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1. Part 1
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2. Part 2
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3. Part 3
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4. Part 4
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Organum,Peter Michael Hamel,Kuck Kuck Records,Ethnic Fusion,Minimalism,Neo-Classical,New Age / Meditation,Pop
Average customer rating:
- Absolutely stunning!
- The Best Perotin Recording.
- Magnificent
- the Perotin cd
- An imaginative, sensitive recording.
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Perotin / The Hilliard Ensemble
Perotin , Anonymous , Paul Hillier , Charles Daniels , David James , The Hilliard Ensemble , John Potter , Rogers Covey-Crump , Gordon Jones , and Mark Padmore
Manufacturer: Ecm Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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- Morimur
ASIN: B000025ZXO
Release Date: 2000-04-18 |
Tracks:
- Viderunt omnes
- Veni creator spiritus
- Alleluia posui adiutorium
- O Maria virginei
- Dum sigillum
- Isaias cecinit
- Alleluia nativitas
- Beata viscera
- Siderunt principes
Amazon.com essential recording
It would be impossible to adequately describe the inherent haunting beauty of Perotin's music, or to fully detail its far-reaching influence in latter-12th-century France. The opening "Viderunt omnes" is a perfect illustration of the surprising vitality and highly charged sense of forward motion that can be obtained with relatively simple rhythmic impulses and harmonic devices. The male voices of the Hilliard Ensemble generate an electrifying resonance that vibrates everything in the room that's not solid or nailed down. You can literally feel this music, ringing with natural harmonics and set to body-moving rhythms. Yes, it's religious music, intended for lofty cathedral spaces; but it moves, and it's moving, and this recording gives it to you full blast. --David Vernier
Customer Reviews:
Absolutely stunning!.......2005-06-24
I am a musical novice. I was brought up listening to Pink Floyd, Santana, Joni Mitchell, and so on. I could not read music to save my life. Then someone introduced me to some Josquin Des Pres Rennaissance Polyphony - Missa L'homme arme sexti toni, Agnus Dei, to be specific - and I was totally hooked.
A few years later, someone introduced me to this CD, and I was even more taken. For some reason, I really like the Perotin-composed pieces - tracks 1, 3, 5, 7, 8 and 9. The Beata viscera (track 8) is other-worldly, and quite possibly one of the most beautiful things I've ever heard in my entire life!
You don't have to be a musical scholar to enjoy this - it's simply beautiful!
The Best Perotin Recording........2005-06-16
Perotin was a 12th century composer in Paris at the Cathedral of Notre Dame. We know almost nothing about him. Perotin (which is a diminutive of Peter) is described by a mid-thirteenth century student identified today as Anonymous IV who states that Perotin was the greatest composer of discant and better than another composer, Leonin, who came before him (it's not even 100% clear that they were at the Cathedral of Notre Dame). Now you know literally everything there is to know about Perotin.
Perotin composed organum--multi-voice compositions which move quickly over the traditional Gregorian chant which has been stretched out so that each note is very long. How long are they stretched out? Well, to give an example, the first track is over 11 minutes long!
The great thing about this music is that it takes you to another world--it is not supposed to be "emotive" or self-expressive. It represents pure, solemn, inspiration.
The Hilliard Ensemble has done a tremendous job in this recording. They make medieval music come to life, and their precision is fantastic.
Before organum, European music was essentially Gregorian chant--one melodic line with no rhythm or harmony. But with multiple voice parts, rhythm is necessary to keep the parts together. This also led to the creation of harmony. One can only imagine the wonder as the common medieval man wandered into the enormous Cathedral at Notre Dame, marveled at the stained glass, and heard this music. It must truly have been an inspiring occasion. This recording helps us partially reconnect with the wonder of this early music.
Magnificent.......2005-01-28
This is a great recording. Anyone who has the least interest in serious music should be familiar with Perotin's works, just as they would with all the "greatest" composers. This music is profound, sublime and truly beautiful. And, I might add, diametrically opposed and far superior to much of the "minimalist" music of today with which it is sometimes compared. The Hilliard Ensemble is incomparable.
the Perotin cd.......2003-04-10
I think tihs is simply the best Perotin cd you can have. The vocal quality is much more fluid (& knowledgeably middle-agey) than any other Perotin recordings I've heard.
