| 1. Part 1: 7 Dilruba/Spanish Classical Guitar/Dilruba/5 Dilruba/2 Kortho |
| 2. Part 2: 7 Dilruba/2 Ki un Ki |
| 3. Part 3: 8 Ballast-Strings/3 Dilruba/Tin Whistle/Balinese Gong/2 Sho |
Darkness and Light,Stephan Micus,Polygram Records,Ethnic Fusion,Jazz Music,Minimalism,Neo-Classical
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Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLI8 Release Date: 2004-11-30 |
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Darkness into Light
John Tavener , The Chilingirian Quartet , and Anonymous 4 Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008RV0I Release Date: 2003-04-08 |
Tracks:
- O Lux Beata Trinitas
- Jube Domine/In Principio
- Come And Do Your Will In Me
- Christe Qui Lux Es
- Lectio Ysaye Prophete/Surge Illuminare
- As One Who Had Slept
- Medie Noctis Tempus Est
- Vidi Civitatem
- The Lord's Prayer
- Quinque Prudentes Virgines
- The Bridegroom
- Inventor Rutili
Amazon.com
Darkness into Light is the title of this new Anonymous 4 CD, and, indeed, many of the works refer to the perils and glory, religiously speaking, of the former and the latter, respectively. Sprinkled within the eight 12th- to 14th-century hymns, all beautifully performed and interestingly varied in tone and use of voices, are four works by the contemporary British composer John Tavener, one of which is receiving its recorded premiere and was composed for Anonymous 4 and the Chilingirian Quartet. It is called "The Bridegroom," and in its 17-plus minutes examines the metaphor of Christ-as-Bridegroom, with the strings standing for Christ and the four voices, in the words of the composer, for "the people of the world, full of that longing which is a kind of Divine eros." Be that as it may, it contains some wonderful high-lying vocal lines, many short, phrases and a series of long-held, fading-out notes. The effect is very interesting and the string quartet adds to the mystery. The other three Tavener works are in the same vein. Whether or not one subscribes to Tavener's only occasionally convincing brand of religiosity, the performances here--of his music and the rest--are gorgeous, as the Anonymous 4 sing with their usual combination of abundance and absolute purity--an odd combination, but a unique one. The ear is constantly enchanted here, even if one finds the ancient piety more appealing, universal, and convincing than the modern. --Robert LevineCustomer Reviews:
The Etheral Tavener.......2006-09-05
A Beauty that aches.......2004-02-20
This album struck me much the same way Palestrina's Pope Marcellus mass struck me the first time I heard it. It's the kind of music that makes you lean back with your mouth open; wordless at the music that would be too divinely beautiful to touch if you could see it. It makes me whisper soft praises at the sheer love that God has inspired in certain musicians.
I like the medieval songs interspersed with Tavener's pieces. A perfect combination.
Heavenly music without equal.......2003-12-15
DARKNESS INTO LIGHT's "subtitle" if you will is MEDIEVAL & MODERN--A MYSTICAL JOURNEY. I could think of no better way to describe the mood these works set: you do feel a sense of mystery and anticipation as you "journey" from one hymn to the next. I use the word hymn in the general sense, as the works have more than just a liturgical or religious sound that comes forth upon listening again and again. I literally get chills and am enthralled in particular by the Tavener selections presented here (Come and do Your will in me is I believe the most beautiful choral work of Tavener's and the most beautiful permformance I have heard from Anonymous 4 ever!)
Anonymous 4 in collaboration with the Chilingirian Quartet lavish great care and passion on these four pieces as they do with the entire album. The Tavener works are certainly the highlight if you are a devoted collector of his music as I am.
Not only is the singing and musicianship of both quartets astounding, the packaging for the CD is itself quite attractive and informative. Harmonia Mundi has placed the CD within a book that opens to display the four-color liner notes booklet. No need to fumble with removing the booklet from a traditional jewel case--a nice touch for those of us who enjoy reading the essays and production notes associated with a classical recording. The booklet is quite handsome, and includes two color plates, one probably attributable to Hieronymus Bosch, and one from the Tres Riches Heures du Duc de Berry, 15th c. France. Also included are librettos in English, French and German.
