| 1. Spirit Prince |
| 2. Gone |
| 3. Venus |
| 4. Stars in the Yard |
| 5. Heartsong [For Stacey] |
| 6. Dusk |
| 7. Elfin Territory |
| 8. Arapaho Firelight |
Dusk,Jim Chappell,Real Music,Adult Alternative,Chamber Jazz,Jazz Music,New Age / Meditation,Pop,Solo Instrumental
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Dusk and Summer
Dashboard Confessional Manufacturer: Vagrant Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FMGTWG Release Date: 2006-06-27 |
Tracks:
- Don't Wait
- Reason To Believe
- The Secret's In The Telling
- Stolen
- Rooftops And Invitations
- So Long, So Long
- Currents
- Slow Decay
- Dusk And Summer
- Heaven Here
Amazon.com
It's all about the power chord and the sing-along chorus. With the exception of the stark title track, Christopher Carrabba's once-prominent acoustic strumming is now in short supply. Along with Scott Schoenbeck, John Lefler, and Mike Marsh, the Dashboard Confessional mastermind cranks it all up on his fourth full-length: the guitars, vocals, drums, the works. Consequently, some listeners have been tossing around the letter "U" and the numeral "2." It's a bit of a stretch, although the album was co-produced by Daniel Lanois of Joshua Tree fame (and mixed by Nevermind's Andy Wallace). The Florida outfit also opened for the Irish superstars in support of 2003's A Mark, A Mission, A Brand, A Scar. That said, Carrabba is still the same earnest young man, just more amplified than before. Aside from "Dusk and Summer," quieter tracks include "Stolen" and the piano-driven "So Long, So Long," decorated with husky croons from Adam Duritz of the Counting Crows. But even these seem loud compared to Carrabba's stripped-down early material. It isn't a bad move, but like most stylistic shifts it's sure to send a few longtime fans packing, while making room for new ones who've never heard Dashboard Confessional before or who found the old stuff too whiny and angst-ridden. Well, there isn't much whining on Dusk and Summer--just a whole lotta (heartfelt) rockin'. --Kathleen C. FennessyCustomer Reviews:
Dusk and Summer.......2007-06-17
Really happy with this purchase.......2007-05-14
True Talent.......2007-04-30
The front man and songwriter/lead vocalist Chris Carrabba is extremely talented, he hits on all cylinders on the disc, though "Slow Decay" proves he is at his best when he is writing love songs, not anti-war songs.
This is one of the best young pop bands out there.
What was I waiting on?.......2007-04-27
This is a new fan that would recommend getting this. It will, at the very least, be great road music, and quite possibly make you reflect, smile, rock out, and tear up a little. Wonderful.
Good album, not their best........2007-03-23
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From Dusk Till Dawn: Music From The Motion Picture
Various Artists Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002BGR Release Date: 1996-01-23 |
Tracks:
- Everybody Be Cool - George Clooney
- Dark Night - The Blasters
- Mexican Blackbird - ZZ Top
- Texas Funeral - Jon Wayne
- Foolish Heart - The Mavericks
- Would You Do Me A Favor? - Juliette Lewis & Quentin Tarantino
- Dengue Woman Blues - Jimmie Vaughn
- Torquay - The Leftovers
- She's Just Killing Me - ZZ Top
- Chet's Speech - Cheech Marin
- Angy Cockroaches (Cucarachas Enojadas) - Tito & Tarantula
- Mary Had A Little Lamb - Stevie Ray Vaughn & Double Trouble
- After Dark - Tito & Tarantula
- Willie The Wimp (And His Cadillac Coffin) - Stevie Ray Vaughn & Double Trouble
- Kill The Band - Tom Savini
- Mexican Standoff - Graeme Revell
- Sex Machine Attacks - Graeme Revell
- Bonus Track 1 - From Dusk Till Dawn: Music From The Motion Picture
Amazon.com
Quentin Tarantino's trash-talking original soundtrack is fuelled by a greasy Tex-Mex theme. Starting with the Blasters classic "Dark Night," this album rumbles like a gang of renegade vampire bikers through a sharp new one from ZZ Top ("She's Just Killing Me"), a classy Jimmy Vaughan blooze ("Dengue Woman Blues"), an outrageous vignette by Cheech Marin, a couple of vintage Stevie Ray sides, and some rockin' Tejano tornados from Tito Larriva. --Jeff BatemanCustomer Reviews:
Question that no review has answered.......2007-01-29
One of the Best Soundtrack Albums EVER.......2006-11-10
Great!!.......2002-04-11
Parents be warned several speeches about various portions of the female anatomy.
