The Snow [EP]

1. Driftmix

2. Answers Come in Dreams

3. Out in the Cold

4. As Pure As?

5. Answers Come in Dreams II

6. Snow

The Snow,Coil,Tvt,Alternative Pop/Rock,Dark Ambient,Electronic,Experimental,Industrial,Rock

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Average customer rating: Energetic, Fun Album sophie's Awesome Soundtrack! Awesome. Seriously. Un-freaking-believably awesome. 8 year-old loves this soundtrack!

Hairspray (Soundtrack to the Motion Picture) Manufacturer: New Line Records ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Similar Items: Legally Blonde (2007 Original Broadway Cast) High School Musical 2 Curtains (2007 Original Broadway Cast) Spring Awakening (2006 Original Broadway Cast) Hannah Montana 2: Meet Miley Cyrus ASIN: B000PUAID4 Release Date: 2007-07-10

Tracks:

1. "GOOD MORNING BALTIMORE" - Nikki Blonsky
2. "THE NICEST KIDS IN TOWN" - James Marsden
3. "IT TAKES TWO" - Zac Efron
4. "(THE LEGEND OF) MISS BALTIMORE CRABS" - Michelle Pfeiffer
5. "I CAN HEAR THE BELLS" - Nikki Blonsky
6. "LADIES' CHOICE" - Zac Efron
7. "THE NEW GIRL IN TOWN" - Brittany Snow
8. "WELCOME TO THE 60's" - Nikki Blonsky & John Travolta
9. "RUN AND TELL THAT" - Elijah Kelley
10. "BIG, BLONDE & BEAUTIFUL" - Queen Latifah
11. "BIG, BLONDE & BEAUTIFUL reprise" - John Travolta & Michelle Pfeiffer
12. "(YOU'RE) TIMELESS TO ME" - John Travolta & Christopher Walken
13. "I KNOW WHERE I'VE BEEN" - Queen Latifah
14. "WITHOUT LOVE" - Zac Efron, Nikki Blonsky, Elijah Kelley & Amanda Bynes
15. "(IT'S) HAIRSPRAY" - James Marsden
16. "YOU CAN'T STOP THE BEAT" - Nikki Blonsky, Zac Efron, Amanda Bynes,
17. "COME SO FAR (GOT SO FAR TO GO)" - Queen Latifah, Nikki Blonsky, Zac
18. "COOTIES" - Aimee Allen
19. "MAMA, I'M A BIG GIRL NOW" - Nikki Blonsky, Marissa Jaret Winokur & Rikki Lake

Amazon.com

What fun! This soundtrack of the film adaptation of the Broadway musical overflows with glossy, ol' fashioned '60s-style pep. It won't win any awards for innovation, but it may well be one of the most feel-good releases of the year. While not quite as super-energetic as the original Broadway cast, the new crew ain't too shabby: Nikki Blonsky delivers as Tracy Turnblad and Zac Efron (High School Musical) makes for a devoted boyfriend, and the supporting cast gleefully embraces the show's silly-but-generous spirit. John Travolta (who gets to utter the particularly ironic line "it's been years since someone asked me to dance") goes drag as Tracy's mom, Edna, while Michelle Pfeiffer's slight stiffness is appropriate for her uptight character, especially on the cha-cha "(The Legend of) Miss Baltimore Crabs." After Mama Morton in Chicago, Queen Latifah puts in another brassy turn as Motormouth Maybelle ("Big, Blonde and Beautiful," which is then reprised by Travolta and Pfeiffer). The show's authors, Marc Shaiman and Scott Wittman, have written three new numbers for the movie: the rollicking (and first single) "Ladies' Choice," "New Girl in Town" and "Come So Far." In addition, the CD also includes two tracks that aren't in the film but were in the show: "Cooties," sung by Aimee Allen, and "Mama, I'm a Big Girl Now," sung by all three Tracy Turnblads: Blonsky, Ricki Lake (from the source movie) and Marissa Jaret Winokur (from the original Broadway cast). --Elisabeth Vincentelli

Album Description

The Hairspray soundtrack will feature 17 songs from the film, including three original numbers that were created specifically for the film version of the hit Broadway musical - "Ladies' Choice," "New Girl In Town," and "Come So Far." Also featured on the soundtrack are the songs "Good Morning Baltimore," "Welcome to the `60s," "Nicest Kids In Town," and "You Can't Stop The Beat." The songs are performed by cast members John Travolta, Queen Latifah, Michelle Pfeiffer, Zac Efron, Amanda Bynes, Brittany Snow and Elijah Kelley among others.

The Hairspray soundtrack is produced by Marc Shaiman and features music by Shaiman and lyrics by Scott Wittman and Shaiman. It features tracks mixed by Ed Cherney (Rolling Stones, Bette Midler) and Peter Mokran (Pussycat Dolls, Christina Aguilera).

Sixteen years after the release of the original film, New Line Cinema is bringing a feature film adaptation of the Tony Award-winning Broadway production of Hairspray to life. Featuring new and original material based on John Waters' 1988 cult classic about star-struck teenagers on a local Baltimore dance show, the comedy features a remarkable collection of talent including John Travolta, Queen Latifah, Michelle Pfeiffer, Christopher Walken, Amanda Bynes, Allison Janney, Brittany Snow, Zac Efron, Elijah Kelley, producers Craig Zadan and Neil Meron (Chicago), and director Adam Shankman (Bringing Down The House). The new screenplay for Hairspray was written by Leslie Dixon (Freaky Friday, Outrageous Fortune).

Customer Reviews:

Energetic, Fun Album.......2007-08-01

Though it may be slightly inferior to the Broadway Cast Recording, this album of "Hairspray" is spectacularly tuneful. The singing, with the exception of Michelle Pfeiffer (who does act wonderfully in the show), is top notch, especially Nikki Blonsky and Queen Latifah and the music, of course, is about the catchiest composed here in fresh new arrangements. Still, the talent of the Broadway cast was more consistently wonderful. But that doesn't stop one from enjoying the greatness that is this album. Some songs just make even those who can't dance want to, like "Good Morning Baltimore" (1), "Ladies Choice" (6), "Welcome to the 60s" (8), "Run and Tell That" (9) and "You Can't Stop the Beat" (16). Other highlights are "I Can Hear the Bells" (5), "Without Love" (14), and the best song of the CD Queen Latifah's superb "I Know Where I've Been" (13).

sophie's.......2007-08-01

I love the cd and I just love the movie and I can not wait till it is available on dvd.

Awesome Soundtrack!.......2007-07-31

This soundtrack is one that is extremly well done!! I usually steer away from soundtracks because they don't capture the magic that is the movie, but after I saw this movie I decided to take a chance on this one! This is definitly one of the few of the soundtracks I have heard that is truly as good as the movie!