The 12 tracks are as as follows:
1) Vespers hymn: O lux beata trinitas
2) Jube domine/Lection: In principio
3) TAVENER: Come and do Your will in me (voices & strings)
4) Compline hymn: Christe qui lux es
5) Lectio ysaye prophete/Lection: Surge illuminare
6) Tavener: As one who has slept (voices & strings)
7) Nocturn hymn: Medie noctis tempus est
8) Leccio libri apokalipsis/Lection: Vidi civitatem
9) TAVENER: The Lord's Prayer
10) Alleluia: Quinque prudentes virgines
11) TAVENER: The Bridegroom (voices & strings)
*world premiere recording
12) Hymn for the New Light: Inventor rutili
This album must be heard to be appreciated. Whether you are familiar with Tavener and the quality of Anonymous 4 & the Chilingirian Quartet's recordings, or are new to all this, do yourself a tremendous favor and get a copy now! The production quality is nothing less than superb, as you would expect from Harmonia Mundi and the ladies of Anonymous 4.
This is my personal selection for CLASSICAL MUSIC ALBUM OF THE YEAR.
Completely Enchanted by this Exquisite CD.......2003-11-03
The Bridegroom.......2003-07-19
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Mystic Journey
Manufacturer: Autumn Light Productions ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000040JKR Release Date: 1999-12-14 |
Tracks:
- Topanga Dreams
- Katyia's Dance
- China Lily
- Fertile Crescent
- Lhasa Love
- Aduman
- Darjeeling Sunrise
- Clouds across the Darkness
- Silver Lake
- Lotus
Album Description
About this CD (notes from the artist )Topanga Dreams
Since 1988, I've lived in Topanga, California. This small mountain town has taught me the true meaning of community. By being there for each other, we can make dreams come true. May all your dreams come true...
Katyia's Dance
This song has evolved from being a solo dance performance piece in our Mystic Journey shows into a passionate tango...for two. So grab someone you love and enjoy the dance!
China Lily
This flute was a gift from my Dize (rhymes with pizza) teacher and is one of my favorites. Whenever I play it, I am transported to a place of inner peace and stillness.
Lhasa Love
I found this melody in a book of traditional Chinese folk songs, It was called Tibetan Dance before we transformed it into a lively multicultural boogie!
Aduman
Although there are many dialects spoken in the West African region of Guinea and Mali, the universal word for "sweet" amongst all the tribes is aduman.
Darjeeling Sunrise
Inspired by an Indian sunrise raga, this song reflects the experience that I had when I was on top of Tiger Hill in Darjeeling, India, witnessing a magical sunrise illuminating the awesome Himalayan mountains.
Customer Reviews:
A Poetic Journey..........2004-05-05
Nice!.......2004-01-01
Fabulous!.......2002-07-05
Fabulous.......2001-06-28
Makes you want to listen and dance at the same time.......2000-08-31
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Out of the Darkness, Into the Light
Michael Stribling Manufacturer: Leela Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000L22UT6 Release Date: 2007-01-01 |
Tracks:
- - Driven
- - Out of the Darkness, Into the Light
- - Northern Lights
- - Letting Go/Afterthought
- - Seven Faces of Home
- - Ripples of Awareness
- - Reflection
- - Longing
- - Water Nebula
- - Glory and Honor/A Glimpse Beyond
Product Description
The follow-up to the #1 debut album (Songs of Hope and Healing), "Out of the Darkness, Into the Light" is a collection of 10 new age instrumental compositions that celebrates the journey from our ego-driven nature to higher levels of awareness and consciousness. There's plenty of evocative heart music here, with lush harmonies and moving melodies.Customer Reviews:
From Solo Piano Publications.......2007-01-19
The CD opens with "Driven," a piece whose pounding beat and intoxicating rhythm I find completely addicting. In the car, I had the volume up to the point of being almost painful and kept hitting the "repeat" button on the CD player. My piano students could probably hear me coming from several blocks away! Sure to bring a smile and more than a few head bobs! From there, we get down to more serious business. The title track takes us on a journey that begins with the feeling of dark mystery that is non-threatening, but not entirely comfortable. As the piece unfolds, it explores several themes, gradually brightening until it breaks into the light as the darker theme fades out. "Northern Lights" gives the feeling of floating in darkness that is deep, but also very peaceful and beautiful. Various sounds suggest the changing colors of the Northern Lights as they melt from one breathtaking hue to another. Gorgeous! "Letting Go/Afterthought" is much more introspective and melancholy. The middle section of the piece is solo piano, personalizing it even more. One of my favorite tracks is "Longing," which begins with a very simple but compelling rhythmic theme that suggests a plucked stringed instrument. That theme continues throughout the piece as string washes add fullness and color. Becoming more orchestrated as it evolves, the simple theme comes to the forefront from time to time. As feelings of longing are, the piece is tinged with sadness and loss, but is not without hope. Very effective! "Glory and Honor / A Glimpse Beyond" begins on a jaunty, upbeat note. More melodic than most of the works, it also has an infectious rhythm and a playful spirit that segues later to the ambient feeling of crystalline open space and of floating peacefully on air.
