| 1. Still Life With Lions |
| 2. Sand and String |
| 3. Promise and a Plea |
| 4. Chanarambie |
| 5. Careen |
| 6. Three Feet from the Moon |
| 7. Snake's Eye |
| 8. On the Green Cays |
| 9. In This Small Spot |
| 10. Thousand Whispers |
| 11. Secret Rhythm |
| 12. Here Lies the Water |
| 13. Moors |
| 14. Her Lost Feet |
| 15. Seventh Chance |
| 16. Great Thaw |
| 17. Private Mutiny |
| 18. Drawn by Hand [#] |
Abridged,Tim Story,Hearts of Space,Ambient,Neo-Classical,New Age / Meditation,Pop,Progressive Electronic
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Theta Meditation System: Let Go of Stress, Renew Your Spirit, Gain Insight, and Intuition
Manufacturer: Relaxation Company ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IXS0 Release Date: 1999-05-18 |
Tracks:
- Renewal
- Renewal
Tracks:
- Insight
- Insight
Album Description
It is widely accepted that meditation can result in reduced stress, greater health and a sense of calmness and balance. Studies show that in states of meditation we produce a greater quantity of slow frequency THETA brainwaves. Pulses of sound embedded in this musical soundtrack activate your own THETA brainwaves and lead you easily into restful and rejuvenating meditation.Based on over 15 years of pioneering clinical research Easy to use with headphones or ordinary speakers Contains no spoken words or subliminal messages
Booklet clearly explains easy-to-use meditation exercises that a beginner can do anytime Experienced meditators can use this soundtrack to deepen and enhance their meditative practice Theta Meditation - Renewal EEG studies of meditators in this mid-theta state show increased abilities to handle stress, heightened intuition, and an enhanced sense of emotional balance.
Customer Reviews:
A valuable resource for creativity.......2007-07-11
Very good.......2007-06-26
Takes the edge off..........2007-06-13
GREAT PRODUCT.......2007-03-19
wonderful!.......2007-02-16
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Baby Einstein: Traveling Melodies
Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009AJK3O Release Date: 2005-05-10 |
Tracks:
- Orchestra Tune-Up
- Bartered Bride Overture
- Symphony 5, 1st Movement
- The Four Seasons, Autumn, RV293, 1st Movement
- Divertimento In F, K.138, 1st Movement
- March Militaire
- Symphony 5, 4th Movement
- Annen Polka
- Capriccio Espagnol, Alborada
- Trish-Trash Polka
- Concerto In C, RV537, 3rd Movement
- Capriccio Espagnol, Fandango
- The Four Seasons, Spring, RV269, 1st Movement
- Serenade For Strings, Waltz
- The Bartered Bride, Polka
- Symphony 100, 'Military' 2nd Movement
- Piano Sonata 15, Op.28, 4th Movement
- Waltz In G Flat Op.70, No.1
- Symphony 101, 'Clock' 2nd Movement
- 6 Children Pieces, Op.72, 2nd Movement
- Lullaby
Customer Reviews:
Selection is not good.......2006-07-27
Baby Einstein: Traveling Melodies .......2006-02-23
This CD is great!
My son has ADD & when we are out & he gets Anxious I put this CD in his portibale CD player.
It seems to help him calm down & better cope with things.
I think that every parent should have this CD that has a special needs child.
Thanks so much for putting it online for people to buy.