An imaginative, sensitive recording........2002-10-18
Smooth, expressive, at times exquisite singing illuminates the music's richness and diversity. Music which is vast, erie, mysterious and yet pulsates with vigor and life, even lust for life. Such a marraige between the cosmic and the earthly is typical of the medeival artist and Perotin is one of the greatest. While the three anonymous works naturally show a less drastic and comprehensive spirit, they do reveal a few treasures of the great artistry of Notre Dame.
Average customer rating:
- Nice
- A Resounding Success
- A Voice Feast from the Middle Ages
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Leonin, Perotin: Sacred Music from Notre-Dame Cathedral
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B0009SQC8W
Release Date: 2005-07-19 |
Tracks:
- Beata Viscera
- Viderunt Omnes
- Viderunt Omnes
- (Plainchant) ... Fines Terre Salutare Dei ...
- (2-Part Organum) ... Notum Fecit ...
- ... Dominus ...
- ... Salutare Suum Ante Conspectum ...
- (Plainchant) ... Justitiam Suam
- (2-Part Organum) ...Viderunt Omnes ...
- (Plainchant) ... Fines Terre Salutare Dei ...
- (2-Part Organum) ... Notum Fecit ...
- ... Dominus ...
- (Plainchant) ... Justitiam Suam
- (2-Part Organum) ...Viderunt Omnes ...
- (Plainchant) ... Fines Terre Salutare Dei ...
- (2-Part Clausula): ... Dominus ...
- (2-Part Clausula): ... Dominus ...
- (2-Part Clausula): ... Dominus ...
- (2-Part Clausula): ... Dominus ...
- (2-Part Clausula): ... Dominus ...
- (2-Part Clausula): ... Dominus ...
- (2-Part Motet): Factum Est Salutare/
- (4-Part Organum): Viderunt Omnes ...
- (Plainchant) ... Fines Terre Salutare Dei ...
- (4-Part Organum): Notum Fecit ...
- ... Dominus ...
- .... Salutare Suum Ante Conspectum ...
- (Plainchant) ... Justitiam Suam
- (Plainchant): Viderunt Omnes ...
- (Organum After 9th-Century Scolica Enchiriadis)...
- (4-Part Organum): Sederunt Principes
- (4-Part Conductus): Vetus Abit Littera
Customer Reviews:
Nice.......2006-11-04
This is a very good example of Polyphony as practiced in Notre Dame .....
A Resounding Success .......2005-12-27
If one read the album notes but failed to read the fine print on the rear of the jacket, one would likely assume that this recording was made in Notre Dame Cathedral, which it was not. It was recorded at Chancelade Abbey, Dordogne, France. (http://chapaq.free.fr/Congregations/Chancelade.htm)
The notes mention the fact that both Leonin and Perotin worked at Notre Dame and were both responsible for the Organum. Organum is Polyphony used in liturgical music from the late 9th century to c. 1250.
I bring this up because few people, even musicologists, understand the vital roles that acoustics and harmonics(overtones)played in the composition of sacred music until about the Seventeenth Century.
The musicologist, Thurston Dart, summarizes the influence that reverberation has on composers:
"But even a superficial study shows that early composers were very aware of the effect on their music of the surroundings in which it was to be performed, and that they deliberately shaped their music accordingly. Musical acoustics can be roughly divided into resonant, room and outdoor. Plainsong is resonant music; so is the harmonic style of Leonin and Perotin .. Perotin's music, in fact, is perfectly adapted to the acoustics of the highly resonant cathedral (Notre Dame Paris) for which it was written...."
(Thurston Dart, musicologist, "The interpretation of Music",Hutchinson, London pp56-57 (1954).
I think, like most 'moderns', Mr. Dart has got it backwards -- these composers were mostly aware of the effect of the surroundings upon their music. Composers like Leonin and Perotin and others, notably Allegri (composer of the famous "Miserere"), were more interested on the effect that the music, augmented by the acoustics, had on the congregation, in terms of literally uplifting their spirits and assisting them in participating directly in what was called the "Communion of Saints".
E. Power Biggs said: "An organist will take al the reverberation time he is given, and then ask for a bit more.... Many of Bach's organ works are designed .... to explore reverberation. Consider the pause that follows the ornamented proclamation that opens the famous Toccata in D minor. Obviously this is for the enjoyment of the notes as they remain suspended in the air". Church music sounds wrong when performed in a small non-reverberant space with a lot of acoustic absorbent such as curtains and carpets."
