French Opera Arias

French Opera Arias

On this CD:

  1. Roland, opera En butte aux fureurs de l'orage
    Composed by Niccolo Piccinni
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

  2. Persée, opera, LWV 60 O tranquille sommeil
    Composed by Jean-Baptiste Lully
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

  3. Orphée et Eurydice (French version), opera in 3 acts, Wq. 41 L'espoir renaït dans mon âme
    Composed by Christoph Willibald Gluck
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

  4. Armide, opera in 5 acts, Wq. 45 Plus j'observe ces lieux
    Composed by Christoph Willibald Gluck
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

  5. Les Voitures Versées Jeune beauté d'humeur légère
    Composed by Francois-Adrien Boieldieu
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

  6. La Dame Blanche, opera Viens, gentille dame
    Composed by Francois-Adrien Boieldieu
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

  7. Le Premier Jour de bonheur, opera Ce nom qui me rappelle
    Composed by Daniel-Francois-Esprit Auber
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

  8. La fille du régiment, opera Ah! mes amis, quel jour de fête!
    Composed by Gaetano Donizetti
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

  9. La fille du régiment, opera Pour me rapprocher de Marie
    Composed by Gaetano Donizetti
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

  10. Le Comte Ory, opera Que les destins prospères
    Composed by Gioachino Rossini
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

  11. Si j'étais roi, opera J'ignore son nom, sa naissance
    Composed by Adolphe Adam
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

  12. Le Postillon de Lonjumeau, opera Mes amis, écoutez l'histoire
    Composed by Adolphe Adam
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

  13. La Jolie Fille de Perth, opera in 4 acts A la voix d'un amant fidèle
    Composed by Georges Bizet
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

  14. Lakmé, opera Prendre le dessin d'un bijou...Fantaisie aux divins mensonges
    Composed by Leo Delibes
    Performed by Monte Carlo Philharmonic Orchestra
    with Rockwell Blake
    Conducted by Patrick Fournillier

French Opera Arias,Adolphe Adam,Daniel-Francois-Esprit Auber,Georges Bizet,Francois-Adrien Boieldieu,Leo Delibes,Gaetano Donizetti,Christoph Willibald Gluck,Jean-Baptiste Lully,Niccolo Piccinni,Gioachino Rossini,Patrick Fournillier,Orchestre Philharmonique de Monte Carlo,Rockwell Blake,Capitol,Classical,Classical Music,French Baroque Opera,French Romantic Opera,German/Austrian Classical Period Opera,Opera,Romantic Opera


Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Average customer rating: 4.5 out of 5 stars
  • The End of the Big Voice?
  • Fla Gator Lady
  • 20 Great Tenor Arias
  • Plesantly surprised...
  • Absolutely Agree About Corelli
Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000007OTX
Release Date: 1998-06-09

Tracks:

  1. La Boheme: Che gelida manina
  2. Manon Lescaut: Donna non vidi mai
  3. Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
  4. Luisa Miller: O! fede negar potessi .. Quando le sere al placido
  5. La Traviata: Lunge da lei ... De' miei bollenti spiriti
  6. Martha: M'appari
  7. Giordano: Amor ti vieta
  8. L'Africaine: Mi batte il cuor .. O paradiso
  9. La Favorita: Favorita del re . . . Spirto gentil
  10. Werther: 'Pourquoi me reveiller'
  11. Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
  12. Les Contes d'Hoffmann: O Dieu! De quelle ivresse
  13. TOSCA: E lucevan le stelle
  14. Pagliacci: Recitar! ... Vesti la giubba
  15. Il Trovatore: Di quella pira
  16. Aida: Se quel guerrier .. Celeste Aida
  17. TOSCA: Recondita armonia
  18. L'Elisir d'Amore: Una furtiva lagrima
  19. La Gioconda: Cielo e mar!
  20. Turandot: Nessun dorma

Customer Reviews:

5 out of 5 stars The End of the Big Voice?.......2007-04-16

This CD, which is truly fine overall, reminds me of Marilyn Horne's lament that we have probably seen the end of the big voice and it makes me sad. I agree with the reviewer who refers to "microphonies". And more justice could be done to Bjorling's voice with a better transfer. But at some point, music becomes a matter of taste and I prefers singers who have the instrument and the support and the training, whether formal or not, to just let fly and take a chance on making a mistake. Domingo can be wonderful and so can his musicianship but he tends to be so stiff. I have to wonder at the virulence and asperity with which some people go after Pavarotti. It's true that late in his career he made some questionable recordings but the answer to that is simple: don't buy them. At his best, he belongs for all time in the top echelon of tenors. I love this CD and would recommend it to anyone who enjoys great (big) voices.

5 out of 5 stars Fla Gator Lady.......2007-01-12

Highly recommend this CD with these beloved arias of the greatest tenors in opera. I have owned this CD for a couple of years and purchased another for a friend who always requests that I play it ... perfect for listening in the car, dinner, bridge games, relaxation ... just so perfect. You won't be disappointed in this one.

5 out of 5 stars 20 Great Tenor Arias.......2007-01-09

A great disc,combination of the greatest tenors of the 20th century and some of the most beautiful music ever written in any century,a must addition to any opera lovers collection.

5 out of 5 stars Plesantly surprised..........2006-01-14

I don't remember how I found this CD the other day surfing through the "Amazon" such as it is, but I did. I listened to a few clips provided & on the strength of that, I purchased this CD.

First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).

Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.

Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.

Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.

This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.

A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!

