before it was even well-known, though I wonder how many people even know about it right now. This is truly a gem of a find. The fusion of electronica and opera is amazing and the vocals are haunting and beautiful. I have had several friends listen to this CD and all of them fall in love with it, just like I did when I first heard it. I have since bought Operatica: Shine and the more recent Operatica: Christmas Classics and I can truly say I am just as pleased with both follow-up albums. I listen to a variety of music and have a large collection, and this is one of my favourite CDs! Bravo to the creators, composers, vocalist(s) and artists that brought this compilation together.

operatica "o".......2005-09-19

I have this album and think it is unusually beautiful, innovative, a woman with a lovely voice.

Why is she not mentioned or given the credit she deserves, it would appear she is some kind of a secret!

Maureen O'Flynn is only mentioned in the booklet of credits in the jewel case itself, why?
Enter her name in the search in CDNOW and it comes up blank! Why?

First few songs are good, the rest are???.......2004-02-13

First few songs are good, but the rest of the album is no good!

This is the pits. . . the absolute pits.......2003-08-23

Maureen O'Flynn is a perfectly good singer, but whoever thought this "marriage" of opera and pop was a good idea is the same guy that thinks John Tesh is a great composer. People have simply stopped listening seriously to music, and it is a real shame. This recording is for the scrap heap. The accompaniment is cheesier than a big wedge of provolone. There isn't a single live musician in the studio with this young lady. The people who think this is good music are the same ones that aren't bothered by the prospect of a canned sound track in a Broadway show or the "pop stylings" of Charlotte Church. Go out and find some REAL MUSIC, people! It's there if you look. As the great American composer Charles Ives wrote: "Open your ears!"

Adding To My List Of Vices: A Continuation.......2003-05-05

When coupling sounds from two opposing polarities into one another and blending them into the perfect texturization of harmonics, one has to have a few things that fit nicely together in order to succeed. One has to first have a musical stylization that works when placed into an arena that isn't normally associated with its feel, making sure that the seams that could be ripe for the picking aren't taken advantage of. Next, one has to make sure that the voice behind the work, if there is a vocal combination in the work at all, is something that will work smoothly and will not let the vehicle of sense assailment down. Otherwise, the end result is painful and the art, it is merely noise. This is especially true when one is trying to fit a glove on the hand that isn't accustomed to wearing it, making certain that the fit is right and that the end result isn't too rudimentary because something was overlooked.

With Operatica: "O" Volume 1, the components come together fabulously and the seams don't really show at all except on the rarest of occasions (two songs out of eleven by my count, and perhaps that's more beat than anything), throwing a mixture of motions into a vocally moving ocean that would, on many occasions, be seen as items that wouldn't fit together. Here, the beautiful voice of Maureen O'Flynn mixes the operatic sounds I had never truly experienced into a sea of electronic beats, ambient rhythms, speaking pianos, and other vessels to compose the perfect structure. This takes a classical form and introduces it to a world that paints new scenes that couldn't have been painted otherwise, letting its audience ingest a spectrum of thoughts that they wouldn't intake normally. I, myself, was stunned to find that I was instantly addicted to the release, listening to it over and over again and wondering where Opera had been all of my life. Honestly, being a child of electronic music that drifts into heavier organisms of feeling, I never thought I would ever think such thoughts.

For people that can't bridge the span of biases and enjoy items that span gaps in tastes and in sensations, then this wouldn't be something that you would enjoy. There are many things within it, like the work itself, that aren't traditional and that a person looking for the flairless would find flavorless, from the sound clips used as accents to the beats that infest the sounds and make them dance through the mind with zeal. For someone that is looking for something that breaks outside the mundane drum and bass notions of music and that wants to hear an angelic voice pouring through synthetically fashioned skylines, then this might be something you'd look into tasting. Me, I never thought that something like this would find its way into my home, but it did more than that. It actually made me listen to things I hadn't really listened to, liking them for what might amount to a first time.

Artistry of Elly Ameling (Coll)
Average customer rating:

Elly Ameling now more available

Delight in every note

While they last...

Treasures From a Treasure

More than fully earned praise for an exceptional singer.