A great mix of western rock.......2001-01-01
An okay CD.......2000-08-29
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Dusk and Summer
Dashboard Confessional Manufacturer: Interscope / Vagrant ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PHVYB2 Release Date: 2007-05-22 |
Tracks:
- Don't Wait
- Reason to Believe
- Secret's in the Telling
- Vindicated
- Stolen
- Rooftops and Invitations
- So Long, So Long
- Currents
- Slow Decay
- Dusk and Summer
- Heaven Here
- Ghost of a Good Thing [Live from the Henry Rollins Show]
- Best Deceptions [Live from the Henry Rollins Show]
Album Description
Interscope / Vagrant are releasing the deluxe version of Dashboard Confessional "Dusk And Summer". The deluxe version includes a ringtone, cell phone wallpaper, and foldout poster, as well as REPLACING "Stolen" with the current Top 40 radio-hit (and video) version of "Stolen", along with 2 unreleased tracks.
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Gabriela Montero plays Chopin, Falla, Ginestera, etc. [Includes Bonus CD]
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009VK0LO Release Date: 2005-09-13 |
Tracks:
- Moment Musical In E Mino Op. 12 No. 4
- Prelude In G Op.32 No.5
- Etude-Tableau In D Op.39 No.9
- Prelude in D Flat Op.17 No.3
- Prelude In E Flat Minor Op.16 No.4
- Prelude In G Op.13 No.3
- Etude in C Sharp Minor Op.42 No.5
- La Vida Breve: First Spanish Dance - Manuel De Falla
- Goyescas: Quejas O La Maya Y El Ruisenor
- Danza Del Viejo Boyero
- Danza De La Moza Donosa
- Danza Del Gaucho Matrero
- Nocturne In D Flat Op.27 No.2
- Fantaisie-Impromptu In C Sharp Minor Op.66
- Mephisto Waltz No.1
Tracks:
- On Rachmaniov: Vocalise
- On The Theme From Bach 'Goldberg Variations'
- On Chopin: Nocturne In D Flat
- On Rachmaninov: Piano Concerto No.2
- Inspired By Scriabin
- On Duermete Mi Nino
- In The Style Of Tango
- On Granados: 'Quejas O La Maya El Ruisenor'
- In The Style Of Bach
- On Chopin: Prelude In A
- 'Improvisation in Blue (Gabriela Montero)'
- 'Song for Natalia and Isabella (Gabriela Montero)'
Customer Reviews:
Gabriela Montero CDs.......2007-06-12
Non-professional Review.......2007-03-27
Absolutely Magnificent!.......2007-03-09
Improvisations Unbelievable!.......2007-01-26
A beautiful breath of fresh air!.......2007-01-20
It's interesting hearing the negative response coming from some classical musicians and fans. At times it can seem to roughly follow the stages of grief as proposed by Kubler-Ross. I'm a professional guitarist, and it's funny because it's almost identical to how guitarists react to hearing another guitarist, but with an big class-conscious overlay (all very civilized, of course). Think of the "guitarist screwing in a lightbulb" joke. To paraphrase and extrapolate on what someone might say upon hearing her improvisation:
1. Shock: Wow, he's good. Oh, and it's a woman!? And you say it's improvisation??
2. Denial: That can't possibly be improvisation. Classical musicians don't engage in that untidy process. What she's playing must be written out, and I can tell! Don't ask, I just know it.