4 out of 5 stars Absolutely Agree About Corelli.......2005-05-27

Franco Corelli's "Nessun Dorma" is still the best of them all - clear, passionate, and exciting. (And those final two notes...! Gives me chills just to think of it.) I was fortunate enough to see him live in both "Turandot" and "Romeo and Juliet" a year before his retirement, and he was still a Calaf and a Romeo to die for... as, of course, Liu and Juliet did! As it is, I tend to buy compilations depending on how much Corelli they include - though Bjorling is a strong second, and I have happy memories of Domingo. Long live the Golden Age of Operatic Tenors!
The Most Famous Opera Arias
Average customer rating: 4 out of 5 stars
  • Great for kids!
  • Mediocre Sound Quality
  • I was pleased
  • The Most Famous Opera Arias
  • Okay But.... - a review of "The Most Famous Opera Arias"
The Most Famous Opera Arias

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  5. Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

ASIN: B000002SCE
Release Date: 1994-07-19

Tracks:

  1. Rigoletto: Act I - Caro nome
  2. Rigoletto: Act III - La donna e mobile
  3. Gianni Schicchi: O mio babbino caro
  4. Carmen: Act I - Habanera: La voila...L'amour est oiseau rebelle
  5. Orfeo ed Euridice: Act III - Che faro senz Euridice
  6. Madama Butterfly: Act III - Un bel di, vedremo
  7. Romeo et Juliette: Act I - Ah! je veux vivre
  8. Le nozze di Figaro: Act II - Voi che sapete che cosa e amor
  9. Samson et Dalila: Act II - Mon coeur s'ouvre a ta voix
  10. Tosca:: Act II - Vissi d'arte, vissi d'amore
  11. Aida: Act I-Celeste Aida
  12. Il Barbiere Di Siviglia: Act I-Una voce poco fa
  13. Lakme: Act II - Ou va la jeune indoue?
  14. La Wally: Act I - Ebben? Ne andro lontano
  15. La Boheme: Act I - Che gelida manina
  16. Die Zauberflote: Act II-Die Holle Rache kocht in meinem Herzen

Customer Reviews:

5 out of 5 stars Great for kids!.......2007-06-27

I'm generally not a fan of music "samplers," but opera can be tough to introduce to children. And hey--even adults played cards, ate, and talked through the recitative sections of the early operas while they waited for the next aria! So I feel that getting kids hooked on opera through great arias probably can't hurt (the next 10 years or so will determine whether I'm right or not). My 4-year-old loves this CD; it's a delight to watch her imitate Anna Moffo (the sincerest form of flattery, for sure). Highly recommended resource for introducing young kids to opera. More top picks: Siberell's Bravo! Brava! A Night at the Opera, and the Black Dog Opera Library CDs.

2 out of 5 stars Mediocre Sound Quality.......2007-03-31

If you note the album was released in 1994, and includes selections from many years prior, you will understand that the quality of the sound engineering is not going to dazzle your ear.

It's a very nice collection to hum along to, but don't expect shivers down your spine as the sound quality is not sufficient to reproduce the dynamic range of these voices.

5 out of 5 stars I was pleased.......2007-02-18

I am by no means an opera expert, but found this to be a wonderful CD. Along with the songs I already knew I liked (such as a song from Carmen,) I found many others I enjoyed. In fact, Samson et Dahlila turned out to be my favorite. If you are just getting started or at any point in your adventure of opera, I would recommend this one.

5 out of 5 stars The Most Famous Opera Arias.......2007-01-05

I was completely surprised in the product as well as the time in which it was delivered.

I would not only refer this seller but I will come back myself.

3 out of 5 stars Okay But.... - a review of "The Most Famous Opera Arias".......2006-08-18

My daughter (6 y.o.) and I like opera; but sitting for two hours to watch Turandot is just not within the realm of possibilities for my 4 year old son right now... so I was looking for an opera CD for the car. He will sit and listen to short arias.

This was the first we purchased and it is okay but not great.

Problem #1 - where is Wagner. No Wagner?
Problem#2 - Elena Obraztsova - she sounds like Carmen's grandmother. Rather matronly for a vixen (imho--lol)

Three Stars. [C+] Great Price and good sound quality for the car. The operatic styles of some of the performers are antiquated and frilly sounding, but I would probably buy this CD again.

Note: We purchased and really preferred "The # 1 Opera Album". It has more selections and better artists in our opinion. Also it's a two CD set. Just something to consider.
Anna Netrebko: Opera Arias
Average customer rating: 4 out of 5 stars
  • Bright Star
  • Anna Netrebko: Opera Arias
  • First DGG album--very promising
  • Remarkable!
  • Beautiful voice, beautiful girl
Anna Netrebko: Opera Arias
Anna Netrebko , Elina Garanca , Gianandrea Noseda , Wiener Philharmoniker , and Hector Berlioz
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008MLSH
Release Date: 2003-09-09

Tracks:

  1. Idomeneo: Recitativo ed Aria "Quando avran fine omai" - Mozart
  2. Don Giovanni: Recitativo accompagnato e Rondo "Crudele!" - Mozart
  3. Benvenuto Cellini: Cavatine "Entre l'amour et le devoir" - Berlioz
  4. La Sonnambula: Recitativo e Cavatina "Care compagne, et voi, ternei amici" - Bellini
  5. Manon: Air du Cours-la-Reine "Suis-je gentille ainsi?" - Massenet
  6. Lucia di Lammermoor: Scena e Cavatina "Ancor non giunse!" - Donizet
  7. Faust: Ricitatif "Les grands seigneurs ont seuls des airs..." - Gounod
  8. Rusalka: "Mesicku na nebli hlubokem" - Dvorak
  9. La Boheme: "Quando me'n vo' (Musette's Waltz)" - Puccini