Artistry of Elly Ameling (Coll)
Elly Ameling
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by Ellington | Ellington, Edward Duke | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
General | Classical | Styles | Music
General | Opera & Vocal | Styles | Music
General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
General | Soundtracks | Styles | Music
Similar Items:

Elly Ameling ~ Schubert · Schumann - Songs

Philips and Decca Recordings, 1961-1979 (Limited Edition)

Fauré - Mélodies / Souzay · Ameling · Baldwin

The Very Best of Lucia Popp

Ave Maria--Lieder

ASIN: B00007KMSJ
Release Date: 2003-10-14

Tracks:

Matthaus-Passion
Johannes-Passion
Weihnachts-Oratorium
Juditha Triumphans
Messiah
Crudel Tiranno Amor
Die Schopfung
Orlando Paladino
7 Lieder
Le Nozze Di Figaro
Exsultate, Jubilate Ch'io Mi Scordi Di Te, K505
Misera! Dove Son! K369
18 Lieder
Frauenliebe Und- Leben
11 Lieder
20 Morike-Lieder

Customer Reviews:

Elly Ameling now more available .......2007-03-07

I had a 33 rpm album of Elly Ameling singing Schubert lieder accompanied by piano and clarinet at times. It was one of my all time favorite albums so I have been disappointed that I have not been able to find it anywhere on CD.

Now I can just buy this excellent collection. So much music in one place! Since I confess that I am far from an expert on the rest of her records, I look forward to hearing her sing many other styles and composers.

I think it is silly to criticize her for not singing Wagner, for example, since her version of many songs, especially lieder, are nothing short of sublime. I would like to hear how many Wagnerians sing Schubert or Mozart.

I doubt if they could approach the skill and soul with which Elly Ameling sings lieder.

Delight in every note.......2006-03-10

To speak as briefly as possible about this superb collection from an equally superb singer, what can I say but that Ms Ameling possessed a voice that shone with radiant warmth and star-like shimmer? And unlike many another light lyric soprano, Elly Ameling was possessed of a very high standard of musicianship, considerable intelligence, and a sort of immediate charm that captivates the listener.

So many of her recordings have still to be released on CD, but this 5CD-set goes some way towards remedying the situation. The repertoire spans a wide variety - French mèlodies, Lieder, light-hearted "sentimental" songs, Bach, etc. - and in each piece, Ms Ameling shows that quality of pearl-like beauty. It is a beauty which is also extremely pretty - a beauty of voice that is never overbearing and over-ripe, but perfectly blossoming upon the tree of inspiration.

I recommend this set unequivocally. It truly is sheer delight.

While they last..........2005-05-17

Elly Ameling held the quiet stage for recitals of great artistry and dignity for several decades and sadly most of the enormously successful CDs of her long career output are now unavailable. For those who have little access to the documentation of this very special artist, this box set is a must. It is a compilation of many of her recordings with differing accompanists, conductors, orchestras and composers. And while not all of the choices for inclusion here would be considered her greatest moments, there are enough works that sustain the warm memories of the little Dutch hausfrau who quietly and simply paid homage to composers with her clear and intelligent musicianship and radiant voice.

Ameling was known to schedule recitals of Schubert cycles and songs and in the afterglow of her performance answer the demand for curtain calls with additional Schubert melodies: she gifted her audience with the dignity of honoring a composer's works by maintaining the focus on that composer rather than milk the audience with the usual encore applause-getting favorites. And special moments such as quietly and pensively strolling through the orchestra during the Mahler 4th symphony to arrive at front stage, unapplauded, just in time for the opening line of her singing - those simple homage to composers and collaborators made her selfless manner endearing to audiences.

Despite the fact that Ameling's voice was on the small side she was always able to muster the projection to carry her message solidly in context with an orchestra. Yes, other more famous singers have recorded Ravel's quintessentially French SHEHERAZADE, but few have the perfection of diction and aura of mystery that Ameling maintained. Whether singing with piano or orchestra, or interpreting Bach, Mozart, Handel, and Vivaldi with the same degree of involvement as Brahms and Schumann and Schubert, Elly Ameling spanned a career that engendered passionate commitment from her fans. And this boxed set is a pocket full of memories to be treasured. Buy it before this too becomes unavailable. Grady Harp, May 05

Treasures From a Treasure.......2004-09-25

Treasures from a Treasure.

Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al.

What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.

I like the way the songs have been arranged for her voice in that she sort of sings them clean, unaffected in the first half and then lets loose and kinda "swings" with it adding embellishments but never really changing her voice (Price, von Stade and other favorite singers of mine seem to have always added a breathy quality to much of their crossover material.)

Ameling doesn't resort to trying to "let her hair down" or get down and dirty, but rather the honest with which she approaches every one of these songs shows how much she enjoys singing them and her style is as refreshing as stumbling onto a cool spring on a sweltering summer's afternoon. A wonderful surprise.

More than fully earned praise for an exceptional singer........2003-07-15

As I had the privilige of hearing this outstanding Lied-singer during her long career in Holland and being the proud possessor of almost all her recordings, I cannot but fully agree with the professional and joyful review of Mr. Robert Holliston from Victoria, B.C. Canada.
Yes, it is unbelievable that of about the 150 recordings Mrs. Ameling made during her long career (for the greater part of course on the 'oldfashioned' LP's, as well as the innumerable Dutch live-recorded radio-concerts), so few CD's have been released.
Speaking of tradition: it was the page-turner of the Wigmore Hall in London who told Mrs. Ameling after her first recital in this hall, that she reminded him of Elisabeth Schumann. (And he certainly didn't mean her looks only!)
For those who are eager to hear her singing Ravel's Shéhérazade (just one example of stirring imagination combined with her Art of Singing) I can tell you that Philips released a 2-box CD of this work in 1999, combined with Debussy's La Damoiselle élue and a compilation of French mélodies, i.e. Debussy, Fauré, Duparc, Satie. One of the gems is Caplet's Le Corbeau et le Renard which even make children, who know the fables of La Fontaine, revel in the singing of the quarrelsome birds....
Her brilliant accompanyist is Rudolf Jansen. Let us cherish great artists in their art!

Average customer rating:

The Great Vienna Waltzes

Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Favorite Waltzes
Strauss Waltzes
Strauss: The Best of Vienna

ASIN: B000000LO9
Release Date: 1995-04-16

Tracks:

The Blue Danube: Waltz Op. 314
Roses From The South: Waltz Op. 388
Village Swallows From Austria: Waltz Op. 164
Love Song: Waltz Op. 114
Be Embraced, Millions: Waltz Op. 443
Coronation: Waltz
Waltz Op. 410

Tracks:

Emperor's Waltz: Waltz Op. 437
Vienna Sweets: Waltz Op. 307
Tres Jolie: Waltz
Where The Lemons Bloom: Waltz Op. 364
Accelerations: Waltz Op. 234
Karel Komzak: Waltz
'freut euch des lebens': Waltz Op. 340
Treasure Waltz: Waltz Op. 418

Tracks:

Vienna Blood: Waltz Op. 354
Wine, Women And Song: Waltz Op. 333
'guntswalzer': Waltz
Artist's Life: Waltz Op. 316
Morning Papers: Waltz Op. 279
Ice Scaters: Waltz
Tales From The Vienna Wood: Waltz Op. 325

The Strauss Family: Waltzes, Polkas & Overtures - Willi Boskovsky/Johann Strauss Orchestra of Vienna (6 CD's)

Average customer rating:

The Strauss Family: Waltzes, Polkas & Overtures - Willi Boskovsky/Johann Strauss Orchestra of Vienna (6 CD's)
Johann Strauss , Johann Strauss II , Josef Strauss , Eduard Strauss , Willi Boskovsky , Johann Strauss Orchestra of Vienna , and Vienna Symphony
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
Similar Items:

Lehár: Waltzes
Strauss: Waltzes, Polkas & Marches
Waldteufel: Famous Waltzes
Strauss: The Best of Vienna
Lehar: Die Lustige Witwe, Der Graf von Luxembourg, Paganini, Der Zarewitsch, Friederike, Das Land des Lachelns, Giuditta (13 CD's)

ASIN: B0002RUAFG
Release Date: 2004-11-02

Tracks:

Radetzky-Marsch, Op. 228
Sigh Galop, Op. 9
Blue Danube, Op. 314
Artist's Life, Op. 316
Tales From The Vienna Woods, Op. 325
Wine, Woman And Song, Op. 333
Vienna Blood, Op. 354
Roses From The South, Op. 388
Voices Of Spring, Op. 410
Emperor Waltz, Op. 437

Tracks:

Features Section Waltz, Op. 293
Flight Of Fancy, Op. 215
Accelerations, Op. 234
Ever More Cheerful, Op. 235
Carnival's Ambassador, Op. 270
Leading Article, Op. 273
Morning Papers, Op. 279
Pamphlets, Op. 300
New Vienna, Op. 342

Tracks:

Carnival Pictures, Op. 357
Where The Lemon Trees Blossom, Op. 364
Du Und Du, Op. 367
Kiss Waltz, Op. 400
Lagoon Waltz, Op. 411
Treasure Waltz, Op. 418
Viennese Women, Op. 427
Danube Maidens, Op. 427
Explosions-Polka, Op. 43
Champagner-Polka, Op. 211
Fancy-Dress Parade, Op. 240
Episode, Op. 296

Tracks:

Pleased As Punch, Op. 301
Express, Op. 311
Light As A Feather, Op. 319
Thunder And Lightning, Op. 324
Long Live Hungary, Op. 332
Im Krapfenwald'l, Op. 336
At The Double, Op. 348
From The Banks Of The Danube, Op. 356
Greetings From Austria, Op. 359
At The Hunt, Op. 373
I-Tipferl, Op. 377
Bandits' Galop, Op. 378
New Pizzicato Polka, Op. 449
The Carnival In Rome
The Bat
Cagliostro In Vienna
Blindman's Bluff

Tracks:

The Queen's Lace Handkerchief
A Night In Venice
The Gypsy Baron
Pearls Of Love, Op. 39
Village Swallows From Austria, Op. 164
Secret Powers Of Attraction, Op. 173
Delirious, Op. 212
Watercolours, Op. 258
My Life's Course Is Love And Joy, Op. 263

Tracks:

Masks, Op. 33
Forward!, Op. 127
Off On Holiday, Op. 133
The Gossip, Op. 144
Woman's Heart, Op. 166
Sport, Op. 170
All Sorts, Op. 219
In Flight, Op. 230
Chatterboxes, Op. 245
Typographical Letters, Op. 252
Fireproof!, Op. 269
Without A Care!, Op. 271
Artists Greeting, Op. 274
Jockey, Op. 278
Line Clear!, Op. 45
Where One Laughs And Lives, Op. 108
Non-Stop, Op. 112
Below The Enns, Op. 121
Alpine Rose, Op. 127
Delight In Travel, Op. 166
Out Of Hand, Op. 168
Carnival Letter, Op. 203
With Pleasure, Op. 228
With The Breakes Off, Op. 238

Average customer rating:

Diva Continues to Reign....

The Diva Live

Manufacturer: Transart
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Classical | Imports | Stores | Music
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Wilhelmenia Fernandez Sings Favorite Spirituals
Diva
Lament

ASIN: B0000CARGX
Release Date: 2005-07-12

Customer Reviews:

Diva Continues to Reign...........2006-01-20

Absolutely wonderful. Ms. Fernandez has always had such an enchanting voice. Her ability to touch her audience either live or through recording is absolutely captivating. I loved her in the movie Diva, I love her still! This CD is a must have for those who are a fan. Treat yourself...it's worth it! :)

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A waltz lovers delight:

Wiener Musik

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009U55QK
Release Date: 2005-09-06

Customer Reviews:

A waltz lovers delight:.......2007-02-11

If you love to listen to Viennese waltz music, you'll find this 12 disc set a wonderful experience. Highly recommended.

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Act One Review
Magnificent Voice Marred By Inferior Sound Quality
Best Of The Best!

