| 1. Try to Remember |
| 2. Summertime |
| 3. Gymnopédie |
| 4. Music from Prince of Tides |
| 5. Yosemite |
| 6. Every Song for You |
| 7. Someone to Watch over Me |
| 8. Somewhere |
| 9. There Was a Time |
| 10. All the Things You Are |
| 11. House That Love Built |
| 12. Diana |
Remembering,Dirk Damonte,Magic Wing,New Age / Meditation,Pop
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Ballads: Remembering John Coltrane
Karrin Allyson Manufacturer: Concord Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005J716 Release Date: 2001-05-22 |
Tracks:
- Say It (Over And Over Again)
- You Don't Know What Love Is
- Too Young To Go Steady
- All Or Nothing At All
- I Wish I Knew
- What's New
- It's Easy To Remember
- Nancy (With The Laughing Face)
- Naima
- Why Was I Born?
- Everytime We Say Goodbye
Amazon.com's Best of 2001
More than most tribute albums, singer Karrin Allyson's remembrance of John Coltrane makes a genuine attempt to relate to its subject--not only in retracing his 1961 offering, Ballads, song by song and luxuriating in the deep, swelling tenor sounds of Bob Berg and James Carter, but also in giving the tunes plenty of room to breathe. Resisting the temptation to dress them up with overt displays of style, she approaches them in a straightforward, emotionally understated fashion, capturing their essence with taste and intelligence. In the end, Allyson doesn't have quite enough color or depth to sustain such a long set of slow stuff (the album, also featuring Steve Wilson on soprano sax, concludes with three other ballads associated with Trane, notably his classic "Naima"). This is a singer who needs to breathe as much as sigh. But taken individually or in short doses, songs such as "Say It (Over and Over Again)" and "What's New" impart an exquisite sense of control. Allyson's radiant high notes never fail to move you. --Lloyd SachsCustomer Reviews:
Stick to the changes.......2007-03-01
Glad I started here.......2006-08-17
gets the job done, but lacks something.......2006-06-03
Maybe I'm biased but if you want good, contemporary, vocal jazz, pick up a Tierney Sutton or Kurt Elling album.
Karrin Allyson is the REAL DEAL.......2005-01-15
She can be mellow. She can be hot. She can be smooth. And she can be raw. On this CD tribute to John Coltrane she does him proud. If you don't love this CD, then you don't love jazz. No offense to all the "pretty" singers out there, but maybe they should listen to Karrin and see how it's really done.
Has it all!.......2004-05-02
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A Woman Alone with the Blues (Remembering Peggy Lee)
Maria Muldaur , and Dan Hicks Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008MLSK Release Date: 2003-03-25 |
Tracks:
- Fever
- I Don't Know Enough About You
- Moments Like This
- Winter Weather
- Some Cats Know
- Everything Is Moving Too Fast
- Waitin' For The Train To Come In
- The Freedom Train
- Black Coffee
- A Woman Alone With The Blues
- For Every Man Ther's A Woman
- I'm Gonna Go Fishin'
Amazon.com
From her beginnings in the sixties folk music scene in Boston, Maria Muldaur has continued to explore a range of American musics, first with the Jim Kweskin Jug Band, followed by a pair of albums with then-husband Geoff Muldaur. The '70s brought her commercial success with the release of her debut solo album and the single "Midnight at the Oasis." The '80s found her recording sets devoted to jazz, gospel, and swing, while the '90s albums celebrated her love of New Orleans and blues. A Woman Alone With the Blues is devoted to 12 songs associated with Peggy Lee. From the slow burn of "Fever" to the swinging "Everything Is Moving Too Fast," this is a well-paced set with Muldaur backed by a supple eight-piece combo. Dan Hicks guests on "Winter Weather," trading verses with Muldaur over a snappy big band arrangement. Lee's career drew from a sufficiently diverse and uniformly potent range of songwriters (Ellington, Arlen, Berlin, Leiber & Stoller, etc.) and this album is likewise rich in its breadth. --David GreenbergerCustomer Reviews:
One of Muldaur's Best.......2007-03-31
take on torch songs is absolutely opaque to the influences of others.......2006-01-30
Maria Muldaur
Telarc Records CD-83568
Faced with memorial albums, such as this tribute to Peggy Lee, the critic often has trouble deciding whether to review the original artist or the one performing the covers. This is not a problem when dealing with Maria Muldaur, whose own take on torch songs is absolutely opaque to the influences of others. Even when the others are the original recording artists. Even when the other is Peggy Lee. It is true that Ms. Muldaur has never had another "Midnight at the Oasis," and that it seems difficult to keep her off of bad albums, but her own best efforts, those over which she exercises artistic control, remain the hottest burning torch songs available.