Amazon.com

Here, a year after her sensational Metropolitan debut as Prokofiev's Natasha from War and Peace, comes the debut solo recital album of 30-something soprano Anna Netrebko. She hails from southern Russia, and her emergence from the life of a conservatory student has a touch of the Cinderella tale—the bit, that is, about being discovered by Gergiev mopping floors for the Kirov as a part-time job and making her way into the Kirov's ranks. Later she became a favorite at San Francisco Opera, trying on for size a swath of comic and dramatic roles. Opera Arias parades Netrebko's way through a spectrum of vocal styles and characters. This mesmerizing lyric soprano engages--at times thrillingly grips--the listener with an imagination far greater than the disc's title (couldn't someone have dreamt up a less ridiculously bland handle?), but most significantly leaves an impression that the enterprise here isn't merely about singing. Netrebko's Ilia and Donna Anna are flesh-and-blood characters in real situations, as Mozart wanted them to be. The results are a bit more uneven with her bel canto heroines, where the required balance between Netrebko's emotional identification, so obviously a forte, and the musical phrasing thereof is a delicate one. Her shading of Lucia's mood swings, vocal and emotional, isn't consistently compelling. On the other hand, Netrebko uncovers gemlike facets not just in Gounod's "Jewel Song" but particularly in her stunning, passionately realized and beautifully phrased Manon (even if her trills disappoint). A shame that samples of her Russian repertory are missing here, though Netrebko's "Song to the Moon" from Dvorak's Rusalka concentrates and sets a mood with enviable mastery. Netrebko's musical intelligence and theatrical savvy seem destined to ensure her a magnificent career, so it's no surprise that many fans are already clamoring for more than the tease of an aria collection. --Thomas May

Customer Reviews:

5 out of 5 stars Bright Star.......2007-07-13

If you like opera, if you like the lyric soprano, if the vocal range of the colortura causes goose bumps to rise, Anna Netrebko is a must. Roberta Peters, Beverly Sills, Anna Moffo, Joan Southerland, Maria Callas, she takes a back seat to none of them,she sits he front seat with the best of them and guess what? She is beautiful too.

5 out of 5 stars Anna Netrebko: Opera Arias.......2007-03-29

Her voice takes my breath away, I fell in love with her.
I highly reccomend it.

4 out of 5 stars First DGG album--very promising.......2007-02-01

Anna Netrebko has rapidly become a first tier star in opera. This album, her first at DGG, illustrates why some rate her so highly; it also illustrates some of the questions that some have raised about her. All in all, though, a very nice CD.

A few selections illustrate:

Mozart, Idomeneo, "Quando avran fine omai." She displays a rich and clean voice. There is a very attractive quality to her voice manifest in this work.

Mozart, Don Giovanni, "Crudele? Ah no, mio bene!...Non mi dir." This is Donna Anna's poignant aria, given her circumstances. Netrebko displays rich tones. This is a well sung cut. "Non mi dir" shows off some agility in her voice.

Donizetti, Lucia di Lammermoor. "Ancor non giunse!. . .Regnava nel silenzio. . .Quando rapito in estasi" Something of a disappointment. Coloratura is not her forte (and see her "Sempre Libera" CD for further confirmation). She clearly shows off a rich and lush voice. I think that she displays some characterization here that is compelling. She hits high notes cleanly. But her ornamentation is indifferent, and she appears unable to trill. I know, some say that that is irrelevant. But compare Beverly Sills' version of this work, with almost too many trills extraordinarily well sung and her florid technique, and this version simply pales.

Bellini, La Sonnambula. "Care compagna. . .Come per me sereno." Again, Netrebko displays a rich voice. She displays an agile voice and the ability to hit the high notes. Her rendition of "come per sereno" is spirited.

Gounod, Faust. "The Jewel Song." Very smooth singing; animated singing. But the technique does not measure up to Anna Moffo's version--let alone Joan Sutherland's.

Puccini, La Boheme. "Musetta's Waltz." Yikes! What a version. Brava Netrebko. Her darker voice is very well suited to this. The characterization of Musetta seems on the mark. A wonderful cut.

All in all, this shows the promise of Netrebko. It also indicates where her strengths are and where she does not do so well (coloratura work). However, this is a very nice introduction to her work and her art.

5 out of 5 stars Remarkable!.......2006-11-02

Perhaps her voice is not as candid as some other sopranos, but her rendition of the score and interpretative expression make her and exquisite hearing pleasure. This recording shows a more matured artist capable of capturing the role dynamics and emotions.

Yes, her voice is not as lyric as you might expect, and some roles may sound a little big heavy (sometimes maybe bordering verismo), but definitively at stated before hearing her is a gloriuos pleasure, almost as good as looking at her.

5 out of 5 stars Beautiful voice, beautiful girl.......2005-11-22

When I heard Anna Netrebko singing Quando Men Vo I was stunned by a voice of stunning purity, great power and sheer beauty. The best Musetta I've heard! Her Song to the moon is stunning and I love her Bel Canto! Anna Netrebko has a very bright future ahead of her. Her Mozart is top class!
The Legendary Enrico Caruso: 21 Favorite Arias
Average customer rating: 4.5 out of 5 stars
  • Great to hear the Great Tenor
  • A childhood memory
  • Great collection.
The Legendary Enrico Caruso: 21 Favorite Arias

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003EOH
Release Date: 1990-10-25

Tracks:

  1. Pagliacci: Vesti la giubba
  2. TOSCA: E lucevan le stelle
  3. Rigoletto: Questa o quella
  4. Rigoletto: La donna e mobile
  5. L'africana: O paradiso
  6. La Juive: Rachel, quand du Seigneur
  7. La Boheme: Che gelida manina
  8. Aida: Se quel guerrier io fossi; Celeste Aida
  9. Andrea Chenier: Come un bel di di maggio
  10. La Favorita: Romanza: Spirto gentil, ne' sogni miei
  11. La forza del destino: O tu che in seno agli angeli
  12. Otello: Ora e per sempre addio
  13. Les pecheurs de perles: Je crois entendre encore
  14. La Gioconda: Cielo e mar!
  15. Carmen: La fleur que tu m'avais jetee (Flower Song)
  16. TOSCA: Recondita armonia
  17. Faust: Salut, demeure chaste et pure
  18. L'Elisir d'Amore: Una furtiva lagrima
  19. Martha: M'appari tutt'amor
  20. Serse: Ombra mai fu (Largo)
  21. Il Trovatore: Di quella pira

Amazon.com

There's a plethora of single-disc Caruso collections, but this one's the preferred choice for opera fans who treasure this golden- voiced epitome of Golden Age singing. It's a Greatest Hits collection to beat all Greatest Hits collections. Selections span Caruso's career, from the lyric effusions of 1906-7 to the darker-voiced later recordings, including one of his last records, the 1920 La Juive aria, "Rachel, quand du Seigneur," which he invests with a heartbreaking poignancy that hasn't been bettered. Caruso shines brightest in the Italian repertory, capturing the pathos of Vesti la Giubba, the insouciance of the Duke's Rigoletto arias, and the hero's dilemma in Celeste Aida, among much else. But everything here is wonderful--great music, great singing. --Dan Davis

Customer Reviews:

4 out of 5 stars Great to hear the Great Tenor.......2007-04-11

I am impressed how well these almost 100 year old recordings have been transfered to CD. Of course they aren't perfect but considering their age it is still a miracle. It is nice to hear Caruso in his prime and not on a scratchy vinyl. I would recommend this to any lover of Caruso's singing.

5 out of 5 stars A childhood memory.......2006-05-28

I do not really know Opera. I am writing this review because I remember hearing Caruso's voice coming from a seventy- eight on an old Victor gramophone in my paternal grandparents house. The power and lyric quality of the voice struck me so strongly especially in 'Pagliacci'. The phrase has been with me, and comes back occasionally through all the years.
Caruso was then, and I believe still is considered at the very top of operatic singers. And it is a remarkable experience to hear so many years later , and in a stronger and clearer way sounds which one heard long ago in childhood, and have for years only lived in the mind.

5 out of 5 stars Great collection........2000-11-04

This CD is an older RCA release, but still one of the best! A great introduction to Caruso.
Luciano Pavarotti - Nessun dorma (Arias & Duets)
Average customer rating: Not rated
    Luciano Pavarotti - Nessun dorma (Arias & Duets)
    Luciano Pavarotti , Mirella Freni , and Katia Ricciarelli
    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    1. Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
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    ASIN: B00004Z32N
    Release Date: 2001-03-27

    Tracks:

    1. La Traviata: Libiamo ne' lieti calici (Brindisi)
    2. Werther: Pourquoi me reveiller
    3. L'Elisir d'Amore: Una parola ... Chiedi all'aura
    4. La Gioconda: Cielo e mar
    5. La Traviata: Parigi, o cara
    6. L'africana: Mi batte il cor ... O paradiso
    7. Turandot: Nessun dorma
    8. Petite Messe solennelle: Domine Deus
    9. Requiem: Ingemisco
    10. La Traviata: Lungi da lei ... De' miei bollenti spiriti
    11. Macbeth: Ah, la paterna mano
    12. I lombardi: La mia letizia infondere
    13. Otello: Gia nella notte densa
    Jennifer Larmore Sings Great Operatic Arias
    Average customer rating: 5 out of 5 stars
    • The Art of Serious Fun
    • Larmore at her best again!
    Jennifer Larmore Sings Great Operatic Arias

    Manufacturer: Chandos
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000NY166A
    Release Date: 2007-05-22

    Tracks:

    1. Star Of the Evening
    2. O My Beloved
    3. Fierce Flames Are Raging
    4. Love Like Mine Is the Light Of Creation
    5. That Ungrateful Man Betrayed Me
    6. Where Was I?
    7. My Beloved
    8. Hence, Iris Hence Away!
    9. Tell Me, My Beating Heart
    10. See, O Norma
    11. O Hated Gift
    12. Juliet's Waltz Song

    Customer Reviews:

    5 out of 5 stars The Art of Serious Fun.......2007-07-01

    While most opera stars are submitting to record label hype and narrow artistic freedom, Jennifer Larmore seems to be flourishing in the recording studio. With Opera Rara and now Chandos behind her, she continues to offer sumptuous recordings that are both entertaining and of great artistic caliber. Certainly Larmore does not have to prove herself as she has been performing for nearly 25 years. Anyone who has seen her live knows she is the real deal and she is in top form on this arias disc. Now, mind you, she is singing both mezzo and soprano roles here. And in English. I was skeptical. Being a huge Larmore fan, I though "uh, oh"...My last Chandos purchase was Elizabeth Futral's arias disc and I was not impressed. But here the translations (sung in delicious theatrical English), top-notch singing by Je La and perfect conducting by David Parry with the Philharmonia Orchestra combine to make a highly addictive disc that will go down in history with Larmore's classics Where Shall I Fly and Call Me Mister. She really sets the bar high for other singers.