The tracks to hear are Welcome To The 60's, Big Blond and Beautiful, and Ladies Choice! Those songs have so much power and on different levels it it truly awesome!

Awesome. Seriously. Un-freaking-believably awesome........2007-07-31

This is an outstanding CD from an outstanding musical film!

I totally loved the movie. "Hairspray" makes a seamless, wonderful transfer from the Broadway stage to the silver screen.

The soundtrack perfectly captures the film, including all the music and snippets of dialogue, creating a complete satisfying experience.

It is impossible to overstate what a find Nikki Blonsky is. Watching her is like shaking a bottle of Pepsi, and waiting for it to fizz. Bubbly is an understatement. Her vocal performance matches her screen performance beat for beat.

"Good Morning Baltimore" launches us into this very specific (60's, working-class, Baltimore) era, using hysterical lyrics and time-capsule-like music.

The music of "Hairspray" sounds like every single early 60's pop song you can name off the top of your head dumped into a blender, and then poured over a CD. Motown, Brill Building, surf, Spector, Stax, Sinatra, girl groups, doo-wop...seriously...it's all here.

It's like one day,you unexpectedly have the best chocolate milk shake you've EVER tasted. You had tons of 'em before, but MAN was that one good!

Same here. Instantly familiar yet wholly original and of the utmost quality. The tunes are more infectious than head lice at preschool. The lyrics are smarter than you are.

Anyways...back to Blonsky. Her showcase songs, "Baltimore" & "I Can Hear The Bells" , along with her cast pieces like "Without Love" and "You Can't Stop The Beat" reveal her to be a world class entertainer. Her character's personality spills out of your speakers like the foam of a root beer float filled too full.

The entire cast is a dream. James Marsden (Cyclops? Really? Is that you?) fully imbues his plastic Corny Collins character with a winking shine; he knows he's considered superficial but he also know he isn't.

Zac Efron will get all the tweens/teens aflutter, but he's great. Honestly. "Ladies' Choice" positively thunders out of my car stereo, and is merely one of several, cardiac-arrhythmia-inducing energizing moments during the show.

Queen Latifah, as usual, is nothing but pure class. She as regal as her name. Powerful vocals without being overpowering.

And what about Travolta? He's terrific in the movie. As Tracy's mom, Edna, he goes for something different than the previous incarnations. Before, they were clearly big men in drag. Loud ad abrasive. Here, Travolta goes for a different tack. It's clearly Travolta, but his Edna has this pig-eyed sweetness, this down-trodden nobility, that I haven't seen before. It works like gangbusters. His vocal input here is limited, and that's perfectly OK.

Michelle Pfeiffer represents evil in this movie, and it comes across in her "Miss Baltimore Crabs" song. Listen, I love Miss Pfeiffer. She's my favorite. I'm her number one fan. Love her to death. I would lie down in front of a moving train for her.
But she's positively horrible here...and in the best possible way. She is so good at being so bad, her input here is unpleasant. Which is a roundabout high compliment. I never have to listen to her songs again. I'll just go back to "Ladyhawke" or "Baker Boys."

The REAL find her might be Elijah Kelley. During the film, you can't take your eyes off of him. On this soundtrack, he soars. Every time he shows up, you KNOW it. "Run and Tell That" is frankly amazing. It moves and grooves with such delightful energy, you cannot avoid doing that weird looking dance you do while sitting in your car with your seatbelt on.

The best moment, of dozens, is "You Can't Stop The Beat." When I say people were dancing as we left the movie theater, that is not hyperbole or exaggeration. It is fact. It is what people were doing, filing out the exits.
They were dancing.

To this song.

An unbridled tornado of musical electricity, "You Can't Stop..." shake you from your very foundations, finding some deep, repressed desire to shake your booty that may have been hidden long along, and brings it, uncontrollably, to the surface. I felt like somebody clamped a car battery to my tail bone. The ensemble singing will lift you off of your chair (I'm warning you: pull over if you listen to this in your car), and the band exhibits such crisp, tight musicianship, coupled with a healthy, wild abandon...it is futile to resist.

The ending is simply thrilling with the stop-start chorus and explosive band breaks.

I'm spent just RECALLING the experience!

One other thing. Definitely check out the last song on the disc. "Mama, I'm A Big Girl Now" is a song from the original show that didn't make it into the film. Rikki Lake (from the original non-musical film), Marissa Jaret Winokur (the original Broadway Tracy Turnblad) and Nikki Blonsky come together to do a hilarious, fun, riotous version of this very funny song. There's a brief, hysterical vocal cameo by...well...I'll save THAT for you to discover on your own.

A higher recommendation does not exist. Thanks for taking the time to read this...

8 year-old loves this soundtrack!.......2007-07-31

I LOVE LOVE LOVE LOVE THIS MUSIC! I HAVE SEEN THE MOVIE 2 TIMES ALREADY!!!!!!!!!!!!!!

Average customer rating: this band is hot Adolescent pop shlock Has some good pop hooks but boring Tell you what! This sure will have ur EYES OPEN Love this album

Eyes Open Snow Patrol Manufacturer: A&M ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music Britain | British Isles | Europe | International | Styles | Music Scotland | British Isles | Europe | International | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: How To Save A Life Final Straw Under the Iron Sea Sam's Town Grey's Anatomy, Vol. 2 ASIN: B000F3UADO Release Date: 2006-05-09

Tracks:

1. You're All I Have
2. Hands Open
3. Chasing Cars
4. Shut Your Eyes
5. It's Beginning To Get To Me
6. You Could Be Happy
7. Make This Go On Forever
8. Set The Fire To The Third Bar
9. Headlights On Dark Roads
10. Open Your Eyes
11. The Finish Line

Amazon.com

Snow Patrol are frequently compared to Coldplay in the press, which seems strange as they write far better songs and do not appear to be quite so self-hating, nor as rich. Their delightfully dour little pop songs do touch on the melancholic side of things, but the lyrics are wonderfully slice-of-life descriptions. Singer/lyricist Gary Lightbody gives a shout-out to Sufjan Stevens when on the punchy "Open Your Eyes" he sings, "The anger swells in my guts." Perhaps a better comparison would be American indie-rock act Sebadoh? Regardless, this band continues to surprise. If you went to see this mixed Scottish/Irish group on tour after hearing their wistful, breakout third album Final Straw, you might have been a bit confused by the rock juggernaut confronting you. Eyes Open is their most straightforwardly rock record yet, and thanks in large part to producer Garret Lee, it's their best. If there was ever perfect music to get lost to while driving around confused about a relationship, this is it. --Mike McGonigal

Album Description

"There are swaggering bands, bands who are in your face. And then there are bands who get hold of you somewhere else. I think it's a heart thing, an intimacy thing. Like you know them and they know you. I think we are one of those bands." So says Snow Patrol singer and chief songwriter Gary Lightbody.

