Cantilena

1. Diamond Dance

2. Love Song

3. Leap!

4. Farther Than the Stars

5. Sacred Wood

6. Earth Prayer

7. First Light

8. Tara

9. Dawn

10. Elegy

11. Lake Isle of Innisfree

12. Child

Cantilena,Bill Douglas,Hearts of Space,Chamber Jazz,Ethnic Fusion,Jazz Music,Neo-Classical,New Age / Meditation,Pop,Space,Spiritual

Average customer rating:

really like it

Cello Adagios

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Violin Adagios
Guitar Adagios
Baroque Adagios
Movie Adagios
Romantic Adagios

ASIN: B0001WU1QK
Release Date: 2004-05-11

Tracks:

Carnival Of The Animals - Bruno Canino
Vocalise, Op.34 No.14 - Lynn Harrell
Thais - Julian Lloyd Webber
Adagio - Janos Starker
Apres Un Reve - Bruno Canino
Adagio - Julian Lloyd Webber
Ave Maria - Julian Lloyd Webber
Adagio - Julian Lloyd Webber
Traumerei (Dreaming) - Bruno Canino
Notturno: Andante - Julian Lloyd Webber
Sicilienne - Bruno Canino
An Die Musik, D547 - Bruno Canino
Reverie - Julian Lloyd Webber
Prayer - Bruno Canino
Ebben? Ne Andro Lontana - Bruno Canino
Salut D'amour, Op.12 - Bruno Canino
Valse Sentimentale, Op.15 No.6 - Samuel Sanders
Kol Nidrei, Op.47 - Julian Lloyd Webber

Tracks:

Air (Air On A G String) - Julian Lloyd Webber
Clair De Lune - Julian Lloyd Webber
Elegie, Op.24 - Jullian Lloyd Webber
Andante - Heinrich Schiff
Romance In D Minor, Op.62 - Julian Lloyd Webber
Beau Soir - Bruno Canino
Sicilienne, Op.78 - Bruno Canino
Panis Angelicus - Julian Lloyd Webber
Nocturne In E Flat Major, Op.9 No.2 - Julian Lloyd Webber
Cantabile - Samuel Sanders
Liebesleid - Samuel Sanders
Adagio Ma Non Troppo - Janos Starker
Bereuse - Julian Lloyd Webber
Cantilena - Julian Lloyd Webber
Melodie, Op.20 No.1 - Julian Lloyd Webber

Customer Reviews:

really like it.......2007-03-05

This is the first classical cd I have ever bought. The two-disc album was a great price. I really love the performance of Lynn Harrell. I like the collection of Adagios because they are perfect to fall asleep to or study to.

Average customer rating:

Cantata Mundi making the past very present
Beautiful Music
The BEST Adiemus
Adiemus II
Gasps & Goosebumps! A 2,000 Mile CD!

Adiemus II: Cantata Mundi

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Songs of Sanctuary
Adiemus III: Dances of Time
Adiemus IV: The Eternal Knot
Karl Jenkins: Requiem
The Journey: The Best of Adiemus

ASIN: B0000029MA
Release Date: 1997-08-26

Tracks:

Adiemus 2 Cantata Mundi: 1.Cantus - 'Song Of Tears'
Adiemus 2 Cantata Mundi: 2. Chorale I (Za Ma Ba)
Adiemus 2 Cantata Mundi: 3. Cantus - Song Of The Spirit
Adiemus 2 Cantata Mundi: 4. Chorale II (Roosh Ka Ma)
Adiemus 2 Cantata Mundi: 5. Cantus - 'Song Of The Trinity'
Adiemus 2 Cantata Mundi: 6. Chorale III (Vocalise)
Adiemus 2 Cantata Mundi: 7. Cantus - 'Song Of The Odyssey'
Adiemus 2 Cantata Mundi: 8. Chorale IV (Alame Oo Ya)
Adiemus 2 Cantata Mundi: 9. Cantus - 'Song Of The Plains'
Adiemus 2 Cantata Mundi: 10. Chorale V (Arama IVI)
Adiemus 2 Cantata Mundi: 11. Cantus - 'Song Of Invocation'
Adiemus 2 Cantata Mundi: 12. Chorale VI (Sol-Fa) - 13. Cantus- 'Song Of The Aeolus'
Adiemus 2 Cantata Mundi: 14. Chorale VII (A Ma Ka Ma)
Adiemus 2 Cantata Mundi: 14. Cantilena
Adiemus 2 Cantata Mundi: 15. Elegia

Customer Reviews:

Cantata Mundi making the past very present.......2007-03-10

The fact that I don't understand a word of the lyrics of this CD is what challanges my imagination more than anything else. I think of the dead Latin language of the Roman Empire. Intended or not, this CD somehow gives life to ancient tales about the mediterranian people about the epoch of Christ. Sometimes the use of female vocals in conjunction with classically arranged harmonies (often reminding me of Mozart) makes me think of some cult of Maria Magdalene. At other times (eg. 'Song of the Plains') the music seems to bring me on a journey through the world of females, a journey in time and space.

Beautiful Music.......2006-11-10

This CD is the best of two different Musical Types. The orchestrtion and the choral components are wonderfully matched. When you listen to this you can go on a journey that is so magical!