    Thankfully, Larmore goes out of her comfort zone and sings some arias that one would not normally associate with this fearless singer. The Don Carlos and Trovatore arias will certainly give her naysayers something to chew on, but she does it! Note the last few bars of "O Hated Gift". I was on the edge of my seat.

    The opening number ("Star of the Evening" from Adriana Lecouvreur) alone is worth the price of the disc. Orchestra and singer match brilliantly and Larmore's final bars brought tears to my eyes. It's good stuff.

    The weak spots are minor. Poor Colin Lee is left on the floor in the Favorita duet. A more experienced tenor would have made this duet electrifying. On the other hand, Larmore alone (track 2) singing "O My Beloved" from Favorita proves (as she did in 2001 with OONY) that she should be singing this role on the stage and in a full recording while we're at it. She is Leonora and the tension she creates is heartbreaking.

    I could have done without Hence, Iris Hence Away, heard on her In Performance DVD and Where Shall I Fly cd (surely there are other Handel arias, but perhaps that's another Chandos disc in the works???!!!), but it displays how she can still sing Handel like no other. The Tancredi aria is a nice surprise.

    The Gioconda track is a blood and guts duet thanks to Susan Patterson and Larmore's singing. I love how Opera Rara and Chandos recital cds always include duets and more. Larmore is a generous singer and part of her genius is how she works off other artists.

    As with every Larmore recital disc, she closes with a treat. Juliet's Waltz Song from Gounod's Romeo and Juliet???? Is she kidding??? Nope. I've heard many a soprano struggle though this aria and merely pull it off with a pinched high note. Should Larmore be singing this aria? Hell, no...Can she? Hell, yes!!! But what's so special is she sings it with pure pleasure; as if she'd sung this song her whole career. Not as a mezzo slumming it in soprano territory. And I think that's what she's trying to tell us here. Have fun, be true to your art form and never pander to your audience.

    5 out of 5 stars Larmore at her best again!.......2007-06-01

    Jennifer Larmore is my favorite mezzosoprano since the very first time. Such an extraordinary artist! To enjoy!

    Jennifer Larmore es mi mezzosoprano favorita desde la primera vez que la escuché. Es una artista extraordinaria y este nuevo cd, a pesar de estar grabado en inglés, muestra, una vez más, la calidad interpretativa de esta maravillosa cantante. Incluso se permite el lujo de cantar el vals de Juliette con más seguridad que muchas sopranos que la tienen en repertorio.
    Romantic French Arias
    Average customer rating: 4 out of 5 stars
    • Enjoyable, with the normal Sutherland reservations
    Romantic French Arias

    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000PMFTEK
    Release Date: 2007-07-10

    Customer Reviews:

    4 out of 5 stars Enjoyable, with the normal Sutherland reservations.......2007-08-01

    This is an enjoyable and overdue reissue from Joan Sutherland. She was uniquely poised to expose opera fans to this mostly unfamiliar repertoire. That said, it is a qualified success. High points include the waltz song from Mireille (putting Fleming's recent outing to shame) and an aria from Auber's Manon Lescaut that finds her diction uncharacteristically strong. The Doll Song from Hoffman is also stunning if mushy, with a trill on a high C that must be heard to be believed. Avoid the tracks from Louise, Pecheurs and Faust. They're well known and are performed in a droopy and muddled manner. All in all, superb bravura singing from the master.
    Jussi Bjorling: Opera Arias
    Average customer rating: 5 out of 5 stars
    • Voice of the 20th Century..
    • The OTHER essential Bjoerling CD; 10 stars! 20!
    Jussi Bjorling: Opera Arias
    Giacomo Puccini , Umberto Giordano , Francesco Cilea , Giacomo Meyerbeer , Charles Gounod , Jules Massenet , Friedrich von Flotow , Gioachino Rossini , Nils Grevillius , and Jussi Bjorling
    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000002S05
    Release Date: 2002-11-05

    Tracks:

    1. Act II: 'Una furtiva lagrima': L'Elisir d'Amore
    2. Act III: 'Ah! si ben mio coll'essere': Verdi: Il Trovatore
    3. Act I: Di tu se fedele': Un Ballo in Maschera
    4. Act I: 'Se quel guerrier': Aida
    5. Act I: 'Recitar!...Vesti la giubba': I Pagliacci
    6. Act I: 'Che gelida manina': La Boh
    7. Act I: 'O soave fanciulla': La Boh
    8. Act I: 'Recondita armonia': Tosca
    9. Act Three: 'E lucevan le stelle': Tosca
    10. Act Three: 'Ch'ella mi creda libero': La Fanciulla del West
    11. Act Three: 'Nessun dorma!': Turandot
    12. Act Three: 'Amor ti vieta': Fedora
    13. Act II: 'E la solita storia': L'Arlesiana
    14. 'Mi batte, il cor... O paradiso': L'Africaine
    15. Act III: 'Salut! demeure chaste et pure': Faust
    16. Act III: 'Je suis seul!...Ah, fuyez, douce image': Manon
    17. Act III: 'M appari tutt'amor': Martha
    18. Cujus animan: Stabat Mater

    Customer Reviews:

    5 out of 5 stars Voice of the 20th Century.........2000-07-13

    Björling tops most polls as "singer of the 20th century", and justly so. Whether one prefers his velvety,lyrically smooth voice of the 30s and 40s, or his more full-bodied, darker power-tenor of the late 50s (he was ready to take on Lohengrin and Otello just before his death), no other human voice has left a legacy of Björling's caliber in recording history.

    This collection is a wonderful presentation of the young Björling. His voice was said to have a direct appeal to emotions. Listen to "Ch'ella mi creda libero" with its almost extraterrestial "lift" and try to keep the lump in your throat from growing!

