| 1. Rotagilla |
| 2. Lime Rock |
| 3. Children's Song #6 |
| 4. Golden Slippers |
| 5. N.K.F. |
| 6. Wall of Mando Madness |
| 7. Donna Lee |
| 8. Free D |
| 9. Bach Partita #3 in E Major for Solo Violin |
| 10. It's Dark |
| 11. Gator's Dream |
The Duo,Darol Anger,Mike Marshall,Rounder Select,Adult Alternative,Chamber Jazz,Folk & Traditional,New Acoustic
Average customer rating:
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Wolfgang Amadeus Mozart: Complete Works (170 CD Box Set)
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BLI3K2 Release Date: 2005-10-25 |
Album Description
Mozart Edition: The Complete Works will make a great gift this Holiday season for the music lover in your life or someone who is hard to buy for. This collection contains 170 discs of completed works by Mozart in one beautiful package. Also included is a cd-rom containing essays on his works, artist bio's, text and libretti's. At this super low price all music lovers will enjoy the Symphonies - Concertos - Serenades - Divertimenti - Dances - Chamber Music - Church Sonatas - String Ensembles - Violin Sonatas - Keyboard Works - Sacred Works - Concert Arias - Songs - Canons and Operas in this collection.Customer Reviews:
Wonderful.......2007-07-30
It's absolutely fantastic, great music in a excellent box!
I really loved it!
a surprising offer.......2007-07-05
Welcome to Perfection.......2007-06-28
Buy this as an encyclopedia of Mozart, then add other recordings..........2007-06-22
The Requiem, conducted by Nicol Matt (2001 recording) has had better performances, and for this I would recommend Bohm/Vienna Philharmonic (DG) and Colin Davis/London Symphony (Philips), which use a larger choir and orchestra, and have more drama where it is needed. The other choral works conducted by Nicol Matt are better, especially "Exsultate Jubilate" motet, the short Masses, and "Ave Verum".
Also worthy of mention are the "Posthorn" and "Haffner" Serenades, by Colin Davis/Bavarian Radio Symphony Orchestra, licensed from Novalis for this release.
This is a great overview, and Brilliant Classics are to be commended for making it available at a low price, to get Mozart's music out to the mass public. It's a great buy, but I would get the Bohm Symphonies, and also Piano Concertos by either Ashkenazy/Philharmonia (Decca), Perahia/English Chamber Orchestra (Sony) or Anda/Mozarteum Orchestra of Salzburg (DG) for supplements. Also, Karl Bohm's recordings of the operas: The Magic Flute, the Marriage of Figaro, Idomeneo, and La Clemenza di Tito (all DG) are required listening, too. Recommended, but not as the only recording of Mozart's works.
Great value..Cant beat this deal at all!!!.......2007-06-13
Average customer rating:
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300 Years of Guitar Masterpieces
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001K62 Release Date: 1992-11-04 |
Tracks:
- Spanish Dances: No. 4 Villanesca
- Spanish Dances: No. 12 Arabesca
- Etudes For Guitar: No. 7 In E Minor
- Etudes For Guitar: No. 3 In D Major
- Etudes For Guitar: No. 5 In C Major
- Etudes For Guitar: No. 12 In A Minor
- Etudes For Guitar: No. 2 In A Major
- Etudes For Guitar: No. 8 In C - Sharp Minor
- Etudes For Guitar: No. 11 In E Minor
- Etudes For Guitar: No. 1 In E Minor
- Estudo No. 1
- 3 Pieces For Guitar: No. 1 Largo
- 3 Pieces For Guitar: No. 2 Tranquillo
- 3 Pieces For Guitar: No. 3 Un poco mosso
- Suite populaire bresilienne: Mazurka - Choro
- Suite populaire bresilienne: Schottish - Choro
- Suite populaire bresilienne: Valsa - Choro
- Suite populaire bresilienne: Gavotta - Choro
- Suite populaire bresilienne: Chorinho
Tracks:
- Sonata In D Major, K. 290, L. 206
- Sonata In E Minor, K. 292, L. 24
- Sonata In E Major, K. 380, L. 23
- Sonata In A Major, K. 208, L. 238
- Sonata In A Major, K. 209, L. 428
- Sonata In D Minor
- Sonata In A Major
- Sonata In B Minor
- Sonata In A Major, Op. 3, No. 1
- Variations sur les Folies d'Espagne, Op. 45