And all the proof you'll need is Snow Patrol's new album Eyes Open, a collection of songs which more than makes good on the promise of its predecessor, 2004's two million selling Final Straw.

Values: beautiful powerful songs underscored by some of the most poignant and telling lyrics in rock. Eyes Open is Snow Patrol's post card from the cliff edge. It's going to be hard to ignore these songs in 2006.

Customer Reviews:

this band is hot.......2007-08-01

not only are the 2 singers hot, but this band produces some great indie music. the songs are poetically and thoughtfully written and don't sound as "polished" as the mainstream pop or rock that is out there.

Adolescent pop shlock.......2007-07-17

Could there be a more instantly forgettable group than Snow Patrol? I mean, let me guess -- you heard a couple of songs, they sounded cool, you bought the CD and played it a few times, and how often to you play it now? Ever? Mgawsh, they become so tiresome so quickly. You'll notice how fast even their hits get dropped from radio playlists? The DJs got bored too.

Has some good pop hooks but boring.......2007-07-09

A couple of years ago one of my favorite songs on the radio was Snow Patrol's "Run". The song was addictively melodic. I could not get that song out of my head. Last year they did it again with the single "Chasing Cars". I finally got around to checking out their latest album EYES OPEN. I can't deny that the band has talent in writing catchy pop/rock songs however they have yet to demonstrate that they are capable of diversifying their bland, dull, and predictable pop/rock sound. The cd starts off pretty good but halfway through the cd, the quality of the songs goes south for me. Ballads like "The Finish Line" are pretty weak. I find the vocals on this particular track quite grating on my nerves. I did like the song with Martha Wainwright on vocals. That was a lovely song. Overall Snow Patrol reminds me why I find "alternative" music so wimpy and annoying. Let me just say Snow Patrol is NOT indie rock. It's kinda hard to be considered indie rock when you are on a major recording label.

Tell you what! This sure will have ur EYES OPEN.......2007-07-04

Ok, I really do love Snow Patrol, so when I heard that their new album was out, and heard Chasing Cars on Grey's Anatomy, I really had to get it.
and I was not disappointed. The style is quite different than Final Straw, their previous album, but that made me like it even more. I think it's more alternative rock (more rock) than the last album.
Personally, my favorite song is Hands Open, which is the second song on the cd. All of the songs are preformed by Gary Lightbody . The 8th song on the cd is called Set the Fire to the Third Bar, which is preformed by both Gary Lightbody and Martha Wainwright. This is another of my fav. songs, because both singers harmonize really well together, making it sound awesome.
I love this kind of music, especially Snow Patrol, cause the lyrics are easy to understand, and really make you thing. So take the time to sit back and listen.

Love this album.......2007-07-03

I love this album. I was enamoured of the Chasing Cars song from radio and decided to check out the rest of the CD. I am very pleased with the purchase. In addition to Chasing Cars, You're All I Have and Shut Your Eyes are standout songs. I plan to check out the older albums from Snow Patrol.

Average customer rating: Start your Snow Patrol Collection here Canciones para escuchar y disfrutar Solace through song Another superb effort from Snow Patrol It's Okay

Final Straw Snow Patrol Manufacturer: A&M ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music Twee Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music CDs $7 - $10 | Indie & Lo Fi | Alternative Rock | Today's Deals in Music | Formats | Music All Bargain Titles | Indie & Lo Fi | Alternative Rock | Today's Deals in Music | Formats | Music All Bargain Titles | Alternative General | Alternative Rock | Today's Deals in Music | Formats | Music $7.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $7.99 and Under | Prices | Blowout Music | Stores | Music 4-for-3 Alternative Rock | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Eyes Open Hopes and Fears When It's All Over We Still Have to Clear Up Songs for Polar Bears Under the Iron Sea ASIN: B0001MZ7ZK Release Date: 2004-03-30

Tracks:

1. How To Be Dead
2. Wow
3. Glaming Auction
4. Whatever's Left
5. Spitting Games
6. Chocolate
7. Run
8. Grazed Knees
9. Ways & Means
10. Tiny Little Fractures
11. Somewhere A Clock Is Ticking
12. Same
13. Bonus Track 1
14. Bonus Track 2

Amazon.com

The warm melancholy of Gary Lightbody's voice makes for a versatile instrument on Snow Patrol's Final Straw, artfully balancing bright, anthemic rock with disparate reference points like Belle and Sebastian and My Bloody Valentine. Aching with loves both lost and leaving, it's a voice that producer Garrett Lee uses as a jumping-off point, dropping fat guitars, electronic noise, and eclectic instrumentation in with Lightbody's breathy, moody depth. The band plays around with wild shifts of texture: "Gleaming Auction" veers in seconds from a relaxed shuffle to a shoegazing crunch, while a blanket of fuzzbox swagger calls forth the ghost of T. Rex on "Tiny Little Fractures." But just when you're ready to throw the record on random shuffle with Electric Warrior or maybe Heaven Tonight, the band lays down a pastoral ballad like "Same." Somehow it holds together beautifully, stuffed with songs that reward repeat listens and ear candy that keeps you full for days. --Matthew Cooke

Customer Reviews:

Start your Snow Patrol Collection here.......2007-06-27

Don't bother with anything earlier than this album with Snow Patrol. This is really where they finally got their act together. Get this one and Eyes Open and you'll be set.

Canciones para escuchar y disfrutar.......2007-05-16

Final Straw recoge una colección de canciones bien escritas, con una excelente música y cargadas de sentimiento. Por ello han sido seleccionadas para hacer parte de bandas sonoras reconocidas a nivel mundial.

Solace through song.......2007-05-10

I can't put my finger exactly on why, but there's something about these songs that I could envision appealing to teenagers and kids in college. "Final Straw" has its share of sensitive-artist tunes that Snow Patrol released in spades on their succeeding album, Eyes Open, but overall this one has a harder edge to it and a more down-to-earth feel. For instance, the workmanlike line "If it looks like it works and it feels like it works, then it works" on the edgy song "Wow" is priceless in its simplicity and effectiveness. That sort of musical magic continues during the first half of "Final Straw" on songs like "Glaming Auction," "Whatever's Left" and "Spitting Games," all of which are crisp, tuneful, rocking and honestly sung by Gary Lightbody.

