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The Fiery Angel, opera, Op. 37
Composed by Sergey Prokofiev
Performed by St. Petersburg Kirov Chorus and Orchestra
with Galina Gorchakova, Konstantin Pluzhnikov, Sergei Leiferkus, Mikhail Kit, Vladimir Galusin, Vladimir Ognovenko, Sergey Aleksashkin, Evgeny Fedotov, Evgenia Perlasova, Evgeny Boitsov, Yuri Laptev, Valery Lebed, Olga Markova-Mikhailenko, Larissa Diadkova
Conducted by Valery Gergiev
Editorial Reviews
This is a piece in many ways better experienced with both the visual and aural aspects (and, in fact, there is a fine video of this production available from Philips), but the score is powerful on its own. Soprano Galina Gorchakova is dramatically and vocally astounding in the role of Renata, which she makes her own; Sergey Leiferkus, usually heard singing unidiomatic Italian or French roles in the West, is much more at home as the knight Ruprecht. The large supporting cast shows the merits of the Kirov's old ensemble system. In an amusing (and logical, if you think about it) touch, Prokofiev has made his Mephistopheles a grating character tenor (think Herod), and his scholarly Faust a bass. --Sarah Bryan Miller
Prokofiev: The Fiery Angel,Sergey Prokofiev,Valery Gergiev,St. Petersburhg Kirov Chorus and Orchestra,Galina Gorchakova,Evgenia Perlasova,Evgeny Boitsov,Evgeny Fedotov,Konstantin Pluzhnikov,Larissa Diadkova,Larissa Dyadkova,Mikhail Kit,Olga Markova-Mikhailenko,Sergei Leiferkus,Sergey Aleksashkin,Valery Lebed,Vladimir Galusin,Vladimir Ognovenko,Yuri Laptev,Polygram Records,Classical,Classical Music,Opera,Opera / Operetta / Oratorio,Russian 20th/21st Century Opera
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Prokofiev: The Fiery Angel
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00099BPO2 Release Date: 2005-07-12 |
Customer Reviews:
A Horror Opera.......2005-09-16
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Sergei Prokofiev, Enfant Terrible (1891-1953): A 50th Anniversary Celebration
Manufacturer: Decca ProductGroup: Music Binding: Audio CD ASIN: B000084H93 Release Date: 2003-04-08 |
Customer Reviews:
An eye-opening Prokofiev survey (try to buy it used).......2006-03-26
As I listened straight through, I was surprised at how unacquainted I actually was with the wide extent of Prokofiev's style. From the very early "Dreams," which could be mistaken for Glazunov through the unfamiliar operas (Betrothal in a Monastery Garden, Semyon Kotko) to the final, sadly diminished works like the Seventh Sym. and the cello concerto, the composer covered every major Russian style of the century. I didn't find any new masterful performances--not that a short excerpt is a good enough trial--but everything here is well performced. Any listener should find something unexpected and intriguing in this two-and-a-half-hour traversal.
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Prokofiev: Symphony No. 1 "Classical"; Symphony No. 3 "The Fiery Angel"
Serge Prokofiev , Riccardo Muti , and Philadelphia Orchestra Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000E4V8 Release Date: 1993-01-19 |
Tracks:
- Sym No.3 in c: Op.44: I. Moderato 'Fiery Angel'
- Sym No.3 in c: Op.44: II. Andante 'Fiery Angel'
- Sym No.3 in c: Op.44: III. Allegro agitato 'Fiery Angel'
- Sym No.3 in c: Op.44: IV. Andante mosso 'Fiery Angel'
- Sym No.1 in D: Op.25: I. Allegro 'Clas Sym'
- Sym No.1 in D: Op.25: II. Larghetto 'Clas Sym'
- Sym No.1 in D: Op.25: III. Gavotta (Non troppo allegro) 'Clas Sym'
- Sym No.1 in D: Op.25: IV. Finale (Vivace) 'Clas Sym'
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Prokofiev: The Fiery Angel
Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041BE Release Date: 1995-10-17 |
Tracks:
- Opera In Five Acts And Seven Scenes, Op. 37: Act One: 'Zdes', gospodin rycar' (Ruprecht)
- Opera In Five Acts And Seven Scenes, Op. 37: Act One: 'Da, on rassejalsja' (Renata, Ruprecht)
- Opera In Five Acts And Seven Scenes, Op. 37: Act One: 'U vas vse vremja sum kakoj-to' (Renata, Ruprecht)
- Opera In Five Acts And Seven Scenes, Op. 37: Act One: 'Ne dovol'no l'' (Renata, Ruprecht)
- Opera In Five Acts And Seven Scenes, Op. 37: Act One: 'Sista... sista... sista...' (Renata, Ruprecht)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Two: '...iz trech magiceskich krugov' (Renata)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Two: 'A, Jakov Glok' (Renata, Ruprecht)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Two: 'Slysis li ty stuk?' (Renata, Ruprecht)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Two: 'Zaklinaju tebja' (Renata, Ruprecht)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Two: 'Tam net nikogo' (Renata, Ruprecht)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Two: - Entr'acte -
- Opera In Five Acts And Seven Scenes, Op. 37: Act Two: 'Magister doctissime' (Ruprecht)
Tracks:
- Opera In Five Acts And Seven Scenes, Op. 37: Act Three: 'Genrich, vernis', vernis', vernis'!' (Renata)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Three: 'Ubej ego, Ruprecht!' (Ruprecht, Renata)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Three: 'Renata, perestan' ze plakat'' (Ruprecht, Renata)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Three: - Entr'acte -
- Opera In Five Acts And Seven Scenes, Op. 37: Act Three: 'Milostivaja dama, on opasno ranen' (Renata)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Four: 'Renata, molju tebja...' (Ruprecht, Renata)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Four: 'Baraniny! Vina i baraniny!' (Renata)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Four: 'Ach, negodjaj!' (Ruprecht)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Five: 'Sestra Renata' (Renata)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Five: 'Vozljublennye brat'ja i sestry'
- Opera In Five Acts And Seven Scenes, Op. 37: Act Five: 'A...!' (Renata)
- Opera In Five Acts And Seven Scenes, Op. 37: Act Five: 'Duch lukavyi'
- Opera In Five Acts And Seven Scenes, Op. 37: Act Five: 'Sestry! Sestry! Sestry! A!' (Renata)
Amazon.com essential recording
This is a piece in many ways better experienced with both the visual and aural aspects (and, in fact, there is a fine video of this production available from Philips), but the score is powerful on its own. Soprano Galina Gorchakova is dramatically and vocally astounding in the role of Renata, which she makes her own; Sergey Leiferkus, usually heard singing unidiomatic Italian or French roles in the West, is much more at home as the knight Ruprecht. The large supporting cast shows the merits of the Kirov's old ensemble system. In an amusing (and logical, if you think about it) touch, Prokofiev has made his Mephistopheles a grating character tenor (think Herod), and his scholarly Faust a bass. --Sarah Bryan MillerCustomer Reviews:
this on DVD .......2006-01-21
An Outstanding Performance.......2003-05-29
passionate relationship but he disappeared leaving her searching for him and having terrifying visions. Ruprecht falls in love with Renata and becomes her protector.