There is a late 40s-early 50s eroticism here, an old-style, sultry ambience that makes clothing sexy; that turns a clarinet line into foreplay. Instrumentation, while we're on that subject, includes guitar, piano, alto and tenor sax, clarinet, flute, trumpet, trombone, bass trombone, bass, drums and vibes. Control is a large part of this release, too. There are solos, but no excesses. Lyrics are pared to avoid repetition, and the music behind them swoops up or down appropriately with the precision and grace of a bird of prey.
Due to a circle of friends, neighbors and peers that, over the years, has ranged from Kitty Wells to Rev. Gary Davis to Bob Dylan, Maria Muldaur has been through a number of musical phases over the years, some more interesting and exciting than others, and one never knows quite what to expect from her new CDs. Thus, when something as spectacularly good as A Woman Alone With the Blues comes out, it comes with an extra kick for the buyer, something akin to doing well at the racetrack and feeling the dual exhilarations of winning and of obtaining a large sum of money.
Maria Muldaur: A Superb Blues Singer.......2005-05-15
Better Late Than Never.......2003-10-23
Smokey Joe's.......2003-06-14
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Essence
Peter Kater Manufacturer: Source Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000018I4 Release Date: 2001-04-20 |
Tracks:
- Essence
Customer Reviews:
Just About the Most Peaceful Music I Have Ever Used As a Therapist.......2006-12-23
Inner-peace.......2004-12-16
Awesome but reject the shamanism.......2003-10-16
Heaven on Earth.......2002-12-05
The most relaxing selection of songs I've ever heard........2001-09-21
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Til Tomorrow: Remembering Marvin Gaye
Cassandre McKinley Manufacturer: Max Jazz Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GNOS9U Release Date: 2006-08-29 |
Tracks:
- Trouble Man
- I Want You
- Til Tomorrow
- I Wish It Would Rain
- You're The One For Me
- Pride And Joy
- Your Precious Love
- Night Life
- Let's Get It On
- After The Dance
- I Won't Cry Anymore
- I Wonder
- Yesterday
- If This World Were Mine
Album Description
Some of Marvin Gaye's classics are featured on the new MAXJAZZ release Til Tomorrow (Remembering Marvin Gaye), by the highly talented vocalist Cassandre McKinley. McKinley offers an eclectic array of arrangements ranging in genre from jazz to blues to R&B.Customer Reviews:
Jazz Meets Blue-Eyed Soul.......2007-05-15
For the most part, this intersection of jazz and soul sounds more like soul than jazz. The exceptions are "You're the One for Me", and to my ears the best track on this disc: ironically, the Beatles "Yesterday." On that track, Ms. McKinley plays with the familiar melody and transmogrifies it into a soul-sounding tune.
Cassandre McKinley is an accomplished singer, and the c.d. sounds fine. But Amazon commands four stars if you like it, five stars if you love it. I like it. There's something I can't put my finger on that keeps me from loving it.
Maybe it's this: Marvin Gaye was so good, that if you do a tribute to him that sounds like soul, you're going to come out second-best. Take "Your Precious Love", for example: Here, she does this as a duet with Michael Payette, which sounds good; but it will hardly make you forget the original.
Nevertheless, an "A" for effort. I look forward to Cassandre McKinley's next c.d. RC
New Fan.......2006-09-05
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Ned Kelly
Various Artists Manufacturer: Decadance UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000091A6Y Release Date: 2003-10-28 |
Tracks:
- Shelter For My Soul - Bernard Fanning
- Saving A Life
- Ned Kelly
- Destiny
- The Light
- Julia
- Stringybark Creel
- Back Home
- Moreton Bay
- Doomed
- Outlaws
- The Jerilderie Letter
- Father
- The Glenrowan Inn
- Remembering Ned Kelly
Album Description
2003 soundtrack to the film starring Heath Ledger, Orlando Bloom, Naomi Watts and Geoffrey Watts. The soundtrack features a very warm and original folk song by Powderfinger's Bernard Fanning. 15 tracks. Decca.Customer Reviews:
Badelt's most underrated effort.......2005-11-09
The score is written mainly for a fairly decent sized orchestra with a strong emphasis on the strings, with the brass acting only as an accent on the strings, as evidenced in the third track 'Ned Kelly' where we have the main theme stated in full. It sounds so cliched, but everytime I listen to this track it sends shivers up my spine. Every single time. I love it!