As it happens, Lightbody's voice takes on an accented, desperate, despondent and poetic tone on the more mellow tunes, while his vocals have a more direct, tough vibe on the rockers (my preference). Said mellow tunes include the uplifting radio hit "Run" and "Grazed Knees," the latter of which comes complete with sweetly moribund strings for nice effect. One of the more unique songs on the CD is "Ways and Means," a swanky number that contains piano, synth, some formidable electric guitar work, actively hit cymbals and breathy vocals. The spark plug of a song "Tiny Little Fractures" also contains some get-up to it, while the beautiful closing tune (if you don't count the bonus tracks), "Same," with its piano and heartfelt tone, is the perfect way to end.

Snow Patrol seem to possess a bit of everything in their musical arsenal -- from airy, sensitively written ballads of the '00 era to harder-core rockers that the Goo Goo Dolls and Def Leppard would be proud of. If they can keep the originality, open mind and versatility going, perhaps Snow Patrol's career will extend as long as those great bands.

Another superb effort from Snow Patrol.......2007-04-24

Okay, these guys are even more amazing live than on CD, but that is no reason not to check out this album. Every song on here is great, and the production/recording is first rate. Highly recommended. I think Snow Patrol is the best modern rock band -- period.

It's Okay.......2007-03-13

I was a little dissapointed with this album. I had ordered "Eyes Open" in a previous order and was captivated by the sound. There wasn't a song I disliked. However, this album was not like "Eyes Open" and I found that I only prefered 2 or 3 songs out of the whole album. The price was cheap (less than $7.00), so I wasn't too upset. The songs I really liked were "Run", "chocolate", and "Grazed Knees". But the rest of the songs were so-so, in my opinion.

Average customer rating: Woo Hoo! Einstein The baby danced. A Lot of Fun for Playtime Synthesized dreck

Baby Einstein: Playtime Music Box Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Smetana | Smetana, Bedrich | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Scherzo | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music General | Children's Music | Styles | Music Lullabies | Children's Music | Styles | Music CDs Under $7 | Children's Music | Today's Deals in Music | Formats | Music All Bargain Titles | Children's Music | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music CDs | Music & Video | Products | Similar Items: Baby Einstein: Lullaby Classics Baby Einstein: Traveling Melodies Baby Mozart Baby Neptune Baby Einstein: Music Box Orchestra ASIN: B0006SSRP6 Release Date: 2004-12-21

Tracks:

1. Carmen Suite Medley
2. Snow Maiden, Dance Of The Birds
3. William Tell Overture, 'Lone Ranger'
4. Flight Of The Bumblebee
5. Humpty Dumpty/Child's Verse Medley
6. The Bartered Bride, Furiant
7. Minute Waltz
8. Gaite Parisienne, Vivo
9. Hey Diddle Diddle
10. Wellington's Victory, Op.91, 'England'
11. Wellington's Victory, Op.91, 'Victory Finale'
12. Swan Lake, Waltz
13. Old MacDonald Had A Farm
14. Happy Farmer
15. Farmer In The Dell
16. Jack & Jill
17. Symphony No.4
18. Dance Of The Hours
19. The Bartered Bride, Skokna
20. Voices Of Spring, Waltz

Product Description

The Playtime Music Box music CD is a 20-track, 31-minute concert featuring a collection of up-beat classical melodies and traditional song favorites to inspire your little one to dance, clap and play! Each delightful piece was specially selected and produced to bring musical fun to any activity - playtime, travel time, tummy time and more. Playtime Music Box includes classical pieces such as Rossini's ?Ç£William Tell Overture?Ç¥ and Schumann's ?Ç£Happy Farmer,?Ç¥ as well as ?Ç£Old MacDonald Had a Farm.?Ç¥Musical Selections:1. Carmen Suite, Medley, G. Bizet2. Snow Maiden, Danse des Oiseaux, N. Rimsky-Korsakov3. William Tell Overture, G. Rossini4. Flight of the Bumblebee, N. Rimsky-Korsakov5. Humpty Dumpty, W. Weisbach (traditional verse)6. The Bartered Bride Suite, Furiant, B. Smetana7. Minute Waltz, F. Chopin8. Gaite Parisienne, Vivo, J. Offenbach9. Hey Diddle Diddle, W. Weisbach (traditional verse)10. Wellington's Victory, Op 91, England, L. Beethoven11. Wellington's Victory, Op 91, Victory Finale, L. Beethoven12. Swan Lake, Waltz, P. Tchaikovsky13. Old MacDonald Had a Farm, traditional14. Happy Farmer, R. Schumann15. Farmer in the Dell, traditional16. Jack & Jill, W. Weisbach (traditional verse)17. Symphony No. 4, Italian, F. Mendelssohn18. Dance of the Hours, A. Ponchielli19. The Bartered Bride Suite, Skocna, B. Smetana20. Voices of Spring, Waltz, J. Strauss IIAge: birth +

Customer Reviews:

Woo Hoo!.......2007-05-07

This is by far the best CD in the Baby Einstein collection--it will put your toddler in hyperactive playful mode and exhaust you as you try to keep up. But for today's overweight, tv- and game- addicted children, this is great!

Einstein.......2007-04-09

Anything that has an Einstein in the title my twins love. I used to play this for them at night while they slept.

The baby danced........2007-03-09

I gave Baby Einstein: Playtime Music Box to a little boy on his first birthday. He loves it and dances and dances to the music.

A Lot of Fun for Playtime.......2006-01-04

This CD is a lot of fun. The music is bubbly and upbeat and makes you want to get up and dance or just jump around. It's a great way to spend some play time with your kids. And the classical music exposure is a bonus.

Synthesized dreck.......2005-08-13

Why did the producers use synthesizers for this music? It's awful. It's possible to hook kids on classical music using the actual instruments written for it - that's how I got hooked. That's what Mel Blanc and Disney did in their cartoons, Bugs Bunny and Fantasia. I do NOT recommend this CD to anyone. It was a shower gift. If you are not familiar with classical music, then I recommend "Baby Needs Beethoven", which is a collection of music using real instruments (albeit shortened - no full length symphonies here).