3. Anger: This stuff is no good. Only permanent music is of value through the ages, and that's why classical music (and only the European kind) is better than any other music. Besides, I can't improvise, so I reject it - and only THOSE people engage in improvisation.
4. Depression: She can play all the classical music, and seemingly can improvise, or at least pass her stuff off as such. Not only that, she's getting attention and money, and we're not. Why is the world unfair?
5. Acceptance: (sort of) Well, I guess she's selling CD's, and is becoming successful. She is, I hate to admit it, a great player. Even if she is a faker. Of course, they're begging my Muffy to become artist-in-residence in Spoleto....
The other reviewer has a point when he says that she may be viewed as a curiosity. Because she's crossing genres, people may not know what to make of it, and this often causes reflexive hostility. As an improvisor, I would agree that it's hard to say that something is 100% improvised - players tend to have pet phrases and favorite general ideas they return to. But to me, Gabriela's playing is at the highest level of skill, beauty, and feeling, whether improvising or playing written pieces.
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Back in Town
Matt Dusk Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NA273A Release Date: 2007-04-03 |
Tracks:
- Back In Town
- All About Me
- The Best Is Yet To Come
- The Way You Look Tonight
- More
- As Time Goes By
- Learning The Blues
- Get Me To The Church
- Whos Got The Action
- On The Street Where You Live
- Million Kisses
- Where Were You When
Album Description
Along with big-band material drawn from the American Songbook, Back in Town features such contemporary pop numbers as the inspirational "All About Me" and the forceful title track, both given the chart-topping treatment from Chris Lord-Alge, one of the best mix engineers in the world, with credits ranging from Madonna to Green Day. The big band material truly breaks new ground amongst the young crooners on the scene today. Much of the album was recorded in Los Angeles at the fabled Capitol Studios in Studio A--where the walls have resonated with the voices of such iconic singers as Frank Sinatra, Bobby Darin and Dean Martin. As if that magical setting wasn't enough, several renowned arrangers including Patrick Williams, Vince Mendoza and Sammy Nestico were brought in to provide new, original charts for classic numbers. On top of that, the legendary Al Schmitt, winner of this year's Lifetime Achievement Award at the Grammy Awards, recorded and mixed all of the album's big band orchestral tracks.Customer Reviews:
Dusk convert.......2007-06-30
The Best Is NOT yet to come.......2007-06-29
Very Overrated .......2007-06-18
No Jazz to be Found Here.......2007-06-06
Mr. Dusk's voice is certainly very professional, even if he betrays a bit of that Canadian accent that we Americans find so annoying (at least in our Jazz). For most of the songs, it sounds like he's trying to compete with the band, or at least singing behind them. This album is just dripping with syrup and processed music. Additionally, his voice is entirely devoid of emotion. I suspect that his fans are more fans of his looks than his voice.
Mr. Dusk certainly has potential in the 12 to 16 year-old female demographic or perhaps singing on the stage in a Broadway musical where a good clean, bright voice is needed and not a Jazz artist who needs to express the feelings and emotions of the lyrics. If they do a big, flashy all musical version of Ocean's 11, he would fit right in!
Matt Dusk is the next Sinatra!.......2007-05-15
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Dusk
The The Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000068TOE Release Date: 2002-07-02 |
Tracks:
- True Happiness This Way Lies
- Love Is Stronger Than Death
- Dogs Of Lust
- This Is The Night
- Slow Emotion Replay
- Helpline Operator
- Sodium Light Baby
- Lung Shadows
- Bluer Than Midnight
- Lonely Planet
Customer Reviews:
Pure Love.......2007-06-13
Give it a listen!.......2006-10-05
"Everybody Knows what's going wrong with the world,
I don't even know what's going on in myself"
The musicianship, as you come to expect from Mr Johnson and his cohorts is top notch from the funky "Sodium Light Baby" to the slow heavy "Lung Shadows". Around the time this album was released, Johnson despaired about the social condition of the UK - he upped sticks for Sweden and the USA. That disgruntlement is to the fore on this album. If you like thought provoking music laden with introspection then Dusk is well worth your time checking out.