The story is one of occult interest with the heroine (or perhaps
anti-heroine) Renata being possessed by the angel Madiel and, in turn, attempts to posses the knight Ruprecht. While one is sympathetic toward Renata because of the constant visions that torture her we can sense her manipulative power as she provokes Ruprecht in an attempt to kill Count Heinrich, whom she suspects is Madiel returned to earth in a different form.
Prokofiev based The Fiery Angel on a novel by Valery Bryusov, published in 1907, that he discovered in America in 1919. He began the opera in 1920 but the work did not go smoothly and it was not completed until 1927, and revised it later in attempts to have it performed (it was not performed until 1955). Eventually, the music found its way into the Third Symphony
in 1928. The action of the opera is episodic than flowing. The scene with Faust and Mephistopheles is gratutitous and does not advance the story but does have occult interest. Also, in the last act of the opera, Ruprecht only observes as Renata is condemned to death, taking no part in defending the woman he loves. The opera has been described as being more a symphony in the guise of an opera. For me, despite the shortcomings of this opera, it is a remarkable work that has some powerful moments.
The occult subject matter and the difficulty of the role of Renata consigned the opera to oblivion until recently. This recording of The Fiery Angel is from a landmark production by the Mariinsky Theater in 1993 and won the Gramophone award for best opera. This is a live recording but the audience is quiet, and stage noise is minimal. Galina Gorchakova is perfect as Renata and conveys her vulnerability and torment. Sergei Leiferkus is excellent as Ruprecht, and the remaining cast members give wonderful performances with Vladimir Ognovenko being particularly sinister as the Inquisitor. Most of all, Valery Gergiev deserves praise for his peerless conducting of this opera and proving that The Fiery Angel is among Prokofiev's masterpieces.
this "fun" opera is a five star.......2002-02-17
Gergiev is, as always, great with his native russians and this is a kind of avant garde opera but in a differnt manner than Bergs "Wozzeck"... still a bit "avant garde" because of the modernistic "machine symphonie" music mood in this.
The music is fantastic and the singinging is... hmm... a bit "special", but the charachters sing this grim opera with great voices even if it is a bit hysterical (that it should be).
A must have for Prokofiev fans and highly recommended to other lovers of a kind of mordern, contempery opera too.
Phenomenal performance of a difficult opera.......2001-10-27
A no holds barred performance.......2000-07-29
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Prokofiev: The Fiery Angel
Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD ASIN: B00000E4RH Release Date: 1991-11-08 |
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Leyla Gencer, Vol.3
Manufacturer: Myto Records Italy ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000006NZ7 Release Date: 2000-09-09 |
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- Schwanda, Il Suonatore Di Cornamusa: Chi Parla Qui?
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- Schwanda, Il Suonatore Di Cornamusa: Iniquo Al Rito, Infedele Sei
- Schwanda, Il Suonatore Di Cornamusa: In Questo Paese
- Simon Boccanegra: Come In Quest'ora Bruna,
- Simon Boccanegra: Vieni A Mirar La Cerula
- Simon Boccanegra: Orfanella Il Tetto Umile
- Simon Boccanegra: Figlia!...A Tal Nome Io Palpito
- Simon Boccanegra: Nell'ora Soave
- Simon Boccanegra: Plebe! Patrizi! Popolo
- Simon Boccanegra: Tu Qui?...Amelia!
- Simon Boccanegra: Parla, in Tuo Cor Virgineo
- Werther: Va...Non E Mal Se Piango,
- Werther: Ah! Che Il Coraggio Mi Abbandona!
- La Battaglia Di Legnano: Voi Io Diceste,
- La Battaglia Di Legnano: Quante Volte Come Un Dono
- La Battaglia Di Legnano: Che, Signor! Tu Qui?
- La Battaglia Di Legnano: A Frenarti, O Cor, Nel Petto
- La Battaglia Di Legnano: Deus Meus, Pone Illos
- L'Angelo Di Fuoco: Lasciami, Lasciami
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