Average customer rating: AWESOME!! MacRae and Jones soar in this tragic R&H musical Great Music Response to David Pabian's review below Gummed up an Original

Carousel (1956 Film Soundtrack) Shirley Jones , Claramae Turner , Robert Rounseville , Cameron Mitchell , Barbara Ruick , Robert Rounseville , Richard Rodgers , Oscar Hammerstein II , and Gordon MacRae Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Similar Items: Oklahoma! (1955 Film Soundtrack) The King and I (1956 Film Soundtrack) South Pacific (1958 Film Soundtrack) The Music Man (1962 Film Soundtrack) Camelot (1960 Original Broadway Cast) ASIN: B00005A7XD Release Date: 2001-03-13

Tracks:

1. Introduction - Gordon MacRae/William Le Massena
2. Main Title: The Carousel Waltz - 20th Century-Fox Orchestra/Alfred Newman
3. You're A Queer One, Julie Jordan - Barbara Ruick/Shirley Jones
4. When I Marry Mr. Snow - Barbara Ruick
5. If I Loved You - Shirley Jones/Gordon MacRae
6. June Is Bustin' Out All Over - Claramae Turner/Barbara Ruick
7. June Is Bustin' Out All Over Ballet - 20th Century-Fox Orchestra/Alfred Newman
8. Soliloquy - Gordon MacRae
9. Blow High, Blow Low - Cameron Mitchell
10. When The Children Are Asleep - Robert Rounseville/Barbara Ruick
11. A Real Nice Clambake - Barbara Ruick/Claramae Turner/Robert Rounseville/Cameron Mitchell
12. Stonecutters Cut In On Stone - Cameron Mitchell
13. What's The Use Of Wond'rin - Shirley Jones
14. You'll Never Walk Alone - Shirley Jones/Claramae Turner
15. Ballet - 20th Century-Fox Orchestra/Alfred Newman
16. If I Loved You (Reprise) - Gordon MacRae
17. You'll Never Walk Alone (Finale) - Shirley Jones
18. Carousel Waltz (LP Version) - 20th Century-Fox Orchestra/Alfred Newman

Amazon.com

Richard Rodgers always considered Carousel his favorite score, even though it didn't generate the number of popular hits of some of the other shows he produced with lyricist Oscar Hammerstein II. Their adaptation of the Ferenc Molnar play Liliom is marked by three especially sublime moments. "The Carousel Waltz," Rodgers's alternative to the traditional Broadway overture, serves as an orchestral backdrop to the opening scene and is one of the best miniatures ever written for the theater. "If I Loved You," which establishes the romance of carnival barker Billy Bigelow (Gordon MacRae, a late replacement for Frank Sinatra) and nice girl Julie Jordan (Shirley Jones), is a musical minidrama in which the pair's discussion of how they are not in love reveals just how much they are in love. "Soliloquy" is Billy's powerful solo that foreshadows the action to come in Act II. Add the inspirational anthem "You'll Never Walk Alone," and you have Rodgers and Hammerstein's most extraordinary, near-operatic score. On the soundtrack for the 1956 film, MacRae and Jones are in exceptional voice (following their success in 1955's Oklahoma) and the orchestra sounds glorious, but unfortunately some of the numbers were shortened, most notably "If I Loved You." Extensive production notes, an interview with Jones, and a synopsis are included. --David Horiuchi

Customer Reviews:

AWESOME!!.......2007-05-12

LOVE SOUND TRACTS FROM OLD MOVIES - SING ALONGS AND THE BEST ESPECIALLY WHEN YOU ARE TRAVELING AND CAN SING LOUD. IT IS A KEEPER

MacRae and Jones soar in this tragic R&H musical.......2007-02-11

This film adaptation of Carousel came shortly after the Oklahoma! film and reunited Gordon MacRae and Shirley Jones. Although the film was not well-received at the box office, the soundtrack shows MacRae, Jones and the superb cast performing their roles to their heart's content. Their performance helps bring out the pathos in this tragic R&H musical, which Rodgers himself considered his favourite of all his works.

MacRae shines vocally as Billy Bigelow, bringing an open-hearted musicality and sincerity to his stout-hearted portrayal. MacRae stands out in Billy's pivotal Soliloquy, which some reviewers have considered one of the finest vocal performances of the 20th century. He is well-partnered by Shirley Jones, who lends her tender voice and personality to her portrayal as Julie. Listen to the chemistry they exude during the pivotal If I Loved You duet, as if they're overcoming their shyness and drawing sustenance from each other with their love. The supporting cast also gives its all in performing their roles. Claramae Turner's hearty Nettie brims with sincerity, warmth and tenderness, and she leads a rousing rendition of June is Bustin' Out All Over and renders You'll Never Walk Alone touchingly. Barbara Ruick and Robert Rounseville are superb as Carrie and Mr. Snow, although I admit I would have liked a little more humour. I also admit I would have liked Cameron Mitchell as Jigger to sound more sinister, like Fisher Stevens did in the 1994 Broadway revival recording. But even as it is, everyone sings gloriously and is given sumptuous backing from Alfred Newman's superb arrangements and the 20th-Century Fox Orchestra, when it shines out in the ballets.

If I'm adding to the praise of these critic-proof performance, you'll wonder, why am I giving only 4 stars? Well, it's because the extra sound effects from the unreleased sequences tend to jar after a while. I know some of you are complaining that the dance sequences are plagued by extraneous sound effects and noise. I share the same feelings too and also wish that the producers had utilised the original studio pre-recordings for a sumptuous listening experience. However, let us at least be grateful that Didier Deutsch and his production team have made these unreleased sequences available on a soundtrack CD reissue. At least it's a step in the right direction before the entire canon of R&H film soundtracks (yes, including South Pacific and The Sound of Music) gets its due as deluxe 2-CD sets, complete with underscore.

However, don't let this gripe dissuade you from buying this soundtrack. It offers a complete musical experience that one could only dream of in the previous CD reissues of the soundtrack. And it demonstrates the element that Rodgers & Hammerstein were discovering in their musicals.

Great Music.......2007-01-04

Rogers and Hammerstein were in a different league when it came to writing musicals. Their music, lyrics and story are never alike. These two partners were exceptional and their music shows it. Carousel is a tragic story but also shows that human nature can rise above adversity. The music is wonderful and the characters believable. A great movie.

Response to David Pabian's review below.......2004-06-30

Response to David Pabian's review:

My review was not in error, as Mr. Pabian expects. The review was for the original CD release, not this expanded version. Amazon lifted it out of that spot and dropped it here, which of course makes it anachronistic. Why they did it without reading it is certainly an inept decision.

Gummed up an Original.......2003-06-10

This overblown "completeitis" has got to stop. The original soundtrack album Carousel Waltz is now relegated to Appendix status, and terrible sonics accompany dancers' footstomping in the "new" expanded musical sequences, taken directly from the soundtrack rather than from still-existing musical tracks. There was a reason soundtrack recordings were studio performances. The proportions were right, the timings were correct for an overall BALANCED listening experience. These gawdawful expanded editions, often with dialogue thrown in, completely throw off those balances. An argument might be made for expanded sequences appropriate to a CDs longer playing time than the standard L.P. 45min., but possibly only if those sequences are from their original studio-recorded, pre release-print mix -- which could have easily been done in this case. A quick word on one of the above reviews: This is not the first time the complete Carousel Waltz is heard in stereo. There were two previous CD remasterings of the original soundtrack whereon it was included. And the reprise of "If I loved You" was part of every soundtrack release, mono and stereo.