The album also features two songs performed by Bernard Fanning. The first 'Shelter for my Soul', opens the album and fits in quite nicely with the themes and tone of Badelt's work (Badelt wrote and arranged the strings for this piece as well). The second piece is a traditional Australian folk piece called 'Moreton Bay'. Like the review below states, because this song is right in the middle of the album, it really detracts from the experience of Badelt's work, and should have been saved for the end of the album.
Badelt has written some very bittersweet themes that are both hopeful and mournful by turns. I believe Badelt is underrated for the many electronic and synth-influenced scores he has produced, but the writing in tracks such as 'Ned Kelly', 'The Light', 'Back Home' and 'The Jerilderie Letter' only confirm that he is a very deft hand at writing for a full orchestra. His solos are beautifully placed as well - an Irish whistle is used only occassionally, but is most appropriate when it does show up, and roots the score in its Australiana setting. The score also features viola and trumpet solos that are generally featured during the more character-driven moements of the film (of which there are many) and make for a fairly intimate score at times.
If you don't expect any big, racey action writing, and are after an orchestral score with heart, then Ned Kelly comes highly recommended.
4.5 Stars for Klaus Badelt's Most Underrated Score.......2003-11-01
4.5 Stars - Beautiful!.......2003-05-09
The music he has written for Ned Kelly is, in a word, beautiful. The film wasn't intended to be an action romp through the countryside of Victoria, but instead it made an attempt to reflect on Kelly's feelings, emotions and reasoning behind some of his actions, and Badelt's score suits this view perfectly.
The CD contains two songs by Bernard Fanning (lead singer/songwriter from the Australian band Powderfinger) and the disc opens with his track 'Shelter For My Soul' which is used in the end credits of the film. It's a well constructed piano piece that speaks about how actions have consequences. Badelt has also lent a hand on this piece by arranging the accompanying strings. This leads us into the next two tracks 'Saving a Life' and 'Ned Kelly' which are performed together to form one nine minute piece that sets up the main themes for the rest of the disc. It is a very bittersweet theme that brings to life the mistakes Ned makes, but the guilt and sorrow he feels for what he has done and the path it has led him to. It's a very moving theme and while it isn't a bombastic orchestral assault, it is very powerfully performed. These two pieces nearly have me in tears I find them so moving :P
'Destiny' is a very sombre theme that is used to set up that sense of foreboding in the film. It incorporates the use of an irish pipe which gives us a sense of the Kelly family's Irish ancestry, but the instrument isn't over used which was a sensible decision from Badelt. 'The Light' is a more upbeat piece which again uses the irish pipes in a very uplifting cue, and 'Julia' isn't the sweet feminine theme you'd usually associate with similarly titled pieces. The sense of foreboding picks up here as the orchestra builds on the theme set up in the previous piece.
'Stringybark Creek' features the solo trumpet and flute amongst the orchestra for a slower interpretation of the two main themes at the beginning of the disc, while 'Back Home' features more of the irish pipe from 'Destiny' and some short violin passages before it drops to a solo trumpet passage and the first of the real action cues from the film.
'Moreton Bay' is the second track offered by Bernard Fanning, and this is the only really dissapoint piece on the album. It is a reworking of a traditional Australian folk song and while the style has it's place some scenes of the film, it is totally out of context on this CD, especially in the middle of the disc. Bernard Fanning also probably wasn't the best choise either, but he is Austraian, and lends that particular quality to his viocal performance. This is where the album lost half a star for me.
From this point on, the situation the Kelly Gang finds themselves in is growing darker, and the score reflects this change by turning some of the themes upside down and. There is still that bittersweet theme running through out, but it is perhaps more accuate now as Ned realises that what he has done, even if he didn't want to or was forced todo it, is going to have consequences he can't escape. 'Doomed' and 'Outlaws' nicely capture the gang on the run and trying to find a way out as the law gets closer and closer to them.
'The Jerilderie Letter' is the scene in the bank where the hostage are offering up names to call the governer. It begins lightheartedly, but as Ned's speech get progressivly more serious, the tone of the music matches and the piece ends on a sharp rise.