- Sonata In E Minor, Op. 3, No. 6
- Gran Sonata Eroica In A Major, Op. 150: Allegro maestoso
- Spanish Dances: No. 1 Minuetto
- Spanish Dances: No. 5 Andaluza (Playera)
- Spanish Dances: No. 3 Zarabanda
Tracks:
- Suite No. 4 In E Major: Prelude
- Suite No. 4 In E Major: Loure
- Suite No. 4 In E Major: Gavotte en Rondeau
- Suite No. 4 In E Major: Menuett
- Suite No. 4 In E Major: Bourree
- Suite No. 4 In E Major: Gigue
- Suite No. 2 In A Minor: Preludio
- Suite No. 2 In A Minor: Fuga
- Suite No. 2 In A Minor: Sarabande
- Suite No. 2 In A Minor: Gigue - Double
- First Suite Espagnola, Op. 47: Granada (Serenata)
- First Suite Espagnola, Op. 47: Cataluna (Curranda)
- First Suite Espagnola, Op. 47: Sevilla (Sevillanas)
- First Suite Espagnola, Op. 47: Cadiz (Cancion)
- First Suite Espagnola, Op. 47: Cuba (Capricho)
Amazon.com
Manuel Barrueco is one of the best guitarists I've ever heard. Listen to his own arrangement of Albeniz's Suite Española and you'll have trouble believing it's only two hands on one guitar. But Barrueco doesn't use his technique to show off. He's a solid musician, as expressive in Bach as in Villa- Lobos. He also makes transcriptions that respect the origins of the music. This is a wide-ranging guitar collection, but all the music is worth hearing, especially in performances like these. The disc is one of the best bargains among all guitar recordings, and Vox's recordings still sound like a guitar. --Leslie GerberCustomer Reviews:
Illuminating.......2007-07-04
Essential recordings.......2007-04-06
Exquisite.......2006-12-14
The "cool school" of guitar playing.......2006-10-26
Bach and others on the Guitar.......2006-08-10
Average customer rating:
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Soul of the Tango: The Music of Astor Piazzolla
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029XQ Release Date: 1997-10-02 |
Tracks:
- Libertango
- Tango Suite: Andante
- Tango Suite: Allegro
- Tango Suite: Sur: Regreso Al Amor
- Tango Suite: Le Grand Tango
- Tango Suite: Fugata
- Tango Remembrances
- Mumuki
- Tres Minutos Con La Realidad
- Milonga Del Angel
- Cafe 1930
Amazon.com essential recording
Yo-Yo Ma might seem like an unlikely protagonist for the tango, but this intrepid musical explorer has taken his task seriously, collaborating with experienced tango musicians. Ma even participates in a posthumous collaboration with one 1987 Piazzolla recording. Furthermore, while he's obviously the headliner here, he doesn't dominate the arrangements nearly as much as he does the billing and photography of the disc. While the result isn't your essential Piazzolla album (that would have to include more of the composer's own playing), it's an atmospheric and convincing collection, perhaps a good introduction for those who don't know the music. --Leslie GerberCustomer Reviews:
A magnificent way to expand your musical horizons from typical classical or cultural music.......2007-07-24
Excellently performed, Not much Variety.......2007-01-12
The only problem with this particular recording is that I think Piazzolla is better heard in moderation. Piazzolla wrote in such a constrianed genre, (classical tango), and thus a whole hour of Piazzolla is a little much to take. This great album doesn't make for much of a great straight through listen, but is much better as a plesant surprise when the computer library or iPod is on shuffle.
A Classy CD.......2004-06-23
Great Music BUT - Stupid Sony CD.......2003-07-16
Very good but not what I heard live in Cerritos.......2003-03-05
With that music, the subdued audience was enlightened. With only a Cello and a Piano, the music that was created was unbelievable. It was several months before the CD came out and I was a little disappointed that the energy that was present in the live concert did not translate to the CD. I hope that a Live recording or DVD will eventually be released which does capture the real Soul of the Tango.