(http://www.acoustics.salford.ac.uk/acoustics_world/concert_hall_acoustics/acoustics_music.html)
E. Power Biggs and the pundits at Salford University, assume that Bach and his predecessors valued acoustics and resonance primarily from the standpoint of aesthetics. In other words, they chose reverberant halls because their music sounded better when performed in them. I believe that they too are missing the point. Acoustic Archeologists, like John Reid and Paul Devereux are beginning to discover that ancient holy places, such as Stonehenge and also the Gothic Cathedrals, like Notre Dame de Paris, were actually tuned to resonate certain specific pitches or sound frequencies. They are or contain what are called "resonant chambers".
A resonant chamber essentially reflects and amplifies or "empowers" certain specific frequencies, particularly when they are sung by a chorus (or congregation) of "pure voices" in unison. These frequencies and the harmonies reproduced by the reverberations elicited certain specific emotional responses, such as awe and reverence, from the assembly. I'm sure that Leonin and Perotin were well aware of the marvelous acoustics of Notre Dame and structured their music to take full advantage of it.
After the invention of the printing press, increasingly more emphasis was placed on the written and spoken word. Music was no longer spontaneously created or improvised and less and more reverberant acoustics only served to muddle the words of the preacher or celebrant.
I'm guessing that the reason why the producer, Jeremy Summerly, chose not to record this music in its original home is because it now uses a P.A. or electronic audio system, which is more appropriate for the modern mostly-spoken Mass. Masses are undoubtedly still sung there but the voices are likely amplified and filtered by electronics. The addition of modern furnishings can also affect the acoustics.
Speaking of electronics -- it is now possible to accurately reproduce the acoustics of a particular space, like Notre Dame Cathedral, electronically. The acoustics of Notre Dame have already been captured and digitally reproduced, I believe, by the Japanese Yamaha Company. Unfortunately, I did not have that particular software program ("algorhythm") but, using other software, I was able to create my own semi-cavernous cathedral space.
What an awesome experience!
Even without the virtual cathedral enhancement, the sound is marvelous and the performance is excellent.
One more technical consideration -- this recording was recorded and edited at 24-bit resolution. Unlike recordings made at a lower bit-rate, the sound, particularly in the higher registers, is smooth and clean. I wish that Jeremy Summerly would record Allegri's "Miserere" in a space that is acoustically similar to the Sistine Chapel, using the same technology. I haven't heard a recording of this work where the vital higher harmonics are not badly distorted.
Tim O'Hanlon
A Voice Feast from the Middle Ages.......2005-07-23
Recorded and edited in 24 bit resolution, this Naxos recording is a joy to the ears. The performing voices are solid and the direction of Antony Pitts has a sometimes dramatic, majestic, tempo. The only reason I did not concede full 5 stars is because in the Middle Ages female voices for Lithurgy were almost unknown, and in this record there are two sopranos and an Alto. If you enjoy Early Music you will need this record, if you are a beginner this is an intelligent way to introduce you to Polyphony, a cornerstone of Western music.
Average customer rating:
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Ars subtilior: Dawn of the Renaissance
Manufacturer: Harmonia Mundi Fr.
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Binding: Audio CD
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ASIN: B000ARHNDU
Release Date: 2005-12-13 |
Customer Reviews:
The Ars subtileor rules........2006-11-21
Even though the title is a slight misnomer as more than half of the tracks are post-ars subtileor, this is an absolutely marvellous CD. Starting with Philipoctus de Caserta (ca.1370) and ending with Antoine Busnoys (d.1492), this CD surveys some of the best polyphonic secular and sacred music of the post-Ars nova Middle Ages.
The pieces are superbly performed by some of the very best early musicians of our day including the Orlando Consort, Ensemble organum and the Hilliard Ensemble. I highly recommend this CD for pleasure or instruction.