Thanks Again,
A Greatfull Mom
Saved My Sanity.......2005-11-03
A Very Pleasant CD for Little Ones in the Car.......2005-11-01
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Stanley Kubrick's Clockwork Orange (1971 Film)
Various Artists , Ludwig van Beethoven , Edward Elgar , Terry Tucker , Erika Eigen , Nacio Herb Brown , and Gene Kelly Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KDU Release Date: 1990-10-25 |
Tracks:
- Title Music From A Clockwork Orange - Walter Carlos
- The Thieving Magpie (Abridged) - A Clockwork Orange ST
- Theme from A Clockwork Orange (Beethoviana) - Walter Carlos
- Ninth Symphony, Second Movement (Abridged) - A Clockwork Orange ST D
- March From A Clockwork Orange (Ninth Symphony, Fourth Movement, Abridged) - Walter Carlos
- William Tell Overture (Abridged) - Walter Carlos
- Pomp and Circumstance March No.1 - Stanley Kubrick
- Pomp And Circumstance March No.4 (Abridged) - Stanley Kubrick
- Timesteps (Excerpt) - Walter Carlos
- Overture To The Sun - Terry Tucker
- I Want To Marry A Lighthouse Keeper - Ericka Eigen
- William Tell Overture (Abridged) - A Clockwork Orange ST
- Suicide Scherzo (Ninth Symphony, Second Movement, Abridged) - Walter Carlos
- Ninth Symphony, Fourth Movement (Abridged) - A Clockwork Orange ST
- Singin' in the Rain - Gene Kelly
Amazon.com
Stanley Kubrick's demanding perfectionism in all aspects of the filmmaking process has led to some of the most memorable soundtracks of the modern era. Kubrick's taste for the classics led to his scrapping Alex North's original score for 2001: A Space Odyssey in lieu of the "temporary" tracks he had used for editing, turning Richard Strauss' Also Sprach Zarathustra into an unlikely 20th-century pop icon. For his 1971 adaptation of Anthony Burgess's cautionary future-shocker, Kubrick once again turned to the classics. Malcolm McDowell's protagonist Droog Alex's taste for Beethoven is given a nice tweaking by Moog pioneer Walter (now Wendy) Carlos's synthesized take on the glorious Ninth Symphony. Some have complained that the now-primitive electronics involved give it a dated feel. Disturbingly--and effectively--other-worldly is more like it. Kubrick also imbues repertory standards by Rossini and Elgar with dark, frequently hilarious irony, and makes Gene Kelly's sunny reading of "Singin' In The Rain" the underscore to an all-too-accurate prediction of societal nightmares to come. --Jerry McCulleyCustomer Reviews:
Prisoner 6 double-five 3-2-1.......2007-03-16
Most of the CLOCKWORK ORANGE soundtrack's classical selections are by Herbert Von Karajan and the Berlin Philharmonic. These spirited Beethoven and Rossini interpretations remain some of the very best ever recorded.
The excerpt of Wendy's "Timesteps" is the most compelling piece here. In the film, this stark aural collage is background to Alex's behavior modification. In order to shorten his prison sentence, the violent sociopath is made chemically ill while forced to view scenes of rapine and bloodshed. His sickness can only be arrested by replacing his natural criminal urges with passive thoughts.
It's hard to listen to "Overture To The Sun" without recalling the spotlighted naked girl who tempts an on-exhibit Alex into a state of unwellness that he likens to "wanting to snuff it." His freedom to choose brutality has been taken from him forcefully, through violent reprogramming. The subsequent events that precipitate Alex's restoration into a fully non-functional member of society beset him in a fashion ironically similar to the chaos he once left in his violent wake.
The stark images and perversities of this movie tend to stay with a person. Perhaps watching Kubrick's CLOCKWORK ORANGE has in some way "programmed" the viewer, too, by desensitizing us to the madness that is all around. Maybe this film holds up better than I thought. I must have a glass of choko moloko and reconsider . . .
Kubrick At His Best.......2007-01-11
Good soundtrack.......2006-02-20
Easier to experience than the movie!.......2005-08-17
Horrorshow Lomticks of Music to do the old Ultra-Violence By. .......2005-07-28
My personal favorite is the title music of the film, Henry Purcell's "Funeral Music for Queen Mary," a piece so appropriate to the film that Purcell must have been channelling the future when he wrote it in the late 17th century. Carlos's interpretation of this Purcell piece is astounding in its forboding textures and alientating timbres. Electronic tympani have never sounded better - and were never used like this before. Ring modualtions, filter sweeps, phased sawtooth angel trumpets and resonate devil trombones - oh bliss!
I also liked the strange music Kubrick chose - "I want to Marry a Lighthouse Keeper," and "Anthem to the Sun," both obscure and perfect.
Carlos's avant-garde composition "Timesteps" appears in abbreviated form here, and for most listeners this abridgement is enough.
The concluding ironic use of "Singing in the Rain," is wonderful, and after an album (and film) full of electronics, classical music, and weirdness, a standard is shocking enough.
There is a new version of the soundtrack put out by Carlos herself, which includes only her work. Some tracks composed but not used in the film appear here, as do some track used, but not appearing on the OST as well. Timesteps in its 13:37 form is also on this album.
