| 1. Colour Me |
| 2. Feeling Wings |
| 3. Medley: Ereskay Love Lilt & An'dro [Instrumental] |
| 4. Dancer |
| 5. Waly, Waly |
| 6. Bringing It All the Way Home |
| 7. I Believe in Love |
| 8. Sally Gardens |
| 9. Connamara Cradle Song |
| 10. Time |
| 11. She Moved Through the Fair |
Editorial Reviews
"Dancer, produced by the redoubtible Donal Lunny, adroitly balances tunes ancient and modern, filling the new with past cadences and the old with contemporary cues. . . . a formidable ensemble that moves easily between folk, contemporary and classical genres . . . irrisistible. . . enchanting. " --This text refers to the Audio CD edition.
Product Description
Celtic contemporary and traditional songs. --This text refers to the Audio CD edition.
Dancer
Dancer,Maireid Sullivan,Lyrebird Music,Adult Alternative,Celtic/Irish,Int'l & World Music,Pop
Average customer rating:
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Appalachia Waltz / Ma, Meyer, O'Connor
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002C0Y Release Date: 1996-09-24 |
Tracks:
- The Green Groves of Erin - The Flowers Of Red Hill
- Appalachia Waltz
- Chief Sitting In The Rain
- Mama
- Butterfly's Day Out
- Druid Fluid
- First Impressions
- Etienne Et Petunia
- F.C.'s Jig
- College Hornpipe
- Pickles
- Old Country Fairytale
- Schizoozy
- Star of the Country Down
- Speed The Plow Medley
- Fair Dancer Reel
Customer Reviews:
Welcome to "alternative" classical music!.......2007-02-19
It's Yo-Yo so it's Exquisite.......2007-02-12
I, too, found many of the sounds unique. For a real experience, listen in a darkened room with a pair of superior earphones - the things you pick up will shock. I literally turned my head several times, convinced that the artist was in the room.
As one reviewer noted, this is not supposed to be the rustic sound one might imagine or (the reverse) simply an intellectual exercise. The artist (with able assistance) seems to draw on some kind of inner reserve and literally pour his soul into his newest project. I, for one, applaud this widening of the boundaries between genres and hope that it continues.
Let's not forget the other artists, particularly Meyer. Many times the celebrity saps all the attention leaving a wake of sore feeling in their wake. Ma has always been one to give credit where credit is due and in this case it is due to those who ably assisted him. My grade - A
Love it- great for weddings.......2007-01-24
Stellar album.......2006-11-10
**Superb**.......2006-07-19
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Allure of Sanctuary
Karen Marie Garrett Manufacturer: Karen Marie Garrett Publishing, Waterstreet Records and Publishing Inc. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BGQXKE Release Date: 2005-09-20 |
Tracks:
- Tip Toe Dancer (Kathryn's Song)
- Lake EWOK Muse (Piano & Cello)
- Simple Things
- Allure of Sanctuary
- Welcome B.
- The Green Hills
- Gnossienne No 1
- Gnossienne No 2
- Gnossienne No 3
- Will's Song
- Toll of War
- Lake EWOK Muse Reprise (Piano Solo)
Album Description
A STUNNING CD RELEASE BY KAREN MARIE GARRETT AND LEGENDARY PRODUCER WILL ACKERMAN, creator of Windham Hill Records, gold and platinum record producer, and Grammy Award-Winning recording artist.Recorded between George Lucas' Skywalker Sound Studios in Marin County, California and Mr. Ackerman's Imaginary Road Studio in Windham County, Vermont.
VICTORY REVIEW; ACOUSTIC MUSIC RESOURCE OF THE PACIFIC NORTHWEST; TOM PETERSEN
"Karen Marie Garrett is a top-drawer pianist headed for bigger things. Allure of Sanctuary is the Olympia artist's third release, following a straight classical disc and another in this New Age vein. This new release is as soothing as it's intended, but it's also energizing. Where a lot of New Age is so light it begins to drift and grow unidentifiable, Garrett's compositions are distinct, with melodies for the listener to hook into. It's billed as New Age, but several cuts qualify as Light Jazz - very mellow Vince Guaraldi, perhaps. Thus, Garrett is a distinctive new artist in this field and could, with the right promotion, see herself at the top of the New Age charts (Allure is already getting significant airplay on Easy Listening stations). It won't hurt a bit that she is a pupil of the founder of the New Age genre, Will Ackerman; nor do dead-enders get invited to record their albums at Skywalker ranch, using Lucas's Bluthner grand!