    The-37 "O Paradiso" is a fantastic display of power blended with beauty - which is also the case with the Tosca arias presented here.

    "Che Gelida Manina" is by many regarded as Björling's signature aria, just as "La Boheme" was said to be his signature opera. The -36 version here shows Björling aged 25 with wonderful silvery tone and grasp of message, problems with Italian pronounciation or not.

    Björling never lapsed into self parodic sobbing or exaggerated shouts or gliding "loops" to get a message across. He insisted on sticking to what the composer actually had written down...and within these vocal restraints, Björling still managed to portray an unexplored universe of human feelings. "Vesti La Giubba" is a good example of this: no sobbing or bitter laughter but downright hartbreaking nonetheless. True art!

    His -44 studio version of "Nessun Dorma" makes an interesting comparison with his -59 recording from the complete Turandot. Touch and go which one to go for as the second or third best version of "...Dorma" ever in recording history. The shining beacon is in my opinion from a radio concert in Sweden in 1944, where Björling for once actually DOES go beyond the strict readings of the work. His final B just stretches on and on and on into eternity - read heaven.

    As for his famous ringing high notes, his final D flat on Cujus Animan may be THE one most beautiful sound I've ever heard from a human being!

    If you do not have any Björling CDs, this may be a perfect introduction to his art.

    And where to go from there? Well,"O Paradiso" is one of many excellent collections from the 50s. There's also a Norwegian compilation called "jussi's Beste" (which sold to platinum in Norway 35 years after his death...). This CD contains among other highlights the wonderful Christmas song "O Helga Natt", in which the final high note is sung with such force that it threatens to blow your speakers to oblivion, never mind your ears...(if it is the last sound I will ever hear, it is OK by me...).

    If you want a complete opera recording, you just have to invest your hard earned cash (or bank credit as is the case with me) on Beechams "La Boheme".

    Someone said elsewhere that once you have listened to Björling, you may never want to listen to any other tenor...ever: HOW VERY TRUE!

    5 out of 5 stars The OTHER essential Bjoerling CD; 10 stars! 20!.......1999-03-15

    Along with the "Pearl Fishers Duet" CD, to me this is the other essential Bjoerling. (The more than 2 dozen friends who've received those 2 CDs as a gift can testify to that!)

    The "Vesti" is completely heartbreaking, maybe because there's none of the histrionic sobbing that usually accompanies it. And of course there is that 1945 recording of "Nessun dorma!", which I have seen referred to as one of the 5 greatest recordings of all time. The arias from Tosca are also outstanding. The only addition that would make this perfect CD "even more perfect" would be the inclusion of the Gonoud "Ah! Leve-toi, soleil!"

    Although I have loved classical music since I was a kid, until Jussi every tenor I ever heard sounded like an opera parody. Jussi is different; he doesn't make you think "Now there's a guy taking a deep breath and singing loud." To steal a line from Amadeus, when he opens his mouth you "hear the voice of God"; absolute, divine beauty, untainted by ego or eccentricity. that seems to flow without strain or effort.

    The only risk in listening to this (or, perhaps, any other Bjoerling) CD? You may never, ever be satisfied with any other voice.
    Susan Graham - Mozart & Gluck Arias ~ Il tenero momento
    Average customer rating: 4.5 out of 5 stars
    • Wonderful Voice, Great Selection
    • Extremely competent but not a permanent addition
    • An album that is very dear to my heart
    • Bland & Sleepy
    • Another American Singer That Shines
    Susan Graham - Mozart & Gluck Arias ~ Il tenero momento
    Wolfgang Amadeus Mozart , Christoph Willibald Gluck , Susan Graham , Harry Bicket , and Orchestra of the Age of Enlightenment
    Manufacturer: Erato
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Susan Graham ~ Berlioz - Les nuits d'été
    2. Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn)
    3. Susan Graham at Carnegie Hall
    4. Artist Portrait: Susan Graham
    5. Poèmes de l'Amour

    ASIN: B000056BEZ
    Release Date: 2001-02-06

    Tracks:

    1. Paride Ed Elena: Oh, Del Mio Dolce Ardor
    2. Le Nozze Di Figaro: Non So Piu Cosa Son, Cosa Faccio
    3. La Clemenza Di Tito: Parto, Ma Tu, Ben Mio
    4. Iphigenie En Tauride: Non, Je N'espere Plus... O Toi Qui Prolongeas Mes Jours
    5. Iphigenie En Tauride: O Malheureuse Iphigenie!
    6. Iphigenie En Tauride: Non, Ect Affreux Devoir... Je T'implore Et Je Tremble
    7. Le Nozze Di Figaro: Voi Che Sapete
    8. La Clemenza Di Tito: Deh, Per Questo Istante Solo
    9. Orphee Et Eurydice: Qu'entends-je? Qu'a-t-il Dit?... Amour, Viens Rendre A Mon Ame
    10. Idomeneo: Non Ho Colpa
    11. Orphee Et Eurydice: J'ai Perdu Mon Eurydice
    12. Lucio Silla: Dunque Sperar Poss'io... Il Tenero Momento

