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Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150) Frühling
Composed by Richard Strauss
Performed by Berlin Radio Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150) September
Composed by Richard Strauss
Performed by Berlin Radio Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150) Beim Schlafengehen
Composed by Richard Strauss
Performed by Berlin Radio Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150) Im Abendrot
Composed by Richard Strauss
Performed by Berlin Radio Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Muttertändelei ("Seht mir doch mein schönes Kind"), song for voice & piano (or orchestra), Op. 43/2 (TrV 196/2)
Composed by Richard Strauss
Performed by Berlin Radio Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Waldseligkeit ("Der Wald beginnt zu rauchen"), song for voice & piano (or orchestra), Op. 49/1 (TrV 204/1)
Composed by Richard Strauss
Performed by Berlin Radio Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Zueignung ("Ja, du weisst es, teur Seele"), song for voice & piano (or orchestra), Op. 10/1 (TrV 141/1)
Composed by Richard Strauss
Performed by Berlin Radio Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Freundliche Vision ("Nicht im Schlafe hab' ich das geträumt"), song for voice & piano (or orchestra), Op. 48/1 (TrV 202/1)
Composed by Richard Strauss
Performed by Berlin Radio Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Die heil'gen drei Kön'ge aus Morgenland, song for voice & piano (or orchestra), Op. 56/6 (TrV 220/6)
Composed by Richard Strauss
Performed by Berlin Radio Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Ruhe, meine Seele ("Nicht ein Lüftchen regt sich leise"), song for voice & piano (or orchestra), Op. 27/1 (TrV 170/1)
Composed by Richard Strauss
Performed by London Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Meinem Kinde ("Du schläfst und sachte neig' ich mich"), song for voice & piano (or orchestra), Op. 37/3 (TrV 187/3)
Composed by Richard Strauss
Performed by London Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Wiegenlied ("Träume, träume, du mein süsses Leben"), song for voice & piano (or orchestra), Op. 41/1 (TrV 195/1)
Composed by Richard Strauss
Performed by London Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Morgen ("Und morgen wird die Sonne wieder scheinen"), song for voice & piano (or orchestra), Op. 27/4 (TrV 170/4)
Composed by Richard Strauss
Performed by London Symphony Orchestra
with Edith Peinemann, Elisabeth Schwarzkopf
Conducted by George Szell
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Das Bächlein ("Du Bächlein silberhell und klar"), song for voice & piano (or orchestra), Op. 88/1 (TrV 264, AV 118)
Composed by Richard Strauss
Performed by London Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Das Rosenband ("Im Frühlingsschatten fand ich sie"), song for voice & piano (or orchestra), Op. 36/1 (TrV 186/1)
Composed by Richard Strauss
Performed by London Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
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Winterweihe ("In diesen Wintergarten"), song for voice & piano (or orchestra), Op. 48/4 (TrV 202/4)
Composed by Richard Strauss
Performed by London Symphony Orchestra
with Elisabeth Schwarzkopf
Conducted by George Szell
Strauss: September; Morgen,Richard Strauss,George Szell,Berliner Rundfunk-Sinfonie-Orchester,London Symphony Orchestra,Elisabeth Schwarzkopf,Edith Peinemann,Capitol,Classical,Classical Music,Opera/Operetta,Romantic Music for Voice and Keyboard,Solo Voice(s) and Orchestra,Vocal
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Richard Strauss: Vier Letzte Lieder/Four Last Songs/Quatre Derniers Lieder; 12 Lieder/Songs/Chansons
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002RNS Release Date: 1990-10-25 |
Average customer rating: |
Hiroko Shiraishi Sings Lieder By Richard Strauss
R. Strauss , and Shiraishi Manufacturer: Camerata ProductGroup: Music Binding: Audio CD ASIN: B000069JKO Release Date: 2002-07-30 |