The BEST Adiemus.......2006-11-06

It's hard to decide which of the Adiemus CD's I would rate as best. However, as the title suggests, this is the title I always recommend to friends who have never heard any of Karl Jenkins' work. Every track is a great experience as well as a unique musical journey. Stated conversely, if you don't like this album, you won't like anything else by Karl Jenkins.

Adiemus II.......2006-08-11

Overall, I think this is the best of the Adiemus works. The symphonic overtones add greatly to the richness of the songs.

Gasps & Goosebumps! A 2,000 Mile CD!.......2005-10-28

This is my first experience listening to Karl Jenkins' music and I would give this CD 10 stars. I got the CD the day before taking a 500 mile trip and just took it out of the box and placed it on my dash. I had bought the CD for cut#8 Chorale IV which I heard on a cable TV New Age music station. I listened to them all and pretty much skipped cut #1 Cantus-Song of Tears because it started off a little boring.

Boy was I wrong! Cut#1 is possibly one of the most startlingly beautiful pieces EVER written. It takes a minute to get going, but it is breathtaking. It caused me to gasp "Wow!" and raised the hair on my arms each time I listened to it. The gorgeous payoff of this piece comes in at 6 minute 51 seconds. As another reviewer said, they used this piece in a live show and I was wondering as I listened to it why someone wouldn't put it to that great use.

This music not only gives you mind pictures, it can transcend distance OR time. I felt myself standing on a cliff in the Himalayas looking down across space and time. Incredible! Karl Jenkins is definitely an unhearalded musical genius.

Cut #14 Cantilena is what I would like played at my funeral if I go having lived a truly good life (which I have.) It is a fitting denouement of a good life. Same for #15 Elegia.

I had not read the jewelbox info before i played this CD and thought I heard Miriam Stockley. Great mix, these two artists! She is vastly talented and the Africa, Latin, Classical mix that she infuses makes this CD so addictive, I listened to it on two trips, over 2,000 miles! I will be buying more Karl Jenkins music.

Average customer rating:

4 stars and stuff, man
Nice segue to opera
Exquisite! My favorite of the Arias and favorite CD by far.
A great follow-up to an outstanding musical experience
Grandiose and inspiring

Aria, Vol. 2: New Horizon
Paul Schwartz , Rebecca Luker , and Steve Barton
Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD

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Aria 3: Metamorphosis
Aria
State of Grace II: Turning to Peace
State of Grace
Earthbound

ASIN: B0002IQGFI
Release Date: 2004-08-10

Tracks:

Arianna
Ebben
Addio
Horizon
Barcarolle
Cantilena
Sviraj (Lullabye)
Interlude
Pavane
Ave Maria
Leiermann
Lullabye (Sviraj)

Customer Reviews:

4 stars and stuff, man.......2007-05-06

review review review review blah blah blah blah and stuff, man.

Nice segue to opera.......2007-01-10

I have never liked opera, but this music is a gentle introduction with enough contemporary addition to pique my interest. Very well done. I have also purchased the first Aria CD and also number 3.

Exquisite! My favorite of the Arias and favorite CD by far........2006-11-06

This CD speaks to the heart. It expresses powerful emotions of longing, grief, and tenderness. A baring of the soul with such beauty. Clair Marlo's vocals in Lullabye (Sviraj) are absolutely divine. It sends me. Here we are treated to at least three different vocals, not just Rebecca Luker, and they blend and flow so beautifully. It's just wonderful. What a treat. Can't say enough about this CD. I love it.

A great follow-up to an outstanding musical experience.......2006-03-15

ARIA volume 1 was certainly a winner and this follow-up CD is fantastic. I liked the first CD so much that every time I went to the record store or online at Amazon I would look to see if Paul Schwartz and written a sequel. Schwartz selects wonderful works from classical music and re-arranges them so that they maintain the essential spirit and intent of the original but are made accessible for the ears of contemporary listeners. Thus, you owe it to yourself to listen to these gems.

Rebecca Luker's super voice is wonderful as she weaves a mystical mood with Monteverdi's Lament of Arianna; Catalani's "Ebben ne Andro Lontano" from La Wally; "Addio" from Verdi's La Traviata; "Barcarolle" from Offenbach's Contes De Hoffman and "Ave Maria" by Caccini. I looked Luker up on the web and found that she has starred in various Broadway productions. Her voice is incredible and Schwartz integrates her angelic sound into the electronic instrumentation. The "Ave Maria" is somewhat odd, with the strong precussions, but the choir and Rebecca Luker keep it within bounds.

This CD differs from the first ARIA in that we are treated to several instrumental works arranged by Schwartz. "Horizon" is a moody composition anchored by viola and cello. "Cantilena" is a piano solo played by Schwartz, a charming piece that echoes back to Verdi's "Addio" as well as the Croatina Lullabye sung by Clair Marlo.

A second outstanding singer, Clair Marlo, delivers "Sviraj, a Croatian Lullabye" which Schwartz offers in two distinct arrangements, once in Croatian and then again in English.

Faure's "Pavane" is very well done with Marc Antoine playing the guitar solo. The work is improvised so that a contemporary jazz interpretation is offered.

Steve Barton's voice, accompanied by the oboe, offers us "Leiermann" from Die Wintereise by Schubert. This is a dreamy sad odd spacey work with lyrics about a freezing ancient shoeless hurdy-gurdy man. The work is full of mystery and retains Schubert's complexity.