The The.......2005-10-19
Album ce vas voditi kroz mracna ulice i mesta, zadimljene klubove, javne kuce... I za divno cudo izvesce vas na svetlo.
Pravi dragulj, obavezan za svaku kolekciju.
This one gets heavy rotation..........2003-11-27
ON A GLOOMY SUNDAY NIGHT, LET MATT JOHNSON ENTERTAIN YOU.......2003-10-08
"DUSK", can be considered as one of those albums that have a redeeming quality. The songs are simple to understand and empathizing, if one wants to mend one's ways, and are difficult and testy, for those who seek revelry and boisterous adventures to calm their emotional turbulence.
Uncomplicated, yet far from beautiful, the songs in "DUSK" have no catchy riffs, no flamboyant guitar displays, but modest tunes, which are made alive by Matt Johnson's confirming manner of singing, and his blatantly honest down-to-earth lyrics. This fact is made even more surprising by the fact that Johnny Marr, the main guitarist of THE THE, was a part of THE SMITHS, which is as known for Johnny's rich guitar-playing, as it is, for Morrissey's earthy lyrics & singing: Johnny's presence in THE THE is somehow overshadowed by its unassuming music.
With "DUSK", it is Matt Johnson, from head to toe. The number, with which the album kicks off, "True Happiness This Way Lies", gives a glimpse, or much more than a glimpse of Matt's strong presence as the force keeping THE THE alive: He instructs with his speech, rather than his singing, of the dirtiest desires of the human soul, and the answer to true happiness in life - call it cacophony, or haughty confidence in one's ability to convert the other. "Dogs Of Lust", along with "Slow Emotion Replay" are the only two conventionally catchy numbers, in the group of seemingly somber tunes.
By a long shot, not "Dogs Of Lust", but the album reaches its summit during "Lung Shadows" and "Bluer Than Midnight" - two of the most unusual songs ever created. While in one of these, Matt's whispers give a feeling of malaise of an evil spirit lurking in the darkest corners of one's house, whereas in the other, it seems as if the spirit has actually entered one's body and is whispering out aloud one's deepest darkest fears, which one loves to hide so cozily.
"DUSK" exemplifies simplicity: simplicity of music, simplicity of words: strong and honest. It is a perfect medicine, an empathizing entity, during days when one is feeling blue and needs just the right person to fill some sense into one's rattled head. Appositely titled, "DUSK" is as subfusc as anything can be, with the nature of a mentor, who seems to know the psyche of the listener only too well.
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Two Shots
Matt Dusk Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000255LHA Release Date: 2007-01-08 |
Tracks:
- Two Shots Of Happy
- Miracle
- Cold As Ice
- Lonely Road
- Theme From Loaded Gun
- Don't Go Looking
- Fly Me To The Moon
- Please Please Me
- Precious Years
- Always
- Every Mother's Son
- Five
- Two Shots Of Happy
Amazon.com
The big-label bow of this Toronto-born, classically trained pretender to the contemporary crooner crown comes bundled in a shrewdly frank marketing gambit. Dusk scored a recurring role on the reality series Casino as a young, wannabe showroom headliner. As with virtually every ambitious retro-pop male vocalist since Harry Connick, Jr., the musical touchstone here is Sinatra, from the album's title track (an 80th-birthday gift from U2 to the Chairman himself, who never recorded it) to a rhythmically sprightly take on "Fly Me To the Moon." But what noses the 24-year-old Dusk ahead of his rat-packaged competitors here is a promising understanding of the canon that goes deeper than mere ring-a-ding-ding trappings. While his bold, downbeat recasting of the Beatles' "Please Please Me" falls short of its ambitions, songs like "Lonely Road," "Every Mother's Son," "Always" and "Five" (the latter two tellingly co-written by the singer himself) have a reflective, autumnal tone that gratifyingly echo Sinatra's own period of willful, introspective reinvention in the mid-1950s. --Jerry McCulleyCustomer Reviews:
Absolutely a very good one!.......2007-03-20
Matt Dusk is definitely a great new surprise, and I'm sure we'll be hearing more of him...