Best of Act One

Manufacturer: Universal International
ProductGroup: Music
Binding: Audio CD

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Centre Stage
On the Boards
Back in the Swing
Face the Music
Jekyll & Hyde - The Gothic Musical Thriller (1994 Concept Cast)

ASIN: B00006JROM
Release Date: 2003-12-02

Tracks:

This Is the Moment
Music of the Night
I've Got a Crush on You
Unexpected Song
Race You to the Top of the Morning
Bring Him Home
Being Alive
Soliloquy
Desert Song (Blue Heaven)
Love Changes Everything
Who Can I Turn To (When Nobody Needs Me)
Anthem
Lily's Eyes
I'll Be Seeing You
Without a Song

Album Description

Perhaps Australia's top star of stage musicals, particularly renown for his role as the famous Phantom of The Opera, Anthony Warlow delivers an excellent compilation representing the first stage of his career, with tracks such as 'Music Of The Night', 'I've Got A Crush On You', 'Soliloquy' & 'Lily's Eyes'. Polydor Australia.

Customer Reviews:

Act One Review.......2006-07-03

The power and range of Anthony Warlow's voice is incredable. The song selections were nice as well, and incouraged me to find more of his CD's.

Magnificent Voice Marred By Inferior Sound Quality.......2006-03-12

Polydor collections often contain great selections, but the sound quality is frequently less than stellar; this is this case here. A huge fan of Warlow, I am disappointed with the inconsistent sound quality of this disc. "Hiss" is audible between songs and sometimes during. Sound levels are soft on some pieces and then increase noticably on following numbers. With all the technology available to temper problems, it's a shame that Polydor did not give this magnificent voice the star treatment it deserves.

Best Of The Best!.......2006-01-08

Wow This CD Got Me Hooked! I just had to buy every one of his CDs after this. Experience here, the Best songs of the BEST SINGER! Australia's #1 singer, Anthony Warlow is known internationally for his role as Enjolras in Les Miserables from the 'Complete Symphonic Recording" and for recording the Complete Work of Wildhorn's "Jekyll and Hyde" in the lead roles. He has released a number of solo recordings as well as cast recordings.
Anthony Warlow is, by far, my very favourite singer in the world! His voice just doesn't compare to anyone else. Classically trained, his voice has been described as a baritone with a high top. From his deep baritone, to the smooth crooning notes of a big band hit, to the modern day "pops and squeals" of rock/pop music, to the effortless soaring pure endless notes that are Anthony Warlow's trademark--he's got it all.

This is the first (and only) "best of" recording that Anthony has released. It is an ideal introduction to the man, his work and his other recordings
TRACK LISTING:
1. THIS IS THE MOMENT from 'Jekyll & Hyde' (1994 Cast)
2. THE MUSIC OF THE NIGHT from 'Phantom' (Centre Stage CD)
3. I'VE GOT A CRUSH ON YOU (Back In the Swing CD)
4. UNEXPECTED SONG (Midnight Dreaming CD)
5. RACE YOU TO THE TOP OF THE MORNING from 'Secret Garden'
(Australian Cast)
6. BRING HIM HOME from 'Les Mis' (Centre Stage CD)
7. BEING ALIVE from 'Company' (On The Boards CD)
8. SOLILOQUY from 'Carousel' (Centre Stage CD)
9. DESERT SONG (BLUE HEAVEN) (Back In the Swing CD)
10. LOVE CHANGES EVERYTHNG from 'Aspects Of Love' (On The Boards CD)
11. WHO CAN I TURN TO? (Midnight Dreaming CD)
12. ANTHEM from 'Chess' (Centre Stage CD)
13. LILY'S EYES from 'Secret Garden' (Australian Cast)
14. I'LL BE SEEING YOU (Midnight Dreaming CD)
15. WITHOUT A SONG (Back In the Swing CD)

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The Domingo Collection
Giacomo Puccini , Giuseppe Verdi , Jules Massenet , Umberto Giordano , Gaetano Donizetti , Gustave Charpentier , Carlos Gomes , Francesco Cilea , Arrigo Boito , Nicholas Peyrac , Michael Miller , Leonard Bernstein , Jose Serrano , Ernesto Lecuona , B Cason , S. W. Brown , Richard Rodgers , Manuel Alejandro , Agustin Lara , Francesco Paolo Tosti , Ricardo Palmerin , Placido Domingo , Mitchell Leigh , Nicholas Brodszky , Eugene Kohn , Eve Queler , and James Levine
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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