For those fans of Prog rock: Viddy the film when Alex visits a record store: Notice the Vertigo swirl above the main desk, also in the wrecked foyer of Alex's highrise, one of the figures on the vandalised mural has "Suck it and see" written on it, also the name of a Vertigo music sampler of the same era.
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John Barry: The Collection
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005BADD Release Date: 2001-05-22 |
Tracks:
- Zulu
- From Russia With Love
- From Russia With Love - 007
- Goldfinger
- The Ipcress File
- The Knack
- Mister Moses
- Thunderball
- The Wrong Box
- Born Free
- The Quiller Memorandum
- You Only Live Twice
- The Girl With The Sun In Her Hair
- Deadfall
Tracks:
- The Lion In Winter
- On Her Majesty's Secret Service
- On Her Majesty's Secret Service
- Midnight Cowboy
- Midnight Cowboy
- The Appointment
- The Last Valley
- Walkabout
- Monte Walsh
- Diamonds Are Forever
- The Persuaders
- Mary Queen Of Scots
- The Man With The Golden Gun
- The Dove
Tracks:
- The Tamarind Seed
- King Kong
- Eleanor And Franklin
- Robin And Marian
- The Deep
- Hanover Street
- The Black Hole
- Moonraker
- Somewhere In Time
- Raise The Titanic
- Body Heat
- Frances
- Octopussy
- The Cotton Club
Tracks:
- High Road To China
- A View To A Kill
- Out Of Africa
- The Living Daylights
- Dances With Wolves
- Dances With Wolves
- Chaplin
- Moviola
- Indecent Proposal
- The Specialist
- The Scarlet Letter
- Cry The Beloved Country
- Mercury Rising
- The James Bond Theme
Customer Reviews:
The City of Prague Philharmonic Orchestra needs a guitar player!.......2006-11-09
Persuaders Theme!.......2006-03-02
A Variety Of Classics!.......2005-12-06
There is over four hours of music in this set with a colorful and informative booklet.
Incredible Barry Collection.......2004-03-11
" one of cinema's greatest composers...John Barry".......2001-07-06
Must ask the following to take a bow ~ James Fitzpatrick (compilation producer), always in their pitching, Reynold da Silva (executive producer), Nic Raine (conductor, arranger, orchestrator & associate producer), a tremen!dous asset to every project he undertakes...and the man who made it all possible...a legendary icon always leading the way in film scoring ~ JOHN BARRY!
Total Time: 258:76 on 56 Tracks ~ SSD-1128 ~ (2001)
You might try other albums from Silva Screen, all worthy of a good listen ~ "The Essential James Bond" (SSD-1034)..."Bond:Back In Action" (SSD-1100)..."Bond:Back In Action 2" (SSD-1119)..."Zulu" (SSD-1095)..."Raise The Titanic" (SSD-1102)..."Walkabout" (SSD-1120)...check out my reviews on amazon.com/music.
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The #1 Choral Album
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000060P5G Release Date: 2002-03-12 |
Tracks:
- Nabucco: Chorus Of The Hebrew Slaves: Va, Pensiero - Chicago Symphony Chorus
- Madama Butterfly: Humming Chorus - Vienna State Opera Choir
- Lohengrin: Bridal Chorus: Treulich Gefuhrt Ziehet Dahin - Walter Hagen-Groll
- Miserere: Miserere (Abridged) - Sir David Willcocks
- Cantata No. 147: Jesu Bleibet Meine Freunde (Jesu, Joy Of Man's Desiring) - Kantorei Der Dreikonigskirche
- Ave Verum Corpus, K 618 - Stephen Cleobury
- Cantique De Jean Racine - Stephen Cleobury
- L'Enfance Du Christ: Shepherds' Farewell: Il S'en Va Loin De La Terre - St. Anthony Singers
- Pavane - Choeur Symphonique De Montreal
- Totus Tuus (Excerpt) - John Nelson
- Ein Deutsches Requiem: Wie Lieblich Sind Deine Wohnungen - Chicago Symphony Chorus
- Tannhauser: Pilgrims' Chorus: Begluckt Darf Nun Dich - Vienna State Opera Chorus
- Requiem: Sanctus - Charles Dutoit
- Requiem: Lacrimosa - Konzertvereinigung Wiener Staatsoperchor
- Song For Athene - Stephen Cleobury
- La Damnation De Faust: Laus! Laus! Hosanna! Hosanna! - Chicago Symphony Chorus
Tracks:
- Requiem: Dies Irae... Tuba Mirum - Vienna State Opera Chorus