Average customer rating: Axe Rufus Wainwright, and it would be 5 stars Yes, it's one of the best albums I own Brokeback Mountain A matter of taste... Perfect, just like the movie...

Brokeback Mountain Gustavo Santaolalla , and Various Artists Manufacturer: Verve Forecast ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Verve | Verve Music Group | Specialty Stores | Music $9.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $9.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Brokeback Mountain (Widescreen Edition) Brokeback Mountain: Story to Screenplay Brokeback Mountain: Now a Major Motion Picture Close Range: Wyoming Stories Memoirs of a Geisha ASIN: B000BEZQ18 Release Date: 2005-11-01

Tracks:

1. Opening - Gustavo Santaolalla
2. He Was A Friend Of Mine - Willie Nelson
3. Brokeback Mountain 1 - Gustavo Santaolalla
4. A Love That Will Never Grow Old - Emmylou Harris
5. King Of The Road - Rufus Wainwright
6. Snow - Gustavo Santaolalla
7. The Devil's Right Hand - Steve Earle
8. No One's Gonna Love You Like Me - Mary McBride
9. Brokeback Mountain 2 - Gustavo Santaolalla
10. I Don't Want To Say Goodbye - Teddy Thompson
11. I Will Never Let You Go - Jackie Greene
12. Riding Horses - Gustavo Santaolalla
13. An Angel Went Up In Flames - The Gas Band
14. Its So Easy - Linda Ronstadt
15. Brokeback Mountain 3 - Gustavo Santaolalla
16. The Maker Makes - Rufus Wainwright
17. The Wings - Gustavo Santaolalla

Amazon.com

Argentina-born, California-based Gustavo Santaolalla helped shape the rock en Español movement by producing Mexican bands Molotov and Café Tacuba , and Colombian singer Juanes. In the late 1990s he made a switch to soundtracks, working on well-received albums for Amores Perros and The Motorcycle Diaries. His instrumental contributions to Ang Lee's tale of two cowboys in love are acoustic guitar-based and, let's face it, a bit on the sonic-wallpaper side.

The vocal tracks, on the other hand, are uniformly lovely, even if the selection of interpreters falls on the predictable side. Linda Ronstadt, Steve Earle, Willie Nelson, and Mary McBride on the soundtrack to a contemporary Western? What a shock! Still, they're all wonderful and Santaolalla wrote at least a couple of classic-sounding country ballads ("A Love That Will Never Grow Old," sung by Emmylou Harris, and "No One's Gonna Love You Like Me," sung by Mary McBride). And don't miss Teddy Thompson and Rufus Wainwright's sweet cover of Roger Miller's 1964 "King of the Road." --Elisabeth Vincentelli

Customer Reviews:

Axe Rufus Wainwright, and it would be 5 stars.......2007-06-13

This album is a mixture of the instrumental theme, which is incredibly beautiful and haunting, and some very solid country songs. I was surprised by how good the other songs were (you still have to like country music, though). There are only two songs that I don't like at all, and those are the two by Rufus Wainwright - one a cover of "King of the Road" (originally by Roger Miller). They are great demonstrations of him at his most nasal and whiny. It sounds like he is a French guy holding his nose and singing too slow. It's too bad, because they are good songs otherwise. I guess if you like him, you're golden; but I can't stand these versions. Fortunately, the rest of the disc is really good.

Yes, it's one of the best albums I own.......2007-06-03

I listened to it over and over and over last year. Such quality all 'round.

Brokeback Mountain.......2007-05-13

The product is what I expected. It arrived on time and in the condition advertised.

A matter of taste..........2007-05-08

I didn't really pay a lot of attention to the music in the film, except for in the most intense of scenes. Perhaps this is why I was so, completely, disappointed with this soundtrack. I felt that if it did even half of what the film did for me it would be a worthy buy. My friends, this soundtrack is shat. It's mostly country and folk, which I am plainly not into. If you like these things then check this out - if not, turn away.

Perfect, just like the movie..........2007-04-21

It is so wonderful, relaxing..if you`re thinking in buying...Just do it!

Average customer rating: At The Movies by Andre Rieu very beautiful Refreshing Music from texas--AND FROM A MUSIC LOVER Andre Rieu - Music for the masses

At The Movies Manufacturer: Denon Records ProductGroup: Music Binding: Audio CD All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Rota, Nino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Theodorakis | Theodorakis, Mikis | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Rieu, Andre | ( R ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Romantics | Warner Brothers Records | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Mancini, Henry | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Morricone, Ennio | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Porter, Cole | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music Ravel, Maurice | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Rodgers, Richard | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Rota, Nino | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Shostakovich, Dmitri | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Theodorakis, Mikis | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music Rieu, Andre | ( R ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Tuscany Romantic Moments The Christmas I Love The Vienna I Love, Waltzes From My Heart Live In Dublin ASIN: B0001HAGPG Release Date: 2004-03-23

Tracks:

1. Love Theme - Romeo and Juliet
2. Lara's Theme / Somewhere My Love - Dr. Zhivago
3. My Heart Will Go On - Titanic
4. The Second Waltz - Eyes Wide Shut
5. Heigh-Ho - Snow White
6. Moonriver - Breakfast at Tiffany's
7. Sirtaki / Zorba's Dance - Zorba the Greek
8. Main Title - The Godfather
9. Bolero - "10"
10. John Dunbar's Theme - Dances with Wolves
11. The Windmills of Your Mind - The Thomas Crown Affair
12. Edelweiss - The Sound of Music
13. True Love - High Society
14. Stranger in Paradise - Kismet
15. Romance - The Gadfly
16. Main Title - Once Upon a Time in the West

Customer Reviews:

At The Movies by Andre Rieu.......2007-05-20

Andre Rieu brings a warmth and pop-like aire to his music.Here he plays popular music with a classical orchestra and adds his special ingredients to it ie:humor (musical jokes for the serious listener),fun,light-heartedness.It's a band of very talented musicians having alot of fun as is evident in the playing and especially if you've seen them in concert.I can "hear" the smiles on their not serious faces by their style of playing...less staccato and with more feeling.Andre and company swing and dance through every track climaxing on Ravel's Bolero from the movie "10".

very beautiful.......2007-01-09

This cd is very beautiful. It captures the songs wonderfully. The orchestra does a fine job.