'Father' is simply a short piece of reflection and quite before the storm of 'The Glenrowan Inn'. The piece charts the whole end scene from the gang arriving at the inn and anxiously waiting for the poilce, to the shoot out itself, and then the aftermath the next morning and Ned makes his last stand and is finally captured. Again, this piece is another watery-eyed experience for me. The album ends with 'Remembering Ned Kelly' which is a simple two minute solo from the viola. Again just a very retospective piece.
This is a highlight of Badelt's career so far and it's a pity the CD isn't more readily available. It sounds so much like him, yet at the same time is something very different. This is highly recommended even if you didn't like the movie.
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Treasures Left Behind: Remembering Kate Wolf
Various Artists Manufacturer: Red House ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009Q0P Release Date: 1998-08-18 |
Tracks:
- Give Yourself To Love - Kathy Mattea
- These Times We're Living In - Dave Alvin
- Friend Of Mine - Nanci Griffith
- Sweet Love - John Gorka
- Here In California - Lucinda Williams
- Like A River - Peter Rowan & The Rowan Brothers/Jim Campilongo & The Ten Gallon Cats
- Carolina Pines - Cris Williamson & Tret Fure
- See Here, She Said - U. Utah Phillips
- In China Or A Woman's Heart - Rosalie Sorrels
- Tequila And Me - Greg Brown & Ferron
- Back Roads - Nina Gerber
- Cornflower Blue - Eric Bogle
- Love Still Remains - Emmylou Harris
- Thinking About You - Terry Garthwaite
Amazon.com
Kate Wolf's songs still ring true years after her death. This loving tribute contains 14 heartfelt covers culled from the repertoire of the singer-songwriter, who died of leukemia in 1986. From Kathy Mattea's serene opener, "Give Yourself to Love," to Terry Garthwaite's near-tears closer, "Thinking About You," it's apparent that all involved in the project (from the contributing artists to producer Nina Gerber, who collaborated with Wolf through much of her career) hold Wolf in the highest esteem. Highlights here include Dave Alvin's gruff "These Times We're Living In," Nanci Griffith's mournful "Friend of Mine," and Rosalie Sorrels's sweet-as-an-angel version of "In China or a Woman's Heart." --Alexandra RussellCustomer Reviews:
Awesome Tribute CD.......2005-12-05
One of the things I love about this collection is that it includes an insert with a lot of great stories about Kate Wolf, as well as the words to each song.
I found all of the songs on this CD to be both awesome and thought provoking. So, I would highly recommend it to anyone who enjoys folk-type music - these songs have "real" meaning...
Kate Wolf Music, Kate Wolf People.......2004-02-05
Kate's "Red Tailed Hawk" will always be inscribed on my brain its beauty its realness, its aptness, and the reality of the golden rolling hills of California. So perfect and beautiful even though I never had a tape or LP or a CD of it until 12 years after it came out, until after we lost Kate. Still its power comes to me as it did on an old radio sitting in an Oakland apartment, the signal fighting its way all the way up from KFAT ("because we need the bucks) down in Gilroy.
The vision of California that Kate weaves on all her records is preciseless, unique real, and a treasure even if much of it is sweeten myth.
I feel so bad that I lived in San Fransisco and Oakland and travelled up and down California and the West Coast in the late 1970s and early 1980s when Kate was doing her best work and only saw her sing once. There was something to her voice that gets through to me, something pure. Part of Kate's magic is the superb arrangements and backup that got from the musical genius Nina Gerber her main accompaniest. Nina is now out there solo alot. If you like guitar and this kind music check out Nina too.
Oh Kate, why didn't we realize how much of a golden treasure you were when you were among us. In her memory think of a performer you might miss like we all miss Kate--well that isnt fair because thats a big ideal to measure up to--how about someone you would miss half or a quarter as much as I miss Kate, and make sure you go see them while you can, and maybe bring a friend, bring two. How about going to see everyone on this record who is touring and ask them to do a Kate Wolf song, or better, ask them to do whatever song Kate liked them to play for her.