Get this album, neighbors - you can say you "knew her when."
Reaches #8 on Top 100 New Age Radio Charts in just FIVE weeks!
TOP 20 ALBUM LIST OF THE YEAR FOR 2005
Kathy Parsons, Solo Piano Publications, New York
Recipient of ENGLAND'S PIANO HEAVEN "GOLD AWARD"
Stephen Cairns, Piano Heaven, England
Customer Reviews:
Allure of Sanctuary.......2007-06-13
Allure of Sanctuary.......2007-05-13
A Brilliant Piano Album (reviewed by Stephen Cairns at [...]).......2006-12-09
Allure of Sanctuary.......2006-07-19
from Solo Piano Publications.......2005-11-14
The CD begins with "Tip-Toe Dancer (Kathryn's Song)," one of the lighter pieces in this collection. It was inspired by a story told by a close friend about a childhood dance performed for friends and family. Graceful yet playful, it is easy to imagine the seriousness of the young dancer and the warm reception of the adults. "Lake EWOK Muse" is an improvisational duet for piano and cello that followed a sunrise meditation beside Lake EWOK at Skywalker Ranch, where the album was recorded. The feeling of serenity envelops you as you listen to the two artists interact seamlessly, creating a perfect sense of peace. "Simple Things" is a celebration that begins in a classical style reminiscent of a children's piano study and evolves, retaining the sweet melody and simplicity of the message but becoming a full and graceful solo. The title track is fascinating. It begins with a mournful piano prelude and becomes a rhythmic dance with a seductive Spanish flavor. Susan Whittle's vocals and percussion provided by Will Ackerman and Derrick Jordan add to the enchantment. "Will's Song" is an improvisational piece that is so deeply felt that it almost sends a chill - what a beauty! "Toll of War (Adagio)" is a wrenching duet for piano and cello. A profound statement of humanity rather than of politics, the sense of loss and pain reach to the depths of the soul. This is a piece that needs to be heard. The gentle, pensive closing track is a solo piano reprise of "Lake EWOK Muse."
"Allure of Sanctuary" is a must-have CD!
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Slow Dancer
Boz Scaggs Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000252C Release Date: 1990-10-25 |
Tracks:
- You Make It So Hard (To Say No)
- Slow Dancer
- Angel Lady (Come Just In TIme)
- There Is Someone Else
- Hercules
- Pain Of Love
- Sail On White Moon
- Let It Happen
- I Got Your Number
- Take It For Granted
Customer Reviews:
Prelude to Lido Shuffle.......2007-03-26
Highly recommended.
The songs have aged like fine wine.......2005-01-15
I moved to the States when I was 19 and was no longer listening to Boz Scaggs regularly, as I did during the preceding few years. Unfortunately, it was precisely during this time that Boz's star began to fall. Between my preoccupation with my new life in this country and Boz's getting less air play, his music gradually drifted out of my life.
Before moving to his country, I taped all of Boz's songs from the albums I had been lucky enough to find in the stores: My Time (the original album, not the anthology), Moments, Boz Scaggs, and maybe one more really old album. At any rate, Slow Dancer was always my favorite of all the pre-Silk Degrees albums.
A couple of weeks ago I was digging through my cassettes in the car and stumbled upon those very "compilation" Boz Scaggs tapes that I personally made. It's not as if I hadn't been listening to those tapes every now and then but something happened to me that day. I started to yearn to have Boz's voice back in my life--to enrich and enhance it, as it did so very effectively when I was 16 and living in a foreign land.
As a result of this reunion, I purchased Slow Dancer on CD along with CDs of his earlier works. I even had to resort to buying "My Time" and "Moments" directly from a Japanese merchant because I couldn't find them here. How I wish I still had all those vinyl records with me. I know they're worth quite a bit now.
Anyway, the main thing I wanted to say here, before I started reminiscing and rambling, is that Slow Dancer has aged like the finest of fine wines. I actually appreciate it more now as a more mature person than when I was 16. I am feeling Boz and his music in a different way. I also feel very blessed that, even as a 16 year-old, I had enough of a discriminating taste for such wonderful talent as Boz Scaggs. I could never possibly outgrow Boz and his music. Whether I'm in my teens or in my 40s, I'll always love Boz's voice and music. I'm really glad he's back in my life.