Refreshing Music.......2006-11-03

Andre Rieu presents wonderful songs in a very inspirational way. They are to be enjoyed as "dinner music" or just for times when the TV is off and you need some "quiet time". It is a great grouping of melodies.

from texas--AND FROM A MUSIC LOVER.......2006-08-30

ANDRE RIEU TAKES US ON A WONDERFUL TRIP BACK IN TIME TO THE MOVIES YOU CAN=T FORGET AND THE MUSIC THAT MADE THEM CLASSICS. DO BUY IT. IT IS A TREASURE...

Andre Rieu - Music for the masses.......2006-08-10

Sometimes you just want enjoyable music as a backdrop to the job at hand. I turn to Andre to get me through these events. Probably not a glowing endorsement, but if you know of Mr. Rieu's feelings about music, he would just smile and nod his head. This is music to just enjoy for the sake of music - and that is a good thing.

Average customer rating: "Mattress" CD was excellent an oldie but a goodie Nothing like the original -- Awesome I saw the original on Broadway

Once Upon A Mattress (1959 Original Broadway Cast) Marshall Barer Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Once Upon a Mattress Once Upon a Mattress (1997 Broadway Revival Cast) Once Upon a Mattress : Vocal Selections Bye Bye Birdie (1960 Original Broadway Cast) Fiorello! (1959 Original Broadway Cast) ASIN: B000002ONH Release Date: 1993-04-13

Tracks:

1. Overture - Orchestra
2. Many Moons Ago - Harry Snow
3. An Opening For A Princess - Joe Bova and Ensemble
4. In A Little While - Allen Case, Anne Jones
5. Shy - Carol Burnett, Joe Bova And Ensemble
6. Sensitivity - Jane White, Robert Weil
7. The Swamps Of Home - Carol Burnett, Joe Bova And Ensemble
8. Normandy - Harry Snow, Matt Mattox, Anne Jones
9. Spanish Panic - Jane White
10. Song Of Love - Carol Burnett, Joe Bova And Ensemble
11. Quiet - Jane White And Ensemble
12. Studio Dialogue - Carol Burnett
13. Happily Ever After - Carol Burnett
14. Man To Man Talk - Matt Mattox, Joe Bova
15. Very Soft Shoes - Matt Mattox And Ensemble
16. Yesterday I Loved You - Allen Case, Anne Jones
17. Nightingale Lullaby - Ginny Perlowin
18. Finale - Joe Bova, Matt Mattox, Jack Gilford And Ensemble

Amazon.com

Based on Hans Christian Andersen's tale The Princess and the Pea, Once Upon a Mattress opened in May 1959 and was a solid success, if not a huge blockbuster. It did well enough, in any case, to warrant a 1997 revival starring Sarah Jessica Parker. The show was far from revolutionary, but it provided a really fun vehicle for a cast of top stage personalities, including black actress Jane White, who played Queen Aggravain (a part originally written for comedienne Nancy Walker) in whiteface. But of course, Once Upon a Mattress's heart and soul was Carol Burnett, who, in her Broadway debut created the part of Princess Winnifred and delivered two of Mary Rodgers's best songs, the hilarious "Shy" and the spunky "Happily Ever After," which sounds a bit like Jule Styne at his most rhythmic. Burnett's timing and performance remain as sharp as they were 40 years ago. --Elisabeth Vincentelli

Customer Reviews:

"Mattress" CD was excellent.......2007-01-09

I've really enjoyed this CD. I only wish the play was available on DVD.

an oldie but a goodie.......2006-03-15

Loved Carol Burnett then and love her now. This original cast CD is a lovely trip down memory lane.

Nothing like the original -- .......2006-01-30

No offense to any of the subsequent "Freds" but Carol Burnett OWNS this role. The recording is as fresh and funny as anything being done today and this is the version musical theatre fans should have in their library. Get it.

Awesome.......2006-01-22

My school did this musical last year (Spring 2005) and I had never heard of it before, so I bought both the Revial and the Original Cast Recordings. Fell in love. I was Sir Harry and loved both songs that I sang in. In my opinion, those are the two best songs in the entire musical, but then again, I'm biased.

Once Upon A Mattress OCR is by far the best out there. Don't get me wrong, the Revival Cast did a wonderful job (soundtrack at least) But There is something about Carol Burnett. She was meant to sing be Fred. But one thing that I didn't like is that "The Minstrel, the Jester & I" wasn't in this recording. But that is really the only problem I had with this.

My fav songs include:
In a Little While (because I sang it)
Yesterday I Loved You (again, I sang it)
Many Moons Ago
Shy

Would I recomend this CD? YES I WOULD!! I would shout it from the rooftops that people should by this CD! It's a funny, quaint little musical that people need to know about. I LOVE IT!

I saw the original on Broadway.......2005-12-19

Once Upon a Mattress was one of the first Broadway shows that I ever saw and I was totally mesmorized and laughed so hard that my side hurt. Carol Burnett was the perfect person to play Fred and it was one of those magical performances that stays with you for a lifetime. The original cast album captures the fun and spirit of the show.

Later during the run of the show a friend of mine joined the chorus and when we talked about the experience, he told me that the joy that was on stage was similar to that felt by the cast and that was apparent on the album. They especially liked working with Ms. Burnett as she was a giving and caring actress.

I recommend this album to anyone who wants to spend some time just feeling good.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) Study of Orchestration, Third Edition What to Listen for in Music ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Hank Snow Has Voice and Rhythm I dont hurt anymore Hankering for a Hank Snow immersion? Hank Snow - A really true gentle man Essential Country

The Essential Hank Snow Hank Snow Manufacturer: RCA ProductGroup: Music Binding: Audio CD Cowboy | Country | Styles | Music General | Country | Styles | Music Honky-Tonk | Country | Styles | Music General | Traditional Country | Country | Styles | Music Canada | North America | International | Styles | Music General | Rock | Styles | Music Similar Items: Vintage The Essential Ray Price (1951-1962) The Essential Carl Smith (1950-1956) Ferlin Husky - Greatest Hits 20th Century Masters - The Millennium Collection: The Best of Webb Pierce ASIN: B000002WZE Release Date: 1997-04-29

Tracks:

1. Rhumba Boogie
2. I'm Movin' On
3. The Golden Rocket
4. Unwanted Sign Upon Your Heart
5. Music Makin' Mama From Memphis
6. The Gold Rush Is Over
7. I Don't Hurt Anymore
8. (Now And Then, There's) A Fool Such As I
9. The Gal Who Invented Kissin'
10. I Went To Your Wedding (Alternate Take)
11. Would You Mind
12. Lady's Man
13. Yellow Roses
14. Miller's Cave
15. Beggar To A King
16. I've Been Everywhere
17. Ninety Miles An Hour
18. Let Me Go, Lover
19. The Wishing Well
20. Hello Love

Amazon.com

Tender ballads, urgent travel songs, infectious boogies--Canadian Hank Snow not only handled them all, but he handled them quite well and rode them all to the top of the country charts. His music was a logical extension of his idol Jimmie Rodgers's style, and Snow's letter-perfect, prudently effective vocal delivery and crisp, tasteful acoustic-guitar runs graced countless (actually, 36) top 10 country hits. This 20-song collection provides a nice introduction to his various styles and captures all of his best-known songs. His own compositions "I'm Movin' On" and "Rhumba Boogie" plus covers like "I've Been Everywhere" and "I Don't Hurt Anymore" were not only hugely dominant hits (Shania wasn't the first Canadian country phenom), but they remain cornerstones of country. --Marc Greilsamer

Customer Reviews:

Hank Snow Has Voice and Rhythm.......2007-02-17

Hank Snow is great on this CD. He and his band found rhythm that will make you want to get up and dance with this CD. This is a "Happy" CD.