sweet love..........2001-10-15
Radiant proof that Kate Wolf was a first rate lyricist.......2001-07-03
In memoriam Kate.......2001-06-14
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Not Fade Away (Remembering Buddy Holly)
Various Artists Manufacturer: Umvd Special Markets ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002OWS Release Date: 1996-01-02 |
Tracks:
- Peggy Sue Got Married - Buddy Holly & The Hollies
- True Love Ways - The Mavericks
- Well... All Right - Nancy Griffith
- Midnight Shift - Los Lobos
- Not Fade Away - The Band/The Crickets
- Think It Over - The Tractors
- Wishing - Mary Chapin Carpenter/Kevin Montgomery
- Oh Boy! - Joe Ely & Todd Snider
- Crying, Waiting, Hoping - Marty Stuart & Steve Earle
- It Doesn't Matter Anymore - Suzy Bogguss
- Maybe Baby - Nitty Gritty Dirt Band
- Learning The Game - Waylon Jennings
Customer Reviews:
Highly recommendable Buddy Holly tribute.......2003-10-10
This 1996 tribute to Holly is a labour of love and a worthwhile album in its own right .Predominantly a country music affair it gives a number of stellar performers the chance to pay tribute to a lasting influence in American musis.
It has its weaknessses -the opening track Peggy Sue Got Married ,which features Holly's own vocal grafted onto a new version by the Hollies is over arranged and for me it simply does not work .Also the take on Midnight Shift by Los Lobos is too plodding for my taste .Yet all else is fine and in some cases better than that.
The soaring version of True Love Ways by the Mavericks is passionate and beautiful;Nanci Griffith and the Crickets add something new to Well All Right make it sound well at ease in her usual "folkabilly" style;the perfect pitch of Suzy Boguss on It Doesn't Matter Anymore comes close to the original,while other highlights include a nice version of Think It over from the Tractors.
Check out the duet between Steve Earle and Marty Stuart on Crying ,Waiting ,Hoping for new insights into a Holly song,;listen to the Bo Diddly-ish attack on Not Fade Away by the Band and the Crickets but above listen to the simplest arrangement of all on the most affecting track of the lot-the reflective take on Learning the Game by the great Waylon Jennings.With a simple guitar accompaniment he cuts to the heart of the song bringing the gravitas of the years to the deceptively simple song .Its called experience and its priceless.
This does not Buddy down even when adhering closely to the original arrangement as in the Nitty Gritty Dirt Band cut of Maybe Baby
A pleasing album.
Buddy will never fade away.......2003-03-21
The remaining recordings were all (as far as I know) completely new for this album and feature a mix of rock and country performers. Buddy's former band, The Crickets, lend their support to Nanci Griffith on Well all right and to The Band on Not fade away.
My favorite track here is It doesn't matter anymore, featuring outstanding guitar picking by Dave Edmunds and brilliant singing by Suzy Bogguss. Actually, I think all the tracks are great, except Peggy Sue got married which is merely OK. You have to like both country and rock music to agree with me. If you only like one of these genres, you may only like some of the tracks here.
Despite a recording career cut short by death, Buddy's influence on pop, rock and country music is substantial. This is a fitting tribute album, although it would have been nice to have more than twelve tracks.
Great Memories of Holly.......2002-10-03
Buddy Holly still lives........2002-07-07
This is a good tribute album. The best version of a Holly song here is "Midnight Shift" by Los Lobos, a hard-rocking, smoky, mysterious tune. I don't know the song in the original Holly version. Also good are "Maybe Baby" by the Nitty Gritty Dirt Band and "Not Fade Away" by the Band and the Crickets. The mix of Buddy Holly's voice with a new background and the Hollies on "Peggy Sue Got Married" is also kind of cool. But where is Holly's most famous song, "Peggy Sue" with its absolutely unique, unforgettable, machine gun rhythm?
I suspect we'll still be listening to Buddy Holly in 2050 and new interpretations of his songs will appear every decade or so. He's one of the best from the early days of rock and roll.
Worth the price, nice interpretations of Holly"s songs.......2000-11-01
All in all a solid cd for the collection.
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Women and Children Die First
Remembering Never Manufacturer: Ferret Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00018U8OE Release Date: 2004-01-27 |
Tracks:
- For the Love Of Fiction
- The Grenade In Mouth Tragedy
- Plotting A Revolutin In A Minor
- The Glutton
- "From My Cold Dead Hands"
- The Color of Blood and Money
- Incisions
- Closed Caskets
- All That Glitters Is
- Serenading This Dead Horse.