Average customer rating:
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Mozart: Piano Sonatas
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002DEH1 Release Date: 1999-11-09 |
Tracks:
- Piano Sonata In C Major, K. 46d: 1. Allegro
- Piano Sonata In C Major, K. 46d: 2. Menuetto I - II
- Piano Sonata In F Major, K. 46e: 1. Allegro
- Piano Sonata In F Major, K. 46e: 2. Menuetto
- Piano Sonata In C Major, K. 279: 1. Allegro
- Piano Sonata In C Major, K. 279: 2. Andante
- Piano Sonata In C Major, K. 279: 3. Allegro
- Piano Sonata In F Major, K. 280: 1. Allegro assai
- Piano Sonata In F Major, K. 280: 2. Adagio
- Piano Sonata In F Major, K. 280: 3. Presto
- Piano Sonata In B Flat Major, K. 281: 1. Allegro
- Piano Sonata In B Flat Major, K. 281: 2. Andante amoroso
- Piano Sonata In B Flat Major, K. 281: 3. Rondeau. Allegro
- Piano Sonata In E Flat Major, K. 282: 1. Adagio
- Piano Sonata In E Flat Major, K. 282: 2. Menuetto I - II
- Piano Sonata In E Flat Major, K. 282: 3. Allegro
Tracks:
- Piano Sonata In G Major, K. 283: 1. Allegro
- Piano Sonata In G Major, K. 283: 2. Andante
- Piano Sonata In G Major, K. 283: 3. Presto
- Piano Sonata In D Major, K. 284: 1. Allegro
- Piano Sonata In D Major, K. 284: 2. Rondo en Polonaise. Andante
- Piano Sonata In D Major, K. 284: 3. Andante - Thema - Variations I-XII
- Piano Sonata In C Major, K. 309: 1. Allegro con spirito
- Piano Sonata In C Major, K. 309: 2. Andante un poco adagio
- Piano Sonata In C Major, K. 309: 3. Rondeau. Allegretto grazioso
- Piano Sonata In D Major, K. 311: 1. Allegro con spirito
- Piano Sonata In D Major, K. 311: 2. Andante con espressione
- Piano Sonata In D Major, K. 311: 3. Rondo. Allegro
Tracks:
- Piano Sonata In A Minor, K. 310: 1. Allegro maestoso
- Piano Sonata In A Minor, K. 310: 2. Andante cantabile con espressione
- Piano Sonata In A Minor, K. 310: 3. Presto
- Piano Sonata In C Major, K. 330: 1. Allegro moderato
- Piano Sonata In C Major, K. 330: 2. Andante cantabile
- Piano Sonata In C Major, K. 330: 3. Allegretto
- Piano Sonata In A Major, K. 331: 1. Andante grazioso - Thema - Variations I - VI
- Piano Sonata In A Major, K. 331: 2. Menuetto - Trio
- Piano Sonata In A Major, K. 331: 3. Alla turca. Allegretto
Tracks:
- Piano Sonata In F Major, K. 332: 1. Allegro
- Piano Sonata In F Major, K. 332: 2. Adagio
- Piano Sonata In F Major, K. 332: 3. Allegro assai
- Piano Sonata In B Flat Major, K. 333: 1. Allegro
- Piano Sonata In B Flat Major, K. 333: 2. Andante cantabile
- Piano Sonata In B Flat Major, K. 333: 3. Allegretto grazioso
- Fantasia In C Minor, K. 475: Adagio - Allegro - Andantino - Piu allegro - Primo tempo
- Piano Sonata In C Minor, K. 457: 1. Molto allegro
- Piano Sonata In C Minor, K. 457: 2. Adagio
- Piano Sonata In C Minor, K. 457: 3. Allegro assai
Tracks:
- Piano Sonata In F Major, K. 533: 1. Allegro (K. 533)
- Piano Sonata In F Major, K. 533: 2. Andante (K. 533)
- Piano Sonata In F Major, K. 533: 3. Rondo. Allegretto (K. 494)
- Piano Sonata In C Major, K. 545: 1. Allegro
- Piano Sonata In C Major, K. 545: 2. Andante
- Piano Sonata In C Major, K. 545: 3. Rondo. Allegretto
- Piano Sonata In B Flat Major, K. 570: 1. Allegro
- Piano Sonata In B Flat Major, K. 570: 2. Adagio
- Piano Sonata In B Flat Major, K. 570: 3. Allegretto
- Piano Sonata In D Major, K. 576: 1. Allegro
- Piano Sonata In D Major, K. 576: 2. Adagio
- Piano Sonata In D Major, K. 576: 3. Allegretto
Customer Reviews:
Yes, perfect.......2007-07-11
Mozart-A prisoner of his own time........2006-09-08
As this cd shows, Mozart's music was sublime. But even he struggled with using this "harmony of the day". If you were to study the catalogues of Mozart's symphonies, sonatas, and chamber music, let's face it; you would hear a lot of turkies before you made it to the peacocks. We would have to wait until Chopin until the harmonies fattened up a little.