Average customer rating: |
Royal Gala Concert
Manufacturer: Koch Int'l Classics ProductGroup: Music Binding: Audio CD ASIN: B000008KAL Release Date: 1995-01-25 |
Tracks:
- I Was Glad
- Saisons: October (Autumn Song)
- Hungarian Rhapsody, Op. 68: Hungarian Rhapsody
- Tsar Sultan: Flight of the Bumblebee
- American Names
- Stopping by Woods on a Snowy Evening
- Rhapsody in Blue
- Zueignung, Op. 10, No. 1
- Four Last Songs: September
- Morgen, Op. 27, No. 4
- Caecilie, Op. 27, No. 2
Tracks:
- Symphony No. 3 "Organ": Finale
- Another Day in Paradise
- Henry V, Concert Suite for Actor and Orchestra
- Henry V, Concert Suite for Actor and Orchestra
- Henry V, Concert Suite for Actor and Orchestra
- Luisa Miller: Quando le Sere Al Placido
- Tosca: E Lucevan le Stelle
- Aida: Finale from Act II
- Music for the Royal Fireworks: La Rejouissance
- Jerusalem
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Strauss: Complete Orchestral Songs
Richard Strauss , Friedrich Haider , Adrianne Pieczonka , Edita Gruberova , Orchestre Philharmonique de Nice , Judith Howarth , Petja Petrova , Peter Straka , Bo Skovhus , and Kurt Moll Manufacturer: Nightingale Records ProductGroup: Music Binding: Audio CD ASIN: B00004RDYJ Release Date: 2000-04-25 |
Customer Reviews:
Luxurious Set of All of Strauss' Orchestral Songs.......2005-10-11
Recorded in the year 2000 some of the soloists were well-established Strauss specialists - Edita Gruberova, Kurt Moll - and some were to grow into that range. Bo Skovhus, Peter Strake, and Judith Horvath are all fine singers, if not particularly suited to the Strauss sound. The one singer that has since this recording proven herself to be one of the upcoming great Straussian singers is Adrianne Pieczonka, a Canadian soprano who recently distinguished herself as a definitive Marschallin in the Los Angeles Opera production of 'Der Rosenkavalier'. Here she literally embraces the beauties of 'Ruhe, Meine Seele', 'Morgen', and 'Cäcilie' with all the promise of the great Straussian heroine she is surely becoming.
For everyone who loves the works of Richard Strauss this set will be a welcome addition to the library. Recommended. Grady Harp, October 05
A must for Moll fans.......2000-05-07
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Richard Strauss: Orchestral Songs, Volume I
Manufacturer: Chandos ProductGroup: Music Binding: Audio CD ASIN: B000000APB Release Date: 1992-10-28 |
Tracks:
- Muttertandelei Op. 43 No. 2
- Meinem Kinde Op. 37 No. 3
- Wiegenlied Op. 41 No. 1
- Das Bachlein Op. 88 No. 1
- Ruhe, meine Seele! Op. 27 No. 1
- Mein Auge Op. 37 No. 4
- Die heiligen drei Konige aus Morgenland Op. 56 No. 6
- Freundliche Vision Op. 48 No. 1
- Befreit Op. 39 No. 4
- Waldseligkeit Op. 49 No. 1
- Cacilie Op. 27 No. 2
- Morgen! Op. 27 No. 4
- Vier letzte Lieder Op. posth.: Beim Schlafengehen
- Vier letzte Lieder Op. posth.: September
- Vier letzte Lieder Op. posth.: Fruhling
- Vier letzte Lieder Op. posth.: Im Abendrot
Customer Reviews:
A gleaming voice used with nice artistry.......2006-01-14
Jarvi conducts fairly briskly, at times roughly. The sonics are up to Chandos's high standards, and the engineers have been careful not to let Lott's lovely lyric soprano get swamped in the chocolate syrup of Strauss's lusciuos orchestrations. The Four Last Songs date from 1986, most of the rest from 1988.
Accounts of the Four Last Songs usualy begin with September, but Jarvi reverts to the order at the world premiere under Furtwangler and puts this song second. Unlike many divas who sail through on gorgeous tone, Lott tries to communicate what the text means, which is gratifying. Her only limitation is that she doesn't offer much dynamic range--everything here is basically mezzo forte, but a lovely mezzo forte. For once Jarvi doesn't rush, and the Scottish Naitonal Orch. sounds good, if not virtuosic. I would certainly call this performance very successful, though at the very end I wasn't really moved--ear candy was almost enough.
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