INCREDIBLE FOR ONE SO YOUNG.......2007-01-10
IF YOU CAN PICTURE MAXWELL SMART SINGING SINATRA STANDARDS..........2006-09-07
MEMO TO MATT DUSK: Matt, I'm not trying to knock ya, but to these ears, your ambition surpasses your talent at this point in time... not that there's anything wrong with that, as there's people out there with less talent who've hit the big time - so if you can hang in there long enough to make it work for you, then go for it... but in the meantime:
1) you might want to reconsider the singing style you're currently using (too nasal-sounding, which doesn't lend itself well to jazz/adult contemporary standards) to make it more pleasing to the ears - get yourself a top-notch vocal coach if you don't already have one;
2) make yourself stand out from the rest of the pack of singers-of-American-standards and hit the audience with fresh, delightfully-unexpected arrangements of these well-worn chestnuts;
3) with every album recording, aim to keep about 70% of the material more upbeat and mid-tempo than downbeat - you're better off leaving out lukewarm ballads unless you've got some with heavy hit radio potential that you can really knock out of the park - always strive to write or reinterpret at least one stunner of a love ballad that has the potential to become a wedding reception classic;
4) finally, people often hear what they see, so don't be afraid to jazz up your personal image to distinguish yourself from close rivals such as Michael Buble and Harry Connick Jr.
I recently saw you during a live TV performance and I couldn't belive you were wearing the type of stodgy-looking business suit that my business executive father would wear - complete with the fat-knotted tie! To top it all off, you came across with all the charisma of Al Gore during the presidential debates. What kind of audience are you aiming for anyway, Matt? The image you wish to project is an issue that you and your management team really need to address, because that will weigh heavily in determing the type of audience that you'll attract.
Do yourself a favour and seek the guidance of professional stylists and leave the conservative business suits/ties to accountants - go for something a little more contemporary that'll communicate understated sex appeal to a broader audience.
Otherwise, you risk spending your career being the guy who's perpetually not-quite-ready-for-prime-time.
As a fellow Canadian, I'm rootin' for ya, Matt - good luck.
Two Shots by Matt Dusk.......2005-12-09
Dusk dips down in my books........2005-11-13
I'm not sure why he doesn't hit me with this cd, but it just falls a little flat.
I mean if Rod Stewart can get it...
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Music From the Unrealized Film Script: Dusk at Cubist Castle
The Olivia Tremor Control Manufacturer: Cloud Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008LO99 Release Date: 2004-02-03 |
Tracks:
- The Opera House
- Frosted Ambassador
- Jumping Fences
- Define A Transparent Dream
- No Growing (Exegesis)
- Holiday Surprise 1,2,3
- Courtyard
- Memories Of Jacqueline 1906
- Tropical Bells
- Can You Come Down With Us?