Having said that, you have to completely hail Mozart for taking what was available to him in his day and creating some of the most sublime music with it. It would be like for the next ten years all the world had available to eat was peas, and 200 years from now one man became immortal for the many interesting ways he was able to manipulate peas into a meal.
Good music and good value.......2006-08-28
Five and a half hours of joy for not much bucks.......2005-11-11
FINALLY.......2004-08-05
Anyways, Eschenbach plays these with all the virtuosity and feeling they demand. My favorite piano sonata is Mozart's 12th and he plays it flawlessly; the only thing remotely lacking is that he doesn't quite dig in as much as Alicia de la Roccha does when she plays it on the Allegro movement, but he more than makes up for it with his playing on the Adagio movement.
If it's not your cup of tea it might be worthwhile getting the de la Roccha box set, but personally I think the Eschenbach recording is the best out of all of them.
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Sergei Rachmaninoff: Greatest Hits
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002A1L Release Date: 1994-08-09 |
Tracks:
- Vocalise, Op. 34, No. 14
- Piano Concerto No. 2 In C Minor, Op. 18: III. Allegro scherzando
- Rhapsody On A Theme Of Paganini, Op. 43: 18th Variation
- Symphony No. 2 In E Minor, Op. 27: III. Adagio
- Prelude In G Minor, Op. 23, No. 5
- Prelude In G-Sharp Minor, Op. 32, No. 12
- Prelude in C-sharp minor, Op. 3, No. 2
- Cello Sonata In G Minor, Op. 19: II. Allegro scherzando
- Etude-tableau In D Major, Op. 39, No. 9
- Six Pieces, Op. 11: Scherzo
- Six Pieces, Op. 11: Slava
- Symphonic Dances, Op. 45: III. Lento assai
Customer Reviews:
Yes.......2003-04-03
I would recommend this to anyone who is just starting to become interested in the works of Sergei Rachmaninov.
A decent introduction to the music of Rachmaninoff.......2001-08-12
Great Collection of "Hits".......2000-06-22
One of the best CD I own.......1999-12-30
Average customer rating:
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Dinner Classics: The Italian Album
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026XP Release Date: 1990-05-17 |
Tracks:
- Canzon Septimi Toni No.2
- Concerto in E Major, Op. 8, No. 1: I-Allegro From Spring (La primavera)
- Overture (Allegro)
- from Concerto in G Major for 2 Guitars: I-Allegro
- from String Quartet in E Major Op. 13, No. 5: Minuetto
- from Sonata for Violin & Guitar: III-Menuetto: Allgretto
- from Sonata Concertata in A Major: III-Rondeau
- Cantabile for Violin & Guitar
- from Concerto for Guitar and Strings Orchestra, Op. 30: II-Andantino Siciliano
- Nocturne: Moderato from the ballet La Boutique Fantasque (after Rossini)
- from the Sebastian Suite: Barcarolle
- Dance for Six (from William Tell)
- La Donna E Mobile (from Rigoletto)
- Musetta's Waltz (from La Boheme)
- O Soave Fanciulla (Love Duet) from La Boheme
- Vissi D'Arte (from Tosca)
- Intermezzo: Andante Cantabile ( from Fedora)
- Introduction to Act I (from La traviata)
- Intermezzo (from Cavalleria rusticana)
- Celeste Aida (from Aida)
- O Mio Babbino Caro (from Gianni Schicchi)
Customer Reviews:
Bravo!.......2000-07-22
Outstanding compilation of the Italian classics,.......1999-05-01
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Obrigado Brazil
Yo-Yo Ma Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009ZKXD Release Date: 2003-07-29 |
Tracks:
- Cristal
- Chega de Saudade
- A lenda do caboclo
- Doce de coco
- Danga brasileira
- Apelo
- Danga negra
- 1 x 0 (um a zero)
- Menino
- Samambaia
- Carinhoso
- Alma brasileira
- O Amor em Paz
- Bodas de Prata & Quatro Cantos
- Brasileirinho
- Salvador
Amazon.com
This enchanting, flavorful CD finds the ever curious Yo-Yo Ma traveling to South America, and Brazil in particular. The music varies from classical to samba to bossa nova; the combinations range from guitar, flute, and cello to female voice (the remarkable Rosa Passos), cello, guitar, percussion, piano, and bass; to simple cello and piano; to cello and two guitars. The overriding element is rhythm; each selection has a beat which is both infectious and sensual, but the contexts are splendidly varied. "Dansa brasileira" has a Debussy-like, impressionistic flavor, "Dansa negra" is sultry with an easy melody, "1 x 0" is a dance scored for guitar, percussion, and cello with a solo clarinet riff. It's impossible to get bored or tired listening to this creative CD; it's unique--just like Yo-Yo Ma himself--and endlessly surprising. It may not be quite what we'd call "classical" music, but it is many kinds of music, and they all will delight. The other musicians are as impressive on their instruments as Ma is with his cello, and that's saying a great deal. --Robert LevineCustomer Reviews:
great........2007-01-17
Obrigado Brazil.......2006-03-11
Takes My Breath Away.......2006-02-11
Peace:
The*Hot*Wax*Kid
Obrigado Brazil.......2005-09-08
is wrong with it..it screeches and pops and won't play. But its open so I can't return it. Very disappointed.