Dr. Joseph Baldassarre
Professor of Music History
Boise State University
Average customer rating:
- another winner from Naxos
- awesome value -- 5+ stars
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Discover Early Music
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ASIN: B000B6N6BI
Release Date: 2005-11-01 |
Tracks:
- Antiphona Post Evangelium - In Dulci Jubilo
- Versus Alleluiatici: Adorabo - Nova Schola Gregoriana
- Ordo Virtutum: Procession - Oxford Camerata
- Viderunt Omnes - Tonus Peregrinus
- Fines Terre Salutare Dei Nostri Jubilate Deo Omnis Terra (Plainchant) - Tonus Peregrinus
- Notum Fecit - Tonus Peregrinus
- Dominus - Tonus Peregrinus
- Salutare Suum Ante Conspectum Gentium Revelavit - Tonus Peregrinus
- Justitiam Suam (Plainchant) - Tonus Peregrinus
- Gaudete Christus Est Natus - Oxford Camerata
- Cantiga De Santa Maria - Michael Posch
- Exiit Diluculo - Unicorn Ensemble
- Humils Forfaitz - Michael Posch
- Adieu Ces Bons Vins De Lannoys - Michael Posch
- Non Avra Ma'Pieta Questa Mia Donna - Michael Posch
- Non Ara May Pieta Questa Mia Dona - Michael Posch
- Veni Creator - Tonus Peregrinus
- D'Ung Aultre Amer - Capilla Flamenca
- Alleluya - Capilla Flamenca
- El Grillo - Shirley Rumsey
- El Grillo - Capilla Flamenca
- Missa 'La Sol Fa Re Mi': Kyrie - Capilla Flamenca
- Le Chant Des Oiseaux - The Scholars Of London
- Passe & Medio/Den Iersten Gaillarde - Capilla Flamenca
- Den III Ronde, Den VI Ronde-Les Quatre Branles - Convivium Musicum Gothenburgense
- Gaillarde I, II, III - Convivium Musicum Gothenburgense
Tracks:
- In Nomine - Rose Consort Of Viols
- In Nomine No.20 - Rose Consort Of Viols
- Spem In Alium - Oxford Camerata
- Sanctus - Oxford Camerata
- Du Fond De Ma Pensee - Christine Morel
- The King Of Denmark's Galiard - Rose Consort Of Viols
- Flow, My Tears - Dorothy Linell
- Greiner Zancker - Ensemble Villanella
- Stat ('Tsaat) Ein Meskin - Ensemble Villanella
- Tiento - Shirley Rumsey
- Tribulationem Et Dolorem - Oxford Camerata
- Lagrime Di San Pietro: 'Il Magnanimo Pietro' - Bo Holten
- Missa 'Susanne Un Jour': Kyrie - Oxford Camerata
- Beau Le Crystal - The Scholars Of London
- Missa 'O Magnum Mysterium': O Magnum Mysterium - Oxford Camerata
- Missa 'Papae Marcelli': Kyrie - Oxford Camerata
Customer Reviews:
another winner from Naxos.......2007-02-21
This is another winning compilation from Naxos. My only comment is to provide a heads-up regarding the track list in the booklet. CD 1 puts the Leonin "Viderunt Omnes" on six tracks, while the booklet leaves room for only one. Thus, add five to booklet tracks five through 21 for CD1 to get them to match. (I.e., where the booklet says tracks 15 and 16 are two versions of Josquin's "El Grillo," your CD player will show them to be tracks 20 and 21.) With luck this will be corrected in later printings.
Also, I would have liked the booklet to include the words, but perhaps that is an inducement to get particular CDs from Naxos.
As for the music itself--breadth of selection, musicianship, sound quality, all are excellent. A great collection!
awesome value -- 5+ stars.......2006-07-15
I'm really enthusiastic about these CDs and booklet. I've had it for a few weeks now, in which I've explored Medieval and Renaissance music much more deeply than this little book and CD set. Yet I'm very glad I started with these.
The selection of composers gives an excellent, broad sweep across several centuries.
But the booklet contains one of the most informative essays I've found about early music, and I've spent a few dozen dollars buying books. If the booklet were separated from the CDs, it alone would be worth more than $10.
In short, if you're interested in exploring early music, this really is one of the best places to start; the best place that I know of. I'm sure, at any rate, that you can't beat the value.