    Amazon.com

    The "tender moment" of this collection's title comes from a stunning scene in an opera Mozart wrote as a teenager, Lucio Silla. It refers to the heightening of sensitivity and expectation that love, above all else, instills. But the Mozart example (with which the album ends) might also be taken as a metonym for the way in which the most powerful emotions, including love in all its guises, from ardor to lament, can intensify the moment. It's a process that opera itself tries to replicate through the wonderful alchemy of music, text, and character. In her second recording for Erato (following the extraordinary Ned Rorem anthology), American mezzo-soprano Susan Graham focuses on the "tender moment" as depicted by Mozart and Gluck. These two masters of opera aren't often paired, though each in his highly distinct, individual way insisted on elevating the genre beyond the level of frivolous entertainment and display that the century they shared found so tempting. Graham's program of six scenes from each suggests some striking moments of common ground in terms of the larger classical aesthetic, though the success of the whole enterprise is mixed. Certainly, Graham makes a case for the radiant beauty of Mozart's opera seria writing (her own operatic debut was in Lucio Silla), which still tends to be undervalued--as though it were simply a case of the composer being enchained by excessive genre "conventions." There's a magical balance between form and content, substance and decoration in "Parto" from La Clemenza di Tito (notable enough for Antony Pay's melting basset clarinet obbligato), and in the lengthiest selection (the last one, from Lucio Silla), though Graham here exposes the instability of her lowest register.

    But to whatever extent Mozart and Gluck might intersect in sensibility, the latter conjures a remarkably different universe when he depicts love's loss and abandon. Somehow the scenes from Iphigénie and, especially, Orphée et Eurydice (in its French version here) don't register as stylistically different enough and they lack that strange, altogether Gluckian combination of objective purity with emotional extremity. And as Mozart's adolescent Cherubino, the kind of intensity that Graham conveys so convincingly on stage comes across a tad too contrived. On disc alone, not all of the selections can capture the spell Graham typically casts in live performance through her combination of singing, "emotional intelligence," and stage presence. Still, it's an intelligent program, and Graham has proved to be a winning exponent of period performance style (as in 2000's superb Alicina). The match here with the Orchestra of the Age of Enlightenment is a happy one. --Thomas May

    Customer Reviews:

    5 out of 5 stars Wonderful Voice, Great Selection.......2007-01-10

    This is one of the best vocal CDs released in the last several years. If you don't know Susan Graham's gift, this CD is the best introduction. I'd also recommend it if you're not especially an opera fan, but are interested in a very listenable introduction to top-notch singing. I've listened to this over and over, and have not filed the CD away for months.

    The balance of material between Gluck and Mozart works surprisingly well. Graham eschews the showy and flashy, yet sings with extraordinary power and passion. The accompaniment is excellent, never getting in the way. The recording is almost perfect.

    In short, a pleasurable CD that will improve the quality of your life.

    3 out of 5 stars Extremely competent but not a permanent addition.......2004-12-16

    Very well-focalized, and an evenly produced sound (granted, there is no special color, nor low register) --- but the problem is the anonymous quality of the interpretations. If you want to truly understand Iphigenie's predicament in her aria 'O malheureuse Iphigenie', seek Janet Baker. Not a generalized torment beautifully sounded -- but a moment of tormented grandeur.

    5 out of 5 stars An album that is very dear to my heart.......2002-07-22

    First my Dad dies unexpectedly and the September 11th attack happens two weeks later. A very unhappy and distressing time in my life. I spent much of this time alone at my parent's home sitting in their big garden on Sunday afternoons listening to this CD and drinking some wine. It helped me make sense of the world around me and my own world at the time - beauty and truth continue to exist even after the worst happenings. "Ô malheureuse Iphigénie!" perfectly reflected my feelings at the time.

    The Orchestra of the Age of Enlightenment is fabulous, expressive and colourful - you'd never want to hear this music on modern instruments again after hearing them! Susan Graham's voice is expressive and has much pathos - without ever becoming melodramatic.
    The repertoire is well selected and there is a very tasteful blend of known and less well known arias. I hope that Ms Graham makes another CD with the OAE again soon! I could stand another disc like this one!

    This disc is also the perfect disc to buy with the Cecilia Bartoli Gluck disc. Ms Bartoli tackles Gluck's earlier opera seria arias - while Ms Graham mainly delves into the later reform opera arias - as well as some Mozart. I cherish both discs.

    Please consider this CD for your collection.

    2 out of 5 stars Bland & Sleepy.......2002-01-02

    I enjoy Susan Graham in performance and on CD (her Ned Rorem CD is excellent). This time I was disappointed by the bland and nearly featureless impression this left me with. It is pablum start to finish to my ears. And too...her weak lower register is exposed unflatteringly in this repertoire.

    For a study in opposites, try Ewa Podles in the same repertoire and buckle yourself in for the ride.

    5 out of 5 stars Another American Singer That Shines.......2001-12-23

    Susan Graham has wondeful mezzo voice and she has choosen a repertoire that suits it to a tee. Her creamy and pure tone illuminate the Gluck and Mozart arias in a such beautiful way. If you enjoy this you may want to try her recording of the Berlioz les Nuits d'ete, another group of songs that suit her voice so well. Ms. Graham represents along with Renee Fleming and Ruth Ann Swenson the best of the new American opera singers.
    Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello
    Average customer rating: 4.5 out of 5 stars
    • Mario Lanza Opera
    • Outstanding
    • Unsurpassed!
    • BMG Needs to hire Folks in the Know
    • Mario Lanza WAS a trained opera singer
    Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Mario Lanza: At His Best!
    2. The MARIO LANZA Collection
    3. Lanza: Greatest Hits
    4. Mario Lanza Sings Songs From The Student Prince & The Desert Song / Romberg
    5. For the First Time/Mario Lanza Sings Caruso Favorites

    ASIN: B00000JMH3
    Release Date: 2001-10-08

    Tracks:

    1. Celeste Aida
    2. Amor Ti Vieta
    3. Di All'azzurro Spazio [From "Andrea Chenier]
    4. O Soave Fanciulla
    5. Fleur Que Tu M'Avais Jetee
    6. O Paradiso
    7. Tal Giocco/Vesti la Giubba
    8. Stolta Paura l'Amor - Mario Lanza,
    9. Donna E Mobile
    10. Vesti la Giubba
    11. M'Appari
    12. Nessun Dorma
    13. Testa Adorata
    14. Come un Bel Di Maggio
    15. Lamento Di Federico
    16. Dio Ti Giocondi - Licia Albanese, Mario Lanza

    Customer Reviews:

    5 out of 5 stars Mario Lanza Opera.......2007-05-12

    This CD of mario is absolutely fabulous. It is the only recording I have managed to find of him singing Nessum Dorma. It is not to be missed. One of operas greatest.