"Out of the Darkness, Into the Light" is a fascinating musical journey and one that I really enjoyed. Recommended!
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Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock
George Frideric Handel , Arleen Auger , Anne Sofie von Otter , Trevor Pinnock , The English Concert & Choir , Michael Chance , Howard Crook , and John Tomlinson Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000057DB Release Date: 1990-10-25 |
Tracks:
- Messiah: Part One - 1. Sinfony (Grave - Allegro moderato)
- Messiah: Part One - 2. Accompagnato : Comfort Ye My People
- Messiah: Part One - 3. Air : Ev'ry Valley Shall Be Exalted
- Messiah: Part One - 4. Chorus : And The Glory Of The Lord Shall Be Revealed
- Messiah: Part One - 5. Accompagnato : Thus Saith The Lord Of Hosts
- Messiah: Part One - 6. Air : But Who May Abide The Day Of His Coming
- Messiah: Part One - 7. Chorus : And He Shall Purify
- Messiah: Part One - 8. Recitative : Behold, A Virgin Shall Conceive
- Messiah: Part One - 9. Air and Chorus : O Thou That Tellest Good Tidings
- Messiah: Part One - 10. Accompagnato : For Behold, Darkness Shall Cover
- Messiah: Part One - 11. Air : The People That Walked In Darkness
- Messiah: Part One - 12. Chorus : For Unto Us A Child Is Born
- Messiah: Part One - 13. Pifa (Pastoral Symphony)
- Messiah: Part One - 14. Recitative: There Were Shepherds Abiding In The Field - Accompagnato: And Lo, The Angel Of The Lord - 15. Recitative: And The Angel Said Unto Them - 16. Accompagnato: And Suddenly There Was With The Angel
- Messiah: Part One - 17. Chorus : Glory To God In The Highest
- Messiah: Part One - 18. Air : Rejoice Greatly, O Daughter Of Zion
- Messiah: Part One - 19. Recitative : Then Shall The Eyes Of The Blind
- Messiah: Part One - 20. Air : He Shall Feed His Flock
- Messiah: Part One - 21. Chorus : His Yoke Is Easy, His Burthen Is Light
- Messiah: Part Two - 22. Chorus : Behold The Lamb Of God
- Messiah: Part Two - Air : 23. He Was Despised
Tracks:
- Messiah: Part Two - 24. Chorus : Surely He Hath Borne Our Griefs
- Messiah: Part Two - 25. Chorus : And With His Stripes We Are Healed
- Messiah: Part Two - 26. Chorus : All We Like Sheep Have Gone Astray
- Messiah: Part Two - 27. Accompagnato : All They That See Him
- Messiah: Part Two - 28. Chorus : He Trusted In God
- Messiah: Part Two - 29. Accompagnato : Thy Rebuke Hath Broken His Heart
- Messiah: Part Two - 30. Arioso : Behold, And See If There Be Any Sorrow
- Messiah: Part Two - 31. Accompagnato : He Was Cut Off Out Of The Land
- Messiah: Part Two - 32. Air : But Thou Didst Not Leave His Soul
- Messiah: Part Two - 33. Chorus : Lift Up Your Heads, O Ye Gates
- Messiah: Part Two - 34. Recitative : Unto Which Of The Angels
- Messiah: Part Two - 35. Chorus : Let All The Angels Of God Worship Him
- Messiah: Part Two - 36. Air : Thou Art Gone Up On High
- Messiah: Part Two - 37. Chorus : The Lord Gave The Word
- Messiah: Part Two - 38. Air : How Beautiful Are The Feet
- Messiah: Part Two - 39. Chorus : Their Sound Is Gone Out
- Messiah: Part Two - 40. Air : Why Do The Nations So Furiously Rage
- Messiah: Part Two - 41. Chorus : Let Us Break Their Bonds Asunder
- Messiah: Part Two - 42. Recitative : He That Dwelleth In Heaven
- Messiah: Part Two - 43. Air : Thou Shalt Break Them
- Messiah: Part Two - 44. Chorus : Hallelujah
- Messiah: Part Three - 45. Air : I Know That My Redeemer Liveth
- Messiah: Part Three - 46. Chorus : Since By Man Came Death
- Messiah: Part Three - 47. Recitative : Behold, I Tell You A Mystery
- Messiah: Part Three - 48. Air : The Trumpet Shall Sound
- Messiah: Part Three - 49. Recitative : Then Shall Be Brought To Pass
- Messiah: Part Three - 50. Duet : O Death, Where Is Thy Sting?