Customer Reviews:
Remembering Never Mature, But Don't Lose Their Edge At All.......2005-12-24
Make no mistake, this album is heavy. If "She Looks Good So Good In Red" was heavy, then I'd say multiply that by about 10, and you have the extremity of this record. This makes tracks like "For The Love Of Fiction" and "From My Cold Dead Hands" two of the standout tracks on the album because of their unrelenting and overwhelmingly devastating sound. As far as breakdowns go, Remembering Never has definitely turned it up for this release. This means if you love the chug, you're going to be in heaven when listening to WACDF. Not just that, but RN also works in creative additions to their breakdowns, not just the typical "dun-dun-dun stop" style. The most maturity from the band comes from Pete's lyrics. Where "She Looks So Good In Red" was all about hatred and love lost, "Women And Children Die First" shows that Pete has obviously gotten over a lot of his bitterness and turned his attention to the outside world. This means nothing is safe, including religion, meat eaters, the government and loyal-less individuals. This makes the record miles ahead of where the last one was in terms of content, because you not only get the emotional, anger-filled rage of "Incisions" and "All That Glitters Is..", but also extremely thought-provoking messages in "Closed Caskets", "The Glutton" and "The Grenade In Mouth Tragedy". This makes the album nothing of a disappointment, and instead a considerable stepping stone in the evolution of Remembering Never's sound.
Now as for the drawbacks of the album, there are a few. First since Remembering Never has obviously upped the heaviness of their sound of this record, it has made some songs sound extremely, extremely similar to one another. This isn't a very bad thing, but sometimes a listener could feel bogged down by the one dimensional sound "Women And Children Die First" offers. The last album gave you many different varied looks at Remembering Never's style, and it worked very well, whereas WACDF concentrates solely on the aggressive side of the band. One of the particular things that was prominent on the last record and is absent from this one was the use of the acoustic guitar fills. This elevated many of the songs found on "She Looks So Good In Red." Along those lines There's a definite lack of melody in Pete's vocals, as he primarily concentrates on screaming this time around. While his screaming vocals are excellent, I liked his wide use of clean vocals on the last record a lot, and while here and there Pete occasionally throws in some melodic singing on this cd, I think that's definitely a missing piece of this album. Also sometimes the band seems just too concentrated on being heavy. I mean I love breakdowns just as much as the next guy, but when you listen to a song with 8 or 9 of them, it gets old by the time you hit the tenth track. A lot of these songs seem better tuned to be played live, because when you're in a live environment you can interact with the band or dance all you want.
Overall "Women and Children Die First" isn't a disappointment in any regard. In fact on many levels it's an extreme accomplishment for Remembering Never. While it does have its inconsistencies (and they are small ones), "Women And Children Die First" is a must for fans of metalcore/hardcore, especially the breakdown friendly variety. The band's ability to expand their lyrical content and concentrate on certain aspects of their sound is one of the best and most surprising features about this album. While I still prefer "She Looks So Good In Red", I have a hard time turning this one off before listening to all ten tracks. The band is equally as talented live so be sure to check them out when you get a chance. Now open up that dance floor!
Move over Bury Your Dead.......2005-12-12
A breakdown lover's wet dream..........2005-12-11
Holy S**t!!.......2005-12-01
crushing, thoughtful, original.......2005-10-24
Remebering Never: crushing, thoughtful, original. Definitely worth buying.
PS - for you PanterA fans, you just might recognize the hidden track at the end.