- Marking Time
- Green Typewriters
- Green Typewriters
- Green Typewriters
- Green Typewriters
- Green Typewriters
- Green Typewriters
- Green Typewriters
- Green Typewriters
- Green Typewriters
- Green Typewriters
- Spring Succeeds
- Theme For A Very Delicious Grand Piano
- I Can Smell The Leaves
- Dusk At Cubist Castle
- The Gravity Car
- NYC-25
Customer Reviews:
Kaleidoscopic collage of sweet pop and soundscapes........2006-02-23
The album is a fantastic and endlessly fascinating combination of different styles, tempos, ideas and atmospherics, with the band taking on elements of early Pink Floyd, the Beach Boys and The Beatles to form the core backing of 60's trip-pop, alongside lingering traces of folk, krautrock, avant-garde expressionism, ambient noise, field recordings and the early hallmarks of a sound that would later become known as post-rock. As a result, every stylistic diversion seems perfectly judged, with the album creating that dreamy quality where songs distort and metamorphose into completely different songs, whilst repeated exposure eventually gives way to all manner of hidden sounds, voices, noises and motifs. Along with Neutral Milk Hotel's masterpiece, In the Aeroplane Over the Sea, I'd cite Dusk at Cubist Castle as a more alternative take on the territory of Radiohead's celebrated OK Computer, with both albums sharing the same loose conceptual edge, bizarre and varied approach to musicianship, and a stark and jarring combination of dissonant noise blurring seamlessly with traditional rock and pop structures.
Like their follow up album Black Foliage, as well as related records like On Avery Island, Black Swan Network and Circulatory System, the songs on Dusk at Cubist Castle (as well as the album's subtitle, Music from the Unrealised Film Script) seems to suggest the idea of a concept... though what it is remains vague and fragmented by the stretches of surreal dreamlike lyrics, and the wild switches in style. The album even has a ten-song mini song cycle positioned in the middle of the album called Green Typewriters (which runs through tracks 12 to 22), which merges a variety of wild influences, including White Album-era Beatles and BBC field recording techniques, into one seamless sonic dreamscape. What it all means remains a mystery, though the All Music Guide suggests a story involving a pair of women named Olivia and Jacqueline, and a massive earthquake dubbed the California Demise... which makes sense, I suppose!!
The more you listen to the album, the more it takes a hold of you... At least half of the songs work as great pieces of pop, with the opening track The Opera House having a very modern style that is removed from the mock-60's referentialism of acts like the Apples in Stereo, The Dukes of Stratosphere and The Brian Jonestown Massacre. Jumping Fences, Define a Transparent Dream, No Growing (Exegesis), Holiday Surprise 1-3 and Memories of Jacqueline 1906 are all fine pop songs that have a touch of the Dukes circa 25 O' Clock about them, whilst also managing to present remnants of a sound that is more interesting and unique. The sound collages work well too, adding a depth to the songs that surround them, whilst further highlighting the bizarre concept at hand. Unlike "real" progressive acts of the 60's and 70's, the Olivia Tremor Control never seem to be adding noise or bizarre instrumentation simply because they can... in fact, it mostly seems like the songs were written and envisioned this way to begin with.
They also don't let the concept get in the way of the album as something to listen to for entertainment and enjoyment, with most of the songs possessing strong melodies, interesting lyrics and a great performance (or as great as you can get when recording on a four-track in someone's living room!!). The lo-fi aesthetic works great here (as it did for Neutral Milk Hotel, who recorded in a similar fashion at roughly the same time), with the songs benefiting from the warm fuzz of the instruments and the slightly muffled vocals, which to me, gives the songs a sense of intimacy that jars against the exotic sounds and the expansive concept. After four or five listens, the album makes sense, and flows seamlessly from beginning to end (Hart and Doss clearly taking a lot of care in the way the songs and the album have been sequenced!!), with the diverse and disorientating sound of each song eventually creating a bizarre and dreamlike mood that flows brilliantly from beginning to end. Dusk at Cubist Castle, along with the follow up Black Foliage, remains a great and continually interesting album from a greatly underrated band, and along with gems like In the Aeroplane over the Sea, On Avery Island and Circulatory System, is a highlight of the esteemed Elephant 6 Collective.
A Transparent Dream: Psychedelic, Ambient, Dear Prudence, Noise, Pet Sounds, Toy Piano . . . .......2005-12-04
What I heard I was not prepared to digest--psychedelic, ambient, dear prudence, noise, pet sounds, beatles, pop, . . . transparent dream. I didn't have a category for this . . . and I still don't. But that night "Dusk at Cubist Castle" convinced me that music wasn't dead (as I had come to almost believe).