- Messiah: Part Three - 51. Chorus : But Thanks Be To God
- Messiah: Part Three - 52. Air : If God Be For Us
- Messiah: Part Three - 53. Chorus : Worthy Is The Lamb That Was Slain --- Amen
Amazon.com essential recording
This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great time. A joyous performance, just right for the holiday season. --David HurwitzAmazon.com
Trevor Pinnock meets with mixed success in this account of the Messiah with the English Concert & Choir and soloists Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, and John Tomlinson, recorded and released in 1988. Its strengths are the strengths of the early-music movement in general. The size and distribution of the instrumental and vocal forces are optimal, which means that textures are clear and balances apt. Rhythms are nicely pointed, though often, in Pinnock's case, not quite well enough sprung. Tempos are well chosen; for example, "All we like sheep"--which turns out to be one of the set's best numbers--is a real bourré, and Pinnock animates it in just the right way. But the performance often seems workmanlike and unemotional, weighed down in too many instances by the humdrum work of the chorus. The alto section in particular, which is half male and half female, sings timidly and is constantly swallowing its entrances. Bass soloist John Tomlinson is a further drag on the effort. He has the right idea--that there's an Italian opera hiding behind all this biblical imagery--but his cottony sound is out of place, a misguided attempt to mimic Nicolai Ghiaurov. His usable range is less than a tenth (he croaks the low G's and F-sharps), and his diction is horrible. "Thus spake the Lord" is strangled, and when, in "The trumpet shall sound" Tomlinson gets to the words "we shall be changed," one can't help wishing that he had been changed too, right before the sessions started. --Ted LibbeyCustomer Reviews:
Ladies & gentleman: The Lord'n Savior, God Almighty.......2007-06-13
So Fashionable, and So Disappointing.......2007-02-01
Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?
Arleen Auger has a very sweet voice. And??
Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.
The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.
Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."
Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.
A nice combination of period nad tradiitonal.......2006-12-17
This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.
The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.
Wait! Before you buy..........2006-05-28
La mas bella y fidedigna interpretacion que se pueda obtener.......2004-12-29
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Light of Day, Day of Darkness
Green Carnation Manufacturer: The End Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005UK1F Release Date: 2002-01-08 |
Tracks:
- Light Of Day, Day Of Darkness
Album Description
Full title - Light Of The Day, Day Of Darkness. Immensely epic in scope, blasting through dark passages of swollen, over-distorted guitars to serene, idyllic moments of acoustic & choral enchantment, this release will surely go down in history as one of the most progressive, innovative albums to ever see the light of day. More than 30 musicians were involved into this epic project, including full opera & children's choirs, classical composers, saxophonists, church organists & a lot more. This highly complex work of art was recorded using 150 tracks & almost 600 samplers. The End Records.Customer Reviews:
A COMEPLETE MASTERPIECE - In every sense of the word..........2007-05-17
The epic nature of this song is really hard to describe in words. Although I have listened to it multiple times in its entirety I am always amazed by its brilliance. The band utilizes a full orchestra with their powerful riffs to create climactic build-ups within the composition. The intensity of these developments sometimes lead straight into another guitar sequence of even more epic proportions. The male vocals on this composition are perfectly suited to the mood and flow of the piece, sung mostly in a baritone type range, with some operatic sections and minimal yelling. The female chanting/singing in the middle section of the song is wonderfully appropriate followed by a lengthy guitar solo that is completely euphoric.
The tones used for many of the riffs are a high-pitched metallic sound that immediately result in serious head-banging. The great thing about this piece is how some of the riffs are recurring throughout while also incorporating newer soundscapes into the composition as it unfolds, thus creating a complete song - unlike other bands who seem to combine multiple songs into one just for the sake of creating a single song.
No amount of words can ever do this album justice - it quickly became one of my favorite albums ever upon hearing it a few times through. If you like epic progressive metal this is a must have!
RECOMMENDATION: If you want to hear other metal of epic and progressive nature then check out Aghora's album 'Formless'. The riffage will not disappoint you!
a differant, but equally intersting green carnation.......2006-10-18
It starts off with some samples and acoustic guitars, light drums and clean vocals. This sets the mood for the album. It is a dark reflective peice of music, yet this is not doom metal, nor does it get particularily heavy or fast at any point.