Boz Scaggs - Slow Dancer.......2004-09-24
Back to the Bay Area.......2003-11-12
This album was only a regional hit when it came out, but was reissued with a new cover in the wake of "Silk Degrees" success. This album is incredibly romantic, heartfelt, and is bursting with creative ideas. The songs are strong throughout, but my favorites are the title song, "You Make It So Hard (To Say No)," "Angel Lady," "Pain of Love," and "There's Someone Else." Worth discovering.
Timeless and Extraordinary.......2002-11-02
Boz is a complex character. He was on Steve Miller's first album. He has a lot of soul for a white guy and a gift for romantic melody and rhythmn. These are all features of "Slow Dancer." His unabashed use of full orchestras, hypnotic rhythmn sections and background vocalists, is as close to ectasy as you are going to get off a recording. This album is about love. This album is for lovers, or for people holding on for love.
Yes, I realize it is 2002, and most humans are whining about their personal agendas with their head buried deep up their own ass and looking for the light switch. Just because people are ignorant and self obsessed and unable to love doesn't mean there is something wrong with the passionate sounds of "Slow Dancer." I will tell you one thing: "Slow Dancer" is as great today as it was almost 30 years ago and "Silk Degrees" sounds dated and slightly contaminated by its association to disco. The point is simple - truly great music survives. If there is anything alive in you above the waist - treat yourself to "Slow Dancer"
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Steppin' Out: Astaire Sings
Fred Astaire Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000046V0 Release Date: 1994-06-21 |
Tracks:
- Steppin` Out With My Baby
- Let`s Call The Whole Thing Off
- Top Hat, White Tie, And Tails
- They Can`t Take That Away From Me
- Dancing In The Dark
- `S Wonderful
- The Way You Look Tonight
- They All Laughed
- I Concentrate On You
- Night And Day
- A Fine Romance
- Nice Work If You Can Get It
- The Continental
- I Won`t Dance
- You`re Easy To Dance With
- Change Partners
- Cheek To Cheek
Amazon.com
In 1952 Fred Astaire joined Oscar Peterson and some of Verve's best sidemen to lay down jazzy, laid-back versions of songs he had made famous in his Broadway and film career. Those 38 tracks, released as The Astaire Story, have been condensed into this collection, Steppin' Out: Fred Astaire Sings. While Astaire was not blessed with great vocal chops, the best American songwriters including George and Ira Gershwin, Irving Berlin, and Cole Porter loved him for his unerring sense of rhythm and sympathetic treatment of lyrics, qualities that are well displayed here. Tony Bennett hit the pop mainstream with his 1994 album of jazzy Astaire standards. Here's the original. --David HoriuchiCustomer Reviews:
Fred and Oscar.......2007-06-27
Dancer AND Singer.......2006-11-12
Fresh.......2006-09-05
A certain subtlety comes through and the lyrics are freed from sentimentality, as Astaire masterfully burnishes a deeper and more heartfelt thoughtfulness. "Steppin' Out With My Baby" and "I Won't Dance" have a simpler, carefree quality, and the accompaniement by greats such as Oscar Peterson on piano and Charlie Shavers, Flip Phillips, Barney Kessel, Ray Brown and Alvin Stoller are first rate. This is a must have for not only Fred Astaire afficionados, but also for anyone who really wants to hear how to take an old hit, change it around and come out with something totally fresh.
Fans will like his interview on the final track, "Cheek to Cheek." As it says in the cover note, Tony Bennett proclaimed Fred Astaire our national treasure. Fred Astaire's versatility and willingness to risk putting these standards to a new rhythm should stand as both proof and inspiration.
A Bridge Between the 1930's and 1950's.......2005-09-09
"Steppin' Out" is brilliant because it serves as a link between the Broadway and Hollywood Music of the 1930's and the new Jazz interpretations of the 1950's. Many of the songs covered in this album were written for and first performed by Fred Astaire.
Verve had a first rate idea in asking Fred Astaire to work with Oscar Peterson. The arrangements show all the brilliance that Peterson was capable of achieving and Astaire stepped up to the musical challange. The jazz pace and phrasing worked perfectly for Astaire. His voice and delivery had only improved with time. In my opinion, his voice in the 1930's had a tinny quality to it. But by the 1950's he had matured and there is deepness to his voice that works well in a jazz setting.