- Il Trovatore: Anvil Chorus: Vedi! Le Fosche - Chicago Symphony Chorus
- Judas Maccabaeus: See The Conquering Hero Comes - Handel Opera Society Chorus
- Mass In B Minor: Sanctus - Chicago Symphony Chorus
- Zadok The Priest - The Choir Of King's College
- Symphony No.9 'Choral' - Ode To Joy (Fourth Movement - Excerpt) - Jessye Norman
- Requiem: Dies Irae - Konzertvereinigung Wiener Staatsopernchor
- Die Schopfung: Die Himmel Erzahlen (The Heavens Are Telling) - Norma Burrowes
- Carmen: Toreador Chorus: Les Voici, Les Voici - John Alldis Choir
- Elijah: Thanks Be To God - Bryn Terfel
- Weihnachtsoratorium: Jauchzet, Frohlocket! - Lubecker Kantorei
- Matthaus-Passion (Final Chorus): Wir Setzen Uns Mit Tranen Nieder - Chicago Symphony Chorus
- Mefistofele (Prologue): Ave, Signor Degli Angeli E Dei Santi! - London Opera Chorus
- Messiah: Hallelujah - Chicago Symphony Chorus
- Rule Britannia - London Philharmonic Choir
- Jerusalem - London Philharmonic Choir
- Carmina Burana: O Fortuna - Choeur Symphonique De Montreal
- Faust: Soldiers' Chorus: Gloire Immortelle - John McCarthy
- Faust: Apotheosis - John McCarthy
Customer Reviews:
Utterly disapointing.......2006-12-12
Great!.......2006-02-25
charming.......2005-05-25
Something for everyone!.......2004-01-11
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The Muse Surmounted: Florence Foster Jenkins and Eleven of Her Rivals
Manufacturer: Homophone Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00067Z2Q4 Release Date: 2004-11-09 |
Customer Reviews:
For lovers of mal canto, this is without equal........2004-11-11
"The Muse Surmounted", Homophone's first offering, is an uproariously funny excursion into what I would label "mal canto". Each singer in this collection set her own substandard for vocal art, and each one is presented in transfers that allow the holes in one's technique to shine through. Brightly.
The disc opens with an "overture" of sorts, a "Carmen" potpourri by the original Homophone Orchestra. If you like your Bizet with slap-tongued baritone saxophones and your Toreadors to boast to a fox-trot beat, this one's for you.
Next in line is a certain Rosalina Mello, in a "fado portugues" that is rendered in a tone reminiscent of a cat in heat. She also approaches several high A's in this piece with a long-discarded vocal technique known as "portamentissimo". Better put Garfield outside before giving Mme. Mello a listen.
Next we encounter Alice Gerstl Duschak, a long-time teacher at Baltimore's Peabody Conservatory. Benko's (excellent, I might add) program notes state that she was a teacher of Jessye Norman, and I might add that Gerstl Duschak's voice, as represented here, had no sideways.
The name Betty-Jo Schramm was hilarious enough for me - before hearing the track, I could picture her in pigtail and poodle skirt. According to Benko, she was a pioneer in the early-music movement, singing the music a half-tone lower than we normally hear it today. However, she failed to cue the orchestra in on her innovation.
Tryphosa Bates-Batcheller, another favorite of the producer, cut her precious few discs at the same Melotone studio where her more famous predecessor, Florence Foster Jenkins, sought to perpetuate her art. And what an art it is. She is represented with a Meyer-Helmund song and an American folk song. Edith Helena at 81 sang better than this.
My favorite - at least for now - is Natalia de Andrade, a rather interesting character, who imposes upon the role of Manon a rather distinctive tritone tremolo reminiscent of the dearly departed Mrs. Elva Miller. It takes a life of its own, creating a somewhat minimalist rhythmic shift and will cause you to reach for the tequila. Perhaps she already had.
Olive Middleton, beloved diva assoluta of the La Puma Opera Workshop, is represented with her beloved "Miserere" from "Trovatore" her alleged high C ringing rather clearly through the speakers.