Paul Schwartz makes the outstanding compositions of previous generations come alive for contemporary audiences.

Grandiose and inspiring.......2005-01-31

This is type of music I expect to hear: strong, complex arrangements executed with passion and flair. I first heard Earthbound, and knew instantly that Paul Schwartz is up to something. His work far surpasses others in this genre.

I especially love the vocals here. Some of the intros are a tad cliche, but I can live with that. The voice is convincing and energetic, masterful even. This is one of the best CDs I have bought in years.

Average customer rating:

Not all the arias were her best
DIDN'T QUITE FULFIL MY REQUEST
Fair Enough
Fleming's High Points Well Covered in Compilation CD
Beautiful indeed!

Renee Fleming: By Request
Vincenzo Bellini , Alfredo Catalani , Antonin Dvorak , George Gershwin , Erich Wolfgang Korngold , Jules Massenet , Wolfgang Amadeus Mozart , Giacomo Puccini , Sergey Rachmaninov , Richard Rodgers , Richard Strauss , Giuseppe Verdi , Heitor Villa-Lobos , Georg Solti , James Levine , Jeffrey Tate , Patrick Summers , Sir Charles Mackerras , Lee Ritenour , Chamber Orchestra of Europe , and Renee Fleming
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
Renée Fleming
Sacred Songs
HOMAGE: The Age of the Diva
Handel

ASIN: B0000C3ICO
Release Date: 2003-09-16

Tracks:

O Mio Babbino Caro
Ebben? ... Ne Andro Lontana
Porgi, Amor
Come Scoglio
Casta Diva
E Strano...Ah Fors E Lui...Sempre Libera
Un Bel Di Vedremo
Je Marche Sur Tous Les Chemins...Gavotte
Mesicku Na Nebi Hlubokem (O Silver Moon)
Vocalise
Cacilie
Marietta's Lied
Summertime
Bachianas Brasileiras No.5: Aria (Cantilena)
You'll Never Walk Alone

Amazon.com

This is a compilation--plus three previously unreleased selections--of some of the glorious Renée Fleming's finest work, 15 selections covering 13 composers. The rose-in-full-bloom quality of the voice is staggeringly beautiful: Her rendition of Rusalka's "Song to the Moon" is justly famous and is, alone, worth the price of this CD. Other highlights are Marietta's Lied from Korngold's Die tote stadt, an odd arrangement of the aria from Villa-Lobos's Bachianas Brasilerias No. 5, Manon's Gavotte, and a knock-down-gorgeous reading of Gershwin's "Summertime." The three new recordings are of Violetta's big first-act scene from La traviata, which features one of the most perfect trills heard since Joan Sutherland, a thrilling Cäcilie (R. Strauss), and a version of "You'll Never Walk Alone" which is so over the-top that it might make you look away in embarrassment. On the basis of this CD, one would have to acknowledge that Fleming is more interested in--and more successful at--pure singing than she is at character delineation (Butterfly sounds oddly like Wally who sounds too much like Norma), but it's not hard to tell why she's a superstar. Her voice and technique are one in a million. --Robert Levine

Album Details

"by Request" is a Collection of Fleming's Greatest and Most Popular Recordings Including Works by Mozart, Bellini, Pucchini, Verdi and Dvorak. Featuring Recordings from Renee Fleming's Outstanding Decca Discography Together with Two Glorious Tracks Strauss "Cacilie" and Verdi's "la Traviata" a Role Fleming Performed to Critical Aclaim Earlier in 2003.

Customer Reviews:

Not all the arias were her best.......2005-01-15

There is something lacking. Although most of these are indeed her "Best" releases, some things could have been left out. Her O Mio Babbino Caro and her Casta Diva weren't her best efforts at all. Casta Diva, sung to perfection by other revered artists, sounded too breathy and fearful here. It has good chest notes, and it is definitely better than Joan Sutherland's Norma though. Her O Mio Babbino Caro is the usual aria sung in its usual way, without leaving any trace of awe at an ability of a singer to interpret the aria. Rachmaninov's Vocalise was good, and it was great of Decca to release her Song to the Moon on this disc. However, some new additions weren't all that good as well. For example, if you listen to her excerpt from La Traviata, you will find that she sounds like she was singing jazz when uttering out "Gioir!". I think Decca should have issued the live performance version of this instead. That was so much better. Also, they should have showcased more of the bel canto repertoire she had specialized in. That would have made this CD a gem!