In the wake of that night, the Olivia Tremor Contral has ruined most other music for me. And here is why.
1. "Dusk at Cubist Castle" took me to a place I had never been before. A unique and new listening experience: I haven't gotten much of that from other artists before or since.
2. There is an artistic vision in the work. Sure the vision isn't as consistent in "Dusk at Cubist Castle" as it is in "Black Foliage," but it is there. The vision of most artist doesn't extend much beyond trying to get me to open my wallet and buy their stuff.
3. The work is generous. On listen after listen, "Dusk at Cubist Castle" continues to speak to me. It is layered and complex and is therefore able to give something over time. This is one standard of good art: with each viewing or listen it speaks to you. Most art has said all it has to say in one glimpse, in one listen.
4. It offers a rich sonic experience. I am sick to death of guitars, bass, and drums. In some sense that combination is in danger of playing itself out (the exception may be Spoon). "Dusk at Cubit Castle" creates a complex and unexpected landscape of sound.
So now I spend my time trying to re-create the experience of listening to "Dusk at Cubist Castle" for the first time. Here is what I have found that is worth mentioning: Olivia Tremor Control's "Black Foliage" (a stronger work); Circulatory System's eponymous CD; the Go! Team's "Thunder, Lightning, Strike"; Elf Power's "A Dream in Sound"; Dungen's "Ta Det Lugnt"; Manitoba's "Up in Flames"; and the Microphones' "The Glow Part 2"; All Night Radio's "Spirit, Radio, Frequency"; and, of course, Neutral Milk Hotel's "In the Aeroplane Over the Sea."
Check out "Dusk at Cubist Castle" and invite me over for the first listen.
No Classic.......2005-11-23
I believe that Elephant Six produced many fair-to-good albums, a whole bunch of garbage and just two unquestionably great albums: The Coast is Never Clear and In the Aeroplane Over The Sea. Consider this a good one, but make sure you have those two before wading into this one.
a few too many ingredients.......2005-11-02
I love this album about every other time I listen to it, and I really enjoy the drawn-out sound collage in the midsection, but it can otherwise be overwhelming and busy sounding.
OTC could have saved a few of these ideas for a follow-up album.
maybe 3 .5 ?.......2005-10-06
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Henryk Górecki: Already It Is Dusk (String Quartet No. 1, Op. 62) (1988) / Quasi una Fantasia (String Quartet No. 2, Op. 64) (1990-91) - Kronos Quartet
Henryk Gorecki , and Kronos Quartet Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005J26 Release Date: 1993-06-29 |
Tracks:
- String Quartet No. 1, Op. 62: Already It Is Dusk
- Quasi Una Fantasia String Quartet No. 2, Op. 64: Largo Sostenuto - Mesto
- Quasi Una Fantasia String Quartet No. 2, Op. 64: Deciso - Energico; Furioso, Tranquillo - Mesto
- Quasi Una Fantasia String Quartet No. 2, Op. 64: Arioso: Adagio Catabile
- Quasi Una Fantasia String Quartet No. 2, Op. 64: Allegro - Sempre Con Grande Passion E Molto Marcato; Lento - Tranquillissimo
Customer Reviews:
Not the Gorecki I like.......2003-04-09
Frankly, it sounds like an amateur doodling around with an out-of-tune violin.
Ok, it sounds like four of them, and their instruments are amazingly in tune with each other, although not with music as we know it. But this music is long on sawing string textures and short on meaningful music.
There are some pleasant passages along the way, but none of it has the big, original feel of Gorecki's symphonic works. Instead I feel like I am getting a rehash of Shostakovich, except neither as inventive nor as rich. Perhaps for the most musically literate listeners who 'co-operate' with the music this will be a more rewarding album, but I didn't find it nearly as interesting as other Gorecki I have heard.