    5 out of 5 stars Outstanding.......2006-11-06

    Hey, this is Mario Lanza, it can't get any better. A great collection of the best Arias!

    4 out of 5 stars Unsurpassed!.......2005-12-13

    I am sick and tired of all these technical reviews and critical remarks leveled against everything Mario Lanza did in his short life!

    True, musically Mario made some mistakes....but so has every other great tenor in history....from Caruso to Pavarotti and beyond!
    And perhaps he sang some arias with too much fortissimo....so what?
    Every single song on here, be it among his best or worst work, is a masterpiece when compared to renditions of the same arias by other, more legit and operatically acclaimed tenors.

    In order to "get" Lanza one must discard all notions of "finesse", "grace" and " elegance" for Lanza operated, and sang on raw, unadulterated, gut wrenching emotion.
    THAT was the genious of Mario Lanza.

    We can argue for another 40 years as to his operatic legitimacy...for nought!
    Lanza was a VOCAL master and his approach to song was as unconventional and idiosyncratic as was his life.
    That's what makes these songs so special and unique.

    No one other than perhaps Corelli had the voice and the balls to sing with such uninhibited emotion and that's what this CD is all about.
    It is a testament of a great voice.
    The fact that Lanza did not have the benefit of a great conductor or teacher guiding him through most of his career, makes these recordings all the more great.

    He sang the music as he felt it and that's a big no-no in the stuffy, overbearing and self-righteous world of opera.
    Lanza earned millions of dollars because his voice touched all who heard it. His art brought more people to opera than all the leading tenors of his day combined....and this during the golden age of tenors and opera as a whole!

    The only word of lesser praise I can offer is the inclusion of the duets. Mario did not have the temprament for duet singing, and subsequently he ended up drowning his partners out, or engaging in a sort of vocal warfare which was the case with much of what he and Grayson recorded during his MGM days.
    The arias are great....the duets are medicore on all accounts.

    In closing, I apologize for not having spen time on the actual songs. It's been done to death.
    All I can say is that, if you wish to hear opera arias sung in a way such as will never be heard again in our lifetime, then this is a CD for you.
    If you want proper, technically proficient opera, sung by some big name opera jerk, then stick to that....you'll only end up feeling like all the other good people who have so much negative to say about this CD.

    4 out of 5 stars BMG Needs to hire Folks in the Know.......2004-06-15

    There are several cuts on this CD that Lnaza did in fact record much better at other times. I have all his records LPs, 78s and movies and I wish BMG would consult a Lanza fan,or me,for the cuts would make the perfect CD. I think its great that we have such a wonderful collection of recordings of Lanza and this one warts and all is still one of the best. The best Lanza set was the RCA LP 2 record set put out in the 70s with Lanza on the cover in M. Butterfly. Where oh where can it be??? Long live Mario Lanza!

    4 out of 5 stars Mario Lanza WAS a trained opera singer.......2003-11-13

    To the reviewer from Michigan who said Mario never performed an opera on stage, you are wrong. He did two performances as Pinkerton in Madame Butterfly before going off to Hollywood.

    Mario had extensive operatic training from some top teachers. He was sought after by many opera companies, including the Met in New York.

    It is true that some of Mario's recordings are not as good as others. He did various versions of much of his material, both live and studio, so of course you will find some you prefer to others. But the beauty, power and expressiveness of his voice is unmatched by any tenor I have ever heard.

    Meditation Music:

    1. George Gershwin: Porgy And Bess
    2. Gilbert & Sullivan: The Pirates Of Penzance
    3. Giovanni Paisiello: Pulcinella Vendicato
    4. Giuseppe Verdi: Il Trovatore
    5. Giuseppe Verdi: Rigoletto/Gaetano Donizetti: Lucia Di Lammermoor
    6. Gluck: Orfeo ed Euridice / Baltsa, M. Marshall, Gruberova; Muti
    7. Hansel & Gretel [Cast Recording]
    8. Hearing/32 Songs of Ned Rorem
    9. Humperdinck: Hansel und Gretel
    10. Jerry Hadley - The Age of Bel Canto

    Meditation Music

    meditation music

    Meditation Music

    Old Habits Die Hard Pt.2 [CD-single] [Enhanced] [Import]

    Hans Huber: Symphony No. 3; Symphony No. 6

    Estienne Moulinié: L'Humaine Comédie - Le Poème Harmonique - Vincent Dumestre

    Music: Habitat Collection: Fireside

    Essential Mix [Import]

    Consumed

    Festa Dos Mulekes [Import]

    Electric Blue Watermelon

    Flash Forward [Import]

    Glitter Rock

    Cocktails With Cavallaro [Import] [Limited Edition] [Original recording remastered]

    Geracao Rock: Anos 80 [Import]

    Flesh of My Flesh, Blood of My Blood [Clean]

    Masters of Metal: Crankin' up 1970-1980

    Tenor Conclave