I dont hurt anymore.......2006-09-16

Hank Snow was one of the best country singers and this CD is great. With real country music harder and harder to find having this CD is a boost to anyone's honky tonk collection. And for the money its really great. Good sound quality as well. Well this is DP movin on now take care all.

Hankering for a Hank Snow immersion?.......2006-09-03

It's been a long, long time since I've listened to much Hank Snow -- since back in the 1950's, before rock & roll routed C&W for me. But this CD put me right back there with this really large selection of his great ones, plus some I had never heard. You can't beat Hank for the fast-talking, driving rhythm of such cuts as I've Been Everywhere, and Music Makin' Mama. Way before we got so aware of international influences in our music, there he was talking about the Cuban and South American rhythms in The Rhumba Boogie. Its the slower pieces, though, that are my favorites - Now And Then ... and I Don't Hurt Anymore. The whole CD is surely a trip down nostalgia lane, to a time when the world, and gender relations, and lyrics were different from what they have become, but I really enjoyed the trip.

Hank Snow - A really true gentle man.......2006-08-27

Even though I have just ordered the CD, I rate it 5 stars and would give it more if I could. For I remember all of his songs. When my husband and I were in Nashville back in 1985, we took one of those tours of the stars' homes. We saw some really nice places for back then. Some were hidden behind gates and walls. But Hank Snow's house was right on the street. A modest little brick house no better than what we could afford. (I believe I still have a picture of it, or the brochure, somewhere packed away in my belongings. Sadly, when I'm gone and my children or grandchildren go through my stuff, they won't know what it is or who he was.) And I am very positive that he could have afforded much more. It just didn't matter to him. The tour bus driver told us that Hank drove himself everywhere, including to the Opry every Friday and Saturday nights. I believe he was still married to his sweetheart at that time. (I've lost track now).
But I do know that I have read that he had a very sad childhood. I believe I remember reading that he was physically abused and ran away from home at age 9 to go out to sea on some freighter. What a terrible life for a child. He was so small. But look who he grew up to be. A really nice man. As far as I know, he never turned to alcohol nor drugs. I did not know that he had passed away until I read one of these reviews. I'm just now learning how to go on line and find all of this stuff. It's true what they say that it is very hard to teach an old dog anything.
Another one of his ilk would be Little Jimmie Dickens. And from the same era. And I remember hearing them both on the Grand Ole Opry when I was a child. I wish he were still performing on the Opry. I know he had a hard time adjusting to those new "rock" stars being considered as country, and so do I.
What, pray tell, is country about all of that screaming and yelling and groping. You can't even watch a video on TV of any of them, without all of that screaming in the background, and the groping "fans" in the bottom of the screen. And the nearly naked girls shaking and jiggling all over. You can't hear them singing. (or yelling). And I don't even want to. It's only by accident that I see any of them, and I quickly turn away. Except for a few and one that comes to mind right now is a young fellow named Josh Turner. He has a marvelous voice and you can actually hear him singing.
I think Hank Snow would approve of him. Even to having him on the Opry. Which would be a great endorsement for Josh.

Essential Country.......2006-04-09

The man who introduced Elvis to Colonel Parker and was a major Country star for three decades is worth getting to know, and this good-value CD is the place to meet him. The alternative single-disk collection, The Best of Hank Snow, has only 10 tracks but is not much cheaper. The mastering on this CD is very good and the insert notes are fine. The first 5 tracks are Hank's own compositions and, although they are good, it has to be said they are musically very similar and it is just as well that he went on to record other writers' songs. I've Been Everywhere, written by Geoff Mack, shows extraordinary verbal dexterity and is worth the price of admission on its own. The egregious Val Doonican often sang this song on his television variety show in Britain. It's good to hear it done properly.

Hank Snow had a tight-throated, slightly nasally style that became standard for Skiffle singers. His voice sounds just the same on the earliest recordings on this CD (1950) and on the latest (1973), although the style of the songs changes.

There is a departure from the somewhat raw Carter-style sound of the earlier songs with Let Me Go, Lover, which has a twangy, sentimental style which was to become typical of much 60s Country music. It may seem odd now that this song had been a simultaneous hit for Teresa Brewer and Patti Page in 1954 and then a hit for Snow the next year. But in the 50s, and even more in the 40s, it was commonplace for a hit song to be recorded by several artists and released at the same time. Another oddity about Snow's version is that, although it is titled Let Me Go, Lover, he actually sings "Let me go, woman".

This music may not find favor with hard-core traditionalists and old-school Folkies, but for Grand Ole Opry and Skiffle fans, it's the business.

Hank's career spanned six decades, forty-five years of them with RCA. This collection is the genuinely essential Snow.

Meditation Music:

1. The Snow [EP]
2. The Source
3. The Universe
4. Thunder Mountain: The Best of Scott Fitzgerald
5. Times Like These
6. Unbound Project, Vol. 1
7. Up & Running
8. Upon His Leaving
9. Utopia [CD-single]
10. Windowpane [CD-single]

Meditation Music

meditation music

Meditation Music

Journey: The Anthology 1967-1993 [Import]

Tchaikovsky: Symphony No. 3, Op. 29; Romeo and Juliet Fantasy-Overture

Trei II / Modifications

Music: Nat Stuckey: Pop A Top

Smojphace [EP]

The Children of Jah 1977-1979

Simple Je-Rebranchee a Bercy [Import]

The Initiation

The Best of Matt Bianco: 1983-1990 [Import]

Spohr: String Quintets, Vol.1

The Essential Clash [Extra tracks] [Import]

Songs from Indonesia - Sama Sama [Import]

The G-Spot [CD-single]

Live by Yo Rep

Something Cool (Multichannel Hybrid SACD)