There can be little argument that Fred Astaire was one of the great dancers of the Twentieth Century. Although not as well respected as a vocalist, this album quite clearly shows that Astaire could do it all.
A brilliant collaboration.......2004-11-07
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Private Dancer: Centenary
Tina Turner Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005RS0 Release Date: 2000-03-14 |
Tracks:
- I Might Have Been Queen
- What's Love Got To Do With It
- Show Some Respect
- I Can't Stand The Rain
- Private Dancer
- Let's Stay Together
- Better Be Good To Me
- Steel Claw
- Help
- 1984
- I Wrote A Letter
- Rock N Roll Widow
- Don't Rush The Good Things
- When I Was Young
- What's Love Got To Do With It (Extended Version)
- Better Be Good To Me (Extended Version)
- I Can't Stand The Rain (Extended Version)
Album Details
As a Part of the EMI Cententary Celebrations, a Number of Classics CDs Are to Be Re-Issued with Extra Bonus Tracks and Enhanced Packaging. For this First Release in this Series Seven Tracks have Been Added (4 B-Sides and Extended Remixes).Customer Reviews:
Love it, but..........2007-04-16
Tina Turner, Private Dancer.......2007-04-07
Seems it does not tollerate adultism........2006-12-30
Well i like humen kindnesh of all age, which why i prefere no children, & no animals of all, via any net, etc. mobiles - which i myself not use of all anytimes.
Obj lv is - fully hounest for thself ye long th chose of stay here from earth-planet. Néver make alopatic pillstblets., only if one selden time an infection is in the way, th can chose pencilin of 6 days.
Gladly New year Dearest Better than Beutiest -
I love thself only, & I nv lv others.
Back From the Dead.......2006-08-17
Timeless.......2006-03-23
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Selmasongs: Dancer In The Dark (2000 Film)
Björk Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Y6TQ Release Date: 2000-09-19 |
Tracks:
- Overture
- Cvalda
- I've Seen It All
- Scatterheart
- In The Musicals
- 107 Steps
- New World
Amazon.com's Best of 2000
Inspired by the film Dancer in the Dark's Broadwayesque emotional sweep, Björk stretches herself with orchestral mood swings and a darker, more experimental palette. The result is the most difficult record she's made since her Sugarcubes days, but a few listens reveal the thrilling heart of a truly multifaceted and immensely brave composer. --Matthew CookeAmazon.com
In Dancer in the Dark, Björk plays Selma, a Czech mother who labors furiously in order to save her son from an inherited disease that will cause blindness. In the midst of all her hardship, the one thing that keeps her spirits up is musicals. Here lies the premise of the Selmasongs EP. The seven tracks sound like something straight out of a Gene Kelly movie but with one major addendum: Björk's wildly imaginative, postmodern songwriting. The movie's theme of fantasy coexisting with urban industrial bleakness is represented in two recurring elements: mechanical friction (expressed rhythmically in the sounds of train tracks, car engines, chains, and even chalk) and dreamy escapism (manifested in enormous orchestral swells of strings, harp, and other fanciful instrumentation). "Cvalda" is typical of the EP's duality. Industrial noise bleeds into Björk's scatting "Clatter! Crash! Clack! Rattle!" then dives head first into a wonderful tap-dancing-on-a tin-roof, big-band cacophony. The EP's showstopper, the rousing "In the Musicals 1 & 2," sounds like it was conducted with a magic wand. Beginning with Aphex Twin-inspired beats bouncing like a ball bearing dribbled hard on pavement, the intricate rhythmic choreography tromps, flits, and changes direction with seamless angularity. These aren't just songs to dance to, these are songs that dance. --Beth MassaCustomer Reviews:
Great movie; phenomenal soundtrack!.......2007-07-23
Can She?.......2007-01-23
Dissapointing but still classic Bjork greatness.......2006-12-09
An emotional WHALLOP!.......2006-07-07
The Burden of Soundtracks.......2006-07-06
"I've Seen It All" is beautiful, in its own quiet way. Bjork sings here with Peter Stormare, who also stars in the film. This song is important, in that it embodies the duality of the film, with its many contrasts in characters and especially camera-work, which changes whenever one of the "musical" numbers starts.