A lovely surprise was the discovery of Norma-Jean Erdmann-Chadbourne, who is in fact the "Jenny Williams" of the Victor "Faust Travesty". If you thought her final trio from Faust (sung as a duet) with her partner "Thomas Burns" (actually Ellis Chadbourne, listed here as Thomas Garcia - he had to change his name a lot) was simply the living end of opera finales, just you wait until you hear their Tomb Scene from Aida.
A certain Sylvia Sawyer, who evidently actually filled in a few mezzo-soprano roles on some early-fifties opera LPs, offers an Aida excerpt (Amneris) that, although shows no gross lapses of pitch, taste, or intonation, is a precious textbook example of bland mediocrity combined with indifferent attention to the peculiars of Italian pronunciation. One wonders if the Capitol label thought to check the Yellow Pages under "mezzo-sopranos" when casting for this Aida album.
From the lamented Remington label comes the "Tosca from Hell", an infamous performance by Vassilka Petrova.
Madame Mari Lyn (although the program notes claim that she was a woman, and a widow to boot, I swear I think this person was a drag queen!) gives her special vocal rendition of "Una voce poco fa". [Later research on the part of this writer revealed that she was, in fact, a she. Mea culpa.]
The most disturbing performance on the disc is a 1980 performance by socialite and trophy-wife Sari Bunchuk Wontner, who gave staged performances of "Traviata" in her home - with full casts and orchestra. (One hell of a Tupperware party, don't you think?) Of course, art imitates life, and she was Violetta. Secretly taped from a live performance (presumably by a "former friend"), this first-act scene defies description. She is often several beats ahead of or behind the orchestra, she may be as much as a third off of the key in either direction, and the whole affair sounds as if she had a flask of Cuervo hidden behind each prop. A year after this performance, she fell overboard from her yacht. Perhaps she was rehearsing for a future Tosca.
Surely the best-known name included is that of Florence Foster Jenkins, arguably the most famous of the daffier divas. The track, a Cosme McMoon decomposition entitled "Valse Caressante", is not included in the Victor reissue of dear Flofojen's legendary Melotone discs; in fact it is not included in the Jenkins discography in the magazine "The Record Collector". This rather long affair seems to find the diva, the pianist, and the flautist all on a bad day, with the result being a performance that is cheaper than a home perm and twice as curly on your hair.
The last track is a recording of Jenkins' accompanist, Cosme McMoon, reminiscing about his musical life with our dear Flofojen. Benko also clears the air, after careful research, about the "Cosme McMoon was actually Edwin McArthur" rumor. Buy the CD to find the answer.
This is also a first-class prodution, with attention to quality in presentation. The program notes alone are worth the price of the CD. Benko has carefully researched these singers, often waiting years for leads to information. In fact, a picture of Natalia de Andrade arrived after the disc went to press, and it is posted on the Homophone website. Our poor Manon looks for all the world like trailer trash showing up for a Jerry Springer taping.
Another picture of interest to many will be the penultimate photo - a picture of Cosme McMoon, radiant in a 70s combover, flanked by ARNOLD SCHWARZENEGGER at the 1974 Mr. Universe Contest, during the time he had given up his music career and was managing a male bordello.
This will be The Party Album of the New Millenium. Buy it.
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The Bible - The Complete Word of God (abridged)
Manufacturer: Uproar Entertainment ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008NG9M Release Date: 2003-03-04 |
Tracks:
- Disclaimer
- In The Beginning Blues
- Greatest Story Ever Accepted As Fact
- Research Material
- Garden Of Eden
- Bagattin'
- Noah's Ark
- Tower Of Babel
- Abraham
- Story Time
- Jews In Space
- Joseph
- Top Ten Rejected Commandments
- Joshua
- The Book Of Job
- Professional Wrestling
- Psalms And Proverbs
- Book Of Ruth
- Song Of Solomon
- Elijah/Elisha
- Parables
- Wise Men
- Birth Of Jesus
- Jesus: The Teenage Years
- Dueling Jesuses
- John The Baptist
- Salome
- Letter From Jesus
- Jesus Preaches Sermons
- Jesus Teaches Through Parables
- The Miracles Of Jesus
- The Last Supper
- The World's Oldest Crucifixion Joke
- Jesus Is Resurrected
- Jesus Ascends Into Heaven
- Letters
- That's Armageddon!