A little Dull.......2005-01-24
sounded dull, it makes good back ground noise but it doesn't hold your attention.
Average customer rating:
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Hush
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000027VR Release Date: 1992-01-28 |
Tracks:
- Grace
- Concerto In D Minor For 2 Mandolins: Andante
- The Legend Of Tsar Saltan: Flight Of The Bumblebee
- Stars
- Hush Little Baby
- Vocalise
- Notebook For Anna Magdalena Bach: Musette
- Coyote
- Sonata For 2 Cellos: Allegro prestissimo
- Ave Maria
- Hoedown!
- Orchestral Suite No. 3: Air
- Good-Bye
Amazon.com
The idea here was to put two masters together--one classical cellist, one improvisational singer/sound-effects performer--and voilà! instant amazing, unique, hip--and, hopefully, hit--record. The intriguing setup was to see what would happen when each led the other through the unfamiliar territory of his own specialty. The success of this recording lies not so much in the music or even in the overall performances, but in the fascinating and fun opportunity to sit in on the musicians' good-natured, respectful give-and-take, to witness an uncommon form of artistic chemistry that allows each performer to expand his vision and even his technique. On one hand we get Bobby McFerrin's impressionistic, improvisatory jazz/pop; on the other we enjoy Yo-Yo Ma's highly refined, formalized musicianship. Originally planned as a disc for children, Hush goes far beyond its initial premise, with each of the 13 tracks demonstrating these musicians' unique gifts and showing that, whether it's Vivaldi or jazz, it's all music and it's all a lot of fun. --David VernierCustomer Reviews:
Hush ... you don't want to miss a single note!.......2007-07-28
In my CD collection are good works by Yo-Yo Ma and very fine ones by Bobby McFerrin, separately. But it was a stroke of great luck that the local library had this incredible CD available when I dropped by tonight, in lieu of the concert, for having these two virtuosos perform together on the same recording is like photosynthesis, the bringing together of powerful forces to trigger a miracle. The miracle is life, the vitality of the artists and their uniquely creative musical expression. Every music lover and musician should give this CD a close listen!!! I can think of no better gauge of the carefree and wide-eyed youth that hopefully still thrives inside, whatever may be your biological age, than this soulfull expose.
Yo-Yo Ma and Bobby McFerrin.......2007-05-12
Yo-Yo keeps on experimental.......2006-03-04
It's an incredible fusion of strings and vocal strings, in some moments it is not possible to separate them, some times is like a big keyboard directed by a single musician. In a word, they experiment, and the result was incredible.
This is no "Don't Worry, Be Happy".......2005-10-23
Honestly, I could do without the non-classical pieces on this CD...although I enjoy them.
But the classical interpretations are some of the most heavenly, wonderful, beautiful, awe-inspiring things that I have ever heard, on any CD, in any genre! Yes, that good!
McFerrin uses his voice as the perfect instrument and accompanient to Ma's cello. They were made for each other.
Listen to the samples of the classical pieces if you're a doubter...
Excellent CD!.......2005-09-22
Bobby uses his voice as a fantastic sounding 'instrument' to sing notes much like an instrument playing a duet with Yo-Yo; sometimes his voice sounds so much like a real instrument that you even forget that you are hearing vocals--I don't even know what other vocalist could pull this off. It is a fascinating experiment. I recommend it highly!