All in all, Bjork used "Selmasongs" as an album and a project to further her avant-garde intentions while not getting wholly lost in them. Each track captures some of her original verve, which only continues to strengthen with such new projects as "Drawing Restraint 9."
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He's The Greatest Dancer
Dannii Minogue Manufacturer: Central Station ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000O1PKLE Release Date: 2007-04-10 |
Tracks:
- Lmc Edit
- Lmc Extended
- Chris Lake Remix
- Shapeshifters Remix
- Kenny Hayes Dub Addiction
- Riffs & Rays Mix
- Sebastien Leger Electro Vocal
- Fugitive Club Mix
Album Description
Enjoying a staggering sixteen years in the music industry as a top selling recording artist, nineteen hit singles and four top selling UK albums, Dannii Minogue is returning to the charts this winter with brand new single ` He's The Greatest Dancer', a song that will no doubt continue Dannii's reign as the undisputed queen of the dance floor. Includes 8 remixes of the title track! Central Station. 2007.Album Details
Enjoying a Staggering Sixteen Years in the Music Industry as a Top Selling Recording Artist, Nineteen Hit Singles and Four Top Selling UK Albums, Dannii Minogue is Returning to the Charts this Winter with `he's the Greatest Dancer', a Song that Will No Doubt Continue Minogue's Reign as the Undisputed Queen of the Dance Floor.Customer Reviews:
Fabulous 21st Century Remake of Classic Disco Song.......2007-05-24
Not bad, but not worthy of a single release.......2007-05-06
The mixes of this single are pretty good, but like another reviewer said, the first 2 tracks are what this disc is all about. Stays true to the original.
Killer remake of a touchtone song.......2007-04-30
When I heard that it was being remade by Dannii Minogue, I was somewhat skeptical as so many disco songs have been butchered when they have been remade as they don't manage to capture the greatness of the original nor manage to add anything new to make it work.
This maxi-single has a generous 8 mixes, which starts with the LMC mix, a very faithful to the original song: A juicy, pulsating celebration of a female who is attracted to a man due to his dancing and a quite a lot more ;-) From the 3rd to the 8th selection, the release shoots to make the song more contemporary for the most part it works quite well. There is some inclusion of house on the Chris Lake Remix that is quite fun.The Shapeshifters Remix starts off quite well with a nice tease. Riffs & Rays Mix has house elements then switches into electronica and is probably the version that varies most from the original as the voice is secondary to the beat. It's my current favorite after the LMC Edit. The Fugitive Club Mix is just OK.
All in all I am very impressed that Dannii has done such a great job with this song. Her vocals are not the greatest on earth compared to the original, but it it does not take away from the enjoyment of having this song updated for a a new generation of dancefloor maniacs, if only a living room dancefloor. Enjoy!
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Let Me Sing and I'm Happy
Al Jolson Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001EMM2O Release Date: 2004-05-25 |
Tracks:
- Swanee
- April Showers
- Ma Blushin' Rosie
- My Mammy
- You Made Me Love You
- Rock-A-Bye Your Baby With A Dixie Melody
- California, Here I Come
- Sonny Boy
- Avalon
- The Anniversary Song
- Alexander's Ragtime Band
- The Spaniard That Blighted My Life
- All My Love
- Keep Smiling At Trouble
- Back on Your Own Back Yard
- I'm Sitting On Top Of The World
- Where The Black-Eyed Susans Grow
- Toot, Toot, Tootsie, Goodbye
- Carolina In The Morning
- Liza
- For Me And My Gal
- Waiting For The Robert E. Lee
- About A Quarter To Nine
- Golden Gate
- When You Were Sweet Sixteen
- There's A Rainbow Round My Shoulder
- If I Only Had A Match
- Let Me Sing And I'm Happy
- By The Light Of The Silvery Moon
- I Want A Girl Just Like The Girl Who Married My Dear Old Dad
Tracks:
- When The Red, Red Robin Comes Bob-Bob-Bobbin' Along
- Someone Else May Be There While I'm Gone
- Down Among The Sheltering Palms
- Is It True What They Say About Dixie?