Customer Reviews:
Hilarious and Irreverent.......2007-05-09
One last thing, here is a litmus test to see if you should listen to this recording. In the section on the miracles of Jesus, the bit goes like this: "He taught Christian fundamendalists to be tolerant! Hey, that would be a miracle!" If you found that funny, this is a CD you'll thoroughly enjoy.
Amazing!!!!.......2007-01-10
Particularly in this Cd, which was taken from a play, we can sense how these guys have creativity "riding" on their veins.
If you purchase this cd please keep your atention at Tower of Babel, The World's Oldest Crucifixion Joke and Jesus is ressurected. I'll say no more and leave you with your curiosity... ehehhehhehe!!!!
Cheers!!!!
Amusing for non- Christians.......2005-02-13
FUNNY AS HELL.......2003-07-16
"...which most scholars agrue is the definitive point of Genisis [the book], because they still had Peter Gabriel."
This is a must-have for anybody with even the slightest sense of humor and self!
These guys are HYSTERICAL!.......2003-04-30
Average customer rating:
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Pride and Prejudice
Manufacturer: Naxos Audiobooks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: 9626341041 Release Date: 2000-10-09 |
Tracks:
- Mr. Bingley Comes To Netherfield Park
- Mr. Bennet Makes A Disclosure
- The Lucas Family At Meryton
- Letters From Netherfield Park
- Elizabeth At Netherfield
- A Visitor To Longbourn - Mr. Collins
- At Meryton, Two Officers, Mr. Denny And Mr. Wickham
- Elizabeth Enters The Drawing-Room
- Mr. Collins Makes His Declaration
Tracks:
- Charlotte Takes The Place Of Elizabeth
- Mr. And Mrs. Gardiner Arrive At Longbourn
- Elizabeth Travels With Sir William To The Gardiner's In London
- The Journey To Mr. Collins At Hunsford
- A Conversation About Music
- Elizabeth Receives A Visit From Mr. Darcy
- Another Visit
- A Long Letter Of Explanation
- Elizabeth Reveals All To Jane
Tracks:
- Elizabeth Arrives At Pemberley
- Letters From Jane
- Return To Longbourn
- Lydia Reveals A Secret And Elizabeth Learns All
- Mr. Darcy Returns To Hertfordshire
- Jane And Mr. Bingley In Deep Conversation
- A Surprise Visit From Lady Catherine De Bourgh
- Mr. Darcy Again
- Sisterly Approval
- Mrs. Bingley Gets Rid Of Her Two Most Deserving Daughters.
Amazon.com
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.
Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber
Book Description
A perennial favorite in the Norton Critical Editions series, Pride and Prejudice is based on the 1813 first edition text, which has been thoroughly annotated for undergraduate readers."Backgrounds and Sources" includes biographical portraits of Austen by members of her family and by acclaimed biographers Claire Tomalin and David Nokes. Seventeen of Austen's letterseight of them new to the Third Editionallow readers to glimpse the close-knit society that was Austen's world, both in life and in her writing. Samples of Austen's early writingfrom the epistolary Love and FriendshipA Collection of Lettersallow readers to trace her growth as a writer as well as to read her fiction comparatively.
"Criticism" features eighteen assessments of the novel by nineteenth- and twentieth-century commentators, six of them new to the Third Edition. Among them is an interview with Colin Firth on the recent BBC television adaptation of the novel. Also included are pieces by Richard Whately, Margaret Oliphant, Richard Simpson, D. W. Harding, Dorothy Van Ghent, Alistair Duckworth, Stuart Tave, Marilyn Butler, Nina Auerbach, Susan Morgan, Claudia L. Johnson, Susan Fraiman, Deborah Kaplan, Tara Goshal Wallace, Cheryl L. Nixon, David Spring, Edward Ahearn, and Donald Gray.
Also included are a Note on Money, a Chronology of Austen's life and worknew to the Third Editionand an updated Selected Bibliography.
About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehenive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
Download Description
Jane Austen's perfect comedy of manners--one of the most popular novels of all time--features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of eighteenth-century drawing-room intrigues. "Pride and Prejudice seems as vital today as ever," writes Anna Quindlen in her introduction to this Modern Library edition. "It is a pure joy to read." Eudora Welty agrees: "The gaiety is unextinguished, the irony has kept its bite, the reasoning is still sweet, the sparkle undiminished. [It is] irresistible and as nearly flawless as any fiction could be."Customer Reviews:
If you only read two things..........2007-07-31
Don't buy all the "critics" commentary and praise regarding "Persuasion" and some of her other works as being superior to P&P. That's pure contrary-ism at its worst.