DIDN'T QUITE FULFIL MY REQUEST.......2004-11-22

THIS CD DEFINITELY BRINGS OUT THE BEST IN HER REPERTOIRE. SHE IS SOLID, WARM, AND BRILLIANT ON MOST OF THE SONGS. SINCE I OWN MANY OF HER CDS MOST OF THE TRACKS I HAVE IN DUPLICATE. EVEN SO EACH VERSION HAS A DIFFERENT FEEL TO IT. HER "O MIO" IS GREAT BUT GENERALLY I FEEL THAT KIRI TE KAWANA IS A LITTLE CLEARER THAN RENEE. HER "Ebben?...Ne Andrò Lontana" IS ALWAYS BRILLIANT FROM HER HIGH ENDS TO THE NECESSARY LOW NOTES TO FINISH THIS GLORIOUS TRACK. HER COUNTESS HAS ALWAYS BEEN A STRONG AND POWERFUL CHARACTERIZATION AND HER BUTTERFLY TEETERS ON HAPPINESS AND PAIN. THESE RICH LYRIC ROLES DESERVE A SOPRANO LIKE RENEE. I WAS HOWEVER, VERY DISAPPOINTED THAT SHE ADDED "SEMPRE LIBERA" TO THIS CD AS SHE'S NEVER BEEN A COMPELLING VIOLETTA AND CAN'T EVEN MUSTER THE HIGH "C" WE ALL EXPECT NOW A DAYS. HER RUSALKA IS ALWAYS MESMERIZING AND HER SIMPLICITY ON GLUCK'S "Das Mir Verblieb" WAS AN INCREDIBLE SURPRISE. I FOUND THE OTHER SONGS BORING DUE TO THE FACT THAT I DON'T LIKE THEM AND I KIND OF WISHED SHE WOULD HAVE REPLACED THEM WITH SOME BETTER WORKS. I MISSED HER SOFT AND DEFEATED "AVE MARIA" FROM OTHELLO OR HER FULL BODIED SPOILED MUSETTA IN "QUANDO MEN VO" OR HER RICH SADNESS IN "DOVE SONO"

Fair Enough .......2004-10-01

This is a compilation. I can't say love them I think thatpeople want to be surprised by new things, instead of um things they already own.On the other hand a die hard fan wouldn't mind having an extra cd by their favorite artist.Fair Enough.There was one aria that was new to me"Cantilena Brasileras"by Villa Lobos that was very striking.Her voice flows like an unimpeded stream with a lush vibrato.Like I read in one kid's review "Renee has a silky,creamy, instrument that is very beautiful and caresses the ear",couldn't have said it better myself. I agree. One smart kid!!! One thing that I have to comment on that will not escape is the dull cover picture. Renee get a better photographer;you're far more beautiful than that. I'm sounding like her mother,dear lord! She is a fox!

Fleming's High Points Well Covered in Compilation CD.......2004-09-06

Just one listen to the high points of this disc will make you realize why Renée Fleming is an opera superstar. Covering a ten-year period, this compilation disc covers a most fertile period for Fleming, absolutely one of the world's leading lyric and dramatic sopranos. What is particularly impressive is how many different styles she has covered, ranging from Italian bel canto to French Romanticism to Rodgers & Hammerstein. She effortlessly sings in six different languages, including what sounds like flawless Czech on Dvorak's "Měsíčku na nebi hlubokén" (which goes back to her family roots). Her powerful voice is expressive, almost buttery, which allows the listener to enjoy the coloratura agility she has mastered over the years and the tonal qualities she specifically defines for each aria. This is most evident on my two personal favorites - "Ebben?...Ne scoglio" from Catalani's "La Wally" (which will sound familiar to fans of the French eighties noir film, "Diva") where her crystalline voice complements the increasing power of the melody, and the haunting "Mariettas Lied" from Korngold's "Die tote Stadt".

Fleming also has a good sense of the characters she is portraying, for instance, on the "La traviata" aria, "È stano...Ah, fors'è lui...Sempre libera", one gets a strong sense of Violetta's conflict between the attractions of true love versus the free life of a courtesan. She also gets some sturdy help from tenor Joseph Calleja as Alfredo in this piece. But even in this number, the effect of her daunting runs and trills can be a bit overwhelming. She does keep this in check with the slower-paced tracks like "Casta diva" from Bellini's "Norma", which uses a choir in the background to great effect, and Rachmaninov's lovely "Vocalise". The well-worn "Summertime" from Gershwin's "Porgy and Bess" is nicely covered here, and it certainly invites comparisons to even Leontyne Price's definitive version. Fleming ends the disc with a rousing version of Rodgers & Hammerstein's "You'll Never Walk Alone" from "Carousel" that grows a bit too bombastic for listening comfort. Regardless, this disc provides a nice sampling of what this truly great singer has done over the past decade. A treat for her fans and highly recommended for anyone who wants an ideal introduction to her range of talent.

Beautiful indeed!.......2004-07-19

I'm very happy with this CD. She has a lovely voice! And what a fox! ;)

Kiri Te Kanawa - Canteloube: Chants d'Auvergne, Villa-Lobos: Bachianas brasileiras

Average customer rating:

Simply beautiful
Simply Sublime
LUSH AND PASSIONATE!
Beautiful!
Only Kiri

Kiri Te Kanawa - Canteloube: Chants d'Auvergne, Villa-Lobos: Bachianas brasileiras
Marie-Joseph Canteloube , Heitor Villa-Lobos , Jeffrey Tate , Kiri Te Kanawa , English Chamber Orchestra , and Instrumental Ensemble
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Canteloube - Chants d'Auvergne / Victoria de los Angeles
Kiri
Joseph Canteloube: Songs Of the Auvergne
Joseph Canteloube: Chants d'Auvergne
Canteloube: Chants d'Auvergne

ASIN: B00000427R
Release Date: 1995-11-14

Tracks:

La Pastoura als Camps
Bail ro
Trois Bourr es
Pastourelle
L'Antou no
La Pastrouletta lou Chibali
La Dela ssado
Bour es
Lo Fiolair
Passo pel Prat
Lou Boussu
Brezairola
Malurous qu'o uno Fenno