The Song is a series of passages and twists and turns. Passages are repeated and referred back to in various places so the listener can grab some sense of familiarality, and it ends much like it finishes. But inbetween there is many parts, some good riffs and some nice vocal parts, both clean and black metal inspired.
This peice however is not about choruses and riffs, it is about atmosphere and mood and it creates these very well.A dark reflective song it can engulf the listener as it evolves and changes, builds up to false climaxes and unexpected changes.
It could be perhaps more varied, yet like i said the peice sets a mood and it does so very well. Even so, there is a fair amount of textures and dynamics here, ranging from picked acoustic guitars, to double pedals and distorted guitars, to (original) clean vocal, to black metals vocals, to tense string-like riffs even to saxaphone solos and female scat singing.
The lyrics are about the fall into insanity which add to the musical depth of the album.
this album is worth buying if you are into intelligent metal at all, opeth, agalloch, black metal, katatonia etc...
In short, this is not a novelty project, it is a complete peice as a whole (even though it is part 1 of a later sequal) with a varied soundscape and use of dynamics. Heavy at times, darkly beautiful at others.
worth hearing if you are into metal / rock / experintal or just have an ear for good music
thankyou
A prog-metal epic that lives up to the hype!.......2006-04-22
In all honesty, so does this recording. It isn't an "absolute, must have or your life will be unfulfilled" kind of recording. However, it is better than most skeptics like myself would have thought. Even my "metal-phobic" friends and co-workers enjoyed this effort. It's got enough metal to have a bite when needed and enough prog to draw you into their world. I've only listened to the album 7 times since buying it a couple weeks ago, so I'm not too deeply involved into the lyrics and story. Then again, I rarely pay attention to lyrics unless they are audaciously bad.
I'm not going to go into minute by minute detail other than to say as others have said that the female vocalist's solo in the middle of the song is not only bad, but it is also out of place and ill-fitting the rest of the music. Personally, I ripped this into a sound editor, removed that section, and reassembled the track. That alone puts it in the 4.5 star category. All in all, this is well worth the $12 investment and will definitely provide a lot of musical enjoyment in the years to come.
could have been better........2005-10-08
I decided to put the 60 minute opus on while I write this review. There are some great riffs at the start, and indeed, throughout most of the first 30 minutes, but that's about where it ends. Kjetil Nordhus' voice kind of reminds me Jonas Renkse, the singer from Katatonia. It's very pleasant, and has a sad, lamenting quality that doesn't sound overdone.
It's pretty obvious that the 60 minute track is actually several different songs tied together, and in that respect it's not written very well. Good progressive music is beginning at one point and arriving at an entirely different point and not being able to explain exactly how you got there because it sounds so natural. An example would be Agalloch's brilliant song In The Shadow of Our Pale Companion. This track isn't like that. It's not arranged very well, but it's not bad either. It's just not something I get lost in.
There are some great moments in this album, though. Great riffs, but most of them happen before minute 33. Indeed, it's when you're cruising along to a kickass riff that the song drops off a frickin' cliff and goes into a quiet passage. The vocals change, and the woman kind of reminds me of Lisa Gerrard from Dead Can Dance, although less impressive. This halfway point is usually where I start the CD over, because as I said before everything up to that point is really, really good. The song just loses a ton of momentum at the halfway point, and even though I've heard the whole thing on more than a couple occasions, I can't be arsed to review it proper. So I'm just going to say it was less impressive than the first half, although there's some good stuff happening around minute 44-55.
The quiet passage just doesn't work for me at all, which is unfortunate because it cuts the song in half. It would've been better to end quiety with it, because then the arrangement would've at least made some sense.
If you're a fan of progressive music, or if you are interested in this band/CD soley on the strength of the bands it is associated with (like me), then you'll probably dig it. It's certainly not epic SOUNDING, nor is it life-changing, so as long as your expectations are in check you'll be okay.