If you only read two of her books, then read this one twice. And then resolve to read more than two and check out her other novels, because they are great as well.
The A&E miniseries for P&P is outstanding and comes highly recommended.
No, I don't own stock in A&E; but I am over the age of 13... in a few weeks.
One of the finest works of art in the English language.......2007-07-27
Was Austen a feminist? I'm not entirely convinced of this but what I do know is that she was keenly, keenly aware of the way her world worked. She knew that the only power a woman had was to charm and flirt until she captured herself a rich husband. A woman did not have the power to seek her own occupation and a sharp and educated mind was not exactly appreciated. This is why Austen and her most bewitching heroine Elizabeth are so very subversive. Austen's creation, like Austen herself, bucks the convention of the time and is determined to see her life played out on her own terms. She will not settle for anything less than love and though that may seem simple to today's reader, it was anything but in an age when money and status meant everything. Elizabeth is not perfect. She makes mistakes and she is judgmental at times but her greatest strength is her determination to be true to herself.
And yet even though Austen makes such a strong case for independence of spirit, she is also kind to those who bow to convention. Though Elizabeth's dear friend Charlotte makes a choice that initially seems extremely repugnant, it is easy to see that, really, Charlotte is simply doing what she must to survive. It is not that Charlotte is any less true to herself than Elizabeth, it is simply that she is rather more practical and pragmatic. She sees her situation in a very clear light and, in the end, chooses what is for her the lesser of two evils. I think that Austen respected this as well. Being brave and forging a new path is not for all of us.
As for Darcy, he is also a product of his time. He behaves in a way that society feels a man should. At a very young age he must deal with gross abuses of his father's trust and a rather horrific betrayal of his family's kindness. He is forced to shoulder responsibility at a time when his peers may have been busy gambling and chasing skirts. There are few in whom Darcy can confide and he holds his cards so close to his chest that he must shut out others who could perhaps be of assistance to him. Though his wealth and status seem to suggest that he is above the slings and arrows of society, it turns out that this assumption is a naive one. Darcy is no more free to do whatever he likes than Elizabeth is.
What makes this book so satisfying is that the hero and heroine triumph over their adverse circumstances. At heart, Austen was a romantic. She clearly had hope that the narrow confines of her world could stretch enough to allow for happiness and self-fulfillment. She believed in the power of love to conquer some very daunting obstacles and she believed that love could help people grow into a better version of themselves. I think it is this optimism that makes Austen so appealing to her readers.
Unexpectedly good.......2007-07-17
Read it because she's great!.......2007-07-10
A True Classic.......2007-06-22
The two main characters are probably as well fleshed out as any you are likely to see. They are certainly complex and multi-layered and they both grow and change somewhat as the book progresses. The supporting characters are considerably less deep and are almost uniformly caricatures more than anything else. Some are good and kind like Jane and Mr. Bingley, and others are ridiculous and vain like Mrs. Bennet but none are remotely as substantial as Darcy and Elizabeth. So, does this ruin the book? Hardly. Pride and Prejudice is as much a satire of the time it was written as it is a romantic drama and these secondary characters are all part of the tapestry that allowed Miss Austen to skewer her contemporaries so effectively. There are a few times where I thought a character's behavior was over-the-top but the overall story is so riveting and the book so compelling that I just can't find any serious fault with it. Pride and Prejudice is deserving of its reputation and I highly recommend it to Austen fans and newcomers alike.
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HIS FINEST HOUR
Sir Winston Churchill Manufacturer: SoundWorks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: 1885959257 Release Date: 1998-02-24 |
Tracks:
- His Finest Hour: We Must Arm/The First Month Of The War/The Navy's Here/Their Finest Hour...