Tracks:

Chants d'Auvergne: Jou l'pount d'o Mirabel
Chants d'Auvergne: Oi ayai
Chants d'Auvergne: Per l'efon
Chants d'Auvergne: Tchut, tchut
Chants d'Auvergne: Pastorale
Chants d'Auvergne: Lou Coucut
Chants d'Auvergne: Obal, din lo coumb
Chants d'Auvergne: Quand z'eyro petitoune
Chants d'Auvergne: Laut, sur le rocher
Chants d'Auvergne: HBeyla-z-y dau f
Chants d'Auvergne: Postouro, su m'aymo
Chants d'Auvergne: Uno jionto postouro
Chants d'Auvergne: Lou diziou b
Bachianas brasileiras: Aria (Cantilena)
Bachianas brasileiras: Dansa (Martelo)

Customer Reviews:

Simply beautiful.......2005-08-07

Kiri Te Kanawa has one of the most beautiful operatic voices and no cd displays this better than Canteloube: Chants d'Auvergne. These folk songs, sung in a french dialect, are sung perfectly by Kiri Te Kanawa. You do not need to understand the language to feel the emotions the songs evoke. This is a simply beautiful cd and Kiri is flawless.

Simply Sublime.......2004-02-27

What is it about these wonderful songs that tend to bring out the best in some of the world's finest sopranos?

There are so many fine recordings of these songs.

The great Frederica Von Stade recorded a quite mesmerizing selection of the Auvergne songs at about the same time as Dame Kiri. There is the lovely recording by the legendary Victoria De Los Angeles, a selection of the songs many of us grew up on.
There is the seminal first complete recording (and then some, as I recall) by the late Natania Davrath, a much under-appreciated artist who, in many ways, is responsible for the popularity these songs enjoy today. Even Anna Moffo recorded a lovely handful of the songs in the 60s conducted by no less than Leopold Stokowski!

And then there is Dame Kiri. We know her. We love her. We have come to expect the best from her. We have come to always expect more from her, in fact, than from just about anyone else.

So unfair. We expect her to jump the musical hurdles of our emotional connections to music and art in a way we expect from few others.

And yet she so seldom disappoints. Is this the absolute best recording of the Chants d'Auvergne ever? Such a personal choice. Who is to say?

I can tell you this, once I heard this truly remarkable set, which has literally sent chills up my back since the the first time I heard it all those years ago, I knew my search for the recording of these songs I would keep near me forever was over.

Here is an interpretation combining, in equal measure, patrician elegance with almost peasant-like eloquence. She renders song after song, some deceptively complicated, with a divine simplicity that simply defies the imagination.

I don't know how Dame Kiri achieved this miraculous feat. It must have come from the heart, because it certainly goes to mine.

And finally, it would be unthinkable not to give credit to the exquisite playing of the English Chamber Orchestra and the always sensitive collaboration of conductor Jeffrey Tate.

LUSH AND PASSIONATE!.......2003-03-09

These traditional songs from the Auvergne region of France, arranged and orchestrated by Joseph Canteloube, are so intensely beautiful that when I requested a classical radio station to play some of them, motorists stopped on the highway to phone in their thanks.

I first heard a selection of these songs 30 years ago, performed by Anna Moffo, and fell in love with them. It's wonderful to find a complete recording of all 5 series on this 2 CD set, sung by Kiri te Kanawa with enormous talent and verve. Whether the mood is passionate, playful, mocking, tender, mournful or-an emotion few composers have ever captured-helpless with pleasure, these pieces have one thing in common: they are the work of a master orchestrator at the height of his powers, using the fullest resources of the modern orchestra. You will not find more beautiful music than this!

Beautiful!.......2001-08-28

In my opinion, this is one of Kiri's better recordings. Her voice, while always gorgeous, is fresh and light here, and her interpretation, while not riveting, is certainly not boring. Musically, this is a wonderful collection, very romantic and lush in sound. A very worth-while recording.

Only Kiri.......2001-07-13

Dame Kiri te Kanawa has just the voice and character to make this music live. Her voice has a spiritual quality (as opposed to a human quality) that suits the fantasy and seductive qualities of the music. However, her characterization is not void of human qualities, a reminder that these are human feelings. The orchestra under Jeffrey Tate copes very well with the virtuosic writing for woodwinds and stratospheric strings. I heard Renee Fleming's recent interpretation of Bailero and the characterization was more human. Their voices are quite similar, but if you want angelic qualities, Kiri is the angel.

Average customer rating:

Eroica Trio, Classical Music Angels
Spirited style in a generous album--4.5 stars
Electrifying
Better still, buy the other CDs
I was prepared to have a mean rant, however......

The Best of Eroica Trio

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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Pasión
Baroque: The Eroica Trio
Eroica Trio
Dreaming

ASIN: B0006SSOQS
Release Date: 2005-01-11

Tracks:

Adagio In G Minor
Allegro
Largo
Allegro
Allegro Con Brio
Lento-Maestoso Allegro
Hungarian Dance No.6 In D Major
Wiegenlied, Op.49 No.4 (Lullaby)
Berceuse
Andante Moderato
Primavera Portena
Ontono Porteno
Vocalise
Aria

Customer Reviews:

Eroica Trio, Classical Music Angels.......2006-03-19

The album, "Best of Eroica," demonstrates with heavenly beauty this group's musicality, technical skill, and deep understanding of the music they've chosen. This album is a "must" for anyone who enjoys piano trios and wants to relax surrounded by transporting sound.