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Remembering
Patsy Cline & Jim Reeves Manufacturer: Mca Special Products ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002NXV Release Date: 1990-10-25 |
Tracks:
- I Fall To Pieces - Patsy Cline
- So Wrong - Patsy Cline
- Misty Moonlight - Jim Reeves
- Back In Baby's Arms - Patsy Cline
- Missing You - Jim Reeves
- Walkin' After Midnight - Patsy Cline
- The Blizzard - Jim Reeves
- Why Can't He Be You - Patsy Cline
- Distant Drums - Jim Reeves
- Leavin' On Your Mind - Patsy Cline
Customer Reviews:
Not Long Enough.......2005-08-29
Could We Use These 2 Today!.......2002-02-16
Oldies but not so goodies!.......2001-06-12
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Remembering Patsy Cline
Various Artists Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000AYLJT Release Date: 2003-09-09 |
Tracks:
- I Fall To Pieces - Natalie Cole
- Why Can't He Be You - Norah Jones
- Back In Baby's Arms - Amy Grant
- Crazy - Diana Krall
- Strange - Michelle Branch
- She's Got You - Lee Ann Womack
- Leavin' On Your Mind - K.D. Lang
- Walkin' After Midnight - Terri Clark
- You're Stronger Than Me - Rebecca Lynn Howard
- Faded Love - Patty Griffin
- So Wrong - Jessi Alexander
- Sweet Dreams (Of You) - Martina McBride
Customer Reviews:
As someone who's new to Patsy Cline's music..........2007-02-17
They butchered those beautiful songs.......2006-11-28
A few gems in a well-intentioned mess.......2006-03-24
For the bad, "I Fall to Pieces" is an amazing heartbreaking song and Natalie Cole is completely unequipped to sing it (at least she didn't sing it as a duet with Patsy a la Unforgettable.) Norah Jones and Michelle Branch, two talented singers dealing with their own material, are unable to pull their respective numbers off (incidentally, Norah fares much better on "Just Because I'm a Woman" a similiar but much more successful tribute to Dolly Parton.) Diana Krall's reading of "Crazy" is strangely flat, as is kd Lang's washed-out "Leavin on Your Mind." The latter was particularly surprising because at first glance I expected this to be the standout track. Patty Griffin's rendition of "Faded Love" might have been good but seems drowned by the production.
There is yet some hope for this CD though. Lee Ann Womack does a brilliant, wrenching version of "She's Got You" and Terri Clark smokes on "Walking After Midnight." Amy Grant's cover of "Back in Baby's Arms" is suprisingly good as well. The final track is an a capella rendition of "Sweet Dreams" by Martina McBride with backing vocals from Take 6. Although I didn't really enjoy Take 6's contribution, this was well-executed otherwise.
While cover versions can often be an interesting twist or occasional improvement on the original, I think buying a Patsy Cline album would be a much better use of your hard-earned money OR look into Loretta Lynn's "Sings Patsy Cline's Favorites."
Patsy was one of a kind ..........2005-11-18
Two other cuts miss the mark: Natalie Cole's approach to "I Fall to Pieces," well, falls flat - primarly because Natalie Cole's singing style is somewhere between a bray and a whine. And I have issues with Martina McBride and Take 6's version of "Sweet Dreams," largely because they're so enamored of the soundscape that the song gets completely lost in the shuffle.
But the other cuts are pretty snazzy, each for a different reason. Norah Jones' reading of "Why Can't He Be You?" conveys just the right air of ambivalence. Amy Grant's Texas swing-style arrangement of "Back in Baby's Arms" captures the good cheer of the song, and some of its sass as well. Diana Krall's rendition of "Crazy" proves not only that a great song is a great song in ANY setting, but also that a smart musician with a fresh approach can reveal new meaning in a song you've heard a zillion times. Michelle Branch's "Strange" is a bit, um, strange, in that she has an oddly unpleasant voice - and yet her interpretation somehow works. Terri Clark puts some muscle into "Walkin' After Midnight," Rebecca Lynn Howard tears the roof off of "You're Stronger Than Me," Lee Ann Womack gets to the emotional meat of "She's Got You," and Patti Griffin imbues "Faded Love" with such sadness and a sense of loss that I almost don't miss the ragged intake of breath that made Patsy's original such a stunner.
And then there's k.d. lang. The perfect, velvety vocals ... the powerful sound and equally powerful feeling ... the world-weary, "I've been through this before and I know what's coming" tone ... this is one brilliant recording. Never afraid to take a song apart and put it back together again, she's one of the truly great singers of this - or any - generation.
I'm a bit mystified by the reviewers here who seem to feel this CD doesn't qualify as a "tribute" because the singers, for the most part, bring their own individual style to their tracks. Isn't that what Patsy herself did, to the everlasting good fortune of us all?
"Sweet Dreams" Are Made Of This.......2005-09-16
Meditation Music:
- Rendez-Vous
- Revolutions
- Romantic Harp
- Sea of Bliss
- Sea of Dreams
- Sea of Joy
- Seasons
- Sensitive Touch
- Seven Tons for Free
- Shabda Yoga
Meditation Music
Famous, Rich and Beautiful [Import]
Music: Bigger Than Life Collection [Box set]
Highlights from Songs of Faith [Import]
Message from the Tribe: An Anthology of Tribe Records, 1972-1977
Gluck: Overtures and Ballet Music