- I Only Have Eyes For You
- That Wonderful Girl Of Mine
- I'm Looking Over A Four Leaf Clover...Baby Face
- Pretty Baby
- Chinatown, My Chinatown
- After You've Gone
- It All Depends On You
- Give My Regards To Broadway
- Some Enchanted Evening
- I'm Just Wild About Harry
- God's Country
- Remember Mother's Day
- The Old Piano Roll Blues
- Way Down Yonder In New Orleans
- Old Black Joe
- My Old Kentucky Home
- Beautiful Dreamer
- Oh, Susanna!
- Massa's In De Cold, Cold Ground
- Jeanie With The Light Brown Hair
- Old Folks At Home
- Camptown Races
- Are You Lonesome Tonight?
- No Sad Songs For Me
Customer Reviews:
"The sun shines bright, I'm alright!".......2007-06-18
If you're ever feeling down, this is the CD to listen to. Even the sad songs are optimistic, or at least padded by happy ones. We have classics like "Sonny Boy" flanked by "California, Here I Come" and "Avalon." "Mammy," "Swannee," and "April Showers" all appear. We even get to dance to performances with Bing Crosby, the Andrews Sisters, and the Mills Brothers. If those titles don't tell you just how peppy this CD is, just look at the last song on disk two: "No Sad Songs for Me."
Some might look at the cover of Jolson in blackface and label him a racist. Unfortunately, that erroneous title has been associated with Jolson because of his work in minstrel shows. In truth, Jolson first donned blackface to conquer his stage fright; minstrel shows were incredibly popular during his time. None of the music reflects a demeaning attitude toward blacks and in fact, it often laments fondly about black friends or celebrates the jazz of New Orleans.
This is an excellent collection filled with songs sure to become favorites on a bad day or everyday.
THE WORLD'S GREATEST ENTERTAINER'.......2007-01-12
Let Me Sing and I'm Happy.......2007-01-12
We've played both discs several times in the few weeks that we've had the album and enjoyed it thoroughly each time. (And, the neighbors are happy that they can't hear us belting out the songs with Al!) We're planning to play it for the grandkids just to see their reactions and to let them experience something "new".
1945 - 1950 Decca Studio Masters on CD - Jolson's Best.......2005-07-26
Jolson........2004-08-28
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Native Dancer
Wayne Shorter , and Milton Nascimento Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000274F Release Date: 1990-04-20 |
Tracks:
- Ponta De Areia
- Beauty And The Beast
- Tarde
- Miracle Of The Fishes
- Diana
- From The Lonely Afternoons
- Ana Maria
- Lilia
- Joanna's Theme
Customer Reviews:
better on cd.......2006-07-08
Still good after all these years........................2005-04-30
Timeless Beautiful Soulful Music.......2003-12-29
Smart, incisive, Shorter plays with a measured balance of heart and head. His earliest music chronicles a young man's attempt to first sound as good as Coltrane, then with age, like himself. Shorter is one of those horn players instantly recognizeable. I heard Native Dancer for the first time as a freshman at college. I was a Shorter fan by then, both the early SHorter (Juju, Speak No Evil, etc.), as well as the later Weather Report work. I loved Airto, and played his Fingers album 24/7 when that came out.
But Native Dancer which includes Herbie Hancock playing with untouchable virtuosity and Milton singing all over the octaves, and Shorter's soprano sax loving, laughing, weeping -- well, it doesn't get much better. The music here goes deeply to one's soul..
It's odd. I don't speak a word of Portuguese, but everytime I hear Tarde -- and I've heard it a thousand times -- the words and the music break my heart.
Buy this cd.
Unique and beautiful songs.......2003-03-04
Shorter's soulful playing sound really fascinating together... Simply wonderful and mostly very laid-back.
An important bridge between Brazil & modern American jazz.......2002-08-30
Meditation Music:
- Dead Hills [EP]
- Dusk
- Earth Tones
- Fictionary
- Full Moon Story
- Ghost Riders [Live]
- Guitar Music for Small Rooms, Vol. 1
- Guitar Music for Small Rooms, Vol. 2
- Heart of Perfect Wisdom
- Heart & Soul
Meditation Music
Berwald: Piano Quintets (Complete)
De Vitry & Ars Nova: 14th Cent Motets
Music: The One and Only Red Sovine
Distance to Goa, Vol. 6 [Import]
Can't Deny It [CD-single] [Import]
Bizet: L’arlesienne & Carmen Suites, Symphony in C, etc. [Import]