Spirited style in a generous album--4.5 stars.......2005-12-09

This generous album (nearly 75 minutes long) contains 14 selections from the award-winning trio's other CDs. Thus, the range of music is quite wide. The artists (Erika Nickrenz--piano, Adela Pena-violin, & Sara Sant'Ambrogio--cello), though accomplished soloists, meld their playing beautifully. The Albinoni here is the shortest of the four versions in my collection--played with spirit. The Vivaldi demonstrates their virtuosity. I think the viola shines in Brahm's lullaby. The Piazzolla pieces remind me of the concert at which I heard them play; it was spectacular. Still, a few of the pieces are not particularly to my liking--though they are played well. Also, as a baroque fan I'd like to see some Telemann, Bach, &/or Handel. Most of the pieces are very lively--not too relaxing or useful for meditation--but great for listening. But then, as a trio, they are chamber music oriented. Still, IMHO the order of pieces on the album could be improved. Overall, it's a very fine album though I like the baroque one better--just a personal preference, of course.

Electrifying.......2005-08-26

I saw them live a few years ago, and was captivated by their group chemistry and technical precision. One of my favorite modern classical groups.

Better still, buy the other CDs.......2005-05-27

As a compilation, the ladies have selected a few cuts from each of their 6 CDs to give any listener new to the Eroica Trio--named in homage to Beethoven's 3d "Eroica" Symphony, not the crass misreading offered by a previous reviewer--a singular treat, and thus serves as a good first disk. But it is a sampler of sorts, and while I think that all of their CDs are good and worth your attention, they do range in focus and style from tangos to the Baroque, to healthy doses of Beethoven, Brahms and Bach--so suit to taste. The 5 star rating I give this CD is really for the larger body of work that this disk draws from.

I was prepared to have a mean rant, however.............2005-05-07

These ladies can play!! The chemistry and emotional fire is what makes up for the corny "Erotica Trio" title, but I ask you-what would you do as a graduating classical musician to get noticed today? Our cities are riddled with out-of-work and under appreciated young classical musicians, and it's partly our fault for not telling everyone about this great art form.
One day we may see a renissance in the musical arts where knowing the works & composers of the classical cannon won't be so rare- just imagine.

The Most Relaxing Cello Album in the World Ever

Average customer rating:

Beautiful Cello Music
thought it would be better

The Most Relaxing Cello Album in the World Ever

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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The Most Relaxing Piano Album in the World...Ever!

ASIN: B0000D9WWR
Release Date: 2004-08-10

Tracks:

The Swan - Philharmonia Orchestra
Apres Un Reve, Op.7 No.1 - Han-Na-Chang
Vocalise, Op.34 No.14 - Han-Na Chang
I. Prelude - Mstislav Rostropovich
I. Aria - Juliane Banse
III. Largo - Jacqueline Du Pre & Daniel Barenboim
Sicilienne, Op.78.80 - Han-Na Chang
III. Adagio - Jacqueline Du Pre
V. Bourre I-II-I - Mstislav Rostropovich
I. Alegro Non Troppo - Daniel Barenboim
Wiegenlied, Op.49 No.4 - Juhani Lagerspetz
Adios Nonino - Berlin Philharmonica

Tracks:

Elegie in C Minor, Op.24 - Gerald Moore
Four Pieces, Op.78-'Romance' - Jean-Yves Thibaudet
Nocturne. Op.19 No.4 - Han-Na Chang
I . Prelude - Jacqueline Du Pre
Intermezzo In A Minor - Jean-Yves Thibaudet
Four Pieces, Op.78-'Religioso' - Truls Mork
Minnelied, Op.71 No.5 - Juhani Lagerspetz
Klid, B 182/Op.68 No.5 (Silent Woods) - Han-Na Chang
Feldeinsamkeit, Op.86 No.2 - Juhani Lagerspetz
III. Adagio, Ma Non Troppo - Mstislav Rostropovich
Nobody Knows The Trouble I've Seen - Berlin Philharmonic
Moonlight Serenade - Berlin Philharmonic

Customer Reviews:

Beautiful Cello Music.......2006-11-28

Different than what other people say, this is an extremely beautiful Cello CD; check it out for yourself.

thought it would be better.......2006-11-09

i have been ordering from you but this one wasn't good at all

Average customer rating:

WOW
From the Keyboard
From the Top, and from the heart.
Michael Hawley

Christopher O'Riley At The Break

Manufacturer: From the Top
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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From the Top, Volume Three

ASIN: B00005RG4Y
Release Date: 2001-10-01

Tracks:

Guastavino: Cantilena, No. 4
Rachmaninoff: Etude-Tableau in D Major, Op. 39, No. 9
Rameau: Le Rappel des Oiseaux
Rachmaninoff: Daisies, Op. 38, No. 3
Delibes-ORiley: "Viens, Mallika!" from Lakme
Rachmaninoff: Etude-Tableau in f#-minor, Op. 39, No. 3
Chopin: Prelude in F# Major, Op. 28, No. 13
Debussy: La Fille Aux Cheveux De Lin
Rameau: La Villageoise
Davies: Farewell to Stromness
Severac Ou L'on Entend Une Vielle Boite A Musique
Rachmaninoff: Prelude in G Major, Op. 32, No. 5
Milhaud: Corcovado
Rachmaninoff: Prelude in c minor, Op. 23, No. 7
Rachmaninoff: Lilacs Op. 21, No. 5
Rachmaninoff: Prelude in g# minor, Op. 32, No. 12
Rachmaninoff: Prelude in D Major, Op. 23, No. 4
Rameau: Musette En Rondeau
Mozart: Gigue in G Major, K. 574
Rameau: Rigaudons 1 & 2
Rameau: Tambourin
Guastavino: Mariana
Prokofiev Masquers
Schumann: Zart Und Singend from "Davidsbundlertanze" Op. 6
Chopin: Mazurka in e-flat minor, Op. 6, No. 4
Bartok: Finale, Fifteen Hungarian Peasant Dances
Chopin: Prelude in d minor, Op. 28, No. 24
Poulenc: Babar et Celeste
Guaraldi: Christmastime is Here

Album Description

"Christopher O'Riley At the Break" is the new compact disc by the renowned concert pianist and host of "From the Top," the hit public radio showcase for America's best pre-collegiate classical musicians.

This collection of 29 works for solo piano is a compilation of pieces O'Riley played on "From the Top," which is heard on more than 200 radio stations nationwide. These pieces were performed at the mid-point of the broadcasts, a required break of approximately 2 minutes during which many stations insert locally generated announcements.

According to Chris O'Riley, "It depends on one's local station, and its own use of `the breaks.' This collection serves as a fondly renewed acquaintance with some favorites of mine as well as some pieces a bit further off the beaten path. For other listeners, this is a great group of exquisite miniatures - a premiere entree into many new worlds."

From the Top is a creation of Concert Productions, Inc. in association with WGBH Radio Boston and New England Conservatory, its home and educational partner. Public Radio International distributes the program. From the Top receives support from the U.S. Department of Education, the National Endowment for the Arts, the Massachusetts Cultural Council, as well as individuals, foundations and corporations.

Customer Reviews:

WOW.......2002-09-01

As a fan of From the Top, and a young classical singer myself...I adore Chris O'Riley and his fabulous piano playing. Each work is played with emotion and meticulous care, creating a truly wonderful listening experience!

I highly recommend this sparkling disk to any fan of From the Top, or those who just enjoy classical music! Purchase today!~Bravo

From the Keyboard.......2002-03-09

Fans of NPR's popular show "From the Top," a showcase for young classical musicians, will recognize Chris O'Riley as the show's fun loving host. Thanks in no small part to O'Riley's easygoing way with kids and his fine accompaniments, the show not only presents good music, but manages to be playful and funny as well. This collection of 29 piano pieces are taken from those O'Riley plays during the mid-program break on the show, and demonstrate the depth and range of his talent. Included with the CD information are short notes by O'Riley in which he describes his connection to each piece and what he is trying to accomplish when he plays it. Particular favorites of mine include Guastavino's Cantilena, No. 4, Rachmanioff's Lilacs, Op. 21, No. 5 and Rameau's Tambourin. However, fans of Chopin, Debussy, Prokfiev and Mozart will also find something to satisfy. This is a CD that I will be returning to again and again

From the Top, and from the heart........2002-01-26

Gorgeous music beautifully played. This is a wonderfully eclectic set of pieces, some familiar, many rare, all of them played with warmth and personality. I love Christopher's eclectic tastes. The Guastavino pieces were new to me, and they're gems. The Rameau is exquisitely played. The Rachmaninoff is familiar, but it's awfully nice to hear it played with a fresh personal feeling. Pieces like the Milhaud, or Poulenc's "Babar and Celeste", or O'Riley's own transcription of the Delibes, or Maxwell-Davies' "Stromness" -- all of them are wonderfully evocative. The program notes are every bit as thoughtful and engaging as you'd expect given such a marvellous selection and such stylish playing.

There are some real treasures here. And you might also enjoy "From the Top," the public radio show O'Riley hosts. Best thing to happen to music since Bernstein's Young Person's concerts.

MJH

Michael Hawley.......2002-01-26

This truly is a collection of gems, both in the selection and in the playing. Christopher O'Riley has wonderful eclectic taste, a beautifully lyric style, and a knack for finding out of the way and not-yet-known treasures (and putting new luster on the regular old treasures!). The pianism is exquisite: beautiful touches in the Rameau, and especially in the delicate Rachmaninoff pieces. Several of the pieces, like the Guastavino (which are fabulous) and Davies' "Farewell to Stromness" (wonderfully evocative of those tough, remote Scottish isles), and his own arrangement of that beautiful Delibes -- these were very happy discoveries for me.

All of these little pieces (though some are not so little!) are full of love and life. The thoughtful program notes were appreciated and enjoyed as well. The sound is great.

It's a wonderful CD. Buy it. And listen to the radio show, too: FROM THE TOP. Best thing to happen to music since Bernstein's Young People's concerts.