Great CD.......2005-08-25
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Ghosts of the Abyss (Original Motion Picture Soundtrack)
Various Artists Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008RV1J Release Date: 2003-04-08 |
Tracks:
- Departure
- Main Title
- Apprehension
- Getting Ready
- Titanic Revealed
- Floating Above the Deck
- Dangerous Recovery
- Valse Septembre
- The Windows
- Jack and Elwood
- The Bots Go In
- Titsy Bitsy Girl
- The Grand Staircase
- Exploring the Staterooms
- Song Without Words
- Elegance Past
- Building the Ship
- I...I Had To Go
- The Ship's Engines
- Alexander's Ragtime Band
- The Final Day
- The End
- Memorials
- Go Toward the Light
- The Next Morning
- Nearer My God To Thee
- Saying Goodbye To Titanic
- Eternal Father, Strong To Save
- Darkness, Darkness
Customer Reviews:
great cd.......2003-10-04
"Ghosts of the Abyss Soundtrack".......2003-04-15
Ghosts of the Awesomeness.......2003-04-14
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Darkness into Light
Priscilla Herdman Manufacturer: Flying Fish Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000MKL Release Date: 1992-09-29 |
Tracks:
- The Faith Of Man
- When The Children Come Home
- Old Jack Ryan
- I Remember Loving You
- Lonesome Road
- The Coming Of The Roads
- wood River
- Rockin' In A Weary Land
- From The Lambing To The Wool
- Ain't I A Woman
- Turn Around/The Gartan Mother's Lullaby
- Walls And Windows
- Peace Must Come
Customer Reviews:
Darkness Into Light.......2007-01-04
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Light out of Darkness (A Tribute to Ray Charles)
Shirley Horn Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000046QQ Release Date: 1993-09-21 |
Tracks:
- Hit The Road, Jack
- Just A Little Lovin'
- You Don't Know Me
- Drown In My Own Tears
- Hard Hearted Hannah (The Vamp Of Savannah)
- Georgia On My Mind
- Makin' Whoopie
- Green (It's Not Easy Being Green)
- Bye Bye Love
- The Sun Died
- How Long Has This Been Going On
- If You Were Mine
- I Got A Man
- Just For A Thrill
- Light Out Of Darkness
Amazon.com essential recording
Shirley Horn's tribute to Ray Charles is typically idiosyncratic yet unaffected by a need to justify the critical hype. She plays organ as well as piano while Charles Ables doubles on bass and guitar and Gary Bartz adds soulful alto-sax obliggatos. Horn's versions of "Hit the Road, Jack" and "I Got a Man" replace the gospel fire of the originals with sexy, lighthearted swing, while "Drown in My Own Tears" is more torch ballad than bluesy hymn. The album's emotional centerpiece is "Green (It's Not Easy Being Green)," a tune Brother Ray borrowed from Kermit the Frog. Amazingly, Horn finds deeper meaning in the lyric than either of them. --Rick MitchellCustomer Reviews:
Wonderful Tribute.......2003-10-04
A Nice Tribute To Ray Charles.......2002-07-27
My favorites are the ballads because, in my opinion, that is her strength and in this area, I think she has few peers. She sings the way Miles Davis used to play a ballad with his trumpet, making extremely effective use of space within the melody. As such my two favorites on this cd are "The Sun Died" and the title song.
Especially Ray Charles or Shirley Horn fans should enjoy this one.
Terrific tribute to Ray Charles.......2001-10-18
My favorite Shirley Horn.......2001-09-19
Rare Sensibility plus a Unique Repertoire.......2000-07-09
Maybe some say it is not the most representative Ray Charles. Also maybe some say it did not tingle but Ms.Horn did hit the road and made it with the personal Ray Charles material. Great renditions of "Being Green" and Gershwin's "How Long Has This Been Going On". There is also an extraordinary rendition of "The Sun Died", a French song wonderfully recorded by Mr. Charles. Impressive!
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Songs of Darkness, Words of Light
My Dying Bride Manufacturer: Peaceville UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E5KU5G Release Date: 2006-03-14 |
Tracks:
- The Wreckage Of My Flesh
- The Scarlet Garden
- Catherine Blake
- My Wine In Silence
- The Prize Of Beauty
- The Blue Lotus
- And My Fury Stands Ready
- A Doomed Lover
Product Description
1. The Wreckage Of My Flesh
2. The Scarlet Garden
3. Catherine Blake
4. My Wine In Silence
5. The Prize Of Beauty
6. Blue Lotus
7. And My Fury Stands Ready
8. A Doomed Lover
Format: CD
Customer Reviews:
Call iit what you will........2007-06-13
Meditation Music:
- Duck Rock
- Echoes
- Empetus
- Europa
- Evocation
- Eyes of the Morrow
- Fingerdance [Original recording remastered]
- For the Beauty of the Earth
- Gang of One
- Garden of Dreams
Meditation Music
Bach: Magnificat; Ascension Oratorio
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