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Perpetual Motion
Bela Fleck , Edgar Meyer , Evelyn Glennie , Joshua Bell , Gary Hoffman , John [guitar] Williams , Domenico Scarlatti , Johann Sebastian Bach , Claude Debussy , Fryderyk Chopin , Pyotr Il'yich Tchaikovsky , Johannes Brahms , Niccolo Paganini , and Ludwig van Beethoven Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005OSX6 Release Date: 2001-10-02 |
Tracks:
- Scarlatti: Keyboard Sonata in C Major K. 159
- Bach: Two-Part Invention No. 13
- Debussy: "Doctor Gradus ad Parnassum" from Children's Corner
- Chopin: Mazurka in F-sharp Minor
- Bach: "Prelude" from Partita No. 3 for Solo Violin
- Chopin: Etude in C-sharp Minor
- Chopin: Mazurka in F-sharp Minor
- Bach: Three-Part Invention No. 10
- Tchaikovsky: Melody in E-flat
- Brahms: "Presto in G-Minor I after Bach"
- Bach: "Prelude" from Suite for Unaccompanied Cello 1
- Bach: Three-Part Invention No. 15
- Paganini: Moto Perpetuo
- Scarlatti: Keyboard Sonata in D Minor K. 213
- Bach: Two-Part Invention No. 6
- Beethoven: "Adagio sostenuto" from "Moonlight" Sonata
- Bach: Two-Part Invention No. 11
- Beethoven: Seven Variations on "God Save The King"
- Bach: Three-Part Invention No. 7
- Paganini: Moto Perpetuo (Bluegrass version)
Amazon.com
Bela Fleck is one of the greatest five-string banjo players performing today. Beginning in the 1970s, he honed his lightning-fast chops performing bluegrass, then moved on to contemporary jazz and fusion sounds. With this album, he broadens his horizons once again by performing an entire program of classical music transcriptions. Reminiscent of classical guitar albums by John Williams (who makes a guest appearance here), the disc traverses a wide range of repertoire--from Chopin mazurkas to Bach's Two and Three Part Inventions. Throughout, Fleck displays a feathery touch on his banjo, and his instrument offers a pleasant, brassy tone with very little twang. The technique he displays on Perpetual Motion is astounding and a refreshing change of pace from the smooth grooves found on the banjoist's Flecktones recordings. The arrangements are generally minimalist and understated, but violinist Joshua Bell, bassist Edgar Meyer, mandolinist Chris Thile, and percussionist Evelyn Glennie join in on this groundbreaking disc. Bluegrass purists may be disappointed (this is a far cry from the free-spirited, folksy abandon found on Sony's Short Trip Home and Appalachian Journey CDs), but classical fans will be astounded by how perfectly natural Fleck's banjo sounds on these works. --Jason VerlindeCustomer Reviews:
Amazing and beautiful.......2007-01-02
And he does it without really showing off. He only tackles mazurkas, fugues and Bach classical inventions on the five-string banjo, a simple instrument for which this music was never conceived.
I once flirted with playing the banjo, and it wasn't an easy task, even trying to play 'Uncle Pen'.
But the man must be possessed to play it like Bela does. Alternating between delicate and complicated, slow to fast, Fleck gets about as much out of the humble banjo as anyone possibly could. He plays it precisely and with a light touch, with respect for the music and his instrument.
Some reviewers think it pretentious of Fleck to attempt a banjo foray into the classical genre. That's bunk. How is virtuosity measured, after all? By playing many genres: classical, bluegrass, pop, jazz, Indian, fusion. And by playing them well.
Fleck wasn't awarded a Grammy for this recording just by looking pretty. He earned it.
Another Bela Fleck Masterpiece!.......2006-09-17
Definitely a Winner.......2006-07-05
Soul Food.......2006-01-30
AN AMAZING WORK ! ! !.......2005-11-12
Béla Fleck did a great job by working with people who is masters of their instruments like John Williams etc. This causes the CD to be more joyful.You won't get bored to listen it again and again!
Anyway ,either you are a fan of classical music or not, you won't be dissapointed with this.I guarantee :)
Meditation Music:
- Thinking of You
- Touch of Serenity, Vol. 1
- Tranquility Box Set [Box set]
- Twilight Dreams
- Vanishing Point
- Velvet Dreams
- Walk Through the For
- Where Wild Salmon Run
- Windows
- 50's Slow Dance
Meditation Music
How to Survive Chance [Enhanced] [Import]
Tryin' to Get a Buck [Explicit Lyrics]
The Battle of Los Angeles [Explicit Lyrics] [Import]