Average customer rating:
- A rich mystical experience.. East meets West
- Truly spiritual
- Welcome to the Past
|
Chant Corse: Manuscrits franciscains (17th-18th century) /Ensemble Organum * Peres
Anonymous , Corsican Chant , Gregorian Chant , Marcel Peres , and Ensemble Organum
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD
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ASIN: B000025YTH
Release Date: 1994-06-14 |
Tracks:
- Laeta Devote
- Kyrie Eleison
- Gloria In Excelsis
- Sanctus
- Paschalis Admirabilis
- Tantum Ergo Sacramentum
- Tota Pulchra Es Maria
- Requiem: Requiem Aeternam
- Requiem: Kyrie Eleison
- Requiem: Offertoire: Domine Jesu Christe
- Requiem: Sanctus
- Requiem: Agnus Dei
- Requiem: Communion
- Requiem: Salve Regina
- Requiem: Veni Creator Spiritus
Customer Reviews:
A rich mystical experience.. East meets West.......2003-04-19
I picked up this CD on a whim, I happen to be an ardent fan of religious music (I myself am Byzantine Catholic) especially the varying types of ancient chant,both Eastern (Orthodox) and Western. This CD absolutely blew me away. The best I can describe it is a fusion of sophisticated western polyphony with the Eastern "Greek" tonal style. Absolutely amazing. This is a must have CD!
Truly spiritual.......2000-07-13
The (anonymous) composer(s) use pitches and meters much different than what is typically heard in 16-17th century chant. Listeners don't have to be religious to feel the spirituality and the beauty of this music.
Welcome to the Past.......2000-06-24
I must commend Marcel Peres for his devotion to reviving music in the manner which it was intended. This recording of Corsican Chant is the most convincing and truly uplifting music I have heard in my lifetime... I shall not despair in humanity any longer! Listen to the rich, dense polyphony and clear voices of the traditional singers as they flawlessly reconstruct music of the 16th and 17th centuries. When you open this CD, you will open a time capsule.
Average customer rating:
- Captivating Tunes
- Good value for your money
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Polyphonic Aquitaine of th 12th Century
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
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Similar Items:
- Le Manuscrit Du Puy - Les Premieres Polyphonies Francaises
- Aquitania
- Magister Leoninus: Sacred Music from 12th-Century Paris
- Ambrosian Chant
- Chants de L'Eglise de Rome: Période byzantine
ASIN: B000009Q28
Release Date: 1998-07-14 |
Tracks:
- Extraits Des Matines De Noel: Domine Labia Mea Aperies/Deus In Adjutorium Meum - Ens Organium/Marcel Peres
- Extraits Des Matines De Noel: Christus Natus Est Nobis. Psaume 94 - Ens Organium/Marcel Peres
- Extraits Des Matines De Noel: Hymne: Christe Redemptor Omnium - Ens Organium/Marcel Peres
- Extraits Des Matines De Noel: Versus: O Primus Homo Coruit - Gerard Lesne/Josep Benet
- Extraits Des Matines De Noel: Jube Domine, Puis Lecture: Primo Tempore - Josep Benet/Josep Cabre
- Extraits Des Matines De Noel: Repons: Hodie - Gerard Lesne
- Extraits Des Matines De Noel: Prose: Laude Jocunda Melos - Josep Cabre/Philippe Balloy
- Extraits Des Matines De Noel: Repons: Angelus Ad Pastores - Josep Cabre
- Extraits Des Matines De Noel: Versus: Veni Solis Radius - Dominique Vellard/Josep Benet
- Extraits Des Matines De Noel: Lecture: Libri Sapientiae - Gerard Lesne/Philippe Balloy
- Extraits Des Matines De Noel: Repons: O Magnum Misterium - Dominique Vellard
- Extraits Des Matines De Noel: Improvisation Meditative Sur Le Theme 'O Magnum Misterium'... - Ens Organium/Marcel Peres
Customer Reviews:
Captivating Tunes.......2006-10-31
Astounding harmonies, hypnotic, restful, great echo. I bought this as part of a boxed set and found myself listening to "Aquitane" to the exclusion of the other material. There is something comforting and familiar and strangely accessible. The fourth hymn, "O Primus Homo Coruit," has a particularly appealing melody and engages the mystical in a way comparable to gazing at an elaborate stained glass window. "Jube Domine, Puis Lecture: Primo Tempore" will remind some of the scene in Monty Python & the Holy Grail when the monks chant and strike themselves with their Bibles. I like the first five selections best. Often play as I drift off to sleep.
Good value for your money.......2001-02-22
This CD, containing a selection of 12th century French church choral music, is a good buy. The general style of the music is similar to that of the recently popular Gregorian chants, but with a greater variety of arrangements. The recording includes works for choir, solo voice and duets (all male), and solo organ.
The recording is clear and crisp and the program notes are informative. The Latin text of the music is translated in the notes, however the translation is in French.