Book Description
Featuring major wartime speeches of Winston Churchill. Memorable speeches of Great Britain's Prime Minister from the time England was all but alone, until final victory.Customer Reviews:
The Best of the Best.......2001-10-24
Sir Winston Churchill:his finest hour.......2000-06-05
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The Call of the Wild
Manufacturer: Naxos Audiobooks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: 9626340649 Release Date: 2000-10-09 |
Tracks:
- Into The Primitive
- The Law Of Club And Fang
- Toiling In The Traces
- The Dominant Primordial Beast
- 'Dat Buck Two Devils'
- The Feud Grows
- Who Has Won To Mastership
- New Masters
- 'Mush On, Poor Sore Feets'
Tracks:
- The Toil Of Trace And Trail
- Underfed And Worn Out
- The Yukon Strains To Break The Ice
- For The Love Of A Man
- The Thousand Dollar Bet
- The Sounding Of The Call
- The Blood Longing
- The Last Tie Broken
- The Long, Mournful Howl
Book Description
Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. Appropriate "reader friendly" type sizes have been chosen for each title-offering clear, accurate, and readable text. All editions are complete and unabridged, and feature Introductions and Afterwords.This edition of The Call of the Wild includes a Foreword, Biographical Note, and Afterword by Dwight Swain.Kidnapped form his safe California home. Thrown into a life-and-death struggle on the frozen Artic wilderness. Half St. Bernard, half shepard, Buck learns many hard lessons as a sled dog: the lesson of the leash, of the cold, of near-starvation and cruelty. And the greatest lesson he learns from his last owner, John Thornton: the power of love and loyalty.Yet always, even at the side of the human he loves, Buck feels the pull in his bones, an urge to answer his wolf ancestors as they howl to him.Customer Reviews:
Well read, abridged version........2007-05-09
Jack London - Part Prolific Novelist, Part Wolf.......2007-04-15
To see what Buck saw, to feel the forces and the instincts that he felt... that is the power of this book. Here's a passage from the third chaper to illustrate what I mean:
"At the mouth of the Tahkeena, one night after super, Dub (a member of the sled-dog team) turned up a snowshoe rabbit, blundered it, and missed. A hundred yards away was a camp of the Northwest Police, with fifty dogs, huskies all, who joined the chase. The rabbit sped down the river, turned off into a small creek, up the frozen bed of which it held steadily. It ran lightly on the surface of the snow, while the dogs plowed through by main strength. Buck led the pack, sixty strong, around bend after bend, but he could not gain. He lay down low to the race, whining eagerly, his splendid body flashing forward, leap by leap, in the wan white moonlight. And leap by leap, like some pale frost wraith, the snowshoe rabbit flashed on ahead.
All the stirring of old instincts which at stated periods drives men out from the sounding cities to forest and plain to kill things by chemically propelled leaden pellets, the blood lust, the joy to kill--all this was Buck's, only it was infinitely more intimate. He was ranging at the head of the pack, running the wild thing down, the living meat, to kill with his own teeth and wash his muzzle to the eyes in warm blood.
There is an ecstasy that marks the summit of life, and beyond which life cannot rise. And such is the paradox of living, this ecstasy comes when one is most alive, and it comes as a complete forgetfulness that one is alive. This ecstasy, this forgetfulness of living, comes to the artist, caught up and out of himself in a sheet of flame; it comes to the soldier, war-mad on a stricken field and refusing quarter; it came to Buck, leading the pack, sounding the old wolf-cry, straining after the food that was alive and that fled swiftly before him through the moonlight. He was sounding the deeps of his nature, and of the parts of his nature that were deeper than he, going back into the womb of Time. He as mastered by the sheer surging of life, the tidal wave of being, the perfect joy of each separate muscle, joint, and sinew in that it was everything that was not death, that it was aglow and rampant, expressing itself in movement, flying exultantly under the stars and over the face of dead matter that did not move."
The call of the wild .......2007-01-18
the call of the wild .......2007-01-18
Call of the Wild.......2006-11-13
Meditation Music:
- Across the Borders
- Along the Amazon
- Angel Beauty
- Benzaiten
- Birth of Dreams
- Blind World
- Boundless
- Chakra Chants
- Christmas Peace
- Collected Thematic Works 1977-1987
Meditation Music
First Cut Is the Deepest [CD-single] [Import]
Vivaldi: Sonate e Concerti per flauto traverso
West Coast Will Never Die [Explicit Lyrics]
Wagner: Lohengrin WWV75; Meistersinger von Nürnberg WWV96
Too Much Time On Our Hands: A STYX Tribute Album