Tracks:

Laeta Devote
Kyrie Eleison
Gloria In Excelsis
Sanctus
Paschalis Admirabilis
Tantum Ergo Sacramentum
Tota Pulchra Es Maria
Requiem: Requiem Aeternam
Requiem: Kyrie Eleison
Requiem: Offertoire: Domine Jesu Christe
Requiem: Sanctus
Requiem: Agnus Dei
Requiem: Communion
Requiem: Salve Regina
Requiem: Veni Creator Spiritus

Customer Reviews:

A rich mystical experience.. East meets West.......2003-04-19

I picked up this CD on a whim, I happen to be an ardent fan of religious music (I myself am Byzantine Catholic) especially the varying types of ancient chant,both Eastern (Orthodox) and Western. This CD absolutely blew me away. The best I can describe it is a fusion of sophisticated western polyphony with the Eastern "Greek" tonal style. Absolutely amazing. This is a must have CD!

Truly spiritual.......2000-07-13

The (anonymous) composer(s) use pitches and meters much different than what is typically heard in 16-17th century chant. Listeners don't have to be religious to feel the spirituality and the beauty of this music.

Welcome to the Past.......2000-06-24

I must commend Marcel Peres for his devotion to reviving music in the manner which it was intended. This recording of Corsican Chant is the most convincing and truly uplifting music I have heard in my lifetime... I shall not despair in humanity any longer! Listen to the rich, dense polyphony and clear voices of the traditional singers as they flawlessly reconstruct music of the 16th and 17th centuries. When you open this CD, you will open a time capsule.

Average customer rating:

Bassoon Brasileiro

Manufacturer: MSR Classics
ProductGroup: Music
Binding: Audio CD

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Bassoon Concertos & Divertimento

ASIN: B0002Y1H38
Release Date: 2004-08-24

Tracks:

Mignone: Concertino for bassoon and chamber orchestra
Villa-Lobos: Aria (Cantilena)
Villa-Lobos: Ciranda das Sete Notas
Mignone: 16 Waltzes for Solo Bassoon

Album Description

The Rise of Brazil's Musical Identity

The first decades of the twentieth century fostered an important transformation in Brazil. According to Heitor Villa-Lobos' biographer Simon Wright, there existed "an increasingly volatile artistic climate...which saw to it that the old, monarchical snobbery surrounding serious music was broken down and destroyed by a movement flagrantly demanding change. Of this movement, Villa-Lobos became the vanguard."

Villa-Lobos was born in Rio de Janeiro in 1887. Already playing guitar with the street musicians of Rio while in his teens, Villa-Lobos portrayed his music education this way: "My first book was the map of Brazil, the Brazil that I trudged, city by city, state by state, forest by forest, searching the soul of the land." These experiences would greatly influence the development of the foremost, authentically Brazilian composer outside the realm of popular music.

Francisco Mignone, the son of newly arrived Italian immigrants, was born in São Paolo in 1897, a decade after Villa-Lobos, and like him, began performing popular music while in his teens. Although Mignone wrote numerous popular songs using a pseudonym, his study of composition in the European musical tradition in both Brazil and Europe led him to write "serious" music in the European style until the 1930's.

While Mignone was studying in Europe, the "Week of Modern Art" of 1922 took place in São Paulo. Part of the celebration of the hundredth anniversary of Brazilian independence, the goal was to further the development of a Brazilian cultural identity. The Brazilian writer and ethnomusicologist, Mario de Andrade, underscored this new thinking: "The current historical criterion of Brazilian Music is that of a musical manifestation, which…reflects the musical characteristics of our race. Where are these characteristics? In popular music." Villa-Lobos was seen as the composer best representing the true Brazilian voice in modern music. Poet Ronald de Carvalho, proclaimed: "The music of Villa-Lobos is one of the most perfect expressions of our culture. In it quivers the flame of our race, what is most beautiful and original in the Brazilian race."

After Mignone's return in 1929, he resumed his long friendship with Mario Andrade. Profoundly influenced by Andrade, Mignone came to embrace Brazilian nationalism. Although the form of his Concertino for Bassoon and Chamber Orchestra written in 1957 is traditional, the themes are clearly Brazilian in character. The first movement is a slow modinha or love song, and the rondo theme of the fast second movement is a carioca. Mignone wrote this showpiece for the virtuoso French bassoonist Noël Devos, who had immigrated to Rio in the 1950's.

The Aria movement from Bachianas Brasileiras No. 5, written by Villa-Lobos in 1938, is also a modinha in the popular Brazilian style. Scored for soprano and ensemble of cellos, Villa-Lobos later adapted it for soprano and guitar. In the version heard here, the bassoon sings the soulful soprano line. In the original, the outer sections have no words and are sung as a vocalise. Only in the middle section are there verses, written in a declamatory style. The text, by Ruth Valadares Correa, describes a midnight scene: the moon "glorifying the evening like a beauteous maiden… while sky and earth, yea, nature with applause salute her…waking the soul and constraining hearts to cruel tears and bitter dejection."

The Ciranda das Sete Notas (Round Dance of Seven Notes) for bassoon and strings, an original piece by Villa-Lobos written in 1933, was inspired by the ciranda, a children's round dance. Although Villa-Lobos often avoided using traditional forms found in European music, this piece is organized in four sections, played with little or no pause. The opening section, which should sound almost improvised, is followed by a scherzo complete with a haunting trio. An interlude reminiscent of the opening of Stravinsky's The Rite of Spring then leads

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