Average customer rating:
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Cathedral Dreams: Music to Inspire
Manufacturer: EMI Classics
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ASIN: B00006I0D1
Release Date: 2002-09-17 |
Tracks:
- Messe De Nostre Dame- Introitus - Machaut
- Song For Athene - Tavener
- Ave Maria - Rachmaninov
- Agnus Dei - Barber
- Summa - Part
- Ubi Caritas - Durufle
- Introitus - Dufay
- Requiem- Agnus Dei - Catoire
- Salve Regina - Poulenc
- Alleluia - Organum
- Antienne - Mass Of The Epiphany
- O Salutaris Hostia - Villette
- Being Risen From The Tomb - Rachmoninov
- 7 Magnificat Antiphons- O Weisheit - Part
- Diliges Dominum - Byrd
- Communio - Dufay
- Requiem- Requiem Aeternam - Catoire
- Tota Pulchra Es - Durufle
- This Day Is Salvation Come - Rachmaninov
- O Sacrum Convivium - Messiaen
Tracks:
- Totus Tuus - Gorecki
- 7 Magnificat Antiphons- O Morgenstern - Part
- Tantum Ergo - Darufle
- Ave Maria - Palestrina
- Blessed Is The Man - Rachmaninov
- Adoramus Te, Christe - Stephen Cleobury
- Requiem- Libera Me - Catoire
- Solfeggio - Part
- Beati Mundo Corde - Byrd
- O Nata Lux De Lumine - Tallis
- Our Father (Notre Pere) - Durufle
- Agnus Dei (Missa Papae Marcelli) - David Willcocks
- As One Who Has Slept - Tavener
- O Magnum Mysterium - Villette
- Lux Aeterna - Catoire
- Alleluia - Dufay
- 7 Magnificat Antiphons- O Immanuel - Part
- The Six Psalms - Rachmaninov
- Veni Sancta Spiritus - Dudley
- Alma Redemptoris Mater - Stephen Cleobury
Customer Reviews:
An Excellent Compilation.......2004-06-16
This is probably one of the best compilations of early choral music I have heard, let alone own. A fantastic selection of works, including some modal pieces by composers such as Samuel Barber with his famous "Agnus Dei", creates a very nice variety of complexity. The overall tone of both CDs is very peaceful yet uplifting, and the performers are highly talented and spirited. This is a wonderful and unsurpassed addition to my collection. A must for any lover of early choral works.
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A History of Music - Century (volume) 5 - La Naissance de la Polyphonie (The Birth of Polyphony)
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD
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- Century 1/Various
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- Chansons de la Renaissance
ASIN: B000A6OC58
Release Date: 2005-11-08 |
Tracks:
- Domine Labia Mea Aperies/deus In Adjutorium Meum (Choeur) - Ensemble Organum
- Versus: O Primus Homo Coruit (A 2 Voix) - Ensemble Organum
- Resonemus Hoc Natali - Paul Hillier
- Introit Trope : Puer Natus Est - Ensemble Organum
- Kyrie - Ensemble Organum
- Leonin : Propter Veritatem - Paul Hillier
- Perotin : Graduel : Viderunt Omnes/Notum Fecit Dominus - Paul Hillier
- In Seculum Longum - Paul Hillier
- In Seculum Viellatoris - Paul Hillier
- In Seculum Breve - Paul Hillier
- In Seculum D'Amiens Longum - Paul Hillier
- Puisque Bele dame M'eime/Flos Filius (Mo 231) - Anonymous 4
- Ne Sai, Que Je Die/Iohanne (Mo 185) - Anonymous 4
- Dame Que Je N'os Noumer/Amis Donc Est/Lonc Tans A (Mo 337) - Anonymous 4
- S'on Me Regarde/Prennes I Garde/He, Mi Enfant (Mo 256) - Anonymous 4
- Ave Maria Gracia Plena - Anonymous 4
- Pia Mater Gratie - Anonymous 4
- Ave Nobilis Venerabilis - Anonymous 4
- Kyrie : Orbis Factor - Ensemble Organum
- Kyrie: Kyria Christifera - Anonymous 4
- Gloria - Anonymous 4
- Sanctus - Benedictus - Anonymous 4
- Agnus Dei : Virtute Numinis - Anonymous 4
Average customer rating:
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Le siècle de l'Ars nova: A Revolution in the Late Middle Ages
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD
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ASIN: B000ARHNDK
Release Date: 2005-12-13 |
Average customer rating:
- one of their best
- I loved this CD!