No fault of Kronos Quartet, I am sure: their playing is superb, and this is exactly the kind of thing they are good at, so if you are going to like this composition, you will probably love this performance.
Quasi una Fantasia.......2000-12-01
There is, however, a preliminary consideration to be made: this piece of music, more than others, asks for cooperation, lots of it, and it will not satisfy listeners who are unwilling to award it with such cooperation. The reason for this, paradoxically, rests in the quartet's overtly simple and stubbornly repetitive inner structure, which is very likely to annoy listeners who either are untrained to minimalist music, or (even more so, perhaps, in this case) believe that simplicity of form essentially entails a lack of ideas. In other words, in order for those approaching Gorecki's Quasi una Fantasia to thoroughly enjoy it (and comprehend it), they must cooperate - that is, suspend skepticism and let the music exercise its hypnotic suggestion on them. If they do not, they'll inevitably miss its point and therefore find it exceedingly simple and consequently discharge it.
But now, lets take a closer look at Gorecki's quartet from the standpoint of those who, like myself, through cooperation, allow it to function effectively... Quasi una Fantasia - in my opinion very nearly a "hallucination," rather than merely a "fantasy" - is a well spun, taut web it's hard for one to get out of, once one has fallen into it. In general, it steps forward by means of constant and cumulative repetitions, which gradually produce a snowball effect, inevitably submerging its listeners: very brief themes are reiterated and lengthened in the process, thus leading to immensely long bars, which cause one, literally, to skip a heartbeat. This development is not unaccompanied: deeply-set and never-so-stubborn ostinatos give the piece further cohesion, while swelling its unhealthy, beautifully morbid quality. Although fragments of Polish folk music shed light on the composition, its general mood, as I see it, is rather dark. The third movement, in particular, conveys a sense of gloominess which is so desperate it may be thought of as pure madness. The last movement, however, seems to state that there is hope, and that joy - often unexpectedly - emerges from and defeats anguish.
Superb.......1999-11-16
Average customer rating:
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Dusk
ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004S8Q9 Release Date: 2000-02-23 |
Tracks:
- Healer
- Sun Red Sun
- Tribal Moon
- The River
- Walking Attitude
- The Fire Lasts Forever
- Dog
- Fat Cat
- Lord Knows
- Ride The Jack
Album Description
NEH Records brings you another great European Melodic Rock import from Z Records in England. The third album from Badlands is finally here. The album features the classic line up of Jake E Lee, Ray Gillen, Greg Chaisson and Jeff Martin on what many believe to be the bands best ever recording.Customer Reviews:
DUSK ROCKS!!.......2007-02-22
My only complaint is that, as previously mentioned by other reviewers, the artwork in the Z-records version is blurry, so you can't read the lyrics. Other than that, this is the same disc as the more expensive import. Since you can easily find the lyrics on-line, I'd recommend saving a few $$ and getting this disc instead of the pricey import.
Going out with a bang!.......2007-02-18
Finally Got it!.......2006-07-01
Going into this not having heard a single song from the album was refreshing, yet the expectations were also high after loving nearly every song from the bands first two albums. The album started right with "Healer" and from there it was enjoyable, but not great. Nothing holds a candle to their debut album!
I have had this CD in my car for the last week, just playing it over and over during my commute to and from work. 3 songs now stand out as my favorites..."Healer", Lord Knows" and "Ride the Jack".
I wouldn't spend big money to get an original copy of this. I ended up getting what appears to be a fairly professional copy? Not sure, but the liner notes are just blurry enough to be unreadable. I had to come here to get a track list, just to see the titles of the songs I liked the best. I do recommend owning it though if you liked the rest of the Badlands offerings.
Good reason you never heard of this CD.......2006-06-15
Where did this music come from? This is not the same Jake who did great stuff with Ozzy and the first two Badland records.
I can't want to re-sell this CD.
L.Lemke is so wrong.......2006-04-14
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