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Early Music (Lachrymae Antiquae)
Manufacturer: Nonesuch
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ASIN: B000005J4S
Release Date: 1997-09-16 |
Tracks:
- Kyrie I
- Rachell's Weepinge
- Langdans efter Byfans Mats
- Lachrymae Antiqua
- Psalom
- Two Studies On Ancient Greek Scales: 1. Olympos' Pentatonic - 2. Archytas' Enharmonic
- Long-Ge
- Totem Ancestor
- Kyrie II
- Brudmarsch fra Osta
- Using The Apostate Tyrant As His Tool
- Synchrony No.2
- Quodlibet
- Viderunt Omnes
- Kyrie III
- Four Part Fantasia No. 2
- O Virtus Sapientie
- Uleg-Khem
- Farwell My Good I. Forever
- Collected Songs Where Every Verse Is Filled With Grief
- Requiem Mass: Bells: Tolling Of The Knell
Amazon.com essential recording
Don't get too comfortable with this disc's opening minutes, which sound convincingly like a well-tuned consort of viols performing two short pieces by Machaut and Tye. These two works from the 14th and 16th centuries quickly give way to a piece from 1997 by David Lamb. Then come Arvo Part, Harry Partch, John Cage, and even Moondog, a.k.a. Louis Hardin. Additional instruments come and go- -harmonium, bagpipe, zhong ruan, nyckelharpa, drum--all of which complement and enhance the string sounds. Later, we hear music by Hildegard von Bingen, Perotin, and even Purcell. Most of the selections from early composers are arrangements by the Kronos Quartet and others, but it's a tribute to the recording's producers that in spite of the music's diversity, everything works together to make a coherent, cohesive, intellectually, and musically challenging program. --David Vernier
Customer Reviews:
one of their best.......2005-04-14
If you like simple, string quartet music as much as I do, then you've got to listen to this. It is a generous 68 minutes of plaintive music--no discontinuities and surpises like on their Black Angels recording. It is all slow and mournful.
I loved this CD!.......2002-11-02
When I was listening to MSN I came across it. I love Early Music and they had a Radio station that was playing it. I decided to listen to it. So as I was lisitening to it I came across the song Collected Songs Where Every Verse Is Filled With Grief. That is the besty song I ever heard in a long time. I like the other songs but this one really spoke to me. It was quite moving if I might say.
Not as early as you might think.......2000-06-07
Yes, there is "old" music on this disc. But works in olden style by John Cage, Arvo Part, et al are also present. Quite a challenging program on the listener - but rewarding as well. I am particularly found of Kronos' setting of Alfred Shnittke's "Collected Songs Where Every Verse is Filled With Grief". Very eclectic recording performed with usual finesse of the Kronos Quartet - and some guests.
Pleonastic.......2000-03-10
Kronos Quarter has been an agile and versatile instrument in the hands of modern composers. It has (re)interpreted music from many sources in a coherent way, thus creating a very distinctive sound. This album offers a mixed program of composers, juxtaposing the modern and the antique. The thesis of the album is (I think) that early composers are surprisingly palatable to modern sensibilities, and that they are close in spirit to a vast array of contemporary musicians. Also, it seems that the bond linking all these authors is a certain state of affliction; hence the subtitle of the album "lachrymae antiquae", ancient tears. Yet, overall, I found this a pretentious album, even in its use of latin. After so many years of philologically accurate renditions of the early masters, performed on period intruments, the operation of K.Q. sounds at least inappropriate if not even a bit obnoxious. It often seems that they are sacrificing the original intentions of the authors to the altar of this "modernity" thesis. The listener should judge by him/herself.
Summing up, I would just say that this is first of all a K.Q. album "inspired by" early music. I would just point out that it doesn't add much to the understanding neither of Machaut & co., nor of K.Q., which is still a great ensemble.
a good one.......1999-12-02
Who can say, as of now, how much of the music the KQ plays will fall, deservedly or not, by the wayside and how much of it will continue for the ages? At any rate, this CD is rewarding. I like the mix of quirky pieces with the staid, even if the title "Early Music" is misleading (since few original instruments are utilized in this record). Fine work; highly recommended.
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